Ángela Cap 2
Ángela Cap 2
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TVTranscript
00:00Oh
00:19Is a complaint in Diaz desde la desaparición de la joven arquitecta
00:22The canelope
00:24¿Y qué es lo que ha pasado con el canelope?
00:26¿Trabajaba con vosotros, no?
00:28¡Mami, mami! ¡Ha picado otro!
00:30¿Todo esto habéis pescado?
00:32¿No había roto esta mierda?
00:34¿Qué te pasa?
00:36Han reventado el coche. Todo el capo ha bollado.
00:38Ángela, que yo no denuncié a Gonzalo. ¿Cómo te lo tengo que decir?
00:40Yo ya no sé cómo decírtelo.
00:42No fui yo, Gonzalo.
00:44¿Esto es para ti? ¿No te acuerdas de mí?
00:46¿Y tú? ¿Eduardo Silva?
00:48Que no voy a follar contigo porque te dé pena.
00:50Gonzalo quiere matarte. Me contrató a mí para que lo hiciera.
00:53Si vuelve a pasar, ¿qué hacemos?
00:55Ángela, ¿todo bien?
01:22¿Estás bien?
01:52¿Estás bien?
02:22¿Estás bien?
02:38Chicas.
02:46¿Irati?
02:48¿Maya?
02:50Chicas.
02:56Chicas, ¿qué hacéis? ¿Dónde estáis?
03:21Hola, soy Gonzalo.
03:23En este momento no puedo atenderte.
03:25Por favor, deja tu mensaje.
03:29Si hay emergencias, ¿en qué puedo ayudarle?
03:31Hola, llamo porque mis hijas no están.
03:33Si me puede decir su nombre, por favor.
03:35Sí, Ángela, a recarte.
03:37De acuerdo, Ángela. A ver, ¿qué sucede?
03:39No lo sé, no lo sé. Es que no están.
03:41Creo que se las han llevado.
03:43¿Quién?
03:45Su padre.
03:47¿Que su marido se ha llevado a sus hijos?
03:49Hola.
03:51Gonzalo.
03:52¿Dime?
03:53¿Dónde estás?
03:54¿Dónde voy a estar, Ángela?
03:55¿Dónde están las niñas?
03:56En el barco, conmigo.
03:58Ay, muy bien, y no me dices nada.
04:00Pero si te lo dije ayer.
04:01No, no me has dicho nada, Gonzalo.
04:03No me has dicho nada.
04:04Ángela, que lo hablamos ayer en la cena.
04:06Que me las iba a llevar a pescar.
04:07No.
04:08Pero si te dije que vinieras.
04:09¿No te acuerdas?
04:10Me dijiste que no, que mejor nos veíamos después en la comida,
04:12en el puerto.
04:14Ángela.
04:16¿No te acuerdas?
04:18¿De verdad me lo dijiste?
04:48Sí.
05:18¿Qué tal?
05:31Me alegro mucho de que me hayas llamado.
05:32Sabía que lo harías antes o después.
05:34Ah, sí, ¿lo sabías?
05:35Sí.
05:36Pues yo no, la verdad.
05:38¿Sabes qué me ha pasado, Ed?
05:40Que acabo de llamar a emergencias porque creía que mi marido
05:42había secuestrado a mis hijas y no entiendo por qué me estás
05:44haciendo esto.
05:46¿Has estado con él entonces?
05:47Sí, claro.
05:48Me he levantado y le he dicho buenos días, amor.
05:50¿Es verdad que quieres matarme?
05:52Vale.
05:53O sea, que sigues sin creerme, ¿no?
05:55¿Quién eres?
05:57¿Pero cómo que quién soy?
06:01Ángela, necesito el dinero.
06:02Mi hermana está enferma, ¿no entiendes?
06:05Por eso acepté el trato.
06:07No soy un hijo de puta, joder.
06:10Créeme, por favor.
06:12Sigue.
06:19Soy de Barrica, en realidad.
06:20Mi familia es de allí, de siempre.
06:22¿De Barrica?
06:23Sí.
06:25Esa casa es lo único que tenemos.
06:28Y Gonzalo y otros cabrones aparecieron un día de repente
06:30y nos dijeron que de eso nada.
06:33Nos enseñaron un montón de papeles y de mierdas y nos
06:35dijeron que allí necesitaban construir, que eso era suyo.
06:38Que no teníamos ningún derecho a extrair.
