The Curse of The Clown Motel (2024)
عندما تعود ألما إلى المنزل لمساعدة عائلتها في التعرف على تراثهم الأمريكي الأصلي، كل ما تجده هو فندق المهرج الشهير عالميًا والذي تم تشييده على أرضهم.
Transcript
00:00:00My grandmother Kaku used to tell me stories passed down from our ancestors about the Chindi,
00:00:14which was the Navajo word for ghost.
00:00:17But unlike Casper, the Chindi was an unstoppable, all-consuming evil force, exacting vengeance
00:00:23for wrongs against our people.
00:00:54Serves them right.
00:00:56Trying to take all that land and keep it for themselves.
00:01:06Yeah, how in the hell would you guys know? You weren't out there with us.
00:01:12What we did wasn't very sporting.
00:01:14It's a shame those elders weren't with us from the beginning, especially that young one.
00:01:19He had some fire to him.
00:01:22What's done is done.
00:01:27Amen, Captain. Amen.
00:01:51What's this?
00:02:21What's this?
00:02:49Get him!
00:03:19Please.
00:03:49Get him!
00:04:11It's fine. It's fine.
00:04:41Get him.
00:05:08I don't know how you've done this, but this isn't the last of me.
00:05:20This is the last.
00:05:37This is the last.
00:06:08Feet.
00:06:18You know, I admire your little church, Anna.
00:06:20You people always seem to find a way to stay alive.
00:06:24We have to, Mr. Wesson.
00:06:26We were here long before you. We'll be here when you're gone.
00:06:31Well, first of all, I'm not going anywhere.
00:06:34I mean, you wouldn't believe how many offers I've had on this motel.
00:06:38I've turned them all down.
00:06:42Why didn't you people make an offer back when I bought the place?
00:06:48We weren't considered white enough to make an offer, Mr. Wesson.
00:06:54Yeah. There is that.
00:06:57But I can tell you this, if I ever sell this motel, I'm going to make sure whoever buys it knows what kind of staff comes with it and how valuable you people are.
00:07:06After all that, are you saying you wouldn't let us make an offer on this place?
00:07:09No, I'm saying that I don't think your collection plate is deep enough to buy this property.
00:07:16You don't know anything about how deep our collection plate is, Mr. Wesson.
00:07:19Anna, calm down.
00:07:21You don't want to be attacking your boss and getting fired the same day your company arrives.
00:07:25Alma is here?
00:07:27You know, I never even knew you had kids, Anna.
00:07:31That's because you never asked, Mr. Wesson.
00:07:56I had been gone long enough.
00:07:59I had to return to where I grew up and do what I could to bring to light the atrocities committed against my Greasewood ancestors.
00:08:19Well, fuck me.
00:08:25Now I know what they meant by the clown motel challenge online.
00:08:29And from the outside of it, looks like I'm not getting any sleep tonight.
00:08:55Good night.
00:09:25Good night.
00:09:55Good night.
00:10:26Hey!
00:10:27Hey, Joe!
00:10:56Ah.
00:11:08Well, it's good to know the members of, uh, Kaku's cult have really aged well.
00:11:14Joe Bamford.
00:11:17Still sulks.
00:11:19And that outfit is yet to be washed.
00:11:23Ah.
00:11:25Alma, Alma, Alma.
00:11:28Your childhood, nothing has changed.
00:11:32Well, maybe the paint job.
00:11:36But the clowns?
00:11:38They're still here.
00:11:53Thank you.
00:12:07Well, this is new.
00:12:19Quite a collection, huh?
00:12:23Yeah.
00:12:25It's gotten a lot bigger since I was a kid.
00:12:28Well, that was probably well before I bought the motel.
00:12:31Well, the last time I was here I was eight.
00:12:34That's like 15 years ago.
00:12:38I got a few minutes now if you want to have that talk that you asked me for.
00:12:42Yeah.
00:12:44Good.
00:12:53This place looks smaller.
00:12:55Well, you've probably grown a lot in 15 years.
00:12:58I don't remember that wall being there.
00:13:00Is that a new door?
00:13:02You've got a good eye, Miss Perez.
00:13:04We did a remodel a couple years ago.
