Salón de té La Moderna - Ep 197
Salón de té La Moderna - Ep 197
Transcript
00:00I see you've slept well in your new bed.
00:10Well, yes, I was not surprised that the curtains were always so pretty.
00:21How comfortable the mattresses are.
00:24Well yeah.
00:25Oh, and having the sofa so close, you don't have to go down the stairs at night.
00:28Yes, and they have so many windows that it looks like we're in a skyscraper hotel.
00:33Well, let's not get used to it, okay? This is only as long as the construction works last.
00:37Well, but you tell the workers not to be in a hurry either.
00:41What we have to tell the workers is if we need something from home so that they can bring it to us.
00:45I don't think I've left anything.
00:48That's the good thing about not having a lot of things, that you get everything in one hand.
00:53And all these telegrams, Antonia?
00:56It looks like a whole mail box.
00:58They're from my family, they tell me which train they're going to get on,
01:02or which hotel they're going to stay in ...
01:08The illusion that you are going to make of finding them.
01:11Oh, well, yes. The truth is, I'm a little nervous, huh? I haven't seen them in a long time.
01:15At least they're all coming.
01:17Well, I don't know if all of them, because there are some who haven't answered me.
01:20The people who are going to be at the wedding, Antonia.
01:23Relatives, all the staff of La Moderna ...
01:26Well, not all of them, huh? I haven't invited Mrs. Alacrán.
01:30And Teresa either.
01:32You haven't invited Teresa?
01:34No, no. It's not that we have anything against her, neither Pietro nor I, but ...
01:38We agreed that they were going to be the closest, and she is not.
01:42Good morning.
01:44Good morning, what are you doing here? Shouldn't you be at the construction site?
01:47Good morning, what are you doing here? Shouldn't you be at the construction site?
01:50I don't have good news.
01:52What happened, Pietro?
01:54It's the snack, Antonia.
01:56The one we booked a few days ago?
01:58Yes. It seems that they didn't take a good note of the date.
02:01But ... But I saw perfectly how they were aiming it.
02:04I know, I know.
02:05It's just that this morning I went around to confirm a matter of the cake.
02:10How they would come to pick it up and ...
02:13It turns out that they noticed it wrong.
02:17Well, what a relief that they noticed in time, Pietro.
02:20No, Marta.
02:21The problem is that the snack is occupied every hour on the day of the wedding.
02:26It has no space for us.
02:28But then where are we going to celebrate the wedding?
02:30I don't know, Antonia, I don't know.
02:31We have to find another place.
02:33And that it is not so expensive ...
02:35Because we cannot pay for a banquet hall.
02:38Where are we going to find a place now, three days from getting married?
02:41Yes, it is that every day I am clearer that a fool has not looked at us,
02:44but he has looked at us and looked back.
02:50Well, and here you have your tila, Miguel.
02:53Double, as you asked me.
02:55Now, if it is not an indiscretion ...
02:58Elías, if I had to forgive you all your indiscretions, it would not be enough.
03:01Yeah, but you're always coffee, you're not tila.
03:04And now you ask me twice.
03:05If you can know what makes you so nervous.
03:07It's ... It's the love I feel for Trini.
03:10God, with the feelings I am and I am like that, I can't control them.
03:13I am so in love with Trini that ...
03:15that even tachycardias give me.
03:17Wow, I didn't see you so passionate, Miguel.
03:20Sure, this must be so much time hidden there in the priesthood,
03:23accumulating, accumulating, accumulating, and suddenly there is a day that ...
03:26Boom! Explodes!
03:27Yes, it does, yes.
03:28Acholón, but acholón.
03:30And well, what do you tell me about Cañete?
03:32This virtue that he has as Celestino.
03:34Because you have to see that, beware, Valverde, that yours with Trini ...
03:37Yes, you should have noticed it all, Elías.
03:40My thing with Trini seems a bit sudden,
03:43but my feelings come from afar.
03:45Yes? Well, man, I must have guessed something,
03:47but I haven't really hung up.
03:49Sometimes I say no.
03:50And look, I have a good eye for these things.
03:52Very good, yes.
03:53Yes, yes. Well, thank goodness Cañete realized it and saw it coming, huh?
03:56You have to see what a heart of gold.
03:58If it is that ...
03:59What an honor to have him as a friend.
04:02Mr. Ruiz, Elías.
04:04Mr. Peñaler, can I help you with something?
04:06Yes, I was looking for Matilde, I don't know if you've seen her.
04:10No, I haven't seen Mrs. Peñaler all day.
04:13Are you sure?
04:15Because she told me that she was going to come here to work at La Moderna
04:18to finalize her last details of the project.
04:20Ah, well, she hasn't arrived yet.
04:22I can assure you of that.
04:25Well, I must have misunderstood.
04:28Well, I must have misunderstood.
04:30Well, since I'm here, I'd like to be able to talk to Pietro
04:33to find out how many guests are going to be exactly
04:35for the celebration of his farewell in Madrid Cabaret.
04:38Ah, well, if that's the reason, we don't have to bother Mr. Pietro.
04:42As the head of the marriage link celebrations
04:45between Pietro and Antonia,
04:47I am trained to solve the guest list
04:49and to receive and give any information that is necessary.
04:58Excuse me, Mr. Fermin.
05:01Can I ask you what is it that interests you so much?
05:03Because since you arrived, you haven't taken your eyes off the newspaper.
05:07Well, the news in general.
05:09It's just that everything that's happening is so exciting that...
05:14Do they say anything about the elections?
05:16It's just that this morning I came in a hurry.
