Journey to the Unknown S01E01 Eve
#JourneyToTheUnknown #BritishTV #ClassicTV #VintageTelevision #BritishDrama #TVMystery #1960sTV #RetroTV #CultTVShow #ClassicSeries #TVNostalgia #VintageSeries #TVAnthology #BritishClassics #BritishSciFi #HorrorTV #ClassicDrama #TVHistory #TVFans #TelevisionSeries #RetroShow #TVAddict #BritishActors #TelevisionFans #TVCommunity #TVLegends #TVShowReview #CultClassic #ClassicEpisodes #TVHighlights #BritishCulture #ClassicBritishTV #TVCollector #TelevisionShow #TVScene #BritishTVDrama #TVAddiction #TVBuff #ClassicTVShow #VintageDrama #TVNerd #BritishEntertainment #RetroTelevision #ClassicTVDrama #TelevisionHistory #VintageTVShow #BritishCultTV #ClassicTVEnthusiast #TVDrama #TVClassics #TelevisionReview #BritishBroadcasting #ClassicTVScenes #TVSeriesQuotes #VintageTelevisionSeries #ClassicTVMoments #TVShowNostalgia #BritishTVSeries #TVDramaSeries #ClassicBritishSeries #BritishTVAddict #TVBroadcasting #ClassicBritishTVSeries #TVShowQuotes #RetroDrama #BritishTVHistory #ClassicBritishTelevision #ClassicTVQuotes #TVSeriesReview #VintageEpisodes #RetroSeries #ClassicTVBuff #BritishTVGems #BritishTVMoments #ClassicDramaSeries #TVEnthusiast #TelevisionAddict #RetroBritishTV #VintageTVEpisodes #BritishTVHighlights #ClassicTelevisionSeries #ClassicShow #BritishTVShowQuotes #ClassicTelevisionDrama #VintageTVDrama #BritishTVScenes #ClassicTVBroadcast #TVNostalgia #RetroDramaSeries #BritishCultShow #TVShowFans #TelevisionLovers #ClassicBritishDrama #VintageTVSeries #BritishTVShowReview
Transcript
00:30Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
01:00aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
01:30aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
02:00aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
02:30shhhhh
02:32laughing
02:34music
02:36laughing
02:38music
02:40laughing
02:42music
02:44music
02:46hey john, look at that bird over there
02:48boy, things are looking up
02:50tonight, eh
02:52i've got a room here
02:54you what?
02:56would you like to
02:58Do you want, you know, would you like to come up, up to my room?
03:04No. Why?
03:09I like it here.
03:16Please, let's go somewhere else. Anywhere, please.
03:19Hey, get off!
03:23Let's get out of here. Let's, let's go.
03:26And, er, what do you have in mind when we get there?
03:30Watch the late night movie!
03:34I'm going to make her sick!
03:56I'm going to make her sick!
04:26Now then, Baker, what was it you wanted to see me about?
04:35Well, sir, I was wondering if I could get a... a transfer, sir.
04:41A transfer? Do you mean you want to change departments?
04:44Yes, sir.
04:45Well, where are you now?
04:46Shoes, sir.
04:49Yes, shoes. Nearly a year now.
04:52Now you suddenly want to transfer?
04:55Yes, well, er, well, shoes are okay. Well, they're fine, really.
04:59I like working there, but, but I'd like a change.
05:03I was wondering if you'd let me train for window dressing, sir.
05:07Why that especially?
05:10Well, er, I, er, I like working with clothes and, and design displays and everything.
05:17And, er, well, I've got A in art and, and I've got some great ideas for your window.
05:23Baker, look, I must warn you.
05:25Baker, you go right back to the bottom again if you do change to window dressing.
05:28Less pay than when you started off in shoes.
05:31I don't care. I really don't mind about the money as long as it's a job I like.
05:36You don't mind about the money?
05:37I promise I won't let you down. I've never been late.
05:40And I don't mind working overtime, anything, anything at all.
05:43Well, you're certainly enthusiastic.
