La promesa - Temporada 3 - Ep 399
La promesa - Temporada 3 - Ep 399
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00:00¿Y ALGUNA PETICIÓN EN CONCRETO PARA LA COMIDA?
00:02PORQUE TAMBIÉN TENEMOS QUE DECIDIR LOS VINOS.
00:04Si te he llamado es para que te encargues tú,
00:06no para que me lo preguntes todo.
00:08Te pago para que trabajes,
00:09no para que te pases con cara de acelga.
00:11¿Es que acaso nuestra relación no está por encima
00:13de todos esos títulos, de todo ese dinero?
00:15Vera, vivimos en mundos muy distintos.
00:17Lo que yo también lo creo,
00:18porque no es una relación que no se va a mudar.
00:20No se va a mudar,
00:22y no es una relación que ya no se va a mudar,
00:23no se va a mudar.
00:25No se va a mudar.
00:26¿Y si te pasa esto?
00:27Si te pasa esto,
00:29I used to believe it too, but together we've created another world.
00:33A world in which it's just you and me, in which we love each other,
00:36and we don't care what people think.
00:38Listen to me, that sounds beautiful, but it's impossible.
00:42You've always been very clear that it's right and it's not,
00:44and this thing with the jams is not.
00:46Days from sun to sun, bad words.
00:48I think the time has come for us to break the rules from time to time.
00:52And what I'm doing is giving that girl a chance
00:54so that she can get her son back and continue with her life.
00:57She has confirmed that she's leaving us.
01:00It's been a pleasure, but I think the time has come.
01:03It's a shame, friend, but everything comes to an end.
01:08Anyway, don't think you're going to leave just like that.
01:13I'm preparing a music recital to say goodbye.
01:16Tell me what you've come to tell us, that you've finally left the hangar and are going home.
01:20Well, for now, that's not in my plans.
01:23I've come to ask you for a favor.
01:25And I'll give you whatever you need.
01:28Can you make me a dinner for tomorrow at the hangar?
01:31Something simple.
01:32I thought bringing her here and having her die was a good idea,
01:36and I'm realizing right now that it wasn't a good idea.
01:39No, it wasn't, Hanna, it wasn't.
01:41My son is safe and far from Gregorio, and that's the only important thing.
01:46And the plan is fine.
01:48I'd rather die here
01:51and at Gregorio's hands.
01:52Go immediately to the upper floor, where the Duchess of Carril is waiting for you.
01:56The Duchess of Carril?
01:58Apparently, a few days ago, she lost some gloves and says you gave them to her.
02:01They may be in the closet where we keep the guests' clothes.
02:04Very well, then check it and meet with the Duchess as soon as possible.
02:08Yes, I'm going right now.
02:10It's in your hands that Catalina returns.
02:12Nonsense, you say.
02:13How am I going to get her back? Don't you know how stubborn she is?
02:16As long as she apologizes, that's enough.
02:18Don't even talk.
02:20If she wants you to go to that recital, she knows what she has to do.
02:24You helped Martina escape the sanatorium, didn't you?
02:27Of course I did.
02:29Curro, do you know where Martina is?
02:31Of course I do.
02:36Where is Martina?
02:40They won't think I'm so naïve as to reveal her whereabouts now, will they?
02:43What are you saying?
02:44It was quite difficult to escape that horrible asylum they sent her to.
02:48All I did was get her out of a hell where she was mistreated.
02:52What do you mean mistreated? Is that true?
02:55You're definitely exaggerating.
02:57I saw Margarita with my own eyes.
03:00And that's why I decided to get her out of there.
03:02A hasty decision that you should have consulted, Curro.
03:06It's fine that you're interested in Martina.
03:08But getting her out of the sanatorium on your own is risky.
03:11You would have done the same.
03:12It was the most sensible thing.
03:14In fact, Martina is an adult and can go wherever she pleases.
03:17Martina needs help.
03:19Well, she wasn't receiving it there.
03:21That's for sure.
03:22Now it turns out that you are also an expert in mind games.
03:26Martina was in the sanatorium to avoid a much worse fate.
03:29That's right.
03:30If she didn't end up in jail, it was thanks to Ayala's benevolence.
03:32And I understand that with her mother's consent. Am I wrong?
03:35Absolutely.
03:36But who do you think you are to go against a mother's decision?
03:39I had no choice.
03:40I understood that for the good things, I was not going to get anything.
03:43So I decided to help her for the bad things.
03:45Stop it!
03:46Tell us where Martina is if you don't want to get yourself in trouble.
03:49And what are they going to do to me?
03:51Are they going to send me to a sanatorium?
03:53Because that's what they do to those who are against their dictates, right?
03:56Curro, please.
03:57Curro, tell us where Martina is, so we can help her, please.
04:02I'm sorry, aunt.
04:03But I can't do it.
04:06Not while there is the danger that they will send Martina back to that sanatorium.
04:09But you have lost the trial.
04:11Be reasonable.
04:12But without guarantees that Martina will be fine, I'm not going to tell her where she is.
04:17In the meantime, I promise you that Martina will be in a safe place.
04:20No, I will never allow you to go back to hell.
04:23Never.
04:26It is not his confirmation that I need.
04:42I don't know if I can tell you
04:46The things that have happened since I saw you
04:50The lights that have danced through our garden
04:54The new rumors
04:56Between the heart and the walls
05:00In the promise
05:02There will be particles of love in motion
05:06There will be secrets that will never come out
05:10It will be as beautiful as the flight of a plane
05:16In the promise
05:18The farewells are turns on the ground
05:22Even the flowers will dance in their own way
05:26Balancers between fear and passion
05:33We are like a jump to the D3
05:37We are love when life or death is lived
05:41A long way to go
05:45In the promise you will be a matter of luck
05:49We are like a jump to the D3
05:53We are love when life or death is lived
05:57A long way to go
06:02In the promise you will be a matter of luck
06:06In the promise you will be a matter of luck
06:25Are you from Carril?