00:13:07Put some plumbing behind that wall and, uh, made some additions on that one.
00:13:15So you're here doing research for a college paper, huh?
00:13:19Are you up for it?
00:13:21It's for a business class.
00:13:23It's for a graduate thesis.
00:13:25Cultural Anthropology.
00:13:31Graduate thesis.
00:13:33Cultural Anthropology specializing in the Greasewood Natives.
00:13:37Greasewood Natives?
00:13:39That's an Indian tribe of some sort?
00:13:42Like a tribe of Native Americans, yes.
00:13:45You've never heard of the Greasewoods?
00:13:47No, but I'm not much of a history buff.
00:13:51Well, I think that's evident.
00:13:59Do you know what you have here, Mr. Wilson?
00:14:05A scary clown skull.
00:14:08This stone carving is not a scary clown skull.
00:14:11It's a death totem.
00:14:13It's to ward off evil spirits.
00:14:16It's very hard to come by in my study, and you happen to have several of them in your collection?
00:14:22Wow.
00:14:25Is it of any value?
00:14:28Mr. Wilson, I know you think you know all about your motel.
00:14:35But those stories that you put in those brochures and on your website, those ghost stories have happened in one fashion or another.
00:14:43Yeah.
00:14:45Eyewitnesses.
00:14:47Tragic deaths have occurred in these rooms.
00:14:50And all the while, an evil clown lurks somewhere nearby.
00:14:58What I wanted to talk to you about is what this place was before it was the clown motel.
00:15:05Sure.
00:15:08Fire away.
00:15:13Coffee?
00:15:14No, I'm good.
00:15:16I see that you market the graveyard and the mining sites as tourist destinations on your website.
00:15:21And that the miners stayed here in the 1900s.
00:15:24Yeah, they did.
00:15:27They did indeed.
00:15:29But if you know more, I'd sure love to hear it, because I'm always looking to update the website ghost stories.
00:15:36Horror sells.
00:15:38I'm talking about what Tonopah was in the 1800s.
00:15:41Back when it was Butler City.
00:15:44It was this massacre.
00:15:48Where it eliminated all the greasewoods just to build a railroad in this area of Nevada.
00:15:55There's no railroad anywhere near here.
00:15:57Exactly.
00:15:59That's where I'm piecing everything together.
00:16:01Okay.
00:16:03I'm all ears.
00:16:09The reason why there was no railroad built...
00:16:12Sit here.
00:16:14Is because the ones who wanted to do the massacre were massacred themselves.
00:16:18Right in this very spot.
00:16:21And, after doing some research, it shows that this place used to be called the Butler City.
00:16:26Founded by Wyatt Earp, passing through town.
00:16:30Wyatt Earp?
00:16:32Wow.
00:16:34You have proof of that?
00:16:37Just legends and legends passed on from generation to generation.
00:16:41But I'm looking for proof.
00:16:42Documents, articles, like artifacts, records.
00:16:46And this is where you can help me.
00:16:49There's this cellar below this building.
00:16:52I used to play at it when I was a kid.
00:16:54And I remember there was this box down there with these documents.
00:16:58Do you know about this box, Mr. Wilson?
00:17:01No, because the cellar was already sealed up by the time I bought the motel.
00:17:06The building department said it was structurally unsound and it didn't meet zoning requirements.
00:17:12And codes, and, you know.
00:17:14Well, if I can get access to this box with documents in it, this would be a huge addition to my thesis.
00:17:23And, if those documents have any historic importance, I can call the U.S. Historic Registry and have this place turned into a Greasewood Memorial.
00:17:34But what would happen to my motel?
00:17:36Well, I'm guessing that the government would make you an offer and reclaim the land.
00:17:44Reclaim the land?
00:17:53It's a good thing that you're not a business major, Ms. Perez, because that was the worst sales pitch that I have ever heard to gain access to my basement.
00:18:04What incentive would I possibly have to let you go down into that cellar if I was going to lose my land as a result?
00:18:14Well, maybe.
00:18:19Because it's the right thing to do.
00:18:28But regulations strictly forbid me.
00:18:30But regulations strictly forbid me from letting anybody down in that cellar.
