Pierścień Wielkiej Damy czyli Eks - Machina Durejko 1981
Transcript
00:00:00You
00:00:30You
00:01:00You
00:01:30You
00:02:00You
00:02:30What's burning me so much? What's burning my chest so much?
00:02:34That I only have to be silent, that I only have to cry.
00:02:43Coldness holds you by force, by chance, to the world,
00:02:48to a lost soul.
00:02:50When it was with a young heart to follow the flowers of life, to take a slight step and not to despair.
00:03:06Because it's uncomfortable.
00:03:15People get bored, their faces can turn pale.
00:03:20But when they're with you, they don't get bored.
00:03:24When they're with you, they don't get bored.
00:03:28When they're with you, they don't get bored.
00:03:32When they're with you, they don't get bored.
00:03:35When they're with you, they don't get bored.
00:03:38When they're with you, they don't get bored.
00:03:41When they're with you, they don't get bored.
00:03:44When they're with you, they don't get bored.
00:03:46When they're with you, they don't get bored.
00:04:03And who's asking you to write?
00:04:07There are so many jobs.
00:04:10They cut down trees and sweep.
00:04:14You can cut down trees, too.
00:04:17There are enough trees in the yard, too.
00:04:26But science,
00:04:29more warm-hearted than the members,
00:04:32implies a great spirit in the emptiness.
00:04:43Let's go.
00:05:06Let's call it inactive.
00:05:09We haven't counted the jobs yet.
00:05:14The day is brighter than yesterday.
00:05:19In Babylon, for Ezekiel, the days are the least active.
00:05:23He was the one with broken hands,
00:05:26looking gloomily, nodding his head and doing nothing more.
00:05:31Nothing more.
00:05:38Nothing more.
00:05:53Unhappiness.
00:06:01Dog's will, what for?
00:06:08Anxiety.
00:06:13Or antony.
00:06:25Happiness.
00:06:28It doesn't affect feelings less.
00:06:34It doesn't affect feelings less.
00:06:38By doing or by being able to spoil,
00:06:44you are not a dolon.
00:06:52Or a dolon of a man.
00:07:08Or a dolon of a woman.
00:07:15Or a dolon of a man.
00:07:20Or a dolon of a woman.
00:07:23Or a dolon of a man.
00:07:26Or a dolon of a woman.
00:07:29Or a dolon of a man.
00:07:32Or a dolon of a woman.
00:07:35Or a dolon of a man.
00:07:38Or a dolon of a woman.
00:07:40Or a dolon of a man.
00:08:06There is something special
00:08:08in this common bread,
00:08:15in the breaking of the last piece.
00:08:18There is something.
00:08:24As if something
00:08:29was touching my finger.
00:08:31I don't know.
00:08:37I say something that
00:08:40either makes me silent
00:08:44or at least tries to
00:08:47forbid me to speak of the fulfillment of my misery.
00:09:02This is the first ray
00:09:05of those that shine.
00:09:09As if one were familiar to us,
00:09:13the other were foreign
00:09:16and would also go into the glass,
00:09:19like a stranger or a stranger from a distant land.
00:09:32They call their dogs
00:09:38the eternal brothers,
00:09:45to whom the last piece of bread is enough.
00:09:54And there are also the squirrels
00:09:58returning and flying.
00:10:02They never took me more time,
00:10:07nor more life,
00:10:11than I gave them.
00:10:13There is something special in this common bread,
00:10:16in the breaking of the last piece.
00:10:27A bird like this has been flying
00:10:30with a piece of bread
00:10:33and does not leave a moment of pain,
00:10:36an hour of distress, a day of suffering,
00:10:39a year of disbelief in society.
00:10:41It has come and gone into the forest of the blue eye,
00:10:46as if it were saying goodbye
00:10:49to good people.
00:10:54Similarly to the crying one,
00:10:57I have seen it once.
00:11:05I do not know the reason.
00:11:12Knock, knock, knock.
00:11:18After an unusual hour,
00:11:21I come in so early in the morning
00:11:25to warn you
00:11:28that the landlord, Judge Durejko,
00:11:31has been visiting the house all day.
00:11:34We have been on our feet for a long time,
00:11:37a little afraid of being alone,
00:11:39wondering if everything is all right.
00:11:45I know that you have a score to settle
00:11:48with him now,
00:11:51a little late,
00:11:54but what of it?
00:11:57Countess Haris, your relative, is an angel.
00:12:00Isn't she the head
00:12:03of the whole square, the landlady?
00:12:09Even I have this doubt.
00:12:12I don't know why you live here
00:12:15in the sense of my relative.
00:12:18Not in the courtyard,
00:12:21in the pavilion next to your relative.
00:12:25It would not be pleasant for you
00:12:28to have such an angel with you.
00:12:35What I say,
00:12:37forgive me,
00:12:40an old woman,
00:12:43an old mother,
00:12:46who, thinking of her son,
00:12:49who has not seen him for so many years,
00:12:52recalls her maternal duties
00:12:55in every young man.
00:13:02I thought
00:13:04I should ask
00:13:07Countess Haris for protection.
00:13:10For her it is the same
00:13:13as it is now in Japan with the ship.
00:13:16Where does the letter come from?
00:13:19Two months.
00:13:22The Countess knows the admirals
00:13:25and many ministers.
00:13:28But I say
00:13:31one thing as a mother
00:13:34and nothing more
00:13:37as a mother.
00:13:41To say something
00:13:44about my son.
00:13:51The second thing
00:13:54you tell me,
00:13:57is the first for my heart.
00:14:00I would be glad to be servile and grateful.
00:14:05But the first question is
00:14:08why do you meet me here
00:14:11and not elsewhere,
00:14:14to shed light on my innumerable faults.
00:14:17The Countess is an angel,
00:14:20but she suspects in people
00:14:23bad tongues,
00:14:26and being a young widow,
00:14:29she does not want to live in her house
00:14:31while our kinship is her good.
00:14:34I am nothing to her,
00:14:37a guilty husband.
00:14:40After all,
00:14:43I have her in my own interest.
00:14:46I will do whatever you wish.
00:14:49But thank me, mother.
00:14:54I have not done anything yet.
00:14:57The Countess has something special
00:14:59in her heart.
00:15:02She is so merciful
00:15:05and accepts so much
00:15:08that she forgets.
00:15:11I say this only
00:15:14to not give you hope.
00:15:17I do not say who she forgot.
00:15:20Not necessarily.
00:15:23But it happens to people
00:15:26who do so much good.
00:15:29I say this only to you.
00:15:38I have served
00:15:41in this house for many years,
00:15:44and I would give my life
00:15:47to serve you.
00:15:50But our landlord, Judge Durejko,
00:15:53wants to change everything.
00:15:56He wants to give everything
00:15:59to serve you.
00:16:02That is why
00:16:05you should leave.
00:16:08Turn to the stairs
00:16:11and avoid them.
00:16:14I am in a hurry.
00:16:24If only she knew
00:16:26what a flying bird
00:16:29knows now
00:16:32and what it tells
00:16:35the other birds.
00:16:38That I have thrown
00:16:41the last bread to them.
00:16:44If only she knew
00:16:47and she
00:16:50who is now
00:16:53fulfilling her desire.
00:16:57That's not funny.
00:16:59That's not funny.
00:17:30The distinction between meaning and letter
00:17:33belongs to the simple law of knowledge
00:17:36which the first judge learns
00:17:39than the judge is.
00:17:42And Durejko used to be, is,
00:17:45although now he is a lover.
00:17:48You know astronomy,
00:17:51I know law.
00:17:54We had a German doctor
00:17:57Astronomy is not a secret
00:18:00and not my only occupation.
00:18:03I would like to explain
00:18:06why these windows, this height
00:18:09are more suitable for me than those.
00:18:12What is it?
00:18:15A gap between the walls
00:18:18giving way or a street?
00:18:21Not a street, but an entrance
00:18:23through which his side window
00:18:26shines through branches of acacia
00:18:29to Count Harris.
00:18:32He is the one who expands
00:18:35his authority and care
00:18:38over the orphans of both sexes
00:18:41and especially the bride.
00:18:44But Durejko's house, as it was,
00:18:47as it stands,
00:18:50Durejko's pension is full.
00:18:53What do you mean?
00:18:56I haven't seen a step
00:18:59for two years.
00:19:02There is no need for words, doctor.
00:19:05Everything changes all the time.
00:19:18The contracts remain.
00:19:20The contracts are important
00:19:23and not kept from both sides.
00:19:26Venus has to shine brightly here.
00:19:29The decision of an astronomer
00:19:32will change everything today or tomorrow.
00:19:35Venus, Mars, Saturn
00:19:38and other blue bodies
00:19:41have good deeds on their hands.
00:19:44They make their wise appearances
00:19:47day and night.
00:19:50I don't want to hide
00:19:53the fact that
00:19:56I want to check astronomical experiences
00:19:59at various global points.
00:20:04I'll take the lower apartment
00:20:07and keep it.
00:20:10The higher rooms will make it easier for me to observe.
00:20:13And what will he get out of it?
00:20:16I think
00:20:18I haven't done anything wrong.
00:20:21If I had done something wrong,
00:20:24I would have given up.
00:20:28That's enough.
00:20:41I wanted to find something first.
00:20:49The only souvenir of my father.
00:20:57The tenant
00:21:00would have to resign
00:21:03for reasons I can't explain.
