The Case of Polynin Full Movie Drama
Category
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Short filmTranscript
00:00:00You
00:00:30You
00:01:00You
00:01:30You
00:02:00You
00:02:30You
00:03:00It's hard
00:03:04Lyosha
00:03:06Lyosha, go with Irina
00:03:08It's more convenient
00:03:14Honestly, I don't understand you
00:03:16Really
00:03:18Couldn't you wait for me?
00:03:20After all, in a month it's not too late to get to the front
00:03:24We just decided to sign, and you're leaving
00:03:26You're leaving?
00:03:28It's you, not me who decided
00:03:30Well, again
00:03:34Galya
00:03:38Did you take my place?
00:03:40Hello, Masha, are you going too?
00:03:42Yeah, I barely got out
00:03:44Father said he wouldn't let me back home
00:03:46He says he's on duty, his son is flying, and I don't want a daughter
00:03:48Are you coming with us?
00:03:50No, unfortunately, I'm being delayed
00:03:52But I'll catch up with you
00:03:54Did you take my place?
00:03:56Let's go, I'll show you
00:03:58Masha
00:04:00Are you watching her?
00:04:02Don't worry, she won't disappear with me
00:04:04And look after Galya
00:04:06Do you understand me?
00:04:08No
00:04:10I don't understand
00:04:16I don't understand
00:04:24I don't understand
00:04:36Sign here
00:04:38And here
00:04:40Thank you
00:04:42Thank you
00:04:44That's it
00:04:46It's time to say goodbye
00:04:48Galya, hurry up!
00:04:54Galya!
00:05:00Galya, no matter what happens
00:05:02No matter what happens, remember
00:05:04I'll do everything I can for you, do you hear me?
00:05:06Everything I can
00:05:24If your house is dear to you
00:05:26Where you were fed by Russians
00:05:28Under the wooden ceiling
00:05:30Where you swam in a cradle
00:05:54If you, a fascist with a gun
00:05:56Don't want to give away forever
00:05:58The house where you lived
00:06:00Your wife and mother
00:06:02Everything that we call our Motherland
00:06:24Know
00:06:26No one will save her
00:06:28If you don't save her
00:06:30Know
00:06:32No one will kill her
00:06:34If you don't kill her
00:06:54And until you kill him
00:06:56Don't shout about your love
00:06:58The land where you grew up
00:07:00And the house where you lived
00:07:02In your Motherland
00:07:04Don't call
00:07:24God, I hope I never see him again
00:07:26Florencia, I've known people like him
00:07:28You'll see, he's so proud
00:07:30And his heart is ready to melt with butter
00:07:32And that's it
00:07:34No, my heart is so hard
00:07:36That it would break
00:07:38If I fell in love with Commodore
00:07:40Don't you think that's your advice?
00:07:42Me
00:07:44Would he marry me?
00:07:46No
00:07:48And I won't be ashamed
00:07:50How many girls around
00:07:52Looked at his words
00:07:54And here's their fate
00:08:08Galya, come here
00:08:10Look what a captain
00:08:12You're looking the wrong way
00:08:14Look to the right
00:08:16Further, further
00:08:18Further, further
00:08:22No, this one is so boring
00:08:24Nearer, nearer
00:08:26To the right
00:08:28This one with mustaches
00:08:30I saw him this morning
00:08:32When we met
00:08:34Look at his kind and brave face
00:08:38You're looking the wrong way again
00:08:42Wait
00:08:44Come here
00:08:46Be quiet
00:08:52Girls, go to your places
00:08:54Quickly
00:09:08Florencia, my dear
00:09:12You neglect me so cruelly
00:09:16I want to hear you
00:09:18I need more than life
00:09:20And death, Egor
00:09:22Don't you feel sorry
00:09:24To watch me
00:09:26Suffering
00:09:28As I dream about you
00:09:30I don't eat
00:09:32I don't drink
00:09:34I don't sleep all night
00:09:38And I'm tired of all this
00:09:40Chatter, Frandos
00:09:42I sleep peacefully
00:09:44I smile
00:09:46And I'm content with my fate
00:09:54You know
00:09:56How passionately I long
00:09:58To be your husband
00:10:02And so badly
00:10:04You pay me for my love
00:10:08I can't do otherwise
00:10:14Applause
00:10:26Comrades
00:10:28Attention
00:10:30Comrades artists, I beg your pardon
00:10:34Today
00:10:36On the Red Square
00:10:38There was a military parade