05:18I wanted to finish the accounts of the house,
05:20but I didn't have time.
05:22I'm sorry.
05:24It's just that this morning I came in a hurry.
05:26I wanted to finish the accounts.
05:27The truth is that I couldn't even read the headlines.
05:29Yes, yes, here it is, here it is.
05:31The results of the elections to constituent courts.
05:35Look.
05:37Let's see.
05:38It seems that there haven't been any big surprises.
05:45No, there haven't been, right?
05:47Well, everyone says they've won.
05:50Or they feel that they've won.
05:53Well, these are things of politicians.
05:57In the end, everyone interprets it in their own way.
06:00In cases that no one will ever accept that they have lost.
06:02Yes, the important thing is that the people, with their votes, have spoken.
06:05Notice, there is a 90% coincidence
06:08between the results of the elections and the provisional government that we had.
06:13And, well, despite everything that is happening in the country,
06:17there is a certain excitement for the new times that are coming.
06:21Well, you never know when something that excites you is going to happen.
06:24Right?
06:28Good morning.
06:30If you'll excuse me.
06:38So?
06:41Can you tell me why you're here? Because I don't remember calling you.
06:45Yes.
06:46Yes.
06:48I wanted to talk about how it affects the wedding of Pietro and Antonia
06:51in terms of shifts, because there are a lot of employees...
06:54I'll leave that to you, Teresa.
06:56I'm convinced that it's going to be the best solution for everyone.
07:00As you wish.
07:02One moment.
07:04Well, since you're here, let's talk about more urgent issues.
07:08How is the refrigerator that I ordered for the opening of the gramophone store?
07:13There are only a few hours left and I don't want them to be delayed because of us.
07:19Everything is on schedule. There won't be any delay.
07:21I hope so.
07:22Is there anything else you want to tell us?
07:25I don't know. The last time I spoke to you,
07:27I had the feeling that you wanted to tell us something, Mr. Fermin.
07:30What is it that you wanted to tell us, Teresa?
07:35Nothing. Nothing. You can wait.
07:37I'm going to take care of the refrigerator for the opening.
07:40I don't want any problems.
07:42Very well.
07:50Look, Mrs. Lázara, there is also a review in the newspaper
07:54of the last premiere of the circus.
07:57Well, I've heard that this woman is a prodigy.
08:00Yes.
08:01And I was thinking of going to one of the performances these days.
08:05Really?
08:07And, well, if you feel like it and want to accompany me ...
08:14Really?
08:17Well, I would love to be able to see Margarita Circus and much more in her company.
08:21Well, then ...
08:22But no ...
08:24No, it won't be possible, Mr. Fermin.
08:27I have to reject the invitation. Excuse me.
08:30Wow. And that? Why?
08:34Well, for ... for many reasons.
08:38You have to take care of La Moderna,
08:41the inauguration of your niece's store is taking place,
08:44and I have to remind you that you are Pietro's wedding godfather.
08:47No, no, no, no.
08:48Well, I'm sure if I get organized, I'll find a gap in the agenda.
08:52So ...
08:53Relax.
08:54Yes, yes, yes, relax. I insist.
08:55If you want, the circus is waiting for us.
08:59Well, it's fine. I accept, but ... but on one condition.
09:03I'll take care of the tickets. I don't want to take up any more time.
09:07Perfect. As you prefer.
09:24There it goes. I can't believe it.
09:26I forgot one of the most important.
09:29And I'm a nail and flesh.
09:31Mr. Fermin.
09:32What?
09:33Mr. Fermin.
09:34Besides being my boss, he's the wedding godfather.
09:37I forgot to tell him I was invited.
09:39Well, gentlemen, I'll leave you.
09:42Elias, please, if you see Matilde, tell her to call me.
09:45Yes, of course, I'll tell her.
09:47By the way, how is she doing?
09:49After what happened yesterday in the gallery ...
09:52Fine. She's doing very well.
09:56Fine.
09:59No, it's just that I also know something about these things.
10:02Because my grandfather, Jeremías III,
10:04the whole town laughed at him,
10:06that everyone accused him of being crazy,
10:08because whenever he crossed a bridge, he saw a ghost.
10:10A lady.
10:11Until it was proven to be true.
10:14Was it proven that there was a ghost?
10:16No, Miguel, it was proven that my grandfather was a little crazy.
10:20Good morning, gentlemen.
10:22Elias, how many things do you have to learn from Mr. Fermin
10:24to be quiet, for example?
10:46Tomorrow my friends have organized a mass for you.
10:51For my soul?
10:53How kind.
10:55Since they have had the detail, I cannot miss it.
10:58I have to leave the house at six.
11:01And the service?
11:04I will order them to accompany me.
11:07And if there is time, I give them the afternoon off.
11:11Therefore,
11:12you have the house empty for you.
11:20I will destroy you.
11:24This has only just begun.
11:38But hey, Uncle Fermin.
11:41Thank you very much for all the soda you have prepared.
11:45The truth is that everything looks great.
11:48It is the luck of having the owner of La Moderna as a partner.
11:52So, let's toast
11:55to the new business, which we hope will give us a lot of joy.
11:59Well, it has already given us the first joy,
12:01because this call has been a success.
12:04By the way, Mr. Fermin, I'm curious.
12:07What is your opinion on the result of the elections?
12:10Well...
12:11Yes, tell us, because I already know the answer.
12:13Well, I'm very happy,
12:15because I think this result can bring us universal suffrage.
12:18It seems to me that you are in a bit of a hurry, Miss Ceria.
12:22I have to tell you that I am very happy that the situation has calmed down.
