مسلسل Las Pelotaris 1926 موسم 1 حلقة 5
مشاهدة مسلسل Las Pelotaris 1926 موسم 1 حلقة 5
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Transcript
00:00Satsang with Mooji
00:05Satsang with Mooji
00:10Satsang with Mooji
00:15Satsang with Mooji
00:20Satsang with Mooji
00:26Satsang with Mooji
00:31Satsang with Mooji
00:35Satsang with Mooji
00:40We all have a dream to fight for.
00:45Something we wake up to every day.
00:48Something we breathe.
00:50The road to that dream is never easy.
00:54But you have to persevere.
00:56Take risks.
01:03When I was a kid, I didn't even know this sport existed in London.
01:07But when I came to these lands, I fell in love with it.
01:15The Basque ball will give me everything I have.
01:17This crossbar and the love of my life.
01:25I was recently offered the opportunity to be part of the modernization of this sport.
01:30To change my men's crossbar for one that would give women the place they deserve.
01:40You shouldn't sign the contract. It's not right.
01:44He's your husband.
01:46So, without further ado,
01:48with all of you,
01:50the new crossbars of the Betty Jai crossbar of Donosti,
01:54led by our champion, Iroya Recalde.
02:00Thank you.
02:11Do what you do. I'm fine with it.
02:19And the sensation of the season,
02:24Itzia Galaran!
02:30Do what you do.
02:32I'm fine with it.
03:00Do what you do.
03:02I'm fine with it.
03:07Do what you do.
03:09I'm fine with it.
03:30Do what you do.
04:00I always knew I wanted to be a champion.
04:03Since I was a child.
04:05When I read a story about a game of Ibarreza,
04:08from that moment I knew I wanted to be like her.
04:13And what are your impressions after receiving the most important award in Mexico City?
04:18As you know, many things are speculated about what happened the day the city keys were given to you.
04:25Yes, your colleagues in the press are good speculators.
04:30As you know, I had an accident after proclaiming myself champion.
04:34I had several injuries and they had to give me very strong medications.
04:37Some cause hallucinations.
04:40Does that mean that it was the medication that caused the crisis you had during the ceremony?
04:48That's what I mean.
04:50That's why I traveled to this beautiful corner, far from the city.
04:55To heal myself.
04:57I see.
04:59And excuse me, do you think you can give me the names of the medications you were taking?
05:03No.
05:05But I can give you something better.
05:07An exclusive.
05:11I'm going to Spain.
05:13On a trip?
05:14No.
05:15To live.
05:16Permanently.
05:21Welcome to Los Andados.
05:23Who was able to paint it?
05:24What do you think?
05:25The Indians who were sitting in the stands.
05:30Are you okay?
05:31Yes, don't worry, it's just a sprain.
05:33Who wants to see the first poster of our front?
05:37Me.
05:39Let's go to the changing room and see that ankle.
05:42Wow, how nice.
05:43At the end, I played the first game. I thought I was going to play the last one.
05:46Of course, Coro, because we have to start strong.
05:49You must be Joaquín III.
05:54Well, I don't have a number, but you can call me...
05:58and I'll give you the big one.
06:04You are nothing more than a fashion.
06:06You will be in the street the day people realize
06:08that to see a girl's legs,
06:11it is enough to go to the cabaret.
06:12Or the brothel.
06:16Well, those of you who are in the fucking street are you.
06:20So take your friends and their four neurons
06:24and get out of our court.
06:43That boy will be Mónic Picútero and I will be Leite Sela.
06:46They are a bunch of people.
06:48Let's go.
06:49Come on, I invite you to some chestnuts, do you want?
06:51And a better girl.
06:52Oh, what a scare, daughter.
07:12What's up?
07:32Well, in the end it wasn't such a bad idea.
07:34What is it?
07:35Being a partner in this front.
07:40What's up?
07:41And this?
07:42It's a telegram for Chelo.
07:45And you keep it in your arms?
07:46Yes, for the rubber.
07:48I see.
07:50Do you keep it there to write it down?
07:52Well, it wouldn't be very smart to remind you.
07:55This week you have ripped me off several times with your teeth.
07:58Dear Chelo.
08:00Don't put that voice on.
08:02You already know her.
08:03It's not the one you put on your mother.
08:05That idiot.
08:07I'm glad you're better, stop.
08:11How I would like to be there with you to suck you.
08:15How do you put that voice in the back of my head?
08:18This.
08:26Have you seen Aitziar Galaran?
08:29No, boss, she's not here.
08:31Tell her I want to see her in my office, immediately.
08:36Okay.
08:47We agreed that I would spend a few days alone.
08:50But when we agreed on that, I didn't know about your intentions.
08:57I was going to let you know.
08:59And you were going to leave...
09:03Without your shawl?
09:06Do you think the weather over there is like here?
