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00:00Oh
00:06Look at this cool path to ya solo tuya con eso que quieres decir
00:12Has destruido nuestro matrimonio voy vamos a los dos camino de la bodega
00:19Claudia que tienes
00:22No manches pensar
00:25No barbaridad es pensar que esto no es una carta de amor
00:29que no Joaquín que no que no que padre no era de esos hombres que estaba casado que tenía tres hijos que nos quería con
00:34locura no se trata de guardar reposo solo hoy
00:38hoy y mañana
00:40hasta que lo comprobemos que las cosas están como tienen que estar pueden ser tres días tres semanas
00:47Como estas
00:49Pues mira con un sentimiento de culpa terrible
00:53que mi madre está otra vez en el sanatorio sola pero hasta eso yo no puedo reconocerte como hijo públicamente pero si
01:00me gustaría que me dices la oportunidad de tratarte como tal me alegro de que no te fueras ahorita
01:05que no me hicieras caso
01:07y que pinto yo no lite
01:10si lo que más quiero está aquí
01:19Oh
01:25Yo se libertad
01:27Vivir de otra manera
01:29Alas para volar
01:31A donde el alma quiera
01:33Sueños de libertad
01:35El corazon no espera
01:37Esta viviendo otra oportunidad
01:39Sueños de libertad
01:41Aunque el pasado duela
01:43Volver a comenzar
01:45Aunque el pasado duela
01:47Volver a comenzar
01:49Amar a quien yo quiera
01:51Gritarles mi verdad
01:53Vivir sin miedo
01:55Y sin mirar atrás
01:57Oh
02:13Sueños de libertad
02:17Sueños de libertad
02:19Sueños de libertad
02:21Sueños de libertad
02:23Sueños de libertad
02:25Sueños de libertad
02:27Sueños de libertad
02:29Sueños de libertad
02:31Hola
02:33Hola
02:35¿Qué tal el reparto de gafas?
02:37Pues muy bien
02:39Pero no exagero si te digo que alrededor del 20% de los operarios
02:41necesitaban gafas
02:43¿Esos mucha gente?
02:45I imagine that stopping Nevaristo wasn't a priority in the ophthalmological check-up.
02:50So many of them didn't even know they had sight problems.
02:54And you, how are you? How are you adapting to the routine?
02:58You don't know how eager I was to go back to the consultation. I was so eager to go back to work.
03:03We missed you around here too.
03:08Any news? I met Jaime at the appointment and he told me you were staying at the office.
03:12Yes, it was a quiet morning. No patient came.
03:16No one came?
03:18Well, Andrés came. He wanted to talk to me.
03:21Talk to you? About what?
03:25Well, he came to tell me that he felt a lot about what had happened to my mother
03:29and that he could count on him despite everything that had happened between us.
03:33I imagine you let your mother back in the sanatorium, right?
03:36This morning.
03:38I'm very sorry. It must have been very hard.
03:43But she was more vigilant there.
03:45Would it be more difficult for her to think about the other day?
03:48I don't know, Luz. The poor thing, all she wants is to be with me.
03:51And I'm not even able to give her that.
03:53Well, go see her more often.
03:55I can't. I'm going to have to wait.
03:57Her doctor has told us that visits are canceled at the moment.
04:00Really? But how is that possible?
04:02Well, because she says she has to adapt to the rhythm of the sanatorium again.
04:05But she won't understand.
04:07I think I've failed her. It's like...
04:09like a fish that bites its tail.
04:12Look, that's why I think it's going to be very good for me to be here.
04:15To think about something else.
04:17I agree. And I'm very happy with your decision.
04:20But little by little, what has happened to you is very serious.
04:23Take your rest.
04:25We need that wound to heal well.
04:28I'll take it into account, Doctor.
04:30I mean it.
04:32You know how things work here.
04:34We haven't had much tracking, but at any moment,
04:36four patients come and we can't take it anymore.
04:38That's true.
04:40By the way, what a good idea.
04:44Look.
04:46I got this the other day.
04:48What is it?
04:50It's an invitation for a nursing congress held in Madrid.
04:53If we want you to leave that house,
04:55you'd better be sitting in an auditorium listening,
04:58instead of going from there to here to see patients.
05:01And is there still room?
05:03You'll be with colleagues.
05:05You'll share experiences.
05:07You'll learn new techniques.
05:09It will be good for you to think about something else
05:11other than your mother or your family.
05:13What do you say?
05:15I think it's a very good idea,
05:17like all the ones you have.
05:19I'm going to make a call.
05:33Well, this is on point.
05:35Yes.
05:39You're on time.
05:41It's nothing.
05:43But with the tricks Sara has taught me,
05:45I think I cook better.
05:49What's wrong?
05:51Something I don't know?
05:53Did you check the pipes?
05:55No, no. Yes, yes. Everything is fine at home.
05:57Then why do you make that face?
05:59And Gemma is insisting that you don't go.
06:01Has there been another breakdown?
06:03No, no, no.
06:05There's no other breakdown.
06:07Then why do you look like a soul in pain, son?
06:09Well, mother, because I have other problems.
06:11Come on, cheer up.
06:13You have reasons to be happy.
06:15Do you want lemonade?
06:17Your wife made it. It's delicious.
06:21Son, what do you have to complain about?
06:25Life makes you smile.
06:27Yes, very much.
06:29You can't complain.
06:31Look how Isidro or Mrs. Mercedes are.
06:33Well, mother, I'm not on the verge of death,
06:35but I have other problems too.
06:37Let's see, son.
06:39When life seems to go wrong
06:41and everything is going to go wrong
06:43and things get fixed,
06:45it's a lesson it gives us
06:47so we can trust it.