12:26Many hoped that the world was going to collapse with the change of regime.
12:31And it's not like that.
12:33But you know what?
12:34You can't be afraid of change.
12:36Because that means turning your back on the future.
12:38And the future is already here.
12:40I'm here too.
12:42Ines, you're hurt.
12:44I couldn't miss it.
12:46I love the party.
12:48You can tell how dedicated you are.
12:50Well, our dedication, but also Uncle Fermin's help.
12:53It wouldn't be possible without him.
12:58Wow.
12:59It looks like someone has invited himself.
13:01Congratulations, ladies.
13:03I'm sorry to contradict you, but I was invited.
13:06Your other partner got me an invitation.
13:09Thank you, Mr. Fermin.
13:10And now, if you allow me, I would like to toast with you for your new business,
13:14to which I wish you a great future.
13:17Thank you.
13:20I already apologized to you, but I don't mind apologizing whenever I need to.
13:24I behaved ...
13:26What I did was childish.
13:27Yes, it was.
13:28But don't think about it anymore.
13:30It seems that the one who is behaving like a little girl is you.
13:34If you'll excuse me.
13:40Take the report.
13:42Don't pay too much attention to me.
13:44You already know that I speak from ignorance.
13:47But I have written down a couple of suggestions.
13:50They will seem ridiculous to you.
13:52You already know that my knowledge about finance is little,
13:55not to say null.
13:57I'm sure all your suggestions will be very sensible.
14:00You master these subjects better and better.
14:03I have good professors.
14:05And from what I see, a great mind for finance.
14:08You just had to activate it.
14:10Well, you haven't told me anything about the elections yet.
14:14What do you think?
14:16Me?
14:17That we must accept the democratic game.
14:19And therefore the result, whatever it is.
14:22I trust that this will help achieve stability and prosperity for our country.
14:28I see you are very optimistic, Fabio.
14:31Although I don't know if so much as to consider going back to politics.
14:34No, no, no.
14:36I am clear that no.
14:39Although going back to diplomacy, look, there I already have my doubts.
14:45And why do you tell me that?
14:48I haven't had time to tell you,
14:50but they have contacted me to test me with a diplomatic position.
14:56And the destination is tentative, London.
15:00And are you going to think about the proposal?
15:04Well, by the smile I see on your lips, I see that you have already done it.
15:09And once again, dear Barbara, this is the truth.
15:12Yes, yes, I have thought about it.
15:14London is a destination that I have always aspired to, you know.
15:18Imagine it, London.
15:33You have to be optimistic, Inés. Everything will be fine.
15:36But being optimistic would be a way to deceive myself.
15:39No, no, no, that's not it.
15:40I have been consulting with an expert and he has confirmed to me
15:42that with discipline and sacrifice, yes, miracles can be achieved.
15:46Well, then I see it complicated.
15:48Because I understand singing, but I don't know how to pray.
15:51Don't worry, Inés. There are solutions.
15:54I thought my brother's optimism was inexhaustible, but his is not short.
15:59If you excuse me, I'm going to get a drink.
16:04You have a special power.
16:07You get me to talk to my brother and make me feel good.
16:10So you get the opposite effect?
16:13Because seeing me makes you angry?
16:15Before, when I saw you, I thought I was going to throw the glass in your face.
16:20Don't think about it, I've thought about it.
16:22But then I thought it might be better to kick your ass.
16:25Laura, your glass.
16:27Thank you.
16:29Gentlemen, I beg you for a moment of silence.
16:33First of all, thank you for attending the inauguration of this new gallery store.
16:39I have said store, in singular, I would still have to have used the plural.
16:43Because it will not only be a gramophone store, as it has been so far,
16:47but also a photographic studio and sometimes an advertising agency.
16:53As you can see, a multidisciplinary business,
16:56as are the two new partners with whom I have the good fortune to count.
17:03My niece, Laurita Balbuena, and the illustrious photographer Celia Silva.
17:08So please, I would like us to welcome these two new and young businesswomen
17:13with a round of applause.
17:19Excuse me, I'm leaving.
17:27Here you go.
17:29Yes, and now if you come with me,
17:31I can show you where they sell at a good price.
17:36What do you have?
17:43No, I didn't expect it, really.
17:45I didn't know that my name was among those who fought for the embassy in London.
17:52Have you already given an answer?
17:54No, not yet.
17:56What do you advise me?
18:14Well, if you are so excited to be an ambassador in London,
18:19then do the job.
18:22Although, if I say it like that, I would be lying to you.
18:27Lying?
18:28Yes, lying.
18:30Because, in reality, I would like you not to accept it.
18:36Because if you do, you're going to break my heart.
18:39I no longer understand my life if it's not with you by my side.
18:44Every morning I wake up with you.
18:53The one who was lying was me.
18:55I would never accept that position,
18:57because for nothing in the world I would want to separate from you.
19:01Fabio, you don't have to make that sacrifice for me.
19:03No, no, I wouldn't leave you alone.
19:05And less at this moment,
19:07with Carla's loss and in charge of the company Morcuende.
19:12You don't know how grateful I am.
19:14Fabio.
19:21Well, now that we have solved this matter,
19:25it would be best if we left.
19:27The mass in honor of Carla is about to begin.
19:30Yes, let's go.
19:33I know what I have said now may seem frivolous,
19:37but after the mass we are going to have dinner at a restaurant.
19:39The reservation is already made.
19:40I will not accept a no for the expense.
19:42At a dinner?
19:44But if I'm in severe mourning.
19:47So what?
19:48Even so, you will be the most beautiful woman in the whole restaurant.