06:43¿Tú le destrozaste el coche?
06:46Porque cuando lo vi allí con su traje y su cochazo me dieron
06:48unas ganas de reventarle la cabeza.
06:51¿Tú sabes lo que me dijo?
06:54Que si tantas ganas tenía de matar, que por lo menos lo hiciera
06:56por pasta.
06:57Y entonces me ofreció 200.000 euros por matarte.
07:01¿200.000?
07:02¿200.000?
07:05¿Qué?
07:08Que sigues sin creerme, ¿no?
07:12Cuéntame tu plan, Edu.
07:13¿Cómo ibas a hacerlo?
07:15Pues mira, Gonzalo quería que lo hiciera en vuestra casa.
07:18Pero yo no me fiaba de él un pelo.
07:20Así que cambié de sitio.
07:22Quería un lugar en el que estuviéramos solos.
07:26¿Y me llevaste a casa de tu amigo por eso?
07:34Vaya.
07:37Es raro que tampoco lo hicieras allí porque te lo puse
07:39bastante fácil, ¿no?
07:45Sí, la verdad.
07:48Me lo pusiste muy fácil.
07:51Pero no pude, no fui capaz.
07:57No te creo nada, Edu, nada.
07:59Ángela.
08:00No me sigas.
08:01Ángela, espera.
08:02¿Cómo coño ibas a haber hecho tantas cosas sobre tu vida?
08:04Piénsalo un momento, piénsalo.
08:05Por favor, cualquiera sabe cosas de mi vida.
08:09Estuvimos él y yo horas al teléfono hablando de ti.
08:11Horas.
08:12Tiene que estar registrado en algún sitio.
08:13Las llamadas, los detalles, algo.
08:15No me vas a convencer de que Gonzalo es un asesino.
08:17Bueno, vale, vale, muy bien.
08:18Pero haz una cosa, mírale el teléfono.
08:21Mírale el móvil.
08:22Confía en mí, joder.
08:24No te quiero ver más.
08:25Mírale el teléfono, Ángela.
08:27El teléfono, míraselo, por favor, hazme caso.
08:57Ichi, hola.
09:06Ya, ya, ya lo sé, perdona, perdona.
09:10Es que las peces se pusieron malas.
09:12Sí, te lo prometo, te prometo que la próxima cena de chicas no me la pierdo.
09:20No, te llamaba porque me he acordado de ti, sí.
09:24By the way, has anyone asked about me in the village?
09:30No, things from when we were little, from school, I don't know, something like that.
09:35No, right?
09:37No, no, no, everything is fine.
09:41Love, do you mind if I call you later?
09:44Yes, I'll call you later, I'm sorry, really, give kisses to everyone.
09:48Yes, I'll call you now.
09:54Bye.
10:02Are you sorry about Mela's classes?
10:06Well, yes, but my son likes this sport, what are we going to do to him?
10:12They are a little stretched, but hey, some are good people.
10:17Well, you hold it.
10:19I'm only interested in one, but she's mad at me.
10:24I don't know what to do.
10:31You really didn't file the report?
10:34I didn't report Gonzalo.
10:36Angela, I'm going to repeat it a thousand times, it's necessary.
10:40And you know me very well, I would never file an anonymous report.
10:46It's okay.
10:48No, it's not okay.
10:50It was a report for mistreatment.
10:52What's going on?
10:53Nothing is going on, it's a misunderstanding.
10:55Come on, Angela, don't fuck with me, no one files a report for mistreatment, for a mistake.
10:59Esther, Gonzalo has many enemies, there are many people who are jealous of him, you know it.
11:04It's nonsense.
11:06The only thing that matters here is that my daughters don't find out anything, please.
11:10Really.
11:12Call me whenever you want, please.
11:15Or if you want, you can come to my bar and we'll talk quietly, okay?
11:19Angela!
11:20I'm going, Vicente.
11:22I'll call you this week for a coffee.
11:24You'd better.
11:27See you later.
11:29Look.
11:30What do you have there?
11:31Look how wonderful.
11:33But, well...
11:35Come here.
11:36I'm going to show you how it's prepared.
11:38Yes, because I don't know.
11:44This is chupao.
11:45Look.
11:46The first thing.
11:48Take out all the guts.
11:50Like this.
11:52Be careful not to spill the ink or you'll get lost.
11:55Remove the thorn.
11:57And now.
11:58Mother of the lamb.
12:00Look.