06:49Yes, but not always.
06:51In life, everything goes well.
06:53If you scratch a little,
06:55there's always something good.
06:57Look, for example,
06:59the flood of the house
07:01has helped Gemma and you
07:03live together alone for a while
07:05and it was necessary.
07:07And living here
07:09has made me remember your aunt
07:11and they are very beautiful memories.
07:13And isn't it a bit naive
07:15to see only the good side of things?
07:17It may be, but it helps to be better.
07:19I've also thought about you,
07:21about how you are.
07:23It's true that your brother hasn't found a woman
07:25to start a family yet,
07:27but look at him,
07:29CEO of a company.
07:31What he was looking for and what he deserved.
07:33And you, you work a lot, a lot,
07:35it's true. And your wife too.
07:37Son, but you are a married couple.
07:39Let's see when you give me a grandson.
07:41Oh, mother, please.
07:43You argue a lot, it's true,
07:45but the loyalty you feel for each other
07:47is very difficult to find.
07:49It's not like that.
07:51Digna, today we are on set.
07:53Almost no one has come to eat.
07:55Do you want me to serve the first course?
07:57No, no, no, I'll go.
07:59So, I'll tell you
08:01how I seasoned the stew.
08:03In the style of Sara.
08:05Don't move, she has to rest.
08:13Were you going to tell your mother everything?
08:15Of course.
08:17So that she is warned when she returns home.
08:19No?
08:21Or do you think she'll think when she sees
08:23that we're not sleeping together?
08:25We can solve it, Joaquín.
08:27Please, let's talk and we'll find a way to ...
08:29No, Gemma, no, no, no.
08:31I'm tired of lies.
08:33And don't even think about warming my mother's head
08:35so that she stays here longer.
08:37I know you.
08:39No, please, Joaquín, listen to me, I beg you.
08:41No, Gemma, for me, the sooner people know
08:43what you've done, the better.
08:47No.
08:55Come in.
08:57May I?
08:59Yes.
09:01How are you? How do you feel?
09:03Better, much better.
09:05Carmen told me you had a heart attack.
09:07Yes, I hope it stays that way.
09:11But, do you feel bad?
09:13Does it hurt?
09:15No.
09:17Dr. Borrell has reassured me.
09:19She told me it's normal to bleed in the first months of pregnancy.
09:21I see.
09:23But, well, sit down.
09:25Yes.
09:35Mato, if I tell you the truth,
09:37I'm terrified.
09:39I'm terrified.
09:41Well, but Carmen told me you don't run danger.
09:43No, I don't,
09:45but the baby doesn't know.
09:47Look, Mato,
09:49if something happens to him, I'll go after him.
09:51No, no, no, but don't think about that.
09:53Have faith.
09:55I know.
09:57This baby,
09:59the most important thing I have, you know.
10:01And I want this to turn out well.
10:03In all my prayers,
10:05I ask for your health
10:07and the baby's.
10:09Thank you very much, Mato.
10:11But apart from my prayers,
10:13I want you to know
10:15you have me here for whatever you need.
10:19Thank you, Mato.
10:21Really, since you've been here,
10:23I feel a lot of peace.
10:25I feel the same.
10:29I don't know, since I met you,
10:31I feel like
10:33I need to protect you.
10:41Much more now, right?
10:43You're a priest.
10:45Of course.
10:47Do you know if you can stay in La Colonia?
10:49Yes, I can practice
10:51with Don Agustín.
10:53Really?
10:55I'm convinced.
10:57And what did you tell them?
10:59I'm sure coming from you,
11:01there's nothing wrong with Don Agustín.
11:03No, I just told them I felt very close
11:05to the parishioners of La Colonia
11:07and that I thought I could do a very nice job.
11:09Don't be fooled.
11:11We really need you here, Mateo.
11:15Can I come in?
11:17Come in, yes.
11:19How are you, Claudita?
11:21Much better.
11:23Take this, you'll feel much better.
11:25Do you mind if I sit at the table?
11:27Of course.
11:29How are you, Carmen?
11:31How's it going with Tassio?
11:33Well, he's worried about me.
11:35Why?
11:37What happened?
11:39Carmen!
11:41Claudia, he's the father of the child.
11:43He should know.
11:45I know.
11:47But I'm not saying it because of that.
11:49I'm saying it because I don't want him to be worried.
11:51Well, the thing is,
11:53I went to look for him and he wasn't there.
11:55Paco, the skinny one, was there.
11:57And he told me he took the day off.
11:59Do you think it's normal
12:01for him to take the day off
12:03to go to Parranda without telling me or Pío?
12:05Carmen didn't go to Parranda either.
12:07Don't think like that.
12:09I'm telling you, he didn't take the day off
12:11to go pray for his sins.
12:15What a aim you have.
12:17No one would say it's your first time.
12:19Are you sure you're not fooling me
12:21if you've been shooting with a shotgun
12:23since you were a kid?
12:25Well, to be honest, at some fair
12:27I did take a rifle to shoot cans.
12:29And I did win some bottles of anise,
12:31but not as much as this.
12:33Do you think aim is inherited?
12:35At first glance, it is.
12:37You're not just an apprentice,
12:39you're a hunter.
12:41But you still have a lot to learn.
12:43Well, that's life, right?
12:45You always learn new things.
12:47Yes, you're right.
12:49Although sometimes we forget.
12:51In your case, I've been a little more cautious.
12:53Are you in a hurry?
12:55Yes, I've been in a hurry since I was born, basically.
12:57Well, going hunting with me will be good for you.
12:59You have to know how to wait and observe
13:01in order to anticipate your prey's movements.