00:18:38It's unsafe. Crumbling structurally.
00:18:43They could shut me down if they found out.
00:18:47Sorry.
00:18:51So, was the cellar what you wanted to talk to me about?
00:18:55Because if it was, I think we've about covered it.
00:19:01I wish I could help you, but I can't.
00:19:08Now, I don't know if you're planning to go over to the cemetery and take some etchings or anything.
00:19:16The gravestones are marvelous over there.
00:19:18I'm not sure this meets up with university archaeological standards, but the kids enjoy using them when they go over there.
00:19:31So, I've got to get back to work.
00:19:37I've got a bunch of execs from the largest bank in the area coming in for a stag party in 15 minutes or so.
00:19:46Sounds like fat profiteers on the land stolen from my people.
00:19:51I can't argue with you about that.
00:19:55Oh, I want you to take this.
00:20:01I want you to have it. It means a whole hell of a lot more to you than it does to me.
00:20:06And you know the work you're doing is important, Thelma.
00:20:10Don't let the hurdles stop you. There's going to be plenty of those in life.
00:20:17That's great advice, Mr. Wilson. I'll take it.
00:20:40Yes. Yes.
00:20:46What the fuck?
00:20:48You're welcome.
00:20:50Holy fuck.
00:20:52What the fuck is this?
00:20:54Look, I know it might not look like much, but, well, that's kind of the point.
00:20:59We're getting Louis a proper stag party.
00:21:01Yes.
00:21:02Look, I know it might not look like much, but, well, that's kind of the point.
00:21:08We're getting Louis a proper send-off, and this is the perfect place to hide some secrets.
00:21:13Ain't that right, Mr. Arturo?
00:21:14Yes.
00:21:15Oh, my God, you're right there.
00:21:17Well, there's a lot of things to bury tonight.
00:21:20And knowing Sloan, he's going to dump his whole 401K at the craft fair.
00:21:25Not this time. Not this time.
00:21:26While me and Brooke bury our face in every tom-trick they get.
00:21:28That's right, baby.
00:21:29What about Louis here?
00:21:31Well, this is Louis' wedding.
00:21:32He'll be the one with his head under a stripper's tits by the end of the night.
00:21:37Like a banker he is.
00:21:39Well, we're good bankers, and that's why we deserve to have a good time.
00:21:42Yeah.
00:21:44You sure this place is safe?
00:21:45He booked this trip through a church group, so as far as I'm concerned, must be blessed.
00:21:50Nobody's getting into any trouble they can't handle tonight.
00:21:52Alright?
00:21:54Alright.
00:21:55Mike's gonna go check us in, we're gonna divvy up the rooms, we're gonna get some food, and I take the town for all the money they got.
00:22:01I'm banking with Carrie.
00:22:03Mike is with Sloan.
00:22:04Meanwhile, Louis here gets a room all to himself, just in case he decides to hire some late night company, baby.
00:22:10Not happening. I'm loyal. Not happening.
00:22:31Sigh.
00:23:01What are you doing here?
00:23:31And so you've made your way back to the motel.
00:24:02Really, Kaku?
00:24:04Please, Toko. The book was open when I walked in.
00:24:07Of course.
00:24:12This is forgotten folklore. I didn't know the book was still in print.
00:24:18It isn't. It's Mom's.
00:24:21Right.
00:24:23Why do you trouble yourself with these myths, djindi spirits?
00:24:27Your whole church is named after a djindi.
00:24:29That was before my time.
00:24:32I don't like it any more than you do.
00:24:35But it's history. And history is dark and depressing.
00:24:40Unless you're white.
00:24:49Mr. Wilson told me why you're here.
00:24:52That was uncomfortable for him to hear.
00:24:56It was upsetting to me too.
00:25:01I'm doing this for us, Kaku.
00:25:05For your church. For our family. For our people.
00:25:10For all of us.
00:25:12All of us that are left.
00:25:15When your mother took you, I never left.
00:25:18Our church is here. This is still our home and you have no right to take that away from us.
00:25:25Do you think they'd raise this motel to erect a memorial and let us keep our place?
00:25:31This is the U.S. government.
00:25:34They don't place memorials for us.
