Capitulo 102 de SDL.
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para todos los videos de Mart y Fina y Mafin completos.
Las ediciones Mafin, Marta y Fina y Mafin- English Sub son de nuestra propiedad y esta prohibida su reproduccion
Mafin, Marta y Fina y Mafin- English Sub edits are owned by us and it is prohibited its reproduction.
Siguenos: IG @MartayFina y en FB: @IngridCruzUSA
para todos los videos de Mart y Fina y Mafin completos.
Las ediciones Mafin, Marta y Fina y Mafin- English Sub son de nuestra propiedad y esta prohibida su reproduccion
Mafin, Marta y Fina y Mafin- English Sub edits are owned by us and it is prohibited its reproduction.
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Short filmTranscript
00:00Oh
00:06What am I solution our Joaquin por favor able most to you
00:09Oh, he and contraremos una manera para que no jema que no que no que no estoy harto de mentiras por favor Joaquin
00:15Escuchame te lo ruego que no jema por mi cuanto antes la gente sepa lo que has hecho mejor
00:20Claudia tiene una perdida
00:21Según la doctora no tiene que significan amar ni para bebé ni pa claudia de verdad que dice que está aquí
00:26Siento mucho a pa eso no pita para que a pesar de todo
00:30usted estuviese en una amistad
00:32especial
00:34insinuando porque yo quiero una escapada contigo a madrid
00:38donde sea pues parece está muy interesados en hacer un retrato íntimo de la familia de la reina
00:45imaginas lo que van a decir en huesca cuando me veo quiero brillar
00:49Quiero atraer todas las miradas ser una auténtica señora de la reina tuve a ese congreso no pasa nada
00:56entiendo que
00:57esta ocasión para para castigarme lo merezco si eso es no te estoy castigando tú sabes que yo te quiero desde hace mucho
01:08Te organizas como podáis o es mañana o lo he tratado entendido
01:13y
01:23Yo se libertad
01:25vivir de otra manera
01:27alas para volar
01:29donde el alma quiera
01:31sueños de libertad
01:33el corazón no espera
01:36está pidiendo otra oportunidad
01:38Unidad
01:40sueños de libertad
01:42aunque el pasado duela
01:44volver a comenzar
01:46amar a quien yo quiera
01:48gritarles mi verdad
01:50vivir sin miedo
01:52y sin mirar atrás
02:08Sí
02:11Sueños de Libertad
02:28Se va a poner bien
02:30te lo prometo
02:32tendríamos que ir al hospital
02:34no no no
02:36Jesus wouldn't find us.
02:38But this is serious.
02:39It's important that you see a doctor.
02:41I'd rather die than go back to him.
02:44Promise me you won't take me to a hospital.
02:46Andres, promise me.
03:01Good morning.
03:03Are you okay, love?
03:05Yes.
03:07It's a nightmare here.
03:09I know.
03:12I'd love to let you sleep more,
03:14but the newspapers must be here by now.
03:16But why?
03:18Jesus, why didn't you wake me up earlier?
03:20Because I was in a hurry.
03:21I know it was hard for you to sleep last night.
03:26Still upset about your mother?
03:29Yes.
03:30It's the best for her.
03:31She'll be well taken care of in the sanatorium.
03:35Do you want...
03:38Do you want to tell me about your nightmare?
03:41No.
03:43It's not worth it.
03:44Well, a shower will make you feel better.
03:47Do you want me to get you breakfast?
03:49No, no.
03:50I'm not hungry.
03:52Besides, I have to choose Julia's dress
03:55and I have to comb her hair.
03:57It's easy for the photographer to have her with you.
03:59You're pretty even without sleeping.
04:01We're all in the picture, right?
04:04Yes.
04:05And who's taking it too seriously?
04:07I think Maria's been thinking about what to wear
04:09since she found out we were doing that report.
04:12She looks good.
04:13She's young and pretty.
04:15Yeah, but no matter how hard you try,
04:17you can't even get to the sole of her shoes.
04:20Jesus, this isn't a competition.
04:23No, of course it isn't.
04:24But let me show off a little
04:26that I'm married to a beauty, right?
04:30You don't have to keep telling me
04:32how beautiful and wonderful I look.
04:35Well, it comes naturally to me.
04:37Sorry if I bothered you.
04:38I'm going to the shower.
04:40Very well.
04:52A hot one and a coffee with milk and sugar,
04:55as you like.
04:56Thank you very much, Carmi.
04:58You didn't have to.
05:00Besides, I don't feel anything.
05:03You look tired.
05:04Did you sleep well?
05:07Are you sure?
05:08Yes, yes.
05:09Besides, it doesn't hurt anymore and I've stopped bleeding.
05:11So that's a good sign, right?
05:13Yes, you'll see.
05:15You're young and healthy.
05:16Unless you realize it,
05:17you're living a normal life again.
05:20I'll do everything necessary for the baby to be fine.
05:23You follow the doctor's instructions
05:25and do as she says.
05:28What about the store, Carmi?
05:30She's fine.
05:33Really, don't worry.
05:34Just relax and rest.
05:36That's what the baby needs.
05:38And doesn't Marta ask about me?
05:40Yes, but she's convinced that it's what the doctor said.
05:43Extreme fatigue.
05:45As long as she doesn't ask why she's being provoked.
05:48No, girl, really.
05:51Did your mother call the store?
05:53What did you tell her?
05:54Jonah took Marta's phone.
05:56But don't worry.
05:57I told her you weren't at the store because you were sick.
05:59My God, she's going to keep asking me about it.
06:02Hey, hey, where do you think you're going?
06:04To call her, Carmi.
06:05I have to calm her down.
06:07No, no, no.
06:08You stay here.
06:09Your mother can wait.
06:15May I?
06:16Yes, come in.
