Korean New Movie Hindi Dubbed - Watch Online - New Movies
Korean Movie Hindi Dubbed Watch Online
Transcript
00:00:00♪
00:00:21Open the door.
00:00:24Open the door.
00:00:27You can't do this to me. Open the door.
00:00:30No, no.
00:00:32Open the door.
00:00:40Okay, it's okay. I'll get the doctor.
00:00:44Cut.
00:00:45Scene cut.
00:00:52Hong, listen.
00:00:54Yes.
00:00:57Tell me, can you shoot the whole scene from the moment he bites the knife to the climax in one take?
00:01:03It's not easy.
00:01:06Let's try it.
00:01:07Good.
00:01:08We'll do it again.
00:01:09Minja.
00:01:10Yes.
00:01:11Minja, this scene was actually quite good.
00:01:13This time you have to do this.
00:01:14First pick up the knife.
00:01:15Yes.
00:01:16Then break the glass.
00:01:17And do the same as you were entering.
00:01:19Then, while he bites the knife, stab him in the stomach.
00:01:22Yes.
00:01:23Then stare at his corpse for a while and give expressions as if you are very happy from inside.
00:01:27Then, slowly take the stairs.
00:01:28Yes.
00:01:29And we'll do this whole scene in one take, okay?
00:01:31Okay, okay.
00:01:32Good. Let's go.
00:01:33And listen, Eddie.
00:01:34Get the cut changed.
00:01:35Get everything ready.
00:01:36Let me fix my hair.
00:01:38Let's start.
00:01:39Yes.
00:01:43Ready?
00:01:47Go.
00:01:49Go.
00:02:19Go.
00:02:20Please put the knife down.
00:02:24You filthy insect.
00:02:49I'm sorry.
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00:05:44If the wind blows, will the beautiful tree fall?
00:05:50Will the beautiful memories disappear in the wind?
00:06:07Hey, leave him. You don't have to take him anywhere.
00:06:09Where is Manager Kim?
00:06:10Huh?
00:06:13Hey, Kim.
00:06:14Where are you going?
00:06:16Listen to me. Why are you running away like this?
00:06:19Hello.
00:06:20Listen, Kim.
00:06:22What do you want now?
00:06:23Why are you running away from me like this?
00:06:24You disconnected my call without listening to me.
00:06:26I just want two days.
00:06:27Why?
00:06:28If I change the ending of this film a little, it will be amazing.
00:06:32Really, a masterpiece.
00:06:35Director Kim, what is this about reshooting?
00:06:37I was thinking that if we change the ending a little, then...
00:06:40But why? The film is over.
00:06:42Actually, if there are a few changes, then this film will become a masterpiece.
00:06:45But why do you want to make a masterpiece? Do what you were doing.
00:06:48Baig, it's just a matter of two days.
00:06:49Call me Madam.
00:06:50And I am the owner here. Everything is in my hands.
00:06:52Yes, Madam Baig, we just need two days.
00:06:54If you reshoot, the story will not go bad.
00:06:56No, no, not at all. I have already checked.
00:06:58There will be no problem.
00:07:00And censorship?
00:07:01In this matter, Madam Baig will help us.
00:07:05Director Kim, Meedo will be more useful to you than me.
00:07:08Meedo?
00:07:09We will remove the set in two days.
00:07:10Why?
00:07:11There will be an aimless bullet of love shoot here.
00:07:13It's not over yet.
00:07:14When did it start?
00:07:15Look, I have to prepare to go on my Japan trip.
00:07:17Show the script to the censor.
00:07:19If he doesn't agree...
00:07:20One shoot.
00:07:21I told you, I just need two days.
00:07:23Anyway, in front of the film...
00:07:25Enough, enough. Now calm down.
00:07:27Listen, Kim.
00:07:28You will have to go and talk to the censor.
00:07:30And you go and meet Meedo.
00:07:31Come to me after that.
00:07:32Understood?
00:07:33I am going to meet Meedo.
00:07:34You are shooting a good film again.
00:07:36If he refuses, there will be no reshooting.
00:07:38Go carefully.
00:07:41Meedo.
00:07:43Listen, Kunja.
00:07:44Okay, your name is Kunja, right?
00:07:45Kanshiya.
00:07:46Where will I find Meedo?
00:07:47Maybe on the set.
00:07:53So this is the film set.
00:07:56This set is very old.
00:07:59Really?
00:08:00And he is the director.
00:08:01Director?
00:08:02I'll be right back.
00:08:04Excuse me.