00:21:06I'm moving away from the discussion.
00:21:09It's something close to my mind.
00:21:12In case of strong paroxysm,
00:21:15I should remember everyone who lives here.
00:21:18The books.
00:21:21Maybe my mind is disturbed.
00:21:24If I talk about books,
00:21:27they are not special, not astronomical.
00:21:30There are bad books and there are good ones.
00:21:33Healthy content
00:21:36and empty phrases.
00:21:39Those books are taught
00:21:42or exchanged for money.
00:21:45Those books,
00:21:48Greek fairy tales.
00:21:51Have you taught anyone
00:21:54how to fulfill their duties?
00:21:57To get up in the morning,
00:22:00to wash yourself with cold water,
00:22:03to look at your bills,
00:22:06to be a good servant, a good husband.
00:22:09Nureyko knows the price of literature.
00:22:12But he is opposed to the concept of canvas.
00:22:15I'll take the lower apartment.
00:22:18I'm not disturbed outside the house.
00:22:21My goal is
00:22:24to be alone
00:22:27from day to day.
00:22:30That's all I need.
00:22:33Did you hear what he said?
00:22:36You should be careful.
00:22:39I'm going downstairs.
00:22:44It's time for the execution.
00:22:46I couldn't reach you.
00:22:49You sent people to take care of you.
00:22:52It's time for the execution.
00:22:55And rigor!
00:22:58It's impossible
00:23:01to move this junk.
00:23:04I know how to fold it.
00:23:07Or to throw it out
00:23:10or hide it under the attic.
00:23:16Nureyko,
00:23:19I hear you're in a hurry.
00:23:22You want to know about astronomy
00:23:25and apartments.
00:23:28A good husband is waiting for a new one.
00:23:33I'm still chasing you.
00:23:36Nureyko, I wish you would believe me.
00:23:39Not that I don't believe you all the time,
00:23:42but it's a rare opportunity.
00:23:46Why do I see clemency?
00:23:49You should ask me first.
00:23:52It's important.
00:23:55I have an astronomer at home.
00:23:58What is it?
00:24:01Listen.
00:24:04In the morning,
00:24:07Countess Harris sent a letter
00:24:10with a question.
00:24:13It's not much.
00:24:16I asked the ambassador.
00:24:19Listen, Nureyko,
00:24:22all the ladies will be invited
00:24:25to the evening.
00:24:28It's an act,
00:24:31when Nureyko's news is a fact.
00:24:34Act or fact?
00:24:37Nureyko doesn't know anything about logic.
00:24:40She must have read more
00:24:43than anyone else.
00:24:46It's not an academic expression,
00:24:49but a core of capital thinking.
00:24:52There is more healthy content in proverbs
00:24:55than in the literature of Paris.
00:24:58Degustibus disputandum noctes.
00:25:01He's talking through his mouth.
00:25:04Nureyko knows the weight of interests
00:25:07and can classify them.
00:25:10Nureyko is sensitive, but he's dangerous.
00:25:13He doesn't know why he's following them.
00:25:16He doesn't know the duty of your house.
00:25:19Nureyko will shape
00:25:22the generation of the most decent ladies in the world.
00:25:26The future mothers, wives and heroes,
00:25:29who will share your death and triumph.
00:25:32She will hold the reins of the government
00:25:35in her house,
00:25:38and no one will teach her.
00:25:41Nureyko was a judge and he is a judge.
00:25:43Understanding the case of the possessor.
00:25:46What will he decide?
00:25:49He will decide well.
00:25:52He can close his mouth to others.
00:25:55Nureyko can't be silenced.
00:25:58The phrases are groundless and without style.
00:26:01She appreciates the content,
00:26:04but she also wants forms in the text.
00:26:07Does Clemens know only synthesis?
00:26:10Antithesis!
00:26:13And prothesis!
00:26:17Zagajał.
00:26:20Nureyko has several love disputes in his life.
00:26:24And he doesn't need much
00:26:27there and now,
00:26:30in the presence of the neighbors,
00:26:33to remain competent forever.
00:26:36In all committees,
00:26:39in all content.
00:26:41Then Clementine is worthy of him.
00:26:46He won't defend monologues.
00:26:51Sobosławień! At least speak clearly!
00:26:54Don't punish your own ancestors' tongues!
00:26:58You are a scoundrel!
00:27:01Know your language!
00:27:12Nureyko is not afraid of anything.
00:27:15She doesn't care about the world.
00:27:18She is not afraid of her own life.
00:27:21She is not afraid of the world.
00:27:24She is not afraid of her own life.
00:27:27She is not afraid of her own life.
00:27:30She is not afraid of her own life.
00:27:34Everything is fine, it seems.
00:27:37It's like the tenant died.
00:27:39As if the landlord had died.
00:27:47My God.
00:27:51The world regrets the silent people.
00:27:55How they lead us.
00:27:57Further and further.
00:27:59They are embraced.
00:28:01And constantly pushed.
00:28:05Until the last day, the forehead floods.
00:28:09Enough.
00:28:15Enough.
00:28:17Enough of your cleaning.
00:28:19For a few hours.
00:28:21It's not worth it.
00:28:23It's not worth it to worry about everything.
00:28:25In our house, for the smallest things,
00:28:27we do it for...
00:28:29The landlord, however,
00:28:31or suffers a mistake,
00:28:33seems to be calm.
00:28:35The one who said it,
00:28:37must suffer more often.
00:28:45We are more loyal
00:28:47than anyone else,
00:28:49we know things better.
00:28:51The silent people
00:28:53are the end of the world.
00:28:55And he pushed them away constantly.
00:28:57Further and further.
00:28:59More and more from the ground.
00:29:01Until they finally say,
00:29:03this is a madman.
00:29:05The one who talks to himself,
00:29:07is a madman.
00:29:09And not everyone,
00:29:11even those who live so modestly,
00:29:13is a madman.
00:29:15You have a great palace
00:29:17near here,
00:29:19of this Countess Harris.
00:29:21This is a gem from the great.
00:29:23It is such a goodness,
00:29:25that there are only two equal in the area,
00:29:27the Duke, the Provincial and the Countess.
00:29:29And the husband?
00:29:31Who doesn't know that it's a widow?
00:29:33I heard there was a widow,
00:29:35but when I came back from a long journey,
00:29:37I thought everyone was married.
00:29:39It should have been her.
00:29:41But what we think,
00:29:43and what you think,
00:29:45are two different things.
00:29:47Marriage is the same for everyone.
00:29:49This is how the Duke teaches the Provincial,
00:29:51until he tears his glasses
00:29:53several times.
00:29:55But the Countess is pious,
00:29:57and she must know the Provincial's father.
00:29:59Oh, of course.
00:30:01The Pentecost was celebrated
00:30:03by the Most Holy Lady
00:30:05with such a splendor,
00:30:07of big wax candles,
00:30:09that here, Mr. Count,
00:30:11I'm sorry,
00:30:13where would there be so many flowers,
00:30:15made of roses,
00:30:17lilies with silver leaves,
00:30:19expensive necklaces and ornates,
00:30:21which break like gold sheets.
00:30:23And where would there be
00:30:25so many feathers in God's body,
00:30:27bending like a soul,
00:30:29hidden by the sacrament,
00:30:31if there were no countesses
00:30:33equal in the world?
00:30:35But go,
00:30:37something must be given,
00:30:39and heaven,
00:30:41even the smoke
00:30:43of a fragrant cloud,
00:30:45if nothing
00:30:47a man can give himself,
00:30:49everything,
00:30:51as if it were borrowed,
00:30:53from God,
00:30:55from God,
00:30:57borrowed from God.
00:30:59I, however,
00:31:01say to him,
00:31:03that it is too much,
00:31:05I'm sorry,
00:31:07old servant.
00:31:21She really
00:31:23made me jealous.
00:31:27A man,
00:31:29who has often
00:31:31put on his head from his feet,
00:31:33goes on pilgrimages
00:31:35not the nearest,
00:31:37to finally hear a conversation
00:31:39with a nun.
00:31:41It was here,
00:31:43an old woman,
00:31:45bent down into ashes,
00:31:47used to look at the earth
00:31:49with a diamond look,
00:31:51giving words
00:31:53with light.
00:31:57Indeed,
00:31:59only a traveller
00:32:01can travel,
00:32:03discover monuments
00:32:05in their own directions,
00:32:07or make
00:32:09things unknown
00:32:11to others.
00:32:13Things,
00:32:15next to which
00:32:17relatives,
00:32:19supporting their
00:32:21slender elbows,
00:32:23hit my sight,
00:32:25wake up my hearing.
00:32:27I travel
00:32:29again and again,
00:32:33like in a dream.
00:32:51Certainly,
00:32:53I return to myself.
00:32:59But there are
00:33:01many floors left for me,
00:33:05higher and higher,
00:33:11until
00:33:13possessions and
00:33:15Dureyka end.
00:33:23It is a great happiness
00:33:25that the globe is in the universe,
00:33:27which humanity has not traversed,
00:33:29great,
00:33:31like the abyss,
00:33:35and the only one.
00:33:53I see that this place is pushing me away.
00:33:59I've been there
00:34:01so many times,
00:34:03and I know
00:34:05that they
00:34:07don't care about me.
00:34:17I'll come back again.
00:34:19I'll come back.
00:34:21I'll come back.
00:34:23I have to talk about my son Salome again.
00:34:27I won't tell her anything.