06:21I brought you this to entertain you.
06:23Thank you very much, Estasio.
06:25Hi.
06:26Look, Carmi, it's Marilyn's wedding.
06:29But she got married two years ago, didn't she?
06:31Yes, I know it's old, but it entertains you anyway.
06:33Thank you very much.
06:35You don't know how scared I was.
06:36I wish I could have come earlier.
06:39Don't worry, nothing's happened.
06:41I wanted to respect the type of rest the doctor had recommended.
06:44But I was in a state of nervous breakdown and I'm sure it wouldn't have helped.
06:48I give faith.
06:51I couldn't stand it if something bad happened to the baby.
06:54There are two of us now.
06:56Three.
06:58I think I'm starting to understand what it means to be a father.
07:01It's an unconditional feeling and it doesn't let you think about anything else.
07:05And we haven't seen his face yet.
07:07We don't know if he's a boy or a girl.
07:10The one who's waiting for us, Carmen.
07:13I assure you that you will never go through this alone again.
07:17What do I do, Carmen?
07:18I believe it because it already sounds like a father.
07:20Like a father.
07:23Thank you very much, Luzo.
07:24Really.
07:31196, 197, 198, 199, 200...
07:35Good morning, Daniel.
07:37How's it going, brother?
07:39Have you seen your mother around the big house?
07:40Five, I think she's doing great.
07:42And two...
07:44I lost count.
07:45I'm sorry.
07:46It's okay, I'll do it later.
07:47I don't have the head for this.
07:48Well, now that mother is out,
07:52Gemma and you will have more time to talk about your things, right?
07:56I have nothing to talk about with her.
07:58Joaquin, aren't you taking this too far?
08:00As far as she wanted.
08:01If she wants to go to Madrid, to take one of her sewing courses.
08:04Gemma is having a terrible time.
08:06I saw her yesterday and she's very affected.
08:08At good times.
08:10Joaquin, she's a bit weak, isn't she?
08:12You should have seen her.
08:14She begged me, although I told her no,
08:16that she gave me to you.
08:20She did?
08:21Yes.
08:22And she also swore to me that she wasn't unfaithful.
08:26What a cynic.
08:27Telling your brother-in-law that.
08:28Let him know that my wife lies more than she speaks.
08:31And you?
08:32How are you so sure of that?
08:33Because I know.
08:34I know, Luis.
08:35And now, if you don't mind, I'd like to continue with the inventory.
08:39I also had to tell you something else.
08:41I also had to tell you something else.
08:46I met Mario Garces yesterday.
08:48And what did you do?
08:51Yes, I'm angry.
08:53Because she was very excited about the idea of going to that nursing congress.
08:57Keep in mind that Jesús was involved in that.
08:59I have no doubt about that.
09:01What I don't know is how he managed to convince her.
09:04To begin with, I assure you that the report matches the date of the congress.
09:08My brother calculates his maneuvers very well.
09:10When will he let himself be helped to escape from that man?
09:13It is so clear that he is manipulating her.
09:15He has been where he deserves.
09:17Andres, don't continue with that.
09:19You have no certainty.
09:21Ah, she escaped, right?
09:22What do you think?
09:24With how well Begoña saw my brother get rid of his mother-in-law.
09:28It's fine to be aware of Begoña, but I wouldn't like you to get obsessed.
09:32With what?
09:33With protecting her?
09:35It is clear that we both want to help her get out of there.
09:39But we have to be by her side.
09:41We have to be there for when she is ready to get ahead.
09:46Nothing will help us to get obsessed with Jesús.
09:49I hope you are right.
09:51But knowing what we know about Clotilde and Valentín, and knowing my brother ...
09:54Andres, you have nothing to prove your suspicions.
09:59You saw Valentín's letter yourself and you proved it to be true.
10:02Yes, I proved that the letter was sent from Brazil. And what?
10:05What else do you need?
10:06Jesús does not leave things halfway.
10:09He had never allowed Valentín to escape like that.
10:13And knowing him, he would have chased him to hell, until he found him.
10:17Even if he had to climb the entire Brazil.
10:20I don't know what else we can do.
10:25Well, I can think of a person who knows as much about Jesús as you do.
10:30My father?
10:32No, my father doesn't know anything.
10:34Have you talked to him about this?
10:35Yes, and the explanations they give me do not convince me.
10:38What did he tell you?
10:39Well, basically that Jesús was very hurt by the death of his beloved wife.
10:43And he wanted to turn pages and avenge his death.
10:46Come on, neither your father nor Jesús have ever wanted to find out where your cousin is.
10:50I don't know, let's think for a moment, what could have happened?
10:53Maybe, maybe Jesús met Valentín and he threatened him.
10:58How?
10:59He threatened to take Julia away from him.
11:01Julia?
11:03Well, I don't know, all these are theories.
11:06I don't know if it's healthy to keep removing all this.
11:10But we need certainty to end my brother.
11:13And if there is, you have them, Valentín.
11:15If you have asked his own mother and not even she knows where he is.
11:18How do you plan to find him?
11:20I have an old partner, Cristóbal.
11:23He left the army to work as a manager in a mining company.
11:26The last time I heard about him, he was in Brazil.
11:28And what are you going to do?
11:29I have sent a telegram to the headquarters of the company so that they can contact me.
11:34If there is someone who can help us, it is him.
11:37And what will be the next step?
11:39Crossing the Atlantic?
11:41Who knows?
11:43Well, I have to go.
11:45My family is waiting for me for the fateful report.
11:47Have a nice day.
11:49You too.
11:51See you later.
11:52See you later.
11:59I contacted him through the topography school.
12:02And I figured out that we had to do some studies on some land.
12:06And I suppose that when you got the subject out of him, he sent you for a walk, right?
12:11More or less.