00:08:05Can we take a picture with the director?
00:08:07Yes, Varun. Why not?
00:08:08Just give me a minute.
00:08:09Yes, yes.
00:08:11Director Kim.
00:08:12These are investors from Japan.
00:08:13They want to take a picture with you.
00:08:14Okay, understood.
00:08:15Come.
00:08:16But before that, I need to talk to you.
00:08:24Look, I need two more days for the shoot.
00:08:28The film was over, right?
00:08:29I missed some important things.
00:08:30This film can be a masterpiece.
00:08:32What did aunty say?
00:08:33To talk to you.
00:08:34Because this is your father's company.
00:08:35You can decide.
00:08:37But my aunty is good at it.
00:08:39What do I tell you?
00:08:40She only understands the language of money.
00:08:41Making a film is not a business.
00:08:43You have to decide.
00:08:44She was just an ordinary actress.
00:08:45Who later became the director's girlfriend.
00:08:47That's enough.
00:08:48I'll read the script one more time.
00:08:50Really?
00:08:52Yes.
00:08:53Let's go.
00:08:54Let's take a picture.
00:08:55Let's go.
00:08:56Yes, okay.
00:08:57They are waiting for you.
00:08:58Brothers and sisters.
00:08:59The director is here.
00:09:00Hi, director sir.
00:09:02Let's take a picture.
00:09:03Come closer.
00:09:05One, two, three.
00:09:07Yes.
00:09:08One more.
00:09:09Say cheese.
00:09:20What does this fool know about films?
00:09:22How hard it is to make a film.
00:09:25He likes the same old things.
00:09:27What does a monkey know about taste?
00:09:46Only those people criticize who are not artists themselves.
00:09:50I can make a masterpiece in two days.
00:09:53And I can show how far a person can go.
00:09:55After that, no one will dare to make fun of me.
00:09:58The bitter truth of the society that shakes the heart.
00:10:01Which will shock people.
00:10:03Every character has a secret hidden inside him.
00:10:06After the secrets are revealed.
00:10:08We will be able to see the horrific form of humanity.
00:10:11You.
00:10:12You.
00:10:13Why are you standing there like this?
00:10:16Where are you coming from right now, Minja?
00:10:19Everything is over.
00:10:21You and your family.
00:10:23What happened?
00:10:24What are you saying?
00:10:26Why are you quiet now?
00:10:28Tell me clearly what you have to say.
00:10:30You think of me as just a toy of your son, right?
00:10:33In this family, women are considered to be dust.
00:10:37Look at this picture.
00:10:44Hello.
00:10:45Who?
00:10:46Who is speaking?
00:10:47Kimson.
00:10:49What happened?
00:10:50This phone is ringing.
00:10:51This phone is ringing.
00:10:52What?
00:10:53There is a call for you, sir.
00:10:55Oh.
00:10:56Okay, okay.
00:10:57I am coming.
00:10:58By the way.
00:10:59Whose phone is this?
00:11:01Is manager Kim on the phone?
00:11:03Yes.
00:11:04Give it to me.
00:11:07Yes, Kim.
00:11:09Hello.
00:11:10Wait, wait.
00:11:11Calm down.
00:11:12What are you doing?
00:11:13No, no.
00:11:14I am not telling you.
00:11:15Director Kim.
00:11:16I have met with the censor board.
00:11:17They say that this film is anti-social.
00:11:19And this can hurt people's feelings.
00:11:22They say that you have changed the entire script.
00:11:24We have not changed anything.
00:11:25Why are they having such a problem?
00:11:27I know that this film is a little different.
00:11:30I think you may not have told them my idea properly.
00:11:33No, sir.
00:11:34They had already changed their mind.
00:11:36If we make such a film, the police will put us straight in jail.
00:11:38But listen to me.
00:11:40There is nothing anti-social in this.
00:11:42I think you could not explain it properly.
00:11:43Wait.
00:11:46Oh, man.
00:11:49If I want two days, why can't they understand?
00:11:53It's just a matter of two days.
00:12:03If this film is not made, my entire life will be ruined.
00:12:07People will keep taunting me.
00:12:10Oh, God.
00:12:11I need you right now.
00:12:13Just show me a miracle this time.
00:12:15Please.
00:12:19Please.
00:12:27Meenu.
00:12:28Director.
00:12:30I have read your script.
00:12:32Really?
00:12:33How did you like it?
00:12:34Very good.
00:12:36In my eyes, respect for you has increased even more.