00:10:44In Moscow
00:10:46Hurrah
00:10:48Hurrah
00:10:50Hurrah
00:10:52Hurrah
00:10:54Hurrah
00:10:56Hurrah
00:11:02Comrade colonel
00:11:04The British are coming to us
00:11:06Congratulations
00:11:14Cheers
00:11:20I drink for Captain Clark
00:11:24And for his native city, London
00:11:28Which he
00:11:30Protected in the air
00:11:32As well as our pilots
00:11:34In Moscow
00:11:44Applause
00:11:50Admire the great courage
00:11:52Of the Russian people
00:11:54And wish you every success
00:11:56In your coming airfights
00:11:58To you, Polinin
00:12:04Your November parade in Moscow
00:12:06Demonstrates the great valor
00:12:08Of the Russian people
00:12:10My congratulations to your great people
00:12:14Collor
00:12:16Congratulates you on the parade
00:12:18Which was on the Red Square
00:12:20Thank you
00:12:24Friends
00:12:26We will show them
00:12:28A real hell
00:12:30Those damned fascists
00:12:32My dad is a doctor
00:12:36Way back
00:12:38In 23
00:12:40He said
00:12:42Well
00:12:46Health to you
00:12:48Russian friends
00:13:04Listen Clark
00:13:06By the way you came here not too late
00:13:08Your biography
00:13:12Listen
00:13:14Listen
00:13:20Translate what I ask you
00:13:24Translate them
00:13:26That they are good guys
00:13:28What else
00:13:32Translate them
00:13:34That they are good guys
00:13:36Well
00:13:38Comrade colonel
00:13:40Good boys
00:13:42Boys
00:13:44And we are of course grateful to them
00:13:46For coming here to Murmansk
00:13:48And together with us
00:13:50Defending our country
00:13:52But let them not think
00:13:54No
00:13:56Let him
00:13:58Not think
00:14:00That we too
00:14:02Could not
00:14:04Sit somewhere
00:14:06Near their London
00:14:08And do what they do
00:14:10In Murmansk
00:14:12And no worse than them
00:14:14Translate
00:14:16Do not be afraid of complications
00:14:18They will understand
00:14:20Well
00:14:22Comrade colonel says
00:14:24That you must not think
00:14:26That we could not land
00:14:28Somewhere near London
00:14:30And do what you do
00:14:32In Murmansk
00:14:34And not worse
00:14:36On the Red Square
00:14:38And not a single fascist
00:14:40Could get to Moscow
00:14:42That is what is important
00:14:44And you
00:14:46Stop it
00:14:48Stop it
00:14:50Sorry
00:14:52I noticed
00:14:54That you translate very briefly
00:14:56And I need you to translate everything
00:15:02Translate the parade
00:15:04I would die for such a parade
00:15:06And I would not regret
00:15:08You would tell me
00:15:10Live
00:15:12But there will be no parade
00:15:14I do not want
00:15:16And you would say
00:15:18Die
00:15:20But the parade will be
00:15:24And I would die
00:15:34And I would die
00:15:48Galina Petrovna
00:15:50Sing something
00:15:52Really Galka
00:15:54Sing a song
00:15:56You sing and I accompany
00:15:58Galka
00:16:00Sing our favorite
00:16:02I will sing
00:16:04Maybe not
00:16:06You are probably tired
00:16:08No, nothing
00:16:32Galka
00:16:34Galka
00:16:36Galka
00:16:38Galka
00:16:40Galka
00:16:42Galka
00:16:44Galka
00:16:46Galka
00:16:48Galka
00:16:50Galka
00:16:52Galka
00:16:56Galka
00:16:58Galka
00:17:00Galka
00:17:02Galka
00:17:04Galka
00:17:06Galka
00:17:08Galka
00:17:10Galka
00:17:12Galka
00:17:14Galka
00:17:16Galka
00:17:18Galka
00:17:20Galka
00:17:22Galka
00:17:24Galka
00:17:26Galka
00:17:28Galka
00:17:30Galka
00:17:32Galka
00:17:34Galka
00:17:36Galka
00:17:38Galka
00:17:40Galka
00:17:42Galka
00:17:44Galka
00:17:46Galka
00:17:48Galka
00:17:50Galka
00:17:52Galka
00:17:54Galka
00:17:56Galka
00:17:58Galka
00:18:00Galka
00:18:02Galka
00:18:04Galka
00:18:06Galka
00:18:08Galka
00:18:10Galka
00:18:12Galka
00:18:14Galka
00:18:16Galka
00:18:18Galka
00:18:20Galka
00:18:22Galka
00:18:24Galka
00:18:26Galka
00:18:28Galka
00:18:30Galka
00:18:50Have you ever seen a box of movies?
00:18:52No.
00:18:53What are you saying?
00:18:54I think Galka took it last night.
00:18:56Where is she?
00:18:57Polynin is showing her plane to her.
00:18:59Polynin?
00:19:00Yes.
00:19:16Well, what can I say?