12:01You take it like this.
12:03You take it like this.
12:05And you turn it around.
12:06Like a sock.
12:08You pass it through water, you put the filling and that's it.
12:10Chupao.
12:13Look.
12:14This is your wheat.
12:16How happy the girls were this morning with their father.
12:29Mom!
12:30Hi, my love.
12:34Hi, my love.
12:35Hi.
12:37What have you done?
12:38Many things.
12:39Yes?
12:41Look.
12:42There was another one behind the counter.
12:43I did it all by myself.
12:45By yourself?
12:46Yes.
12:47With a little baguette.
12:48It's called a string cake.
12:50At least you know how to do it.
12:51Good.
12:52Have you told mom what we've seen?
12:54What have we seen?
12:55Dolphins!
12:56How were they?
12:57They were huge.
12:58They were everywhere.
12:59They were very, very big.
13:00Gonzalo.
13:02The harpoon and the girls.
13:04The harpoon?
13:05The harpoon, he says.
13:06What harpoon?
13:07This is a trident.
13:08Who's the father?
13:09The possessor!
13:10The king of mothers!
13:12Come on, let's eat.
13:13Let's see those feet.
13:16Let's see.
13:18Come on.
13:20Good.
13:21The other one.
13:24Ángela.
13:28Help me empty the winery.
13:38Let's see.
13:42That's it.
13:43The next one.
14:06What are you doing?
14:08Don't talk so much.
14:09I can't believe it.
14:10Since that race,
14:11Laura's been telling me
14:12she left her handkerchief here.
14:13And I'm like, no, no.
14:14And look.
14:15But it's Laura's.
14:17I said Laura, didn't I?
14:19What's wrong with you today?
14:21Come on, let's eat.
14:34I swear, she moved her eyes.
14:36Stop it.
14:37She moved her eyes.
14:38Stop it.
14:39It's true, she moved her eyes.
14:42Stop it.
14:43Mom.
14:44Mom says she's alive.
14:47She won't listen to you.
14:51No!
14:52No!
14:54Girls.
14:55It's okay.
14:56Come on, sit down.
14:57Give me your hand and I'll go to you.
14:58No, the other one.
14:59You touched the fish.
15:00Now you're going to touch your hair.
15:02I'm sorry, honey.
15:03I went to the car to leave my things.
15:05I ran into Fernando and Laura
15:07and I got into a fight.
15:08With Laura?
15:09She's hot, isn't she?
15:11Did you give her the handkerchief?
15:12This is so nice.
15:14Let's take a picture.
15:18What if you gave the handkerchief to Laura?
15:20Of course.
15:21Why?
15:22No reason.
15:23Girls, that smile.
15:27What do you think?
15:30A little dry, right?
15:36Are you hungry?
15:38Yes.
15:59What are you doing?
16:00What are you doing?
16:03Vicente gave them to me
16:04and I felt sorry to freeze them.
16:07Does it bother you?
16:10You're not doing it right.
16:11Let me do it.
16:12No.
16:13You'd better go down to the winery
16:14and bring some wine.
16:15You'll feel better.
16:21Blanco.
16:30Blanco.
16:57They're calling you, honey.
16:58Why are you calling?
16:59I was going to take it.
17:03Juan, look how she is.
17:04I'm sorry.
17:06It's true that...
17:11I'm sorry.
17:15Corka, tell me.
17:20Really, girls?
17:21Do we lose our backpacks every day?
17:25They're here.
17:29They're here.
17:37Angela.
17:38Yes?
17:39Go down, we're not there yet.
17:41We have the party tomorrow.
17:42Take it to Tinti.
17:43Should I tell Bego?
17:44No, no, not Bego.
17:45She took care of it last time
17:46and it was a disaster.
17:48I'm going to get a coffee.
17:51Let's go downstairs.
17:59Hey, a kiss.
18:00Where are you going?
18:05Say goodbye.
18:06Goodbye, Mommy.
18:09Maya, wait.
18:11Your hand.
18:12Come here.
18:13Yes?
18:15One thing.
18:17Very important.
18:18We're staying here this afternoon.
18:19Okay?
18:20And nobody moves until I get there.
18:21Okay.
18:22Okay.
18:23Is that clear?
18:24Yes.
18:25Very good.
18:26Goodbye.
18:27Goodbye, honey.
18:28Have a good day.
18:37What are you doing here?
18:39Making sure you're okay.