13:03And then...
13:05hit the target.
13:07I understand that I won't learn all this
13:09overnight.
13:11Of course not.
13:13But I'll teach you.
13:15So...
13:17that means you'll let me accompany you
13:19to the field more often?
13:21Would you like that?
13:23Of course.
13:25Well, I'll be delighted to repeat.
13:27I've enjoyed it a lot, I assure you.
13:29And you're going to have to pay the tribute
13:31of the nomadic hunter.
13:33You're staying with the birds, right?
13:35That too.
13:37But no, you're going to clean my gun.
13:39I'll leave it as new.
13:41You'd better. Otherwise, there's no deal.
13:43No more lessons, no more time together.
13:45I'll manage.
13:47As soon as we get home,
13:49take these beauties to the kitchen
13:51so that Teresa and Gemma
13:53clean them and leave them fresh.
13:55And I'm going to change
13:57the factory.
13:59All right. Thank you very much, Mr. Damián.
14:01No, thank you, son.
14:03For this time.
14:05This is also pending.
14:09How is Mercedes doing?
14:11Well.
14:13With her doctors, she'll be much better taken care of.
14:19I couldn't have endured
14:21another scare like the one she gave us.
14:23It was a disgust, I know.
14:25Well, changing the subject,
14:27we already have a secretary.
14:29I've already called
14:31the best secretariat academy in Toledo
14:33and another one in Illescas,
14:35and they're going to do a pre-selection with the best students
14:37who have passed through there.
14:39You could also have done a selection in person, right?
14:41You could have done it too.
14:43Whenever you want.
14:45No, no, no. We know your criteria.
14:47What are you insinuating?
14:49Nothing. At the end of the day,
14:51I assure you that you will have someone there
14:53and we can't waste time selecting them.
14:55Don't worry.
14:59Hey, Marta.
15:01And this here,
15:03from the newspaper España Hoy,
15:05with a double underline, what do you think?
15:07Yes, what I've written down is that they called
15:09because they want to make a report to the company
15:11with photographs, interviews, and that sort of thing.
15:13I see.
15:15But that's press at the national level, right?
15:17And when would it be?
15:19Well, we haven't specified dates.
15:21In fact, I've been quite dodgy.
15:23I've told them I'd call them when I'm clear
15:25to see if we decide.
15:27And why did you do that?
15:29Because lately our family has been through a lot.
15:31And I don't think it's wise
15:33to get a journalist to ask questions
15:35that might create bad publicity for us.
15:37What are you saying, Marta?
15:39Are we going to take advantage of free publicity
15:41for all of Spain?
15:43Jesus, aren't they only interested in the company?
15:45So what?
15:47They want to make a report about us,
15:49about the queen.
15:51You know, a report that's just gossip
15:53to open a section of Echos de Sociedad.
15:55Sure.
16:03Hello, Tassio.
16:05Hello, Mrs. Dina.
16:07What are you doing with those shotguns?
16:09Cleaning them.
16:11You'll see, I went hunting with Mr. Damián.
16:13And how did it go?
16:15How did you do it?
16:17I brought him two beautiful perdizas
16:19and a faysan.
16:21The faysan is Mr. Damián's work.
16:23I don't see what he's up to.
16:25And how did Damián take you hunting with him?
16:27Well, I don't know.
16:29I guess he needed someone to take the rifles
16:31and the ammunition.
16:33And since you're his driver,
16:35I'm sure he could handle it.
16:37Well, I think you'll go out with him more often.
16:39Well, I haven't had a bad time,
16:41I'll tell you the truth.
16:43And have you had a good time?
16:45I'm glad for you, and for him.
16:47I haven't seen him so relaxed in a long time.
16:49You think?
16:51Yes.
16:53He's been very worried for a while.
16:55First, Isidro's illness, and then his mother-in-law.
16:57But this morning,
16:59I saw him especially happy and smiling.
17:01It must be that your company does him good.
17:03So do your best,
17:05because he likes being with you.
17:07Well, thank you very much, Mrs. Dina.
17:09The truth is that your words are knowing me
17:11to glory.
17:13You're still very, very, very exaggerated, Tassio.
17:15I'd rather know about those nonsense,
17:17but I'm sure I'm not going to accept that.
17:21They'd interview us,
17:23take pictures of us,
17:25of the house, of the alcoves.
17:29But can we control a little
17:31what is said and what is not?
17:33I guess.
17:35But I think that exposure is too much, Jesus.
17:37But don't you see, Marta?
17:39As you have said, our family has gone through a lot.
17:41And the few times we've been in the press
17:43as a family
17:45have been for events that have been about
17:47to destroy our lives.
17:49But with this,
17:51we can show ourselves as what we are.
17:53As a great family of united businessmen,
17:55despite everything we've lived.
17:57I don't know.
17:59Although maybe it's a way
18:01to open a new chapter.
18:03But...
18:05Record it with fire, sister.
18:07We are a united family and that's what we're going to give them.
18:09Yes, it's true that maybe
18:11it would be a way
18:13to make a good publicity
18:15and gain ground
18:17to the competition.
18:19To the competition. Floral has never done anything like that.
18:21We will be the first.
18:23And those who come after us, they will regret it.
18:25Let's go.
18:29Let's do it.
18:31Yes, you convinced me.
18:33That's it. What's your name? What's the journalist's name?
18:35I don't remember. It's written here.
18:39Oh, it's Rodolfo.
18:41Rodolfo Ramírez?
18:43Do you know him?
18:47This is bingo.
18:51We met once in Madrid,
18:53at the casino, at an event.
18:55Let's leave it there.