09:09No.
09:10No, it's winter.
09:12And in winter it's cold as hell.
09:15I know.
09:17I don't live on the moon.
09:19And you also forgot this.
09:22I have missed you, Lupita.
09:25There is no one to talk to.
09:27Is that all?
09:29No, it's not all.
09:36Ardela, you can't go to another country without your favorite song.
09:41Do you remember?
09:43How everyone looked at us while we danced to it at the wedding.
09:47It seemed like we were floating in a dream.
09:50I remember.
09:51How everyone looked at us while we danced to it at the wedding.
09:54It seemed like we were floating in a dream.
09:59I don't know.
10:01I thought that maybe one day you would want to remember it.
10:05Remember us.
10:08I'm in a wheelchair.
10:11We lost a child.
10:13That's the only thing I can remember about us.
10:21We lost a child.
10:29Another telegram from Mrs. Itziar.
10:41Very well.
10:43Thank you.
10:45Dear Chelo.
10:48You don't know how much I miss you.
10:52I'm glad you're better.
10:54I like you.
10:56I'm even here to kiss you.
11:11Yes, hello.
11:13Yes, hello.
11:15What's the story?
11:17What the hell do you want?
11:19I want you to do me a favor.
11:22And I want you to do it to yourself too.
11:24I want you to do it to yourself too.
11:40What about your friend?
11:42Hasn't she arrived yet?
11:47Can I know what's going on? I can't wait until tomorrow.
11:50I just spoke to the Chamber of Commerce of La Pelota
11:52and they have declared the dismissal of my players out of the question.
11:56What?
11:58What do you mean out of the question?
12:00He has to hire the men players again.
12:02But that can't be done, can it?
12:04There's an article in the statute that prohibits a massive dismissal like this
12:09if it's to replace the entire squad.
12:12And you're such an idiot that you didn't know?
12:14No, I didn't know.
12:17But I can turn it around.
12:20I just need time.
12:22Why?
12:24Do we share the front with these idiots?
12:26Do we tell the girls that they're going to be charged half for indefinite time?
12:29That wasn't the deal.
12:31I have a provisional solution
12:33so they can keep charging what we promised them.
12:37Do you really want to go from town to town like puppeteers?
12:40It's only until the English kick these assholes out of the front.
12:43And while they do it this way, we make more money than sharing the cartel with them.
12:47Come on, say it. They trust you.
12:49Raider has given up.
12:51So everything we get out of town will be for us.
12:53We'll go through Pasaya, Eibar, Marquina
12:55and some other town that I can't remember right now.
12:58But we're not going to Renteria, are we?
13:00No, what's wrong with you and Renteria?
13:02Nothing's going to happen to me.
13:04The front is a mess.
13:06We'd start tomorrow.
13:08There are six flights.
13:10What do you say?
13:12I'm not sure.
13:14Let's go.
13:19Do you think this will work out?
13:21It's better for us.
13:23It's them!
13:25It's them, I told you!
13:27Are you Mrs. Recalde?
13:29Yes.
13:33Thank you.
13:38Can I sign, Mrs. Recalde?
13:40Of course.
13:49Let's go.
13:56Why is she leaving?
13:58Why is she leaving?
14:10Ma'am, you have a visitor.
14:12Is Rosa back yet?
14:15Renato.
14:17Thank you, Wenceslao.
14:19You look great.
14:21You've had a wonderful rest.
14:23Thank you.
14:25Can I sit down?
14:33Alejandro called me to ask me to convince you to stay in Mexico.
14:37He asked me to offer you a position in the front,
14:40in the executive or in the technical department.
14:44I won't do it.
14:46You have my support to leave.
14:49And if you want, besides my support, you also have my company.
14:54I don't understand you.
14:59Look, Chelo.
15:01I don't know how to do these things.
15:03My father taught me a lot about business,
15:06but not about how...
15:08well,
15:10talking to women.
15:12And...
15:16I worry a lot about you.
15:18I've always worried a lot about you.
15:20That's why you asked me to abort.
15:24It's true.
15:26It tortures me to think about it.
15:28That caused the blow Alejandro gave you,
15:31the fall.
15:33I'm to blame for everything.
15:35Don't give yourself so much importance.
15:42It was harder with you
15:44than it would have been with any other player.
15:47Chelo,
15:49I did it because I couldn't stand the idea
15:51that you would live forever tied to that man.
16:00Let me accompany you to Spain.
16:11What have you done now?
16:19What are you doing here?
16:21What do you want?
16:24Can't I come to see my daughter?
16:27It was you, wasn't it?
16:29The one who filed the report and you come here to make fun of yourself.
16:32I felt proud.
16:34You can believe me.
16:36I was impressed that you were such a bitch
16:38to try to ruin your father.
16:42But you still have a lot to learn, my daughter.
16:45You're a beginner.