05:44Oh, yes, I am.
05:45Very.
05:46It would mean starting in the design studio, which is in the...
05:49In the basement.
05:50Mr. Roy was there.
05:51Mr. Roy was there.
05:52He's the head of the department, yes. Fine man. Very clever artist.
05:56Yes.
05:57Yes.
05:59Well.
06:02We'll give it a try.
06:05You will?
06:07Oh, thank you, sir. That's fantastic. Thank you. Thank you.
06:22Thank you.
06:24Thank you.
06:39Thank you.
06:42Thank you.
06:52Look at it. Just look at it.
06:54Are you cross-eyed, Angela?
06:58Mr. Royal.
07:01Mr. Royal.
07:05This hem is torn.
07:08Mr. Royal.
07:09Mr. Miller told me to report to you down here, sir.
07:13I'm Albert. Albert Baker.
07:14You're Albert Baker.
07:17Ah, the trainee.
07:20What makes you think that you can dress a window?
07:24It's not easy, you know.
07:26It's an art.
07:28Tell me something.
07:30What is wrong with this dress?
07:35Well, I think it looks very nice.
07:37You do.
07:39It's not finished.
07:41Phone, Mr. Royal.
07:44There's a call for you, Mr. Royal.
07:47In your office.
07:48Take your coat off and go away.
07:51This display, I want you to take a few notes.
07:55I want to make some adjustments.
07:57Is he the new lad, then?
08:00Yes, and leave him alone and let him get on with his work.
08:05Tomorrow night.
08:06Get off. Someone will see you.
08:07Don't be stupid.
08:09Tomorrow night.
08:12Yeah.
08:14All right.
08:16What about that phone call, Mr. Royal?
08:18All right, I'll take it. Thank you.
08:20It's a woman calling.
08:22Really?
08:23Yes, your wife.
08:26Oh.
08:27Take Baker up to Mr. Lavely-Smith.
08:36He's a dirty old man, isn't he?
08:38Still, I shouldn't take any nonsense from him.
08:41His bark's worse than his bite.
08:43What's your first name, now?
08:46Albert.
08:47Come along, then.
08:49Not one for the chatter, are you, Albert?
08:51Oh, Al.
08:53What are you doing tonight?
08:55You wouldn't like to take me for a drink, would you?
08:58I've got an appointment already.
09:00Hard to get, is it?
09:01Well, let's go and see old Fishface.
09:05This is the new trainee, Mr. Lavely-Smith.
09:07Come to see the mastermind at work.
09:09Give me those.
09:10Trainee, eh?
09:11I'm just finishing here.
09:13Now, listen.
09:15Oh.
09:17You see, when I'm working, you don't talk.
09:20It spoils the flow.
09:21I see.
09:22And when you're in the window, you walk on the balls of the feet,
09:25stand gracefully,
09:26and never, never look at the public.
09:28They don't like it.
09:30Beautiful.
09:31I say it myself, beautiful.
09:34Any questions?
09:36Yes.
09:37Yes, um...
09:39Did you do the Rome display?
09:41Yes, I did.
09:43I thought so.
09:45It's beautiful.
09:47Thank you.
09:48Thank you very, very much.
09:49It is, isn't it?
09:50Yes.
09:51Oh.
09:52Could I...
09:55Could I see it close, too?
09:56Oh, well, you'll have to ask Mr. Royal.
10:08Baker!
10:10Baker!
10:15Stop daydreaming, Baker.
10:38Good night, Eve.
10:47Uh, excuse me, sir, but there's a phone call for you.
10:51Do you think you can finish it?
10:54Yes, sir.
10:56Good.
10:59Good night.
11:01Good night.
11:03Good night.
11:05Good night.
11:08Oh, now.
11:10Let's have a look.
11:12Oh.
11:13Didn't prick you, did it?
11:16That's better.
11:18What have you done with your shoes, then?
11:21Kicked them off?
11:23I can't blame you, really.