00:34:49A combination of different ironies
00:34:51erases the personality.
00:34:55I don't want to want.
00:35:19I don't want to want.
00:35:31She will finally come
00:35:33and have no direction.
00:35:37She will slowly come
00:35:39to stand before her.
00:35:43As if someone
00:35:45walking with his own empty chest
00:35:47is waiting for her.
00:35:53So,
00:35:55with a calm face.
00:35:59Hello, neighbor.
00:36:07I didn't know you were a neighbor.
00:36:13I'm sorry.
00:36:17I see everything so prepared.
00:36:19It's going to be a vacuum,
00:36:21but better.
00:36:23In America,
00:36:25it's not a hut,
00:36:27but a living room
00:36:29for the inhabitants.
00:36:31Everyone welcomes
00:36:33their guests
00:36:35and it doesn't bother anyone at all.
00:36:37This is also the progress
00:36:39of society.
00:36:41Europe
00:36:43perceives itself
00:36:45as a vacuum,
00:36:47like a chemical process.
00:36:49Hence,
00:36:51many beings
00:36:53that have not spread
00:36:55or taken their lives
00:36:57pass through another death,
00:36:59a civil one,
00:37:01that is,
00:37:03a permanent exile.
00:37:05And from such
00:37:07dead insurgents
00:37:09a new community
00:37:11of Irishmen
00:37:13has emerged.
00:37:15How many
00:37:17of them
00:37:19leave their country.
00:37:21But,
00:37:23your name
00:37:25comes from Ireland
00:37:27or Scotland.
00:37:31Every country
00:37:33has different names.
00:37:35Especially
00:37:37those with
00:37:39torn maps of the past.
00:37:45I also come
00:37:49from those
00:37:51squabbles of bodies
00:37:53that can't stand
00:37:55the chemical steam of Europe.
00:37:59I'm not asking you
00:38:01for the details of the meeting.
00:38:03I'm used to
00:38:05going from place to place
00:38:07during my travels
00:38:09and from this content to that,
00:38:11shortening the time
00:38:13by obedience.
00:38:15That's why I'll tell you
00:38:17something more.
00:38:19Moving on,
00:38:21my service
00:38:23unconditionally offers you,
00:38:25if his constant thought
00:38:27was to sail the world
00:38:29overseas.
00:38:31Truly,
00:38:33I'm not going to
00:38:35collect photographs.
00:38:37Knowledge is a duty.
00:38:39People can be given
00:38:41and blamed.
00:38:47Speaking like you,
00:38:51I rarely hear them.
00:38:55But it's bad
00:38:57to give a moment,
00:38:59especially when there are
00:39:01so many things
00:39:03that a human being
00:39:05would let go of.
00:39:11I accept
00:39:13this gift of mercy.
00:39:17If it falls out of my hands,
00:39:19I'll use it.
00:39:21I've noticed
00:39:23that so far
00:39:25society is so set
00:39:27to earn
00:39:29and educate itself
00:39:31to a low degree.
00:39:33The reason for which
00:39:35there are pressures
00:39:37almost on morality.
00:39:39I was surprised
00:39:41that you make such objections.
00:39:43I take it as a joke.
00:39:47The social world
00:39:49also has its ups and downs,
00:39:51its eclipses.
00:39:55Just like
00:39:57the movement
00:39:59of the caravans.
00:40:01It seems like
00:40:03something extraordinary
00:40:05has happened,
00:40:07but it's only an hour.
00:40:09With your permission,
00:40:11I'd like to take a look.
00:40:13Goodbye.
00:40:19There's no doubt
00:40:21that it's someone
00:40:23on the same path
00:40:25as you.
00:40:33So you know
00:40:35almost everything.
00:40:37Sometimes I leave
00:40:39a note,
00:40:41just like my husband
00:40:43used to do
00:40:45when he forgot
00:40:47how to smile.
00:40:49When he taught me
00:40:51how to behave like a child,
00:40:53and my apparent
00:40:55carelessness.
00:40:59On the other hand,
00:41:01I overestimate
00:41:03the fact that
00:41:05it's impossible
00:41:07to give faith
00:41:09to a feeling that works.
00:41:13This ring
00:41:15is really
00:41:17a sensual thing
00:41:19that I don't value.
00:41:21When I lost it,
00:41:23I had a feeling
00:41:27that I had to check
00:41:29right when
00:41:31I found
00:41:33the loss.
00:41:39Because right now
00:41:45I picked up the telegram.
00:41:47But let's go back
00:41:49to the way my husband
00:41:51used to teach me.
00:41:59You didn't give me a note,
00:42:01but a telegram.
00:42:13So let's start
00:42:15with the first point
00:42:17I see in the instruction.
00:42:19What do you want to teach me
00:42:21about Shelida,
00:42:23whom I once
00:42:25saw somewhere.
00:42:29Since then I've heard
00:42:31that she adores you,
00:42:33that you feel for me,
00:42:35and that she's been visiting
00:42:37the Dead Sea,
00:42:39or the rubble
00:42:41around.
00:42:43I'll always have
00:42:45to throw away
00:42:49that I've done
00:42:51something similar to a lie.
00:42:55But this Shelida's
00:42:57earthly love,
00:42:59sometimes so stubborn,
00:43:01gave me the thought
00:43:03to tell him
00:43:05about my possible
00:43:07marriage.
00:43:09Since then
00:43:11the telegram
00:43:13has sent me
00:43:15only once
00:43:17from Smyrna.
00:43:21Returning to Earth,
00:43:23I visit her.
00:43:25Shortening is necessary
00:43:27in a telegram.
00:43:29To Earth.
00:43:31It has to mean
00:43:33for your own good.
00:43:35She means you,
00:43:37she returns
00:43:39and wants to visit you.
00:43:43You should only be in a hurry
00:43:45to fulfill your marriage,
00:43:47replacing thinking
00:43:49with faith.
00:43:51Then when you call her
00:43:53earthly love,
00:43:55stubborn Shelida,
00:43:57she would probably
00:43:59turn into something else,
00:44:01because there must be
00:44:03other feelings for diversity
00:44:05in your heart.
00:44:07Let's leave it aside
00:44:09and return to our daily work.
00:44:11If Shelida came
00:44:13to your presence...
00:44:15Let her come,
00:44:17but don't say
00:44:19a single word
00:44:21to hope.
00:44:23I recommend you
00:44:25to be careful.
00:44:27I don't want
00:44:29anything to bind me
00:44:31when I gave up
00:44:33my duty and found
00:44:35great good.
00:44:37Peace.
00:44:41Macix wants to see you.
00:44:43I won't accept anyone before leaving.
00:44:47Macix.
00:44:51How could I forget him?
00:44:53What do you want
00:44:55to do with this cousin?
00:44:57Me?
00:44:59Nothing.
00:45:01What will he do with himself?
00:45:03I never had time
00:45:05to ask him.
00:45:09I could finally marry him.
00:45:13After all, marriage is a sacrament.
00:45:17I don't have much time left.
00:45:19What did we talk about so far?
00:45:21That Shelida is ahead
00:45:23and that he...
00:45:25You won't lose a word of hope.
00:45:27My love is very important.
00:45:29And I have to accept him
00:45:31as politely as possible.
00:45:33How beautiful that you remember everything.
00:45:35As politely as possible
00:45:37so that I can
00:45:39comfort him with a firm refusal.
00:45:43Love,
00:45:45however earthly
00:45:47it may be,
00:45:51is not a pleasant thing.
00:45:55At least that's what I think.
00:45:57But it doesn't have to be pleasant.
00:46:01And now, what's next?
00:46:03Read the note.
00:46:05A couple of dancers.
00:46:09What does that mean, Miss?
00:46:11Read on.
00:46:13I invited a lady from my pension,
00:46:15a few little boys,
00:46:17and Mrs. Durejko, a master with her husband.
00:46:19Everything as polite as possible.
00:46:21One invitation
00:46:23has been sent.
00:46:25The rest is here, sent.
00:46:27I'll just check if you didn't
00:46:29put something else in there by accident.
00:46:33The fact that you found a bank card
00:46:35in my book on the shelf
00:46:37makes you make
00:46:39irrefutable conclusions.
00:46:41I can forget the cards.
00:46:43Not on purpose.
00:46:45There are days when I have
00:46:47all the hours calculated like a clock
00:46:49and written down in a row in the evening.
00:46:51Now...
00:46:53I'm going to the meeting, Your Grace.
00:46:59A girl in a torn dress.
00:47:01It's not appropriate to speak
00:47:03of the poor without a pillow,
00:47:05because it would look like a comedy.
00:47:07It's an accident.
00:47:09And it doesn't matter.
00:47:15A glass of ice tea, please.
00:47:23Mr. Count, a little slower.
00:47:27Mag X announces itself again.
00:47:29Let it go if necessary.
00:47:31This young man came in,
00:47:33but when he saw that you were
00:47:35filling in the clothes, he withdrew.
00:47:37It's his fault.
00:47:39Maybe it's necessary.
00:47:41Could you dress in front of people?
00:47:43These are not people.
00:47:45Give me a pin, please.
00:47:47These are not people.
00:47:49Oh, no, Your Grace,
00:47:51give me a pin.
00:47:53I'm lifting up your words,
00:47:55which I would have omitted,
00:47:57like many others.
00:47:59I omitted, he says.
00:48:01These are not people, Your Grace.