00:19:18You don't think about it?
00:19:22Whether it's scary or not.
00:19:24When you fly in,
00:19:26the clothes are all wet.
00:19:29I'm sorry.
00:19:41Galya!
00:19:43Karina Petrovna!
00:19:44Just don't stay too long.
00:19:46The sailors are waiting for us.
00:19:49Goodbye.
00:19:50Let's go.
00:19:51Come back to us.
00:19:53That's enough!
00:19:54Let's go.
00:19:55Hurry up!
00:19:57Come on, hurry up!
00:20:09Funny people.
00:20:21God, when will it all end?
00:20:52You look at the binoculars as if they were upside down.
00:20:57Everything that is left behind is reduced.
00:21:02You know, Masha,
00:21:03no matter how much I remember my pre-war life,
00:21:06I can't remember anything.
00:21:08It's all nonsense.
00:21:10There was nothing real.
00:21:12Probably, there really wasn't.
00:21:16I'm only here now.
00:21:18For the first time in my life,
00:21:20I'm doing something really necessary
00:21:22for everyone, not just for myself.
00:22:18Karina!
00:22:48Ksenia Lavrova-Glinka
00:22:50Episode 2
00:22:53Ksenia Lavrova-Glinka
00:22:55Let's go!
00:23:16Too many friends will die,
00:23:20who have seen the death of a generation,
00:23:23And everything will not grow back in our grief-stricken vision.
00:23:42Listen, Galya, have you noticed what a handsome captain?
00:23:46What captain?
00:23:47With such blue eyes.
00:23:48Listen, leave me alone with your captains.
00:23:50You know, Galya, this pilot, well...
00:23:53What?
00:23:54Polynin.
00:23:55Here.
00:23:56He crashed.
00:23:57What?
00:24:00He hit the German and got injured.
00:24:05He's in the hospital.
00:24:20And I couldn't come to you earlier.
00:24:39We were at the sailors.
00:24:42I just found out about everything.
00:24:44They talked to me about all sorts of horrors.
00:24:46And here they said that nothing special.
00:24:49It's true.
00:24:51No, nothing special.
00:24:57They somehow let you in here so late.
00:25:02And I said that I really need to see you.
00:25:04So they believed and let me in.
00:25:08Bring me a towel.
00:25:35Where are you going?
00:25:36To Polynin.
00:25:37Polynin?
00:25:38You can't go to him.
00:25:40Why not?
00:25:42He has guests.
00:25:46Interesting.
00:25:48What kind of guests are there that I can't go to?
00:25:52He has a woman.
00:25:55When I came to Moscow to enter the theater studio,
00:25:58I repainted my shoes with oil paint in different colors.
00:26:02I had only one.
00:26:05When I lost my bread card in the tram,
00:26:08I explained to my friends that I was losing weight for the role.
00:26:34In the evening I studied at Rappvaki,
00:26:52and in the afternoon I worked as a carriage driver.
00:26:54Why a carriage driver?
00:26:56I liked it.
00:26:58Still, it's on a skuznichka.
00:27:01The platforms at the trams were open,
00:27:04and somehow you go, you hold the handle.
00:27:07You must have dreamed of flying then.
00:27:10I didn't dream, I was already flying gliders.
00:27:13Every weekend I went to the aeroclub.
00:27:26Well, that's it.
00:27:27You can't.
00:27:29I feel that it's time to help a friend,
00:27:32and then nothing will stop me.
00:27:37I'm going to ram.
00:27:43Ah, hello.
00:27:45Hello.
00:27:47And I think, who is this on our commander from Pekin?
00:27:52I march along the corridor for an hour,
00:27:55at least to the infantry.
00:27:57Yes, I was holding back something from you.
00:27:59And I tortured you, and I'm late for the rehearsal.
00:28:04Goodbye.
00:28:08Goodbye.
00:28:09Goodbye.
00:28:15I'll come to you again, if you don't mind.
00:28:17I don't mind.
00:28:33You're an artist.
00:28:35I fell in love with you.
00:28:37You have hope.
00:28:57How are you doing, Comrade Colonel?
00:28:59Don't be bored.
00:29:30Sister, do you know where the artists are now?
00:29:33They left for a few days on a ship.
00:29:36Polar.
00:29:42Here.
00:29:44Galina Petrovna asked me to give it to you.
00:29:48Only if you ask yourself why it is not there.
00:30:03So you still asked about me.
00:30:06When I return to Murmansk, you will be discharged from the hospital,
00:30:10and I will not know what to do with myself.
00:30:14That's right, I fell in love with you.
00:30:18If it's not so important to you,
00:30:20just forget about this note.
00:30:24Take good care of the photo, or tear it right away.