19:54Let's go.
20:12Let's go.
20:42Let's go.
20:48Esperanza, Antonia has already told me
20:50that maybe you have solved the problem with the snack bar.
20:54Oh, that's what I'm in now.
20:57It's just that this semadrina is very tired.
20:59It never ends.
21:01With the snack bar.
21:03I haven't been able to buy Antonia a gift yet.
21:06And I haven't even been able to talk to Don Fermín,
21:08that we have to agree on many things.
21:10Well, calm down, because there are three days left.
21:11Oh, don't make me nervous.
21:13Think of something else.
21:14But how am I going to think of something else
21:15if all you do is ask me about the wedding?
21:17And why do you want me to ask you?
21:19For the result of the elections?
21:21Oh no, not that.
21:22Because we can't even vote.
21:25Besides, we, being poor,
21:27what else do we have?
21:29What more of one or what more of the other?
21:32Live to work and work to live.
21:34Well, to survive.
21:36You have risen more to vinegar than the crystals.
21:40Good afternoon.
21:41You tell me.
21:43I came to have a coffee,
21:45but seeing that you are the ones responsible for so much work,
21:48I didn't want to miss the opportunity to approach you
21:50and thank you.
21:52What was missing?
21:54And what's that about thanking us?
21:56What gives me that you have the same funny thing as Tunante?
22:00Well, Tunante I don't insult,
22:02because you belong to the tuna, right?
22:04Yes, that's right.
22:05So that, Tunante,
22:07what are you thanking us for?
22:09For having the cleanest crystals in the gallery.
22:12It even hurts my eyes to look at them.
22:15Ah, well,
22:16since you haven't told us how you see the crystals,
22:19I'll tell you how I see you.
22:22You are a smartass,
22:24who wants to take advantage of Marta, of course.
22:26It's just that all the tuna are the same.
22:28I'm sorry, but I think you are mistaken.
22:30No, no, the one who doesn't know is you,
22:32who must have been deaf from all the talking.
22:35Let's see, here with the girls you have nothing to do, right, Marta?
22:38Nothing.
22:40Well, you already have a lesson learned today.
22:43In a sea that is not yours,
22:45you can't fish.
22:47As far as I know, the sea has no owner,
22:49and I don't like fishing,
22:51but if I had to do it,
22:53I would fish a beautiful mermaid.
22:56A jellyfish is what you are going to fish.
22:58But I would set her free,
23:00because the mermaids must swim freely
23:02so that we can all hear her voice
23:05and enjoy her beauty.
23:07Vinegar.
23:10What did you say?
23:12That if what you want is to clean the glass from the bookshop,
23:14use vinegar.
23:16And now, please, if you'll excuse us,
23:18we would like to continue cleaning.
23:20Here some of us are not the owners' daughters,
23:22and if we don't work, they fire us.
23:26She has put the hook somewhere else.
23:29Air.
23:32Air.
23:44Hello.
23:45Here is the latest edition of the newspaper Vespertinos,
23:47just as Teresa asked me.
23:49Well, thank goodness, because the clients are
23:51dying for the newspapers
23:53with this election thing.
23:55So, how many more?
23:57Well, look, more for us.
23:59I think a little more and we'll be on today's cover.
24:02A couple that has been lying for a long time,
24:04finally caught in their trap.
24:06As if we had no experience in lying.
24:08Lucky that Cañete is able to sell any slut.
24:11Saved at the last moment.
24:13Well, let's look at the good side.
24:15Now everyone has found out about our relationship
24:18and they have believed it.
24:20Well, yes.
24:21And with the good sight of Esperanza and Elias,
24:23my goodness,
24:25the news runs faster on the radio.
24:27Well, phase one of the Cupid plan
24:30successfully completed.
24:32Don Fermin.
24:33Yes?
24:34Just now I was commenting with trinity
24:37the success that the inauguration of the new store has had.
24:40Congratulations on the part it touches.
24:42Exclusive merit of my niece and her friend Celia.
24:44But yes, yes, it has been a success.
24:46Now we just have to wait for the business to be too.
24:49Well, here is the new edition of the newspaper,
24:52in case you are interested.
24:53Yes, yes, I am interested,
24:55although I don't think the news I would like to confirm
24:58comes to the newspapers.
25:00I don't know if I'm explaining myself.
25:09Let's toast to the success of the inauguration.
25:16It has gone very well, hasn't it?
25:18Well, yes, the truth is that
25:20more people have come than we expected.
25:23It's going to be a success, girls, I assure you.
25:25Well, first day and we have sold two radios and several records.
25:28And I haven't stopped taking pictures in the studio
25:30all morning.
25:32Of course, we have been so busy
25:34that I have not been able to go through the printing.
25:36To see the brochures of La Moderna
25:38and I have to give them to the guy tomorrow.
25:39Well, you'll see, everything will be fine.
25:41Yes, I know.
25:42But I would have liked to check at least one.
25:45If it's not like working blind,
25:47as if you took pictures without looking through the visor.
25:50I don't think the guy ignores your services
25:52and he doesn't like how a brochure has turned out.
25:54Well, I hope so.
25:55Because I need my job as an advertiser.
25:57The salary is good for us to invest in promotion
26:00or in store items.
26:01Laura, we have already talked about it.
26:03If at some point you are very overwhelmed
26:04for having to combine your work in La Moderna
26:06with the day-to-day of the store ...
26:08No, don't worry, that's not going to happen.
26:10Yes, but if it happens, let me know and period.
26:13You are the important thing,
26:14not the money we are going to make or stop making.
26:17Thank you, Celia.