18:41You're my bodyguard now.
18:43Angela.
18:44Gonzalo won't stop until I get him.
18:46If I see you again, I'll call the police.
18:48Do it.
18:49You must have someone else to do it.
18:51I swear I'll call the police, Edu.
18:58Evacuation Center
19:12The fascination of human beings with crime,
19:14to find out who committed it,
19:16and, most of all, why they did it,
19:18has always been present throughout history.
19:22In this podcast, we'll look at the usual reasons
19:24It's common for a person to commit a murder.
19:27We'll focus on the so-called serial killers.
19:48Yes, who is it?
19:49Okay, perfect.
19:50Well, tell my mother that I'm going to see her,
19:52but that I'll be a little later than I told her.
19:55Don't be scared.
19:57Thank you, Maribel.
20:01Thank you.
20:02You're welcome.
20:03Here.
20:09How's your mother? How's she doing?
20:11Well, she started a therapy with dogs,
20:14they just assigned one to her, so...
20:15With dogs?
20:16Yes.
20:17I thought that was only done with horses.
20:19How's it going?
20:20Is it working?
20:21Well, let's hope so.
20:22She just started, so...
20:24That's great, I'm so glad.
20:27Hey, Gonzalo gave you back the handkerchief, didn't he?
20:31Let's see...
20:32The handkerchief...
20:36The one you left in our boat.
20:39The handkerchief I left in your boat?
20:41I don't know what handkerchief.
20:43No, no, I'm sorry.
20:45It's from Rocío.
20:46I'm sorry, I have a terrible headache.
20:48It's okay.
20:50I'm fine.
20:51Well, now that we're with the reform, I won't tell you.
20:54The other day, I took Luca to school,
20:57I kissed him and I realized that my poor boy
20:59was wearing the shoes from walking around the house.
21:01You didn't tell me.
21:03Oh, wait.
21:04I'm going to make some pastas that you're going to love.
21:13Handsome.
21:15So handsome, my boy.
21:17Isn't he?
21:21Oh, how nice.
21:24Hi, Mom.
21:26Handsome.
21:28Hi, Mom.
21:29Hi.
21:30Look at those eyes.
21:31Look at those eyes.
21:33Mom.
21:34It's just that...
21:35It's just that...
21:36He looks at me just like he did when you were little.
21:38Mom.
21:40Mom.
21:41Yes?
21:43Would you travel with the girls and me?
21:46And Maribel?
21:47And Maribel too.
21:51We could go south to Malaga or Almeria,
21:53something like that.
21:54What do you think?
21:55But why are we going to Almeria?
21:57With that heat?
22:00What you have to do is bring the girls here.
22:03So many boats and so much fog.
22:06Here, yes.
22:07Here, yes, my handsome.
22:16ALMERIA
22:46ALMERIA
23:17ALMERIA
23:20Irati?
23:21Maya?
23:24Irati?
23:25There's no one left here.
23:27What about my daughters?
23:28I don't know.
23:29Do you want me to help you look for them?
23:30Yes, please.
23:40Irati?
23:43Maya?
23:47Where are they?
23:51Irati?
23:52Maya?
23:53Ana, have you seen my daughters?
23:55No, I haven't seen them.
23:56Don't worry, they'll be playing around here.
23:58Where are they?
24:04Where are they?
24:05I can't find my daughters.
24:11Where are they?
24:13Angela, we're looking for you. Don't worry.
24:16What do you mean I'm not worried?
24:18Jenny, where are they?
24:19Are you sure they're downstairs?
24:20No, I'm not sure.
24:21Jenny, have you lost the girls?
24:22Don't worry, no.
24:23No, no, no, please.
24:24Have you really lost the girls?
24:26Mom!
24:29Please.
24:30Where were you?
24:33You scared me.
24:35I'm sorry.
24:39Don't ever leave with anyone, okay?
24:42With anyone.
24:43Just me, okay?
24:44Irati wanted to go to the bathroom.
24:47Okay, it's okay.
24:48I'm sorry.
24:49I'm sorry, I scared you.
25:06Dad!
25:09Dad!
25:11Girls.
25:13Dad! Dad!
25:15Dad!
25:17Dad! Dad!
25:19Girls, your backpacks!
25:35Girls, your backpacks!
25:36Girls, your backpacks!
25:37Girls, your backpacks!
25:38Girls, your backpacks!
25:39Girls, your backpacks!
