The Return of My Drama Queen
#dramabox
#FortunesUnveiledMyHusbandisaBigShot
#OneFatefulnightwithmyBoss
#minishorts
#reelshort
#reelsdrama
#shortmax
#FatedToMyCruelCEO
#dreameshort
#kalostv
#englishsubstitle
#loveshots
#MyHockeyAlpha
#IWishItWereYou
#donaldtrump
#dramabox
#FortunesUnveiledMyHusbandisaBigShot
#OneFatefulnightwithmyBoss
#minishorts
#reelshort
#reelsdrama
#shortmax
#FatedToMyCruelCEO
#dreameshort
#kalostv
#englishsubstitle
#loveshots
#MyHockeyAlpha
#IWishItWereYou
#donaldtrump
Category
🎥
Short filmTranscript
00:00:00My life ends today, my enemies, I do not care for them, their screaming or their struggles.
00:00:23My love, the only thing I will miss from this world.
00:00:27You've been found guilty, death by guillotine.
00:00:31For Marie Antoinette, now!
00:00:34If only I had another chance.
00:00:38I will do everything, anything, to be with you again.
00:00:44Pardon me, sir.
00:00:45Shut up!
00:00:52I see it now.
00:00:54If only I could do it all differently.
00:01:04See you in the next life, my love.
00:01:23Stay with me, don't breathe.
00:01:25Don't leave me like this, please!
00:01:27Stay with me.
00:01:30Antonia, wake up!
00:01:33Come on!
00:01:36There was no heartbeat!
00:01:38Quiet, she's awake.
00:01:41Where am I?
00:01:42What is happening?
00:01:45My love, you were here!
00:01:53Breathe, Antonia, just breathe.
00:01:57Lafayette?
00:01:59Sybil?
00:02:03My wife's still here, she's calling an ambulance.
00:02:06Wife?
00:02:07Wife?
00:02:09To Lafayette?
00:02:13Hello? I need the ambulance here now!
00:02:16My name is Marie Antoinette, the Queen of France.
00:02:20The year is 2024, more than 230 years into the future,
00:02:25and I live in someplace called Los Angeles.
00:02:29And no, I'm not crazy, I'm alive.
00:02:33I reincarnated Antonia Levine Fontaine,
00:02:36who's married to Nick Fontaine.
00:02:39My love in this life.
00:02:41Your wife shows no signs of lasting damage.
00:02:44No broken bones, her brain functions stable,
00:02:47heart rate is steady.
00:02:48You're sure?
00:02:49She was dead for five minutes.
00:02:53But what happened to the woman I'm supposed to be?
00:02:57Her blood alcohol level was at 0.3%.
00:03:00If it was a fraction more, it would not have been the fall that would have killed her.
00:03:04Wait, Antonia was an alcoholic?
00:03:09Is that for her fall?
00:03:13Nick!
00:03:14Oh my gosh, I'm so sorry!
00:03:16I tried to get her to stop drinking, but she's fine now.
00:03:21She looks so familiar.
00:03:32Bye!
00:03:47Oh, your majesty.
00:03:49Those bracelets are to die for.
00:03:52Those bracelets are to die for.
00:03:56Oh, you're so sweet to still wear your wedding ring.
00:03:59You're gonna kill me.
00:04:00Callies Lamont, she's my nemesis in this life too?
00:04:13What is this odd metal box?
00:04:16What is this odd metal box?
00:04:26Madame.
00:04:28The Anton Permanent Connection.
00:04:35I assist you inside.
00:04:37Non, merci. I shall wait for the carriage.
00:04:40Carriage?
00:04:42Thank you, Sanson.
00:04:56A horseless chariot.
00:04:58Is this magic?
00:05:07What is this strange world?
00:05:09What is this strange world?
00:05:24The Return of the Drama Queen.
00:05:30That should be the title of your next film.
00:05:34And who might you be, young lady?
00:05:37Are we for real now?
00:05:39And why are you talking like a grandma?
00:05:42Shouldn't you be at school?
00:05:43I'm on break.
00:05:45Duh.
00:05:47Besides, I wouldn't miss this for the world.
00:05:51So, Antonia, I heard you kicked it.
00:05:57Enchanté, sainte.
00:05:59I didn't kick it, as you put it, but I'm back now, and I'm here to stay.
00:06:05Well, if you hurt my brother again, I know how to stick a bitch.
00:06:10Sadie, that's enough.
00:06:15You gotta take this. Look after it for me.
00:06:18I'm a general.
00:06:21He's a general in this life, too.
00:06:30Okay, that's not creepy.
00:06:36Oh, this is too painful to watch.
00:06:44How old are you, exactly?
00:06:47What is this?
00:06:48Seriously, you don't remember this.
00:06:54How hard did you hit your head?
00:06:56Well, technically, it wasn't my head.
00:06:58Just say, hey, Siri.
00:07:01Hey, Siri.
00:07:02Siri?
00:07:04Uh-huh.
00:07:06Huh.
00:07:08What is this?
00:07:18Is this... me?
00:07:21In the flesh.
00:07:23Instagram royalty with your bestie Lana.
00:07:33Antonia, Nick is gonna be home any minute now.
00:07:36Fuck Nick.
00:07:37Yeah, fuck Nick. You're hot.
00:07:39Hey, everybody, you hear that? I'm hot.
00:07:42So this is what Lafayette and his sister had to deal with.
00:07:46I have to change their minds.
00:07:54Ready to see your TikTok?
00:07:56What's a TikTok?
00:07:59Google it.
00:08:03If you're messing with me right now, I'm going to be seriously pissed off.
00:08:07I'm not.
00:08:09Google is the oracle of the 21st century.
00:08:13Just type, and learn.
00:08:15Type, and learn.
00:08:17Type, and learn.
00:08:24Marie Antoinette.
00:08:31Controversial?
00:08:33Spendthrift?
00:08:36I was wrong, and the world still doesn't know.
00:08:40Hey, Siri.
00:08:41Huh?
00:08:42Tell me one thing good that came from the French Revolution.
00:08:48What?
00:08:51Hey, Sadie.
00:08:53Finally. She's all yours.
00:08:55Good luck.
00:08:57Some crank race shit.
00:09:00Women gained the right to vote in 1920.
00:09:03Yes!
00:09:04Female activists continue to use politics to reform society.
00:09:08Yes!
00:09:14I thought she was different.
00:09:18Maybe she was crazy in a different way.
00:09:29This led to the sexual revolution of the 1960s.
00:09:32Oh, that's promising.
00:09:34Tell me more.
00:09:36You've come a long way, baby.
00:09:39Say that again, Siri?
00:09:41You've come a long way, baby.
00:09:43This was an advertising slogan that became a battle cry for female liberation.
00:09:48You've come a long way, baby.
00:10:06General Lafayette!
00:10:09My queen.
00:10:14You're a brave chevalier, but I beg you to change the uniform.
00:10:18You no longer fight for the Americans.
00:10:20You are home now, Lafayette.
00:10:27You've come a long way, baby.
00:10:30What do you mean?
00:10:34What are you doing?
00:10:37Something I've wanted to do for a very long time.
00:10:44What the hell is going on?
00:10:46Are you not my husband?
00:10:48And in this time, a woman pursues what she wants.
00:10:52Trying to seduce me won't delay the inevitable.
00:10:55Retire the games. We're over, Antonia.
00:10:58What?
00:11:01Darlings, what is going on?
00:11:14Looks like I got here just in the nick of time.
00:11:25It is time, Antoinette.
00:11:30Can I not take Mops with me?
00:11:32The French want nothing from a foreign court.
00:11:36But I'm from a foreign court.
00:11:38Does that mean they do not want me?
00:11:44There is something you must keep on your person at all times from this day forward.
00:11:51This pendant has protected our family for over a thousand years.
00:11:58Keep it close, Antoine.
00:12:00I fear your rule will be sorely tested in the years to come.
00:12:04Memo?
00:12:06Memo!
00:12:14I came as soon as I could.
00:12:16But what is this I hear now about divorce?
00:12:21Do not become a Hollywood cliché, my dear.
00:12:25I'm not a Hollywood cliché.
