• 4 ay önce
Igra sudbine, Epizoda 1137,Igra sudbine 1138 ,Igra sudbine 1137,Igra sudbine Epizoda 1138, Igra sudbine Epizoda 1137,Epizoda 1138 Igra sudbine ,Epizoda 1137 Igra sudbine
Döküm
00:00♪♪♪
00:30I don't want to know what you know.
00:32I don't know anything.
00:33Nothing? If you start working for me, I'll destroy you.
00:36Is that clear?
00:37What's the matter with you? Stop making me angry.
00:40Come on, admit what I promised you.
00:42I know, I know.
00:45I told you I'd take you to Belgrade, didn't I?
00:49Why don't you all come with me?
00:53You'll see how you'll deal with your things.
00:55I'm in love, you know?
00:57You know?
01:00I'm in love.
01:05Ido, thank you for the offer.
01:09Top.
01:10But I have to go.
01:12You know, Belgrade isn't far away.
01:14I'm here.
01:15So, it's okay.
01:16Sit here.
01:17You're not going anywhere.
01:19I told you so many times to let you drive,
01:21but you don't come,
01:22since you're staying in Đajđe.
01:24Okay.
01:25Okay, come on.
01:26That's right.
01:27What can I tell you?
01:28You won.
01:29I'm staying.
01:30I'm staying.
01:31That's right, bro.
01:32That's right.
01:33Now, if I may,
01:34tell me the number of the room.
01:36You can't come with me,
01:37you can't explain anything to me,
01:38just tell me the number,
01:39and I'll go to the room.
01:40That's it.
01:41There's no number, Trivanović.
01:43There are no vacant rooms.
01:45It's the season.
01:46I'm sorry.
01:48What do you mean, there are no rooms?
01:50Where am I going to sleep?
01:51Do you think I'm going to sleep outside?
01:53Come on, please.
01:54You're going to sleep outside.
01:55What kind of man would I be
01:56to let my wife sleep outside?
01:58Come on.
01:59Come on, Mido,
02:00every time I hear you,
02:01what do you think of me?
02:03Okay,
02:04what did you think,
02:05where am I going to sleep?
02:06Look,
02:07since I still have to keep an eye on you,
02:09you're going to sleep with me.
02:11With you?
02:12With me.
02:13Where, with you?
02:14In the room?
02:15Come on, Farid,
02:16we're going to sleep together,
02:17what's wrong with you?
02:19Wait, Mido,
02:20you don't know,
02:21I have a disease.
02:23What?
02:24I snore very,
02:25very,
02:26very loudly.
02:27What?
02:28Come on.
02:29Look, Trivanović,
02:31I also sleep very,
02:32very,
02:33very,
02:34loudly
02:35at home.
02:48I don't know what you're talking about.
02:51We're talking about Luka Kanačko.
02:53I heard you were together.
02:56And what bothers you,
02:57the fact that we had something,
02:59or the fact that I didn't tell you
03:01when we saw each other in Milan,
03:02and you, my poor doll,
03:03how you fell in love?
03:06It only bothers me
03:07because
03:08your relationship with him
03:09will cost me.
03:12Well, dear,
03:13I'm sorry you're married.
03:15You don't have to be sorry for me,
03:17but I want you to withdraw
03:19the decision
03:20to raise the purchase price.
03:22You're on your own.
03:24I don't get it.
03:26Well, nothing,
03:27then you'll have to
03:28take care of me.
03:30You see,
03:31some things have changed.
03:33I'm not the kid
03:34you met anymore.
03:36Is that so?
03:37Interesting.
03:38What have you grown into?
03:41Into a very influential
03:42businesswoman
03:43who can ruin your end
03:45with one call.
03:47If I withdraw the deal,
03:49you won't be able to go out,
03:50not to this one,
03:51but to any space
03:52here in Milan.
03:53Why are you threatening me?
03:55Well,
03:56do whatever you want.
03:58You're very brave, Laura.
04:00Take care.
04:01And one more thing,
04:03stay away from Luka.
04:05Why did you come back to Belgrade?
04:24What am I going to do here?
04:26I feel like I'm a burden to you.
04:29You know it's not like that.
04:31I don't know.
04:32I don't know it's not like that,
04:33because you spend
04:34your days talking about Laura,
04:36Paolo, Luka,
04:37and not just the two of us.
