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00:00There are a lot of ups and downs in this film.
00:05Can you tell us how you felt about the film?
00:08There are a lot of logic mistakes in the script.
00:12There are a lot of mistakes.
00:16There is a dialogue in the opening.
00:18When I heard that dialogue,
00:20I wondered who taught me that dialogue.
00:24When the hashtag became popular,
00:26I thought it was the right time to come to India.
00:29I was waiting for the disease to end.
00:31Only when the disease ends,
00:33the medicine we give will work.
00:35Where did they teach this dialogue?
00:39There is a calendar song.
00:41Usually, in a calendar song,
00:43only a few beautiful women
00:45are shown in half-naked.
00:47Only one person is shown in full-naked.
00:53Usually, we show a teaser.
00:56To show part 3,
00:58we show a teaser.
01:02That's what they showed.
01:04They brought 3 hours for that.
01:08When Sujatha was with him,
01:10he was very sharp.
01:12Now, there are no people
01:14who teach like that.
01:16Did Sujatha's loss affect Shankar?
01:18Not at all.
01:20It affected him a lot.
01:23He was talking like he was speaking in a big-box.
01:25He said that dialogue.
01:27I couldn't run away.
01:29I was shocked to hear that.
01:31I should have tried something new.
01:33If Indian 2 comes,
01:35it will be great.
01:37What was the song?
01:39I didn't understand the meaning then.
01:41I understood after watching the movie.
01:45Sir, greetings.
01:46Greetings.
01:47You would have seen the Indian movie,
01:49Indian 2.
01:50Apart from that,
01:52what was the movie like?
01:56What is the current problem
01:58that the country is facing?
02:02They wanted to make it clear
02:04to the people.
02:08But they didn't make it clear
02:10to the people.
02:12It was clear that
02:14this is the character.
02:16This is the character.
02:18When I saw the characters,
02:20I understood that
02:22they are talking about them.
02:24What is he trying to say
02:26to these people
02:28by making it clear?
02:30Because they are not affected
02:32in any way.
02:34They have done a lot of mistakes.
02:36But they are not affected.
02:38They are still in power.
02:40The common man is still suffering.
02:42He is also scolding him
02:44about freedom.
02:46Another thing is that
02:48it tires us.
02:50Not only for 3 hours,
02:52we can watch the movie
02:54only if we are drunk.
02:56In the script,
02:58there are a lot of logic mistakes.
03:00There are a lot of mistakes.
03:02In the opening,
03:04there is a dialogue.
03:06When I heard that dialogue,
03:08I wondered who taught me that dialogue.
03:10Shankar is like an image.
03:12His words are sharper than
03:14Sujatha's words.
03:16In the same way,
03:18he also helps you a lot.
03:20Gracie Mohan helps Kamal Haasan.
03:22When he comes to his position,
03:24he discusses a lot of things.
03:26In the opening,
03:28there is a dialogue.
03:30Kamal Haasan,
03:32come back Indian.
03:34When the hashtag becomes popular,
03:36it is the right time to come to India.
03:38I am going to come now.
03:40I am waiting for the disease to end.
03:42Only when the disease ends,
03:44the medicine we give will work.
03:46In which country is this dialogue taught?
03:48As far as I know,
03:50if you are in the medical field,
03:52in the medical field,
03:54if you find the disease in the beginning,
03:56you can cure the disease of the patient.
03:58He says that you can't save the patient
04:00only after the disease ends.
04:02What kind of dialogue is this?
04:04When he comes, he says that
04:06only after the disease ends,
04:08the medicine we give will work.
04:10There is no connection at all.
04:12In the film,
04:14we can see some political issues.
04:16For example,
04:18why do you buy a mixer, grinder,
04:20fan, etc.
04:22How do you take it?
04:24Recently,
04:26there was a big issue.
04:28In the film Sarkar,
04:30Murudas did it.
04:32In the film Mandela,
04:34he did a modern version.
04:36You left the TV.
04:38But,
04:40I think he left the TV in the film itself.
04:42If we show that,
04:44we will bring in the current rulers.