18:57Well, beyond the casino,
18:59do you think he's a professional journalist?
19:01Well, yes.
19:03But more than anything, I think he's a guy
19:05we can bring to our land
19:07on a pedestal.
19:09You take care of calling him and I'll take care of the secretary.
19:11At your service.
19:13That sounds good.
19:17Your coffee, Luis.
19:19Yes. It was a coffee, right?
19:21Yes, yes, a coffee. Thank you, Gaspar.
19:23It's just that I have my head upside down.
19:25Tonight, everyone is coming to hear
19:27the game between Real Madrid and Bayern.
19:29And I'm not cooking enough, really.
19:31The truth is that I'm not following the cup.
19:33Are you serious?
19:35They scored three goals.
19:37Well, goals, goals.
19:39The referee took a penalty.
19:41Sorry, Gaspar, the person you were waiting for is coming.
19:43Who told you to stop me, man?
19:47Mr. Garcés, thank you for coming here.
19:49Don't worry.
19:51Fermín?
19:53Yes, it's me.
19:55Luckily, Toledo was on my roadmap.
19:57This week, I'm attending a topography seminar
19:59in the city.
20:01Is something wrong?
20:03No, it's just that...
20:05it reminds me a lot
20:07of a person I knew a long time ago.
20:09I think
20:11it would be better
20:13not to keep hiding it.
20:15I lied about my name.
20:17I'm...
20:19I'm Luis Merino,
20:21Gervasio Merino's little son.
20:23And why did you give me a fake name?
20:25Because I was afraid
20:27that if I told him who I was,
20:29he wouldn't accept this meeting
20:31I wanted to have with you.
20:33Please, have a seat.
20:35Look, if it's not about business,
20:37I'd appreciate it
20:39if we left it here, okay?
20:41Mr. Garcés, it's just that
20:43I want to know things about my father.
20:45And I know you were good friends.
20:47Have a seat, please.
20:49Many years have passed.
20:51I barely saw you a couple of times.
20:53The person I coincided the most
20:55was your brother, Joaquín.
20:57Although it's undeniable
20:59that you look a lot like your father.
21:01They usually tell me that.
21:03It's only going to be a few minutes.
21:05Really.
21:09Thank you.
21:15Tell me,
21:17what do you want?
21:19Well, I already told you that I just want to know
21:21my father better.
21:23He left too soon.
21:25I haven't stepped foot in this factory
21:27for at least 20 years.
21:29Well, it's been thanks to some works
21:31we've done at home.
21:33An old archive of my father appeared
21:35and it turns out that it had
21:37a double bottom.
21:39And there I found some letters,
21:41some private letters from you.
21:45Letters?
21:47Yes, but I haven't read them.
21:49I assure you.
21:51But I was hoping that you could
21:53explain to me...
21:55Well, as you will understand,
21:57I don't remember what I put in those letters.
21:59Are you going to give them back?
22:01For that, you made me read them.
22:03I've already told you that I haven't read them.
22:05But I could see a little above
22:07the header and...
22:09Sorry, but I'm a very reputable professional.
22:11And a married man.
22:13With children and grandchildren.
22:15And the same could be said of my father.
22:17That doesn't mean that,
22:19despite everything,
22:21we wouldn't have a special friendship.
22:25But what are you insinuating?
22:27How dare you?
22:29I don't want to offend you or reproach you for anything.
22:31For me, this is not easy,
22:33Mr. Garcés, but I need to know
22:35certain things about my mother's true personality.
22:37All this is absurd.
22:41I don't remember at all
22:43having written any letter to Gervasio Merito.
22:45I dealt with professional matters
22:47with Don Daniel de la Reina.
22:49I have those letters.
22:51Signed by him.
22:53You've read them, haven't you?
22:55Stop lying to me.
22:59Here's one of them.
23:11There's his signature.
23:13I recognized it.
23:15This isn't...
23:19I didn't write this.
23:21And I won't allow you
23:23to accuse me of anything.
23:25Far from my intention.
23:27I just want to know the truth, Mr. Garcés.
23:29My father was a reference
23:31for me.
23:33An example to follow.
23:35And I need to know
23:37certain things, clarify them.
23:39Please.
23:41Only you
23:43can help me understand it.
23:45Leave me alone.
23:47You're delirious.
23:49What a waste of time.
23:55Good afternoon, ma'am.
23:57How can I help you?
23:59Vera, I...
24:01Uh-huh.
24:03Uh-huh.
24:05I like the perfume you're wearing.
24:07Do you sell it here?
24:09Everything I like can be found in this store.
24:11Perfumes, soaps,
24:13makeup and everything else.
24:15Whatever you want.
24:17How do I know I can trust you?
24:19Oh, ma'am, you can trust me.
24:21I have a very good taste.
24:25You're alone.
24:27Carmen is in the warehouse.
24:29And Claudia?
24:31Is she better?
24:33Well...
24:35I've read the doctor's report
24:37and it says extreme exhaustion.
24:39I didn't even know it was a disease.
24:41Much less that you couldn't ask for a leave.
24:43Well,
24:45if Dr. Borrell says so.
24:47When something happens to Claudia,
24:49something else happens to her.
24:51She's really sick.
24:53But she went to her room a while ago
24:55and told me she was a little better.
24:57Will she come tomorrow?
24:59No, no. The doctor said she has to rest
25:01for a few more days.
25:03And you're going to have to take care of her?
25:05Well, between Carmen and I,
25:07we have to take turns
25:09to bring her food to see if she needs anything.
25:11Why do you say that?
25:13Because I want to run away with you.
25:15To Madrid.
25:17Anywhere.
25:19I can and I want to.
25:21When?