11:25Anyone's feet would get tired standing in here all day.
11:29That's better.
11:30That's better.
11:36You look absolutely super.
11:43What would you like to do?
11:47We can go anywhere you like.
11:49Anywhere.
11:55Would you like to dine?
11:57It's a beautiful line.
11:58We could have dinner on a yacht on the Thames.
12:09Or how about the Golden Moon?
12:15It's not that far.
12:18You can always take the car.
12:21Oh, I know it's sure to be crowded, but don't worry.
12:25I know the head waiter.
12:26I know the head waiter.
12:29He'll give us a table.
12:31Baker!
12:36Baker?
12:38Give who a table, Baker?
12:43What did you say, sir?
12:45I said, give who a table, Baker?
12:47You stand there talking to yourself and there are people out there, Baker, looking at you.
12:52Get back to the art department.
12:57Now, the perfect compliment for an egg is beans.
13:03So said Lady Watson.
13:05She made a little supper for her husband, the Viscount,
13:09to their elegant apartment overlooking the Thames.
13:16No, no, not the Thames.
13:18Overlooking...
13:20Overlooking the Seine.
13:22Overlooking the Seine.
13:23Overlooking...
13:25Overlooking the Seine.
13:28Oh, yes.
13:30A light Moselle
13:32gives it a certain piquant je ne sais quoi
13:36and adds immeasurably to the enjoyment of this fashionable repast.
13:43Oh, Eve.
13:53To us.
14:23To us.
14:48Mr. Baker!
14:51Mr. Baker!
14:53Albert!
14:56Mr. Baker!
14:58What are you doing, Albert?
15:01Doing?
15:03Like a herd of elephants it was.
15:05I thought you was dancing.
15:07Dancing, Mrs. Cass?
15:09Yes, you know, dancing.
15:11One, two, quick, quick.
15:14One, two, quick, quick.
15:16But where's Mrs. Cass?
15:18That's what I've come to find out.
15:20But there's no one here.
15:21I was just thinking.
15:23Walking up and down, thinking.
15:25You think too much, young man.
15:29You need looking after, you know.
15:32I've got a girlfriend now, Mrs. Cass.
15:34Oh, you have, have you?
15:38Well, make sure that you don't bring her up here, young man.
15:52What's going on?
15:54We're getting rid of these dummies.
15:56Why?
15:58Because they're being replaced, that's why.
16:01Being replaced?
16:03We're going over to fiberglass.
16:05Wax ones chip and crack.
16:08But what will happen to these?
16:10They'll be burned.
16:12What?
16:14Melted down.
16:16I want you to count and log them.
16:18Begin with this lot.
16:20Are you taking all the models from the windows?
16:23Not yet, tomorrow.
16:25All of them?
16:27Yes, all of them.
16:34Don't look at me like an idiot.
16:36Start counting.
16:39Oh, Jennifer.
16:41Would you like a drink?
16:43No, thank you.
16:50Being replaced?
16:55They can't.
16:57Well, they can't.
16:59No, no.
17:01He's lying.
17:03He has to be.
17:11Easy.
17:20Do you know what he said?
17:22He said if I felt like that, I could get out and walk.
17:24Me? Walk?
17:26So I gave him a look.
17:28Like that.
17:29You never.
17:30I did.
17:31What did you do then?
17:32He went as wide as a sheep.
17:34So then he changed his mind.
17:36So I changed mine.
17:38Now I'm looking for a new bloke.
17:40Oh, what about that guy down...
17:42What about that guy downstairs?
17:44Yeah, do you know where he hangs out?
17:46No.
17:47I think he lives in...
17:49I think he lives in Palmer's Green.
17:51I'm not sure.
17:52He's buying round outside.
17:54I can pretend I was waiting for you.
17:56I might meet him on his way home from work.
17:59Night.
18:01Good night.
18:17Good night.
18:19Good night.
18:47Good night.
19:18Well, what do you feel like doing now?
19:20I don't know.
19:22We could go to a discotheque.