00:25:37They place them for themselves.
00:25:40Cynical, Kaku.
00:25:43Cynical is a young person's word for older and wiser, Toko.
00:25:49You want to write a book about our people, make a documentary, put us on a TV show, you would make me so proud.
00:25:57But this memorial idea, it's a lost cause.
00:26:27Kaku is afraid of change.
00:26:31The product of an insular nature of being in a fringe religious group like hers.
00:26:39Kaku thinks she has ownership.
00:26:43She's still just Val.
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00:30:21I don't know what you're talking about.
00:30:24I don't know what you're talking about.
00:30:27I don't know what you're talking about.
00:30:30I don't know what you're talking about.
00:30:33I don't know what you're talking about.
00:30:36I don't know what you're talking about.
00:30:39I don't know what you're talking about.
00:30:42I don't know what you're talking about.
00:30:45I don't know what you're talking about.
00:30:48I don't know what you're talking about.
00:30:51I don't know what you're talking about.
00:30:54I don't know what you're talking about.
00:30:57I don't know what you're talking about.
00:31:00I don't know what you're talking about.
00:31:03I don't know what you're talking about.
00:31:06I don't know what you're talking about.
00:31:09I don't know what you're talking about.
00:31:12I don't know what you're talking about.
00:31:15Kaku, how could you?
00:31:18How could I what, Toko?
00:31:21Your church booked employees of the bank that fucked you and your friends over.
00:31:26Hold your tongue. This is my livelihood.
00:31:30We wanted to get our money back and this was the only way it was going to happen.
00:31:33Arturo books rooms and Mr. Wilson gives us a commission. It's as simple as that.
00:31:38There are more opportunities in this world other than this motel.
00:31:42I don't understand you, Kaku.
00:31:44And I don't understand you. You're so headstrong, just like your mother.
00:31:48I'm cursed with a daughter who doesn't listen and a granddaughter who follows in her footsteps.
00:31:53Yeah, because she wanted justice.
00:31:56Real, lasting justice for our ancestors.
00:32:03You can help me. All I need to do is get into that cellar.
00:32:07Absolutely not.
00:32:09Then let me into Clem Wilson's office. Maybe I can find something.
00:32:14What you need to find, Alma, is the church.
00:32:17Drop this thing and let me do what your mother would never do.
00:32:20I will teach you about our history and introduce you to the Chindi.
00:32:25Listen to yourself.
00:32:28You're employed by an unscrupulous man who would hand you off for any amount of money.
00:32:39Why protect this motel when you can make this place a hallowed ground?
00:32:45We are the last of the Greasewood.
00:32:48This motel may be under someone else's name, but the land and its spirit has always belonged to us.
00:32:56Let it go.
00:33:10It would be best if you checked out before I came back tomorrow.
00:33:18Leave tonight. Don't stay a moment longer.
00:33:39I'm sorry.
00:34:09I'm sorry.
00:34:39I'm sorry.
00:35:02My old trick works.
00:35:09The clown motel is attracting a lot of offers. Not bad.
00:36:39I'm sorry.
00:37:09I'm sorry.
00:37:39I'm sorry.
00:37:59You only dance with me.
00:38:09You only dance with me.
00:38:39You only dance with me.
00:39:10I have successfully made it into the cellar.
00:39:18Nothing has changed since I was a child.
00:39:27I'm surprised that Clem Wilson hasn't scorned his way down here to get some artifacts for his website.
00:39:33I'm surprised that Clem Wilson hasn't scorned his way down here to get some artifacts for his website.
00:39:37But everything still sits all these years later.
00:40:03But everything still sits all these years later.
00:40:33Just as I remember it.
00:40:54Just as I remember it.
00:41:03Just as I remember it.
00:41:33Just as I remember it.
00:41:44The doctors have diagnosed me with typhoid fever.
00:41:47They have their theories, but I know it's the greasewood.
00:41:52So it is with sound mind that I confess the evil that I helped commit in hopes that the elder will forgive me.
00:42:00Though he has every right to spurn and condemn me to the fires of hell.
00:42:06Our deception was plain.
00:42:08We lured the two elders of the Greenwood tribe to the saloon for negotiation of their land to build a railway.