00:30:50Good.
00:31:10Hello.
00:31:20Thank you.
00:31:21I think we'll see you again.
00:31:22Goodbye.
00:31:28Sit down, it will shake less.
00:31:30Good day, Comrade Colonel.
00:31:32Hello, Gorbunov.
00:31:34How are you?
00:31:35I'm not well.
00:31:37The doctors forbade me to fly yet.
00:31:58Well, what's the news?
00:32:01But you have it.
00:32:04Look at the second page.
00:32:24They want to marry you, Nikolai.
00:32:27What does it look like?
00:32:30You can't see it.
00:32:31And I, as a married man, can see it.
00:32:35Well, even so, what's so bad about it?
00:32:38What's good about it?
00:32:41They will marry you and divorce you.
00:32:43But they didn't divorce you.
00:32:44Well, I chose not to divorce.
00:32:53Do you have a bad opinion about her?
00:32:56Why? Because she's an actress?
00:32:59No, she sings well, of course.
00:33:02But I don't know if these songs are for you.
00:33:06How old is she?
00:33:08About 26.
00:33:11Married?
00:33:20Well, did she wait for you for all these 26 years?
00:33:33Yes.
00:33:36Let me through.
00:33:39Who's there?
00:33:41They called from the checkpoint.
00:33:45They brought food to the checkpoint.
00:33:51I'll go and see who's driving there.
00:34:13Here.
00:34:15I brought a guest.
00:34:17I was in the hospital this morning, and my sister said you asked about me.
00:34:22And that you recovered.
00:34:31Hello.
00:34:33Hello.
00:34:35Get dressed.
00:34:37I didn't think I'd come to you in the morning.
00:34:40Are you angry?
00:34:43I'm angry.
00:34:45Now he will give me a rebuke for missing the airfield.
00:34:48But don't worry.
00:34:49Come in.
00:34:50One minute.
00:34:53And I was agreed here to start the anti-aircraft guns.
00:34:56But they're back in Murmansk in half an hour.
00:34:58And Comrade Glitsko says you can give me your car later.
00:35:02Will you give it to me?
00:35:04Maybe you'll warm up first and have a snack, huh?
00:35:07I'm cold and I want to eat.
00:35:10Let me help you.
00:35:17All of us stayed for dinner at the anti-aircraft guns.
00:35:21And I came here right after the performance and stayed without dinner.
00:35:25Well, I almost stayed.
00:35:28Are you really going to take me?
00:35:30Since it's a promise, that's it.
00:35:32I don't know how the anti-aircraft guns are in aviation.
00:35:35Don't scold the anti-aircraft guns. They brought me here.
00:35:38Why should I scold them?
00:35:39On the contrary.
00:35:40Tomorrow we will be grateful for the order.
00:35:43I'll prepare it and give it to the colonel for signature.
00:35:45The commander of the regiment is kind to us.
00:35:47Just don't break it.
00:36:18That's it. I'm going.
00:36:21It's time to go to headquarters.
00:36:47Tell me something.
00:37:14What should I tell you?
00:37:20I talked too much while I was your comrade.
00:37:24I'm ashamed and scared.
00:37:53Sit down.
00:38:15Sit down.
00:38:43Like this.
00:38:47Don't kiss me today, okay?
00:39:06How old are you here?
00:39:0818.
00:39:09And now 27.
00:39:11This is my favorite photo.
00:39:1418.
00:39:21I'm 18.
00:39:23I just entered the aviation school.
00:39:28You wouldn't have paid attention to me then.
00:39:32I probably wouldn't.
00:39:35You and the artists have a completely different life.
00:39:42You have an apartment in Moscow. Where is it?
00:39:47In the center, I guess.
00:39:48In the center.
00:39:50I thought so.
00:39:54And we are all military towns before the war.
00:39:59Don't be offended by the question.
00:40:03You're not married?
00:40:06Not now.
00:40:08I was before.
00:40:19I have to go, but I don't want to go.
00:40:22It's warm outside. It's cold.
00:40:25Do you hear the wind?
00:40:42Tell me, if I stay overnight, I'll leave tomorrow morning.
00:40:47It will be very uncomfortable.
00:40:50If it's uncomfortable, then don't.
00:41:51I'm sorry.
00:42:03The smoker is closed and the smoker is gone.
00:42:06They wanted to get you a clean bed. They didn't find it.
00:42:11Lie down on my bed.
00:42:13Before I arrived, they laid everything fresh.
00:42:16I only lay down on the blanket during the day.
00:42:22I want to drink.
00:42:24The water is in the countess's shelf.
00:42:28Thank you.
00:42:36Good night.
00:43:06Good night.
00:43:36Come in.
00:43:57Good morning.