16:47Alan will solve all this.
16:49If you want to stay on the street, do it yourself.
16:52But what would you do with the girls?
16:55If you come back with me today,
16:57I'll keep your salary.
16:59If you come back tomorrow,
17:01a 90%.
17:03If you come back the day after,
17:05an 80%.
17:06An 80%.
17:08For every day you miss,
17:10a 10% less.
17:12You decide how much you want to lose
17:15with this nonsense.
17:29I should tell the girls.
17:31Do it.
17:33Kaiso, let's go.
17:35Kaiso.
17:37I don't want to.
17:39I know.
17:41I don't want to decide for them either.
17:43Do whatever the fuck you want, Mario.
17:45Let's see, Izzi.
17:47They left the front in front of your father chasing a dream, right?
17:49And they were very excited, weren't they?
17:51Yes.
17:53Come on, don't kill me.
17:55Well, maybe the best thing for them is for you to decide.
17:57Look at them.
17:59They're scared to death.
18:00They'll go without looking back.
18:02And remember that fear has never been a good advisor.
18:06I'm going to miss you a lot.
18:08Well, you and Anne.
18:14Well, I don't know about me,
18:16but something tells me that you're not going to miss Anne.
18:20Hi.
18:22Hi.
18:30Hi.
18:46Do you want a cigarette?
18:48No, thanks.
19:01I'm scared to death.
19:04Scared of what?
19:06That this turns out badly.
19:09Why would it turn out badly?
19:12Three years ago it already turned out badly.
19:17Anne, you leaving me was the worst thing that has ever happened to me in life.
19:20I don't know what to do.
19:22I don't know what to do.
19:24I don't know what to do.
19:27I don't know what to do.
19:28Anne, you leaving me was the worst thing that has ever happened to me in life.
19:33If it happened again, I couldn't stand it.
19:37And if?
19:39Three years ago, medium.
19:41And how do you know what time?
19:44I don't know.
19:47But if you want me to put it in writing, I'll make you a contract.
19:52I wish I could.
19:58I wish I could.
20:21Mrs. Raider.
20:23You must be the mayor.
20:25Nice to meet you.
20:26Nice to meet you.
20:28Or you don't know what a pleasure it is to have you here today.
20:30It's all been a bit quick and unexpected, but the people, the town is delighted.
20:35Look, here you have the party schedule.
20:37Of course, you are invited to everything.
20:39To the Moose championship, sardine, track and field, whatever you want.
20:42Well, maybe after the games.
20:44Where can the girls change?
20:46Well, the guesthouse is next door, but I don't think you have the rooms ready.
20:49So?
20:51Well...
20:57Yes, yes, the priest is going to be the referee.
20:59Everyone in town has told me.
21:01With Sotana and everything, huh?
21:03First the excursion through the town, and then the front without a side wall.
21:06The priest, referee, and now this.
21:08But Ferraz, it's for my panties. He's eating my panties.
21:10Well, girl, it's for panties.
21:12Yeah, but those are the ones from Valenciaga that they gave us the other day.
21:14Come on, let's go, let's go, before they eat us all.
21:15Hey, newbie, what are you doing with the boss' wife?
21:17Me?
21:19Yes, I've seen you sitting together on the bus before.
21:21What were you talking about?
21:24Well, work, what are we going to talk about?
21:26Yes.
21:28Yes?
21:30What's the matter, that I can't be nice to people?
21:32That you are a psychopath who is not able to sign an autograph.
21:35A poor child doesn't mean that the others can't be nice to you.
21:38I don't know what you're talking about.
21:40I don't know what you're talking about.
21:42I don't know what you're talking about.
21:43You can't sign an autograph.
21:45A poor child doesn't mean that the others can't be nice to you.
21:47What does that mean?
21:49I don't know, you tell me.
21:53Who was that boy, Hideoya?
21:58Get into your business.
22:13Go, go, go!
22:15Move up, move up!
22:17Get in!
22:18This is full of puddles.
22:30You can't play, eh!
22:32Go here, go here!
22:34Go, go, go!
22:36Go, go, go!
22:38Go, go, go!
22:40Go, go, go!
22:43Idoia, this is dangerous.
22:45Stop complaining and let's play.
22:48Get out.
22:49Idoia, my father has made us an offer to come back with him.
22:52What?
22:53If we do it today, he'll keep our pay. I'll tell the girl.
22:55Don't even think about it.
22:56Don't even think about it.
22:57Have you seen where we're playing?
22:58Do you think they deserve this?
23:00What they don't deserve is to be with a boss who takes advantage of them, like your father.
23:03This shit is provisional.
23:05And yes, don't do anything stupid.
23:07It's incredible that you think I'm not angry.
23:09Get out.
23:12Let's go.
23:13Let's go.
23:19Coro!
23:20Coro!
23:21Coro!