00:48:03They are only obliged to you
00:48:05or very capable of appreciating you.
00:48:07Not people.
00:48:09You can pin a button
00:48:11to them without confusing the order.
00:48:15Give me a pin, forgive me,
00:48:17Mrs. Cousin,
00:48:19but I'll tell you more.
00:48:23It happens that those who are not people
00:48:25one day and one hour
00:48:27are the only ones left.
00:48:29It depends on the background,
00:48:31not on the object.
00:48:33When the background changes,
00:48:35so does the object.
00:48:37Mag X,
00:48:39how much did I hurt you?
00:48:41I'm sorry.
00:48:43I was in such a hurry
00:48:45that I didn't even think about it.
00:48:47I wanted to tell you about you.
00:48:51In other words,
00:48:53it's not exactly the opposite,
00:48:55but something broke
00:48:57in the course of my thinking.
00:48:59I can't add anything anymore.
00:49:01You made the scene
00:49:03for one poor expression,
00:49:05for the way of speaking
00:49:07in the world of the accepted,
00:49:09which is not hers.
00:49:11Not hers at all, I assure you.
00:49:13This is an inappropriate expression,
00:49:15despised and taken for granted
00:49:17by the general atmosphere of the world,
00:49:19which governs our speech
00:49:21without us.
00:49:25Madam,
00:49:29I have overused the word
00:49:31honesty,
00:49:33throwing out unstoppable words.
00:49:35If it's a weakness
00:49:37that I have to leave
00:49:39without finishing the conversation,
00:49:41this weakness
00:49:43only has its own personality,
00:49:45not belonging to the general atmosphere
00:49:47of the world,
00:49:49which governs our speech without us.
00:49:51Matthew!
00:49:57I want
00:49:59to come tonight.
00:50:03Madam,
00:50:05my cousin,
00:50:07I assure you.
00:50:09Give me
00:50:11a pen and a watch.
00:50:15You were surprised by the event
00:50:17coming out of the daily
00:50:19and unnoticed order in the book.
00:50:21Don't bother me.
00:50:23I don't have time.
00:50:25I left you the whole instruction.
00:50:41Thank you.
00:50:47Anything else?
00:50:51I forgot my book for the new marriage.
00:50:55I'm taking it in exchange
00:50:57for last year's city calendar.
00:50:59Here's your book.
00:51:01Goodbye.
00:51:11And you, with last year's
00:51:13calendar in your hand
00:51:15and your torn dress.
00:51:19You are holy
00:51:21with blue eyes.
00:51:27I know how to admire you.
00:51:31Someone else turned your mirrors
00:51:33and they are not
00:51:35valuable.
00:51:37I see them as a prison
00:51:39which looks through
00:51:41the open window
00:51:43to see if people on earth
00:51:45are freer.
00:51:47Everything I have to do
00:51:49is written out.
00:51:51I should be in charge
00:51:53of the office.
00:51:55Count Shelikha.
00:51:57One moment.
00:52:09Now, please.
00:52:15Mary Harris.
00:52:17You are not worthy
00:52:19of replacing Magdalene Tomir
00:52:21who had the pleasure
00:52:23not to be a stranger
00:52:25but would always
00:52:27be faithful.
00:52:29It was a couple of years ago
00:52:31in a not particularly poetic place
00:52:33near the railway station
00:52:35where my relative was.
00:52:37Ah, Mr. Leszla.
00:52:39Now I remember everything.
00:52:41I haven't seen you
00:52:43since then.
00:52:45Since then?
00:52:47I haven't left the railway
00:52:49until I return to Europe
00:52:51leaving it
00:52:53and when I return
00:52:55I meet you again.
00:52:57It's the second time in my life.
00:52:59It's similar.
00:53:01So if the atom of fatalism
00:53:03from the East
00:53:05I would be guilty again
00:53:07of not being careful
00:53:09when the old ones came
00:53:11but to say goodbye again.
00:53:13Or to present myself
00:53:15as a stranger again.
00:53:17But nothing
00:53:19is so strictly repeated.
00:53:23What more can there be
00:53:25in this world than regret?
00:53:27Right?
00:53:29I didn't say
00:53:31anything about your house.
00:53:33Of course.
00:53:35Of course.
00:53:37Because anyone who is proud
00:53:39of a waste is thinking
00:53:41about her relative.
00:53:43She is more than ever
00:53:45an alien.
00:53:47And supposedly, if I'm not mistaken
00:53:49she was a relative
00:53:51or is a relative of the marriage?
00:53:53These marriages are mystical.
00:53:55Mystical.
00:53:57And that's why
00:53:59they seem to be fulfilled.
00:54:01That they are mystical.
00:54:03What more can I say?
00:54:05Is there anything more
00:54:07pleasant to say?
00:54:09There are events
00:54:11in which laconism
00:54:13is the most merciful form.
00:54:15It's better to know
00:54:17yes or no.
00:54:19Details
00:54:21are only an anecdote.
00:54:23The main thing
00:54:25is if someone made
00:54:27one of those decisions
00:54:29to reform one's personality.
00:54:31Stability,
00:54:33according to my understanding,
00:54:35is a valuable asset.
00:54:37But it can also deceive.
00:54:39Because what can stability
00:54:41be compared to comets
00:54:43whose orbits have changed?
00:54:47Am I
00:54:49grateful to you for something?
00:54:53I don't know.
00:54:55How are you,
00:54:57Countess?
00:54:59Oh, I'm fine.
00:55:01This morning
00:55:03we had something
00:55:05like a storm.
00:55:07Which also
00:55:09cooled the air.
00:55:11Summer storms
00:55:13with thunder and lightning
00:55:15even
00:55:17with pouring rain.
00:55:19They are nice.
00:55:21No, they are always
00:55:23pleasant.
00:55:25I have a window full of flowers
00:55:27entangled in a variety of leaves.
00:55:29And I know them all
00:55:31so well that when one
00:55:33flower was plucked
00:55:35from the window,
00:55:37it was a flea,
00:55:39geranium.
00:55:41I recognized it right away.
00:55:43How so?
00:55:45Did you recognize
00:55:47a stolen geranium
00:55:49when you met it?
00:55:51No, I didn't.
00:55:53But one flower was missing
00:55:55in the window.
00:55:57There are people
00:55:59who are short of time.
00:56:01I'm close to them.
00:56:03When I looked at the clock,
00:56:05Maria gave me instructions.
00:56:07Her instructions
00:56:09are like military ones.
00:56:11You have to go back a chair
00:56:13in a row, creating a place
00:56:15as if to dance.
00:56:17Similarly, in two side rooms.
00:56:21I mentioned
00:56:23people
00:56:25who are short
00:56:27of time.
00:56:29They are important.
00:56:33And you are close to them.
00:56:35In Europe, it's a special state.
00:56:37In the East,
00:56:39it's a custom, a faith
00:56:41or a curse.
00:56:43The shadow of the tent
00:56:45makes the Arab
00:56:47embrace his brother.
00:56:49We don't know brotherhood in Europe.
00:56:51But sometimes
00:56:53there is sisterhood.
00:56:55I've never noticed
00:56:57that it's an expression
00:56:59of one gender,
00:57:01that brotherhood is male.
00:57:03It's a proof
00:57:05how much they are embraced in Europe.
00:57:09I have something from the East.
00:57:11It's true.
00:57:13My mother is from the Polish nobility
00:57:15who came from Armenia.
00:57:17It's true.
00:57:19You clearly have something from the East.
00:57:23It's a shame.
00:57:25Women in the world
00:57:27are evil for others.
00:57:29And this is called upbringing.
00:57:31You can't give a hand
00:57:33openly.
00:57:35You can't smile.
00:57:37Because they are evil
00:57:39if they smile badly.
00:57:41Arab,
00:57:43as you have seen,
00:57:45is like this.
00:57:49And he trusts.
00:57:51And he believes
00:57:53less than he is betrayed.
00:57:59I'm sorry
00:58:01that I don't come here often.
00:58:05I said it for this reason.
00:58:09And I said it
00:58:11because Magdalena replaces me.
00:58:13So I should have announced
00:58:15not being a lady of the house
00:58:17for now.
00:58:21I was late
00:58:23for the mass.
00:58:35An unreadable telegram
00:58:37from Smyrna.
00:58:39She has just read it.
00:58:43Did you see each other
00:58:45a long time ago?
00:58:47How can I remember
00:58:49the details?
00:58:55Oh, lady.
00:58:57Two years.
00:58:59I
00:59:01have been
00:59:03waiting
00:59:05for you
00:59:07for a long time.
00:59:09Two years.
00:59:11I
00:59:13haven't seen even
00:59:15a single drop in the lake
00:59:17in which the cloud
00:59:19reflected on which her eye
00:59:21rested.
00:59:23Ah.
00:59:25What a sensual picture.
00:59:27It's not an oriental expression,
00:59:29but actually when someone comes back from the East
00:59:31and you don't have anything
00:59:33to be afraid of.
00:59:35You will recall
00:59:37a bright, transparent
00:59:39Shroud.
00:59:41It's the second telegram.
00:59:43Did you have
00:59:45a better translator in Palestine?
00:59:47By the way,
00:59:49why
00:59:51don't you bring
00:59:53the Jerusalem rosary?
00:59:55As I see, you don't wear it.
00:59:57One tear.
