• 3 months ago

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Transcript
00:00Hi, how are you?
00:04Chef!
00:07Hello, open up!
00:08Chef!
00:11Wow, a Government!
00:14How are you dad?
00:15Hi younis dad
00:16Listen son
00:17when are you going to open the vault?
00:19We are totally okay
00:21We are more than ready
00:22We just don't know how to open it
00:23Just kidding, we got you
00:25That's it?
00:26Just open it!
00:27I'm going to get some eggs so we can open it.
00:29You're going to get the bag. Open it.
00:33Your soul is dear to me, Javi, my friend.
00:36I paid a lot of money for it.
00:39And a lot of blood.
00:41And who hit me? I don't know.
00:44Looks like you're on a mission.
00:46And a lot of people are asking for your soul.
00:48But no one is more important than me.
00:51I am the owner of the truth.
00:54And I bought you from all of them.
00:56Until you give birth to a baby.
00:58And he dies in front of you.
01:01And then you die.
01:05Thank God you're safe.
01:08I'm going to finish the door and make you a pillow.
01:22What is this?
01:23Oh, it's just a pillow.
01:25It's just a pillow.
01:27I bought it for a little money.
01:29I bought it for a little money.
01:31But it's a pillow.
01:33A pillow?
01:35And who are these people?
01:37These are my staff.
01:39And this is Gina, from Italy.
01:41They're my friends.
01:43We have a business and a lot of things going on.
01:45Hey, man.
01:47Do you want to hit me more than you already have?
01:49I'm not going to hit you.
01:51How did you know?
01:53Don't be surprised, man.
01:55The truth has two sides.
01:57And for people, too.
01:59It's a known fact.
02:01It's a known fact, man, because it's not ours.
02:03Come here, man.
02:05It's an honor, man.
02:07It's an honor and a pleasure.
02:09Goodbye.
02:11Oh, man.
02:13Oh, man.
02:17I'm going to let you die.
02:19I'm going to let you die.
02:21And I'm not going to let anyone take you from me.
02:31Oh.
02:35You did it, man.
02:37You took the mummy
02:39and put it in its place, man.
02:41You don't want to take my love
02:43and leave me?
02:45I saved you from the curse.
02:47The curse?
02:49The curse of the pharaoh?
02:51No.
02:53The curse that separates two lovers from each other.
02:55The biggest curse.
02:57Oh, man.
02:59Oh, man.
03:01Salima came this time.
03:03Malhoga.
03:05Where is she?
03:07What?
03:09What are you going to do again?
03:11Are you going to take her?
03:13No.
03:15Never.
03:17Leave the lover next to his lover.
03:19Oh, man.
03:21Oh, man.
03:23Oh, man.
03:25Oh, man.
03:27Oh, man.
03:31Goodbye, son.
03:33Goodbye, Ali.
03:35Yes.
03:39Take care.
03:45Hmm.
03:55Hmm.
04:15Hmm.
04:23Hmm.
04:31Hmm.
04:45Hmm.
04:47Hmm.
05:15Hmm.
05:17Hmm.
05:19Hmm.
05:21Hmm.
05:23Hmm.
05:25Hmm.
05:27Hmm.
05:29Hmm.
05:31Hmm.
05:33Hmm.
05:35Hmm.
05:37Hmm.
05:39Hmm.
05:41Hmm.
05:43Hmm.
05:47Hmm.
05:51Hmm.
06:03Hmm.
06:05Hmm.
06:07Hmm.
06:09Hmm.
06:11But it's not the only one Yahya sees and knows.
06:14What do you mean?
06:17There's another one from Nassar.
06:20Take it.
06:21Take it.
06:23Don't film, I'll give you another one.
06:25Go.
06:30Why did Yahya increase the price of the subway, my dear?
06:33To get us a profit.
06:34No.
06:35If there's a profit, he loses, and if there's a profit, he wins.
06:38I don't understand you, Ayouni.
06:39No, I understand you, Malih.
06:4012 pounds for the subway is a lot.
06:42I don't get it.
06:43Who's going to pay the bills?
06:45Me.
06:46And who's going to pay the last round?
06:48It's all my turn.
06:51And the last three times, and you blame Uncle Faiz and not us.