23:22Coro, I need you!
23:24Coro, I need you!
23:26Let me go!
23:27Let me go!
23:28Coro!
23:29Coro!
23:42Que vainu lo viera todo mi querer
23:47Por una como esa
23:52Todas las locuras
23:54Is this really
23:57the song you danced with Alejandro on your wedding day?
24:00I've always liked that song a lot, Rosa.
24:03And where did you get the record?
24:06Alejandro brought it to me.
24:07Alejandro was here?
24:08Renato also came.
24:10The boss?
24:11Sí, se quiere ir conmigo a España.
24:15¿Renato quiere irse contigo a España?
24:17¡Shh!
24:18¿No quieres gritárselo a todos?
24:20¿Pero cómo? Pues así es tan loco.
24:23Sí, pero por ti.
24:25¿Qué crees?
24:26Tan loco como para irse a ese país donde nadie se baña,
24:29todos se gritan y comen sangre con burlada.
24:33Ay, Rosa.
24:37Oye...
24:41¿Por qué no me contaste lo de España?
24:45Porque sabía que intentaría sacármelo de la cabeza
24:48y no quería que lo consiguieras.
24:51Ahora ya toda la prensa lo sabe, así que...
24:54no hay vuelta atrás.
25:01Gracias.
25:03¡Au! ¡Au! ¡Uf! ¡Para, para, para! ¡Ah, joder! ¡Duele!
25:07La culpa está en la mierda del frontón este.
25:09Pues a ver cómo están las instalaciones del próximo pueblo.
25:11¡Ay!
25:12¡Que no, hombre, que no! ¡Que Coro es una jabata!
25:14¿A que sí? ¡Que hace falta mucho más para tumbarla!
25:16¡Me da la mierda! ¡Joder!
25:18Sujeta.
25:19Pa' que vamos fuera a tranquilizar al resto.
25:23Ven.
25:25Tengo que hablar contigo.
25:30Padre, ¿dónde está el médico? ¿Por qué no ha llegado aún?
25:33Está un poco indispuesto.
25:35Bueno, como son fiestas...
25:37Pero anda por aquí el veterinario de la rentería,
25:39que es amigo y he mandado a buscar.
25:40¿Qué?
25:41¿Cómo veterinario?
25:42Que es una deportista de élite, no una oveja, ¿eh?
25:44Que estoy bien.
25:45Coro, Coro.
25:46Túmate, por favor.
25:47Aquí está el veterinario.
25:48¿Qué ha pasado?
25:50Pues que le han dado un pelotazo.
25:52Está mareada y sangra.
25:55¿Coro?
25:58¿Os conocéis?
26:00Es mi hija.
26:02¿Pero tu hija no estaba en Madrid trabajando de maestra?
26:07No.
26:16A dormirla.
26:19Que no le quiten los puntos antes de diez días.
26:24¿Ni siquiera va a esperar a que despierte?
26:29Las han dejado en la recepción para Coro.
26:31¿Cómo está?
26:32Se recuperará.
26:34Es una chica dura.
26:35¿No lo sabe usted que nosotras?
26:37Dejádselas en la mesilla.
26:38Yo me tengo que ir a dormir.
26:40¿Estás bien, Noata?
26:41Estoy cansada.
26:46Bueno.
26:48Yo también me voy.
26:49Tenga.
26:51Por sus servicios.
26:53Cada semana le regalan quince como este en Donosti.
26:56Debería verla jugar.
26:57Es como una leona.
26:59Es irónico, ¿eh?
27:01Que las chicas mantengan económicamente a toda su familia
27:04y, sin embargo, oye,
27:06que no pueden volver a su pueblo con la cabeza alta
27:08porque sus padres dudan que se pueda ganar tanto dinero
27:11solo jugando a pelota.
27:12No tienes ni idea de lo que habla.
27:14Pepita Mujica, el año pasado,
27:15volvió a casa de su padre por su cumpleaños.
27:17¿Sabe qué traía de regalo?
27:19Un coche.
27:21¿Sabe lo que hizo el padre?
27:23Pedirle que lo sacara del pueblo.
27:24No vayan a verlo los vecinos.
27:26Si una mujer gana más dinero que un hombre
27:28para la gentuza como usted,
27:30solo puede ser por dos motivos.
27:33Porque es puta
27:35o porque es puta.
27:39No sabe cómo me alegro
27:42de no haber tenido padres.
27:45Puede que no haya tenido padres,
27:48pero lo que seguro que no ha tenido son hijos.
27:51Si no,
27:52no me hablaría de esto con tanta ligereza.
28:03♪♪♪
28:13♪♪♪
28:23♪♪♪
28:33♪♪♪
28:40¡Sube!
28:42Ani, no es buen momento.
28:43No sabes la que se va a liar en la pensión.
28:45Móntate, anda.