00:12:27I'm a Hollywood cliché.
00:12:29I'm a Hollywood cliché.
00:12:31I'm a Hollywood cliché.
00:12:33I'm a Hollywood cliché, my darlings.
00:12:35I'm sure you mean well to me.
00:12:37Can you let out?
00:12:39Oh, Nick, you know me.
00:12:41So you know that's impossible.
00:12:43You two are my favorite people in the world.
00:12:45Let me help you.
00:12:47I know.
00:12:49Both of you need to spend more time together.
00:12:52Remember why you fell in love in the first place.
00:12:59Wow!
00:13:01Oh, you look much better, Antonia.
00:13:04Then again, you were dead last time I saw you.
00:13:08Uh, thank you.
00:13:10Dude, you sure that's okay?
00:13:13The doctor said there's nothing wrong with her physically.
00:13:18What are you doing here, Finn?
00:13:20Oh, can't I stop in and say hi to my big bro?
00:13:24Fine.
00:13:25The auction's tomorrow.
00:13:27I wanted to stop by and see if you were going.
00:13:30It's a marvelous idea.
00:13:32Something we should all do together.
00:13:35Antonia included.
00:13:37Oh, Nick, you can tell her about the film we're working on.
00:13:41Film?
00:13:46Hmm.
00:13:47This one is more ribbon than dress.
00:13:51This one shows the butts.
00:13:54Where's the back on this one?
00:14:00It's time to reclaim the real me.
00:14:03Nick!
00:14:04I need the modiste brought to the house immediately!
00:14:07This wardrobe is a catastrophe!
00:14:09What are you now, queen?
00:14:11Why don't you go to the boutique like a normal person?
00:14:17Nick, these clothes are not me.
00:14:20To go to the boutique to find something more suitable.
00:14:23For once, we're on the same page.
00:14:25Just pass a fortune doesn't make it less tacky.
00:14:28Don't get a new outfit.
00:14:29Hell, get ten.
00:14:31But how will I pay for it?
00:14:33You've already maxed out your credit cards this month.
00:14:35Ready?
00:14:38Okay.
00:14:39Here.
00:14:40This has the power of purchase?
00:14:42That's one way of putting it.
00:14:44I don't think you should go alone.
00:14:46Sadie, care to join?
00:14:51Yes.
00:14:53Lana, you got a minute?
00:14:55Tony needs a new outfit for the auction.
00:14:57Great, thank you.
00:14:59She'll be here in ten.
00:15:13Hey, are you really going to give me the silent treatment you're doing?
00:15:18That's the only family-ish fact.
00:15:20You will never be my family.
00:15:22Seriously?
00:15:24We're about to be sisters.
00:15:26After my dad marries your mom next year?
00:15:28Gosh, I've all really fucked through memory.
00:15:33I remember enough to never trust you.
00:15:36I know what you did, Lana.
00:15:39Trust me and prepare to face the consequences.
00:15:42Challenge accepted, bitch.
00:15:46Mademoiselle Sloan.
00:15:48Are you shopping for anything in particular today?
00:15:50Yes, I'm looking for some ensembles and some day wear.
00:15:53Perfect.
00:15:54Right this way.
00:15:57Low-cut and flashy.
00:16:00It's you, Lana.
00:16:02I'm looking for something with a bit more je ne sais quoi.
00:16:05Well, of course.
00:16:06I think you want to look at our one-of-a-kind designer dress over here.
00:16:10This blue would actually look evil pay, Antonia.
00:16:13And I can't wait to see you suffer.
00:16:23It's fantastic.
00:16:25You have an impeccable eye, Miss Fonte.
00:16:28Please, call me Antonia.
00:16:30I love it.
00:16:31Thank you.
00:16:37This is the one.
00:16:38Simply stunning.
00:16:40You are a true trendsetter, Antonia.
00:16:42I love it.
00:16:44I'm going to take a look at this dress.
00:16:46Yes, please.
00:16:52Have a beautiful evening and be sure to come back often.
00:16:55Stock every week.
00:16:56I will.
00:16:57Merci, Mademoiselle.
00:16:58Of course.
00:16:59I love you.
00:17:04I don't understand.
00:17:05What's happening?
00:17:06Hang on.
00:17:07Let me see your purse.
00:17:08I'll take this.
00:17:10Okay.
00:17:17Antonia!
00:17:18This must be a mistake.
00:17:19I'll take this one.
00:17:20Hands behind the back.
00:17:22Listen to him.
00:17:26Did she notice?
00:17:27She's quite sick.
00:17:31You know, our family is trying to get her a lot of money.
00:17:33The budget is set at 15 million.
00:17:35I don't want to hear in the middle of shooting that she won't pay.
00:17:37I don't want to hear in the middle of shooting that she won't work.
00:17:42Sanson, what's wrong?
00:17:43It's your wife.
00:17:44She's been caught shoplifting.
00:17:46I'll be right there.
00:17:48Is everything okay?
00:17:51Viva la France!
00:17:52La France!
00:17:53You've been found guilty.
00:17:55Death.
00:17:57Viva la France!
00:18:02Nick!
00:18:04I paid for the jewelry you stole.
00:18:11This is the last time I bail you out.
00:18:22Anton.
00:18:27Mr. Bo.
00:18:29Mr. Bo.
00:18:56You've been found guilty.
00:18:58Enough, Antoinette.
00:18:59Never again.
00:19:03I believe there has been a misunderstanding.
00:19:05I'm sorry?
00:19:06My husband purchased these earrings.
00:19:08But they do not suit me.
00:19:10Imperial topaz.
00:19:12While being the most expensive, it's not suitable for my skin tone.
00:19:15I've never worn it.
00:19:17It dulls me out.
00:19:18You're...
00:19:19You're right.
00:19:20You'd do best with blues and purples.
00:19:23Greens, reds.
00:19:26Of course, you would never choose topaz.
00:19:28It clashes horribly.
00:19:30I'm so sorry I doubted.
00:19:32This has been a terrible misunderstanding.
00:19:34They must have fallen into your bag.
00:19:36Unbelievable!
00:19:37You're going to side with her over skin tone?
00:19:40She has unparalleled taste.
00:19:43Actually, Lana.
00:19:46These would be something you would pick.
00:19:50Perfect match.
00:19:52This less doesn't lose its sale.
00:19:55They're my gift to you, bestie.
00:19:59That's very generous of you, Antonio.
00:20:02Again, I apologize for misunderstanding.
00:20:04Not to worry.
00:20:09Guess I was wrong about her.
00:20:23I'm sorry.
00:20:36Don't tell me you forgot how to put it on.
00:20:40Can you...
00:20:41Whatever.
00:20:49Now I see it.
00:20:52Nick, darling, where are you hiding?
00:20:57Good evening, Vivian.
00:20:59Jake.
00:21:00Hey.
00:21:01You two set a date for the wedding yet?
00:21:02I'm not getting any younger.
00:21:03Or planning a winter wedding.
00:21:05I can't wait to lock this one down.
00:21:09Enough, you two.
00:21:12Hi, Nick.
00:21:13I'm so excited for this auction.
00:21:16It should be incredible.
00:21:17Some never-before-auctioned items by the queen herself.
00:21:22Let's go.
00:21:46Her Royal Highness
00:21:48Queen Marie Antoinette
00:21:50of France.
00:22:13Wow.
00:22:14She's got that same spark
00:22:16that you had in her, Adrian.
00:22:19Too bad she didn't inherit your talent in acting.
00:22:22Well, not everything can be taught.
00:22:24Right, Daddy?
00:22:25Go.
00:22:26Don't want to be late.
00:22:48Miss Vivian,
00:22:49Queen of Diamonds issues 66 feature film.
00:22:52There's rumors you may retire afterwards.
00:22:54But while on top of it, you've still got it.
00:22:56Do you care to comment?
00:22:57Darlings,
00:22:58I will be acting on my deathbed.
00:23:01The devil himself couldn't tempt me offstage.
00:23:04So that is a resounding no.
00:23:09Wish I'd known how to handle like that.
00:23:12Mr. Farnsworth,
00:23:13I'm sorry.
00:23:14I'm sorry.
00:23:15I'm sorry.