25:23Well, we're going to have to wait a few more days.
25:25Let's see if she gets better little by little.
25:27Not one more, for God's sake.
25:31Hello.
25:33But weren't you in the warehouse?
25:35Yes, but I went to the dock for a moment
25:37to see if I could see Tasia.
25:39And nothing? She didn't come by while I wasn't here, did she?
25:41No.
25:43Well, nobody saw her.
25:45She took the afternoon off without telling me or Pío.
25:53Perfumerías de la Reina?
25:55Mrs. Romero?
25:57I'm Marta de la Reina, I don't know if you remember me.
26:01No, Claudia isn't in the store
26:03because she's sick.
26:05Um...
26:07No, no, it's nothing serious.
26:09It's just that the doctor in La Colonia
26:11has recommended that she rest for a few days.
26:13No, no, nothing serious.
26:15I'll give you the message
26:17to call her as soon as I can.
26:19Thank you.
26:23Claudia's mother, who didn't know
26:25she was sick.
26:35I'm sorry.
26:45Reina.
26:47The torture is finally over.
26:49What's going on?
26:51I've finished the period.
26:53Can I go back to work
26:55on the search for the baby?
26:57Well, yes, you can get it this month.
26:59Why a baby
27:01three and a half kilos, a seven-month-old?
27:03You can't sell it to San Ramón.
27:05No, Nati, let's go.
27:07You can't go to the flu for a month.
27:11Shut up, shut up.
27:13You don't know how bad I had it with Jaime.
27:15He's a better doctor than I thought.
27:17He caught the flight
27:19that was pretending to be the flu.
27:21Did Andres tell you anything?
27:23No, no, no.
27:25I told him the Chinese story
27:27that I was afraid that intimate relationships
27:29would affect the baby.
27:31My God, you have resources for everything.
27:33I wish it were the same for me.
27:37What's wrong with you?
27:39Ernesto fulfilled his threat.
27:43What?
27:45I'll call Joaquín and tell him everything.
27:47I have a story at home that I won't even tell you.
27:49My God.
27:51And how did he react?
27:53Bad, very bad.
27:55I've never seen him so hurt.
27:57Excuse me if I interrupt you.
27:59Have you seen my mother?
28:01She's not in the kitchen. Do you know where she could be?
28:03Yes, she's in the service room.
28:05She's been out for a while.
28:07Is she not feeling well?
28:09No, no, no, no.
28:11She can't sleep after eating.
28:13You know what? I'm going to take a nap too.
28:19Should I make you something?
28:21Let's go to the kitchen and I'll make something.
28:23No need, I've already chopped something in the canteen.
28:27Wait, wait.
28:29What do you want, Gemma?
28:31I need to talk to you about Joaquín.
28:33Please.
28:35Is Mrs. López Casas' package ready?
28:37Yes, let's see.
28:39Yes, it's this box.
28:41She asked for four boxes of women's rings for her daughters and daughters-in-law.
28:43Is the package for Mrs. Vera Martínez de Valladolid important?
28:45Yes, the one with the baby-suit cases.
28:49I think she must have had triplets because she asked for a lot.
28:53So the package is not closed yet?
28:55No, I was going to close it right now.
28:57Okay, we're going to add some lavender soaps as a gift.
28:59She's an excellent and very loyal client.
29:03And what do you think if instead of that we put a couple of lipsticks?
29:05So that she continues to feel beautiful after the pregnancy.
29:07Like an indirect.
29:09I love that indirect.
29:11Yes?
29:13Well, I can also be very direct if I propose to her.
29:17Really?
29:25I love you, Marta.
29:27I'm dying to kiss you.
29:31On the neck.
29:33On the cheeks.
29:35On the commissioner of the lips.
29:37Well, I would still be more direct.
29:41Because if a sailor drives me crazy in your mouth.
29:47I need an escape from Madrid.
29:55Good morning.
29:57Good morning.
29:59Mrs. Marta, has your eyelash come out?
30:01Yes.
30:03Thank you for having blown me.
30:05What a bad time I've had.
30:07Hello, Tassio.
30:09Hello, good morning.
30:11I have received the message that Carmen is looking for me.
30:13And I don't know if you know where she can be.
30:15Ah, well, she will have taken the opportunity to go see Claudia.
30:17Or she will be having a coffee in the canteen.
30:19Okay, thank you.
30:21Well, I'll keep looking for her.
30:25This can't be.
30:27We can't lower the guard.
30:29I'm almost losing my heart.
30:31He's well-employed for trusting us.
30:33Marta, you're right.
30:35But I look at you and I can't continue.
30:37This is what we have to avoid.
30:39We only have one day.
30:41This is going to be impossible.
30:43I know, Marta.
30:45We'll be careful, I promise.
30:47No.
30:49Marta, what's going on?
30:51This is not a game.
30:53This could be our end.
30:55But look at my father.
30:57He's the closest example.
30:59And he's capable.
31:01Not just because he changed his mind about us.
31:03But because of a much more real consequence.
31:05Like going to a women's prison.
31:07Marta, please don't think about that now.
31:09But how can I not think about it?
31:11It's inevitable.
31:13We live in the country we live in.
31:15We can't change that right now.
31:17Marta.
31:19I promise you that nothing bad is going to happen to us.
31:21I promise you.
31:23No one is going to separate us.
31:25Do you promise me?
31:27I swear.
31:31But...
31:33We'll have to be more careful
31:35so we don't have to use a tab as an excuse.
31:37Even if it's a martyrdom.
31:41For us.
31:43And for Jaime, who has been very generous.
31:45We'll get rid of that layer.
31:47That's it.
31:49Keep going.