06:55Isn't that strange, Yahya?
06:57Why?
06:58And I'm going to tell him how much I spent,
07:00and I'm going to go and eat?
07:02I didn't say that.
07:03But I don't think it's a good idea.
07:05You sleep and leave the envelope next to you,
07:08and someone else opens it, looks at it, and returns it again.
07:12I don't like your idea, Younes.
07:14Ah!
07:16The children of the uncle didn't leave anything for the children of the uncle.
07:19You live and give it to yourself.
07:20You don't have any good intentions.
07:22Don't talk to me like that.
07:23I'm not saying that you're a traitor.
07:25I'm saying that you're a beggar.
07:26And a beggar's house rots before a traitor's house.
07:31There's no one else who can estimate the costs.
07:34But I noticed the price.
07:38It's like in the old days.
07:39Seven pounds for a meter.
07:41It's a loss.
07:42It costs seven pounds more.
07:43It's a loss.
07:44How can it be a loss?
07:45I want it to be a loss.
07:47It's a loss if it doesn't make money.
07:49You're free.
07:51Free?
07:52I'm not free.
07:53Who's free?
07:56Go.
07:57Go.
08:05How's your mother, Ghad?
08:07She's fine.
08:08She greets you.
08:11What's the matter?
08:12You didn't say anything.
08:14The hearts have greeted you for a long time.
08:16And your sisters too.
08:17Thank God.
08:18The worry comes from year to year.
08:20She's far away and her husband is far away.
08:22And she's good-natured.
08:23Congratulations.
08:24You're free.
08:25We heard the good news.
08:27God bless you.
08:28Nothing has happened to me yet.
08:30And if it happens,
08:31we'll all be blessed.
08:34God bless all the girls.
08:36God bless all the girls.
08:37God bless all the girls.
08:38And your brother, Chebl.
08:40Ghalban.
08:41When will you be happy with him?
08:43This is our great happiness.
08:45What do you drink, Ghad?
08:46Nothing.
08:47Thank you.
08:48You're welcome.
08:50Gheza.
08:54My daughter, Gheza.
08:55Yes.
08:56You'll make Ghada happy.
08:58And keep your eyes on her.
09:00Don't say anything.
09:01Okay.
09:02Go.
09:04Hello, Ghad.
09:05How are you?
09:06Did you know where to come?
09:08The love story between my mother and my father-in-law
09:10must be made into a series.
09:11And it will be aired in Ramadan.
09:15How is the bride?
09:16The bride?
09:17What bride?
09:18Your husband doesn't like her.
09:19He doesn't like Yonis?
09:21I don't know him.
09:22He's always by himself.
09:23Every time a groom comes to me,
09:24Yonis talks to him.
09:26He hates me for the groom and what he brought.
09:29The juice, Mrs. Ghada.
09:31Thank you, Gheza.
09:33Is there anything?
09:35No.
09:36There's nothing.
09:39I found a dress for her
09:40so she can dress me up like any other groom.
09:42I thought I'd show you something.
09:44And a stupid dress with a bad mood.
09:47Oh, Gheza.
09:49Tell me, Ghada.
09:50What do you think of your husband?
09:52I told Yonis the truth.
09:54I don't love him or hate him.
09:56But when I met him,
09:58I found him very nice.
10:01Nice?
10:02You mean you like him?
10:04He's not like that.
10:07He's religious and respectful.
10:09He's a good man.
10:12So tell Yonis that you're crazy to accept him?
10:14As you wish.
10:20Look, Safa.
10:22Oh, Ghada.
10:25I'll sit with you and you'll tell me the secret.
10:27You'll enlighten us, my dear.
10:30Drink, my dear.
10:31I'll drink.
10:32I'm ready.
10:41What's going on, Dayoub?
10:43Are you going to do something you don't understand?
10:45I'm paying you for everything.
10:47It's Yonis' role to hand over the money.
10:49We know that story.
10:51And what do you care about the price?
10:53If you hadn't paid all your friends there,
10:56why would you pay them?
10:58The price is lower than all the roles.
11:00Do you want us to lose?
11:01I don't care about the loss or the gain.
11:04What I care about is my own situation.
11:08Okay.
11:09I'll tell the man,
11:11and you're free.
11:12He doesn't drink it.