00:42:15Captain Cranston, who formed an outfit resembling the Pinkertons, was hired to ensure the acquisition of the land.
00:42:23A monetary settlement was to be discussed and the elders arrived in good faith.
00:42:33I served as a distraction.
00:42:35While Cranston's men murdered the entire tribe, including the elders, when they returned.
00:42:44And I was told that the elders were killed.
00:42:46But the young elder that arrived for his revenge that night was not the same that had come in earlier.
00:42:52He moved like a shadow, eviscerating the men in the most horrific fashion.
00:43:23Hanging with the captain.
00:43:26Foolishly, I thought to preserve the captain's dignity by pulling the sword away.
00:43:43His horrible mouth leered over as though his jaws might open and swallow me whole.
00:43:53I pointed Cranston's weapons at him and he uttered an awful laugh with a single phrase before disappearing supernaturally.
00:44:01By a bay.
00:44:03By a bay.
00:44:04By a bay.
00:44:06By a bay.
00:44:22By a bay.
00:44:46Hey, she's in the cellar.
00:44:49I'll be there as soon as I can.
00:44:53The blade is in place.
00:44:55It happens tonight.
00:45:23Silence.
00:45:26Silence.
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00:46:35Silence.
00:46:39Silence.
00:46:42Ready to go?
00:46:43Can't rush beauty baby.
00:46:45We'll be here all night.
00:46:50That's what nightmares are made of right there.
00:47:06Let's go.
00:47:07Lee's a-waitin'.
00:47:08Perfection.
00:47:09Let's go!
00:47:40Feet.
00:47:43Hey, boss.
00:47:47Don't think I'm not aware of your little conspiracy here.
00:47:54Conspiracy?
00:47:55Yeah.
00:47:56You guys always book these bachelor party deals when I have the night duty.
00:48:02You going to church?
00:48:05Yes, sir.
00:48:09For the collection, please.
00:48:11Thank you, boss.
00:48:12Okay.
00:48:13My pleasure.
00:48:19Don't worry.
00:48:21I won't.
00:48:22Good night, Joe.
00:48:23Good night.
00:48:32Hello.
00:48:35Johnson.
00:48:36Don't you ever sleep?
00:48:40I told you I am not selling.
00:48:43I don't care if he has Chinese backers.
00:48:46If I'm not selling, I'm not selling.
00:49:03All right, turn them up.
00:49:06Full house?
00:49:08Nope.
00:49:09Sucks to be you.
00:49:12Mike Hardy, ladies and gentlemen.
00:49:14Remember the name?
00:49:15Yeah.
00:49:16Ah, thank you, love.
00:49:18You're welcome.
00:49:19A little something for you.
00:49:20Ah, thank you.
00:49:21I'll take that dealer button from you.
00:49:22Appreciate it.
00:49:23There you are.
00:49:24Thank you.
00:49:25Mike, you're going to fucking get out of this.
00:49:27You need to go.
00:49:28These fucking idiots have no idea.
00:49:30Oh.
00:50:00Wow.
00:50:16Nice one.
00:50:17Nice.
00:50:21Oh, fancy.
00:50:24Damn.
00:50:27Let's get the guy.
00:50:30Look at the lot of you, using your dirty money just to attempt to buy yourselves a good time.
00:50:40Excuse me?
00:50:41You're not excused.
00:50:43These smash ring and bankers?
00:50:45Never are.
00:50:46Hold on, dude.
00:50:47We're just here to have a good time.
00:50:49Watch your mouth before something slips into it.
00:50:52Like my fist.
00:50:53Hey, watch your mouth before something I have slips into yours.
00:50:56What the fuck did you just say?
00:50:57Hold on.
00:50:58Dude, what's your problem?
00:50:59We got this, man. Just relax.
00:51:02I lost my business partner because of you banksters.
00:51:05Structuring loans that you knew he couldn't pay back.
00:51:09And then when he couldn't and defaulted, he swooped in and pulled out from under him his business, his properties.
00:51:18Putting him on the street to die of heartache.
00:51:23That's my problem.
00:51:24All right, get the fuck out of here.
00:51:25Right now.
00:51:26Sit down.