04:46In the time of Ammaiyar Jayalalithaa,
04:48they gave free mixer, grinder,
04:50fan, etc.
04:52They gave Kalanjur TV
04:54in the time of Kalanjur.
04:56He started the party by breaking the TV.
04:58Kamal Haasan.
05:00He will break the Kalanjur TV
05:02with the torchlight.
05:04It is a very famous thing.
05:06In the same time,
05:08when he talks about the freedom,
05:10he also talks about the money.
05:12In the film,
05:14he says that
05:16you are playing with education.
05:18You are doing a very bad thing.
05:20A person has committed suicide
05:22to go to space.
05:24That character is
05:26a person related to education.
05:28In another place,
05:30he wears a gold dress.
05:32Toilets will be in gold.
05:34In a recent marriage,
05:36he wears a gold adai.
05:38It is worth thousands of crores.
05:40It is a great marriage.
05:42It is the marriage of Adani's family.
05:44Ambani and Adani
05:46are from the same group.
05:48They are the mines.
05:50So, it is like touching them too.
05:52Then,
05:54Palichini.
05:56It is only because of the gold dress,
05:58that we can find out that it is a recent marriage.
06:00But, unfortunately,
06:02there is a calendar song.
06:04Usually,
06:06in a calendar,
06:08only one person
06:10wears a gold adai.
06:12It is Vijay Mallaya.
06:14He is famous.
06:16There is a complaint that
06:18he borrowed thousands of crores
06:20from the bank and ran away from the country.
06:22There is a similar story.
06:24He wears the same colour shirt
06:26and dances with the girls.
06:28He kills himself.
06:30So, it is a political
06:32in and out.
06:34They have touched each other.
06:36It is a pity that
06:38it is not complete.
06:40So, he has kept it as a calendar.
06:42This is not a complete film.
06:44There is another film.
06:46There is a part 3.
06:48So, we don't have to comment on it.
06:50After the part 3,
06:52the continuation of this was there.
06:54There is a team
06:56that comes to Nithyananda.
06:58After that,
07:00they listen to the motivation speech
07:02of Nithyananda.
07:04They do what Nithyananda does.
07:06Siddharth,
07:08Priya Bhavani Shankar,
07:10Jagan,
07:12they are affected.
07:14Siddharth loses his mother.
07:16She commits suicide.
07:18Manobala gets caught.
07:20Many characters
07:22become negative.
07:24So,
07:26those who celebrated
07:28comeback Indian,
07:30are called go back Indian.
07:32So, this is a teaser.
07:34Usually, we show a teaser.
07:36If a film is going to be released,
07:38we show a teaser.
07:40For part 3,
07:42we show a pre-noted teaser.
07:44They have brought 3 hours for that.
07:46It is a lengthy teaser.
07:50He keeps talking.
07:52He doesn't stop.
07:54He shows his work as a sale.
07:56There is not much dialogue.
07:58In a particular district,
08:00in a particular village,
08:02a grandfather will ask a question.
08:04He will have a loss.
08:06The girl he raised affectionately
08:08will die due to medical issues.
08:10She won't get proper medical treatment.
08:12She won't have money.
08:14All these things.
08:16In those days,
08:18there was comedy.
08:20Social cause was strong.
08:22The audience enjoyed it.
08:24They celebrated it.
08:26But, this speaks about
08:28the whole of India.
08:30It is a village.
08:32It is Indian 2.
08:34It speaks about the whole country
08:36as well as the foreign countries.
08:38It speaks about the
08:40departure of Netaji's army.
08:42It is not complete.
08:44It is just a preview.
08:46You can call it a preview.
08:48You can call it a teaser.
08:50You can call it a lead for part 2.
08:52You can call it a lead for part 3.
08:54As soon as the movie ends,
08:56they bring war scenes.
08:58It is in part 3.
09:00It is still there.
09:02We can see the continuation of this
09:04only after that.
09:06In the beginning of the movie,
09:08there is another verse.
09:10It says,
09:12In the beginning of the movie,
09:14there is a scene where
09:16there is a storm in the van.
09:18It is a joke about the storm.
09:20It is a joke about the storm.