11:13So what?
11:14Do you want us to lose to make him lose?
11:16Is there such a thing?
11:17You can't do this to your father.
11:19He doesn't like me.
11:20Everyone has a different opinion.
11:23I work and I lose.
11:25But staying at home is my goal.
11:28I don't understand this.
11:30Loss is loss.
11:31Get us out of it and drown in it.
11:35Drown in it.
11:37But I won't leave him either.
11:39He'll show me.
11:41He'll see how.
11:44The next day
11:54Uncle Hijab!
11:56What took you so long?
11:58Are you here for a walk?
12:00I was sick, dad.
12:02I'm sorry.
12:03You're the one who's sick.
12:05I haven't seen you since you were sick.
12:08Do you know how to make tea, coffee, and anise?
12:12Of course I know.
12:13I know how to make tea with anise.
12:17Okay.
12:18From now on, you're an office boy.
12:21Boy, boy, boy.
12:23Okay.
12:24Come in.
12:26Come, Uncle Hijab.
12:43Of course, Uncle Hijab.
12:45You don't have a place to stay in this country.
12:51What?
12:52Did you sleep again?
12:53No.
12:54I did an analysis.
12:56But I didn't do my homework.
12:57We'll do your homework.
12:59You'll sleep here in the office.
13:01I'll have everything you need.
13:03Your mattress, your bed, your food, and your soup.
13:08And your vacation.
13:09What?
13:10There's no vacation.
13:11You're a man.
13:12You don't have a job to take a vacation.
13:16Okay.
13:17I wanted to travel the country to see the kids.
13:20What?
13:21To have fun with me.
13:25You're going to leave on Thursday.
13:27Are you coming back on Sunday?
13:28Yes, I'm coming back on Sunday.
13:30What are your numbers?
13:31What numbers?
13:32Your phone numbers.
13:33What phone numbers?
13:34Two.
13:35Eight.
13:36Two is enough.
13:37Shamsh and Gamar.
13:38Mrs. Shamsh and Mrs. Gamar.
13:41I told you I wanted them to have a decent life.
13:43These numbers are my security.
13:47What?
13:48If I give them to you, you'll be my brother-in-law.
13:52What brother-in-law?
13:53We've seen you since you were a kid.
13:55Give me the numbers.
13:56Okay.
13:57Give me the numbers.
14:00She's the one in the paper, right?
14:02Yes, but it's not her.
14:03What's it to you?
14:04Come on.
14:06I'll tell you the number,
14:07and you'll call me when you talk to her.
14:09Right away?
14:11Yes, right away.
14:13And remember well,
14:15that love is the intelligence of distance.
14:17If you don't get too close,
14:18it will cancel the flutter.
14:19Yes, the number.
14:20Or if you get too far,
14:22it will cancel.
14:23What a dreamer.
14:25The number.
14:26Zero, one, two, seven.
14:29Wait.
14:30Zero, one, two, seven.
14:32Seven.
14:34Five.
14:36Five, two, five, one.
14:38Five, one.
14:39Five, one.
14:40Cancel day.
14:42Call her and tell her you love her.
14:44Come on.
14:45Leave what's in your hand and go.
14:50It's a strange number.
14:52It's okay.
14:53Answer it.
14:55Hello?
14:57Hello?
15:00How are you?
15:02Thank God. Who is this?
15:04I'm Shibl.
15:05Shibl?
15:06The Shibl I heard about you...
15:08At the workshop?
15:09The Shibl I heard about you at the workshop
15:11and gave you a call.
15:14Shibl?
15:15Do you remember me?
15:17Mr. Shibl, how are you?
15:19How did you know my number?
15:22How did I know your number?
15:24Tell her the truth.
15:27I will tell you the truth.
15:29Speak.
15:30I went to the workshop
15:32and I didn't find anyone.
15:33I asked around and...
15:34Mr. Shibl.
15:35Mr. Shibl.
15:36Mr. Shibl.
15:38I took his number.
15:41Are you upset?
15:43No.
15:44Why would I be upset?
15:46Because you gave me the number.
15:48No, I'm not upset.
15:50What are you doing?
15:51Me?
15:52I'm here.
15:54I'm fine, thank God.
15:57I'm the happiest person in the world today.