31:59How could you cheat on your husband?
32:01I didn't cheat on him, I swear.
32:03I swear nothing happened to that man.
32:05Please, you have to believe me.
32:07It's okay, Gemma, it's okay.
32:09You don't have to swear anything to me.
32:11I promise I was wrong.
32:13I was wrong and I feel terrible about it.
32:15But I have not disrespected my husband
32:17and I have not been unfaithful to him.
32:19I swear.
32:21It's your business and I don't want to get involved.
32:23You don't have to help me, Luis.
32:25Please, listen to me.
32:27You have to talk to him.
32:29You have to tell him I love him.
32:31You have to tell him I love him as if it were the first day.
32:33Tell him, please.
32:35I beg you.
32:37Help me, Luis, please.
32:39No, Gemma, no.
32:41Don't put me under that pressure.
32:43I can't.
32:45I'm sorry.
32:47Really.
33:03You tell Carmen.
33:05Thank you.
33:07What? A lot of work at the store?
33:09No, the store is fine.
33:11Estasio, have you been here?
33:13What's up? Have you argued?
33:15Look, I'm talking about the king of Rome.
33:17Finally.
33:19Well, I do meetings through the forum.
33:21Don't spoil me.
33:23Besides, I have a huge mess with the game tonight.
33:25How are you, Carmen?
33:27What's up?
33:29Paco told me you were looking for me.
33:31But where were you?
33:33What is that about taking a free afternoon like this?
33:35Without entrusting yourself to God or the devil?
33:37Well, I hadn't thought about it, woman.
33:39Look, I went to work today and I realized
33:41that I wasn't going to give up.
33:43How can you know why you weren't going to give up?
33:47Because I haven't slept all night.
33:49And well, I saw Joaquin and I asked him,
33:51please, go to rest and I'll recover the hours another day.
33:53Estasio, I'm going to ask you one more time.
33:55Where have you been?
33:59I went to the field.
34:01It's beautiful, by the way.
34:03And well, since I was there,
34:05I was going to hunt.
34:07Hunting you?
34:09Alone?
34:11Well, it was with a Chinese guy
34:13because, as far as I know, you don't have a shotgun.
34:15Maybe he has an arsenal of weapons
34:17and he has a gun and I haven't found out.
34:19It's just that the shotgun has been lent to me
34:21by a partner.
34:23A partner? What partner?
34:25A new one that you don't know.
34:27Show it to me.
34:29One of these days I'll show it to you, yes.
34:31Well, to what I was going to say.
34:33The baby is lost.
34:35And what does that mean?
34:37Well, he's been bleeding this morning.
34:39What are you saying, Carmen?
34:41And how is the child? How is Claudia?
34:43According to the doctor, it doesn't have to mean bad.
34:45Neither for the baby nor for Claudia.
34:47Carmen, but it won't be good either.
34:49And is Claudia feeling very bad or what?
34:51Well, she's scared.
34:53How is she going to be?
34:55Now she has to rest for a few days.
34:57Oh, my God.
34:59We have to prevent it from happening again
35:01because it could mean that the baby
35:03is not well implanted.
35:05But what is that?
35:07What does it mean? That I could lose him or what?
35:09I don't know.
35:11It's just that the doctor has been as mysterious as you.
35:13Would you like it to be a little clearer?
35:15Or tell the story.
35:19And pay me this.
35:31Jesus, what a mystery.
35:33Son, tell us that news already.
35:35You disgust us.
35:37No, let's wait for Marta to come in.
35:39She had a call.
35:41And I don't like to repeat things 20 times.
35:43Excuse me.
35:45It was Jaime.
35:47He will arrive later.
35:49He had to stay in the dispensary
35:51attending to an emergency at the last minute.
35:53I'll tell him.
35:55Well, we're all here.
35:57Don't leave us a minute more with the intrigue.
35:59Well, it turns out
36:01that the newspaper España Hoy
36:03contacted Marta, right?
36:05And this afternoon I spoke with them
36:07to close a topic.
36:09Are we going to be in the newspaper?
36:11What do they want exactly?
36:13You or me?
36:15Please.
36:17Thanks, sister.
36:19Well, it seems they are very interested
36:21in making an intimate portrait of the queen's family.
36:23And what does that mean?
36:25It means interviews with all of us.
36:27Pictures of the house.
36:29Pictures of the company.
36:31Well, the idea is to transmit
36:33an image of a solid and united family.
36:35An example for society.
36:37But we're going to leave
36:39in the echoes of society.
36:41The truth is that it would give us
36:43some visibility for all of Spain.
36:45But it's always something serious
36:47and nothing frivolous.
36:49Darling, these things have to be frivolous.
36:51It's the grace.
36:53People from AP will love to see how we live.
36:55But...
36:57it can be a great publicity
36:59for the company.
37:01And if the article is made with good taste,
37:03even the brand of the queen
37:05can acquire a certain prestige.
37:07Those reports are only made to real families.
37:09It's because of the queen, then.
37:13I admit you've been funny, brother.
37:15Let's see, they have the idea
37:17of opening a new section with us
37:19and from there they will bring out
37:21the most influential families
37:23in this country.
37:25Are you sure about this, son?
37:27Of course I am. It's a great opportunity for the family.
37:29And what do you think, father?
37:31I don't know. Advertisements, but...
37:35Listen to me, father.
37:37It's an opportunity to show ourselves
37:39as a great exemplary family
37:41in front of all of Spain.
37:43Let's go.
37:47Okay.
37:49We'll do it.
37:51Be very careful.
37:53This kind of journalists
37:55dig up dirty traps.
37:57I'll see you tomorrow with the report.