12:13But how do you think, Luis?
12:14What?
12:15Put yourself in his place.
12:17That the son of your lover from 20 years ago comes to ask you about the inappropriate relationship you had.
12:23Well, I didn't talk about any relationship.
12:25I just brought up the subject of the letters.
12:26And you should know that he is married, that he has children and grandchildren.
12:29Well, so what?
12:30That doesn't mean anything.
12:31Just like father, here the proof are the letters.
12:34Maybe he was a scoundrel.
12:37Without importance.
12:39And come on, Luis.
12:40We have already talked about this.
12:42Do you think that someone who is in something temporary writes that?
12:47Really?
12:48Those letters are of love.
12:50No matter how hard it is for us to accept it.
12:52Okay.
12:53I agree.
12:55But they don't prove that father deserved it.
12:59Very well.
13:01Besides, there's something I don't understand.
13:03If it bothers you so much and it's hard for you to accept that father had a relationship with another man,
13:07why do you keep investigating it?
13:10Because I can't believe it.
13:13Look, Luis.
13:15Look, I didn't believe in Gemma either.
13:18And look, sometimes we don't want to believe the obvious.
13:21Because we idealize people.
13:26Let's see, Joaquín.
13:27We're talking about father.
13:29About Gervasio Merino, not Gemma.
13:31Yeah.
13:32The great perfumer.
13:33Right?
13:34That distant and taciturn man who spent hours away from home.
13:40Luis, no matter how much you loved her,
13:43he wasn't the man you remember.
13:45Maybe I had idealized you, father,
13:47but you have a contaminated look with your marital problems.
13:51Yeah, yeah.
13:53I'm not saying no,
13:55but what I do know for sure is that I don't want another argument in my life.
13:59And less than a problem from 20 years ago that we shouldn't have discovered.
14:03Unlike you,
14:05I can't stand seeing how our father's image is destroyed like that.
14:09I prefer to think that it was a moment of confusion.
14:14An unimportant nonsense.
14:17Look.
14:19This is the hostel where Mario is staying.
14:22He's come to a topography seminar.
14:25If you have any interest in knowing which of the two is right, you know.
14:32What a great game, Mateo.
14:34Great goal, huh?
14:36I was in the canteen to rest,
14:38and the box of the canteen was quite full too.
14:40Me too, right?
14:41Come on, I'll buy you coffee.
14:42No, no, no, please.
14:43Yes, yes.
14:44Although I don't know about Real Madrid,
14:45but I'm glad that the Spaniards have sent those Austrians home.
14:49Besides, don't be shy.
14:51I invite you to come as much as you want.
14:52Well, thank you very much.
14:54By the way, Gaspar,
14:56could you prepare me something hot for Claudia?
14:59I have to take it to her now.
15:00But what's wrong with the girl?
15:02Carmen has also brought her breakfast, right?
15:05Well, nothing.
15:06She's very tired,
15:08and Dr. Borrell has asked her to rest.
15:11Well, nothing, I'll go see her.
15:12Of course, yes, yes, come in.
15:13I think a picanillo soup would suit her quite well, right?
15:16That would be perfect.
15:18Perfect.
15:20How have you been, Mateo?
15:21Hello.
15:22How are you, Gaspar?
15:23Can you make me a coffee and a fucking tortilla?
15:25Marchandon, congratulations, merengón.
15:38Can I sit with you?
15:40Man, please.
15:44What's up, Tasio?
15:46Have you gone to see Claudia?
15:48I've been coming since yesterday, Mateo,
15:49and the truth is that I'm worried.
15:51Well, don't worry,
15:52because saving enough rest
15:53doesn't have to happen to her.
15:56Now I've asked Gaspar to make a soup
15:57and I'm going to take it to her.
15:59Thank you very much for your concern, Mateo.
16:01The truth is that I feel
16:02that I'm not getting along with all this.
16:04I'm getting together with another hot topic.
16:06No, no, no, don't worry.
16:07Yes, I understand perfectly.
16:08How are you...
16:10How are you doing on that subject?
16:13Well, there's progress.
16:16It seems that he
16:18wants to get to know me a little more.
16:20Good.
16:21And he's also making an effort
16:22because I don't feel like a second son.
16:24I know.
16:26You're going to build a very nice bond.
16:29Yes.
16:30Nice and secret at the same time, yes.
16:32Well, I don't know.
16:33I don't know.
16:34I don't know.
16:36Nice and secret at the same time, yes.
16:39And how do you live with that?
16:42Well, I don't know.
16:43I don't know, Mateo.
16:44I'm confused and at the same time expectant.
16:46Well, time to time.
16:48You'll see how...
16:49Well, later on, I'm sure
16:53he'll dare to make it public.
16:56We've already talked about that, Elillo.
16:58And I understand that
17:00as much as it hurts me to admit it,
17:02it's a mess if all this comes to light, Mateo.
17:04He's confused like me.
17:05It's a strange situation.
17:06But at the same time, he's joining us.
17:08You know?
17:09What bothers me the most
17:10is not being able to tell Carmen anything.
17:13Is she still mad at you?
17:15No.
17:16The girl respects my silence.
17:17But she's watching me do strange things
17:19and she's swallowing all this.
17:21I see.
17:23You trust her, don't you?
17:24Mateo, more than myself.
17:26She's the most honest and loyal woman
17:27I've ever met in my life.
17:28Yes, yes.
17:29I think the same.
17:30I think the same.
17:32But...
17:33That's why...
17:35I think it would be best if you told her.
17:38Tell her who my father is?
17:40Look, I know this is delicate.
17:42Yes, I know.
17:44But...
17:46Carmen loves you so much
17:47that I'm sure she'll keep it a secret
17:49without even thinking about it.
17:52Mateo, I don't want to burden Carmen
17:54with the responsibility of all this.