16:00Why would I lie to you?
16:03Did I say something wrong?
16:06What's wrong?
16:07I mean, I'm going to talk like this.
16:10Where are you?
16:12I want to see you.
16:15See me?
16:16Yes.
16:17I mean, I want to see you.
16:18I can see you in my arms, by the way.
16:21What do you mean, in my arms?
16:22Are you a mouse?
16:25Are you pregnant?
16:27What?
16:28What are you saying?
16:29What?
16:36No.
16:37It's just a little blood.
16:39It's heavy.
16:40A little blood.
16:41You said a little blood?
16:42Yes.
16:43If there's blood, he'll jump.
16:49Hello?
16:51How are you, wife?
16:52God bless you, Mr. Shibl.
16:53How are you, artist?
16:54I'm fine, thank God.
16:56I'm so proud of you.
16:57I'm so proud of you.
16:58I feel the same way.
17:00There are new works in Ramadan.
17:02I've been through a lot.
17:04Put your foot down, you son of a bitch.
17:07I swear, no one can make you an artist except me.
17:11God bless you, Mr. Shibl.
17:12This time, I want you to love the role, wife.
17:16I want you to love it.
17:17Because this time, you're in the role of the king.
17:18God bless you.
17:19And your name is Kinzab al-Ateesh.
17:20God is the greatest.
17:22What's your phone number?
17:24My phone number is Chinese.
17:25But it's true.
17:26He's not Chinese.
17:27But his camera is shiny.
17:29It's 10 inches.
17:30What?
17:3110 inches.
17:3210 inches?
17:37I need to clean the kitchen so there's no salt left.
17:40Take it.
17:43How much does it cost?
17:44A million and a half.
17:45One.
17:46One?
17:47One.
17:50What does he do for you?
17:51No.
17:52What does he do for us?
17:54Look, guys.
17:55We're going to the governor's door.
17:57Enough!
17:58Shut up!
18:01Don't argue with the fools.
18:04They'll take you to the level of the fool.
18:06And they'll beat you.
18:08Mark, where are you?
18:10Where?
18:11Where?
18:12Where?
18:13Go!
18:14I'm coming, I'm coming.
18:19Go!
18:24Go!
18:25Go!
18:26Go!
18:27Go!
18:52There's no such thing as this.
18:55This is the land of the state and the governor.
18:57Whose state and governor?
18:59I have a witness from the days of my ancestors.
19:02What about your ancestors?
19:04The 20 states belong to the state.
19:06There's no such thing.
19:07We didn't say anything.
19:08You're going to say it's the state's land.
19:10And I'm going to say it's my land.
19:11And I'm going to donate half of my land to the state.
19:13I think the governor won't object because it's a school for children.
19:16You're going to bring me the governor's approval to donate.
19:19And I'll never forget this.
19:21You're going to donate the governor's land.
19:23The governor's land?
19:24The governor's land?
19:25It's all yours, sir.
19:26From Degna and Ftilo.
19:27Go to Afrit.
19:31And what am I going to win?
19:32Hold on, sir.
19:33Count these.
19:35You're kidding me.
19:36We're going to count them here?
19:37We're going to count them.
19:38It could be something missing or something cut or something.
19:40Believe me.
19:43Drink the tea.
19:44Drink the tea.
19:50You're kidding me.
19:51We're going to count them here?
19:53It could be something missing or something cut or something.
19:57God bless you, Murabbi.
19:59You're a great artist.
20:01An expert, sir.
20:03Of course.
20:04An expert.
20:05You look like a rich man who appears in high-profile TV shows.
20:11And you're good at dubbing.
20:12Dubbing?
20:13What do you mean by dubbing?
20:15What?
20:16What do you mean by dubbing?
20:17It's dubbing and editing.
20:19You're good at a lot of things, sir.
20:22I don't like this kind of acting.
20:26What?
20:27I don't like this kind of acting.
20:28What do you mean?
20:29The acting.
20:31What acting?
20:32The ones who don't have any talent.
20:35I don't like you.
20:36Sit down, my dear.
20:38Sit down.
20:39I want to hear your artistic side.
20:42Imagine yourself in a TV show and say,
20:46They'll make fun of us and say things like this.