04:39Well, I'm sorry.
04:40I mean, you know
04:41that I'm afraid
04:42that the project
04:43won't succeed
04:44and all this with Luka
04:45and what happened
04:46with his affairs.
04:47You see,
04:48you and I are good.
04:49You and I are good?
04:50Yes.
04:51Aleksa,
04:52I'm trying.
04:53You're getting crazy
04:54about that topic,
04:55as if the difficulty
04:56will evaporate
04:57if I don't mention it.
04:58No, no,
04:59that's not quite true.
05:00It's just that
05:01we can both agree
05:02that this is
05:03all unexpected
05:04and unplanned,
05:05but far from
05:06not happening to me.
05:08Is that clear to you?
05:09I don't know.
05:10I don't know if it's clear to me,
05:12because you don't act like that.
05:16I mean,
05:17you can't even imagine
05:19how I felt.
05:22Admit that I was a little
05:24soulless,
05:27but I just want to see
05:29what we're going to do.
05:32Can we?
05:35But together,
05:37let's think about
05:38what we're going to do.
05:39Okay?
05:41Aleksa, come on.
05:43Can we?
05:45Okay.
06:02I don't know how you think
06:03about professionals.
06:04I don't understand.
06:05About team building
06:06in Cannes Capital.
06:07Aha, so I did understand
06:08well,
06:09I'm just checking.
06:10And what do you say?
06:11I say
06:12that it doesn't matter.
06:13But why?
06:14It would be great.
06:15I'm not an HR.
06:16I don't know,
06:17find someone
06:18who does training
06:19for companies,
06:20not some life coach,
06:21anyone but me.
06:22I'm begging you, Milena.
06:25What do I have to do with it?
06:27You have a chance
06:28to help your friend,
06:30which is what I do.
06:32Of course,
06:33but this time
06:36you could get to know
06:38the kingdom of Andrija Bošnjak.
06:40Yes, that's what I was thinking about,
06:42Bobo.
06:43Okay, jokes aside,
06:44you could evaluate
06:45all those women
06:46around him
06:47and then give me some advice.
06:48What kind of advice do you need?
06:50Except to protect yourself.
06:52How can I stand up
06:53to them?
06:55Look, Bobo,
06:56you're shit at evaluating.
06:57Come on, seriously,
06:58I don't think
06:59that's a good idea.
07:01Please,
07:02try it.
07:03If it doesn't work,
07:04it doesn't work.
07:07Okay,
07:08but I can spend
07:09only two hours
07:10of my life
07:11on women,
07:12not a minute more.
07:14You won't regret it,
07:15believe me.
07:18I'm so tired.
07:19Thank you.
07:20Cheers.
07:29Mido,
07:30if you already
07:31accepted me
07:32as your son-in-law...
07:33Take it easy, Trivanović,
07:34take it easy.
07:35Accepting is a process.
07:36Okay,
07:37a process.
07:38If that process
07:39started,
07:40if we look at it
07:41in reality,
07:42it's somewhere
07:43at the beginning,
07:44right?
07:45Why wouldn't I
07:46accept you
07:47as my son-in-law?
07:48Because
07:49you're not
07:50my son-in-law.
07:51You're not
07:52my son-in-law.
07:53You're not
07:54my son-in-law.
07:55You're not
07:56my son-in-law.
07:57You're not
07:58my son-in-law.
07:59I wouldn't
08:00sleep with Ljubinka
08:01in her room.
08:02Where would you
08:03sleep?
08:04I mean,
08:05she has a big bed,
08:06wide, nice,
08:07she could...
08:08Take it easy,
08:09take it easy,
08:10Trivanović,
08:11we're not
08:12in that phase yet.
08:13Oh, we're not?
08:14No, no.
08:15When are we
08:16going to be...
08:17We're not even close.
08:18Not even close?
08:19Are you mad?
08:20No, no,
08:21I'm just a little tired,
08:22and...
08:23Tired?
08:24Okay,
08:25I'll take you
08:26to rest now.
08:27Is there any way we can speed up the process a bit?
08:31Hey, look, if you're not naked, then you're stupid!
08:35What's wrong with you?
08:36You can only sleep in the room next to Ljubinka when you're registered.
08:41What? When I'm what?