17:56She's had enough with Claudia's pregnancy.
17:58Yeah, but she's your wife
17:59and she deserves to trust her.
18:03You know what?
18:04He asked me to be discreet.
18:07So if I tell Carmen,
18:08I'll be breaking my word
18:09and betraying her.
18:10And I don't want that.
18:14Well,
18:16what matters is that you're okay.
18:19I hope things work out the way you want.
18:29Three chicharros.
18:31Three.
18:32I'll treat you to coffee.
18:33Don't get used to it.
18:42Look at me.
18:43And now I'm going to ask you
18:44to turn around again for the photographer.
18:46Great.
18:48Very good.
18:49No, you to the right.
18:50And you to the left.
18:51That's it.
18:52Like that.
18:53Let's get together a bit.
18:54And a big smile.
18:55Yes.
18:57Very good.
18:58And now for the last one.
18:59Another family one.
19:00Don Jesús, ma'am,
19:01I'm going to ask you to come down.
19:02Marriage together.
19:03Also, get together.
19:05The same.
19:06Interlace a bit.
19:07That's it.
19:08A bit more of a smile.
19:09A big smile.
19:10That's it.
19:11Like that.
19:12And...
19:13Very good.
19:14Well, we're done,
19:15so you can relax now.
19:17Very good.
19:22How are the photos?
19:24Very good.
19:25With you here,
19:26I'm sure they're beautiful, my love.
19:27They're a very attractive family.
19:30It's very easy to work like that.
19:32So you can relax.
19:33I'm sure the photo has come out perfect.
19:39Rodolfo,
19:40do you want me to light the house?
19:42We can go to the viewpoint if you want.
19:44Well, thank you very much,
19:45but the truth is that I would like to continue looking at the rooms
19:47and take the opportunity to take some more photos.
19:49Of course, of course.
19:50Very good idea.
19:51Do I have time to change my clothes?
19:53Yes, of course.
19:54Yes, of course.
19:55But for now,
19:56we're going to start with Don Jesús and Señora.
20:00Oh,
20:01don't we all pose together again?
20:03No, no.
20:04For me, I already have the family photo,
20:06so now we start with the looks.
20:09Begoña, I'm sure they're going to make you look great.
20:11They're going to make you look great.
20:15Shall we move on to the rest of the rooms, then?
20:18Yes, whenever you want.
20:20As we said,
20:21it's about your image as a couple
20:24reflecting both the business side
20:26and the family side
20:27that the report will talk about.
20:30You'll give me a copy before you publish it, I imagine.
20:32Yes,
20:33of course.
20:34Shall we go?
20:35Yes, let's go.
20:36Begoña, let's go.
20:37Darling,
20:40we'll show you the viewpoint later.
20:41It has some spectacular views of Toledo.
20:44So much so
20:45that when I need to organize
20:47my ideas...
20:48Well, I think my presence here is too much.
20:51So, if anyone wants to have a coffee,
20:54I've had a little lady in the porch prepared.
20:57Will someone come with me?
20:58I'm afraid I can't.
20:59I have to go back to the pantry.
21:01I'll see you later, darling.
21:02Oh,
21:04yes.
21:08It seems that our brother has managed
21:10to be the protagonist of the report.
21:13And you miss him.
21:15Well, I've seen enough.
21:18We have a fool for a brother.
21:21Shall we go with the grandfather?
21:22Yes.
21:28And you?
21:30Aren't you going to do anything?
21:32What do you want me to do, María?
21:33Well, take that journalist from 3 to 4
21:35and tell him that the company belongs to everyone,
21:36that Jesús paints the same as the rest
21:38in perfumeries of La Reina.
21:39If you get into a controversy, you should go to the press.
21:41That would be giving them a hard time, María.
21:43A rigorous report would interview you
21:45and your father and Marta, of course.
21:48And it would give us our place as a couple in this house.
21:51No, I'm not going to set up a number to appear in a photo.
21:54And that of rigorous has little, María.
21:55That's a social chronicle.
21:57They are more interested in the embroidery of the tablecloths
21:59than the company.
22:00Andrés, it's not just about appearing in a photo.
22:03It's about reclaiming your place in this company
22:06and giving importance to the incorporation of your wife to this family.
22:18Andrés.
22:37Are you okay?
22:39Yes, yes, I'm sorry.
22:40It's just that this place fills me with memories.
22:44Nothing else.
22:48This place is very special for the people around here.
22:53Don't you recognize me?
22:55Joaquín.
22:56Joaquín Merino.
22:57Gervasio's son.
23:01I know what you want and I'm not interested.
23:04The truth is...
23:05Wait, wait a minute, please.
23:09I know that my brother prepared a trap for him.
23:13And he had no right to do it.
23:16Nor did he have the right to get into his private life.
23:20Have you read the letters?
23:21It's not true.
23:22If you didn't, you wouldn't know that this is the place
23:24where your father and I met.
23:28Yes.
23:31I assumed that if I was here,
23:34I would come to this place.
23:37Well, you assumed right.
23:39The letters came to us by chance.
23:43The best thing for everyone is that they would have remained hidden.
23:46Don't doubt it.
23:49But now that we have read them,
23:50understand that my brother and I are very confused.
23:55Each one in our own way.
23:56We need to know who our father was.
23:58An exceptional man.
24:00And that should be enough for you.
24:02I can't tell you anything without getting into a compromise.
24:04You understand, right?
24:06Listen to me.
24:08If you have my word,
24:09we will use anything you put in the letters
24:11or anything you tell me against you.
24:16We just want to know who our father was.
24:19But don't you see that the best thing for everyone
24:21is to forget about the subject?
24:23It's been too long.
24:25And removing the past
24:27can be very painful.
24:29And I don't want you to forget it.