09:22It is a joke about the storm.
09:24It is a joke about the storm.
09:26Why should Thirupavu and Shankar
09:28say this?
09:30It is cringy in some places.
09:32It should have been
09:34sharper and changed.
09:36It took a long time.
09:38It took a long time.
09:40There were a lot of
09:42losses and problems
09:44in the process.
09:46They faced a lot of problems.
09:48They said, this movie will not
09:50come again.
09:52They went through a lot of
09:54struggles.
09:56Shankar will take a lot of
09:58things in a selective way.
10:00The problems you are talking about
10:02are from Gentleman.
10:04There are a lot of problems
10:06since then.
10:08When Sujatha was with him,
10:10he used to sharpen a lot.
10:12Now, there are no people
10:14who can do that.
10:16If the movie wins with
10:18Brahmandam alone, it will not win.
10:20There should be a lot of stuff.
10:22Shankar is doing that in some places.
10:24There is no change in that.
10:26Was Sujatha's loss a big loss for Shankar?
10:28It was not a small loss.
10:30It was a big loss for him.
10:32He used to write his narration.
10:34He used to give the feeling
10:36of the cameraman.
10:38He used to give his life
10:40to the music director, A.R.Rahman.
10:42Sujatha used to
10:44make us talk a lot.
10:46The lines would be very sharp.
10:48It would be less.
10:50You don't need any other movies.
10:52Take Indian. How many lines were there?
10:56It was not that much.
10:58Now, the lines are being spoken.
11:00But they are talking a lot.
11:02He is talking for a long time.
11:04He is an Indian grandfather.
11:06He is talking a lot.
11:08Let it be. They are doing something else.
11:10He is talking like we talk in Big Boss.
11:12He said the dialogue.
11:14We couldn't run.
11:16We were shocked.
11:18We should have tried something new.
11:20He used to show a fight.
11:22He used to show a fight.
11:24We were in foreign countries.
11:26We were running in one circle.
11:28He used to escape in that circle.
11:30He used to fight in the metro trains.
11:32He used to escape.
11:34It was very cruel.
11:36Why did we have to show such big things?
11:38Why is he trying something new?
11:40I know he is going to get caught.
11:42But will he escape?
11:44Only if he escapes, it's a story.
11:46You took part 3.
11:48Is it a story if he gets caught?
11:50Is it a story if he gets shot and dies?
11:52It's not.
11:54The audience knew that he would escape.
11:56They knew that part 3 was there.
11:58He would have escaped anyway.
12:00We had to cut all that.
12:02We couldn't do it for 3 hours.
12:04We couldn't do it.
12:08In this film, Varmakalai is shown in different ways.
12:14It's shown as a female.
12:16It's shown as a horse.
12:18It's shown as a song.
12:20I don't know if there is such a thing in Varmakalai.
12:26In the past, whether he was a gentleman or an Indian...
12:28He would have said things like,
12:30Kumbo...
12:32etc.
12:34In those films,
12:36it was really like that.
12:38In Varmakalai,
12:40you can really
12:42extract the nerves
12:44and release them.
12:46You can make them work.
12:48Varmakalai can do a lot of things.
12:50But we don't believe that
12:52it can do all these things.
12:54That's why it's the 8th film for Karuppanai.
12:56It's the 8th film for Karuppanai.
12:58We shouldn't see logic in the film.
13:00We don't see logic in this either.
13:02He runs like a horse and dies.
13:04Then, a group of people run like a horse.
13:06Then, a group of people run like a horse.
13:08He keeps singing songs.
13:10He keeps singing songs.
13:12It's not believable.
13:14He tries something new
13:16in Varmakalai.
13:18It's not a big film.
13:20Sankar was at a peak in his career.
13:22He still has a craze.
13:24You must have seen the reviews.
13:26The reviews were very negative.
13:28Is Sankar losing his
13:30reputation?
13:34If it's a one-man show,
13:36everything will be fine.
13:38As far as this film is concerned,
13:40he didn't do it alone.
13:42He has said it in many places.
13:44He has done the Kamal Haasan portion
13:46in front of Sankar.