01:00:01When I fell
01:00:03into the Dead Sea,
01:00:05thinking about the distant ones,
01:00:09the whole thing
01:00:11turned into burning grains,
01:00:13crystalline,
01:00:15incredibly hard,
01:00:17bright as ice.
01:00:19And since then
01:00:21I have neglected the rosaries.
01:00:23You can get discouraged
01:00:25when you lose a hand badly.
01:00:27It may be
01:00:29our great happiness.
01:00:31I am completely in your opinion.
01:00:33When you lose
01:00:35something earthly,
01:00:37you give up more
01:00:39in exchange.
01:00:41But
01:00:43is the rosary an earthly thing
01:00:45or not?
01:00:47I have to ask.
01:00:49The one I'm talking about
01:00:51was from the West.
01:00:53A man from the West,
01:00:55not the whole of humanity.
01:00:57That's why it was undoubtedly
01:00:59an earthly thing, very expensive.
01:01:01I myself
01:01:03am only a human,
01:01:05a descendant of the globe
01:01:07on which there are storms and volcanoes,
01:01:09avalanches and thunders in the air,
01:01:11a thing that angels often forget,
01:01:13like the peasants who,
01:01:15without doing agriculture,
01:01:17value the avalanches
01:01:19because of their influence on the umbrella,
01:01:21on the glass in the carriage.
01:01:23Angels know everything better.
01:01:27If that is your conviction.
01:01:29I tell you,
01:01:31they are never late
01:01:33for mercy.
01:01:35They come on time to the committee
01:01:37and fill
01:01:39anything better.
01:01:43We have a little evening today
01:01:45which may be almost angelic,
01:01:49because the ladies from the pension will come
01:01:51to dance, all beautiful
01:01:53and full of goodness.
01:01:55To dance?
01:01:57But to play various innocent games
01:01:59is decided.
01:02:05Above all, it is better
01:02:07to avoid the world.
01:02:13See you in the evening.
01:02:15Yes, lady.
01:02:21The world
01:02:23is really
01:02:25a scourge
01:02:27to people,
01:02:29because it shapes and does not develop.
01:02:31Do you really want to leave now?
01:02:33I thought
01:02:35the reception time was over.
01:02:37It is not so strictly defined.
01:02:41Even in a committee
01:02:43you can be absent for an hour.
01:02:47This rosary is not from Jerusalem.
01:02:49On the contrary, it was taken for such.
01:02:51The Venetian goldsmiths
01:02:53make even ones,
01:02:55but are they for the decoration of the hand?
01:02:57Various colors bring the stones
01:02:59closer to the shine of the skin
01:03:01or to the glove.
01:03:03They have a similar usefulness
01:03:05to the smell.
01:03:07They have a separate Mahometan rosary
01:03:09from Constantinople.
01:03:11One wears it,
01:03:13the other perfumes it,
01:03:15and the third is finally
01:03:17in the hands of the priests.
01:03:19What's so funny?
01:03:21It's not much.
01:03:23This is my glove.
01:03:25Look at you,
01:03:27you are so small.
01:03:29Did you think it was Mary
01:03:31and you were about to get married?
01:03:33Excuse me?
01:03:35You may leave now,
01:03:37but not
01:03:39for the sake of the hour.
01:03:43If it is not
01:03:45for the sake of the hour
01:03:47and not for the death,
01:03:49I would be unjustified
01:03:51if I were to leave.
01:03:53It is, however,
01:03:55the hour I wanted you to return.
01:03:57You are less sad
01:03:59than a square.
01:04:01More or less
01:04:03is what I mean
01:04:05when I say.
01:04:07Visits
01:04:09of people.
01:04:13This seemingly trivial matter
01:04:15has its deep content.
01:04:17There are people
01:04:19with whom, when we meet,
01:04:21we are subtle and naïve.
01:04:23There are people
01:04:25for whom even Raphael
01:04:27has to become a painter of signs,
01:04:29painting every detail
01:04:31clearly and terribly,
01:04:33and for whom we become
01:04:35opponents to ourselves
01:04:37and higher feelings and style.
01:04:39On the contrary,
01:04:41being so,
01:04:43it makes us bitter.
01:04:45When a custom,
01:04:47rightly recommending
01:04:49flow and smoothness,
01:04:51from the outside
01:04:53inhibits all this
01:04:55and adds one more difficulty.
01:04:57For such people,
01:04:59playing Beethoven
01:05:01must be a special pleasure.
01:05:03Because you liked
01:05:05being a doctor
01:05:07of these sufferings,
01:05:09therefore,
01:05:11it is weakness.
01:05:13Because it is weakness.
01:05:17Weakness.
01:05:19If you know
01:05:21that it is weakness.
01:05:23You know the pain.
01:05:31This glove
01:05:33is thrown at me.
01:05:37My own.
01:05:39A special one.
01:05:43Mary's recommendations,
01:05:45which we all
01:05:47carefully fulfilled.
01:06:05The supervisor of those
01:06:07unartificial meetings
01:06:09has sent me
01:06:11an address from the Countess.
01:06:13She really lights a firework in my head.
01:06:15Let her go,
01:06:17because I don't know what I want.
01:06:21I had the honor
01:06:23to present to the Countess
01:06:25the patterns of a few fireworks,
01:06:27which were lit with a certain glory.
01:06:29Am I praising myself so much?
01:06:31Especially the imagination
01:06:33of a peacock's tail,
01:06:35so that I was tempted
01:06:37to eat it on my hands.
01:06:39Or, I must admit,
01:06:41I added two fountain hearts,
01:06:43and each heart
01:06:45cracked behind the scene,
01:06:47and it was like a failure
01:06:49in a small battle,
01:06:51when a bright triumph
01:06:53was burning ahead.
01:06:55However, the Countess did not like it,
01:06:57so I proposed
01:06:59the whole figure of Cupid
01:07:01in the flame of a pink cologne.
01:07:03What did the Countess say?
01:07:05She seemed to have changed her mind.
01:07:07She wanted something lighter.
01:07:09Cupid, after all,
01:07:11is a machine,
01:07:13which does not stand still for a few hours.
01:07:15So I moved on to simpler things,
01:07:17to the sun, stars, comets.
01:07:19What did it cost?
01:07:21I was sent here by the address.
01:07:25Couldn't it cost,
01:07:27for example,
01:07:29zero?
01:07:31In art,
01:07:33we do not call anything zero,
01:07:35but a ring.
01:07:37Oh, that's a great idea!
01:07:39I was finally understood
01:07:41once in a lifetime,
01:07:43thanks to the Countess.
01:07:45And this one is still holding me.
01:07:47Two rings
01:07:49can be sewn with a stitch.
01:07:51It is very possible,
01:07:53yes, it is done,
01:07:55by adding parrots' wings on the sides,
01:07:57wiping the floor with a broom,
01:07:59and people, supporting it with a rattle,
01:08:01with a flash, with a slightly arousing effect,
01:08:03it comes to heaven,
01:08:05its charm.
01:08:07So the simplest thing
01:08:09is not to look for details,
01:08:11to think about it.
01:08:15At last
01:08:17I was guessed
01:08:19once in a lifetime.
01:08:25Humble servant,
01:08:29please.
01:08:55I hear the gentle Mary's
01:08:57I have to make a little scene out of her every step.
01:09:04It's not enough that everything is undamaged.
01:09:07It's not enough that you didn't betray yourself.
01:09:10I accepted Schellig as you wanted,
01:09:13sweetening your final refusal to him as politely as possible.
01:09:18In order to clean up his black thoughts,
01:09:20I talked about the customs of the generations
01:09:22that still live patriarchally,
01:09:24and the ceremonies of suicide
01:09:26are not fulfilled on human hearts.
01:09:28We showed each other the gestures in the company.
01:09:32You come up and with an earthly bite,
01:09:35seeing our joined hands,
01:09:37you move away.
01:09:39How could it be possible
01:09:41to give him the hope of triumph?
01:09:44It's true that to follow your instructions
01:09:46is a penelope's fetish.
01:09:49Then I had to work
01:09:51with the flow of your conversations
01:09:53like a toothed wheel somewhere in a factory.
01:09:55You betrayed yourself so awkwardly, ma'am.
01:09:58I couldn't betray myself, Magdalena.
01:10:02I got out of the sea and childhood,
01:10:04but I was about to go back immediately.
01:10:06Yes, going back was even worse.
01:10:11Because, maybe,
01:10:14I once had
01:10:16a tiny earthly feeling
01:10:19for the person I'm leaving today.
01:10:21Well,
01:10:23what did you just damage?
01:10:26A tiny thing.
01:10:29Some flimsy atom.
01:10:32You have to put it back, my angel,
01:10:34because you will spoil it again.
01:10:37You have to cool it constantly.
01:10:41I could only take care of it.
01:10:45But you are good,
01:10:48patient,
01:10:51you saved me once before.
01:10:54Save me more,
01:10:56save me constantly.
01:10:59You will be your savior,
01:11:01Mary Magdalena, I beg you.
01:11:03Be good.
01:11:05It's difficult.
01:11:08But we had a good start.
01:11:11Don't you think so?
01:11:13It seemed to me that he left when he came.
01:11:16Not exactly, but something like that.
01:11:21I will finally accept this sacrifice.
01:11:25He can do anything to me.
01:11:28But give me a word,
01:11:30that whatever you will say or do,
01:11:32you will do it to my favor.
01:11:35I give a solemn word for it.
01:11:37So, for example,
01:11:39stay a little longer.