28:46Ani, de verdad que no es buen momento.
28:48O te montas o te monto.
28:50¡Ay!
28:58¿Nos vamos a Belén?
29:00No te quites romanticismo al momento.
29:02Esta burra es lo mejor que he encontrado.
29:04¿Era esto o un cerdo?
29:21Hola.
29:23Hola.
29:25Qué agradable día, ¿no?
29:27Me encanta este lugar.
29:35¿Qué es eso?
29:37Los boletos para España.
29:39Pero yo no te dije que sí a tu ofrecimiento, Renato.
29:42Tampoco que no.
29:44Sabes que tengo mi propio dinero para comprar mi boleto.
29:47También sé que te lo has ganado como nada.
29:51Chelo...
29:55Esto no te obliga a nada conmigo.
29:57Lo que te ofrezco...
30:01es mi compañía.
30:03Es la compañía de un amigo.
30:06Y si en los 21 días que dura el viaje
30:08sigues pensando que soy un idiota insoportable,
30:11me regreso a México, Remando, te lo juro.
30:13Te lo juro.
30:15Te lo juro.
30:18Yo no siento lo mismo que tú.
30:22No sería justo para ti.
30:24Ya soy mayor de edad.
30:26Yo decido lo que es justo para mí.
30:29Y yo decido con quién quiero cruzar medio mundo.
30:32Espero que allá encuentres lo que buscas.
31:02¿Qué hacemos aquí?
31:32Pues...
31:36el contrato que querías.
31:40Es el viejo molino de mi familia.
31:43Mis abuelos empezaron a arreglarlo y todavía queda bastante trabajo,
31:46pero tiene un salón con una chimenea enorme.
31:50Y la habitación de al este.
31:53Y el sol entra por la mañana justo pegando encima de la cama.
31:57¿Y el baño?
31:59Tiene una bañera gigante.
32:01Mucho más grande que la de tu hotel.
32:08Y podemos poner un corral, un establo.
32:11Podemos tener gallinas, ovejas.
32:13Lo que tú quieras.
32:18Y voy a dejar a Alan.
32:20Claro.
32:22A la vuelta.
32:25En el autobús dijiste que tenías miedo.
32:30Yo estoy aterrorizada, Ichi.
32:33Tengo más miedo del que he tenido jamás.
32:37Tengo dos hijas.
32:41Y viviremos aquí las cuatro.
32:46Y yo seré la tía Ichi.
32:49La tía más querida.
32:51La tía Ichi.
32:54La tía más divertida y loca del mundo.
32:57En ti eso no me cabe la menor duda.
33:22Tú que amarraste bien tu cuerpo a mi cabeza
33:33Con ganas de llorar
33:38¿Hidoya?
33:42Hidoya, abre.
33:47¿Qué? Nos volvemos con Agustín.
33:50Joder.
33:51Ichi told us about his offer.
33:53Yes, he's a bastard.
33:55But at least we'll play in decent places.
33:57Look what happened to poor Coro.
33:59You can't go back with him.
34:00Yes, we can.
34:02And if you're ready, you'll do the same as us.
34:04Let's go.
34:07Let's go.
34:15Is it ready?
34:16Yes.
34:18Hello, Metihai?
34:19I'm with the Land Raider. I'm Hidoya Recalde.
34:21He's in the prison cell.
34:23And he's the one with the ball.
34:24And his pals have a phone?
34:25As far as I know, no.
34:27Great.
34:47Let's go.
35:07What are you doing here?
35:08You shouldn't be in Passaia.
35:09Passaia is over.
35:10And Arrate, Usúbil...
35:12The girls have ganged up.
35:13They're back with Alarran.
35:15Tell me they gave us permission to kick the guys from the front.
35:18No, they didn't.
35:20But it's only a matter of time.
35:23Time is all we have.
35:45A coin, please, sir.
36:08And the sun hits the bathtub in the morning.
36:10Well, not the bathtub, the bed.
36:12Which, by the way, is bigger than ours.
36:14And we'll have chickens and sheep.
36:16And two girls, of course.
36:18Ane's or others?
36:20Ane's, you idiot.
36:22Sorry, I'm repeating myself, right?
36:24Don't worry.
36:25I stopped listening to you when the trip started.
36:27What a bad person you are.
36:32Itzi, I also want to tell you something.
36:37What?
36:38Seriously.
36:40What?
36:41Seriously, I think it's time for me to go back to Mexico.
36:44Mario, don't even try.
36:45Ira, sit down.
36:49You already found what you came to look for.
36:51And this is a great opportunity for me to exhibit my work there.
36:54No, you can't.
36:55I'm going to find a place for you to exhibit here, okay?
36:57But now you can't go.
36:59Stay.
37:01You're...
37:03You're my husband.
37:05Well, a husband of lies.
37:07And a bad third.