06:27Yes
06:29I come to inform you that I have not been able to find the gloves you lost in this palace
06:33But have you searched well?
06:34Everywhere
06:36I have looked in all the closets where we keep the garments of the guests but ...
06:40I have not tracked them
06:42What a contradiction
06:48Thank you very much, I am already attending the Duchess
06:54Mother, what are you doing here?
06:56Look at my daughter
06:58Does it seem little to you?
07:00That I have not stopped thinking about you since I saw you the other day
07:04And that day I did not ...
07:06I did not react well, I admit it, I was ...
07:09Brusca, but it is that I love to see you dressed like a vulgar maid
07:14It is what I am
07:16No, you are the daughter of the Dukes of Carril
07:19But above all you are my daughter
07:21And it does not fit me in the head that you have been hidden here
07:25During all this time that I have been looking for you everywhere, darling
07:28I have moved Rome with Santiago behind any little clue that could lead me to you
07:32Thinking that you could have died is the worst thing that has happened to me in life
07:37Well, she can stay calm because I guarantee that they treat me well here
07:41But how can you tell me that?
07:44Mother, what has come?
07:46To ask you to come home, with me
07:50No, that is ruled out
07:53The best thing will be that they forget about me
07:55But how am I going to forget about you, for God's sake, you are my daughter
07:58For that very reason
08:00How can you ask me to go back to that hell?
08:03I will protect you
08:05We can change things, darling
08:08But we have to do it together
08:10Mother, you know that going home is a fear
08:13And that if I go back, father is going to kill me
08:16And it is not a way of speaking
08:18But there has to be another alternative
08:20That you do not have to live like this, in servitude
08:22Mother, it is a worthy life
08:24Here I earn my livelihood
08:26Here they treat me well, I even feel loved
08:29Are you serious?
08:32My companions have treated me very well
08:36This is the life I have chosen
08:39And I need you to respect it
08:42And please promise me that you will never come back
08:45No, I can't promise you that, daughter, I can't
08:49I can tell you at least that I will try
09:00Take care
09:04I repeat, it is the most appropriate
09:06Besides, I'm not asking anything from the other world
09:08Of course, now the most appropriate thing is that I apologize to Catalina every day, right?
09:12I know it is not a pleasure and that it costs a world to do it
09:15But I'm asking you, please
09:17Think about it, in this way, a great weight will be removed from above
09:20And maybe the two can start from scratch
09:22Look, Manuel, I'm fine where I am
09:24If that wretch wants to continue in her hole, it is better for everyone that she stays far away
09:29Please be merciful
09:31At least think about Catalina
09:34It is clear that she could not move on after what happened
09:37And when did that become my problem?
09:40It is a problem of the whole family
09:42And therefore it is also yours, and it is a shame that she did not realize
09:48Mother, fix your differences
09:50Fix them before this problem worsens and it is impossible to go back
09:54It's too late, Manuel
09:56Or maybe not, if I don't prove it, she'll never know
09:59Mother, it is clear that you are behind the outrage that Catalina suffered at the hands of the press
10:03That's what she says
10:05That's what happened, no matter how much you try to deny it
10:07Well, enough, I'm not going to stay here listening to how you insult me
10:10It's the truth
10:12It's not the truth, Manuel, it's his word against mine
10:14And you know what? It hurts me in the heart that you take his side, leaving me for a liar
10:19For the love of God, mother, I'm an adult
10:22His blackmailing doesn't work on me
10:25And this is not as simple as being on one side or the other
10:28I have heard his versions
10:30And I have informed myself, I have read the articles, I have seen the cartoons, I have asked around, and you know what?
10:36Everything leads me in the same direction
10:39What is which?
10:41He knows it perfectly
10:43Tell me
10:49Mother, if something has taught me this war, it is how ephemeral life is
10:54And it would be surprising the number of soldiers who regret in their deathbed to have remnants with a relative
11:02It is not worth wasting time this way
11:05Please, rectify, recognize his mistake
11:11And if I don't?
11:18If you don't, I advise you to be careful
11:23Because if you keep hurting the family, you may lose me too
11:40I love you
11:55Vera?
11:57Vera, what's wrong?
11:58Nothing
11:59What do you mean nothing?
12:01But if your expression is as if you had seen a ghost
12:03You can say that
12:05What do you mean?
12:06My mother has returned the promise
12:07Carly's Duchess?
12:09But why?
12:10Facing the gallery to recover some stolen gloves she never wore
12:14And why has she actually returned?
12:15Because she wanted to see me
12:16And convince me to return home with her
12:19Man, from her point of view it makes sense
12:22And what about my point of view?
12:25I imagine it must have been a bad drink
12:28I'm very sorry
12:30Are you serious?
12:32Of course, why would I lie to you?
12:34Santos, because I know you were the one who sent her the invitation
12:36To come to Mrs. Margarita's dinner
12:39Me?
12:41I know perfectly well that you were the one in charge of sending the invitations
12:44And that the lady didn't invite my mother
12:45Oh my God, Vera, how can you think that of me?
12:48Because you're the only one who knew
12:49And that's how you put me in the middle of the wall
12:51And why would I want to put you in the middle of the wall?
12:56But let's see, Vera
12:58This excuse of yours, have you thought about it?
13:00Or is it something else?
13:01Look, Lope, don't get involved in this
13:02Do you trust each other?
13:03No, I don't trust you
13:07You did it to get revenge, didn't you? Out of jealousy
13:09Jealousy, me?