24:31Removing the past
24:33can be very painful.
24:35It is.
24:36Yes.
24:39But for my brother,
24:40and for me,
24:41our father is still very present.
24:43Especially for him.
24:46He's the little one.
24:49He has him as a reference.
24:50I know.
24:52I follow the evolution of his perfumes.
24:55Well, that's another reason
24:56to tell us who our father was.
24:59Who hid his family and why.
25:01He hid it because he had no other choice.
25:04End of story, Joaquín.
25:07So you just confirmed it to me, right?
25:13My father
25:15was...
25:19You already know.
25:22Yes, I know.
25:24But that doesn't mean I can't accept it.
25:26No.
25:29Just for me,
25:30and with milk for the others.
25:31Very good.
25:33I'm so happy
25:34to see you all here again.
25:36Sometimes it's good to go out
25:37to get some fresh air, right?
25:39I'd love to take you out
25:41to have some food,
25:42but it's much better this way.
25:44This way you can stretch your legs,
25:45you can sunbathe,
25:46you can...
25:47Gaspar, are you giving us advice on health?
25:50Well, by force of hearing them.
25:52But come on,
25:53they're going to make a couple of tortillas.
25:54I also know what's good for you.
25:59What a character.
26:01Let me tell you that
26:03you're especially beautiful.
26:06And no one would say
26:07that you're working hard
26:09and that you only eat once a day.
26:10Don't make fun of me, please.
26:12I mean it, I'm serious.
26:14He's going to be right in the end, Gaspar.
26:16You've been locked up
26:17between those four walls
26:18for so long,
26:19you're losing your sight.
26:21I'm sorry.
26:22I'm sorry.
26:23I'm sorry, I didn't mean to...
26:26No, no, don't worry.
26:28Sometimes when...
26:30when I think it's final,
26:31I feel like I'm alive and dead at the same time.
26:34I don't like this.
26:35I don't like having these thoughts either,
26:37but they're the ones I have, Luz.
26:39I don't know.
26:40I have so many plans to live with you.
26:43I'm so close to you.
26:44Thinking that...
26:45Well, let's not think about plans.
26:48Let's think about the day-to-day.
26:49What day-to-day, Luz?
26:50The countdown?
26:52Until my end?
26:57I'm sorry.
27:00Sometimes I get carried away by fear and anger
27:02and I don't know how to control it.
27:05Maybe that's what you need.
27:07To throw it away.
27:10Now let's focus on the present.
27:12You're here with me.
27:14And the most important thing is that we have the rest of the day
27:16to live it.
27:21What do you think if we go out to dinner tonight?
27:24Just the two of us.
27:25But no squid sandwiches.
27:27A table and tablecloth restaurant.
27:30Me.
27:31And some nice views.
27:34If I see you, I don't need any more views.
27:37Well, get ready, because tonight you're going to see me at Regla Diet
27:39and I assure you I'll make a lot of money.
27:42More?
27:43Yes, yes, yes.
27:44Then you'll be able to support it.
27:45So much beauty.
27:48Gaspar.
27:49Hi, Luis.
27:50I'll have a coffee.
27:51Right now.
27:54Come say hello if you want.
27:57You don't mind?
27:58No, not at all.
27:59I'll go now.
28:05You haven't said hello.
28:07Hi, Luz.
28:09I'm sorry, I didn't want to...
28:12bother you.
28:15No grudges.
28:20Luis, how are you?
28:23What's up, Jaime?
28:24I was apologizing to Luz for not saying hello.
28:28I didn't want to interrupt your rest.
28:30No, no, no, please.
28:31Not at all.
28:33We spend so much time together in the pantry
28:35that when we have a little break,
28:37it's good for us to talk to other people.
28:47Gaspar, please.
28:49We have to go.
28:50Could you put those skewers on for me?
28:52My God, what a short break.
29:00This is yours, Gaspar.
29:01Thank you.
29:07Look, since we read the letters,
29:10we've been asking a lot of questions.
29:14My father loved my mother.
29:16He was happy with us.
29:20Or his suicide.
29:23Why did he do it?
29:26Did it have anything to do with his double life?
29:31You're right.
29:33Removing the past is very painful.
29:38But more than that, it's not knowing the truth.
29:40What we felt for each other is a crime.
29:47Yes.
29:49Yes, it is.
29:51But I'm not here to judge him or hurt him.
29:54I just want to know who my father was.
29:58Please.
30:00Okay.
30:04If you want to know the truth,
30:07I'll tell you.
30:12The house is beautiful.
30:14You can tell from the owner's hand.
30:15She loves decorating and dressing.
30:18Actually, the credit goes to my mother-in-law
30:21and the first wife of Jesus, Clotilde.
30:24Begoña was very respectful when she came to this house,
30:27but there are things that carry her unmistakable seal.
30:30And the garden is your work?
30:32It's wonderful.
30:34No, the garden is Isidro's work.
30:37Yes, Isidro...
30:39Take a seat.
30:40Isidro is my father's driver
30:42and he also takes care of gardening.
30:46Well, someone will have to tell him what flowers to plant
30:49or how to shape the roses.
30:51I don't have much time for that, really.
30:54Well, the truth is that I'm not surprised
30:56because running a house like this must be exhausting.
30:59Organizing the service or choosing the menus yourself.
31:02There's so much to decide, right?
31:04In fact, I'm very interested
31:06in how a young and modern woman like you focuses.
31:09Well, actually,
31:10for everything domestic, I should talk to Digna,
31:13because she's in charge of the house.
31:15She's Jesus' aunt.
31:17Oh, okay.
31:19And if you want a more classic approach,
31:21you can talk to María Duque,
31:23who is the other lady of the queen.
31:25She's at home all day.
31:27Well, but then you...
31:29What do you do then?