26:19You are the best partner you can have.
26:21And we are also going to toast
26:23because I finally wanted to go out.
26:26That?
26:27Yes, well, thank you very much for the effort.
26:30I couldn't miss the inauguration.
26:33And in passing, I give a little work to my spies.
26:41No, I don't think he's explaining it to me.
26:44Anyway, a certain rumor has reached my ears
26:47and since I am not at all a friend of gossip,
26:50I am going to discuss it directly.
26:52Is there anything you want to tell me, Trinidad?
26:56Well, I would have to be a little more specific
27:00with this rumor,
27:01because you know that gossip is very treacherous
27:04and there are people who have a lot of imagination.
27:08It has reached my ears that you two are a couple.
27:11Is that true?
27:12Oh yes, yes, yes, yes, yes, yes.
27:14We are a couple, yes.
27:17Recent.
27:18Recent, yes, yes.
27:19I am grateful, I am grateful, Mr. Fermin,
27:22for putting the most beautiful of all women in front of me.
27:25You didn't know it,
27:26but when I gave Trinidad the job in this room,
27:31I made a decision that changed my destiny.
27:34It will be less, Mr. Luis.
27:35No, no, no.
27:36It will be less.
27:37Anyway, since I am not a friend of gossip,
27:40I just wanted to confirm the news,
27:42congratulate them and hope they are happy.
27:45We are happy.
27:47Trinidad is an excellent worker and a better person.
27:50And I can only say positive things about you.
27:53Now, I'm going to dare to give you just one piece of advice.
27:56Go slowly, please.
27:58No rush.
27:59Little by little.
28:00Well, little by little.
28:02Or fast, right?
28:03Because that's fine too, right?
28:05I mean, every relationship is a world
28:07and each world has its own speeds.
28:10In the case of feelings,
28:12I don't know if the rushes are good advice,
28:14but anyway, you are adults and sensible
28:17and you will act in the most convenient way.
28:23Well, I'm going, I'm going, I'm going, I'm going to the worker.
28:26I'll be back later.
28:28And I'm going back to the library.
28:30Good afternoon.
28:31Mr. Ruiz, please stay a moment,
28:33because now that we are alone,
28:36I would like to talk to you seriously.
28:40Well, what do you have to tell me, alone?
28:43You are not a kind of Don Juan, are you?
28:46One of those who seduces women as entertainment.
28:50Me?
28:51I am a man of a single woman.
28:53My heart has been occupied by Tini for a long time.
28:56Well, not for so long,
28:58because I still remember that not long ago I courted Teresa.
29:01Ah, that.
29:02Well, but that was something temporary.
29:04Temporary?
29:05I don't think my client considers him temporary.
29:08I assure you that nothing serious happened.
29:11He just got into a relationship.
29:13He was a magician.
29:14She can confirm it herself.
29:16We were not made to be a couple.
29:18And how do you know that you and Trini are?
29:23Because she is the woman of my life.
29:25That a man does not know.
29:27Trinidad is the person I want to spend the rest of my life with.
29:33And you are a good person, you can see it in your face.
29:36Well, I'm just going to tell you something that I already warned you when Teresa ...
29:39I appreciate my workers a lot, a lot.
29:43So I hope you make Trini happy and take care of her.
29:45If so, she will have a friend in me.
29:47But if it is not so ...
29:50Let's hope I never have to see myself angry, Mr. Ruiz.
29:56Let's hope.
29:57Don't finish.
29:58Let's hope.
30:05What do you mean by giving work to your spies?
30:09It's just that going to the galleries, I felt that several people were following me.
30:15Inés, what are you saying?
30:17Have they done anything to you?
30:18No, no, just follow me.
30:19But I know very well who gave them the order.
30:21Lieutenant Lorenzo.
30:23Oh my God.
30:24That man does not give up.
30:26No, and I don't know how to make him understand that I have no idea where Cesar is right now.
30:31But let's see, are you okay?
30:32Are you afraid?
30:33Well, of course I'm afraid.
30:35I don't know, I understand that feeling spied on is not a very pleasant feeling, the truth.
30:40No, it's not.
30:41It's not, but I'll have to hold on until all this passes.
30:44Or not.
30:45Maybe we can, I don't know, talk to Uncle Fermin.
30:49But what would we gain from that?
30:51I don't know, maybe I can intervene and stand up to him.
30:54No, look, I prefer to keep him at a distance because that way there is less concern for him and for me.
30:59Are you sure, Inés?
31:00Yes, sure.
31:01Right now.
31:02Besides, I'm already quite nervous.
31:04I'm waiting for the results of the pregnancy tests.
31:07I'm going to prepare something to eat.
31:23You're very quiet today, Salvita.
31:25Not to mention that that plumber has a great ally in you.
31:28He's never going to get dirty, because he doesn't even touch the dust from the shelves.
31:31Eh?
31:32Yes, yes, the plumber.
31:35Are you thinking of something, Salvita?
31:37Yes, the plumber, I'll pass.
31:39No, the plumber who sees you from afar, you.
31:42What do you mean? That I don't like to work?
31:45No, you don't need to say that.
31:47But there is one thing that you do like a lot.
31:49The modern one.
31:51You've been using it a lot lately.
31:54It's just that it has very good coffee.
31:56And besides, you always tell me that I don't fall asleep at work, right?
31:59Well, I'll have to do something.
32:01Something tells me that it's not precisely because of the coffee.
32:04Because I read that you go to that tea room a lot.
32:07Rather, I would say that it is ...
32:09Because of Marta.
32:11I didn't know that hobby of yours.