00:43:58Good morning.
00:44:01Drink tea.
00:44:03Eat potatoes before they get cold.
00:44:05You have to wash first.
00:44:06That's right.
00:44:11Aren't you afraid of the cold?
00:44:42Where is Nikolai Nikolayevich?
00:44:44He went to Murmansk.
00:44:46He was called to the commander.
00:44:48How?
00:44:54Why didn't he take me with him?
00:44:57I advised him.
00:44:59I asked him to wake you up.
00:45:01Don't worry, he left on his own.
00:45:03He left Emma for you.
00:45:05Why on his own? He has a leg.
00:45:07I said he had a leg.
00:45:08I didn't listen.
00:45:10Eat potatoes before they get cold.
00:45:23And you?
00:45:24I already ate.
00:45:25We are not artists.
00:45:27We live by the schedule.
00:45:35I saw in a dream today
00:45:41that you want to marry Nikolai.
00:45:50What if he is lying?
00:45:52What if he is married?
00:45:55I know he is not married.
00:45:57What if he is lying?
00:46:03He never lies.
00:46:09It's true that he is not married.
00:46:13Once he thought, and then he changed his mind.
00:46:20It won't work anyway.
00:46:23You and him are different people.
00:46:38Why are you silent?
00:46:42Would you scold me?
00:46:47I don't want to.
00:46:54We are different people.
00:46:59I don't want to scold you.
00:47:15Don't be angry.
00:47:25How long have you known Nikolai?
00:47:29We went to school together in Lipetsk.
00:47:34Then we went to Spain together.
00:47:38So I've been covering his tail for a long time.
00:47:41Why are you still not married?
00:47:43I didn't have time before the war.
00:47:45And now I decided not to get married until the war is over.
00:47:50Are you married?
00:47:52I am married.
00:47:54I have many children.
00:47:57Where are they now?
00:48:00Far away.
00:48:06In Ufa.
00:48:14I have no one in the world.
00:48:19It's good, isn't it?
00:48:30Give me a car, I'll go.
00:48:33Yes, yes, right away.
00:48:37May I?
00:48:44Comrade General, Colonel Polyn has arrived at your order.
00:48:48Your report on the transfer of fighter aviation to Moscow is satisfied.
00:48:53I received an order to hand over the regiment and send it to Moscow.
00:48:58Congratulations.
00:49:15I've finished my report.
00:49:20This article helped you.
00:49:25What are you waiting for?
00:49:29I will hug you after your reports.
00:49:32With a fugitive.
00:49:51Go.
00:49:52Protect Moscow.
00:49:56Hurry up.
00:49:59I was too offended.
00:50:01My honor is suffering.
00:50:03I broke up with her.
00:50:05We are no longer friends.
00:50:07The count was too offended.
00:50:09Besides, I see that he fell in love with Liza.
00:50:12Oh, my misfortune.
00:50:14The count was too offended.
00:50:16Besides, I see that he fell in love with Liza.
00:50:20But in fact, she is mine.
00:50:22Stop, stop.
00:50:24I received a letter from Balakirev.
00:50:26From Victor?
00:50:27Yes.
00:50:28What does he write?
00:50:29How is Moscow?
00:50:30When will he come?
00:50:31He will never come.
00:50:34There is a new theater in Moscow, organized by the remaining artists.
00:50:39He was appointed a junior.
00:50:41So what?
00:50:45He invites me to work in the theater.
00:50:50He says he will give me a role that I have never played in my life.
00:50:54You see?
00:50:56He understands that the theater is the main thing in your life.
00:51:00You are an actress.
00:51:03If I were you, I would have married him a long time ago.
00:51:07Otherwise, you are so busy.
00:51:09You live in different apartments.
00:51:11What does the apartment have to do with it?
00:51:13Quiet.
00:51:14It's not bad.
00:51:15Work on the dance.
00:51:16Especially the general passage.
00:51:18Listen, Galka.
00:51:20He is a pilot.
00:51:23Don't be angry with me.
00:51:25I'm so tired of our Yurka that I'm going crazy.
00:51:28And you will go crazy too.
00:51:30Tomorrow you will marry him, and the day after tomorrow you will be killed.
00:51:32And it is not yet known whether there will be a pension if people have just got married and have no children.
00:51:36What are you talking about, Masha?
00:51:39God is with you.
00:51:41Prokofieva.
00:51:42To the stage.
00:51:55Comrade Colonel.
00:51:57Hello.
00:51:58Hello.
00:51:59Do you want to see Galya?
00:52:00Yes.
00:52:01I would like to see Galina Petrovna, but I'm leaving today.
00:52:04She was called to the stage, but she will not be released soon.
00:52:07And where are you going? Far away?