31:31I've already told you I'm a nurse.
31:33I work in La Colonia.
31:35Well, you see,
31:37my wife is a woman of today.
31:38She makes time for everything,
31:40for her profession, her family.
31:42And she's able to do it all
31:44with a splendid look and an enviable style.
31:47Besides...
31:49You wouldn't believe it.
31:51It's not always like that.
31:53If I had come a couple of weeks ago,
31:55I would have found myself here with a patient
31:57dedicated to...
31:59a willing family man.
32:01Oh, but has something happened?
32:03Well, I hope she's recovered.
32:05No, of course she's recovered.
32:06Isidro, the one we were talking about before.
32:09The driver.
32:11The driver.
32:13The man is in a very delicate state of health,
32:15and well, luckily in the family
32:17we have a doctor and a nurse.
32:19I see, I see.
32:21The truth is that you are an exemplary family
32:23and very committed.
32:25Thank you.
32:27Have you thought about expanding it?
32:29You got married a few months ago, right?
32:31Well, Rodolfo, I'm going to have to leave you.
32:34So soon?
32:36Yes, as I said, I have to go to work.
32:38To the dispensary, I don't want to be late.
32:40Well, but we still have a few topics to talk about.
32:43I don't know, for example,
32:45let's talk about your trusted hairdresser.
32:47Or about your favorite stores, for example.
32:49I don't know, or you do some kind of housework,
32:52macrame, crochet.
32:54I'm listening.
32:56I'm sure Jesus will know how to answer all your questions.
32:59I'm going to change to go to work.
33:01Thank you for your time.
33:03Thank you.
33:05Well.
33:08I haven't asked you,
33:10but if you want something to drink,
33:12you just have to tell me.
33:14Well, a coffee would be fine.
33:16Let's go for a coffee.
33:18But what do you think if we go to the office,
33:20that we will be calmer there.
33:22Let's see, the questions we still have ...
33:24Well, look, there you are.
33:26Don't make it very difficult for me,
33:28because here the list is very long.
33:31Fine, Claudia.
33:32Fine, Claudia.
33:35How are you? How are you?
33:37I'm much better, yes, yes.
33:39Well, okay.
33:41Well, I came to ask you what I brought you to eat,
33:43but I see that someone has gone ahead of me.
33:46Who was it? Tassio.
33:48Mateo.
33:50Chopped soup?
33:52Well, I know what you asked me for today.
33:54It was great, but that's an exclusive thing just for me.
33:58Wow, wow, wow.
34:00What an attention, my friend.
34:02Yes.
34:04Mateo is a piece of bread.
34:06The truth is that he has nothing to do with the chaplain
34:08with whom he shares the position.
34:10No.
34:12You think, at least, that Carmen and you have managed
34:14to stay here.
34:16The truth is that yes.
34:18That's true.
34:20Oh, girl, let's see.
34:22Shh.
34:24What's up?
34:26I'm listening to my mother.
34:28Thank you very much, Gala.
34:29Oh, my God.
34:31Mom.
34:33Oh, my God, let your mother see you and touch you.
34:35But Mom, what are you doing here?
34:37But you had to be calm at home.
34:39How can I be calm if you have me without knowing anything about you?
34:42Thanks to the fact that I called
34:44and Mrs. Marta told me what was going on.
34:46For two weeks, your letters with drop accounts, daughter.
34:48How am I not going to be worried?
34:50And who are you?
34:52I'm Fina, ma'am.
34:54Ah, well, I'm Ramona. Nice to meet you.
34:56Nice to meet you.
34:57And then I thought, this is very serious.
34:59And I took the first bus.
35:01Well, you didn't have to, Mom,
35:03because I feel much better now.
35:05Of course, it's nothing more than seeing you
35:07with that face as valid as the wall
35:09and with that eyebrow that you have of lettuce.
35:11Don't put an eye on me.
35:13Are you sure you're not hiding something more serious from me?
35:15To me, this extreme fatigue,
35:17I have not seen it in my life.
35:19You either, right?
35:21What has happened, Mom, is that with the suit of the store
35:23and then I had a flu,
35:24which, well, is that I left a rag, Mom, really.
35:27Yes, yes, there has been a flu epidemic in the store.
35:30But come on, I feel much better.
35:32I have followed the instructions of Dr. Borrelli
35:34and I am like a rose.
35:36Come on, I had told Fina
35:38that maybe she would incorporate me this afternoon to work.
35:40Are you sure?
35:42Oh, but I wouldn't mind accompanying you.
35:45I remember old times.
35:47I worked in the store.
35:49Did your friend tell you?
35:51Yes, she has told me, she has told me.
35:52But don't incorporate yourself until tomorrow,
35:54because today there are not many suits in the store.
35:56Well, much better, Fina,
35:58because this way the incorporation is softer.
36:01Mom, come with me,
36:03I'm going to show you how the uniform looks on me,
36:05you're going to love it.
36:07Beautiful.
36:12Give it to me, I'll give it to him, don't worry.
36:14Wait.
36:16Take it.
36:18Thank you very much.
36:20Have a good afternoon.
36:22Thank you.
36:29Are they for you?
36:31Ah, no, they are for Dina.
36:33What do you think?
36:35A secret admirer at her age.
36:37Come on, give it to me, I'll take care of it.
36:39You can go back to your duties.
36:41Wait for the journalist.
36:43Wait, wait, you sent it to him, huh?
36:45I told you to give me that bouquet.
36:47Father, what game are you playing with my aunt?
36:49What I bring or stop bringing is none of your business.
36:50You are no one to meddle in my private life,
36:52or anyone else's.
36:54No, if I respect you, and a lot.
36:56That's why I want to warn you that you are making a mistake.
36:58How dare you?
37:00Father, it's an unequal relationship,
37:02without any future.