00:12:39This is amazing.
00:12:40It felt like Kafka's novel.
00:12:43Kafka?
00:12:44Does that mean you read?
00:12:45Please, sir.
00:12:46Shoot the ending the way you want.
00:12:48Did you like it that much?
00:12:51Not good, it was a disaster.
00:12:52Now, look.
00:12:53You understand this film.
00:12:54But who will explain it to the censors?
00:12:55Just shoot it.
00:12:56Are you sure?
00:12:57I am telling you.
00:12:58This film will be a hit.
00:12:59While reading his script,
00:13:00my heart was beating so fast.
00:13:03Really.
00:13:04I have never seen a better script than this.
00:13:05Thank you, Meenu.
00:13:06Really.
00:13:07It will be a blockbuster film.
00:13:10Sir, I too
00:13:11want to be a part of this super hit film.
00:13:14I have decided.
00:13:15I want to make a film like this.
00:13:16Really.
00:13:17Believe me.
00:13:18I will run this company.
00:13:20And with my share,
00:13:21I will become a producer
00:13:22who supports artists like you.
00:13:24By the way, how much is your share?
00:13:26That is not important right now.
00:13:27Yes, you are right.
00:13:28Time to kill.
00:13:29What are you doing here?
00:13:30Go quickly,
00:13:31shoot those scenes
00:13:32and fulfill your dreams.
00:13:33Go.
00:13:34Yes.
00:13:35Ouch.
00:13:44Take this.
00:13:45Here is the script.
00:13:46Make five copies of it.
00:13:47Quickly.
00:13:48I am telling you.
00:13:49There is no better story than this.
00:13:50Believe me.
00:13:51Okay.
00:13:52Tell me.
00:13:53We won't take much time to shoot.
00:13:54Don't worry.
00:13:55Yes, we will finish it on time.
00:13:57Yes.
00:13:58Okay.
00:13:59Kim sir,
00:14:00we have got confirmation from the hostess.
00:14:01The Japanese investor has approved it.
00:14:03Really?
00:14:04We will have to call Yurim here.
00:14:05Okay, sir.
00:14:06I will call her.
00:14:07Very good.
00:14:08Director Kim.
00:14:09Really?
00:14:10Do you know
00:14:11what will happen to them?
00:14:12What will I tell President Baek?
00:14:14Meedo has given me his permission.
00:14:15Yes, I gave him permission.
00:14:16You don't understand.
00:14:17If the ministry finds out about this,
00:14:19we will be ruined.
00:14:20That's why let us shoot quietly.
00:14:22How can you shoot quietly?
00:14:24Wait.
00:14:25Don't go anywhere.
00:14:26Take care of yourself.
00:14:31We will have to write this scene again
00:14:32so that Minja doesn't look like a woman
00:14:33who considers her husband to be God.
00:14:35Minja should be a progressive woman
00:14:37who has good knowledge of economics and business.
00:14:39Only then will the story be strong.
00:14:41And that's why they fight.
00:14:43They don't just fight.
00:14:44They will find out
00:14:45what a woman's desires are.
00:14:46No one has seen such a climax.
00:14:48So how many parts will we start again?
00:14:50From there, when Minja met Madam O for the first time,
00:14:52should we start preparing for it from there?
00:14:54To change the ending,
00:14:55it would be better to shoot from there.
00:14:57Let's go.
00:14:58I will go, sir.
00:15:00Now the audience wants to see something new.
00:15:03I will give them that.
00:15:04The greatest story of the century.
00:15:06A story they have never seen before.
00:15:30Hi.
00:15:31Hi, everyone.
00:15:32Hello.
00:15:33Hello.
00:15:34What are you doing?
00:15:35Give me that minute.
00:15:36Yes.
00:15:37Ma'am.
00:15:38Ma'am.
00:15:39Thank you for coming.
00:15:40Why is this re-shoot happening?
00:15:41We have just come to re-shoot.
00:15:42What is the need to shoot again?
00:15:43I don't know either.
00:15:44I was just told.
00:15:45I just came on the right day, right?
00:15:46Madam, you are here too?
00:15:47I thought only I was invited.
00:15:48If you are alone,
00:15:49you won't be able to make the film.
00:15:50I am not alone.
00:15:51I am with you.
00:15:52I am with you.
00:15:53I am with you.
00:15:54I am with you.
00:15:55I am with you.
00:15:56I am with you.
00:15:57I am with you.
00:15:58I am with you.
00:15:59I am with you.
00:16:00I am with you.