25:40Girls, your backpacks!
25:41Girls, your backpacks!
25:42Girls, your backpacks!
25:43Girls, your backpacks!
25:44Girls, your backpacks!
25:45Girls, your backpacks!
25:46Girls, your backpacks!
25:47Girls, your backpacks!
25:48Girls, your backpacks!
25:49Girls, your backpacks!
25:50Girls, your backpacks!
25:51Girls, your backpacks!
25:52Girls, your backpacks!
25:53Girls, your backpacks!
25:54Girls, your backpacks!
25:55Girls, your backpacks!
25:56Girls, your backpacks!
25:57Girls, your backpacks!
25:58Girls, your backpacks!
25:59Girls, your backpacks!
26:06Girls, your backpacks!
26:21Girls, your backpacks!
26:25I don't know, I was falling asleep.
26:28Yeah, there were things to pick up downstairs.
26:32Yeah.
26:35Aren't you going to read today?
26:37No, I'm tired.
26:39Oh, you're tired.
26:42Well, I'm going to go to bed.
26:45Good night.
26:47Good night.
26:49Good night.
26:51Good night.
26:53You're tired.
26:56Why are you so tired? What have you done today?
27:00The same as always. Read, run...
27:03Read, run...
27:07Go see Laura.
27:10What?
27:12What?
27:14You went to see Laura, didn't you?
27:16Yes, well...
27:18I ran out of battery in my phone and I had to call my mother.
27:21Your mother, I see.
27:26Do you know that the girls are going on an excursion next month?
27:31Yes, I heard that.
27:34Yes.
27:35Two days?
27:36Yes.
27:37What are you going to do two days without your girls?
27:41Well...
27:51I don't know.
28:07Come on girls, I have my backpacks.
28:10What are you still doing in your pajamas?
28:12We're not going to school.
28:13What do you mean you're not going to school?
28:15Dad said so. It's a surprise.
28:17Dad is here.
28:18What are you doing here?
28:19You're going to love it, you'll see.
28:21I'm going to the bathroom, come on.
28:23But what bathroom with the day that Gonzalo does?
28:25You know that here in 20 minutes it is sunny.
28:28Come on, let's jump right away.
28:40Tell dad that I went out to throw garbage.
28:42Okay.
28:49Come on.
29:02Where are you?
29:04No, I have two minutes, I told you.
29:10Did you kill Neca Neortiz?
29:12What?
29:13That if Gonzalo asked you to kill Neca Neortiz.
29:16Angela, I met your husband a week ago.
29:18The girl disappeared a few months ago.
29:20His handkerchief has appeared on my boat and I don't know why.
29:23And he has changed the password of the cell phone for the first time in ten years.
29:26I don't know what's going on, I don't know if I'm going crazy.
29:29No, no, no, calm down, please, calm down.
29:30I know what we have to do, trust me.
29:32No, I don't trust you.
29:34I have to go.
29:35No, Angela, listen.
29:36Your husband is dangerous.
29:37I have to go.
29:49So, what do I have to look for?
29:51A magical fish.
29:53A magical fish.
29:55I'm going.
30:02What color?
30:04Rainbow.
30:06Rainbow, how difficult.
30:07I'm going.
30:19Where are you going?
30:22Where are you going?
30:25Gonzalo!
30:27Hey!
30:29Hey!
30:48Hey!
31:06Hey!
31:08I'm here!
31:19Look, it's a robot, mommy!
31:22But you believed it!
31:24How are we going to leave you here?
31:27How are we going to leave you here?
31:48Come in.
31:53How beautiful, Angela.
31:54Yes?
31:55Yes, you look great.
31:56Packed?
31:57Loose?
31:58No, packed.
31:59Should I put the fish for dinner?
32:00Yes.
32:01Maya told me she doesn't want it anymore.
32:03Maya never wants it, but she has to eat it.
32:05You won't listen to me.
32:06Angela, my suit?
32:08It's downstairs.
32:11I'll put it up for you.
32:12Go ahead, it's dinner.
32:16Angela.
32:17I'm going.
32:26I'm going.
32:33Honey, I made a mistake.
32:36I forgot to pack my suit.
32:40I'm really sorry.
32:48What?
32:50I forgot it, Gonzalo.
32:53But you have a lot of nice suits. It's not that bad, right?
33:00It's not that bad.
33:01I'm sorry.
33:23I'm sorry.
33:53Let's go this way.