13:11For God's sake, Vera
13:14I can't believe you were so naive
13:16To think you could change
13:19After everything you've done to me
13:20I decided to believe in your regret
13:22But I see that I'm still the same despicable being as always
13:26Your words hurt me a lot, Vera
13:28And on top of that, you laugh at me?
13:30Very well
13:31Well, I have bad news for you, Santos
13:34You're not going to ruin my life
13:36You're not going to hurt me anymore
13:38So I hope you've been able to enjoy your revenge as much as you imagined
13:43And one more thing
13:45You'd better forget about me once and for all
14:02Do you mind being a little more careful?
14:08Sir, I've been told you wanted to talk to me
14:10That's right
14:12Do you want to talk now or do you prefer me to look for you later?
14:14Now is perfect
14:15What I have to tell you doesn't concern me
14:17I don't care
14:18I don't care
14:19I don't care
14:20I don't care
14:21I don't care
14:22I don't care
14:23I don't care
14:24I don't care
14:25I don't care
14:26I don't care
14:27I don't care
14:28I don't care
14:29I don't care
14:30What I have to tell you won't take me long
14:32You'll see
14:34I'm not going to beat around the bush
14:36Things are not going well with our jam business
14:40I'm very sorry to hear that
14:41Yes, me too
14:43I'm sorry too
14:45The quality and, above all, the taste of our product has dropped dramatically
14:49And it seems that there are complaints about it
14:51Complaints
14:52And nothing more and nothing less than that of the glorious Spanish army
14:55Yes, he was supposed to be our main buyer
14:57Really?
14:59And tell me, Lope
15:01What do you think they told me?
15:02That the jams are not to the liking of the army or the high command
15:08I have no opinion, sir
15:09Well, our jams don't taste good
15:11I tried them myself this morning and they taste like hell
15:14And to top it off, the production has declined
15:16Well, I can't find an explanation because the procedures we use are the same, sir
15:20Are you trying to fool me?
15:22I do know what's going on
15:24Someone is not doing their job well
15:26Give me names
15:28What do you mean, names?
15:29If you tell me who is slacking off
15:32Who doesn't deliver the product on time
15:33And, above all, who is responsible for the jams not tasting good
15:40Speak!
15:44Captain and Count Don Lorenzo La Mata, sir
15:47Are you making fun of me?
15:48No, not at all
15:51With all due respect, sir
15:53I'm afraid that the decline in the quality of the jams is exclusively your responsibility
15:57I hope you have some kind of basis to say that
16:01That's right, sir
16:03The point is that the delicious taste of our jams is a merit of the quality of the raw material
16:07But what are you talking about?
16:09That we used to look for a fresher product
16:11And we took great care of its transport so that the fruit would arrive in good condition, sir
16:14No, that was a waste of money and time
16:16I myself have found much cheaper fruit suppliers
16:19I know, sir, I know
16:21That's what I'm trying to explain to you
16:23If we buy cheaper and worse quality fruit, the taste of the jam will be diminished
16:30And then what are you good for?
16:32Aren't you experts in improving the taste of things?
16:35Of course I am, but we don't do miracles
16:38And as far as production is concerned, I'm sure that women have had to discard a lot of fruit for being useless
16:42Wait, wait, what?
16:43Not to mention that they will be working with less affection, sir
16:46Because their earnings are getting worse and worse
16:48They will be hard-faced
16:49No, they are not, sir
16:52And excuse me, but you have asked me for explanations and I have tried to give them to you
16:57Who the hell do you think you are?
17:00Look at me
17:02Nobody teaches me how to do business
17:06Except a cook from three to four
17:09I'm very sorry, sir
17:10If we were in the army a long time ago, you would be in the dungeon
17:15But in civilian life, I can only limit myself to saying goodbye
17:19What do you mean, saying goodbye?
17:20You hear me?
17:21You are out of the business and that is extensive for your colleagues
17:25Now I will take care of the management
17:27I will take the jams and talk to the damn women of the town
17:30And you know what? I'm going to do it better than you
17:32But sir ...
17:33Are you deaf?
17:34You don't hear me
17:36Get out of my sight, come on
17:38Of course I do
17:51You have to understand the seriousness of the situation
17:54And I understand it perfectly, uncle
17:56So much that I have been forced to act
17:58But that is not the solution, you have to tell us where Martina is
18:01Well, no, I'm sorry, but I'm not going to do it
18:04Curro, I beg you, please
18:06I personally am very worried about her
18:08Well, stay calm
18:10Martina is safe
18:12Really, believe me
18:15I don't know if taking you seriously after everything you've been through
18:18Look, I just want to protect Martina
18:20Well, let me help you do it
18:22Don't carry this alone
18:24I don't know anything about Martina since she escaped from that sanatorium
18:27And I didn't know the terrible conditions she was living in, right?
18:31You're right
18:32Maybe I did everything I could to prevent her from being taken
18:36I'm sorry
18:37I didn't mean to blame you for anything
18:40I understand that everyone trusts the judgment of Conde Ayala
18:44We try to avoid a bad situation
18:46Yes, that you don't call the civil guard and that you end up in jail
18:49But in the end Martina ended up in the same or worse place than that
18:53I understand that now you don't trust us
18:55But you have to think about Martina's well-being
18:57And I do
18:59So I ask you not to insist
19:01Because I'm not going to tell her anything
19:03As my father would say
19:05In this phase of negotiations, neither party trusts the other
19:08I'm not like your father
19:12I know
19:14I know
19:16Fortunately
19:18You've always been on my side
19:20Well, let me stay
19:22Even if you don't recognize him now
19:24Martina and you could need help
19:27Look uncle, I thank you
19:29From the bottom of my heart
19:31I know your intentions are good
19:34But...