00:16:01I am with you.
00:16:02I am with you.
00:16:03I am with you.
00:16:04I am with you.
00:16:05I am with you.
00:16:06I am with you.
00:16:07I am with you.
00:16:08I am with you.
00:16:09I am with you.
00:16:10I am with you.
00:16:11I am with you.
00:16:12I am with you.
00:16:13I am with you.
00:16:14I am with you.
00:16:15I am with you.
00:16:16I am with you.
00:16:17I am with you.
00:16:18I am with you.
00:16:19I am with you.
00:16:20I am with you.
00:16:21I am with you.
00:16:22I am with you.
00:16:23I am with you.
00:16:24I am with you.
00:16:25I am with you.
00:16:26I am with you.
00:16:27I am with you.
00:16:28I am with you.
00:16:29I am with you.
00:16:30I am with you.
00:16:31I am with you.
00:16:32I am with you.
00:16:33I am with you.
00:16:34We are traveling at night, sir.
00:16:35You can go sleeplessly.
00:16:36You two look fine, Sir.
00:16:37You look like a detective in the court.
00:16:40Yes, I mostly do that role.
00:16:42Did I say something wrong, in Black Roose, that you played
00:16:44as a detective?
00:16:45I started playing as the chief warrant, ten years ago.
00:16:49Oh!
00:16:50You're gonna be called a cop now!
00:16:53Whenever I have a fight with my wife, that's where I go to sleep.
00:16:58I get a lot of peace there.
00:16:59What are you saying?
00:17:02I'm ready.
00:17:02I'm ready too.
00:17:03So, should we start working?
00:17:04Yes, let's do it.
00:17:06What is this?
00:17:06This is completely different.
00:17:08I don't understand anything.
00:17:11Madam, I'll make your hair.
00:17:12Okay, come here.
00:17:13Ma'am, I'll be right back.
00:17:14Hide everyone inside this.
00:17:18She has changed everything.
00:17:20Oh my God!
00:17:20My character has changed.
00:17:22Forget that.
00:17:23Do you understand the ending?
00:17:24Sir, your costume is ready.
00:17:25Okay.
00:17:28If I tell you the truth,
00:17:29the first ending was also not good.
00:17:32Do you know what this Blanc Sequence is?
00:17:34This is a French word.
00:17:36It sounds like French.
00:17:37Was English not enough that you started using it in French?
00:17:39Exactly.
00:17:40Darken your eyebrows.
00:17:42It should look like a drama.
00:17:44But why?
00:17:45Don't leave me.
00:17:46Don't leave me.
00:17:49I have loved you since a long time.
00:17:53You have me.
00:17:55You have me.
00:18:02Yorim…
00:18:04Yoim…
00:18:06Go!
00:18:07Yoim, we have to leave.
00:18:09Go!
00:18:09Hurry up!
00:18:11Yoim, let's focus on the shooting.
00:18:13I was shooting the movie all night.
00:18:15I have run away.
00:18:15Yoim, let's go home.
00:18:16We have nothing in our hands.
00:18:17How can I bear so much?
00:18:19I am trapped from all sides.
00:18:21I am also thinking the same thing.
00:18:22Even I am trying.
00:18:23You're going to kill me. Don't do this to me.
00:18:29I'm sorry. I'll take care of everything.
00:18:31I'm sorry.
00:18:51Okay, but how do I do this?
00:18:54Okay, sir. Everyone's makeup is done.
00:18:57Look that way. It's a little light there.
00:18:58Should I call the director?
00:18:59Yes, call him.
00:19:01Let's start.
00:19:03The shoot is about to start. Everyone get ready.
00:19:06Lee! Lee!
00:19:08One minute.
00:19:10Lee, come here.
00:19:11Are the actors ready?
00:19:13Did all the actors read the new script?
00:19:15Yes, I think everyone read it.
00:19:16Did anyone else say anything?
00:19:17Not yet, sir.
00:19:19But they will say something.
00:19:20Tell everyone about the shooting schedule.
00:19:21Don't keep it to yourself.
00:19:23Is the crew ready?
00:19:24Yes.
00:19:29Hello.
00:19:41Hello.
00:19:57Hello.
00:19:59Are you ready?
00:20:02Ready.
00:20:07Go.
00:20:29Go.
00:20:37This is our head.
00:20:39Don't make any mistake. It's very rough.
00:20:42Follow me.
00:20:45This way.
00:20:48Have you ever used a sewing machine?
00:20:50Yes, but not much.