34:24What are we doing here? I'm scared.
34:27Angela.
34:32I feel really bad.
34:35I swore I wouldn't come back.
34:46Does it hurt?
34:49Does it hurt?
34:55It's okay.
34:56Of course it hurts, Angela.
34:58Of course it hurts.
35:01We can't go on like this.
35:11You're nervous. It's an important day.
35:16I need you to forgive me.
35:22Please, forgive me.
35:34Yes.
35:46Yes.
36:17Hello, hello, good evening.
36:19Well, ten years of this architecture studio.
36:22Congratulations to everyone.
36:24And especially for this last year.
36:27What a year, right?
36:29A rollercoaster.
36:31I'm going to tell you.
36:33The thing is, I play with advantage.
36:35I cheat.
36:37Because I have the most wonderful woman in the world by my side.
36:43Angela, my love.
36:45Thank you so much.
36:47I know I'm not always easy.
36:50But you make me a little better every day.
36:53And my success is your success.
36:55Thank you.
37:05Let's see who else we have here.
37:08Jaime.
37:10Jaime, my partner.
37:12I can't think of a better partner than Jaime.
37:15I love you very much, my friend.
37:17Likewise.
37:18Thank you.
37:19And who else do we have here?
37:21Javier, the magician of numbers.
37:24Thank you very much.
37:26Well, I could keep saying names and it would never end.
37:30But let me say one more.
37:34Nekane.
37:37We miss you very much, partner.
37:39And hopefully we'll hear from you soon.
37:43And well...
37:46Congratulations to all of you for another ten years.
37:50Thank you very much.
37:59I'm training hard.
38:01I'm good at swimming and cycling.
38:03But I'm good at running.
38:04We'll see if I can overcome the wall.
38:06What they say happens between 30 and 33 kilometers.
38:09Like your strength fails and you stay there.
38:12Are you telling me that you do all this for pleasure?
38:15Anyway, the one who runs very well and likes it is Angela.
38:19Right, honey?
38:20Really?
38:21It relaxes me a lot, yes.
38:23I'm going to get something to eat because I'm starving.
38:26You have food in Ikei.
38:27I asked her to know you like it.
38:31It's okay, it's okay.
38:34Champagne, please.
38:40Angela?
38:41Come on, the guys want to say hello to you.
38:43Yes, of course.
38:45The party was great, huh?
38:47Juan, Javier.
38:49Angela, where are you going?
38:51Congratulations, guys, for everything.
38:53Thank you very much.
38:55And I didn't know Nekane, but I'm very sorry about what you're going through.
38:59Yes, sometimes it's a bit difficult to work seeing your chair empty.
39:05Have you kept your position?
39:07Yes, the police took his computer, some papers.
39:10We haven't touched anything.
39:12We've left everything the same in case one day suddenly...
39:14He's not coming back, Juan.
39:15Don't say that.
39:17Well, I've left the imitation of my wedding on his table.
39:20He's already at the wedding.
39:21You'll be Christmas, cutie.
39:23Excuse me.
39:24See you later, Angela.
39:26I'll see you later.
39:56Come on.
40:26Come on.
40:56Have you been very good at the end?
41:00Did you like my speech?
41:03Very much, yes.
41:09No, no, no, no, no.
41:11The phone, come on.
41:13The mobile, the mobile, damn it.
41:15Take off the bag.
41:17The bag.
41:19The bag.
41:21The bag.
41:23The bag.
41:25The bag.
41:27Now, now, now, please.
41:29That's it.
41:55That's it.
42:13Have you gone mad?
42:15You attacked us yesterday with a real knife.
42:17I wasn't going to use it, Angela.
42:18You weren't going to use it? What's wrong with you?
42:20Calm down. I told you I was going to help you, didn't I?
42:22Help?
42:23For this?
42:25A colleague has managed to unlock it.
42:27It's not stupid, is it? There's nothing.
42:28No messages, no calls, nothing.
42:30I told you.
42:31But there's one thing I haven't taken into account.
42:34Erase the messages from the receiver.
42:36Message received on June 12 at 23.07.
42:41Gonzalo, stop sending me messages, please.
42:43It's over. I'm going to leave the studio.
42:45Forget about me, please.
42:48To listen to the message again, press 1.
42:51Is that true?
42:54After he disappeared.
43:00I don't know what to do.
43:03You'd better go to the police.
43:04Me?
43:05Yes, take it.