13:48He has done it himself.
13:50It's evident in those things.
13:52Apart from that,
13:54Simbudevan and Arivazhagan
13:56who are his assistants,
13:58they have all worked on it.
14:00So, Sankar didn't direct half of it?
14:02No, Sankar didn't.
14:04There's a thing called
14:06Sankar's taking sense.
14:08It's missed in many places.
14:12Even if you take the assistants,
14:14Sankar is the director.
14:16I want this scene.
14:18They are giving bribe to a
14:20girl who is going to the beach.
14:22You have to catch her.
14:24You have to catch her.
14:26You have to shoot it.
14:28You have to do it.
14:30You have to call Arivazhagan
14:32and arrest the girl.
14:34You have to take that scene.
14:36Arivazhagan, you take this portion.
14:38Simbudevan, you take that portion.
14:40He has 3-4 assistants.
14:42He has given all of them.
14:44It's evident that
14:46this is not Sankar's taking.
14:50It's evident that this is not Sankar's taking.
14:52That too,
14:54apart from being a plus or a minus,
14:56everyone will watch it
14:58in Sankar's perspective.
15:00They will watch it as Sankar's film.
15:02If we had reduced the time,
15:04maybe we wouldn't have had
15:06to talk this much.
15:08The film should be sharp.
15:10That sharpness
15:12tires us a lot in the first half.
15:14When will he finish?
15:16When will he reduce his speech?
15:18When will he reduce his speech?
15:20He will be flying in the air.
15:22You will be coming out of your body
15:24one by one.
15:26He will do certain things in that.
15:28It's irritating to do it in a short time.
15:30That place is also right.
15:32For every scene,
15:34I don't know why they are making it
15:36so lengthy.
15:38If the editor had cut it,
15:40the effort would have been great.
15:42If he had presented the effort correctly...
15:44Many people have said that
15:46I don't know why they are making it so lengthy.
15:48That's business.
15:50We can't blame them.
15:52You could have reduced it by 2.5 hours.
15:54You could have cut it by half an hour.
15:56There are so many unnecessary scenes.
15:58The train sequence.
16:00The time for the metro is 1.5 minutes.
16:02A train will come.
16:04We have announced that
16:06another train will come in the next 20 seconds.
16:08Another train will come in the next minute.
16:10You can't go back in the middle.
16:12If you go back in the middle,
16:14you won't be able to go back.
16:16If you go back in the middle,
16:18there will be an accident.
16:20A train will stop and
16:22another train will come.
16:24That's how it will happen.
16:26There is no logic.
16:28Cinema doesn't have logic.
16:30But for that,
16:32there is a need for justice.
16:34Babi Simha, the police character,
16:36has done it.
16:38It's easy to get hold of the engine.
16:40That's cinema.
16:42You can fulfill part 3.
16:44You know that
16:46he is dangerous.
16:48You have a gun in your hand.
16:50If you shoot him in the leg,
16:52the job is done.
16:54He is chasing you.
16:56He is telling you not to shoot him.
16:58But he is carrying a gun.
17:02There are so many...
17:04There is another thing.
17:06There are things that
17:08they do to get YouTube.
17:10They are very cringy.
17:14We can't digest it.
17:18What will the audience say?
17:20They will scold you a lot.
17:22If you don't fulfill
17:24their expectations,
17:26they will definitely scold the film.
17:28Kamal's get-up...
17:30He wears 4-5 get-ups in the film.
17:32Especially his make-up and
17:34dubbing didn't work out.
17:36As far as I know,
17:38Indian grandfather used to wear
17:40the same get-up in the film.
17:42He used to stand in front of
17:44the statue of Nethaji and
17:46he used to do this when he
17:48escaped to the first world.
17:50That was the only thing I liked
17:52about Indian 2.
17:54He has worked a lot.
17:56He has worked hard on his make-up.
17:58I shouldn't say it lightly.
18:00But it didn't work out
18:02at the audience's point of view.
18:04He can stay in this get-up.
18:06I don't understand.
18:08He can escape in this get-up.
18:10He looks like Dasavatharam.
18:12He looks like Dasavatharam.