32:13The gossip, Miguel.
32:15Look at the ability to observe.
32:17From this same glassware, I have been able to see how you looked for it yesterday and how you have looked for it today.
32:22Does that mean that yesterday I left the glasses very clean?
32:26And more than I'm going to leave them from today because before they gave me advice to do it.
32:30With vinegar.
32:31I give you another advice.
32:34I don't think you have much future with Marta.
32:36Doesn't it seem that the girl is very happy when she sees you?
32:39At least this is what I perceive from here.
32:41You don't give Marta's for lost.
32:43That if something good has to be in this bookshop, it is that the girl makes me happy in the mornings.
32:48Well, let's see if you take note of her, who is very hardworking.
32:50Let's see if by looking at her so much, something stays with you.
32:57The account of the 6, Teresa.
33:01Any news with Mrs. Lázara?
33:04Why do you ask me that? Have you seen anything?
33:06What I have seen is that you are still going back to the matter.
33:09Do you still believe that it was she who urinated everything to stay locked up all night with Don Fermín?
33:14Man, I have it clear as water, come on.
33:17And she doesn't try very hard not to cut it either.
33:20What I have seen this morning is that she is very happy.
33:23And she doesn't try very hard not to cut it.
33:25What I have seen this morning is that she is able to use all her charms to seduce Don Fermín.
33:32But have you caught me in a committed situation?
33:36Well, not committed, but everything will work out, you'll see.
33:41How deceived that woman had us.
33:44Well, I've had her locked up for a long time.
33:46And that's why she wants to kill you with me.
33:48Well, she doesn't go and tell me, well, she puts me in front of her to deceive me, Mario.
33:54But, Santo, what did she say that about? What were you talking about?
33:57Why would she say something like that?
34:00Our things.
34:01Well, I'm going to turn you around.
34:07Well, in that of Mario, he was right.
34:10Because, come on, how stupid I was.
34:12Now they don't catch me in another one, huh?
34:14In matters of love, it's already scarlet, but fine.
34:18Take it.
34:21Well, I'm still counting on you, right?
34:25Are you counting on me?
34:27Well, I need an accomplice.
34:29Someone who is on the lookout in all this matter of Mrs. Lázaro and Don Fermín.
34:32Ah, that. Yes, yes, of course.
34:34Yes, of course.
34:46Oh, by the way.
34:47Is it true, that rumor that goes around among colleagues,
34:49that you have made of Celestino between Trini and Miguel?
34:53Ah, well, yes.
34:56It is seen that, well, the thing goes with me, I didn't even realize it.
35:00When it comes to seeing love between two other people,
35:02I catch it first.
35:05Teresa, for God's sake.
35:06Let's see, please help me.
35:08But hey, what voices are these?
35:10What's wrong with you?
35:11It's just that I need to talk to Don Fermín as soon as possible.
35:14It's just that since they've locked themselves in their office,
35:16there's no one there.
35:17Well, if it's a work matter,
35:19you know you don't have to tell me first.
35:21No, it's not about work.
35:22It's about Antonio and Pietro's wedding.
35:24Look, what day are we on,
35:25and we still don't have a place to celebrate the invitation.
35:28Well, that's a job.
35:30You see.
35:31And of course, you will understand that being the godmother,
35:34I have to talk directly to the godfather, Don Fermín.
35:37Come on, even in the Vatican,
35:39they give hearings with the Pope more easily.
35:42Well, being Lady Lázara in the way,
35:44I don't know how I can help you.
35:46And when do you think I can catch Don Fermín
35:50without the vampire in the way?
35:52Well, daughter, I don't know, I don't know.
35:54Well, I'm still there.
35:56Oh, Cañete, now that I'm looking at you,
35:58I had to tell you something.
36:00Oh, what was it?
36:02Oh, wait, I look at it in my godmother's notebook,
36:04I have it all written down here.
36:06Oh yes, accommodate an assistant in the church.
36:09You told me you were going to help me, right?
36:11Do I still trust you?
36:13Yes, I already told you yes, Esperanza.
36:14You don't have to ask me again.
36:16Man, I ask you, of course I ask you.
36:18Because you are a man and those things are easily forgotten.
36:21So, accommodate an assistant, Cañete.
36:25I'll put the cross on you.
36:26Are you okay at eight?
36:28At eight for what?
36:30Man, to think between the two of us where we sit people.
36:34Of course, it is a matter of great responsibility.
36:37Because it is not the same to sit friends,
36:40than to work colleagues, than to family.
36:43Or for example, where do you sit the godmother?
36:51Don Salvador, good afternoon, how are you around here?
36:54Good afternoon.
36:55I'm on my way, I'm not going to entertain you much.
36:58I wanted to take advantage of the fact that I was here
37:01to ask you about the progress of my son Salvita.
37:05Great progress, Don Salvador.
37:07Salvita is making great progress.
37:12He is a perfectionist, tenacious, he is an inexhaustible boy.
37:17With telling him that I had to take this pen out of his hands
37:20so that he could rest a little,
37:21just now he was telling me that he wants to clean the glasses with vinegar.
37:25Vinegar?
37:26No.
37:27Are you kidding me, Miguel?
37:28No, no, no, no, no.
37:29It seems that vinegar is the best for ...
37:31That's not it.
37:33Are you telling me that in the few days he's been with you,
37:36Salvita has become like this, from night to morning,
37:39in a formal and hard-working boy?
37:42Incredible, right?
37:43It's just that he's a boy who puts a lot of effort into it.
37:45Well, what I was missing to hear.
37:46That he takes me for a fool.