20:49And you're happy with that?
20:53We're happy to be disturbed.
20:55And our voice is not bad.
20:57Because we're men and we're proud.
20:59You're a son of a bitch.
21:00You're a son of a bitch.
21:01You're a son of a bitch.
21:02What?
21:03It's not good to be in Egypt.
21:04You're a son of a bitch.
21:05And a son of a bitch.
21:06And a son of a bitch.
21:07What's this?
21:08What's this?
21:09What do you mean?
21:10What do you mean?
21:11What's this?
21:12What's this?
21:13What's this?
21:14You have a right.
21:16Come on.
21:17Send us the stone now.
21:22Send us the stone now.
21:26What are you going to do with the CD, Younes?
21:30Younes?
21:31Get up, you son of a bitch.
21:32Send us the stone.
21:35I'll wait for your answer.
21:38Tell me, Younes.
21:43But this is the end.
21:44It's the head that's going to be cut off.
21:50A new project for your presence is changing the shape of the governorate.
21:53Younes.
21:55I'm not missing.
21:56People will say that the governorate has destroyed the ancient house for the sake of the rich.
22:00I swear, dad, since Facebook came out and this country has been reduced to its real estate.
22:04Any small family has not yet reached the point where they can say anything.
22:08A small bus like this, is burning the world.
22:11And what do his friends do?
22:13They share likes, comments, and go to the grave.
22:16Look.
22:18I'm not here to get in the way and ruin my whole history.
22:22That's not why.
22:23I'm here to present you with a new project.
22:25A world cinema festival.
22:28Southern cinema.
22:30Between the mountain and the Nile.
22:31What?
22:33A cinema festival?
22:34Of course.
22:36I'm standing next to him.
22:38And I'm not joking.
22:39Imagine, sir.
22:40When Morgan Freeman, Natalie Portman, Nicole Kidman, and Jennifer Lopez get together.
22:46The country will be in a mess.
22:48And we'll make music, and dance.
22:50And we'll get a man to spin around us.
22:52Someone will taste this.
22:53Tannoura.
22:54Tannoura.
22:55And then.
22:56A new governor will come.
22:58A world-class governor.
23:00And Abdelaziz Bounsar.
23:03This cinema festival needs support from the Ministry of Culture.
23:06And hotels, and a play.
23:07A very big job.
23:09You need everything you have on paper.
23:11A good enough education.
23:13And then.
23:14You have hotels.
23:16You have three theatres.
23:18And Abdelaziz Bounsar.
23:19Is ready to provide places for tourists to stay.
23:24Where the love of the mountains.
23:26And the past.
23:28Your imagination is very broad.
23:30Do you want me to leave the problems that have no beginning or end to make a cinema festival?
23:34Problems never end, sir.
23:36But this festival.
23:37This festival.
23:38Will light up the social media sites.
23:40The international youth.
23:41Sleep on the deck.
23:42And drink from the pool.
23:44And eat from the walk.
23:45What is life?
23:46And then Twitter will be on fire.
23:47Look at the hashtag.
23:48What will it say?
23:49It will say to you.
23:50The new governor.
23:51Is thinking outside the box.
23:53Okay.
23:55I'll see, Younes.
23:56Leave the project.
23:58But the palace.
24:00Calm down, Younes.
24:03And you calmed him down.
24:04This is not a good move.
24:05This is not a good move.
24:06Don't blame God, sir.
24:07I didn't do it by hand.
24:23No one beat me in this world except you, old man.
24:27Are you here, mom?
24:36Don't be sad.
24:40I've been judging you for years.
24:42And your sisters in the old shoes.
24:46Except you.
24:48I'm not sad for you.
24:50I'm not sad for you.
24:52And I'm not sad for you.
24:54What did I do to deserve all this?
24:57Let me tell you.
24:59No.
25:00No, not no.
25:03You broke me.
25:05Why?
25:06Why?
25:07No, mom.
25:08Please don't cry.
25:10I swear to God.
25:13My heart is broken.
25:15Very broken.
25:18And what happened to all this, mom?
25:20So I can go out with Younes.
25:23Everyone with her will get out.
25:26Do you know who is Younes and who is Fadda?
25:28I know, mom.
25:30My brother and my wife.
25:31No.