00:23:17Mr. Fontaine,
00:23:18can we expect antiques from tonight's auction
00:23:20to grace your upcoming career drama?
00:23:22Fontaine Studios prides itself
00:23:24in its historical accuracy.
00:23:26When we heard about the auction,
00:23:27it felt like fate.
00:23:28Thank you, but excuse us.
00:23:46Wow, Antonia!
00:23:48You look incredible.
00:23:50Definitely better than your usual skank couture.
00:23:54Uh...
00:23:55Definitely better than your usual skank couture.
00:23:59Merci, Ben.
00:24:00And all these French words you've been peppering in lately?
00:24:03So chic.
00:24:04Are you using Duolingo?
00:24:06Because I would love to learn.
00:24:08It's Italiano.
00:24:09That is one hot language.
00:24:12Ben.
00:24:13Oh, no.
00:24:14Big brother tone.
00:24:16You know, I was running lines with Oliver earlier today.
00:24:19He seemed really worn out.
00:24:21What are you doing to that poor bastard?
00:24:23It's not me.
00:24:24Max.
00:24:25He's been an insufferable tool
00:24:26since he won the National Book Award.
00:24:28Who is this Oliver Max you speak of?
00:24:31You've met Oliver before him.
00:24:33Multiple times.
00:24:34He's the director of Queen of Diamonds.
00:24:37Nick and Ollie grew up together.
00:24:39He was even best man at your wedding.
00:24:41And then Max Keller is the writer.
00:24:44But there they are now.
00:24:51Tip by guillotine.
00:24:53For Marie Antoinette.
00:24:56Thank you.
00:25:08They come to execute me in the morning, ma'am.
00:25:11If there ever was a time for a miracle, it is now.
00:25:16Terror is nothing other than justice.
00:25:19The king and queen must die
00:25:22so that the country can live.
00:25:24The king and queen must die
00:25:27so that the country can live.
00:25:29The king and queen must die
00:25:32so that the country can live.
00:25:45My queen.
00:25:46The mob has creased the gates.
00:25:48They are coming, my queen.
00:25:49Well, where do I go?
00:25:50It's too late to escape now.
00:25:51I told you to run, Antoinette.
00:25:53Why didn't you run?
00:26:06Antoinette.
00:26:13Antoinette.
00:26:16Antoinette, are you all right?
00:26:19Max.
00:26:22Just breathe.
00:26:23Just focus only on my voice.
00:26:26There we go.
00:26:28Breathe nice and slow.
00:26:34There we go.
00:26:36I'm okay now.
00:26:38Thank you, Nick.
00:26:41That's a panic attack.
00:26:43It can be brought on by post-traumatic stress.
00:26:45What set you off?
00:26:47I thought I saw a ghost from the past.
00:26:51It's nothing.
00:26:59Good evening, ladies and gentlemen,
00:27:01and welcome to the Versailles Royal Collection
00:27:04featuring pieces from Louis XVI and Marie Antoinette.
00:27:09It can't be.
00:27:11Our first item on the block
00:27:13is a timepiece that was held as true King of France's prize.
00:27:18Oh, Louis, my beloved friend.
00:27:20I miss you so.
00:27:22Louis XVI was gifted this item by his wife, Marie Antoinette.
00:27:26We're going to start bidding at $1 million.
00:27:29Do I hear $1 million?
00:27:31Yes, wonderful.
00:27:32$1.5.
00:27:34Yes?
00:27:35$2.5.
00:27:36Going once.
00:27:37Going twice.
00:27:38Sold.
00:27:40Moving right along,
00:27:41we're going to be showing you and featuring our next item,
00:27:44which is a three-cent diamond bracelet.
00:27:49This bracelet's hard to die for.
00:27:52Daddy, I have to have it.
00:27:57$2 million.
00:27:58Going once.
00:27:59$2 million.
00:28:00Doing .5.
00:28:01And sold.
00:28:02Sold.
00:28:12Our final and most prized item of the evening
00:28:15is one that is shrouded in the annals.
00:28:20My God, it's here.
00:28:23A pendant said to have belonged to the Habsburg Empire,
00:28:27the family of Marie Antoinette herself.
00:28:29This pendant has protected our family for over a thousand years.
00:28:36I must get it back, at all costs.
00:28:39Starting bid on this item will begin at a higher price of $1.5 million.
00:28:44Do I hear $1.5?
00:28:46$1.5.
00:28:47Do I hear $2 million?
00:28:50$2 million.
00:28:51How about $2.5 billion?
00:28:54Going once.
00:28:57Going twice.
00:29:00And?
00:29:01$3 million.
00:29:06$3 million.
00:29:08Sold.
00:29:10Sold to Mr. Nick Lontane for $3 million.
00:29:21Ladies and gentlemen, for attending the Versailles Royal Collection,
00:29:24please have a lovely evening.
00:29:25Thank God, I got it back, Minimal.
00:29:30Thank God, I got it back, Minimal.
00:29:41Get out of your mind.
00:29:43That was a study which cost me $3 million.
00:29:47You can't explain it, but this pendant is important to me.
00:29:50You can't explain it, but this pendant is important to me.
00:29:58So I thank you, Mr. Lontane.
00:30:03Tell me, what are you doing?
00:30:05I know it was a lot of money, but I'll find a way to pay you back.
00:30:09You went with the theatrics, okay?
00:30:11And pay me back with what?
00:30:14You burned through your trust with me.
00:30:15Now we have a real job in your entire life.
00:30:17You have my word, Nicholas.
00:30:19The debt will be paid.
00:30:21Is she for real?
00:30:37Antonia, I don't believe you've met Max Keller,
00:30:41the novelist and screenwriter of Queen of Diamonds.
00:30:45Mr. Keller, I'm afraid I know nothing of your work.
00:30:48I wouldn't expect you to, Mrs. Fontaine.
00:30:51It's a biopic on Marie Antoinette, the last queen of France,
00:30:54and the death knell of the monarchy.
00:30:56You are telling her story?
00:30:58My story?
00:30:59There's no greater living expert than I on the French Revolution.
00:31:06I'm sure.
00:31:08I may say, Mrs. Fontaine,
00:31:12I feel we may have met...
00:31:14You're mistaken, sir. Now if you'll excuse me.
00:31:21Well, she actually thinks she knows anything other than clothes and jewelry.
00:31:26She seems like herself.
00:31:33That man, that petty evil man.
00:31:36I fear he's still a danger to me.
00:31:38Is that why you're here? To guide me? To warn me?
00:31:45How do the handcuffs feel?
00:31:47I couldn't mean it to ask.
00:31:53I've faced this in my life.
00:31:55You know, I've finally figured out why you've been acting so strange.
00:32:00This is your sad, pathetic attempt to win Nick back.
00:32:04You're gonna fail.
00:32:06You're gonna fail.
00:32:12I'm going to steal your husband, Antonia.
00:32:14Even your own mommy likes me more than you.
00:32:17She's already asked me to call her mother after the wedding.
00:32:20You're gonna have nothing left when I'm finished with you.
00:32:23I'll accept that stupid glass pendant.
00:32:28Let me pass. Make me, bitch.
00:32:32Let me pass. Make me, bitch.
00:32:34Lana, no matter how much time goes by, you're still a tacky, social-climbing nobody.
00:33:05What the fuck is going on?
00:33:19What the fuck is on?
00:33:23What the fuck is going on?
00:33:25I can stick a bitch to you.
00:33:35She's spinning out of control.
00:33:41Antonia, wait.
00:33:44What crazy thing are you gonna do next?
00:33:46I don't even know who you are.
00:33:48Maybe you can give me a chance to find out.
00:33:50Has she truly changed?
00:33:52She does not seem like the same person I have at home.
00:33:55Winston, understand. I'm not that Antonia he knew.
00:33:58Antonia, he knew.
00:34:00Molly, I'm sorry for administering culture.
00:34:03They've granted us access to a second unit beside for exteriors.
00:34:06What should I do with you, Lafayette?
00:34:13This dress was so beautiful and now it's ruined.
00:34:17Nick must think I'm a barbarian, but punching Lana in her smug face was worth it.
00:34:28Hey, Siri.