19:35But no
19:36Why?
19:37Because I can't expose Martina to being returned to a place like this
19:40No, without guarantees that this is not going to happen again
19:43So she won't come back
19:45You know I can't give you those guarantees
19:48The only one who can give me those guarantees
19:51It's Conde Daniela
19:53Nothing will make me change my mind
19:57Well then Martina won't keep her promise
20:01Curro
20:02Is that true?
20:04Do you know where Martina is?
20:06Yes
20:07And just as I was telling your father
20:09I'm not going to say anything about it
20:15Talk to him
20:17Let's see if you can convince him
20:32That man is a sovereign jackass
20:35Lope, what's wrong with you?
20:37Who has put you in a bad mood? Petra?
20:39No, it has nothing to do with Mrs. Petra
20:41It has to do with Captain de la Mata
20:43Captain?
20:44Yes
20:45He fired me
20:47And Mrs. Candela and you too
20:49Did he really do that?
20:51Oh my God, he found out about the jams
20:54No Virtudes, it has nothing to do with that
20:56Lope, explain yourself, I don't understand anything
20:59Let's see
21:00Captain de la Mata called me
21:02And he told me that the Spanish army is complaining
21:04Because the jams don't taste the same
21:06That they don't like them
21:07If the soldiers eat it all
21:09If after a race in the countryside
21:11Even an alpargata tastes good
21:12That's what I think
21:14Well no, he has complained and he has thrown it in my face
21:16That is a sovereign injustice
21:18Those muds, these jams
21:20But what does that man want?
21:21What does he want?
21:22If he buys bad quality fruit and gave me rotten
21:25Are you sure it's not my fault?
21:27Yes Virtudes, calm down
21:30But you know what I'm telling you?
21:31Much better
21:33Because I was sick of having to work with that unpleasant man
21:37You and everyone
21:39Because Candela and I were also sick of it
21:42What a bad fondue and what a tasteless man
21:46The saying goes
21:47There is no worse blind than the one who does not want to see
21:49If we had already warned him
21:51That the jams were going to lose quality
21:53That's right
21:54Sure, and if he doesn't say goodbye
21:56It's going to get worse
21:58Much worse
21:59Especially if you are not in this
22:01Because you, Lope, you are the soul of the jams
22:03No, Mrs. Simona, not of those jams
22:06There is hardly anything left of the business that Miss Catalina set up
22:09You are right
22:10In any case, I am relieved that I do not have to work more for that tyrant
22:13Say yes
22:15I already know the horror he is committing
22:17When he completely ruins the business
22:20I just hope he doesn't drag the women of the town along the way
22:25And above all, that he does not blame them
22:27For the destruction he has only caused
22:30If the captain of the Mata has done this for a trifle
22:35I don't even want to think what he will do if he finds out
22:37That we are preparing other jams
22:39Virtues, that will not happen
22:42And if someone speaks?
22:45It will not happen
22:46They are all on alert and they will not say a single word
22:50Is it clear?
22:52Of course, daughter, everything will be fine
22:54Don't worry
22:58Dayala and Margarita
23:01You have Dayala and Margarita very outraged with your ordeal this morning
23:05I can imagine
23:07But it's what I had to do
23:09You didn't even care about your poor aunt
23:11It was not easy, Manuel, I assure you
23:13I know she is his daughter and she must be having a bad time
23:16But still you have remained firm
23:18Yes, let's say that Count Dayala has done his part
23:22You should have seen how he raged, out of pure frustration
23:27As far as I understand, your father is not very happy either
23:31No
23:33Do you have the family revolutionized, Curro?
23:34Yes, and I can assure you that this was not my goal
23:37Who would say so?
23:39Manuel, if you had been in that place
23:42You would have seen the patients there
23:44I can assure you that it was not the idyllic place that Count Dayala painted
23:49Was it so depressing?
23:51It was chilling
23:58And how is Martina?
24:00That is the only important thing
24:02Martina is much better, no doubt
24:06And she is in...?
24:10Manuel, don't insist, it's useless
24:15Curro, I don't...
24:17For God's sake, I've helped you save her
24:19Even if it's only by hiding your presence in this house
24:23I appreciate it
24:24But I think the safest thing is that only I know where she is
24:32It's okay
24:34It's okay, it's your decision and I respect it
24:38I'm satisfied with not having to keep covering your life
24:43You did a good job
24:45I'm surprised that even the maids who were making my room
24:49They didn't realize I wasn't there
24:50I see
24:52That's because the most cunning ones are out of the palace
24:56You mean Hanna and María Fernández, right?
25:00They are still out of the promise but no one seems to have more specific information about it
25:05Well, we know that by request expressed by your father
25:07They are attending Colonel Gabriel López Carrillo
25:12The Duke of San Rafael
25:13Yes, that's what Mr. Baeza told us, but...
25:16I'm surprised you don't have more news
25:21I guess it's because nothing bad has happened to them
25:25Don't you think so?
25:29Yes, I guess so
25:42I guess Mr. Ruiz was more precise than in the other option
25:45Yes, this time he proposes foie gras empanadas with caramelized apples and jerez
25:50Along with some croquettes of bullfrog
25:53And Pampardou with macerated strawberries
25:56Very sophisticated all, yes?
25:58And the other option?
25:59Well, the other option is simpler
26:02A watermelon gazpacho as a starter and a seafood rice as a main course
26:06Very accurate too and lighter than the other option
26:09And what do you like best?
26:11Well, I haven't made any decision
26:13Wow
26:15That with respect to food
26:17As for music, I have two very suitable options for a recital
26:21Well, enlighten me please, Mrs. Arcos
26:24One of them is the string quartet that already attended Mrs. Marquesa's birthday two years ago
26:30A good idea
26:31A proposal from Mrs. Marquesa herself
26:33And the other is a choral accompanied by the piano
26:36Which would interpret fragments of Berdy Bizet's operas
26:40And what do you think is more suitable?