37:48Salvita, it is clear that I have to take you to another bookshop
37:52where the manager does not have to lie to me in order to get rid of you.
37:56Well, Don Salvador, you will excuse me.
37:59Maybe I haven't chosen the best words.
38:01You know that hyperboles are my favorite literary figures.
38:04Well, look, Miguel.
38:05I'm leaving.
38:06One thing is clear to me.
38:09I have to make a decision.
38:14Did you have to exaggerate so much?
38:16I don't want to go to another bookshop.
38:17I want to stay in this one.
38:18Near the modern one, near the ...
38:22Look, I'm going to look for my father,
38:23to see if I can fix what you were spoiling.
38:29If you always open your mouth, Miguel ...
38:37And will you bring me some souvenirs?
38:39Of course.
38:41Pablo and Aunt Conchita have told me that they will take me to the beach of La Caleta, in Cádiz.
38:45I'll bring you all the shells I find.
38:47Great!
38:50Hi, Clarita.
38:51Hi, Susana.
38:52Hi, Marta.
38:53Marta, you don't know what.
38:55I'm going to Jerez to see Pablo.
38:57To Jerez?
38:58And how do you know you're going to Jerez?
39:00Pablo is going to teach me how to ride a motorcycle.
39:02He told me.
39:04Well, he'll be there to teach you how to ride a motorcycle,
39:06having the leg as he still has.
39:09Let's go see the works.
39:10Come on, hurry up.
39:16Is that true? You're going to Jerez?
39:18Yes.
39:19Clarita misses Pablo and Aunt Conchita a lot.
39:23So she's going to spend a few days there.
39:25I don't.
39:26Because I wouldn't miss her wedding for anything in the world.
39:31Well, I can see that they are installed.
39:33I really like to see this house alive again.
39:35Well, it's a provisional thing, huh?
39:37It's a detail of Don Braulio's children.
39:39And what are you doing around here?
39:41Well, it's for Petra, the neighbor.
39:43Serena's wife?
39:44Yes.
39:45She told me that today she was leaving for Puerto Real in Cádiz.
39:48And it's the same train that passes through Jerez.
39:50So I asked her if it would be good for her if Clarita accompanied her.
39:54It's very sudden, I don't know.
39:56But it's the best.
39:57Well, it's very good, because the girl is not going alone,
39:59it's a very long trip.
40:00If it weren't for Petra, I would take her.
40:02Now she stays with her and then Iño comes and picks her up to take her to the station.
40:07Matilde, I'm going to Jerez for ten days.
40:10Because Marta says she doesn't believe it.
40:12Of course, you're going for ten days.
40:14You see? Ten days.
40:16I'll get to know Andalusia and everything.
40:20Ten days, huh?
40:21Aren't you going to miss a lot of school days?
40:23I don't know.
40:24But Clarita needed it.
40:26And...
40:27I don't know.
40:28I don't know.
40:29I don't know.
40:30I don't know.
40:31I don't know.
40:32I don't know.
40:33I don't know.
40:34I don't know.
40:35Clarita.
40:37Besides...
40:39What?
40:40I haven't been able to deny it.
40:41Antonia isn't happy that she's here.
40:43Yes, she looks very happy over there,
40:45but she's not so happy.
40:46What's happening?
40:48You can tell me whatever you want to.
40:49You know that, right?
40:53Here you go.
40:54I believe that the love you have for Tila is not good.
40:58I'm telling you.
40:59It's double.
41:00Love, I think you should look at the medical books
41:03These that you have in the bookshop.
41:05Let's see if so much fabric is good.
41:07And that would be the last book I would look at in that bookshop.
41:10Because I see myself in the street, Trini.
41:12Love, don't be so dramatic.
41:14With the time you've been working there and the consideration that Don Salvador has for you.
41:18My love, it's just that I had never seen Don Salvador bite dogs with that.
41:22And between this and the faxes, well, I'm going to the street.
41:25No, man, no, you'll see that no.
41:27You'll see how, for now, we have raffled off all the bumps that life has put in front of us.
41:32I haven't raffled off Salvita much, let's say.
41:35Rather, I have collided with him head-on.
41:37You'll see that love is not going to be like that.
41:39Do you know why? Because we are together.
41:41And you and I penetrate each other. And there is no one who beats us.
41:44Yes, yes, you and I are together in love.
41:47And in the lie.
41:49And in the disease too, because these nerves are going to end my health.
41:52I wish Antonia and Pietro had the marriage that you and I have.
41:57Because, look, you know what? I'm more in love than the first day.
42:00Me too, I'm more in love. Nervous, but very in love.
42:05A kick?
42:06No, how is it going to be a kick? They are gases, Miguel.
42:09Come on, come here, come here, you're more stupid.
42:16What's wrong?
42:17I've lost the button.
42:20What are you looking at?
42:21Nothing, the button. Has it fallen?
42:24The button. The two buttons.
42:28Is it because of what they say happened in the gallery that you saw ...?
42:32Mrs. Carla.
42:34Yes. Do you think I'm crazy?
42:36How could I think that? Don't be silly.
42:38Well, Antonia, I know it's impossible. But I swear, it was so real.
42:44A guitar and a flamenco suit. I'll bring you all that.
42:49Nothing, Clarita, if I'm okay with some chestnuts.
42:52Besides, you're not going to take such a big suitcase to bring a lot of things back.
42:56But hey, I don't want to bore you with my things.
43:01It's just that I haven't seen her so happy in a long time.
43:05I don't know, my heart breaks, I owed it to her.
43:09I don't know, I think I failed Clarita.