08:42When you're registered, Trivanović, when you're registered.
08:45Do you understand? Fingers crossed.
08:47Come on, get in now.
08:48No, no, wait, wait.
08:49What is it?
08:50It's stupid, I mean, you and I, look at us, we're such losers.
08:54What?
08:55In the same bed.
08:56Come on, stop it.
08:57What's wrong with me?
08:59We sleep next to each other.
09:01Or, head up, legs down.
09:05Whatever suits you.
09:06Then your legs will stink.
09:08No, they don't stink.
09:09No?
09:11They stink right now, look.
09:13Well, my neighbor can't move.
09:16We're not going to the middle.
09:17No.
09:18Did you serve in the army?
09:19You didn't serve?
09:20Of course I didn't.
09:21What do you care? I'm a panda, man.
09:23Well, then you'll have a quick break in Trivanović.
09:26It's better for you to have a quick break in me,
09:28than in the whole army.
09:30A quick break.
09:31A quick break, a quick break.
09:32Now we'll see.
09:33Come on, Tix.
09:34Come on, Tix, let's go.
09:35Come on, stand behind me.
09:36Come on, stand still.
09:37Come on, like a soldier.
09:38Come on, behind me, left.
09:39Left!
09:40Left!
09:41Right!
09:42Come on, Trivanović, like a soldier.
09:44Left!
09:53When you're ready to talk, if you want, I'll listen.
10:05I had a hard session.
10:12That Milena looks like she's pushing you over the line.
10:21I guess I have to.
10:26I hope you know what you're doing.
10:32And if you want, and if you can,
10:40can you tell me what was so scary during the session?
10:49We were talking about you and me.
10:56I hope there's nothing scary about us.
10:59No, no.
11:02On the contrary.
11:04She was pretty supportive of us.
11:08She even said that we're like a family.
11:11That's wonderful.
11:13Why are you crying then?
11:20We were talking about me betraying Luka.
11:24And he pushed you over the line.
11:26Easy, easy, easy.
11:29Wait, how did one of those wonderful statements
11:33lead us to the hell we went through?
11:39I regret that I moved here when Luka was the worst.
11:44But that's how we decided.
11:46We said he was the best.
11:48We were only thinking about us.
11:50That's selfish.
11:52Poor Luka.
11:54Poor Luka?
11:57Poor Luka?
12:00Come on, please, remember what he did to you.
12:04I should have thought it over a bit more.
12:06You should have thought it over.
12:09You were so determined.
12:11You didn't betray him.
12:13And you're aware of that, right?
12:16And you?
12:17What about me?
12:20Are you aware that you pushed Jovan over the line because of me?
12:25I'd push him over the line again.
12:30I don't have a problem.
12:32You don't have a problem with me or the way I treated you.
12:37It all sounds terrible.
12:41Come on, please.
12:43Just try to imagine
12:46what Jovan and Luka did to us.
12:52Try it.
12:55If it wasn't like that, you wouldn't be here now.
12:58I wouldn't, as you say, push Jovan over the line.
13:05That's true.
13:09Is it easier for you now?
13:29Yes?
13:32Look at the time.
13:35I have nowhere to sleep.
13:37Nonsense.
13:38You came to me from this big house.
13:41Why didn't you go outside to the pool to sleep?
13:44You saw how nice the beds are.
13:46Under the open sky.
13:48To the pool?
13:49Yes.
13:50To turn my grandparents into slaves.
13:53Like a cat when I sleep.
13:55Where is that?
13:57I wish it was a fire to cool me down.
14:00Or a stethoscope to warm me up.
14:03No, it's not like that.
14:05I'm here in Kosmaj.
14:08Where is the romance?
14:10And you, pretty, alone.
14:15Okay.
14:18You can, while you're sleeping.
14:22You can, while you're sleeping.
14:25Oh, well.
14:39Here you go.
14:46Thank you.
14:52Thank you.
15:12Mido.
15:14Mido.
15:15What?
15:16I can't breathe.
15:18Why?
15:19I can't breathe.
15:20Fill your lungs.
15:21Open the window.
15:23The Kosmaj air is coming in.
15:26Do you feel it, you fool?
15:28I feel my lungs beating down.
15:31In my stomach.
15:33Cry a little.
15:35You're so brave.
15:38You have to sleep in the morning.