19:24Oh, lovely.
19:26But I can't be too late, huh?
19:28Oh, dear, I forgot.
19:30There's one thing I have to do.
19:32It means nipping up to my office.
19:34Do you mind?
19:37Pretty cold outside.
19:39Have to get you a coat or you'll freeze.
19:43How about a mink?
19:44How about a mink?
19:46Would you like that?
19:48Come on, then.
19:50I really do need your advice.
19:53What to put on the floor of the honeymoon suite window?
19:59It could either be leopard skin,
20:01antelope hide,
20:03bear skin...
20:06Hey!
20:09What's that?
20:14Someone's pinched a dummy.
20:16You wait here. I've got to see what's going on.
20:18You can't leave me here like this.
20:20Wait.
20:26So old-fashioned.
20:30Oh, that's it.
20:37I like the colour, don't you?
20:38Hello?
20:41What's the rattle?
20:43There's someone in the store, Toby.
20:45There ain't no one else.
20:48It's a burglar.
20:53You fool!
20:57I knew.
20:59As soon as we met, I knew.
21:02You're like me.
21:04Shy.
21:06No good at telling people things.
21:08You listen.
21:10You understand.
21:15I don't always understand.
21:19I understand you, of course.
21:23We're lucky.
21:25We're together.
21:28There's a dummy missing from the front window.
21:31I noticed it immediately.
21:33I tell you, there's a dummy missing.
21:35We'll only borrow it.
21:37I'll buy you one.
21:39Better than this.
21:41You mustn't catch cold.
21:43Keep it round your throat.
21:45Keep you nice and warm.
21:47You won't even feel the cold.
21:49Let's go home.
21:51There.
21:53There is someone there.
21:55Give me your torch.
21:57I will investigate.
21:59You go and phone the police.
22:07Speak up!
22:09You're a thief!
22:11Mr. Royal?
22:13It's just us, Mr. Royal.
22:15Us.
22:17We didn't mean any harm.
22:19Us. Who else?
22:21Just the two of us.
22:23You were going to have a band.
22:25I was taking her home with me, that's all.
22:27I'm not talking about the dummy.
22:30I'm talking about the fur.
22:32Give it to me.
22:37Mink.
22:39You're in trouble, Baker.
22:41That's worth 2,000 pounds at least.
22:44We were only borrowing it.
22:46I know that kind of borrowing.
22:49Please, if I could have something, anything,
22:52just to cover her up until we get home.
22:54Why didn't you leave the dummy where it was?
22:56Dummy, sir?
22:58I might not have caught you if you hadn't gone around
23:00dragging that dummy with you.
23:02Let me get that dress.
23:04You mustn't touch her, please, don't do that!
23:06It's a mistake, but that's not the end of the world.
23:08Don't touch her!
23:10How dare you!
23:12Have you gone out of your mind?
23:14You little...
23:36Oh, my God!
24:06Oh, my God!
24:36Oh, my God!
25:07Oh, my God!
25:28Good heavens, what a row!
25:30Not picket to the circus!
25:32Oh, must have been drunk.
25:34All the more not.
25:36Try!
25:53Do I have to?
25:57They'll say I killed him.
26:05Well, we know it was an accident.
26:09It's our word against theirs.
26:17All that really matters is we're together.
26:28For the first time, we're alone together.
26:31Just you and me.
26:32And the rest of the world doesn't matter.
26:41We can stay here.
26:43Best.
26:48We'll be safe here.
26:59Mr. Royal asked me to see you.
27:01Mr. Royal asked me to wait for him.
27:03Well, the next thing I knew, this boy came dashing out with a dummy.
27:06So you said.
27:08How long did you wait?
27:10Ten?
27:11Fifteen minutes?
27:13I was just about to push off when Albert came...
27:15Came dashing out of the store with a dummy.
27:20Come along, miss.
27:21You came in with Royal, didn't you?
27:23You went upstairs with him?
27:24Something happened.
27:25No.
27:26No.
27:27This is the night watchman.