00:34:30Call Sadie.
00:34:32Calling Sadie.
00:34:37What up, champ?
00:34:39Who is this champ?
00:34:41Inside joke.
00:34:43What do you need?
00:34:45How does one remove the claw?
00:34:47What claw?
00:34:49The thing holding my bosom in place.
00:34:51The thing holding my bosom in place?
00:34:53The thing holding my bosom in place.
00:34:55The thing holding my bosom in place.
00:34:58We're off, Antonia.
00:35:00Feel around the back. There should be two little hooks holding it together.
00:35:03Okay.
00:35:07I feel something.
00:35:09Me.
00:35:27I feel something.
00:35:30I feel something.
00:35:54Cover yourself, woman.
00:35:57We are in a divorce.
00:35:59Your acts of mutiny and smelling are the only reasons we're still living on this planet.
00:36:03You are not the man I once knew.
00:36:05My loyalty remains unwavering.
00:36:08To whichever uniform this heart will be, you say.
00:36:16You once had a heart that beat true.
00:36:18Until you tore it from my chest.
00:36:20Antonia, what did you do to this poor soul?
00:36:24Nick, I'm not full.
00:36:27Anna has the lead.
00:36:29I want to take a photo of the cat.
00:36:31Understood. I'll meet you at the studio to go over details.
00:36:36You're wrong about me.
00:36:38I will find a way to prove it to you.
00:36:43I'll believe it when I see it.
00:36:47And believe it you shall.
00:36:54Good with animals, gardening.
00:36:57Adapt in the social spaces required for court life and diplomacy.
00:37:01Speak several languages.
00:37:03Performing.
00:37:20Good with animals, gardening.
00:37:22Adapt in the social spaces required for court life and diplomacy.
00:37:26Speak several languages.
00:37:28Performing plays at my little theater.
00:37:33Cows chew.
00:37:35Ladies don't.
00:37:37Your posture, Sadie.
00:37:39You're a beautiful young woman. Why do you slouch?
00:37:44You think I'm pretty?
00:37:46Of course. You have good bones.
00:37:48No amount of powder and paint can compete with nature's gifts.
00:37:53Promise me you won't go back to your old self.
00:37:57What a horrible person you were, Antonia, to hurt this child.
00:38:01I promise, Monica.
00:38:06These are all the things I'm good at.
00:38:08I plan to pay your brother back for my pendant, but I'm not sure where to start.
00:38:14Performing.
00:38:16It's kind of obvious to me.
00:38:19Talk to Finn. He's the actor in the family.
00:38:22Maybe he knows a role that'd be right for you.
00:38:26Lovely. I feel right in the letter.
00:38:29Or you can, like, text him.
00:38:33Grandma.
00:38:35Okay.
00:38:37Guess who got the most deals for our date?
00:38:47Thank you.
00:38:51So why did you suddenly want to break into acting?
00:38:55I need three million dollars back to pay your brother back.
00:38:59Nick can be such a hard-ass sometimes.
00:39:02I blame that on his military training.
00:39:04Nick was also a soldier.
00:39:07Just like Lafayette.
00:39:09Nick was a Green Beret.
00:39:11He was career military.
00:39:13Then our father took over the studio after our grandfather died.
00:39:18In just 15 years, it went bankrupt.
00:39:21Then Nick set it.
00:39:24That must have been hard on him.
00:39:26Yeah.
00:39:28To blame?
00:39:30Parents fuck you up.
00:39:32Which is why I assume you didn't try acting.
00:39:35Given that Dame Vivian is your mom.
00:39:38So, I need to ask.
00:39:41Are you any good?
00:39:43I was the lead in plays on and off for about five years.
00:39:46My most recent role was Rosine in The Barber of Seville.
00:39:50Beaumarchais was quite impressed with my performance.
00:39:52Beaumarchais?
00:39:54As in the 18th century playwright?
00:39:56I guess a theater job would make the most sense, given my experience.
00:40:01Or you could try movies.
00:40:04I'll be in the studio tomorrow prepping for my role as King Louis XVI.
00:40:07You should come with and check it out.
00:40:09Why not?
00:40:12Try this pizza.
00:40:18Oh my.
00:40:19Where did you find this?
00:40:35This is where the magic happens.
00:40:40The burden of the crown.
00:40:42So heavy upon one's head.
00:40:45What is a queen if not the epitome of splendor?
00:40:51Jewels that rival the stars.
00:40:54Gowns that whisper the secrets of the loom.
00:40:57And feasts that would make Bacchus envious.
00:41:04They say the kingdom weeps.
00:41:06But shall I not weep?
00:41:09I know.
00:41:11She sucks.
00:41:12I believe I'm going to get stuck with her.
00:41:17Bravo, Lana.
00:41:18You just nailed the frivolous queen.
00:41:20Yeah.
00:41:21Very well, Lana, thank you.
00:41:22You may step down.
00:41:26Does anyone else care to audition for this role?
00:41:30Does anyone else care to audition for this role?
00:41:35Anyone?
00:41:36You tarnished my name once.
00:41:38I will not let you do it again.
00:41:40Anyone?
00:41:41Yes.
00:41:43I would like to read.
00:41:48Are you sure, Antonia?
00:41:50You know this is for the lead role, right?
00:41:52Perhaps you may try something as small as a protector.
00:41:55I'm quite sure.
00:41:57The role is yours.
00:41:58Read.
00:42:08If you could stop everything we're doing to...
00:42:10to the nipple baby and the producer's trophy wife.
00:42:13Back in school, people used to say her performances were...
00:42:17devoid of a soul.
00:42:19The role is yours, Lana.
00:42:20You've got nothing to worry about.
00:42:23What is it?
00:42:24You've got nothing to worry about.
00:42:27What in the world is she thinking?
00:42:29The Levine acting gene totally skipped, Antonia.
00:42:33She wants to try, Vivian.
00:42:35Oh, for heaven's sake, stop this nonsense before it's too late.
00:42:38She embarrasses herself...
00:42:40and me.
00:42:43Hi, Bert.
00:42:44Max, can you go re-read Rope's lines with her, please?
00:42:47My pleasure.
00:42:50All right, everyone.
00:42:52Hit the spotlights!
00:42:59Okay, guys, so this scene is about Marie Antoinette and the trial...
00:43:02and, you know, the tribunal, so let's just get to it, okay?
00:43:07Madame, you stand before us accused of conspiring with foreign powers...
00:43:11the depletion of the state treasury...
00:43:13and committing high treason by acting against security of the French state.
00:43:17Yesterday, I did not know the witnesses.
00:43:20I am not going to depose against me...
00:43:22and no one has presented any proof to support my arrest.
00:43:27I was only the wife of King Louis XVI...
00:43:30and it was required of me to follow his lead.
00:43:34The sentence of death has been pronounced.
00:43:36What shall you say to your defense?
00:43:39In my defense?
00:43:41Nothing.
00:43:42For your scruples?
00:43:44Much.
00:43:45I was a queen, and you dethroned me.
00:43:48I was a wife, and you killed my husband.
00:43:51I was a mother, and you tore my children.
00:43:56My blood alone remains.
00:43:58Take it and end this suffering.
00:44:02Yes!
00:44:16Yes, everyone, we found our queen!
00:44:19God!
00:44:20It's a miracle!
00:44:22The enacting dynasty lives on for another generation.
00:44:26My brother won't know what hit him.
00:44:27Where did that come from?
00:44:28The bitch I know can't act to save her life.
00:44:31The performance was touching.
00:44:33Marie Antoinette is a shallow, empty-headed spender.
00:44:36A puppet for her mother's ambitions...
00:44:38and in the end, an Austrian spy.
00:44:41You sound just like 1793.
00:44:44Quick to dismiss a woman's power...
00:44:46and at the same time, fear it.
00:44:48Has the world not advanced since then?
00:44:50Does Marie Antoinette deserve to be treated...
00:44:52with the same complexity and nuance...
00:44:54we would show to a male in her position?
00:44:57Yeah.
00:44:59No way can that woman get the role.
00:45:03Mr. Fontaine, you need to on the set of Queen of Diamonds.
00:45:06Sir, it's about your wife.