00:51:27Come on.
00:51:28Sit down.
00:51:29Whatever, buddy.
00:51:30Whatever.
00:51:31Easy, easy.
00:51:32Go ahead.
00:51:34When you party over someone else's death, all you do is gain the attention of the grim reaper.
00:51:40All right.
00:51:41There you go.
00:51:42Have a nice day.
00:51:43Good boy.
00:51:44Bye.
00:51:45And I'm taking your chips.
00:51:47Easy, man.
00:51:56I'm so sorry.
00:51:57That's out of character of me.
00:51:59I don't know if it's the nerves or if I'm just having cold feet, but it's weird because as you can see, I love my girl.
00:52:05You know, she know I love her.
00:52:07You know, I love my girl.
00:52:09Make a long story short.
00:52:11We met a year ago online.
00:52:13OK, I feel like things are rushed.
00:52:15Like I like ice cream.
00:52:17I don't even know her favorite ice cream.
00:52:20And I'm sorry for awkwardly venting to you.
00:52:23I just had to let that out.
00:52:25Did I mention I had five drinks?
00:52:28I think it's sweet.
00:52:30There's something very sexy about a man who's willing to commit to one woman.
00:52:38Enjoy the drink.
00:52:55Enjoy the drink.
00:52:57She says so.
00:53:23Come on, friend.
00:53:43I'm sorry.
00:54:00Silence.
00:54:26The party continued, boys and girls.
00:54:28I just caught some blow off the bartender.
00:54:30Oh, no, man.
00:54:32I haven't done any of that shit since I was studying for my exams.
00:54:34It's about time you do again.
00:54:36Your room or ours?
00:54:37Let's make it yours.
00:54:38Mike likely hurt himself.
00:54:39Anger and coke don't mix in my experience.
00:54:48Hold up, fucking town.
00:54:54Come on, big boy.
00:54:55I'm going to show you what your future wife isn't.
00:55:05It should be me.
00:55:23Forgive me.
00:55:50Fuck.
00:55:57Come on.
00:56:17I kept seeing shadows in the corner of one's eyes.
00:56:20They were slightly terrifying me.
00:56:22I can't even do anything better.
00:56:25As though they might protect me, I pointed Cranston's weapons at him.
00:56:30And it held him at bay.
00:56:33I've kept the captain's sword and pistol with as totems of protection.
00:56:56Joe's crate.
00:57:22The fucking way.
00:57:35There.
00:57:37It's begun.
00:57:57Carrie, why have you been teasing me all this time?
00:58:17You know, Carrie.
00:58:25Boys.
00:58:33Really?
00:58:35Men are mice afraid of a woman's body.
00:58:40Carrie?
00:58:43Guys, this isn't funny.
00:58:45Unlock the goddamn door, okay?
00:58:53Carrie?
00:59:09Carrie?
00:59:11Sloane?
00:59:15Say something, guys.
00:59:20Ow.
00:59:28Ow.
00:59:40What the fuck?
00:59:43And who are you?
00:59:45Oh, I get it.
00:59:48You're part of the whole clown motel blah blah thing?
00:59:53Well, you're having a very bad hair day.
01:00:02You know what? You can go fuck yourself.
01:00:21I'm sorry.
01:00:23I'm sorry.
01:00:24I'm sorry.
01:00:25I'm sorry.
01:00:27I'm sorry.
01:00:28I'm sorry.
01:00:29I'm sorry.
01:00:30I'm sorry.
01:00:31I'm sorry.
01:00:32I'm sorry.
01:00:33I'm sorry.
01:00:34I'm sorry.
01:00:35I'm sorry.
01:00:36I'm sorry.
01:00:37I'm sorry.
01:00:38I'm sorry.
01:00:39I'm sorry.
01:00:40I'm sorry.
01:00:41I'm sorry.
01:00:42I'm sorry.
01:00:43I'm sorry.
01:00:44I'm sorry.
01:00:45I'm sorry.
01:00:46I'm sorry.
01:00:47I'm sorry.
01:00:48I'm sorry.
01:00:49I'm sorry.
01:00:50I'm sorry.
01:00:51I'm sorry.
01:00:52I'm sorry.