37:04I'm not going to let one of my children judge me,
37:06let alone you.
37:08I'm just doing what you would do in my place,
37:10look for your own good.
37:12I wish I hadn't had to intervene once in your life,
37:14because you haven't been a pleasure.
37:16Ah, no? Well, anyone would say so.
37:18Always advising, correcting,
37:20let's go, whatever,
37:22so that things end up being as you want.
37:24Don't be mistaken.
37:26What I would have wanted
37:28is that you didn't do things as serious as the ones you've done.
37:30It's your fault.
37:32I've betrayed my morals, my values.
37:34I've even committed a crime.
37:36But I would do it again.
37:38You are my son and it is my duty as a father.
37:40And I'm not going to be a martyr,
37:42nor am I going to ask you for anything in return.
37:44But for you, I've done things
37:46that take away my sleep at night.
37:48So don't get confused.
37:50Don't question my relationship with Digna.
37:52We don't hurt anyone.
37:55Well, does it hurt to see that your father has an illusion?
37:59No, of course not.
38:01But it worries me.
38:03Knowing what you know about Valentín,
38:05who was his son,
38:07I wouldn't like them to reach a degree of intimacy
38:09that could get in the way.
38:11Carelessness.
38:13God forbid.
38:15Jesus, I'm going to keep going with this,
38:17whether you like it or not.
38:18You'd better leave me alone.
38:20I don't want any of your tricks.
38:23It's clear to me.
38:25Now go and fire that journalist.
38:27Stop playing the perfect marriage.
38:30And take care of your wife,
38:32who, from what I see, is not on your side.
38:41I've seen Mario.
38:44Good.
38:45Good.
38:47You're finally showing some interest in that matter.
38:51Are you going to tell me what he told you?
38:53Luis confirmed it to me.
38:55Father and he loved each other.
38:57He told me the whole story.
38:59What story?
39:02What story, Joaquín?
39:04That they saw each other two or three times?
39:06That doesn't make them lovers.
39:08They had a relationship, Luis.
39:11Mario worked as a topographer
39:12for almost two years near the factory.
39:15And his relationship with Father was...
39:20intense.
39:22Intense, but tormenting.
39:24Father suffered a lot.
39:26He was in a constant struggle with himself.
39:28Who he should be against who he really was.
39:35And with us, who was he exactly?
39:37Mario told me that, for Father and us,
39:39we were the most important thing in the world.
39:42Let me doubt it after everything we've discovered.
39:45Look, Luis.
39:47I also hold a grudge against him for what he did.
39:49But we can't deny that he was a good father.
39:51He took care of us, of his mother, of the whole family.
39:54So why was he with Mario?
39:56One thing doesn't take away the other.
39:59He loved him in a different way.
40:01Joaquín, I'm sorry, but I don't know.
40:03I have the feeling that all this isn't affecting you like it's affecting me.
40:07Look, the other day,
40:09I didn't tell you anything because I didn't want to believe it either.
40:13But...
40:16when I saw them together,
40:18I realized that
40:20there was something strange about that relationship.
40:22You were still a child, but
40:24I was a little older.
40:26And I could see that
40:28there were strange things going on between them.
40:31The letters from the other day
40:33only confirmed a vague memory of youth.
40:36Luis, I also find it hard to confirm it.
40:39Even Mario, to this day,
40:42finds it hard to admit it.
40:46He also had a double life.
40:48Yes.
40:50That's why I trust his words.
40:52He's an older man.
40:54He's married.
40:56He has children. Grandchildren.
40:58It must be very hard
41:00to accept that you were in love with another man.
41:03He's been very brave and honest
41:04to have told you.
41:06Yes.
41:08And why don't we do like him?
41:10Why don't we follow his example?
41:12Why aren't we also brave
41:14and accept that Gervasio Merino
41:16had a double life?
41:20I have to go back to the lab.
41:23And if I tell you the truth, I'd rather eat alone.
41:25I really don't even have an appetite.
41:35Next week,
41:37I'll have to interview Genaro García
41:39to repeat the analysis.
41:41Roberto must be around.
41:43He's been rehabilitating his shoulder.
41:45Yes, that's for in two weeks.
41:47Okay.
41:49Anything else?
41:51He's assaulted Carmelo.
41:53We have to check his beginning of cataracts.
41:55Yes, but that's...
41:57for...
41:59I don't know.
42:01I don't know.
42:02That's...
42:04for in four months.
42:09Why don't we write it down now?
42:12Yes, yes, yes, of course.
42:14We'll write it down.
42:17Great.
42:19If you'll excuse me, I'm going to the canteen for a coffee.
42:22I haven't slept all night
42:24and I need some energy.
42:26Do you want something?
42:28Yes, could you bring me another one?
42:30I'd love to, but I'm out of it.
42:32Thanks.
42:34See you later.
42:41Is everything okay?
42:43Yes, everything's fine.
42:45I saw the look on your face
42:47when we were writing down the last appointment.
42:50Well, it's...
42:53It's just that when I realised
42:55that it's for in four months
42:57and that I don't...
42:59But...
43:00That's it. Why don't we talk about something else?
43:03I don't know, we could talk about...
43:05that the fishing rod has been lifted.
43:08No.
43:10We can't, because I'm not talking to a salmon.
43:12Well, it's an important topic that I'd like to discuss.
43:15Well, maybe we'll do it later.
43:18Because...
43:21I'd rather talk about dinner.
43:23I'm meeting you today and...
43:26if I'm something, I'm a woman of my word.
43:28I see.
43:30Well, now I won't be able to forget about dinner
43:33for the rest of the day. Thank you very much.
43:35Well, you should.
43:37Because you have to go and see the guy from yesterday's theatre.
43:40At your service, Doctor.
43:43Go now, come on.