37:59Yes. They will come tomorrow
38:01to do an inspection, but they haven't confirmed
38:03whether they will do the interviews
38:05and the photos tomorrow. But be prepared for anything.
38:07Tomorrow? I'm so nervous.
38:11Wait.
38:13Do you like
38:15the report?
38:17Yes, it's good for the company.
38:19It's good for you. You're going to be a star.
38:21Don't worry.
38:23I'll tell them not to tire you too much.
38:25Yes. Jesus, I wanted to tell you something.
38:27Tell me.
38:29I signed up for a nursing congress.
38:31It starts tomorrow in Madrid.
38:33Tomorrow?
38:35But tomorrow is when the reporters come.
38:37Don't worry. It's in the morning.
38:39In the afternoon, I can be back
38:41and take the photos without any problem.
38:43They can start with the rest and then leave me for the last one.
38:45I don't know if they'll be here all day.
38:47Do you really
38:49want to go to that congress so much?
38:51Haven't you had enough of going to the dispensary today?
38:53Well, actually, I just have to sit down
38:55and take notes.
38:57At the dispensary, I get much more tired.
38:59You're right.
39:01And besides, it's good for me
39:03to get rid of this feeling of guilt that I have with my mother.
39:05Begoña, you are not guilty
39:07of anything, but I don't understand you.
39:09The problem is who's going to
39:11take you to the congress, I mean,
39:13because I'll have to be here for the report.
39:15Don't worry. I've talked to a nurse in Toledo
39:17who's also going. She'll pick me up and then
39:19bring me back right away.
39:21Perfect, then.
39:23All I want is for you to be happy.
39:27Thank you.
39:28You're welcome.
39:40Hey, Luz, I'm sorry.
39:42I hope I didn't bother you.
39:45Yes, I was going to see you,
39:47but since I knew Begoña would be there,
39:49I gave up.
39:51No, I have no news,
39:53but I keep thinking about it.
39:57Would you like to meet tomorrow?
40:01I appreciate it.
40:03You're the only person I can talk to
40:05about it.
40:08Okay, see you tomorrow.
40:11Who were you talking to at this hour?
40:13Joaquín.
40:15He called me to ask me about some doors
40:17that I have to send tomorrow at the first hour.
40:19What a cousin you are.
40:21Look who's calling at bedtime.
40:23Hey, we have the report tomorrow.
40:25We have to be ready.
40:27And I need to sleep my eight hours.
40:29You're always ready.
40:31And since you've been pregnant,
40:33even more.
40:35You don't know how important that report is
40:37for the company.
40:39And for the family.
40:41You're underestimating all those readers.
40:44And on top of that,
40:46in a national newspaper.
40:48They're going to see us everywhere.
40:50Can you imagine what they're going to say
40:52when they see me in Huesca?
40:54It's going to be wonderful.
40:56I called the hairdresser who did my hair for the wedding.
40:58And Carmen, so she can do my make-up.
41:00I want to shine, Andrés.
41:02I want to attract everyone's attention.
41:04I want to be a real lady of the kingdom.
41:06Don't look at me like that.
41:09You're starting to look like an open book to me.
41:11My feet are shaking.
41:14I understand that you'll have a justification
41:16for the gesture of fear you had
41:18regarding the article.
41:20He worries too much, Father.
41:22Naturally.
41:24Especially considering the recent events.
41:26I don't know what you're thinking.
41:28Father, let him meet the journalist
41:30and say whatever I want him to say.
41:32He doesn't see it.
41:34It's our chance to clean up the past.
41:36So they can forget about the tragedy
41:38that marked our family six years ago.
41:41Trust me.
41:43From now on, they'll see us as a united family.
41:48Digna.
41:49Excuse me.
41:50What are you doing here? It's late.
41:52I came to tell you that I'm going to sleep.
41:54If the press is coming, I'd rather be here.
41:56Very good. I'm so glad.
41:58Jesus, the house will be perfect tomorrow.
42:00Don't worry.
42:02Well, I'll leave you. I won't bother you.
42:04No, no.
42:06My son and I already talked about everything we had to talk about.
42:08Right, Jesus?
42:10Yes, of course.
42:12Good night to both of you.
42:14Good night.
42:21Turn off the light.
42:22Wait.
42:23Do you know what makes me sad?
42:25That they don't do the report when our son was born.
42:27It would be the best presentation in the world.
42:30It's a very special memory for life.
42:32Yes, I guess.
42:34Did you know that Gracia de Monaco presented her daughter Carolina like that last year?
42:37No, I didn't know.
42:38Turn off the light.
42:40No.
42:41I'd rather look at you.
42:53So, you're going to rest tomorrow.
42:56Your kisses make me feel better than anything else.
43:03Thank you.
43:08How are you?
43:09Perfectly.
43:11And I've missed you a lot these days.
43:26You were a little stunned when you saw Jesus, weren't you?
43:29A little, yes.
43:31I came to tell you that I want to stay here for a few more days, if you don't mind.
43:36Until the paint dries.
43:38My son Luis says that the paint has lead.
43:41And I tell him that the lead is him.
43:43Well, bravo for Luis.
43:45And bravo for the lead.
43:48You're so beautiful when you smile.
43:50Oh, no, please.
43:51It's the truth.
43:53You're very beautiful when you smile.
43:56You're beautiful when you're sad.
43:58You're beautiful when you're angry.
44:02I'm going to stop behaving like a teenager.
44:06I confess that I'm staying here...
44:10...also because I'm getting addicted to our night chats.
44:13Even if we go out for a drink sometime.
44:16That sounds like you've forgiven me.
44:18I like the way you're behaving with Tassio.