00:20:51Are you hurt?
00:20:53No.
00:20:54Pay attention or your hands will become like mine.
00:21:00Our head gives us energy drinks every time we eat.
00:21:03After a lot of hard work, the shooting has finally begun.
00:21:06Now this film will definitely be a hit.
00:21:29Alleluia.
00:21:31Alleluia.
00:21:33Alleluia.
00:21:35This is for you.
00:21:39This is for you.
00:21:41To be together again.
00:21:49You all are no less than a cuckoo.
00:21:51I feel very peaceful listening to you all.
00:21:53Let's end it here today.
00:21:54You all can go now.
00:21:56Thank you, sir.
00:21:58Shall we go?
00:22:03I have never seen you before.
00:22:05Are you not here?
00:22:07I came here yesterday.
00:22:11I don't know what they are doing to you.
00:22:14If you have any problem, you can come to me.
00:22:17It's nothing like that.
00:22:18Everyone here is very nice.
00:22:19I don't have any problem with anyone.
00:22:20You play the organ so well with these hands, right?
00:22:26You talk very well.
00:22:29If you ever feel like learning to play the organ,
00:22:32come to me.
00:22:33I will teach you very well.
00:22:39Shall we go?
00:22:51Cut.
00:22:52Okay.
00:22:53Scene cut.
00:23:16Kim sir.
00:23:17Kim sir, listen.
00:23:18Yes, tell me.
00:23:19The entire script has changed.
00:23:20How will we shoot in one day?
00:23:21One day?
00:23:22There is some misunderstanding.
00:23:23We will do it in two days.
00:23:24What are you saying?
00:23:25AD had said one day.
00:23:27What?
00:23:29Everyone was refusing to come.
00:23:30That's why I asked everyone to shoot for one day.
00:23:32I apologize, ma'am.
00:23:33But how can you lie?
00:23:35Two days?
00:23:36I have to go for the shooting of the serial.
00:23:38We will shoot your scene first.
00:23:39No, I have to go.
00:23:40I told you it's my shooting.
00:23:41There will be a problem.
00:23:42Kim sir.
00:23:43Yuri, wait.
00:23:44Listen to me.
00:23:45What did she do?
00:23:47Yuri.
00:23:48Yuri.
00:23:50Yuri.
00:23:53Yuri.
00:23:55Wow.
00:23:56She is so beautiful.
00:23:57Is she really beautiful?
00:23:58With this scene.
00:23:59Yuri.
00:24:01Yuri, listen.
00:24:04What happened?
00:24:14Yuri.
00:24:15Yuri.
00:24:16Yuri, wait.
00:24:17Listen to me.
00:24:18Please forgive me.
00:24:19But give me a chance.
00:24:20Just once.
00:24:21Kim sir needs you.
00:24:22You should have told me this earlier.
00:24:24My schedule is fixed.
00:24:25Now you tell me what I should do.
00:24:27I have to go.
00:24:28Yuri, listen.
00:24:29I have one last work with him.
00:24:30Yes.
00:24:32I am doing a film with Leemani.
00:24:34I will get you a role in it.
00:24:35I promise.
00:24:36Just help Kim sir for the last time.
00:24:37Please.
00:24:38I have been shooting the serial all night.
00:24:39And now I am tired.
00:24:40Yuri.
00:24:41Honey, Yuri.
00:24:42You know, right?
00:24:43Kim sir gave you this name.
00:24:44Think about him.
00:24:45Don't talk to me like this.
00:24:46First of all, I don't understand this.
00:24:48Why do you call my character Yuri?
00:24:50Listen.
00:24:51He thinks your name fits the character.
00:24:53I am going.
00:24:56Meedo, what are you doing?
00:24:57How dare you?
00:24:58What kind of a woman are you?
00:25:00What?
00:25:01What were you before this?
00:25:02Leave her.
00:25:03You made a waitress a heroine.
00:25:04Understand?
00:25:05She was not in their film.
00:25:06She was in the serial.
00:25:07And how dare you raise your hand on me?
00:25:09Meedo, listen.
00:25:10Yuri was worried because of her work.
00:25:11That's all.
00:25:12Tell me one thing.
00:25:13If there was someone else in her place,
00:25:14would you have said the same thing?
00:25:15Go to hell.
00:25:16I am going.
00:25:18What are you doing?
00:25:19I don't want to die.
00:25:20Go away.
00:25:21Listen.
00:25:22I won't let you spoil Kim sir's masterpiece.
00:25:24What kind of a masterpiece is this?