25:32Younes and Fadda.
25:33They destroyed your mother and ruined her life.
25:36Before them,
25:38I had my word on everyone.
25:40Big and small.
25:42And your father was big above everyone.
25:44And I'm big above him.
25:48What do I do with you?
25:50Your father dies blind and doesn't see you.
25:53You don't care about her son and ruin their lives.
25:57And I'm alone at home.
25:59Overwhelmed by my life.
26:00And my son, God gave him to me.
26:03To be with them.
26:04Not with me.
26:06Not with you, mom.
26:08Because he and I are friends.
26:10I'm your enemy.
26:12I'm your son, your lover.
26:14How can I be your lover?
26:16I can't.
26:19I don't hate anyone under the sun.
26:21Except them.
26:24And I don't love you.
26:28But me, mom.
26:29I love you.
26:32I can't stop you.
26:35But I can.
26:37Maybe sooner than this.
26:39What will you do, mom?
26:41I'll stop my soul.
26:43I won't talk to you, I won't ask you, I won't be with you.
26:46And there's nothing between you and me until I die.
26:49Stay with them.
26:52When you need me,
26:53you'll find me.
26:55Alone.
26:57When you need me,
26:59you'll find me.
27:03How are you, Khaled?
27:05How are you, Youssef?
27:09I missed you.
27:10I missed you too.
27:12What's this nice visit, uncle?
27:15I was at the governor's house,
27:17I was just finishing up.
27:19I thought I'd tell you.
27:21It's a blessing.
27:22What are you drinking?
27:23Nothing much.
27:25I drank a lot inside.
27:26I'm not a picky man.
27:28A cup of coffee in a cup of coffee.
27:30What do you do?
27:32Thank God.
27:34How are you?
27:35Thank God, I'm good.
27:38What do you do?
27:40What do I do?
27:42It's a routine job.
27:44Taking care of people,
27:45taking care of them,
27:46and going out.
27:48We have to make ends meet.
27:50Yes.
27:51Gilel,
27:52when you find a government employee
27:54who has a conscience,
27:56everyone will work for 15 minutes
27:57and tell you to give up your money.
27:59No, no, no.
28:01It's a matter of conscience.
28:03If he has children,
28:04and he doesn't take money from them,
28:06God forbid,
28:08where will he go with them, uncle?
28:12Yes, I swear, Abu Muhammad.
28:15What was forbidden,
28:16can't be done.
28:18What was permissible, can be done.
28:19What is permissible,
28:20can't be done.
28:23That's what you said.
28:25You drink coffee.
28:28That's enough.
28:30Tea.
28:32Tea, Saeed.
28:33Four spoons of sugar.
28:36Four spoons of sugar.
28:39Glory be to God.
28:42YouTube and hot videos
28:45drive people crazy.
28:47I have nothing to do with it.
28:48It's all about the virtual reality.
28:50The virtual reality, Khaled,
28:52drives half the people crazy.
28:54And hot videos
28:55drive the other half crazy.
28:57You'll open up, brother.
28:59You'll find strange things.
29:01It's going to be something crazy.
29:03If that's the case,
29:04I'll turn down the volume.
29:06No, don't be afraid.
29:08I...
29:10made a silent.
29:12Show me, Youssef.
29:19How...
29:21How did it get to you?
29:23It's permissible, Khaled.
29:25That's it.
29:27There's no privacy anymore.
29:31Cameras are everywhere, Khaled.
29:33In the drawer.
29:35In the office.
29:36In the closet.
29:40You need to be careful, Khaled.
29:42If you hurt your hand,
29:44there's someone else's hand.
29:45If you hurt your hand,
29:47there's someone else's hand.
29:49I'm your uncle's son.
29:51What can I do for you?
29:53I can scratch you.
29:54I can massage you.
29:56I can also make you
29:57a gift CD.
30:01Yes.
30:03You're right.
30:06Go with him, Khaled.
30:08And with someone else.
30:10Yes.
30:11Yes, Youssef.
30:13There are seven things, Khaled,
30:14that can destroy a person.
30:16Pleasure without conscience.
30:19Wealth without work.
30:22Commerce without morals.
30:25Science without humanity.
30:27And the rest, I don't remember.
30:29Ghandi.

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