44:22I talked to him this morning in the kitchen.
44:25We had a great time.
44:27Well, I'm starting to look more like the Damien you used to appreciate so much.
44:33A little bit, yes.
44:34You don't know how it comforts me to hear that.
44:38You said before that you were behaving like a teenager.
44:42Well, there are two of us now.
44:43Two? Why?
44:45Because neither of us wants to openly admit what we feel.
44:50Well, to be fair, it's me more than you.
44:53I have insinuated, well, sometimes more than insinuated...
44:58...what I feel for you.
45:01What I like about you.
45:02How much I like what you say.
45:04What you think.
45:06How you advise me.
45:09How happy I feel when I'm with you.
45:18I think...
45:20...it would be better if I leave.
45:22Why?
45:23Are you afraid?
45:25Yes.
45:26I'm afraid, yes.
45:28I'm starting to recognize what you feel for me.
45:31This is crazy.
45:34I don't know what's happening to me.
45:37This isn't right.
45:39No, don't go.
45:40Let's talk.
45:41Let's clarify what we feel for each other.
45:44You know I've loved you for a long time.
45:49Damien...
45:51...our families are distant.
45:53There's a lot of resentment.
45:56Your son can't stand mine, and neither can I.
46:00It's not about what we feel.
46:05It can't be.
46:06Yes, it can be.
46:07Of course it can be.
46:09If it's what we want, it's you and me.
46:21I spoke to the journalist from Spain today.
46:24He wants to finish the photos and interviews tomorrow.
46:27Tomorrow?
46:28That's too soon.
46:30Will they have time?
46:32I don't know.
46:33He says they want to postpone the publication.
46:36There's a lot of interest among the press.
46:39He says they want to finish it in the morning, if possible.
46:43I don't know.
46:44In the morning?
46:45Yes.
46:47In the morning?
46:48Yes.
46:49Then I won't be able to be there.
46:53Honey, you're essential in the family.
46:57How can I talk about me if you're not by my side?
47:00Jesus, you know that congress is very important to me.
47:03Much more than being in the echoes of society.
47:05I understand.
47:06Don't think I don't.
47:07But this report is so important...
47:09But everyone else is there.
47:11And the important ones are you three, the brothers.
47:14I see.
47:17Look, you know what?
47:20It doesn't matter.
47:21I'll call them and tell them that if it has to be tomorrow,
47:24there's no report.
47:25For me, personally, it was important because...
47:28Yes, because of the promotion of the company.
47:30You said it before.
47:31No, Begoña.
47:32Because Julia, you and I were going to show ourselves
47:34as the family we're rebuilding.
47:37I know.
47:38Julia is very excited.
47:40I've talked to her before.
47:43But, of course, if you're not there,
47:45I don't know what to tell her.
47:47It doesn't matter.
47:48We won't talk and that's it.
47:50I don't want the girl, because of me,
47:52to end up in the report.
47:53It's not your fault.
47:54It's not your fault.
47:55You go to that congress.
47:56It's okay.
47:57Besides, I know you're still jealous of me
48:00and I understand that...
48:01It's good that you take advantage of this occasion
48:03to punish me.
48:04I deserve it.
48:05Yes.
48:06Jesus, I'm not punishing you.
48:08If I had agreed to do the report,
48:10it's bad luck that it coincided with the congress.
48:12That's it.
48:13Let's not think about it anymore, really.
48:14That's it.
48:15It bothers me that you think that,
48:17because I'm not punishing you.
48:18Well, I'm sorry.
48:19I'm sorry.
48:20I don't know why I said that.
48:21It wasn't fair.
48:22Sometimes I'm better off quiet, yes.
48:31Okay.
48:32I won't go to the congress.
48:34I'll do the report.
48:37No, please.
48:38I wouldn't want you to...
48:39No, no.
48:40That's it.
48:41You don't have to say anything to Julia
48:42or cancel anything.
48:50Thank you, love.
48:52Thank you.
48:54You are...
48:56really...
48:58I'm going to do my fusion.
48:59Very well.
49:09Thank you.
49:32Rodolfo.
49:33I'm Jesus de la Reina.
49:34Excuse me for being late.
49:35Listen.
49:36I know you told me
49:37that it would have to be tomorrow.
49:39But no.
49:40It has to be tomorrow.
49:44Organize yourself as best you can.
49:46It's either tomorrow
49:47or there's no deal.
49:48Understood?
49:50Good night.
49:57Let's get together a bit
49:58and...
49:59big smile.
50:00Yes?
50:02Very good.
50:03Mom, what are you doing here?
50:04But you had to be quiet at home.
50:06How can I be quiet
50:07if you don't know anything about me?
50:08Thank God I called
50:09and Mrs. Marta told me what was going on.
50:11For two weeks,
50:12you've been sending me letters
50:13with a drop account.
50:14How can I not be worried?
50:15I'm not leaving on Tuesday
50:16and I'm not going to ask you for anything in return.
50:18But I've done things for you
50:20that take away my sleep at night.
50:21So don't get confused.
50:23You have no right
50:25to question my relationship with Digna.
50:27We don't hurt anyone.
50:29And he's able to do everything
50:30with a splendid look
50:32and an enviable style.
50:33It's not always like that.
50:34If I had come a couple of weeks ago,
50:35I would have found myself here with a patient
50:37dedicated to...
50:38dedicated to...
50:40a family member.
50:41Unwilling.
50:43But has something happened?
50:45Look,
50:46since we read the letters,
50:48we've been asking a lot of questions.
50:50Was she happy with us?
50:52Or her suicide?
50:55Did she have anything to do
50:56with that double life she was leading?