26:43I haven't made any decision either
26:46Wow
26:48Could it be that you are trying to delay this moment due to some circumstances?
26:53No, what nonsense
26:55Mrs. Arcos
26:59Well, you already know that nothing seems to please Mrs. Marquesa with regard to the recital
27:06We all know that Mrs. Marquesa is very demanding, but?
27:10I prefer to offer her several options and let her decide
27:14I understand
27:16For my part, there is no problem, let it be the Marquesa who chooses
27:20But I warn you that everything may seem wrong to her
27:24Well
27:31Are you sure you want to put that piece there?
27:36Yes, why?
27:39Because it seems a lie, cousin
27:41You have been face to face with one of the most fearsome armies in Europe
27:45And?
27:46You haven't learned any strategy
27:51Curro
27:53Maybe you know more about strategy than I do
27:57But you are still too impulsive
28:01Yes, I hadn't seen that move, yes
28:04I think you are immersed in your game
28:07Are you having a lot of fun?
28:09The normal
28:12Isn't it?
28:14Yes, here we were, passing the time
28:17It turns out that while you pass the time, my daughter is God knows where
28:22Aunt Margarita, I already told you where Martina is
28:24Where?
28:25She is in a safe place
28:27Curro, please
28:29Look, you already know what my conditions are to reveal it to you
28:31Curro, I beg you, please, stop torturing me with all this
28:34I don't want to torment you, Aunt Margarita
28:36All I want is the best for Martina
28:38And I don't?
28:40No, but I think we have different ways of thinking what is best for her
28:43What do you mean?
28:45I mean that you send your daughter to a place accused of something she didn't do
28:49Look Curro, you've been out of here for a long time
28:52And you have no idea what happened, no idea
28:54Aunt
28:56Please
28:57None of us know, Manuel
28:59I just want to protect Martina
29:01But you are exposing her even more
29:04Curro, I just want the best for Martina
29:06Please
29:08Look, I only say one thing
29:11Either you end this once and for all
29:14Or your cousin can end up in jail
29:16Do you understand?
29:18Do you understand?
29:28Do you understand?
29:37I'll take note, I'll see what can be done
29:40It's not a capricious request, Mr. Baeza
29:43It's a way to make sure that all the guests are well treated
29:46I've already told you that I'll see if it's feasible
29:48As you know, the lackeys are my competition and Mr. Pellicer's
29:52I have to consult with him
29:54I don't understand why
29:56Between the two of us, we'll see if your request for the recital is feasible
30:01I don't think I have to consult that matter with anyone
30:04I think so
30:06No, and especially not with that man, who all he does is make mistakes
30:09Mrs. Arcos, are you going to start criticizing your colleagues?
30:12No, Mr. Baeza, I'm not criticizing anyone
30:14I'm being honest
30:16Yes, honesty without empathy doesn't have to be a good thing
30:20I see, and what do you tell me about the lack of honesty?
30:23Because with empathy or without empathy, Mr. Pellicer is not being precisely honest
30:28In the matter of the invitations to the snack
30:30We're still with those
30:32Yes, still
30:34I myself personally informed you that the matter was closed
30:38That I had already spoken with Mrs. Margarita and you continue to rummage it
30:42Don't you think it's your fault?
30:44The fault?
30:46Yes, yes, the fault of having been the cause of all this
30:48Knowing her as I know her
30:51That accidental mistake may not be such
30:54But a sabotage in every rule
30:56Really?
30:58Yes, and with the aim of harming a colleague
31:00That's fine
31:02I'm not to blame for all the evils that haunt this palace
31:04Not all of them, obviously
31:06I'm talking about one in particular
31:09It gives me the feeling that whatever I tell you
31:12You wouldn't believe me
31:14Try it
31:16Try to convince me
31:18No
31:20It's not worth it
31:22Time will put everything in place
31:25And you, Mr. Pellicer, will realize
31:27The mistake you're making
31:34And understand me
31:36I'm the first one who wants Martina out of that sanatorium
31:38I would never think of standing there to get her out of there
31:42Obviously, this is a robbery of the wisdom of youth
31:45No
31:47Not all young people are as capricious as Curro
31:50And forgive me, my sister, for what I say about your son
31:52He just came back from the front
31:54Something must have matured
31:56Nothing at all
31:58He's still as foolish as ever
32:00Come on, he better have stayed in the battlefield
32:02Cruz, please
32:04I'm not saying anything outrageous, Maria Antonia
32:06Come on, there's no way to get him in trouble
32:08You say that because you're relieved
32:10But Curro is not a bad boy
32:12It's true that if we compare him with your son Manuel
32:13Manuel?
32:15Another one who dances
32:17Why do you say that?
32:19Don't make me talk
32:21If you don't do it with me, who are you going to do it with?
32:24You're right
32:35He's pissed off that I'm apologizing to Catalina
32:38Really?
32:39Do you really think so?
32:41I'll convince her to leave the hangar and live with us again
32:45I'm sure she's ashamed to see her sister in that hole
32:48For me, there are only advantages
32:51It's true that you and Catalina have never understood each other
32:55We don't need to
32:57But you have to understand that Manuel's only intention is for things to return to normal
33:02And he accuses me of what happened
33:05Well, you have something to do with it
33:07To be frank
33:09Which side are you on?
33:11Yours
33:13I'm just trying to appease your tantrums, Cruz
33:15Do you think it's normal for me to ask you to apologize to Catalina?
33:18What do you mean?