27:29Got something you ought to hear.
27:30Yeah?
27:31There's a dummy missing from the front window.
27:33That's what Mr. Royal said when he came in.
27:35Well, there is.
27:38Missing.
27:39Not just moved.
27:40No, missing.
27:41Stolen.
27:42Gone.
27:43I've had a look.
27:44Somebody's pinched it.
27:47Right.
27:51Now, miss, this boy, Albert, what's his other name?
27:53Baker.
27:55Do you know where he lives?
27:57Would you like some music?
27:59What would you like?
28:00No, no, don't tell me.
28:01Let me guess.
28:02I know.
28:04There!
28:06We've got the same taste, you and me.
28:09We've got such a lot to find out about each other.
28:12That'll be fun.
28:14The police!
28:22It's all right.
28:27We can't stay here.
28:30They've got my address at the store.
28:33What'll I do?
28:35What'll I do?
28:38Get out.
28:39Get out of town.
28:41Go to the country.
28:43Yes.
28:44Stay with friends.
28:47I haven't got any friends.
28:50Wait a minute.
28:52What about George?
28:54They said George.
28:57He's an artist.
28:59I met him on a rally.
29:02He gave me his phone number.
29:04Said anytime...
29:06Here it is.
29:10Here it is.
29:13I'm just going down to phone George.
29:16I'll be back as soon as I can.
29:24Operator.
29:26Yes.
29:27I want to phone Suffolk.
29:30The exchange is Devlin 1366.
29:37Yes, yes. I'll hang on.
29:49Hey, the phone.
29:51Hey, Kim, the phone.
29:54I'm creating, man.
29:56So am I.
30:05George Esmond residence.
30:07Who?
30:09What?
30:10Don't you remember?
30:12We met on the anti-war demonstration the other week.
30:15Well, you gave me your telephone number.
30:17Said anytime I want to go out to the country to let you know.
30:20Albert.
30:21Yeah.
30:22Hey, Albert, baby.
30:23What are you doing?
30:24Who is that?
30:25Albert, baby.
30:26Hey, what's on your beautiful mind, man?
30:29Yeah, sure you can.
30:31When?
30:32Yeah, I'll be here tomorrow.
30:35George.
30:37Do you mind if I bring a girl?
30:39Do I mind?
30:40I sure don't mind, baby.
30:41I'm very much in favor of that kind of scene.
30:44The address?
30:45No.
30:46Hang on, hang on.
30:48Yeah, I'll be.
30:49Anchor Cottage.
30:51Caulfield.
30:52Near Devlin.
30:53Yes.
30:54Right.
30:55Right, thanks, George.
30:56We'll see you tomorrow.
31:01Oh, hello, Mrs. Cass.
31:03Do you know what time it is?
31:05Yes, I'm sorry.
31:06I'll try and keep quiet.
31:08Was it you what burst in a few minutes ago and knocked my table over?
31:12Yes, I'm sorry.
31:14Yeah.
31:15You haven't got anybody up in your room with you, have you?
31:19Of course not.
31:20It sounds as if you came in with somebody.
31:23No, I really haven't, Mrs. Cass.
31:25I was just going to bed.
31:28Do you feel like a little glass of something?
31:31Make you sleep well, huh?
31:33Well, it's a bit late.
31:35Nonsense.
31:37You're far too worked up, my lad.
31:39I want to go to sleep.
31:42Go upstairs and get your dressing gown on.
31:44I'll wait here.
31:46Is that okay?
31:48Yes, all right.
31:50I'll be down as soon as I can.
31:53Don't be too long, dear.
32:10It's okay.
32:13We'll hitch a lift and be there in the morning.
32:16We'll have to sneak downstairs.
32:18The old hag thinks I'm going to have a drink with her.
32:21You're like George.
32:24Here, let us stay there till we find a place of our own.
32:32We'll be safe there.
32:42Come on in.
32:43It's open.
32:45Albert, sweetheart, you made it.
32:48Hey, you are Albert, aren't you?