37:08Because I didn't marry you to pretend in front of your parents' friends, Mario.
37:12I married you because I want to spend the rest of my life by your side.
37:17And because when I got to Mexico, I screwed up, you saved me.
37:21And if I'm so happy now, it's not just because I'm with Ane.
37:24It's because I can share it with you.
37:27Pretty.
37:30Tell me you're not going.
37:31All this is because you already set my passport on fire and you don't know how to tell me, right?
37:39I'm coming.
37:44I'm coming.
37:49We agreed that you weren't going to tell the girls about your father's offer.
37:52No, you agreed that I wasn't going to tell them.
37:54You should have pulled your head out, Itzi.
37:56That wouldn't solve our problems.
38:00Well, we're screwed.
38:02And where did you go? Because I was looking for you all over the pension.
38:04Well, I went for a walk and I spent the afternoon looking for a transport to go back to Donosti,
38:08since someone stole our bus.
38:09To this day I haven't been able to return because Mario paid for the taxis.
38:11And I'm going to send you the bill, eh?
38:14Have you talked to Alan?
38:15Yes, and I can't fix it.
38:17Those guys are going to keep playing on the front.
38:19And the traitors have stayed with your father today.
38:21They have done what they should have done, and we have failed them.
38:24And I would do the same if my father wasn't the boss.
38:26You would do the same because you are a spoiled and capricious girl.
38:29You got me in this mess, and you convinced me to pay the redemption clauses of the...
38:32Restitution.
38:33Restitution of the contract with my money.
38:35Actually, mine.
38:36Well, without wanting to be stingy, it was my money.
38:43Well, we don't have a plan B, Itzi.
38:45We don't have a plan B.
38:46So we fix this, we keep one hand in front and the other behind.
38:49I have an idea to recover the front.
38:53But it's something that has never been done.
38:55Never.
39:03Never.
39:12What the hell is that?
39:14What you see is a challenge.
39:16Men against women.
39:18The first mixed game in the history of football.
39:20I don't play against women.
39:22The law forces the front to admit you, but not to fire us.
39:26We will have to distribute hours on the field, salaries, bets.
39:30We will lose 50% of our income.
39:32Us and you.
39:33That's not going to happen.
39:35I know the rest of the girls are going back to the Galarran front.
39:38Well, we have an agreement with them, they will wait for the game.
39:40Tomorrow the press will publish the challenge.
39:42If you don't play, you will be portrayed as chickens.
39:45If you win, the front is yours.
39:47If you lose, you disappear from the map.
39:51The boss agrees?
39:53Uh-huh.
39:57Game, 35 points.
39:5822.
39:5930.
40:00Rock-paper-scissors?
40:01We've never played rock-paper-scissors, you'd have an advantage.
40:03Hand-to-hand?
40:04We've never played hand-to-hand, you'd have an advantage.
40:06Rock-paper-scissors.
40:08Why do you want to leave?
40:30Is it for me?
40:38Is it because you don't like living here anymore?
40:42You won't be able to play there either.
40:46I just...
40:49I just want to feel free again.
40:58What are you doing?
40:59Alejandro, what are you doing? Let me go.
41:00Let me go.
41:01Let me go.
41:02Let me go.
41:03Where are you taking me?
41:04Alejandro, get off me.
41:05Get off me.
41:06Alejandro, let me go.
41:07Everything's fine.
41:08Let me go.
41:13Everything's fine.
41:15Calm down.
41:16Let go.
41:18Let go, calm down.
41:26I wish I were the one who got drunk.
41:30And I wish I had died.
41:33Because in fact,
41:35I am dead.
41:37I know I'm going to make you go through all this pain.
41:47I just want you to be happy.
41:51It's okay.
41:53I don't care where, or how, or with whom.
41:59That's what I've always wanted.
42:01I just want you to feel free, like you feel right now.
42:26Let's go!
42:27Let's go!
42:30Come on, Novata.
42:41Ladies and gentlemen, welcome to this historic day at the Frontón Betis High!
42:46Never before has an official men's game been played against women.
42:50Something unprecedented, unheard of, unusual!
42:58Let's go for them. From zero to zero.
43:02With the red jersey, the men's team, Joaquín Tercero and Asier Espeleta.
43:09And with the blue jersey, the racketeers, Itziar Caon Arran and the champion, Idoia Recalde.
43:19Let's go!
43:23Remember, 30-point game. The best or the best win.
43:29If you want to leave it, you're in time.
43:49Let's go!
44:20If you want to leave it, you're still in time.
44:34Let's go, Novata. Two more points and the Frontón is yours.
44:37Yours? I'll leave the Frontón. I'll get off the boat.
44:41Let's go, Novata. Two more points and the Frontón is yours.
44:44Yours? I'll leave the Frontón. I'll get off the boat.