43:46Okay.
43:51See you later.
44:00Mmm...
44:02Mmm...
44:04Mmm...
44:10For a thousand and one sleepless nights by your side.
44:13D.
44:15D? What poet is D?
44:17Rubén Darío?
44:19The flowers are beautiful.
44:21Thank you.
44:23I would have brought the whole floristry.
44:25Nothing seemed enough to me.
44:27What an exaggeration.
44:28I'd throw you into my arms to kiss you again.
44:31You know, this wouldn't be right.
44:33You don't like it?
44:35I didn't say that.
44:37We have to go slowly.
44:39Oh, what an irony.
44:41In here, one has to go slower.
44:43I feel like going at full speed.
44:45Then appeal to your sanity.
44:47I've been a fool for too many years
44:49and now I want to let myself go for my feelings.
44:52In a world where we were alone,
44:54just the two of us,
44:56that would be possible.
44:58We have to think about our children
45:00and that's why we have to be cautious.
45:03I have to stop being cautious with you, Tassio,
45:05because I can't live according to my feelings.
45:07You've always been very impatient.
45:09Now I see you're not anymore.
45:11I just want to get back the lost time,
45:13enjoy the relationship I didn't have with my son,
45:16start something with you.
45:18It's a lot to ask for.
45:20I'm just asking for a little time.
45:22As for Tassio,
45:24I think you've been very brave in recognizing him.
45:26You'll find a way to make it public.
45:30Does that mean you'd agree?
45:32My sister isn't here
45:34and I think that young man deserves everyone to know.
45:37Do you know what excites me the most about my relationship with Tassio?
45:41It gives me the opportunity
45:43not to make the same mistakes again.
45:46If I had done things right,
45:48some of my children would have had a happy life.
45:51And why do you think they don't?
45:53Because it's obvious they don't.
45:55Damian,
45:57we both know
45:59that life is full of stages,
46:01some good ones and some bad ones.
46:03When children grow up,
46:05it's them who have to decide how to lead each of them.
46:08Yes, but I think I didn't educate them to make decisions.
46:10I was limited to giving them orders.
46:12Well, you were smart because you were educated like that.
46:15Yes.
46:17All my effort was to build a legacy.
46:20My father taught me that a man is worth what he possesses.
46:22So I dedicated all my life
46:24to building a prosperous future.
46:28And did they benefit from that?
46:31But at what price, Dina?
46:33At what price?
46:37Who is completely satisfied with their life
46:40when they make a balance of it?
46:42Nobody.
46:44What matters is the whole.
46:46Looking back and seeing that we've done more good things than bad.
46:50That's what worries me.
46:52Sometimes I wonder what kind of life I've led.
46:55If I've done things right,
46:57if I've served for something,
46:59if I've made the people around me happy.
47:06You can take this with you.
47:14For that report meme,
47:16I could have gone to the Congress.
47:18Just as you thought.
47:20Your husband has taken you to his turf again.
47:22Get out of my head, please.
47:24You need someone to give you a push.
47:26Look, Begoña.
47:28From tomorrow on, I want you here,
47:30in the pantry, at all times.
47:32Nothing like being at home, playing happy family.
47:35Agree?
47:37I agree.
47:39Now tell me.
47:41What else have they asked you?
47:43It was terrible, Luz.
47:45Don't you know how humiliating it was
47:47for that journalist to treat me like an accessory to Jesus?
47:50Look.
47:52No matter what you write in Mentecato,
47:54in the end, the family of the queen and the factory will be mine.
47:57Of course.
47:59But above all, don't doubt it.
48:01I'm so angry I lost the Congress because of this nonsense.
48:03And then there's my mother.
48:05And I haven't slept all night again.
48:08Begoña.
48:10You're not sleeping well.
48:12What's wrong?
48:14Nightmares? Insomnia?
48:16I don't know.
48:18They're memories from the cabin.
48:20From when you were injured?
48:22Yes.
48:24At that moment, I have the memory of being afraid
48:27and as loose images,
48:29but then in my nightmares I have everything much more blurry.
48:32I don't know, I think
48:34what I have to do is face what happened
48:36and face my fears, right?
48:39Even if it's painful,
48:41reliving the trauma is the first step to assimilate it.
48:44I need to calm my mind.
48:45Well, and sleep,
48:47because otherwise I'm going to go crazy.
48:49If nightmares are recurring,
48:51they won't stop until you face what happened.
48:53And then I'll feel better?
48:55I can't assure you,
48:57but naturalizing a traumatic situation
48:59always helps you get ahead.
49:02I don't know, but I have to do it for myself, right?
49:05How?
49:08The best thing is for you to go back to the cabin.
49:10It's traumatic, I know,
49:12but I think it will work.
49:16Then do it.
49:18And if you're determined, I'll go with you.
49:21The important thing is that you don't go alone.
49:28I'm out of breath.
49:30I can't breathe.
49:32Sit down.
49:34What you're having is a panic attack, you know?
49:37Yes, I know.
49:39Are you looking for Valentín?
49:41Are you doing that?
49:43And why did you leave him?
49:45Well, it's your turn now.
49:47Our father was in love with another man,
49:49although it's hard for us to accept it.
49:51Nice to meet you. Me too. Maribel.
49:53Isabel.
49:55Tell him, let him go, for God's sake.
49:57Look, the thing is, Mom, you have to...
50:00I'm talking about the family.
50:02About you.
50:08So Don Damián gives you the shotgun,
50:10he gives you the free afternoon,
50:12and he gives you cash.
50:13How is your wife hiding?
50:15You're radiant.
50:17Shining.
50:19Look, today I'm perfectly fine.
50:21I won't need to stay in your bed.
50:23Is it because you don't want to?
50:25I'm sorry, I'm sorry, I can't.
50:27I can't.