32:51Well, yes.
32:53You made pretty quick time.
32:55Well, I got a lift in the lorry
32:57and it dropped us almost right outside your door.
33:00I hope you didn't mind me phoning like that.
33:02Hey, like I need you, Dad.
33:04Great to see you.
33:06Didn't you say something about a bird?
33:08Oh, yes, I did.
33:10Oh, yes, I did.
33:11Didn't you say something about a bird?
33:13Oh, yes, she's outside.
33:15Well, what's she doing out there in the snow in the cold?
33:17Bring her in. Let's be hospitable, man.
33:22George, this is Eve.
33:24Darling, this is my friend, George.
33:28Hey, man, is this a crazy guy?
33:30I hope you'll excuse the fact that we're rather scruffy.
33:32We had a bit of a rough ride down, you see.
33:35You're tired, aren't you, love?
33:37I am, but it's a cute bird.
33:39Is there anywhere she can lie down, George?
33:41You'll feel better after a nap in a hot bath, love.
33:47Now, Mrs. Case.
33:50Do you have any idea where he might have gone?
33:52Oh, no, not the faintest.
33:54He never used to tell me a thing.
33:56He was a funny chap.
33:58Odd, you know.
34:00What was he odd?
34:02Well, I don't know. Kind of peculiar.
34:04Talking to himself.
34:06He just spoke to him.
34:08He only seemed to be half there.
34:09How long had he lived here?
34:11Oh, about, let me see now.
34:13About six months, yes.
34:15But you must have seen somebody with him.
34:17A friend, a girlfriend, maybe?
34:19Well, I couldn't swear to it, mind you.
34:23But last night, it did seem to me
34:26that he was well hiding something from me.
34:29I had the idea that he had a girl in his room.
34:32I couldn't swear to it, mind you.
34:35A girl?
34:36What's he doing here?
34:38He was a terrible client, you know.
34:40He used to make an awful noise
34:42and never got a wink of sleep.
34:44Oh, thanks.
34:46If he does get in touch with you,
34:48will you please ring us?
34:50There's the number.
34:52Oh, what a lovely card.
34:59Weirdest thing I ever saw.
35:01Cooksville.
35:03He's so way up.
35:04He's in orbit.
35:07Listen, George.
35:09Take my tip, get shot at him.
35:11He's creepy.
35:13Look, if a kid needs help,
35:15I just can't throw him out.
35:17Okay, Florence Nightingale, swing your arm.
35:19Hey, you should be a missionary
35:21with all that compassion.
35:23Have you stopped to ask yourself yet
35:25why he looked you up, hmm?
35:27You meet some guy you don't know
35:29at a protest march.
35:31Give him your phone number
35:32and I'll stick it on the wall.
35:34Dad, what are you driving at?
35:36I don't drive, man.
35:38I just walk round in circles.
35:40Knock it off.
35:42How is she, baby?
35:44She's sound asleep.
35:46I didn't realize how tired she was.
35:48Thoughtless of me, I should have known.
35:50Her head touched the pillow
35:52and she went straight off.
35:54Did she?
35:56Hey, come on, Ken.
35:58You'll meet her when she wakes up.
36:00I'll introduce you.
36:03He's not going because of us, is he?
36:05No.
36:07He was gone anyway.
36:09It's a shame we can't meet Eve.
36:11Yeah.
36:13Ever try a hand at painting?
36:15Well, I've done one or two drawings of Eve
36:17but they weren't very good
36:19so I threw them away.
36:21You really are hung up
36:23on this Eve of yours, aren't you?
36:25We're in love.
36:27Very much in love.
36:29Why don't you tell me
36:30more about her?
36:32How'd you meet her?
36:34She picked me up.
36:38Well, not really.
36:40She smiled at me.
36:42Caught my eye in the street
36:44and we got talking, that's all.
36:46We?
36:48I never believed in it.
36:50You know, love at first sight.
36:52Not until it happened with Eve.
36:54Now she's in love with you, too.