00:25:26You will have to shoot a new movie.
00:25:28A joker doesn't know what a masterpiece is.
00:25:30Joker.
00:25:31Go back.
00:25:32Go back.
00:25:33Please.
00:25:34No.
00:25:35What did you say?
00:25:36No.
00:25:37No.
00:25:38No.
00:25:39Go back.
00:25:40Go back.
00:25:41Leave me.
00:25:42Come with me.
00:25:43Where are you coming from?
00:25:44What are you talking about?
00:25:45I told you to go back.
00:25:46Go back.
00:25:47How can you raise your hand on the heroine?
00:25:49This used to happen with me too.
00:25:52Look.
00:25:53The point is that
00:25:54if the ministry finds out about the shooting,
00:25:56what will we do?
00:25:57Please think.
00:25:59If this is your work, then you think.
00:26:01What should I think?
00:26:05Are you stupid?
00:26:06Are you out of your mind?
00:26:07Don't you understand that
00:26:08a masterpiece is being made here?
00:26:10We will do this again
00:26:11without the permission of the censor people.
00:26:13If we get caught, it's over.
00:26:15Think about Mr. Kemp once.
00:26:17What did you say?
00:26:18Someone was thinking about me?
00:26:20Everyone should think about me too.
00:26:22What do you mean by this?
00:26:23And that girl.
00:26:24What's her problem?
00:26:25How did she hit me?
00:26:26Can anyone shoot in such an environment?
00:26:29You shouldn't have done this.
00:26:33What's going on here?
00:26:35The ministry people are here.
00:26:36The ministry people.
00:26:37Sir, how did you come here?
00:26:38What's going on here?
00:26:39What do you think?
00:26:40Will you be able to shoot this?
00:26:41No, no.
00:26:42Sir, we were just shooting
00:26:43the parts of the script.
00:26:45Are you changing the ending of your film?
00:26:47Where is President Beck?
00:26:48She has gone to Japan for work.
00:26:49Come, let's talk outside.
00:26:51Who gave you the permission to do all this?
00:26:53Permission?
00:26:54Where is your director?
00:26:55Get out of my way.
00:26:56Stop the shooting.
00:26:57Stop the shooting.
00:27:00Stop, stop.
00:27:01Sir, ignore him.
00:27:02Let's go outside.
00:27:03How can anyone ignore all these things?
00:27:05My chief knows that I am here.
00:27:06Listen to me.
00:27:07Believe me.
00:27:08I will go and explain everything to the chief.
00:27:09Okay.
00:27:10There is no point in all this now.
00:27:11There has been a report against you.
00:27:13Wait, Secretary Buck.
00:27:14Look, I need to talk to you about something very important.
00:27:17Let's go upstairs and talk.
00:27:18Come.
00:27:19With me?
00:27:20Yes.
00:27:21I don't have your number.
00:27:22Come, let's sit down and talk.
00:27:23I will explain everything to you.
00:27:24Let's sit down and talk.
00:27:25Let's go upstairs.
00:27:26I was wondering why you took so long to come.
00:27:27Go, do your work.
00:27:28Go, sir.
00:27:29I will explain everything.
00:27:30Come with me.
00:27:33What happened to you?
00:27:34Are you okay?
00:27:35Here I am.
00:27:39Bhose has a very complex relationship with his mother in the film.
00:27:44To explain this, we...
00:27:45Bhose, it's good that you came.
00:27:46Look, your mother is in guilt for your father's accident.
00:27:50And because of that guilt, she has completely committed herself to work.
00:27:54And because of the problems in this family...
00:27:55Secretary Buck, listen to me.
00:27:58Please let Yoram go home.
00:28:00She is not feeling well.
00:28:03But how will we shoot without Yoram?
00:28:07The script is a little strange.
00:28:10What do you mean by strange?
00:28:12Do you want a testing script?
00:28:16Go and tell Eddie to prepare for the next scene.
00:28:20Okay, sir.
00:28:24What's the matter?
00:28:31Is there a problem?
00:28:34Yoram...
00:28:36Yoram...
00:28:41Yoram is pregnant.
00:28:43My child.
00:28:45When did this happen?
00:28:46It happened all of a sudden.
00:28:48But you had an affair with Kim Jin.
00:28:50That's an old story.
00:28:51How many people do you have an affair with?
00:28:52Please don't ask me such questions.
00:28:53I am worried.
00:28:54Please, if there is any scene with Yoram, please change it quickly.
00:29:00How will it be?