43:06Take Gonzalo's cell phone and use it as evidence.
43:10Is there anything here that could hurt you?
43:12That, I don't know, they could relate to you?
43:16Are you worried about me now?
43:18Edu, please.
43:21It's nothing, don't worry.
43:51I'm sorry.
44:15Hi.
44:16Hi. Angela?
44:18What are you doing here?
44:19I thought you were in the office.
44:21I came for the complaint.
44:23And you?
44:24Well, because it's going to be the same thing.
44:26How did it go?
44:27Well, imagine, these people are useless.
44:30Well, they don't have much to throw either.
44:32No, my phone has the locator.
44:34Pretty accurate, too.
44:35What happens is that she doesn't want to do her job,
44:37which would be to go door to door.
44:39In the end, I'm going to have to do it.
44:41Come on, I've agreed with Fernando that he's going to help me.
44:48What a scare yesterday, huh?
44:50Yes.
44:51But hey, the important thing is that we're fine.
44:53Yes.
44:54I'll see you at home.
44:56See you.
44:57See you.
45:17Bye.
45:47Bye.
46:18Oh, we've seen this three times.
46:20Because it's very cool.
46:23I know one that I had seen at Alain's house.
46:25It's very cool.
46:26I'm sure you'll love it.
46:27Girls, we have to decide, huh?
46:29We're running late.
46:30Okay.
46:32How are you?
46:33Hello.
46:34Have you found one?
46:36No.
46:37No?
46:38No.
46:39No.
46:40No.
46:41No.
46:42No.
46:43No.
46:44No.
46:45No.
46:46Have you found one?
46:47No.
46:48I should have taken a shortcut to find it.
46:51In the end, I bought this one.
46:52Do you like it?
46:53Yes.
46:54If you want, tomorrow we're going to get one for you.
46:56Sure.
46:57We were going to see a movie.
46:58Do you feel like it?
46:59Yes.
47:00I'm going to make popcorn.
47:16Yes.
47:41Who are you?
47:42Who are you?
47:43Why are you destroying us?
47:44Are you crazy?
47:45He was inside.
47:46I know.
47:48He must have seen someone.
47:49Yes, he had a friend.
47:50He was not a friend, I assure you.
47:53He had the look of a heartless man.
47:54We have to do something now.
47:56Do what? What do you want to do?
48:01Whatever.
48:04No, no, no.
48:05Listen to me. It's important that you listen to me.
48:08You can't be alone. Do you hear me?
48:10If you stay alone, they will kill you.
48:13Do you understand?
48:14Yes, go, go, please.
48:15Don't be alone. Listen to me, please.
48:17Don't be alone.
48:18Okay, go, go, please.
48:44What's going on?
48:58Palomitas.
49:05Poncho!
49:06Shit.
49:15I have to go to Madrid tomorrow.
49:17To Madrid?
49:19Yes, but only one day.
49:21At most two. I don't think more.
49:23We have to go.
49:27Did you hear that, Poncho?
49:29You're coming home.
49:32Don't forget that you have to come home.
49:45I never ask you for anything, never.
49:47Only today.
49:48Do you think I'm going to Madrid because I want to?
49:50Because I'm an idiot and I like to take planes just because.
49:53Mom, are you okay?
49:57Gonzalo is a manipulator.
49:59He's going to kill me until he gets it and you know it better than anyone.
50:01Edu, please, you're asking me to kill my daughter's father.
50:04Until I don't kill you.
50:06Edu, he's going to do it today.
50:08He's going to do it today.
50:09As you know, her husband wanted to kill her.
50:11It shouldn't be that easy to kill someone, right?
50:13Edu, don't do it.
50:14This is crazy, please, don't do it.
50:16Do you know who Eduardo Silva is?
50:18Eduardo Silva.
50:20I'm going to take the girls.
50:21I'm going to go to the police and I'm going to tell them everything.
50:23What are you saying?
50:24I'm his lawyer.
50:25Later.
50:26It was Gonzalo, it was a trap.
50:27There was no body in the garden.
50:28How can there be no body?
50:29I saw him there myself.
50:30He was lying on the floor face down.
50:32Please, he killed a man.
50:34He killed his father.
50:35He was full of work.
50:36Don't leave my daughters with him.
50:37Angela, do you realize that right now there is nothing that certifies what you are telling us?
50:42I only know that I'm telling the truth.
50:58I'm telling the truth.