36:56Yes.
36:58She is.
37:00You're my best friend, George.
37:03Well, after Eve, of course.
37:05Man, we only met once before.
37:07Haven't you got any other friends?
37:09Not many.
37:14No, I haven't.
37:16Are you hungry?
37:18Not very.
37:20Tell me, how about girls?
37:22Other girls. I mean, you're a nice looking fella.
37:24I never thought you had it made.
37:26One look and they tumble.
37:28Yeah, that's the trouble.
37:30All they think of is bed, bed, bed.
37:32Right, baby.
37:34Well, that's what quite a lot of people think about
37:36quite a lot of the time.
37:38Me included.
37:40Oh, that's not true.
37:42I mean, when we met on that rally,
37:44well, you're a serious person.
37:47You think, do things.
37:51Eve's different, too.
37:54She's elegant,
37:57sophisticated.
38:01And she thinks about things, too.
38:03The same as you.
38:05Yeah.
38:07Don't you like something to eat?
38:09No, I'll take her a tray later.
38:11I'd like to know her better.
38:13Not today, George.
38:15She's too tired.
38:17Albert, baby, you listen to me.
38:19Now, look at me.
38:21That's it.
38:23Albert, will you tell me what happened in London?
38:25They were going to send her away.
38:27You stopped them?
38:28I ought to go and see how she is.
38:30Albert, baby, what happened?
38:32Nothing!
38:34It was an accident.
38:36It was an accident.
38:38All right, baby.
38:40All right.
38:42And now you think they'll take Eve away from you
38:44if they find out, that's right?
38:46Look, do you trust me?
38:48Promise me you'll keep on trusting me, Albert.
38:50Will you do that?
38:52What did I say to you?
38:54You hang on to that.
38:56I'm your friend.
38:59Hey, Albert.
39:01You're going to need help, you know that.
39:03I'll do all I can, but it may not be enough.
39:07Albert.
39:09It's a tough old world, Albert.
39:11You're heading in the wrong direction.
39:13You're backing out and that's not the way.
39:15That doesn't help anyone.
39:17Me, I take the world by the throat.
39:19Make it give me what I want, like friends,
39:21bread, freedom, someone to talk to,
39:23someone I love.
39:25But I talked to Eve.
39:26I love her.
39:28I know that.
39:30But has she told you she loves you?
39:32I'm happy now for the first time.
39:34Leave me alone.
39:36I know, man.
39:38You listen.
39:40Has she said one word to you?
39:42Answered one question you asked her?
39:44Eaten any of the food you cooked?
39:46Has she?
39:48Yes, she has.
39:50Albert, she can't.
39:52You know she can't talk.
39:54She does, she does.
39:56Man, man.
40:04Eve.
40:06George.
40:09George said...
40:11He said I was crazy.
40:15It's not true, is it?
40:17No.
40:20Of course it isn't.
40:26This is Mrs. Cass, Inspector.
40:28I've just remembered that Mr. Baker
40:30made a phone call last night
40:32and there's an address here
40:34with his handwriting.
40:36Yeah.
40:38What?
40:40Well, I'm trying to read it.
40:42Yeah, it says something like
40:44Anchor Cottage.
40:47The place looks like a law field.
40:50Oh, it's terrible.
40:52It's a terrible place.
40:53Anchor Cottage?
40:55Law field?
40:57Oh, it's terrible writing here.
40:59I can't see.
41:05Answered one question you asked her?
41:07Has she?
41:09Has she ever said one word to you?
41:11Has she?
41:13Has she, Albert?
41:15Yes.
41:17Yes.
41:19No, man.
41:21She told you she loves you.
41:23Has she?
41:25Has she told you?
41:27Has she told you she loves you?
41:29She does.
41:31She does.
41:40It's all right.
41:42It's all right.
41:44You do love me, don't you?
41:47You tell me you love me.
41:50You don't have to ask.
41:52Say it.
41:54Say, I love you.
41:56I love you, Albert.