43:10What are you saying? How are you going to fail your sister?
43:12If you fall for her ...
43:14Yes, but I have the feeling that I haven't helped her to accommodate this new situation.
43:18And I feel guilty, I can't help it.
43:20Guilty? But she has done everything she could.
43:23And in your situation, with everything you've been through, I wouldn't have done it better.
43:27If I had done it better, Clarita would have been more affectionate with me.
43:34I don't know, I have to go.
43:36Thank you for everything. See you.
43:43Hey, Clarita.
43:48I have to go. You go to Petra's house. Do you remember where it is?
43:51Yes, it's that one up there.
43:53Then Iñigo will come to pick you up at two.
43:56I'm going to La Moderna to do some management, but I'll do everything I can to get to the station on time, okay?
44:03But if it weren't possible ...
44:06I want to tell you that I'm going to miss you very much.
44:12Will you give me a kiss?
44:22I'm going to miss you a lot too, Natalie.
44:35Thank goodness I got to the station.
44:38I didn't want that train to leave without saying goodbye to Clarita.
44:41And look, you've already said goodbye.
44:43Or at least that's what Clarita told me when I went to pick her up at La Corrala.
44:46Yeah, but it's not the same.
44:48Besides, I promised her that I would do everything I could to get to the station to say goodbye to her.
44:52Look, it's hard here at home with you, but I'm sure she would have liked to see you there saying goodbye.
44:57You know, being at that age, sometimes a woman and sometimes a girl.
45:02Well, I'm sure that just by putting a foot on the train, she would have missed you a lot.
45:09Half as much as I miss her, really.
45:12What's wrong?
45:13Look, you're dramatic.
45:15Calm down.
45:16She's not going to be alone.
45:17She's going to be with her aunt, with her brother.
45:20I'm not going to be alone either.
45:22I'm going to be with you.
45:30Do you hear that?
45:32What?
45:34The silence.
45:38I don't know if you know, but I've been hearing it for a while now.
45:43I don't know if you know, Mrs. de Peñalver, but we're alone at home.
45:51I don't know what you have in mind, sir, but I remind you that I'm a married woman.
45:55Well, if it's not a problem for you, it won't be for me either.
46:00Wait for me, I have a surprise for you.
46:12What is it?
46:34Come on, I'll go with you.
46:37Honey, don't you take your things?
46:40No, I don't need them today.
46:43I'm going to work at La Moderna.
46:51Matilde?
47:07Honey, is something wrong?
47:11I was calling you.
47:14It's Carla.
47:16Carla has been here.
47:24Fabio already knows what he has to do, but I can't insist more.
47:27And what about me, mother?
47:29Maybe you're being too soft with him.
47:31I'm sorry to disappoint you, but I've come as far as I can.
47:34Now, from here on...
47:36From here on, we'll have to take less correct paths.
47:40Everyone has a price.
47:42Carla has come in here and moved my notebook and left it on the terrace.
47:45Honey, could it have been your sister?
47:47Look, Inigo, if you don't want to believe me, don't believe me.
47:50Carla is dead.
47:51I can't stop thinking what will happen if they tell her she can't sing again.
47:54Tomorrow I'll get the test results.
47:56I'm sure they'll be favorable.
47:58Yes, we all are.
47:59Yes, I think it's great that you're so convinced,
48:02but I don't think anyone understands what I'm going through.
48:06My God.
48:08No one can stop you, Antonia.
48:10You're going to be my wife.
48:12I'm going to make you happy.
48:13Look, I'd like to participate in the wedding gift,
48:16but if you're not invited, you don't have any obligation.
48:19I don't know what else to do.
48:21They're lifelong companions and I value them a lot.
48:24So I insist on participating.
48:26How much is it?
48:27If a miracle doesn't happen, we'll be left without an invitation.
48:30And what am I going to tell the people who come from Andalusia to see us?
48:33Pietro, at least don't feed her or give her a baby.
48:36For once, I ask you not to see me as your cleaning boss,
48:40but as an Igua.
48:42Because I'm here to talk to you about Godmother, Godfather.
48:46Amade.
48:47That three days before the wedding, Antonia and Pietro have nowhere to celebrate it.
48:51But that's terrible.
48:53That's why. What do you think?
48:55Today is the farewell of Antonia and Pietro.
48:57And what are we going to do? Shout their protagonism?
48:59Well, it's true. I don't know. You're right.
49:01Well, I'll think of something.
49:02I don't know.
49:03I'll tell you one thing.
49:04We're going to do it before their wedding.
49:06Are you sure?
49:07Yes, yes.
49:08By the way, I've already bought the tickets to go see Margarita Sirgo.
49:13Here.
49:14Here's yours.
49:15I can't wait to see the function.
49:17The critic says it's brilliant.
49:19Why don't you keep them?
49:21Because they are separate locations.
49:23They are in the patio of the butacas.
49:24It's the best entrance I've been able to get.
49:26I'm in the kitchen.
49:28In the kitchen?
49:31I thought it was about going together.
49:34If I didn't find out that you had just been dating,
49:36I would think you were married.
49:38And how have you been looking at each other for a long time?
49:43What's wrong?
49:44Why are you so nervous?
49:45How did you realize
49:48that Antonia was something more than a co-worker?
49:53I mean, how did you know
49:56that what you felt for her
49:58was...
50:00was love, Don Fermin?
50:02How?
50:03I don't know.
50:04It's as if someone wanted to drive me crazy.
50:06Someone?
50:07Who, darling?
50:08Who?
50:09Mrs. Carla.
50:11Or rather, her ghost.
50:17I love you.