15:40You have to get up early to see how you'll do at work.
15:44Come on.
15:45Let's sleep.
15:47Come on, be a good boy.
15:49Just a little hand.
15:50Easy, easy.
15:56What was that?
15:58What are you doing?
16:00Something is tickling me.
16:02What are you doing, Mido?
16:05It's hard.
16:06What's hard?
16:07It's so hard.
16:08Something is tickling me.
16:10How hard?
16:11Like a bubble.
16:12Like a stone.
16:13Like when you lie on a stone bed.
16:17That's...
16:19That's my gun.
16:21What are you talking about?
16:23Gun?
16:24Gun in bed?
16:25Are you crazy?
16:26What's wrong with you?
16:28What can I do, Mido?
16:29I'm carrying it.
16:30We'll never get rid of it.
16:31I'll get rid of it.
16:32No, no, no.
16:33No one will get rid of me.
16:35I'm sorry.
16:36Let me go.
16:37Are you crazy?
16:38We'll die without the gun.
16:40Leave me the gun.
16:41Mido, I won't be able to sleep.
16:43Let me go.
16:44Let me go.
16:45You won't be able to sleep.
16:46You have to sleep.
16:47You have to get up in the morning.
16:49I told you a hundred times to go to bed.
16:52You'll give me the gun in bed.
16:54Come on, we have to sleep.
16:56Come on.
16:57How?
16:58I don't have a gun.
17:05You'll give me the gun in bed.
17:07It's a medallion.
17:09We have to get rid of it.
17:16My legs.
17:23Don't let go of the pigeon by any chance.
17:26I'll shoot it.
17:29How?
17:30When will you give me the gun?
17:45I'll shoot it.
17:48I'll shoot it.
17:49You're crazy.
17:50I'll shoot it.
18:09I'll shoot it.
18:16I'll shoot it.
18:24I'll shoot it.
18:27What's wrong with you?
18:28Turn around.
18:29I'll shoot it.
18:35I'll shoot it.
18:45I'll shoot it.
18:51What the hell is this?
19:02Wait, this is a nightmare.
19:06Mile.
19:10Wait, wait, wait.
19:12Wait, wait, wait.
19:19He'll wake up.
19:26Oh my God.
19:30Mile.
19:33Mile.
19:35Mile, wake up.
19:37Mara.
19:38Did you want to wake me up?
19:40Yes.
19:41Yes, I wanted to wake you up.
19:44But I didn't dare to.
19:47Mile.
19:49Do you love me?
19:50Mile.
19:52Maldives.
19:53Mile loves disco.
19:56Who?
19:57Kola.
19:59Shoba disco.
20:00Mile.
20:03And beautiful women.
20:06And a girl's life.
20:09I can't take it anymore.
20:14You know what, maybe it's better this way.
20:23I can't take it anymore.
20:26I'm not even sure if I love you.
20:40Move aside.
20:56Milo.
21:00Milo.
21:03What is it now?
21:05Are you sleeping?
21:06Can't you see I'm not sleeping?
21:07How can I sleep when I'm talking?
21:09Have you lost your mind?
21:12I haven't lost my mind.
21:13Here's my colleague.
21:15Do you know Seljanovic?
21:16No.
21:17He talks in his sleep.
21:19So he sleeps and wakes up at the same time.
21:22Don't tell me about that Seljanovic.
21:25I won't be able to sleep now.
21:27How did you sleep before that?
21:28What before that?
21:29How did you sleep before that?
21:30I didn't sleep.
21:31Let me go.
21:33Maybe I did.
21:35What did you do?
21:36What did I do?
21:38What did I do to make you fall asleep?
21:41That's what I did.
21:42Ok, Milo.
21:44If I bother you, I can sleep in the pool.
21:48No, you won't.
21:50You're not going to sleep.
21:51You're not moving from here.
21:52You're not going anywhere.
21:53So you can go to your girlfriend.
21:55Do I know you?
21:56No, no.
21:57I don't know what I would do.
21:59What would you do?
22:00I mean, if you want.
22:02I know everything.
22:04I love her.
22:05You love her, don't you?
22:06Ok, ok.
22:07I know you love her.
22:08And you will love her even after the registration.
22:11Ok, can I say something?
22:14Go ahead.
22:15About her.