01:00:53I'm sorry.
01:00:54I'm sorry.
01:00:56Yeah, well...
01:01:03You can fucking do this.
01:01:04You can fucking do this.
01:01:14Nicky, I didn't wake you up, did I?
01:01:16It's past midnight, man.
01:01:18Why the fuck are you calling me so late?
01:01:19Come on. It's not that late.
01:01:23When the hell did you get so old?
01:01:24When I had kids, Michael, what do you want?
01:01:27I'm, uh, I'm actually having a boys' night out in Tonopah.
01:01:30Lewis is having a fucking bachelor party.
01:01:33Lucky Louis is getting fucking married. You remember him, right?
01:01:36Mike, I'm gonna stop you right there.
01:01:39I know what this is, and I don't have it to give.
01:01:42That's not what this is.
01:01:45But if it was, I wouldn't be asking for much.
01:01:49I mean, if I was asking for anything, maybe two grand times.
01:01:52I don't have it. Please don't ask.
01:01:58I'm not asking for it.
01:02:00But if I was, you know your boy's good for two grand.
01:02:04Look, you give me two, I hand you back two and a half, right?
01:02:08You're about to wake Jen up, so...
01:02:10No, look, you can just cash at me from the bed. You don't even have to get up.
01:02:13Just, Nicky, just a little transfusion just to keep me liquid.
01:02:16I don't have it, Mike. And if I did, Jen would kill me for giving it to you.
01:02:20And I wouldn't blame her. That bank of yours fucked me.
01:02:23Or did you forget about that? I'm hanging up now.
01:02:26Nicky, no, no, Nicky, no, no, no, Nicky, do it right!
01:02:29Fuck!
01:02:50Relax.
01:02:52Carrie can loan you the money.
01:02:54Or Brooke.
01:02:56Yeah, she's a good dude.
01:03:00Stupid.
01:03:03You know, let's make up some bullshit fee and...
01:03:06have Mom give me a hundred bucks.
01:03:09Except for Louie.
01:03:11Yeah. Three hundred.
01:03:14Three hundred's a good fucking start.
01:03:17Yeah.
01:03:26Hey there, handsome.
01:03:36What the hell is that?
01:03:46God!
01:04:07No, no, no, no, no, no, no.
01:04:17No, no, no.
01:04:27No, no, no.
01:04:31No, no, no, no.
01:04:39No, no.
01:04:43No, no.
01:04:46No.
01:04:52No.
01:05:17No, no, no.
01:05:21No.
01:05:24No, no, no.
01:05:30No.
01:05:34No.
01:05:39No.
01:05:43No.
01:05:47No.
01:05:50No.
01:05:59No.
01:06:16No.
01:06:22You know what happens next, baby?
01:06:47No!
01:07:03No!
01:07:11No!
01:07:16No!
01:07:46No.
01:08:17No.
01:08:24Our shindy...
01:08:28has dealt with our grievances.
01:08:35All that remains...
01:08:38is the one who betrayed us...
01:08:41for her own vanity.
01:08:47Who's trying to claim our inheritance.
01:08:55But the shindy deals with that.
01:08:59Treachery of her own bloodline.
01:09:03Thievery of her own kin.
01:09:06By night's end...
01:09:09by night's end...
01:09:12this motel will have a new owner.
01:09:35No.
01:10:05No.
01:10:35No.
01:11:05No.
01:11:32What are you doing?
01:11:35No.
01:11:41No.
01:11:45No.
01:11:54That's mine.
01:11:56That's mine.
01:11:59That's mine.
01:12:02That's mine.
01:12:05That's mine.
01:12:10That's mine.
01:12:12That's mine.
01:12:35Get up.
01:12:44That's mine.
01:12:46That's mine.
01:12:48That's mine.
01:12:51No.
01:12:54No.
01:12:57No.
01:13:03That's mine.
01:13:05That's mine.
01:13:08That's mine.
01:13:10That's mine.
01:13:12That's mine.
01:13:38Count the totems.
01:13:41Nothing has changed.
01:13:47The shindy still hunts.
01:14:10Detectives here quick.
01:14:12Got a little bit of blood splatter?
01:14:14That can't be good for any of us.