00:45:09I'm on my way.
00:45:12No way can that woman get the role.
00:45:14I think you need to rethink it.
00:45:15No, absolutely not.
00:45:16Yes, this woman right here is...
00:45:17Nonsense.
00:45:18She is going to be a hero.
00:45:19She's never done this before.
00:45:20She's the next Marilyn Monroe.
00:45:21You cannot make this kind of change.
00:45:22I'm the director, Max. That's exactly what I can do.
00:45:24I don't care. Calm down, guys.
00:45:27Antonio, what are you doing here?
00:45:29I brought her.
00:45:30You need to have an open mind...
00:45:31for what you're about to hear, brother.
00:45:33What the hell is going on?
00:45:34If your wife gets the role of Marie...
00:45:36I'm going to walk.
00:45:37Antonio, that's betrayal.
00:45:38Humanize us a queen.
00:45:39That's what this film lacks and desperately needs.
00:45:41Olly, Olly, I'm with Max, officer.
00:45:42It's ridiculous to consider her, Antonio.
00:45:44You do not see past the fact that she's your wife?
00:45:51Gentlemen.
00:45:52There is a simple way to resolve...
00:45:55whether or not Antonia has the chops to play Marie Antoinette.
00:46:01Watch her audition tape.
00:46:14Nick, I was born to play this role.
00:46:16I am Marie Antoinette.
00:46:23She's in.
00:46:26You won't regret this.
00:46:30Congratulations!
00:46:32Thank you.
00:46:33My darling.
00:46:34I'm so proud of you.
00:46:36You are a little girl.
00:46:38Thanks, mother.
00:46:39Do you know what this means?
00:46:40We're going to be in scenes together.
00:46:42Husband and wife.
00:46:43King and queen.
00:46:45I'll come over tomorrow.
00:46:46We're going to start running lines.
00:46:48I'm so excited.
00:46:52I'm just grateful for the opportunity.
00:46:54I'm just grateful for the opportunity to tell her true story.
00:46:57Come on, I'll buy a salad drink.
00:46:59Oh, I can use a drink.
00:47:01Enjoy it now, Antonia.
00:47:03It won't last.
00:47:09This isn't over.
00:47:16Hey, Siri.
00:47:17It's Art.
00:47:25Hi.
00:47:49Good.
00:47:50You're here.
00:47:51What are you doing?
00:47:52We're celebrating, silly.
00:47:54Where's Siri?
00:47:55She's out with friends.
00:47:56We have the house to ourselves.
00:48:19Lovely.
00:48:20Very nice.
00:48:23Thank you.
00:48:32You are so solemn, General.
00:48:35The world is a solemn place.
00:48:37Some things are beyond our control.
00:48:40It doesn't help to fixate on them.
00:48:43That is when we dance.
00:48:52Dance.
00:49:08You're too tight.
00:49:09Sit down and relax.
00:49:17Too tight.
00:49:18Sit down and relax.
00:49:22You've never given me a massage before I tell you, why do you hide so much of yourself from me?
00:49:44I know a lot of things don't make sense, Nicholas, but my life flashed before my eyes when I died.
00:49:51My soul would lead me there, where I went wrong, done differently if given a chance.
00:49:59This here is my second chance.
00:50:03You're asking me to forget about the divorce and give this marriage another shot?
00:50:08Yes, that's what I mean.
00:50:15I let you in, Natalia. I don't know if I can do it again.
00:50:21I'm sorry.
00:50:33Lady?
00:50:34What you working on?
00:50:36A script.
00:50:40I would never see that.
00:50:43Or do that.
00:50:46What's...
00:50:50What was that?
00:50:59Hello!
00:51:02Hi!
00:51:09Where do you think you're going?
00:51:11Catch him before he escapes!
00:51:16Where do you think you're going?
00:51:19Hey, I got him!
00:51:24At 14, I had to leave my family behind. Even my dog, Mops.
00:51:30You mean, when you went to boarding school?
00:51:33Sure, boarding school. I missed him so much.
00:51:39What should we call him?
00:51:42How about... Mops the Second?
00:51:46I like that.
00:51:49I like it. What do you think, Mops? Would you like to be my dog, Mops?
00:51:55I can't fall for her again. This man is a must-have.
00:52:00You're free.
00:52:12You know, it's a lot to take in. The whole acting thing.
00:52:19It's not just that.
00:52:21The old Antonia ignored Sadie. It was only a focus on me and Fluxer.
00:52:27She hated animals. Not her and Sadie are inseparable.
00:52:30Today, she rescued a stray dog.
00:52:33She's a good dog.
00:52:35She hated animals. Not her and Sadie are inseparable.
00:52:39Today, she rescued a stray dog.
00:52:42Hell, even you've been won over by her.
00:52:45What can I say? I like Antonia 2.0.
00:52:48She's one cool chick.
00:52:51Gone.
00:52:53Are you kidding me?
00:52:54Lil' Flush?
00:52:55Has she really changed?
00:52:57Or is this just another ruse to suck me back in?
00:53:00Dude, she died. Maybe she has changed.
00:53:04You know, I think the bigger question is, will you regret it for the rest of your life
00:53:07if you don't give her one last chance?
00:53:11I hear you.
00:53:12I don't know if I can forget about everything she's done in the past.
00:53:16You can't. Or won't.
00:53:19Hey, Pops.
00:53:21Yeah, hey, Cap.
00:53:23Good boy, Pops. There you go.
00:53:29She looks like an angel.
00:53:31I've seen the devil in her as well.
00:53:35She's a good dog.
00:53:37She hates animals. Not her and Sadie are inseparable.
00:53:40Today, she rescued a stray dog.
00:53:42She hated animals. Not her and Sadie are inseparable.
00:53:44Today, she rescued a stray dog.
00:53:47Which one is the real you?
00:54:09Huh. I don't remember coming to bed last night.
00:54:16Come on, Pops.
00:54:23What's all this?
00:54:24My all-time favorites. Croissants and hot chocolate.
00:54:27Since when has hot chocolate become your favorite?
00:54:30I always thought it was champagne. The way you guzzled it.
00:54:33Nick, don't be such a killjoy.
00:54:36I'm outie. Bye.
00:54:39Great.
00:54:41Behave. Mommy will soon.
00:54:43You really do care for him.
00:54:44Of course.
00:54:46Why would you think differently?
00:54:48Oh, I don't know.
00:54:49Maybe because last time a dog came near you, you kicked it for trying to dirty your dress.
00:54:53What a cold witch Antonio was.
00:54:55How can I undo the dated so he will let me in?
00:55:12Antonio, would your mother be me like Vivian Levine?
00:55:15Do you feel her influence has anything to do with you getting a role?
00:55:18Could you explain to us why someone who was never even booked a minor role
00:55:22now has the most coveted role in Hollywood?
00:55:24Antonio, did your husband, Nick Levine, pull some strings?
00:55:28No comment.
00:55:29Please, please, can we just get this over with?
00:55:31I'll tell you in two minutes.
00:55:32Please.
00:55:33They're like vultures in every century.
00:55:34Nick.
00:55:35Please, we just want to know.
00:55:36Mark, I'm sorry.
00:55:37Just leave.
00:55:39Anyone want to do a role?
00:55:40Anything you say.
00:55:44So Countess Lamothe was like the ultimate single white female.
00:55:49I mean, it's a very challenging role to play.
00:55:52I think you got it.
00:55:53Okay, but I was supposed to be the lead.
00:55:55Not some society thief who's always on the outside looking in.
00:56:04Okay, fine.
00:56:05I'll do it.
00:56:08Okay.
00:56:14Hi, Finn.
00:56:17Hey, Nick.
00:56:18Lana.
00:56:19Hey.
00:56:20Can I help you?
00:56:24I guess.
00:56:29Sorry.
00:56:30So, what brings you here, Nick?
00:56:33Fifty million reasons.
00:56:36Okay, let's dive right in.
00:56:38Top of page 30, scene 15.
00:56:40Can Tony start a song?
00:56:43If the peasants and commoners cannot afford bread, then I say let them eat cake.
00:56:48The problem is I never said that.
00:56:50So first wrote those words in 1765.