00:52:09A little far away, to Moscow.
00:52:11Really?
00:52:12It seems so.
00:52:14I have a brother there, he is also a pilot.
00:52:17Wait.
00:52:18I'll try now.
00:52:20Now.
00:52:34What happened?
00:52:35Are you leaving?
00:52:37Why?
00:52:38When? For how long?
00:52:40I'm going to fight in Moscow.
00:52:49Galya, when you finish here, go to Moscow and marry me.
00:52:58If you don't mind, of course.
00:53:11Galina Petrovna.
00:53:24Okay.
00:53:26I'll come.
00:53:29Prokofieva.
00:53:30To the stage.
00:53:32I have to go, they stopped the rehearsal for me.
00:53:35I'm sorry, Comrade Colonel.
00:53:39When is the plane?
00:53:41At 2 p.m.
00:53:45Let's go, he's in a hurry.
00:53:49I'll come.
00:53:51I'll have time after the rehearsal.
00:53:53I'll come to Derun.
00:53:55Are you leaving, Comrade Colonel?
00:53:57Finally, the weather is good.
00:53:59The weather in Moscow is better.
00:54:01You can fly twice as much.
00:54:04You did it.
00:54:06Galya, maybe they'll let you go.
00:54:11There were two friends in our regiment.
00:54:15There was Beretsko and there is no Beretsko.
00:54:20Why are you looking? She won't come.
00:54:23You'll forget us, she'll forget you.
00:54:28Okay, don't listen to me today, I'm a fool today.
00:54:35That's all.
00:54:37Be healthy.
00:54:41Have a nice flight.
00:54:48Don't forget us.
00:55:05I found you.
00:55:07They didn't let me go.
00:55:09I'm exhausted.
00:55:18I ask you only one thing.
00:55:21Take care of yourself.
00:55:24We were promised to be in Moscow on the 20th.
00:55:28Call us on the same day.
00:55:30K3-57-23
00:55:35K3-57-23
00:55:50Leave this letter in the box in Moscow.
00:55:54It's very important for one director.
00:56:04K3-57-23
00:56:35Hello. I need director Balakirev.
00:56:39Come in, comrade.
00:56:42Welcome the guests.
00:56:47Hello.
00:56:53Balakirev.
00:56:56It's an order from Murmansk.
00:57:00From Murmansk?
00:57:02Yes.
00:57:04Oh, I'm sorry.
00:57:06I thought...
00:57:08Hello.
00:57:09You thought, if he's gray and old, he's a director.
00:57:13He's a director, and I'm just an actor.
00:57:16Stay.
00:57:18One minute.
00:57:19May I go?
00:57:20You may not.
00:57:21Anna, welcome the guests.
00:57:24Stay.
00:57:26We came all the way to drink tea.
00:57:29You're right, stay.
00:57:31It's an order.
00:57:33Don't undress.
00:57:35It's cold.
00:57:36It's okay, I'm used to it.
00:57:38As you wish.
00:57:40I didn't want to leave it in the box.
00:57:42I decided to bring it myself.
00:57:45It took me 13 days to get to Moscow.
00:57:50So it took longer than the mail.
00:57:55I'm sorry.
00:57:57Come in, please.
00:58:00Please.
00:58:02Please.
00:58:06I'm sorry, I...
00:58:09Sit down.
00:58:12Tell me, what's in Murmansk?
00:58:17It's okay.
00:58:19But the weather is bad.
00:58:21That's why we rarely fly.
00:58:23Rarely, but often.
00:58:26When...
00:58:27Eat.
00:58:28It's fresh.
00:58:29Thank you.
00:58:49Excuse me.
00:58:50Have you played in Suvorov's film?
00:58:54Yes, Platonovich.
00:58:57It's a good film.
00:58:59We often play it.
00:59:02And the actor who played Suvorov...
00:59:07Cherkasov, right?
00:59:08Yes.
00:59:09Is he a relative of Cherkasov?
00:59:11No, nothing in common.
00:59:13He's an old actor.
00:59:14His first movie.
00:59:17And the director is your son?
00:59:21Yes.
00:59:23So everyone is on the same page.
00:59:25The whole family.
00:59:28Yes.
00:59:33Please.
00:59:36Eat.
00:59:38Thank you.
00:59:52How are you in Murmansk?
00:59:58How are you, Galina Petrovna?
01:00:00Good.
01:00:03How is it?
01:00:05Good.
01:00:07How is Moscow?
01:00:09How did it seem to you at first sight?
01:00:13Empty.
01:00:16But it's not bad in wartime.
01:00:21But it's not bad in wartime.
01:00:26But it's not bad in wartime.
01:00:32But it's not bad in wartime.
01:00:37But it's not bad in wartime.