01:11:41Don't you have anything
01:11:43to take your empty place
01:11:45in the sphere of the heart for our line?
01:11:49Mr. Lech, there will be a lot of good here,
01:11:51if there were younger people.
01:11:54Mothers came from all over the area.
01:11:57It's really like a group of communities.
01:12:01You forget, however, the matter of age.
01:12:05There is none,
01:12:07for example, in your years.
01:12:11None of your growth.
01:12:14And you explained me the similarity completely.
01:12:18Almost all of them are children, really.
01:12:22Don't you have, however,
01:12:24that the idea is good,
01:12:26if it could be used?
01:12:28Magdalenka,
01:12:30you have great wisdom.
01:12:32Let it be.
01:12:34It is necessary to cool down
01:12:36the earthly feelings of the worshiper.
01:12:39And he could also find peace.
01:12:49He wears a beard.
01:12:53He was also a pyrosal.
01:13:18He was also a pyrosal.
01:13:48He was also a pyrosal.
01:14:15Do you understand?
01:14:17Do you understand?
01:14:47Do you understand?
01:15:05Thank you for coming.
01:15:07Even earlier.
01:15:09Not necessarily.
01:15:11There are already many people.
01:15:13It wasn't very easy for me,
01:15:15but it doesn't matter.
01:15:17Maybe it will hurt you.
01:15:19It is for children who run a lot
01:15:21and have a sharp appetite.
01:15:27Macix,
01:15:29Count Szeliga.
01:15:31This villa is full of taste,
01:15:33Countess.
01:15:35It is a jewel of our province.
01:15:37This is Macix, if I may ask.
01:15:40A distant relative of Mary's husband.
01:15:42Mr. Jenek, I cannot calm down.
01:15:44The Countess is happy.
01:15:46No difference in age and gender.
01:15:48Everyone shares the same feelings.
01:15:51You can't look away.
01:15:55You have seen a lot of curiosities.
01:15:58Where did such a beautiful creature
01:16:00delight when his eyes?
01:16:02Since the girls jumped over the lady's house,
01:16:05it was almost impossible to look at the girl.
01:16:08I have seen a little beauty,
01:16:10haven't I?
01:16:12However, I was so high
01:16:14that I found myself
01:16:16where the most holy lady was.
01:16:18From a height,
01:16:20her smile shone among the angels.
01:16:22I can't listen to this.
01:16:24It's a sin.
01:16:27So it's a sin.
01:16:29What all the inspired masters
01:16:31sang in brushstrokes and litanies.
01:16:33It's just fiction,
01:16:35not a sin anymore.
01:16:37But the Countess is pure
01:16:39like a jewel.
01:16:41Yes, something like that.
01:16:43Why are you sad again?
01:16:45Well,
01:16:47because of the general joy
01:16:49of the children.
01:16:51You ask yourself
01:16:53why he is sad.
01:16:55If you are sad,
01:16:57let him eat
01:16:59or take something cold.
01:17:06Excellent.
01:17:07You have to be so cold all the time.
01:17:09They say
01:17:11that
01:17:13it's a sin to be sad and to eat.
01:17:15It's a state of not so many appetites
01:17:17competing
01:17:19as the strength of digestion.
01:17:21Really?
01:17:23So, without hesitation,
01:17:25let's eat.
01:17:31Veranda is
01:17:33without exaggeration a miracle.
01:17:35It's an enchanted island.
01:17:37Do you have a better comparison?
01:17:39These cypresses,
01:17:41which are romantic trees
01:17:43and other
01:17:45shrubs,
01:17:47make the view
01:17:49extra-stunning.
01:17:51There is one more thing missing here.
01:17:53But I didn't think of
01:17:55a shape for it.
01:17:57I want
01:17:59a small garden grave
01:18:01to shine from the cypresses.
01:18:03Oh, Countess,
01:18:05how can a grave
01:18:07so close to the house
01:18:09be a garden grave?
01:18:11It's just a decoration.
01:18:13Where can I rest in the evening?
01:18:15I must admit
01:18:17that I put a stone in the grave
01:18:19where the poem of Dureikow
01:18:21is written.
01:18:23What is the poem?
01:18:25Tell us, please.
01:18:27Peace.
01:18:29A nice example for you.
01:18:31Clemenceau makes jokes
01:18:33about the creator.
01:18:35Homer died of poverty,
01:18:37but there is a lot of sense
01:18:39in the poems
01:18:41and a healthy mind
01:18:43in the one who tried to deepen them.
01:18:45How do you like
01:18:47this idea of a grave?
01:18:51It's a sad idea
01:18:53because people tend to
01:18:55throw it out of a certain
01:18:57sense of life.
01:18:59But I don't want to
01:19:01tell you a secret.
01:19:03Please.
01:19:05As beautiful as possible.
01:19:07Death.
01:19:09The power of life
01:19:11is heard all the time
01:19:13and not only in every fulfillment.
01:19:15One of its strings,
01:19:17if someone throws it away,
01:19:19he needs to add what he missed.
01:19:21He needs a cemetery view.
01:19:23That's why it's artistic,
01:19:25not because of the tombstones.
01:19:27As I understand it.
01:19:29What are you talking about?
01:19:33The cemetery.
01:19:35I've been thinking about it.
01:19:37I don't know how to start.
01:19:39I want it to be
01:19:41a tomb and an altar.
01:19:45Mach X.
01:19:49I don't want to forget.
01:19:51You have to be
01:19:53at my place tomorrow.
01:19:55We need to talk about
01:19:57various interests.
01:20:01Let's choose a game
01:20:03for children
01:20:05or two different ones.
01:20:07I vote for two or three.
01:20:09To the verandah!
01:20:11To the verandah!
01:20:13To the verandah!
01:20:15Old ladies,
01:20:17let people stop being serious.
01:20:19To the verandah!
01:20:21To the verandah!
01:20:23Young ladies,
01:20:25they can play on the verandah.
01:20:27We'll find suitable games.
01:20:29To the verandah!
01:20:31We need to keep the distinction.
01:20:33They're all skillful.
01:20:35They're educated
01:20:37according to the Durek system.
01:20:39I could say
01:20:41that I don't take their essence
01:20:43from pedagogy.
01:20:47The essence is called omnipotence
01:20:49according to the original self-knowledge.
01:20:51But it's not omnipotent.
01:20:53Mon mari est puriste.
01:20:55Very good!
01:20:57Very good!
01:20:59Long live the judge!
01:21:01It's time for terminology.
01:21:03Ring! Ring! Ring!
01:21:05You'll have Santa
01:21:07in your basket.
01:21:09Ring! Ring! Ring!
01:21:11Old ladies, let them stand
01:21:13on the verandah.
01:21:15Young ladies can play
01:21:17in the living room.
01:21:19There's more space than needed.
01:21:21Ring! Ring! Ring!
01:21:23I'll give you a ribbon
01:21:25and this ring.
01:21:33The great Mogol
01:21:35could wear a hat
01:21:37with your diamond.
01:21:39It's important.
01:21:41As if
01:21:43it were a lightning bolt
01:21:45that struck.
01:21:47I think
01:21:49this lightning bolt
01:21:51will be used today.
01:21:53With its size
01:21:55and shine
01:21:57as if it were made
01:21:59for this purpose.
01:22:01Such a gem
01:22:03has its price
01:22:05and not only children like it.
01:22:07I'll give you my ring.
01:22:11I'll play.
01:22:13No.
01:22:15I'll take my ring
01:22:17and you'll play.
01:22:19She'll give her ring.
01:22:21I won't play
01:22:23because
01:22:25I'd have to be
01:22:27in the living room
01:22:29where I'd lose
01:22:31the ownership.
01:22:33Give me your ring, Maria.
01:22:35I'll put it on myself.
01:22:47I'll put it on myself.
01:23:01Let's air out.
01:23:03I feel
01:23:05a fever.
01:23:07It's just a nervous breakdown
01:23:09which is often
01:23:11the secret.
01:23:13Although people
01:23:15don't change their moods,
01:23:17they're influenced by it.
01:23:21It's sometimes
01:23:23a moral reason.
01:23:25Disappointment
01:23:27as if it were thrill.
01:23:29It's so important
01:23:31that you can be angry.
01:23:33Mr. Durejko
01:23:35could replace it
01:23:37with a happier one.
01:23:39A famous one,
01:23:41more or less.
01:23:43There are people
01:23:45from whom
01:23:47the earth
01:23:49ceases to be round.
01:23:51It's getting flatter
01:23:53and flatter.
01:23:55The sun
01:23:57is shiny
01:23:59and green
01:24:01like on a billiard table.
01:24:03The dress is clean,
01:24:05even and tidy.
01:24:07Why do you attribute it
01:24:09to people?
01:24:11Sometimes
01:24:13when you leave,
01:24:15you see
01:24:17the stairs and the threshold
01:24:19of strange shapes.
01:24:21You notice that the shadows
01:24:23are more special.
01:24:25The sun
01:24:27works with a brush.
01:24:31And when
01:24:33there's wind and storm,
01:24:35you open
01:24:37your chest
01:24:39and feel it.
01:24:41How can
01:24:43the threshold
01:24:45be beautiful?
01:24:47Homer in Odyssey
01:24:49sings about the threshold
01:24:51on which Penelope's foot
01:24:53rested.
01:24:55It's a great proof.
01:24:59But
01:25:01this threshold
01:25:05is not
01:25:07clean.