33:20Well, he suggested that I could lose him too
33:23Do you think so? My own son blackmailing me
33:26I don't think it's blackmail
33:28You're definitely on his side
33:30No, but I see the need to warn you, Cruz
33:33Manuel speaks from the heart
33:35And I'm afraid that your resentment with Catalina ends up distancing you
33:39You're on his side
33:41Let's see, you can solve it
33:44You just have to propose
33:46How?
33:48Humiliating me in front of that girl
33:50Make peace with her
33:52You've been facing her for too long
33:54Well, that's a matter of two, not just mine, right?
33:56Of course
33:58And it's true that Catalina is a, let's say, difficult girl
34:02But think that she's the one who left the palace
34:05She's the victim
34:07And she's getting it
34:09You have everything to lose, Cruz. Admit it
34:11Because in the eyes of your son Manuel and your own husband
34:14You're the bad guy in this whole story
34:16But it's in your hands to become the good one
34:19That's the smartest thing
34:21You've always been very tempted in these kinds of decisions
34:24What's the most beneficial?
34:26And it's not about humiliation
34:29But about a strategy play
34:31Listen to me
34:33You have to bury the cross war axe
34:36You have to bury the cross war axe
34:38So Mrs. Petra hasn't chosen any of the menus we proposed to her?
34:42I already told you no, that we're still without news
34:45Well, we have to start making a decision, Mrs. Simona
34:47Because it's not the same to buy a watermelon than a bull's tail
34:49Well, we'll have to do it with both
34:51Because Mrs. Petra wanted to consult it with Don Rómulo
34:53Before presenting all the options to Mrs. Marquesa
34:56One by one, the house without a barrier
34:59Well, I'll let you know
35:01Some of the menus I proposed require a lot of time to prepare
35:04That's what you tell Mrs. Arcos
35:06López, we're fine
35:08As you don't want to go up to complain
35:10Meet me with Don Lorenzo?
35:12No, thank you
35:14Ah, Candela
35:16Good afternoon, both of you
35:18What? Have you finished eating?
35:20Yes, Candelilla
35:22You'll be here in a few hours
35:24We had to start making dinner without you
35:26What? Where have you been?
35:28I had gone to town
35:30To do some shopping
35:31And the smile?
35:33As far as I know
35:35You only went to the pharmacy for some eucalyptus pills
35:38Yes
35:40And on the way I met with Úrsula
35:42The one from San Credo
35:44The one who takes care of the priest's garden
35:46Now I understand the delay
35:48How she likes to give the stick to Úrsula
35:50Yes, yes, she likes it
35:52But this time
35:54I had some bad news
35:56Well, I also have something important to tell you
35:58The captain of the...
35:59You can tell me later
36:01This is more juicy
36:03Girl, maybe the stick is from this tendency
36:05And not a rumour
36:07What rumour?
36:09I'm not telling you I'm pregnant
36:11And maybe he will come here
36:13To the Virtudes to raise his son
36:15Virtudes?
36:17What are you talking about, Candela?
36:19Maybe he needs a room
36:21So he can sleep
36:23And also a job
36:25So he can live with his son
36:27Thank you very much for the information
36:29You have the good news
36:31That Úrsula also told me
36:33A scoop about Don Fermín
36:36And what's so special about it?
36:38Because as far as I'm a priest
36:40The only thing I have to do is
36:42Read the Bible and give mass
36:44They transfer him to another parish
36:46Are you sure about that?
36:48And I'm so sure
36:50And Don Fermín told it to San Credo
36:52San Credo to Úrsula
36:54And the poor woman is in tears
36:56It's normal because
36:57Don Fermín has always been
36:59A very good pastor
37:01Yes, yes, the truth is
37:03You know all the gossip about the Gospel
37:05But now they take him away
37:07And I say it's not bad
37:09That he comes for good, isn't it?
37:11Yes
37:13And what does that have to do with Virtudes?
37:15You're so slow, kid
37:17That now when a new priest comes
37:19He will need someone
37:21To do the chores
37:23And that's where the girl comes in
37:25And don't you think
37:27She's going to tell her all the gossip
37:29And the theft of the chalice
37:31No, she won't say anything
37:33And how are you so sure?
37:35Because my Virtudes told her
37:37About the chalice
37:39In secret
37:41And if it's secret, it's secret
37:44And she wants to change you
37:46Now she was going to tell you
37:48Come on
37:50Air
37:52Air
37:57Air
38:22Cruz
38:24I came to see how you were
38:28Well, good, I see
38:30Why is that sudden interest in me?
38:33Well, we are family, right?
38:36We are supposed to be interested
38:38In each other
38:40How can you live in this mess?
38:42What's wrong?
38:44Everything
38:46Without going into the decoration
38:48Which is simply indescribable
38:50But it seems that
38:51There are some hygiene considerations
38:53That you don't seem to take into account
38:55This hangar is perfectly clean
38:57You don't think so, dear?
38:59Come on, I assure you that there are mice and everything around here
39:02Well, look, I agree with that
39:04But I prefer a thousand times
39:06Than to go into a mess
39:08So that certain people are piling up around here
39:10Catalina, I'm cured of fright
39:12And I assure you that I'm not here to argue
39:14That's what I don't understand
39:16When did Andrés come then?
39:18You'll see
39:20I wanted to ask you
39:22Especially for the good of our family
39:24That you leave this place
39:26And that you return to Palacio
39:28Are you asking me to live under the same roof again?
39:31We don't have to have breakfast together either
39:34I just want to recover a bit of normality
39:38After everything that has happened
39:41Ah
39:43You mean that misunderstanding?
39:47I'm very sorry, dear
39:49I assure you that it won't happen again
39:51Wait, wait a moment
39:53Let's go slower
39:55Are you referring to the press?