44:51Incredible! Ladies and gentlemen, the ball is about to beat the seamen.
44:56A point that can mean a before and after in the history of the ball.
45:03What the hell is that about getting off the boat?
45:05It's a personal matter, but the girls and you would have the Frontón to do what you wanted.
45:08We wanted? This only works if you and I are in the picture.
45:11The aspirant and the champion, remember?
45:13Miss, play!
45:24Itziar Caon Arran!
45:38Itziar Caon Arran!
45:40Itziar Caon Arran!
46:07I know why you want to leave it.
46:08Are you messing with the English woman?
46:10What are you saying?
46:11What you're hearing. I'm not very discreet, girl.
46:13The only thing I've done is join the pieces of the puzzle.
46:15I'm going to tell you something. Listen to me carefully.
46:16You're not going to leave the Frontón.
46:17What you're going to leave is your girlfriend.
46:19Because if you don't, everyone will find out about you.
46:21I don't care.
46:22You don't care that everyone repudiates her and that she loses her daughters?
46:25Because that's what's going to happen if you force me to tell the secret.
46:27You don't have proof.
46:28No, I don't have proof.
46:30But hey, I know a lot of friends in the press.
46:32And once the story is published, the whistleblower, the damage is already done.
46:36Victory for the pelotaris!
46:38Itziar Caon Arran and Hidoya Recarle win the battle of the sexes!
47:06I don't usually fuck with losers.
47:09This will be an exception.
47:36Every card I will play
47:40I will burn my life on fire
47:45As long as your arms lift me higher
47:57They all think that I am wrong
48:01Don't need to be right
48:06They say I've lost my soul
48:09Might be the end tonight
48:14I will burn my life on fire
48:19As long as your arms lift me higher
48:27Oh, this one life is all I got
48:32It could all end tomorrow
48:38Whether it's wrong or it's right
48:43It took one life to realize
48:48You and I, we still got
48:53No, about this sweet ender
48:58I will burn my life on fire
49:03As long as your kiss lifts me higher
49:11I got one more life to live
49:15One life to live
49:19One life to live
49:23One life to live
49:27One life to live
49:57One life to live
50:00One life to live
50:26Darling
50:28Where have you been?
50:31I've been waiting for you to celebrate.
50:42Are you okay?
50:45Have you cried?
50:48Hug me.
50:57Okay.
51:01I'm not in love with you anymore.
51:57I'm not in love with you anymore.
52:27I'm not in love with you anymore.
52:28I'm not in love with you anymore.
52:29I'm not in love with you anymore.
52:30I'm not in love with you anymore.
52:31I'm not in love with you anymore.
52:32I'm not in love with you anymore.
52:33I'm not in love with you anymore.
52:34I'm not in love with you anymore.
52:35I'm not in love with you anymore.
52:36I'm not in love with you anymore.
52:37I'm not in love with you anymore.
52:38I'm not in love with you anymore.
52:39I'm not in love with you anymore.
52:40I'm not in love with you anymore.
52:41I'm not in love with you anymore.
52:42I'm not in love with you anymore.
52:43I'm not in love with you anymore.
52:44I'm not in love with you anymore.
52:45I'm not in love with you anymore.
52:46I'm not in love with you anymore.
52:47I'm not in love with you anymore.
52:48I'm not in love with you anymore.
52:49I'm not in love with you anymore.
52:50I'm not in love with you anymore.
52:51I'm not in love with you anymore.
52:52I'm not in love with you anymore.
52:53I'm not in love with you anymore.
52:54I'm not in love with you anymore.
52:55I'm not in love with you anymore.
52:56I'm not in love with you anymore.
52:57I'm not in love with you anymore.
52:58I'm not in love with you anymore.
52:59I'm not in love with you anymore.
53:00I'm not in love with you anymore.
53:01I'm not in love with you anymore.
53:02I'm not in love with you anymore.
53:03I'm not in love with you anymore.
53:04I'm not in love with you anymore.
53:05I'm not in love with you anymore.
53:06I'm not in love with you anymore.
53:08I'm not in love with you anymore.
53:09I'm not in love with you anymore.
53:10I'm not in love with you anymore.
53:11I'm not in love with you anymore.
53:12I'm not in love with you anymore.
53:13I'm not in love with you anymore.
53:14I'm not in love with you anymore.
53:15I'm not in love with you anymore.
53:16I'm not in love with you anymore.
53:17I'm not in love with you anymore.
53:18I'm not in love with you anymore.
53:19I'm not in love with you anymore.
53:20I'm not in love with you anymore.
53:21I'm not in love with you anymore.
53:22I'm not in love with you anymore.
53:23I'm not in love with you anymore.
53:24I'm not in love with you anymore.
53:25I'm not in love with you anymore.
53:26I'm not in love with you anymore.
53:27I'm not in love with you anymore.