01:00:40But it's not bad in wartime.
01:00:43But it's not bad in wartime.
01:00:54Well, I'll go.
01:00:57Thank you for the tea.
01:00:59It was nice to meet you.
01:01:01I wish you all the best.
01:01:03Vitya, see him out.
01:01:05Please.
01:01:15What are you doing?
01:01:16No, as usual.
01:01:29Goodbye.
01:01:55Did you see him out?
01:01:58He's a nice guy, I think.
01:02:00Yes, very.
01:02:03I wonder what she writes.
01:02:06She writes that everything is fine.
01:02:09Will she come?
01:02:12Yes, she will.
01:02:14When will she come?
01:02:16Soon.
01:02:21And when will she come?
01:02:24How many times have I told you not to meddle in my affairs?
01:02:28I'm not 12 years old!
01:02:31I wonder what will happen next.
01:02:33It will be the way I want it to be.
01:02:36And don't worry about me.
01:02:38Oh, Lim.
01:02:4114 planes were killed in the air.
01:02:4511 planes were destroyed at the airfield.
01:02:50In total, 25 German planes were destroyed.
01:02:55We lost 3 planes.
01:02:57On the 21st of February, 3 German planes were shot down near Moscow.
01:03:03On the 20th of February, 14 German tanks, 475 trucks with troops,
01:03:165 tanks with fuel, 8 mortars, 9 machine guns.
01:03:23Who did you have to play?
01:03:25I played a lot of different roles.
01:03:27Boys, girls, countesses, servants.
01:03:29Once I even played an old man.
01:03:32And a countess?
01:03:33And a countess.
01:03:34And you played a countess?
01:03:36Doesn't it look like one?
01:03:37Of course it does.
01:03:38You're a countess.
01:03:40I'm a servant.
01:03:46Help! I'm here!
01:03:50Help!
01:03:52Help!
01:03:54Help!
01:03:56Help!
01:03:58Help!
01:04:00Help!
01:04:02Help!
01:04:07My dear son!
01:04:09My son!
01:04:11My dear son!
01:04:16My only daughter.
01:04:25Yura is dead.
01:04:34Mom!
01:04:45Mom!
01:05:15Mom!
01:06:16Hello.
01:06:17Hello.
01:06:18I'm an actress. I just came back from the front.
01:06:20I really want to see a play.
01:06:22The play is already over, dear.
01:06:24We're starting at 2 a.m.
01:06:26It doesn't matter.
01:06:28I was just looking.
01:06:30Go.
01:06:31But be quiet.
01:06:32What do I deserve your love for?
01:06:35I love you.
01:06:37I love you.
01:06:38You're lying.
01:06:40I love you.
01:06:42I love you.
01:06:43You're lying.
01:06:45I've been looking for love, but I couldn't find it.
01:06:48Go away. I can't be yours.
01:06:50Oh, don't repent.
01:06:53You must be mine.
01:06:56Someone else's, but not yours.
01:06:59Not mine?
01:07:01Never.
01:07:03Then don't reach out to anyone.
01:07:07Thank you.
01:07:09No, no.
01:07:13My dear,
01:07:16if you only knew
01:07:19what a blessing it is to have a child.
01:07:22What have I done?
01:07:25What happened?
01:07:27No, no.
01:07:29No, no, it's no one's fault.
01:07:31It's my own fault.
01:07:33It's my own fault.
01:07:35It's my own fault.
01:07:37Tell them to shut up.
01:07:40Tell them to shut up!
01:07:42No, no.
01:07:44Let them have fun.
01:07:47I don't want to bother anyone.
01:08:03I don't want to bother anyone.
01:08:28Galya!
01:08:31Excuse me.
01:08:36Come in.
01:08:41Good evening, doctor.
01:08:43Well, we're military people.
01:08:47Aren't you?
01:08:49No, no, they don't take me.
01:08:51I have to stay here.
01:08:53It's more convenient in wartime, I'm used to it.
01:08:56Doesn't it suit me?
01:08:58It does.
01:09:00But I'm cold.
01:09:02Goodbye.
01:09:07You're from the front,
01:09:10from the North, you don't care about anything,
01:09:13but I'm cold.
01:09:15The audience warms up when they applaud.
01:09:17I'd love to applaud, but I don't feel like it today.
01:09:19And Karandyshev and Larissa are much worse
01:09:21than in the last performances.
01:09:23I thought they played great.
01:09:25Come on.
01:09:27You just feel sorry for them, don't you?
01:09:29You know they're cold, they're frozen,
01:09:31and you feel sorry for them.
01:09:33You should feel sorry for me.
01:09:35I have to work with them.
01:09:37What the hell are you talking about?
01:09:39Mise-en-scĆØne, grain, super-tasks.