01:14:16What do you think, Chief?
01:14:18Doesn't look good.
01:14:20Let's go.
01:14:30None of this makes a god damn bit of sense to me.
01:14:33Really?
01:14:35You really think so?
01:14:37None of this makes a god damn bit of sense to me.
01:14:39Really?
01:14:41You guys don't have cases like this over on Long Island?
01:14:43I thought for sure you guys would have seen everything.
01:14:46This is entirely different.
01:14:48It happens every few years.
01:14:50The weirdest damn death you've ever saw.
01:14:53Maybe it's legitimately haunted,
01:14:56or maybe it's just had to run a bad luck,
01:14:58or maybe there's something in the water.
01:15:00But I've been doing this for about 12 years now.
01:15:04And the most unusual crimes,
01:15:07There's got to be a logical explanation to this.
01:15:10Logical?
01:15:12The jawn on that bed was sliced from back to front.
01:15:15His ribs were pried apart like it was hunting season.
01:15:18Not to mention the mattress that he was laying on was still in pristine condition.
01:15:21All save the bloodstains.
01:15:23Well, maybe the victim of the straight razor did it?
01:15:25The victim was able to pull off this Herculean feat
01:15:28of filleting an entire human body with just a straight razor?
01:15:31Before or after he scalped himself?
01:15:34I don't think so.
01:15:36You know, and that doesn't even describe the three other bodies that we found,
01:15:39one of which looked like he had his face boiled off.
01:15:43I am not going to sleep well tonight.
01:15:46Well, what about the owner? Is anyone talking to him?
01:15:49Yeah. Someone sure will be.
01:15:52These deaths are too gruesome, too bizarre, and too quick.
01:15:55This is going to be a cold case in waiting, just like all the others.
01:16:00Way to be a doner.
01:16:02What can I say? The whole thing is...
01:16:04Welcome to the curse of the clown motel.
01:16:08This is, like, unbelievable.
01:16:10Yeah, I know.
01:16:11All this thing is just, like, unheard of.
01:16:13It's really bizarre. I can't even describe any of these cases here.
01:16:17I don't understand what's going on.
01:16:18It just doesn't make sense.
01:16:33Mr. Wilson?
01:16:36Mr. Wilson?
01:16:39Is there anything that you saw that would lead you to believe that any of these men were violent?
01:16:43Oh, they were bankers.
01:16:48Seemed pretty mild to me.
01:16:54Then you never know when you're going to find out.
01:16:58Then you never know when an angel's going to turn into a devil.
01:17:08I don't know what they got into.
01:17:19We noticed a car parked out front.
01:17:21It's a, um, a Toyota.
01:17:24It's a, um, a 2014 dark-colored sedan.
01:17:29We ran the plates.
01:17:32It belongs to an Alma Perez.
01:17:35Is that any relation to your employee, Anna Perez?
01:17:42Anna is, uh...
01:17:45Miss Perez's, uh, grandmother.
01:17:50Anna was at a church function last night, and, uh...
01:17:55Alma, well, she just...
01:17:59disappeared.
01:18:07Disappeared?
01:18:13I can't rightly say where she went. If I could, I would.
01:18:20I'm sure there's a lot that you need to get back to and take care of.
01:18:25We'll let you get back to it.
01:18:27Take care.
01:18:49Shh.
01:19:20Johnson.
01:19:23Clem Wilson.
01:19:27You know that guy you have who wants to buy the motel?
01:19:31Tell him it's his.
01:19:37One dollar.
01:19:39I shit you not.
01:19:42One dollar.
01:19:45Draw up the papers.
01:19:49One dollar.
01:19:58Our people and our ancestral land deserve so much more than that run-down motel.
01:20:03Our people deserve justice for those who took advantage of us, then and now.
01:20:09That's why the Chindis should never be stopped.
01:20:12Someone has to fight for our ancestors.
01:20:15Maybe something stopped it.
01:20:17Is it possible?
01:20:19How would you know how to stop it, Chindiana? How?
01:20:39Out!
01:20:47Go!
01:20:54Don't go.
01:21:17Don't go.
01:21:47Don't go.
01:22:17Don't go.
01:22:47You