39:59And are you apologizing for that?
40:02I'm explaining to you that it was just a misunderstanding
40:07It's fine
40:09Some journalists approached me and asked me questions
40:11And I answered them as best I could
40:13I see
40:15And I'm sure you didn't look for them to tell them
40:17The Lujan family had to speak up
40:20And then you know how they exaggerate
40:23No, no, I don't know
40:25The press tends to exaggerate everything
40:27They look for the scandal because of the dignity of good people
40:31Do you remember everything that was said about me?
40:34Those journalists misinterpreted my words, Catalina
40:37I assure you that wasn't my intention
40:39And do you know how much I suffered?
40:41How much all those comments affected me?
40:44I'm not sorry, dear
40:46I'm really sorry that everything was like that
40:49That's why I want to ask you to...
40:52...to come back home
41:14I'm sorry, son
41:16I didn't mean to scare you
41:18Were you spying on me?
41:20No, no, no, I was just trying to understand what your job is all about
41:24I'm sorry
41:26No, no, it's fine
41:28What have you got here?
41:30Apart from getting to know your new studio
41:34I'm sorry, I didn't mean to scare you
41:36I'm sorry, I didn't mean to scare you
41:38I'm sorry, I didn't mean to scare you
41:40I'm sorry, I didn't mean to scare you
41:41I'm sorry, I didn't mean to scare you
41:43You're right, I'm sorry
41:45I should have invited you before
41:47Don't worry, I understand that you were settling in
41:49Yes
41:51And you've remodeled it to your liking
41:53It's a good refuge for you
41:55Yes, it has some refuge
41:57I suppose this is what you needed
41:59A quiet place where you could concentrate without distractions
42:01Keep the secret
42:04Do you know what my brothers and I called this place?
42:09The Forgotten Kingdom
42:11What's that?
42:13We were just a bunch of rascals the first time we came up here
42:18We were afraid, thinking we'd find a monster from the Avernus here
42:22Or a ghost
42:25And did you find something like that?
42:27We barely found the courage to come in
42:32So what was here?
42:34Well, there was old furniture and useless junk
42:38Oh, a treasure for some children
42:41Yes
42:43Here we fought against imaginary dragons
42:47And we rescued captive princesses
42:51And only in a few square meters?
42:54A child's creativity doesn't need much more
42:57I hope mine doesn't either
43:01Father, you can come to this Forgotten Kingdom whenever you want
43:04Yes
43:05This can also be a good refuge for you
43:08I don't know what I should hide from
43:10Well, yes, your mother has me a little confused
43:14She keeps talking about that recital
43:16Father, I wouldn't put my hand in the fire because that recital is going to be celebrated
43:20And why is that?
43:22Because I've given my mother a condition to go
43:25If she wants you to go, you must make peace with Catalina first
43:29I've asked for that in every possible way and she hasn't refused
43:33Well, let's give her one last chance
43:37You're right
43:39Maybe you'll succeed where everyone else has failed
43:43You haven't failed, father
43:46I don't know
43:48I have the feeling that I influence her decisions less and less
43:52And not only hers
43:56If you mean Catalina
43:57Think that no one has managed to make her change her mind and leave the hangar
44:01Catalina Curro
44:03She hasn't told me where Martina is either
44:05And it torments me not being able to help her
44:07As for Curro
44:09Father, he hasn't entrusted that information to anyone
44:13And I think it's his decision and we must respect it
44:18And wait for everything to go well
44:24I did it on purpose
44:26Did you really do it?
44:28Your stepmother has come to apologize
44:30It's hard for me to believe it too, but yes, she did it
44:32In her own way, of course
44:34Well, I don't even want to imagine what it is
44:36Well, to begin with, she came in here criticizing the place
44:39Saying there were mice
44:41Well, mice everywhere
44:43I don't know, strange way to deal with laziness
44:45I stood up for her naturally
44:47And after a long time, she ended up recognizing her responsibility after those posts
44:51And she apologized to me
44:52A bit in her own way, you have to say it
44:55Well, I guess it's an achievement for her
44:59That's right, talking about my stepmother, that's a lot
45:04Well, then we'll have to celebrate it
45:07I'm still assuming it
45:10Does that imply, Catalina, that you're going back to Palacio?
45:15Yes, I guess it doesn't make much sense for her to continue living here
45:18Yeah, but I don't see that you're very excited about the idea
45:22Well, the truth is that I'm not
45:24But the truth is that I can't stay locked up here forever
45:27Yeah
45:29Cruz has taken a step and I have to take another
45:33So, your stepmother has been here
45:37And I'm about to cross paths with her
45:40And I'm worse than the mice
45:43Of course, you're bigger
45:46And, well, speaking of sizes
45:49I hope I got your measurements right
45:52My measurements?
45:54That's right, that's why I called you
45:57I want to make you a gift
46:07This is entirely yours
46:10And if you don't like it, we can make it bigger
46:12But, well, I hope Romulo helped me with the measurements
46:15I hope I didn't make too many mistakes
46:17Catalina, I really appreciate it, but it's not necessary
46:22Yes, it is
46:24That way you won't feel like you're disguised as someone else
46:29Cruz isn't the only one who finds it hard to apologize
46:34And this is your way of doing it?
46:36I didn't want to offer you anything
46:38And this is your way of doing it?
46:41I didn't want you to be offended when I gave you Pelayo's suit
46:44But there was no other way to find it before dinner
46:46Catalina, thank you very much, really
46:48But I don't know when I'll have the chance to wear it
46:52And I'm not the type to wear this kind of clothes, really
46:55I'm sorry to disagree on that
46:57You'll be able to wear it tonight
47:00Since I'm going to leave the hangar, what better way than to say goodbye to it
47:08Will you come with me?