00:29:01You shouldn't have done this.
00:29:03It was your fault.
00:29:04It was our fault.
00:29:05Why did you have to shoot the film again?
00:29:08You are cheating everyone.
00:29:09Do you know how difficult it was for you to become the lead actor?
00:29:12And you started doing this as soon as you came.
00:29:14Didn't you feel ashamed to do this?
00:29:15Now which one of you will you choose?
00:29:17Yoram or your wife?
00:29:18Look, I don't know.
00:29:19I love Yoram and I hate my wife.
00:29:21Shut up!
00:29:24You have made a big mistake.
00:29:25That's why I am in this trouble.
00:29:30I have seen many lovers, but not like you.
00:29:32Not like you?
00:29:33Yes.
00:29:36Now get ready quickly.
00:29:38And save all this drama for the camera.
00:29:41Please don't keep it a secret.
00:29:43Okay?
00:29:44Keep this light in the center.
00:29:46And move the furniture this way.
00:29:48Which scene now?
00:29:49Just watch it once, sir.
00:29:50Show me scene 31.
00:29:52Yes.
00:29:53This is the same scene where I save Yoram.
00:29:54I wish I could act like this in the film.
00:29:57I heard that they had come to the secretary park.
00:29:59Will they stop the shooting?
00:30:00No, everything is fine.
00:30:01Meedo will handle everything.
00:30:02Meedo is inside with the secretary park.
00:30:04She was saying that she will handle everything.
00:30:06What do you think we should do now?
00:30:08Keep calm.
00:30:09She will handle everything.
00:30:10Don't worry.
00:30:11Everything will be fine, sir.
00:30:12Let's wait.
00:30:14But we shouldn't stop the work till then.
00:30:16Just don't hit them.
00:30:17Yes.
00:30:18Go and get the shooting done.
00:30:19Okay, sir.
00:30:27Cheers!
00:30:35I will make another glass for you.
00:30:36Drink it.
00:30:57What have you done to him?
00:31:00Let him stay here.
00:31:02But how long will we keep him like this?
00:31:04Lock the studio quickly.
00:31:06What?
00:31:07So that no one can go out.
00:31:09Cut all the phone lines.
00:31:10If we make a single mistake, we will all be ruined.
00:31:14I will be responsible for this.
00:31:16But how?
00:31:19It's time for lunch.
00:31:20Let's go.
00:31:22Come.
00:31:23Yes.
00:31:27What is going on in his mind?
00:31:48Mr. Park, I am Yoram speaking.
00:31:50I am Yoram.
00:31:51Yes, hello.
00:31:52I need a little help from you.
00:31:56Okay.
00:31:58I have a shooting in the morning.
00:32:00So I have to leave today.
00:32:02Can you send a car here for me?
00:32:07What did you say?
00:32:08Thank you so much.
00:32:09Please note down my address.
00:32:11I am Shiza's...
00:32:13Hello?
00:32:15Hello?
00:32:27Yes.
00:32:30Where is the director?
00:32:32Kim.
00:32:33Where are you going?
00:32:37Mr. Kim.
00:32:38You can't do this to me.
00:32:40What happened to you?
00:32:41What did you do with this script?
00:32:43I was an army man.
00:32:44The supervisor of this act made me a hunter.
00:32:47So what?
00:32:48Sometimes a man does one thing, sometimes another.
00:32:50So the supervisor got fired.
00:32:52So now he is a hunter?
00:32:53Look, I didn't mean that.
00:32:54I made you meet Shin.
00:32:56Otherwise you would have been extra.
00:32:57You would have been eating quietly in the corner.
00:32:59Like he is eating.
00:33:01That's what I am thinking.
00:33:02Why didn't you talk about all this?
00:33:03You!
00:33:04You promised me 10 years ago that you would give me the role of an army man.
00:33:07You haven't even completed your military service yet.
00:33:09You are going to be an army man.
00:33:10Remember.
00:33:11This role will get you the Grand Bell Award in the future.
00:33:14To hell with the Grand Bell Award.
00:33:16I don't want to do it.
00:33:17I won't work with you.
00:33:18And you don't have to call me.
00:33:20Listen.
00:33:21You don't know how big this role is.
00:33:22I don't care.
00:33:23You call it art.
00:33:24You won't even get it in Hollywood.
00:33:26Joker is also a small character in front of this role.
00:33:28Try to understand.
00:33:29Who closed this gate?
00:33:30Even though you are a character, your thinking is very small.