18:14There are a lot of resemblances.
18:16There are a lot of Kamal Haasan's films.
18:18There are a lot of Shankar's films.
18:20In one scene,
18:22he takes off his shirt.
18:24He fights with his sister-in-law.
18:26He's fighting with a six-pack.
18:30It's impossible.
18:32You said he's old.
18:34You said he's old.
18:36He's in Varmakalai.
18:38He has to fight in Varmakalai.
18:40He's wearing a shirt and a six-pack.
18:42I think he saw Varmakalai and
18:44took the six-pack from there.
18:46That's what they showed in the film.
18:48There are a lot of things
18:50that you can't believe.
18:52There are a lot of things like that.
18:54I think someone in Shankar's mind
18:56would have said that
18:58cinema is something
19:00that you can't believe.
19:02There's a lot of color.
19:04I'm not saying anything less.
19:06Shankar is the only one
19:08who can give a lot of color.
19:10In Kadaravodapuram songs,
19:12there would be people
19:14wearing red T-shirts.
19:16The frame would be so beautiful.
19:18In Kalender songs,
19:20it would look like women
19:22are wearing a lot of clothes.
19:24It would be so colorful.
19:26It would be so enjoyable.
19:28If it's really set,
19:30it wouldn't look easy.
19:32There's cheating.
19:34There's cheating the audience.
19:36Shankar has taught that art well.
19:38That's why Shankar is standing.
19:40Raghman's BGM
19:42was used in some places.
19:44It's an old Indian
19:46characterization.
19:48Raghman would have come in
19:50when it came.
19:52There's a person who was
19:54very noticed in this.
19:56Sakalakala Vallavan.
19:58He's a good artist.
20:02In Part 2,
20:04he was taken away like a cameo.
20:06He would have come only in 4-5 scenes.
20:08He has a lot of positions in Part 3.
20:10It's the same with Kajalaruvallu.
20:12You can only see him in the trailer.
20:14There are a lot of characters.
20:16In recent times,
20:18people who have disappeared
20:20like Viveka, Marimuthu, Manobala...
20:22Nidhumudi.
20:24It was nice to see them
20:26again.
20:28Akshaya, Shankar said
20:30that they would release
20:32Indian 3 in 6 months.
20:34They said it would be released by the end of the film.
20:36The reviews for the film are negative.
20:38Will they release it as planned?
20:40Will there be changes?
20:42They won't do anything for Indian 3 anymore.
20:44They've already finished it.
20:46They came to Indian 2
20:48after finishing Indian 3.
20:50They wanted to make it a period.
20:52They wanted to make it a period.
20:54So, they made it a period.
20:56They made it a modernized version.
20:58It was a situation where
21:00Indians couldn't integrate period films.
21:02So, they made it a modernized version.
21:04Then, they took it to Indian 2
21:06and made it a lead for Indian 3.
21:08Indian 3 is a war period.
21:10It's the Netaji era.
21:12It's the Senapathi era.
21:14It's his youth.
21:16So, they took it to Indian 2.
21:18The portion was over.
21:20When it was over,
21:22they sent you a small trailer.
21:24They sent you a small trailer.
21:26It's a good thing.
21:28It's a good thing.
21:30Kamala and everyone
21:32are waiting for Indian 3.
21:34That's true.
21:36That's why,
21:38the first half of Indian 2
21:40was very cringy.
21:42When the second half started,
21:44it was different.
21:46When it was about to end,
21:48they gave us Indian 3.
21:50He was tired and
21:52was in a mood to leave.
21:54So, he sat down and
21:56created a scene.
21:58Shankar knew this well.
22:00So, he kept it in his hand.
22:02Do you believe in Indian 3?
22:04There are scenes like that.
22:06You will know only if you watch it.
22:08They said the same thing in the beginning.
22:10They said the same thing in the beginning.
22:12They said the same thing in the beginning.
22:14They said the same thing in the beginning.
22:16They said the same thing in the beginning.
22:18I didn't say it.
22:20I said I understood it as soon as I saw it.
22:22The audience would have understood it too.
22:24Thank you very much, sir.

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