53:28I'm not in love with you anymore.
53:29I'm not in love with you anymore.
53:30I'm not in love with you anymore.
53:31I'm not in love with you anymore.
53:32I'm not in love with you anymore.
53:33I'm not in love with you anymore.
53:34I'm not in love with you anymore.
53:35I'm not in love with you anymore.
53:36I'm not in love with you anymore.
53:37I'm not in love with you anymore.
53:38I'm not in love with you anymore.
53:39I'm not in love with you anymore.
53:40I'm not in love with you anymore.
53:41I'm not in love with you anymore.
53:42I'm not in love with you anymore.
53:43I'm not in love with you anymore.
53:44I'm not in love with you anymore.
53:45I'm not in love with you anymore.
53:46I'm not in love with you anymore.
53:47I'm not in love with you anymore.
53:48I'm not in love with you anymore.
53:49I'm not in love with you anymore.
53:50I'm not in love with you anymore.
53:51I'm not in love with you anymore.
53:52I'm not in love with you anymore.
53:53I'm not in love with you anymore.
53:54I'm not in love with you anymore.
53:55I'm not in love with you anymore.
53:56I'm not in love with you anymore.
53:57I'm not in love with you anymore.
53:58I'm not in love with you anymore.
53:59I'm not in love with you anymore.
54:00I'm not in love with you anymore.
54:01I'm not in love with you anymore.
54:02I'm not in love with you anymore.
54:03I'm not in love with you anymore.
54:04I'm not in love with you anymore.
54:05I'm not in love with you anymore.
54:06I'm not in love with you anymore.
54:07I'm not in love with you anymore.
54:08I'm not in love with you anymore.
54:09I'm not in love with you anymore.
54:10I'm not in love with you anymore.
54:11I'm not in love with you anymore.
54:12I'm not in love with you anymore.
54:13I'm not in love with you anymore.
54:14I'm not in love with you anymore.
54:15I'm not in love with you anymore.
54:16I'm not in love with you anymore.
54:17I'm not in love with you anymore.
54:18I'm not in love with you anymore.
54:19I'm not in love with you anymore.
54:20I'm not in love with you anymore.
54:21I'm not in love with you anymore.
54:22I'm not in love with you anymore.
54:23I'm not in love with you anymore.
54:24I'm not in love with you anymore.
54:25I'm not in love with you anymore.
54:26I'm not in love with you anymore.
54:27I'm not in love with you anymore.
54:28I'm not in love with you anymore.
54:29I'm not in love with you anymore.
54:30I'm not in love with you anymore.
54:31I'm not in love with you anymore.
54:32I'm not in love with you anymore.
54:33I'm not in love with you anymore.
54:34I'm not in love with you anymore.
54:35I'm not in love with you anymore.
54:36I'm not in love with you anymore.
54:37I'm not in love with you anymore.
54:38I'm not in love with you anymore.
54:39I'm not in love with you anymore.
54:40I'm not in love with you anymore.
54:41I'm not in love with you anymore.
54:42I'm not in love with you anymore.
54:43I'm not in love with you anymore.
54:44I'm not in love with you anymore.
54:45I'm not in love with you anymore.
54:46I'm not in love with you anymore.
54:47I'm not in love with you anymore.
54:48I'm not in love with you anymore.
54:49I'm not in love with you anymore.
54:50I'm not in love with you anymore.
54:51I'm not in love with you anymore.
54:52I'm not in love with you anymore.
54:53I'm not in love with you anymore.
54:54I'm not in love with you anymore.
54:55I'm not in love with you anymore.
54:56I'm not in love with you anymore.
54:57I'm not in love with you anymore.
54:58I'm not in love with you anymore.
54:59I'm not in love with you anymore.
55:00I'm not in love with you anymore.
55:01I'm not in love with you anymore.
55:02I'm not in love with you anymore.
55:03I'm not in love with you anymore.
55:04I'm not in love with you anymore.
55:05I'm not in love with you anymore.
55:06I'm not in love with you anymore.
55:07I'm not in love with you anymore.
55:08I'm not in love with you anymore.
55:09I'm not in love with you anymore.
55:10I'm not in love with you anymore.
55:11I'm not in love with you anymore.
55:12I'm not in love with you anymore.
55:13I'm not in love with you anymore.
55:14I'm not in love with you anymore.
55:15I'm not in love with you anymore.
55:16I'm not in love with you anymore.
55:17I'm not in love with you anymore.
55:18I'm not in love with you anymore.
55:19I'm not in love with you anymore.
55:20I'm not in love with you anymore.
55:21I'm not in love with you anymore.
55:22I'm not in love with you anymore.
55:23I'm not in love with you anymore.
55:24I'm not in love with you anymore.
55:25I'm not in love with you anymore.
55:26I'm not in love with you anymore.
55:27I'm not in love with you anymore.