22:16I like her.
22:17You can't do anything.
22:19You can't do anything to a single horse.
22:22Do you know what a whip is?
22:25Have you ever heard of it?
22:27I don't know what it is.
22:28You don't know what it is?
22:29A whip.
22:30You'll find out if you don't bother me.
22:31Let me sleep.
22:32Go ahead.
22:33Wait a minute.
22:34Can you tell me what a whip is?
22:39A whip?
22:40Yes.
22:41Listen.
22:42A whip is a tool for repairing a whip to such horses and people as you are.
22:48Without human nature, without character, without anything.
22:54For horses or for people?
22:56For people, for people.
22:58People like you.
23:03Go to sleep.
23:04I can't sleep.
23:05Go to sleep.
23:06Can't you sleep now?
23:07I told you, Mido.
23:08If I don't have a gun for everything, I can't sleep.
23:11I'm used to being bullied.
23:13Oh, my mother.
23:14When you give birth to me, why don't you let me suffer?
23:20Here's your gun.
23:22Don't talk to me.
23:24Go to sleep now.
23:25Thank you, Mido.
23:26It's nothing.
23:27Go home when you come back.
23:29I'm going to bed now.
23:38I'm so tired.
23:59What is this?
24:00Ice like a snake.
24:01Look.
24:02Again.
24:03Trivanović.
24:04Trivanović.
24:05Get up.
24:06Wake up.
24:07Wake up, Trivanović.
24:08Do you hear me?
24:09Come on, Zoran.
24:10Come on.
24:11I'm calling you.
24:12I'm calling you.
24:13Come on, come on, come on.
24:14What is this?
24:15Get up.
24:16Get up.
24:17Wake up.
24:18What time is it?
24:19Six o'clock.
24:20Six o'clock.
24:21Wake up.
24:22Wake up.
24:23Wake up.
24:24Wake up.
24:25Wake up.
24:26Wake up.
24:28What time is it?
24:29Six o'clock.
24:30We were sleeping.
24:31You see?
24:32Six o'clock.
24:33I can't.
24:34I have to.
24:35I haven't closed my eyes yet.
24:36You can't.
24:37You can't.
24:38You have to.
24:39You can't.
24:40Come on.
24:41Come on, horse.
24:42Mido, please.
24:43Half an hour.
24:44Please.
24:45Who?
24:46Are you going to sleep until half past seven?
24:47Do you hear me?
24:48Come on.
24:49Wake up.
24:50Wake up.
24:51Fifteen more minutes.
24:52Do you want me to beat you?
24:53No, no, no.
24:54Just fifteen more minutes.
24:55Please.
24:56What are you doing?
24:57Do you want me to beat you?
24:58Do you want me to beat you?
24:59You want me to beat you?
25:00You want me to beat you?
25:01You want me to beat you?
25:02No, no, no.
25:03I don't want to.
25:04I don't want to.
25:05I'm waking up.
25:06I'm waking up.
25:07That's right.
25:08I'm waking up.
25:09Come on.
25:10Now, the morning gymnastics begins.
25:11What do you think of that?
25:12Do you mean like in the school?
25:13No, I mean like in the military.
25:14Come on, let's see how many push-ups you can do.
25:15I don't know.
25:16I've never counted.
25:17Five maybe.
25:18You haven't, have you?
25:19Come on, let's see now.
25:20What is it now?
25:21Let's see.
25:22What now?
25:23Let's see how many push-ups you can do.
25:26Come on.
25:27Come on.
25:28That's it.
25:29Come on.
25:30One.
25:31Don't bend over.
25:32One.
25:33Don't bend over.
25:34You have to do a hundred.
25:35Come on.
25:36Slowly.
25:37That's it.
25:38That's it.
25:39You're getting better.
25:40Come on.
25:41Come on.
25:42Three.
25:43Come on.
25:44Legs down.
25:45Come on.
25:46Six.
25:47Bravo, master.
25:48Bravo.
25:49Five.
25:50Come on.
25:51Keep going.
25:52Five.
25:53Don't go back.
25:54Come on.
25:55Don't go back.
25:56Come on.
25:57Five.
25:58Seven.
25:59Eight.
26:00Seven.
26:01Eight.
26:02Five.
26:03Seven.
26:04Eight.
26:05Seven.
26:06Five.