00:56:53I was only nine.
00:56:54And what do we call this day and age fake news?
00:57:02She's correct, sir.
00:57:03Marie Antoinette never said let them eat cake.
00:57:05How did you catch that?
00:57:09How did you catch that?
00:57:10The world thinks she said it.
00:57:12What's the difference?
00:57:13We are doing a definitive biopic on the woman, Max.
00:57:15It matters.
00:57:19Tony is the one that gets that.
00:57:22Anything else before you, girl?
00:57:24Wait.
00:57:25Let's start with page 18, the hunting scene.
00:57:29This script says that I wore a petticoat while riding,
00:57:31but I found them too limiting and I wore breeches.
00:57:36She's correct.
00:57:37Marie Antoinette was one of the first women to do so.
00:57:40So she was like this early day feminist.
00:57:43Oh, that's groundbreaking.
00:57:44Antonia, you are quite the history buff.
00:57:47Costumes, can you make those changes?
00:57:50And tell me, any other big catches for us?
00:57:52I wouldn't call wearing breeches a big change or a catch.
00:57:57Why don't you share some of your pearls of wisdom with us, Antonia?
00:58:01You've got a few there on your neck, don't you?
00:58:03I will.
00:58:04Since the film is called Queen of Diamonds,
00:58:06let's talk about the Affair of the Necklace scandal.
00:58:09What about it?
00:58:10You commissioned a very expensive diamond necklace and refused to pay for it.
00:58:14That's untrue.
00:58:15Louis XV, my grandfather-in-law, commissioned it for his mistress.
00:58:19Then he died and I refused it.
00:58:21Oh, my God.
00:58:28Merde. Madame Depecite.
00:58:30Austrian spy.
00:58:32Feed your vanity and be starved.
00:58:36It was Countess Lamotte who fabricated my signature on the purchase,
00:58:40then impersonated me.
00:58:42It was Countess Lamotte who fabricated my signature on the purchase,
00:58:46then impersonated me.
00:58:48Great stuff.
00:58:49Let's get into that on page 50, okay?
00:58:52You've my hair, my gowns,
00:58:54then became a thief in my name.
00:58:57You paint me a villainess
00:58:59when we all know who the real one is.
00:59:01Have you no shame?
00:59:03Your greed had a chain of events that led France towards revolution.
00:59:06Ooh, I love it, ladies. Keep up that energy.
00:59:08But, but I'll...
00:59:09My vision.
00:59:10She's twisting my words.
00:59:12I wrote the quintessential book on Marie Antoinette.
00:59:14Now, I'm the only expert here.
00:59:17I'm not interested in producing another pop history flick that oversimplifies things.
00:59:22There's a direction with more dimension.
00:59:24Agreed.
00:59:25If Max were overhauling the script,
00:59:27Antonia, work with Max to get it right.
00:59:29Let's get past the slander and the politics
00:59:31and get to the heart of the real Marie Antoinette.
00:59:35Yes, thank you.
00:59:37Why don't you become a method actor?
00:59:40What's a method actor?
00:59:43Okay, everybody, I think we're in a good place. Let's start.
00:59:46It's garbage. It's not factual.
00:59:47It's not about facts.
00:59:48It's about facts.
00:59:56Oh, god.
01:00:27Alright everybody, the first day of printography is tomorrow and I decided to go with the ballroom
01:00:48scene first.
01:00:49I know, I know, it may be hard, but let's just get it out the way with, okay?
01:00:54Our call time is 8 a.m. and call sheets are right here.
01:00:58What's a call sheet?
01:01:04I believe you and I share a common goal, to complete and total ruin of Antonia Levine.
01:01:23What did you have in mind?
01:01:30Plenty.
01:01:31Plenty plenty.
01:01:32I've no business at all.
01:01:33Nice digs.
01:01:34But don't get too comfortable in your fancy dressing room.
01:01:35Leading lady for long?
01:01:36Get out or I will put you on the ground like last time.
01:01:38I'm sorry.
01:01:39I'm sorry.
01:01:40I'm sorry.
01:01:41I'm sorry.
01:01:42I'm sorry.
01:01:43I'm sorry.
01:01:44I'm sorry.
01:01:45I'm sorry.
01:01:46I'm sorry.
01:01:47I'm sorry.
01:01:48I'm sorry.
01:01:49I'm sorry.
01:01:50I'm sorry.
01:01:51I'm sorry.
01:01:52I'm sorry.
01:01:53I'm sorry.
01:01:54I'm sorry.
01:01:55I'm sorry.
01:01:56I'm sorry.
01:01:57I'm sorry.
01:01:58I'm sorry.
01:01:59I'm sorry.
01:02:00I'm sorry.
01:02:01I'm sorry.
01:02:02I'm sorry.
01:02:03I'm sorry.
01:02:04I'm sorry.
01:02:05I'm sorry.
01:02:06I'm sorry.
01:02:07I'm sorry.
01:02:08I'm sorry.
01:02:09I'm sorry.
01:02:10I'm sorry.
01:02:11I'm sorry.
01:02:12I'm sorry.
01:02:13I'm sorry.
01:02:14I'm sorry.
01:02:15I'm sorry.
01:02:16I'm sorry.
01:02:17I'm sorry.
01:02:18I'm sorry.
01:02:19I'm sorry.
01:02:20I'm sorry.
01:02:21I'm sorry.
01:02:22I'm sorry.
01:02:23I'm sorry.
01:02:24I'm sorry.
01:02:25I'm sorry.
01:02:26I'm sorry.
01:02:27I'm sorry.
01:02:28I'm sorry.
01:02:29I'm sorry.
01:02:30I'm sorry.
01:02:31I'm sorry.
01:02:32I'm sorry.
01:02:33I'm sorry.
01:02:34I'm sorry.
01:02:35I'm sorry.
01:02:36I'm sorry.
01:02:37I'm sorry.
01:02:38I'm sorry.
01:02:39I'm sorry.
01:02:40I'm sorry.
01:02:41I'm sorry.
01:02:42I'm sorry.
01:02:43I'm sorry.
01:02:44I'm sorry.
01:02:45I'm sorry.
01:02:46I'm sorry.
01:02:47I'm sorry.
01:02:48I'm sorry.
01:02:49I'm sorry.
01:02:50I'm sorry.
01:02:51I'm sorry.
01:02:52I'm sorry.
01:02:53I'm sorry.
01:02:54I'm sorry.
01:02:55I'm sorry.
01:02:56I'm sorry.
01:02:57I'm sorry.
01:02:58I'm sorry.
01:02:59I'm sorry.
01:03:00I'm sorry.
01:03:01I'm sorry.
01:03:02I'm sorry.
01:03:03I'm sorry.
01:03:05I'm sorry.
01:03:06I'm sorry.
01:03:07I'm sorry.
01:03:08I'm sorry.
01:03:09I'm sorry.
01:03:11Boom!
01:03:12Boom!
01:03:13Boom!
01:03:14Boom!
01:03:15Boom!
01:03:16Boom!
01:03:17Boom!
01:03:18Boom!
01:03:19Boom!
01:03:20Boom!
01:03:21Boom!
01:03:22Crash!
01:03:23Crash!
01:03:24Crash!
01:03:29We welcome home our brave men who helped turn the tide for the Americans and defeat
01:03:33all right everybody take five we'll resume shortly okay take five everybody
01:03:41take five
01:03:46damn this thing is itchy. I wonder how the old people did it. get lost then. that's a nice way
01:03:51to greet your baby brother. what's wrong? I can't explain it. you know my drink has
01:03:59been poisoned. it's okay I got you. you're not going to say I'm crazy? I learned to trust my instincts on the
01:04:05battlefield. right now they're telling me something's wrong. I know I can trust you.
01:04:11I can assure you. I'll get the glass and get it tested. for now don't eat or drink
01:04:15anything in the meantime.
01:04:18detective Ortiz, it's Nick Fontaine. I'm listening. we have a situation here at the studio.
01:04:31I wish we could just stay like this for a few more weeks.
01:04:46for as long as I live. I've always wanted to be this way.
01:04:50the smile on your face, the light in your eyes.