01:25:37It turns out
01:25:39that one moment
01:25:41of doubt,
01:25:43that one
01:25:45quick thought,
01:25:47even if we forgot about it,
01:25:49can still
01:25:51weigh on you
01:25:53all day long.
01:25:59This gun
01:26:01is quivering
01:26:03like an excess.
01:26:07I was a priest,
01:26:11and my body was about to die.
01:26:15Byron rightly says
01:26:19that the courage of the ancient husbands
01:26:21depended on
01:26:23good manners.
01:26:29It sounds like cynicism.
01:26:31To whom?
01:26:33To those
01:26:35who look at tragedy from a distance,
01:26:37who never
01:26:39come close to fathoms
01:26:41and never touch the fingers of the gods.
01:26:43That's why
01:26:45they are the dolts.
01:26:49Go, Mr. Koszyk,
01:26:51go and collect the fountains.
01:26:53How can you be so materialistic?
01:26:55There you play
01:26:57and drink the happiest,
01:26:59losing the opportunity.
01:27:01From all over this province,
01:27:03as a beautiful bouquet,
01:27:05wives have come,
01:27:07mothers, mistresses,
01:27:09who will share the glory and triumph.
01:27:11You should make your reputation
01:27:13like a nice young man
01:27:15and to the point.
01:27:17And they will say a lot more
01:27:19in all the houses,
01:27:21like a hundred-mouthed slave
01:27:23that he will use
01:27:25a well-known dialect.
01:27:27Mack X is to the point.
01:27:29You should get married.
01:27:31Go, Mr. Koszyk,
01:27:33go and collect the fountains.
01:27:35As if the mother
01:27:37would advise him,
01:27:39a fool from the heart of a Christian.
01:27:41Yes, madam.
01:27:45What a bad remark.
01:27:47I think they are happier
01:27:49for people.
01:27:51A man makes
01:27:53his own happiness.
01:27:55No, madam.
01:27:57A traveller,
01:27:59if he bears
01:28:01white dust from his feet to his forehead,
01:28:03he is happy
01:28:05because of the
01:28:07whiteness of the road.
01:28:09But what will you say
01:28:11about this tree
01:28:13planted by the public road,
01:28:15whose lightest leaves
01:28:17are sprinkled with a layer
01:28:19of pale sand
01:28:21all day long?
01:28:23What does it comfort
01:28:25near one of its
01:28:27tortures,
01:28:29sweeping over it
01:28:31the most compressed dust
01:28:33and bringing it back to the ground
01:28:35through each leaf of a constant funeral?
01:28:37Why don't you
01:28:39explain the pieces
01:28:41to Mrs. Ennep?
01:28:45We'll talk about it later.
01:28:47Let's go and collect the fountains.
01:28:49Collect the fountains,
01:28:51because they have been playing for a long time.
01:28:53And what about the children?
01:28:55Well,
01:28:57the main thing is satisfied.
01:28:59One of them is dancing
01:29:01on the veranda,
01:29:03the other is circling
01:29:05in the living room.
01:29:07And that's enough.
01:29:09I was very much
01:29:11looking forward
01:29:13to the end of the evening,
01:29:15to the end of the games.
01:29:17I wanted this young world
01:29:19to come back
01:29:21to life again.
01:29:23That's why
01:29:25a beautiful firework
01:29:27is arranged
01:29:29on the side of the cypress trees
01:29:31where I'm thinking
01:29:33to put the tombstone.
01:29:35It's important
01:29:37that the thought
01:29:39of the Countess
01:29:41is a phoenix
01:29:43rising from the fire
01:29:45like a firework.
01:29:47Hurray, Mr. Judge!
01:29:49They're not playing anymore.
01:29:51And so soon?
01:29:53Indeed.
01:29:55Indeed.
01:29:57But the ring is missing.
01:29:59What do you mean?
01:30:01We'll look for it.
01:30:03Before you find it,
01:30:05put it on him.
01:30:07Give it to him.
01:30:09I don't want to.
01:30:11Better let him find it.
01:30:13He's already lost once.
01:30:15You're right.
01:30:23It's her superstition.
01:30:25Everyone has weaknesses.
01:30:37He's not in the hall.
01:30:39In the hall where I've been
01:30:41cleaning for 30 years.
01:30:43He had wings and flew up.
01:30:45He's already lost once.
01:30:47Everyone says the same.
01:30:49I have to know the truth
01:30:51because he found it.
01:30:53Where was it? In the hall?
01:30:55Every day,
01:30:57every day,
01:30:59every day,
01:31:01every day,
01:31:03every day,
01:31:05every day,
01:31:07every day,
01:31:09every day,
01:31:11every day,
01:31:13every day,
01:31:15every day,
01:31:17every day,
01:31:19We were all surprised to see you all gathered here.
01:31:22This is Mary Talisman.
01:31:25She'd rather lose them all than let herself be lost.
01:31:29She'll be found, if she takes the right steps.
01:31:34She'll be found.
01:31:36I'll serve you in a moment.
01:31:38What do you want to do, Mr. Durejko?
01:31:40It's time for execution.
01:31:42And rigor.
01:31:45Clemens has sharp eyes.
01:31:47But sometimes he's inspired by poetry.
01:31:49If a married woman is enthusiastic about poetry,
01:31:51maybe she'll fall in love with her husband,
01:31:53since you're writing a poem for him.
01:31:55Ha, ha, ha.
01:31:56This little one for a dog,
01:31:57dropped on the grave by accident,
01:31:59and which wasn't reported to us,
01:32:02is an imitation of Lamartine.
01:32:04You're hiding me from the poet
01:32:07two laurels a year.
01:32:10You may also add your words to our requests.
01:32:14Are you going to complain about the grave
01:32:17for a faithful puppet from Durejvon?
01:32:21Maybe it's better to wait until the fireworks go off.
01:32:24Execution.
01:32:25Something went wrong again.
01:32:27It's the judge's voice.
01:32:29The chief of police and guard.
01:32:31What's this?
01:32:33Clemens has been very energetic.
01:32:37Mr. Durejko has led the police.
01:32:39Peace, Mary.
01:32:41Dignity of the house.
01:32:43Yes.
01:32:44For some people this is called energy, rigor.
01:32:47The judge is unique
01:32:49because of the title, age and position in society.
01:32:53What he will shake, he will shake well.
01:32:56I'm worried about the nerves, Mary.
01:32:58Let's ask the Countess to stay with us,
01:33:00listen to the proclamations and flowers.
01:33:02Miss, I usually have to send flowers to the garden
01:33:06to distance the May age from the autumn ones
01:33:10for the freedom of life.
01:33:12This is the order of the office.
01:33:15Because the old service in my house
01:33:18is still harassing the new one,
01:33:20should I be suspicious of that?
01:33:22You have a special kind of law.
01:33:24A similar case was in Hamburg
01:33:26where I was traveling with Margravia
01:33:28when the Persian ambassador lost the pearl.
01:33:31The gentlemen as well as the servants,
01:33:33those who were there at the time,
01:33:35were equally searched.
01:33:37And if by chance the gentlemen
01:33:39took the pearl from the chair
01:33:41and put the ring in his pocket...
01:33:43You have a special kind of law here.
01:33:45There are other courts.
01:33:47Mr. Count, will you please
01:33:49let me order your servant, Mrs. Harris, for a moment?
01:33:53You are right.
01:33:55Why should only the servants be subject to the law?
01:33:58Probably.
01:33:59Of course, everyone.
01:34:01Everyone who is conscious during the game.
01:34:09Never in my house
01:34:11have I thought of a similar affront.
01:34:15I feel so humiliated
01:34:18that I don't even know
01:34:20how I managed to forgive my guests.
01:34:23It's a great misfortune.
01:34:26There is nothing in it.
01:34:29Durejka's hastiness
01:34:31and necessary form.
01:34:33Oh, Durejko.
01:34:39The sun of the West
01:34:41and the eagles
01:34:43are searching in the grass.
01:34:47Only Mr. Mackix
01:34:49and that's all.
01:34:51I don't allow myself to be ridiculed.
01:34:53We are getting to the point.
01:34:55My word should be enough,
01:34:57especially since I didn't play.
01:34:59What else did you keep, sir?
01:35:01I don't allow myself.
01:35:02It seems that the gun is cautious.
01:35:04Only one bullet.
01:35:06Enough!
01:35:08Let the guard go.
01:35:10Mackix is my relative.
01:35:12A very distant relative.
01:35:13Distant.
01:35:14The details are not important to us.
01:35:16A loaded gun during the search
01:35:18and the first refusal to review.
01:35:20This is what the office is concerned with.
01:35:23In the name of the law,
01:35:25you are under arrest.
01:35:27But, sir,
01:35:29I allowed myself.
01:35:31I liked to lose the ring.
01:35:33It's not a home offense.
01:35:38You'd better note
01:35:40that the children here
01:35:42are aware
01:35:44that in the children's nature
01:35:46it is necessary to talk
01:35:48about small and outstanding events,
01:35:50that there will be a story from here.
01:35:52The story is already there.
01:35:54The people in the city
01:35:56who came to watch the fireworks
01:35:58standing in line in front of the villa
01:36:00considered the city guard and the office
01:36:02and probably increased assumptions
01:36:04about an unclear event
01:36:06in this case.
01:36:08It's not a home offense.
01:36:10That's what it sounds like
01:36:12in the office.