47:22The mail, how could I forget?
47:35With Romulo Baeza?
47:39Excuse me, Mr. Baeza
47:41Yes, Mr. Romea
47:43If you don't need anything else from me, I'll leave
47:46Yes, go, go
47:48Wait a moment, could you help me by handing over the mail?
47:53What? At this hour?
47:55Yes, it's been such a busy day that I forgot
47:59Could you hand it over to your colleagues, please?
48:01Yes, yes, no problem
48:03But are you sure you don't want to do it?
48:05I'd rather you do it, I have pending tasks
48:08Well, good night
48:21Mr. Romulo Baeza
48:30You must pressure him more
48:32We have to get that kid out of Curro, where Martina is hiding
48:35Ignacio, I've tried, look
48:37But he refuses to tell me anything
48:40He has made it very clear his conditions
48:42Yes, I'm sorry
48:44If I let myself go, it's because I can't stand seeing you like this
48:47Why?
48:49Well, in your hands, you have to avoid it
48:52You know I can't let it go like this
48:57Besides, we are focusing on what is not
49:01We should think about us, being happy, getting married
49:04Ignacio, please
49:06It's not the time to talk about this
49:08Well, it seems it's never the time
49:10When can we start thinking about us?
49:12It turns out that my daughter is missing
49:14And you are the only one who can get Curro to tell us where she is
49:17And now it turns out that you can only think about the wedding
49:20Margarita, I ...
49:22Look, I'm going to bed
49:24Good night
49:34Poor thing
49:37She's starting to get to know you for real
49:41What were you doing there?
49:43Nothing, just seeing how you look in a mask
49:46Don't be silly
49:48No, I'm not
49:50You enjoy all this, don't you, Petra?
49:54A little
49:56Although if I tell you the truth, it won't convince me
49:59Because you have managed to cause me more pain than I can cause you in the rest of my life
50:06You had a son, Ignacio
50:08But you never cared
50:10No, that's not true
50:12Yes, it is
50:14If you had been a good father, you wouldn't have given up so soon
50:18Why are you talking about that now?
50:20Because that, as you call it, has never stopped
50:24Felipiano, my son, has always been present every day
50:28Enough
50:30Tell me, Ignacio, what do you feel when you see yourself so desperate and so fragile?
50:37I've said enough
50:50I have to admit that the suit fits me like a glove
50:54And that's the only reason you should keep it
50:57I was thinking that not wearing it would make you look bad
51:03Because it's also very comfortable
51:05I could wear it every day to go to the field to work
51:10That would be worth seeing
51:14Since you arrived, I wanted to ask you a question
51:19Tell me
51:21Do you wear perfume?
51:24Do you realize?
51:25Yes
51:29It smells very good
51:32I used to use my father's
51:35I think there has come a time in life when I also have to use it
51:40Very well
51:42I find it interesting that you talk about those moments in life
51:46I also think there are times to face changes
51:48To face changes
51:51And, I don't know, also to live other adventures
51:57Like using your father's cologne
52:00Or that you and I can be something more than friends
52:12I'm sorry
52:14Did I say something that bothered you?
52:16No, no, no, no
52:18I didn't expect it, everything was going so well
52:21I ruined it
52:23No, no, no, no
52:32What's going on?
52:33What's going on?
52:46I don't know
52:51I feel...
52:54I feel something in my chest
52:59That I should tell you, but I don't
53:03I don't know
53:10Of course
53:23I think you kissed me not to give me explanations
53:26Explanations of what?
53:29Of what's wrong with you
53:31Of what really worries you, Catalina
53:34What do you mean?
53:37Be honest with me
53:39Or even better, be honest with yourself
53:43I think you haven't overcome it yet
53:46And I don't mean Cruz, but Pelayo
53:50She kissed me not to think about it
53:54Are you still in love with Pelayo, Catalina?
53:57What?
54:00Tell me I'm wrong and I won't mention your name again
54:05It's just that...
54:07I love you
54:16Ma'am, it took me a while to prepare what you asked me
54:19It's just that...
54:21The recital has been suspended
54:24Now ask a maid to fix the bouquet
54:27Daughter, don't be nervous
54:29I think it's a very good idea for you to go see your son
54:32Just like that
54:34I want your father-in-law to see that you're doing well
54:36And that you don't condemn Adela
54:38What are you talking about?
54:40What?
54:42Adela, please
54:44I understand now, mother
54:46If they get the idea that you and I are in a condition to stay with your son
54:49I hope so
54:51Please, you have to tell me where Martina is
54:53We can't go on like this
54:54I'm very worried. In fact, I'm desperate
54:56We are desperate
54:58All I need is for Count Dallala to guarantee that Martina won't go back to that asylum
55:03Nor will he call the Civil Guard
55:07I'm going to run
55:11Sooner or later, the truth will come to light
55:14And then all your petty evils will turn against you
55:17You will be the one who sooner or later
55:19will have to swallow all those reproaches and accusations
55:22when it turns out that I had nothing to do with the invitation
55:26I would like to know when Catalina will return home
55:29I'm sure it will be soon
55:31I think it would be best not to tell her anything
55:33and for her to come back when she feels ready
55:35I'm so angry
55:37that my stomach hurts
55:39just remembering that I had to apologize to that stupid and capricious girl
55:44and just imagining her satisfaction in seeing me humiliated
55:48I found her on the stairs of the garden, Mrs. Martínez
55:52I have accompanied her here because she is not well
55:57What happened, daughter?
55:59We go back to the promise
56:03We can't stay here forever, Mrs. Pia
56:08For the plan to work, we have to neutralize Gregorio
56:12And only by getting rid of him, you will be free
56:17AVAILABLE NOW