00:33:32You are like those ordinary people who get happiness by destroying other people's homes.
00:33:36Do you understand what I am saying?
00:33:37No.
00:33:38This gun is fake.
00:33:39It's fake.
00:33:40Did you forget?
00:33:41Can't you keep a real gun?
00:33:42Have you lost your mind?
00:33:43If India is ruined soon, how will you become an actor?
00:33:45Think before you leave from here.
00:33:47No one will be more stupid than you.
00:33:49Yes.
00:33:50Kim sir.
00:33:51Sir, I wanted to check Jose's costume.
00:33:53You can see.
00:34:21Tomorrow I will leave soon.
00:34:41Don't you get tired quickly these days?
00:34:44Looks like you need the milk with turmeric.
00:34:51I'm sleeping. You can go to your wife.
00:35:21You can go to your wife.
00:35:52I'm sleeping. You can go to your wife.
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01:14:12You can go to your wife.
01:14:22You can go to your wife.
01:14:32You can go to your wife.
01:14:42You can go to your wife.
01:14:52You can go to your wife.
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01:15:12You can go to your wife.
01:15:22You can go to your wife.
01:15:32You can go to your wife.
01:15:42You can go to your wife.
01:15:52You can go to your wife.
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01:16:12You can go to your wife.
01:16:22You can go to your wife.
01:16:32You can go to your wife.
01:16:42You can go to your wife.
01:16:52You can go to your wife.
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01:17:12You can go to your wife.
01:17:22You can go to your wife.
01:17:32You can go to your wife.
01:17:42You can go to your wife.
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01:18:12You can go to your wife.
01:18:22You can go to your wife.
01:18:32You can go to your wife.
01:18:42You can go to your wife.
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01:19:12You can go to your wife.
01:19:22You can go to your wife.
01:19:32You can go to your wife.
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01:20:12You can go to your wife.
01:20:22You can go to your wife.
01:20:32You can go to your wife.
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01:21:12You can go to your wife.
01:21:22You can go to your wife.
01:21:32You can go to your wife.
01:21:42You can go to your wife.
01:21:52You can go to your wife.
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01:22:12You can go to your wife.
01:22:22You can go to your wife.
01:22:32You can go to your wife.
01:22:42You can go to your wife.
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01:23:12You can go to your wife.
01:23:22You can go to your wife.
01:23:32You can go to your wife.
01:23:42You can go to your wife.
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01:24:12You can go to your wife.
01:24:22You can go to your wife.
01:24:32You can go to your wife.
01:24:42You can go to your wife.
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01:25:12You can go to your wife.
01:25:22You can go to your wife.
01:25:32You can go to your wife.
01:25:42You can go to your wife.
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01:26:12You can go to your wife.
01:26:22You can go to your wife.
01:26:32You can go to your wife.
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01:27:12You can go to your wife.
01:27:22You can go to your wife.
01:27:32You can go to your wife.
01:27:42You can go to your wife.
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01:28:02You can go to your wife.
01:28:12You can go to your wife.
01:28:22You can go to your wife.
01:28:32You can go to your wife.
01:28:42You can go to your wife.
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01:29:12You can go to your wife.
01:29:22You can go to your wife.
01:29:32You can go to your wife.
01:29:42You can go to your wife.
01:29:52You can go to your wife.
01:30:02You can go to your wife.
01:30:12You can go to your wife.
01:30:22You can go to your wife.
01:30:32You can go to your wife.
01:30:42You can go to your wife.
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01:31:12You can go to your wife.
01:31:22You can go to your wife.
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01:32:12You can go to your wife.
01:32:22You can go to your wife.
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01:33:12You can go to your wife.
01:33:22You can go to your wife.
01:33:32You can go to your wife.
01:33:42You can go to your wife.
01:33:52You can go to your wife.
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01:34:12You can go to your wife.
01:34:22You can go to your wife.
01:34:32You can go to your wife.
01:34:42You can go to your wife.
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01:35:12You can go to your wife.
01:35:22You can go to your wife.
01:35:32You can go to your wife.
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01:36:12You can go to your wife.
01:36:22You can go to your wife.
01:36:32You can go to your wife.
01:36:42You can go to your wife.
01:36:52You can go to your wife.
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01:37:12You can go to your wife.
01:37:22You can go to your wife.
01:37:32You can go to your wife.
01:37:42You can go to your wife.
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01:38:12You can go to your wife.
01:38:22You can go to your wife.
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01:39:12You can go to your wife.
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01:50:32You can go to your wife.