01:04:55cut. that's a wrap everybody. don't you just love your love?
01:05:05just early one day. I'm looking forward to a hot bath after getting out of this corset.
01:05:09you're telling me. my corset's killing me.
01:05:15ow. it grew up so fast.
01:05:24so nice Travis.
01:05:32don't bother. it's not like you haven't seen it before. got the results back.
01:05:38you didn't get enough cyanide in it to kill a horse.
01:05:42Antonio, you do understand. someone's trying to kill you.
01:05:47you know how many people have wanted my head? you could fill a coliseum.
01:05:51this isn't a joke. one little poisoner isn't going to stop me from telling an infinite story.
01:05:56I'm meant to be here. besides, I have three million dollars to earn.
01:06:01forget about the money. I have. no. I will pay back the debt.
01:06:06Nick, put me down.
01:06:09you asked for it. put me down. we're going home.
01:06:11I will not be scurried and hide like a mouse.
01:06:14you're too much of a character.
01:06:16ow.
01:06:18okay. fair enough. fair enough.
01:06:20ow.
01:06:22you asked for it.
01:06:26hey hey, why aren't you going inside? I thought we were going over the changes for tomorrow.
01:06:30I don't think now's a good idea, Nick and Antonio.
01:06:34well, we need to talk to him, too.
01:06:38here we go.
01:06:40you asked for it.
01:06:43how about another time?
01:06:45good idea.
01:06:51you got a little crazy, I'd say.
01:06:54oh, we've made quite a mess.
01:06:57what is all this?
01:06:59hand mail. can you believe it?
01:07:01golf bands.
01:07:03there's usually a warning in these cases.
01:07:05a phone call, a letter, a lock.
01:07:13you should have died a long time ago. your end is coming, internet.
01:07:17where did this come from?
01:07:19I don't know. it's not interesting to anybody.
01:07:21it was just right here in the dressing room.
01:07:24that's it. we're out of here.
01:07:26what the hell?
01:07:28Nick!
01:07:31this is so...
01:07:33Nick, put me down!
01:07:35seriously!
01:07:39this is ridiculous.
01:07:41I'm trying to protect you, woman.
01:08:01this is not my paper.
01:08:03it's mine.
01:08:30thank you.
01:08:36never been like this for me before.
01:08:38me neither.
01:08:56what?
01:08:58none for me.
01:09:00I don't drink.
01:09:02since when?
01:09:06I've been meaning to tell you forever, but...
01:09:09I knew you wouldn't believe me.
01:09:11after everything that's happened,
01:09:13I'm willing to try.
01:09:29I love you.
01:09:55I don't want you going to set today.
01:09:57it's too dangerous.
01:09:59if I don't, I will queen of diamonds.
01:10:02at least till we catch the stock.
01:10:04you know I have to be there.
01:10:06besides, the studio will suffer.
01:10:0950 million dollars is on the line.
01:10:11you're funny.
01:10:13I am.
01:10:18you need to be careful, Antonia.
01:10:20I don't want you leaving the house without Sanson.
01:10:22he's a trained bodyguard.
01:10:24that makes sense.
01:10:26but I don't think he likes me much.
01:10:28he's seen you at your worst.
01:10:30give him time to come around.
01:10:46it's like a waffle I got a sleepover last night.
01:10:51get a room.
01:10:54let's go, mobs.
01:11:09what's that?
01:11:11those are photos of you from our house.
01:11:16double security on set.
01:11:18no one in or out without being vetted by guards.
01:11:20do it now.
01:11:24what do we do?
01:11:26I got you. you'll be fine.
01:11:31I do not understand.
01:11:33I supported the American revolution.
01:11:35now my people want to rebel against me.
01:11:38there is no truth anymore, Louis.
01:11:40only public opinion.
01:11:42which is as fickle as a fart in the wind.
01:11:45you have been amongst your farm animals too much, Marjorie.
01:11:49you have been amongst your farm animals too much, Marjorie.
01:11:52wrong.
01:11:54if I revel in grand soirees and balls, they brand me as indulgent.
01:11:58if I retreat to the countryside,
01:12:00they spread rumors of my hidden vices and secret romances.
01:12:06in their tribunal, we stand condemned, Louis.
01:12:09no one cares if we truly are guilty.
01:12:12I pray you are mistaken, Twilight.
01:12:14I pray as well, my king.
01:12:17cut!
01:12:19we got it.
01:12:21great work, you two.
01:12:23that totally rocked.
01:12:25if you weren't my sister-in-law, I would kiss you.
01:12:29you don't have to pretend with me, Finn.
01:12:33how long have you known?
01:12:35you don't have to pretend with me, Finn.
01:12:38how long have you known?
01:12:40I grew up around artists and musicians.
01:12:42but I take it Nick doesn't know?
01:12:46he wouldn't understand.
01:12:48he's such a manly man.
01:12:50I think you're underestimating him.
01:12:56thank you.
01:12:58for accepting me as I am.
01:13:10now let's get out of this corset.
01:13:12please.
01:13:14I'm better than Vivian and O'Brien.
01:13:16my god.
01:13:17I became a loser.
01:13:19brace yourself, Nick.
01:13:21it's going to be a start.
01:13:26Antonio Levine Fontaine's Forbidden Romance.
01:13:30Finn Fontaine?
01:13:35good boy, Mops.
01:13:37I'm sorry, what?
01:13:39she was like my age when her parents married her off?
01:13:44that's beyond cray cray.
01:13:47anyone caught the latest headlines?
01:13:51Nick.
01:13:52it's not what you think.
01:13:53I've been trying to tell you.
01:13:54Finn, Finn.
01:13:55I know.
01:13:56you're my brother.
01:13:57I love you.
01:13:58besides, there's the fact that you're gay.
01:14:00you know?
01:14:01how?
01:14:02when?
01:14:03I was a soldier.
01:14:04trained to know those details.
01:14:06and you don't care?
01:14:08why would I?
01:14:13I love you.
01:14:14I love you too, man.
01:14:15there's going to be some fallout from this stupid scandal.
01:14:17but we'll manage.
01:14:18or I could just tell them.
01:14:20no.
01:14:21no, Finn.
01:14:22it's for you to decide when you're ready.
01:14:23not like this.
01:14:24never like this.
01:14:30I love you guys.
01:14:34oh, Mops.
01:14:39you don't have to say it back.
01:14:42I love you.
01:14:45I'm telling you.
01:14:49I wanted you to know in case something happened to me.
01:14:59I just wanted you to know in case something happened to me.
01:15:04I love you.
01:15:09I love you too.
01:15:11not on my watch.
01:15:22traitor!
01:15:23what's the point of this?
01:15:34hey, man.
01:15:35go back to sleep.
01:15:37it'll only be a minute.
01:16:03oh!
01:16:04it's Hanson.
01:16:05you scared me.
01:16:09what's going on?
01:16:13it's been a break-in.
01:16:15I chased them and they got away.
01:16:17great.
01:16:18then why didn't the alarm go off?
01:16:20seems the safety's got to be set on the way in.
01:16:25detective Ortiz.
01:16:27I need a crime scene unit at the house to test for fingerprints.
01:16:30trying to break in.
01:16:33okay.
01:16:46hi.
01:16:47how long have you been sleeping with Ken Fontana and Tony?
01:16:49I've been helping your husband pay your broker's loan.
01:16:51Nick, are you divorcing your chief?
01:16:55detective Tommy.
01:16:56we weren't able to get any working fingerprints when they took the break-in.
01:16:59so that's the dead end.
01:17:00who's behind this as a pro?
01:17:02what about the pictures themselves?
01:17:03it's confirmed that the camera angles to technique.
01:17:07or didn't.
01:17:13they have a lead.
01:17:14whoever sold the pictures to the tabloids are a stalker.
01:17:17it's time to follow the money.
01:17:22Antoine.
01:17:24your subservience to the French court is unbecoming.
01:17:27I fear they distract you with trivial pleasures.
01:17:30but mother, what was I to know of courtly intrigues and royal duties?
01:17:35I was a mere teen when I was placed in this gilded cage.
01:17:38embrace your destiny, Antoinette.
01:17:41it is now time to rise to the occasion.