01:09:41When there's only one super-task,
01:09:43to get more coal.
01:09:45So that they don't get sick.
01:09:47I'm from Sweden, I have to warm up.
01:09:50Well, what kind of spectators do we have?
01:09:53God knows how to play for them.
01:09:56You must be a genius.
01:09:59An actress recently told me so.
01:10:02You know, she said,
01:10:04I played a genius today.
01:10:06Sometimes I feel like that too.
01:10:09There, at the front.
01:10:11Not out of impudence,
01:10:13but because I suddenly feel
01:10:15that someone needs you.
01:10:19You've changed.
01:10:23And I don't change.
01:10:26And I don't change.
01:10:40All right.
01:10:42You'll rehearse the Commissar
01:10:44from the Mystical Tragedy.
01:10:46We'll repeat it.
01:10:48Does it fit?
01:10:50I wish.
01:10:52Shura!
01:10:53Shura, what about the car?
01:10:55The driver has been rescheduled.
01:10:57Oh, well.
01:10:59Then we'll have to walk
01:11:01through the whole city.
01:11:03You see?
01:11:05It's hard to work, of course.
01:11:07There are no workers.
01:11:09My actors rearrange the scenery themselves.
01:11:11Sometimes I want to spit
01:11:13and rush to the front
01:11:15with some front brigade.
01:11:17But they don't let me.
01:11:19I say, it's necessary here.
01:11:23What kind of theater is this,
01:11:25you see?
01:11:27You'll work in it,
01:11:29even if you leave me.
01:11:44Well, let's go.
01:11:47Isn't it strange?
01:11:49It's easier to play a traitor now.
01:11:52It's a different life,
01:11:54far from us.
01:11:56And no matter how worried we are,
01:11:58they still look at it like at a theater.
01:12:01But how can I play
01:12:03an optimistic tragedy?
01:12:05I really count on you,
01:12:07on your help,
01:12:09on your knowledge of war,
01:12:11of the front in danger.
01:12:13If you want to know,
01:12:15I started thinking about you
01:12:17when there was no word
01:12:19about your brigade,
01:12:21and when I began
01:12:23to worry about you.
01:12:27And everyone will need you,
01:12:29actors, costumers,
01:12:31and artists.
01:12:38By the way,
01:12:40Semyon made an amazing sketch.
01:12:42Amazing!
01:12:44I'll show you.
01:12:46And the costumes
01:12:48I made myself.
01:12:50I threw away all the traditions,
01:12:52no leather jackets.
01:12:54The commissar will be in a white dress
01:12:56among black bushes.
01:12:58Great, isn't it?
01:13:02Semyon is, of course,
01:13:04a second-rate artist
01:13:06and with an amazing sense of the scene,
01:13:08but he is an indisputable pessimist.
01:13:10He loves black too much.
01:13:12Although he works
01:13:14in his sketches.
01:13:16And after talking to you,
01:13:18I realized what exactly.
01:13:20I miss this amazing
01:13:22feeling of
01:13:24every minute, every second
01:13:26closeness to death,
01:13:28the feeling of authenticity of what is happening.
01:13:30Well, it is clear
01:13:32where it comes from.
01:13:34He is close-handed,
01:13:36he didn't smell gunpowder.
01:13:38Without seeing it with your own eyes,
01:13:40it probably doesn't work.
01:13:42I will gather
01:13:44all the masters of artists
01:13:46and make you repeat
01:13:48everything you told me.
01:13:50It is extremely important
01:13:52for actors.
01:14:04Anna Akimovna.
01:14:06Thank you.
01:14:08The general's portrait.
01:14:10It's amazing.
01:14:12When the generals want to treat a lady,
01:14:14they choose portraits.
01:14:16Sit down.
01:14:18Thank you.
01:14:28Well?
01:14:30Is he
01:14:32a good man?
01:14:34What man?
01:14:36A colonel.
01:14:38He brought
01:14:40a letter from you.
01:14:42He didn't send it by mail.
01:14:44He brought it to our apartment.
01:14:46He is a good man,
01:14:48isn't he?
01:14:52I gave him
01:14:54the phone.
01:14:56I promised him that
01:14:58whenever he wants to find you,
01:15:00he will be able to do it
01:15:02by this phone here.
01:15:08What?
01:15:16What?
01:15:20Are you cold?
01:15:22Wait, wait.
01:15:24I'll be right back.
01:15:26Here is
01:15:28your
01:15:30favorite warmth.
01:15:34Think about me as you know.
01:15:36I want him to understand
01:15:38that your home was and still is here.
01:16:06I'm thirsty.
01:16:20What do you want to drink?
01:16:22I don't care.
01:16:36I don't care.
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