01:36:14However,
01:36:16the judge should add
01:36:18that the defendant
01:36:20is mistaken.
01:36:22This is a case of the law.
01:36:24That's right.
01:36:26My relative
01:36:28is sometimes mistaken.
01:36:30Never.
01:36:32Not at all.
01:36:34Let the fate
01:36:36leave him so much
01:36:38that he is not a madman.
01:36:42Where does this look come from?
01:36:46Please, Blachek,
01:36:48don't write the testimony.
01:36:50You heard that the rape
01:36:52on May is committed
01:36:54and that such a reason
01:36:56may be in favor of the rapist.
01:36:58In that case,
01:37:00I withdraw the testimony.
01:37:02I don't see any confusion here.
01:37:04In that case,
01:37:06it is necessary to withdraw.
01:37:08Whoever wants to get lost
01:37:10always has a way.
01:37:12And I think that's a mistake.
01:37:14What you do, sir,
01:37:16and what you then do not like,
01:37:18is, in my opinion,
01:37:20a better name.
01:37:24You have already forgotten,
01:37:26because I see that there are
01:37:28bad terms that do not exist,
01:37:30so...
01:37:36I will shorten the content for you.
01:37:42All day long
01:37:44I was receiving blows.
01:37:48My apartment was finally removed
01:37:50and I did not find anyone
01:37:52in the house
01:37:54who was friendly to me.
01:37:56Makiks!
01:37:58I have to confess.
01:38:02I am ashamed to confess.
01:38:06Makiks, I gave you a ring.
01:38:10Let the Countess not interrupt.
01:38:16I am ashamed to confess.
01:38:22I already had the smallest thought
01:38:24in the world.
01:38:28It is impossible to finish everything
01:38:30with one shot.
01:38:32Here is a weapon.
01:38:48What are these
01:38:52pieces of bread taken from this table?
01:38:54Two things.
01:38:56Let them explain everything.
01:38:58I am a man.
01:39:02What is the right
01:39:04that a weak man
01:39:06will shoot himself somewhere?
01:39:08The whole affair
01:39:10is like the first one.
01:39:12The ring, sir!
01:39:14The found ring!
01:39:16To the truth,
01:39:18that with a special hit
01:39:20on the candlestick,
01:39:22the candle went out
01:39:24and it was stuck there like a star.
01:39:26In the dance,
01:39:28since the string broke,
01:39:30it was visible.
01:39:32He shook the candle
01:39:34and replaced it with a diamond.
01:39:36Come on, everyone,
01:39:38look how beautiful it is.
01:39:40No one can reach it with their hand.
01:39:42I will show you the ladder.
01:39:44The judge always has a means for everything.
01:39:48The ladder, the ladder
01:39:50Come on,
01:39:52a special event.
01:39:54First you,
01:39:58and then the Countess,
01:40:00I present the excuses
01:40:02from the official's side.
01:40:04Get out of here.
01:40:06I bid you farewell.
01:40:08I wish you good health.
01:40:20Sir,
01:40:22all the classes
01:40:24are a trough.
01:40:26Let me take care of the man.
01:40:28Don't you want a doctor?
01:40:30Wait a minute.
01:40:32Next to me
01:40:34is my hospital.
01:40:36The doctor always stays there,
01:40:38and maybe he lives in the province.
01:40:42What are you suffering from?
01:40:46Just two more words to you.
01:40:50I take your advice.
01:40:52I'm leaving.
01:40:54Macix,
01:40:56you will go with me first
01:40:58everywhere,
01:41:00to every house in the area
01:41:02and where you usually go for a walk,
01:41:04so that you are not seen next to me
01:41:06as a relative whom I respect.
01:41:08I will introduce you
01:41:10to it myself,
01:41:12so that you become a member of the committee
01:41:14to the eternal and written book
01:41:16in our merciful society.
01:41:20I am it.
01:41:24I am a Christian.
01:41:32Macix,
01:41:36I will give you
01:41:38this ring
01:41:40as a token
01:41:42of my love
01:41:44for you.
01:41:46I will give you
01:41:48this ring
01:41:52as it is
01:41:54put on my right hand.
01:42:00I
01:42:02give it to you
01:42:04as it is.
01:42:06Do you hear
01:42:08the silence?
01:42:10Macix,
01:42:12answer me.
01:42:14Ma'am,
01:42:16you gave me your ring
01:42:20allowing it to be with me.
01:42:22I was unconscious,
01:42:24but for now
01:42:26I don't give you the ring myself.
01:42:28Answer me.
01:42:32Under the pressure of a scandal
01:42:34your hand
01:42:36would rather lean
01:42:38on you
01:42:40than
01:42:42carry with you
01:42:44the most precious thing.
01:42:46This is a free will.
01:42:48For a scandal
01:42:50your future guilt
01:42:52should be the one
01:42:54that can lend you.
01:42:56It will not burn,
01:42:58noble cousin.
01:43:02You are highly wrong,
01:43:06but you are wrong.
01:43:08Nobility
01:43:10is noble
01:43:12because it cannot be obtained
01:43:14by chance.
01:43:20A man who would accept
01:43:24such a hateful excess of his heart
01:43:26would only turn out
01:43:28to be agile.
01:43:30In the 19th century
01:43:32I did not dare
01:43:34to practise agility.
01:43:38Indeed,
01:43:40I was often
01:43:42incorruptible.
01:43:44Perhaps
01:43:46I carried the incorruptible.
01:43:50Why?
01:43:54Let me understand
01:43:56who is able.
01:43:58Listen.
01:44:02For a man it is a thing
01:44:04to replace
01:44:06the moments
01:44:08of pure and equal life.
01:44:12But if you are
01:44:14too weak
01:44:16a man,
01:44:18if you are not capable
01:44:20of such a duty,
01:44:22I
01:44:24will fulfil it.
01:44:26Madam,
01:44:28let me not
01:44:30keep my word to your relative.
01:44:32I promised him
01:44:34a journey
01:44:36to the New World,
01:44:38to the ocean.
01:44:40I am now
01:44:42breaking my promise.
01:44:44It is painful
01:44:46to break your word.
01:44:48I accept the consequences.
01:44:50I have broken it.
01:44:56It is true,
01:44:58sir,
01:45:00that it is
01:45:02a difficult task.
01:45:04What have you done
01:45:06and what are you doing
01:45:08now?
01:45:10You have taken it
01:45:12for anyone.
01:45:14You are noble
01:45:16twice.
01:45:18When you break your word,
01:45:20you are left without punishment.
01:45:22Wait a moment
01:45:24before I thank you,
01:45:26Count.
01:45:28I must first ask
01:45:30my relative
01:45:32for the necessary answer.
01:45:38Macix,
01:45:40have you never loved me?
01:45:42On such a great distance,
01:45:46more and more
01:45:48mercilessly,
01:45:50I do not know
01:45:52whether under our feet
01:45:54in the ocean
01:45:56or in the constellation of a cross
01:45:58or under a foreign sail,
01:46:00I do not know.
01:46:02That is,
01:46:04the same as here
01:46:06and what will not connect us
01:46:08at this time.
01:46:10Important,
01:46:12I have always been close
01:46:14to the distance,
01:46:16until the place between us
01:46:18ran away,
01:46:20until time went away.
01:46:22It is true,
01:46:24or is it not the world?
01:46:26No.
01:46:28They,
01:46:30it is they
01:46:32who are people.
01:46:34He speaks
01:46:36of the holy knot
01:46:38of mystery,
01:46:40but what he says,
01:46:42he does not know.
01:46:44You speak
01:46:46like great people
01:46:48before Christianity
01:46:50or people
01:46:52who have said a lot
01:46:54of Christian thought
01:46:56in the depths of error.
01:47:00You
01:47:02truly love me.
01:47:08Magdalena,
01:47:10give me back
01:47:12my hands, count.
01:47:14We, both hands
01:47:16are too busy at this time.
01:47:18In the ring,
01:47:20in the ring.
01:47:22Mine,
01:47:26not mine anymore,
01:47:28and mine is
01:47:30somewhere
01:47:32behind the division.
01:47:34It is not worth
01:47:36looking for.
01:47:38But look,
01:47:40there are two rings in the sky,
01:47:42all diamond.
01:47:44Fiction,
01:47:46fabulous.
01:47:48Not fiery.
01:47:50Not fiery, not a word.
01:47:52Not a word, that there is nothing to say.
01:48:08All this is something
01:48:10like in a comedy,
01:48:12which has a moral meaning
01:48:14when examined.
01:48:16Because he did it.
01:48:18Who, please,
01:48:20was the first reason?
01:48:22Who is here?
01:48:24With a spring,
01:48:26that is, with energy,
01:48:28that is, with an axis.
01:48:30And who, however,
01:48:32never has anything to throw away?
01:48:34That finally
01:48:36I will ask with a touch,
01:48:38like with a machine.
01:48:40Who is here?
01:48:42Who is here?
01:48:46Dureyko.
01:49:12Who is here?
01:49:18Who is here?
01:49:26Who is here?
01:49:32Who is here?
01:49:38Who is here?
01:49:42Who is here?
01:49:50Who is here?
01:49:56Who is here?
01:50:02Who is here?
01:50:08Who is here?
01:50:12Who is here?
01:50:18Who is here?
01:50:24Who is here?
01:50:32Who is here?
01:51:34.
01:51:39.
01:51:44.
01:51:49.
01:51:54.