01:17:45it is the lot of women amuse to be strong,
01:17:49and to face the darkest of moments unflinchingly.
01:17:57fine.
01:17:59that is when you know who you truly are.
01:18:03that is when you know who you truly are.
01:18:07cut rehearsal, everyone!
01:18:09that's beautiful!
01:18:10let's take ten.
01:18:11okay, while we go, sir.
01:18:12thank you, Oliver.
01:18:13of course.
01:18:14no!
01:18:17no!
01:18:20Jake says this scandal with you and Finn isn't blowing over.
01:18:24Antonia, you need to be seen out with Nick.
01:18:28secure your marriage in the eyes of the public.
01:18:30seriously, mother? you're on what, your eighth walk down the aisle?
01:18:33well, it is because I am on my eighth
01:18:36that I can tell you Nick is one of the good guys.
01:18:40don't fuck it up.
01:18:42I appreciate the maternal advice, but Nick and I are good.
01:18:45I'm good, mother.
01:18:47for the first time in my life.
01:18:49all right, then.
01:18:55three days before we wrap.
01:18:57time is slipping away.
01:18:59just say the word and I'll make it happen.
01:19:03just say the word and I'll make it happen.
01:19:12you can count on me.
01:19:25you can't be in here this late, right?
01:19:28oh, sure I can.
01:19:30you need to unwind a little.
01:19:32I can't drink on the job.
01:19:34well, tell him you don't.
01:19:49thank you.
01:19:55Nick.
01:19:57this whole scandal.
01:19:59Antonia is such a fool for cheating on you.
01:20:02especially with your own brother.
01:20:04but I want you to know, I'm here for you.
01:20:06day in and day out.
01:20:08that won't be necessary, Lana.
01:20:10ever.
01:20:15just grabbed my last scene.
01:20:19I am burning this damn thing.
01:20:22oh, god.
01:20:24nice, please.
01:20:26it's been done.
01:20:28cheers.
01:20:30it's showtime.
01:20:33this one's yours.
01:20:37you smoke gunpowder?
01:20:40there shouldn't be live rounds on set.
01:20:42action!
01:20:45there shouldn't be live rounds on set.
01:20:48action!
01:20:50Mary Antoinette.
01:20:52you cannot escape.
01:20:54Nick!
01:21:16Nick!
01:21:19are you okay?
01:21:21I don't know.
01:21:23lock down the set.
01:21:25secure the evidence, call the police.
01:21:27keep an eye on my wife.
01:21:28where's the goddamn weapon now?
01:21:29lock down the set, everybody.
01:21:30let's go.
01:21:32it wasn't me.
01:21:33it was all her.
01:21:34you can go.
01:21:35no.
01:21:36no.
01:21:37I said no.
01:21:38it was Mr. Price.
01:21:39you've been terrorizing my wife.
01:21:41Antonia didn't fall down the stairs.
01:21:43you pushed her.
01:21:44she was so wasted.
01:21:46it was easy.
01:21:47the shoplifting.
01:21:48the poison.
01:21:49now switching live ammo?
01:21:50it was you this whole time, wasn't it, Lana?
01:21:52you're so clever, Nick.
01:21:55but I've been toying with Antonia ever since high school.
01:21:58the girl who had it all.
01:22:00and acted like it was nothing.
01:22:02so, I decided to take it all away from her.
01:22:05you're psychotic.
01:22:06it should have been me you married.
01:22:08me you fucked.
01:22:09I'm just as beautiful and talented as her.
01:22:12Nick, please.
01:22:14let's not rush to criminal charges.
01:22:16a mental facility is what she needs.
01:22:18enough, Jake.
01:22:19daughter is a sociopath.
01:22:21what she needs is to face the consequences for her actions.
01:22:24no.
01:22:25I will show her the mercy she never showed me.
01:22:28are you sure?
01:22:29I'm sure.
01:22:31oh.
01:22:33and for that, this doesn't end with me.
01:22:37the executioner is near.
01:22:44no.
01:22:45no.
01:22:46get off.
01:22:47get off me.
01:22:48help.
01:22:49are you okay?
01:22:55I can't believe it's finally over.
01:22:57I'm sorry I didn't realize what Lana was up to.
01:23:00if only I'd known she was bad years ago.
01:23:02Lana did some evil things, but the Antonia you married was also a bad person.
01:23:09you do know you're talking to a person, right?
01:23:13unless that wasn't me.
01:23:16I don't know how.
01:23:18I don't know why.
01:23:27thank you.
01:23:39please let my friends know that they occupied my thoughts.
01:23:43to be torn from you all.
01:23:45from your joys and woes.
01:23:47is the greatest sorrow I bear as I face my end.
01:23:58cut.
01:23:59that's a wrap everybody.
01:24:00that's a wrap.
01:24:05you are extraordinary.
01:24:08thank you.
01:24:11gracious you.
01:24:19working with this team has been amazing.
01:24:22and Antonia, I can't imagine anyone else to play Marie Antoinette.
01:24:26to also.
01:24:28cheers to Antonia everyone.
01:24:30cheers Antonia.
01:24:31cheers.
01:24:35you know I hope Lana's actions don't deter you from signing with me.
01:24:41you're a massive talent Antonia.
01:24:43it would be my honor to represent you.
01:24:59where's Nick?
01:25:02come on.
01:25:11I always thought you were a smart man Max.
01:25:14smart men turn greedy.
01:25:16and greedy turns them into fools.
01:25:21you should have never sold those pictures to the tabloid Max.
01:25:24you have your stalker.
01:25:26it was Lana.
01:25:27my men tracked the 30 grand to the photos to your offshore account.
01:25:31she stole my life's work.
01:25:34like she steals everything.
01:25:35Antonia merely showed just how petty and irrelevant you are.
01:25:40your reign of terror is over.
01:25:41it ends now.
01:25:43you're still a little boy Nick.
01:25:47you're too late to save her.
01:25:49you're always too late.
01:25:51what have you done Max?
01:25:52what have you done?
01:25:53tell me what you've done.
01:25:54you're running out of time Nick.
01:25:55you're running out of time.
01:26:04Nick are you back here?
01:26:11Nick?
01:26:20pardon me sir I meant not to do it.
01:26:22pardon me sir I meant not to do it.
01:26:25the blood of a royal executioner flows through my veins.
01:26:29you shall not cheat death by answering that.
01:26:32be a doorman.
01:26:33there.
01:26:34live it there.
01:26:38are you okay?
01:26:39Nick!
01:26:45Antonia watch out!
01:26:48Antonia watch out!
01:26:53Antonia are you okay?
01:26:56I thought I'd lost you.
01:26:58never.
01:27:04Sansa that son of a bitch.
01:27:06you couldn't have.
01:27:07he's been plotting this for a long time.
01:27:10what about Max?
01:27:12his body may be here but his soul is gone.
01:27:17Maximilian Rochevier.
01:27:19you have been condemned.
01:27:22wait.
01:27:23there's been a mistake.
01:27:24now Max Keller the famous writer.
01:27:27wait no.
01:27:28no!
01:27:52wow.
01:28:02hey Siri.
01:28:03take a selfie.
01:28:05I've created a box.
01:28:08who's taking a selfie, Marie Antoinette?
01:28:11hello?
01:28:12hello?
01:28:14are you two a thing?
01:28:15what does it look like?
01:28:21Antonia, the reviews are in.
01:28:28Marie Antoinette, the misunderstood historic who vindicated.
01:28:51She's all yours, darling.
01:29:08Did you hear the reviews?
01:29:10I did. You did amazing.
01:29:16Did you just...
01:29:22I did. My queen.
01:29:31Those who have wronged me, may God have mercy on their souls.
01:29:38That rat bitch, Antonia! I should be with Nick! Daddy, help me!
01:29:51One pendant, both.
01:29:57Well, it's just going to go into a trust fund for our kids.
01:30:00Then you better get to work, Mr. Fondé.
01:30:03Challenge accepted, Mrs. Fondé.
01:30:11Through this life and the next, I'll be by your side.
01:30:15Enormous.
01:30:21© BF-WATCH TV 2021
01:30:51© BF-WATCH TV 2021