26:07Seven.
26:08Five.
26:09One.
26:10One.
26:11Come on.
26:12Five.
26:13That's it.
26:14Well done.
26:15Come on.
26:16Five.
26:17Six.
26:18Come on.
26:19I don't think you do. You think it's all right, don't you?
26:25When have I been like that?
26:27Well, you've never really been like that.
26:30Aleksandar, it's not up to you. It's up to me.
26:35I'm thinking about whether that would be a good decision.
26:39But I'm begging you.
26:41If you think I've made a mistake,
26:44that there's something wrong with what I'm planning,
26:47I'm begging you to tell me. Don't hold back.
26:50Tell me everything. And cut it out.
26:53Look, the expansion of the offer, the assortment,
26:56the financial injection into our business,
26:58all of that is a good thing.
27:00All right, but is there a but?
27:03And what's after the but?
27:05Nothing, nothing.
27:07I mean, if we're doing great, if we don't like it,
27:10well, we'll get out of the agreement,
27:12we'll terminate the partnership, and that's it.
27:15Aleksandar, what's going on?
27:18Is everything all right with you?
27:20I'm sorry, I just have too much work to do.
27:23My head is all over the place and I can't focus.
27:26Wait, don't cut me off.
27:29I feel like something's not right.
27:32Can I ask you to tell me what it is?
27:35Lenka is pregnant.
27:38What did you say?
27:40Are you normal?
27:42I'm not normal.
27:44Why are you making me talk about pigs and lambs
27:47and giving birth?
27:49You're skipping the main thing.
27:52You don't know what to tell me?
27:54What do you mean, you don't know what to tell me?
27:57What's there to know or not to know, Aleks?
28:01What are you planning next?
28:03I don't know, Pančić.
28:05I'm sorry, I have to go. Someone's calling me.
28:07Aleks?
28:10What's there to know or not to know?
28:14At least that's one way to get to know everyone.
28:18Come on, kids.
28:21Lenka is pregnant.
28:23You can't start. I have to finish my coffee.
28:26Take it easy.
28:30I can do it now.
28:32Can you?
28:33I can, I can. Let's see.
28:35Stop.
28:37Take another one.
28:39I can do it.
28:41Which one?
28:42The brown one.
28:44That's it.
28:46That's good.
28:48Come on.
28:50You can do it.
28:53Now.
29:06We can't push that Team Build League on our own.
29:09Too many negative emotions.
29:11I agree.
29:13That's why I listened to your advice.
29:16What advice?
29:18You said it would be good to have an expert.
29:22Yes, I did.
29:24Well, I found a great psychotherapist.
29:28I'm not sure we need a man.
29:31No, it's about women.
29:49Why are you so quiet since morning?
29:55Milo, I have to ask you something, but you have to answer me honestly.
30:00I always tell the truth.
30:03Do you remember anything that happened last night?
30:19I have good news.
30:21Tell me, I'm so excited.
30:23The idea to bring a mediator for Team Build League was adopted.
30:28I don't remember adopting anything.
30:31We were left alone, so I came to inform you.
30:35Actually, to ask you if you agree.
30:38I think you should have asked me first.
30:49God bless you, son-in-law.
30:51You chose the right tree.
30:53You have to fix the roof.
30:55It will help you.
30:57I'm so angry.
30:59Let me finish.
31:01I want you to meet your future father-in-law.
31:05Neposava!
31:07Oh, Neposava!
31:19NEPOSAVA
31:31Oh!
31:33Good day.
31:35Good day.
31:37How do you know my company?
31:40You don't know?
31:42Obviously not.
31:44Can you invite me to Team Build League?
31:59Let's go.
32:01Ready?
32:03Good day.
32:08What?
32:10What happened?
32:15I'm sorry.
32:17I'm in a hurry.
32:19Sorry.
32:21Don't you have to go to work?
32:24Don't you have any business?
32:27It's not all of it.
32:29I'm sharing it with my neighbor.
32:32And he has another neighbor.
32:34I have a gun, half a zephyr
32:37and 30 business cards.
32:39Don't be such a whore, huh?
32:56Okay.
32:57But, anyway, I hope that woman will save me from you.
33:02You mean, us from you?
33:05I don't think so.
33:06There is no saving you from me.
33:08But you are worth watching.

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