42:00What's wrong?
42:04I was going over some things.
42:06I got worried.
42:10I'm here with you.
42:12That's all that matters.
42:14Yes.
42:16Yes.
42:18Relax. Calm down.
42:22There.
42:24That's better, isn't it?
42:27Now, what were you so worried about?
42:29Things...
42:31Things that George said.
42:33I started to believe it wasn't true.
42:35What?
42:37You.
42:39Me?
42:41I'm real enough.
42:43It was us, then.
42:46Does that prove anything?
42:48Yes.
42:50Yes.
42:52Then how could you have doubted?
42:54Oh, Albert.
42:57Albert, how can I ever give you everything you've given to me?
43:02I haven't done anything.
43:04Not really.
43:06Well, you got me out of that storm.
43:08You saved me from Mr. Royal.
43:11And you brought me here.
43:13But that wasn't anything.
43:15You risked your life for me.
43:16Yes.
43:18It's because I love you.
43:20If I loved you all my life,
43:22I could never repay all the things you've done for me.
43:28Yeah, all right.
43:31Without you,
43:33I would have gone mad with loneliness.
43:35I reckon that's a fair exchange.
43:37You reckon? Do you?
43:39Yes, I do.
43:41You know what?
43:43I think you're very handsome.
43:45You look so natural.
43:47Mr. George Hesman, Bank Department.
43:50He's obviously the man I have stayed with.
43:54Any trouble?
43:56I think so.
43:58His name is Baker.
44:00Albert Baker.
44:03Yeah, he got here this afternoon.
44:06No, he's asleep right now.
44:10I think he might get violent.
44:12He said there's been one accident already.
44:14Urgent?
44:16Man, I should say so.
44:18He's calling the police.
44:20What was that?
44:24And go easy, will you, Doc?
44:26He's a nice kid.
44:28But anything he's done,
44:30we don't want the police to get involved.
44:44You want some beer?
44:46Here, catch.
45:15Yeah, we'll rest here for a while.
45:18Hey, you've got all mud in your hair.
45:20That's better.
45:22Well, you looked so dirty,
45:24I thought you needed a bath.
45:26That'll brush out later.
45:29You lie still.
45:31Rest for a while.
45:33You must be tired.
45:35Hello.
45:37We've got comey.
45:38We've got comey.
45:43What have we got here, then?
45:48Hey!
45:50Have you fun?
45:52That nearly hit us.
45:54That was the idea.
45:56Well, what do you think you're doing?
45:58His aim's terrible.
46:00What do you want to do that for?
46:02You might have hurt someone.
46:04Can I have my beer come back, please?
46:06I haven't finished it.
46:08Natty dresser, isn't he?
46:10Oh, very natty.
46:13Did your girlfriend get that for you, dear?
46:16Well, as a matter of fact, she did.
46:18Well, next time, ask her to get you something a bit more frilly.
46:22What did you do that for?
46:24I felt like it, didn't I?
46:26Let's go and have a look at his bird, then, shall we?
46:28I reckon any bird deserves someone better than him.
46:30She's sleeping. Now, don't disturb her.
46:32We shall just have to wake her up
46:34and ask for her permission, shan't we?
46:36Introduce us, darling.
46:38Leave us alone.
46:40You're a bit selfish with the bird, aren't you?
46:42We don't like people to be selfish.
46:47We just want to take a look at her.
46:49That's all.
46:51For a start, anyway.
46:53No! No!
46:55You've got no choice, mate.
46:57Right, then.
46:59If you've finished, we'll go and introduce ourselves
47:01to your girlfriend.
47:03No!
47:05You're not very friendly.
47:06Now, get away! Get out!
47:08Anything you say.
47:10But first, I want to do your girlfriend a bit of good.
47:12Right?
47:15Oh, you're all the same.
47:17Filthy-minded rotten pigs.
47:19Scared of anyone not smaller than you.
47:36Leave me!
48:06Leave me!
48:37Hey!
48:39Look at this!
49:36THE END