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00:17:20I am very happy to meet you. Say it.
00:17:25I am very happy...
00:17:28Very, very happy.
00:17:30Very. I am very happy to meet you.
00:17:35To meet you. With what?
00:17:37To meet you. With what?
00:17:39Not with what. With nothing.
00:17:41Not with what. With nothing.
00:17:43Wait a minute, kid. What does that mean?
00:17:45I am very happy to meet you.
00:17:47Ah, I see. That's what it means.
00:17:49And you're not going to tell me how to say,
00:17:51I support you and you don't give a dime.
00:17:53That's not what it's called.
00:17:54Why? Nixon forbids it?
00:17:55No, but Americans don't have a dime.
00:17:57That's what you're going to tell me.
00:17:59Then I'll say it differently.
00:18:01I support you and you don't give a dollar.
00:18:03You don't give a dollar.
00:18:04Oh, what are you talking about?
00:18:05We don't care.
00:18:06Anyway, how did we say it?
00:18:08I am very happy to meet you.
00:18:11Did I get it right?
00:18:12Spectacular.
00:18:13Did you see how happy I am?
00:18:15Well, Marinaki, I am very happy to meet you.
00:18:18What?
00:18:19To meet you, I mean.
00:18:21How long have we known each other?
00:18:23Three years.
00:18:24Three years. Well done.
00:18:26And you're a smart girl.
00:18:28Well, let me tell you something else.
00:18:30Normally, the two of us should be in love.
00:18:32But what can I do?
00:18:33Am I wrong?
00:18:34Who's wrong?
00:18:35The coffee.
00:18:36Of course, you can see it clearly.
00:18:37My fate will come to me beyond the sea.
00:18:40Or you can see me in the mirror.
00:18:42It's a pity, Marinaki.
00:18:44Why is it a pity?
00:18:45You know, in Belgrade and Murmura, there is love.
00:18:47I know what I'm telling you.
00:18:49I was thinking about it.
00:18:50If only the two of us had it.
00:18:52And you would have learned that I'm waiting for the American.
00:18:54If we didn't have it, I would have pulled your eyes out.
00:18:56Thank God. Thank God.
00:18:58I got rid of my eyes.
00:19:00It's funny.
00:19:01Really, I can't forget it.
00:19:03Look, do me a favor.
00:19:04Translate that letter for me.
00:19:06What do you want me to do?
00:19:07What do you want me to do?
00:19:08You told me so quickly yesterday.
00:19:09I didn't quite understand it.
00:19:10Let's not make any mistakes.
00:19:11Okay, okay.
00:19:12I'll get it ready tomorrow.
00:19:13Take it easy. Take it easy.
00:19:14And as I said, don't worry.
00:19:16You have the petrol pump in your pocket.
00:19:18You'll eat well.
00:19:19You'll eat very well.
00:19:20After a good friend like you will be waiting for me in Greece.
00:19:25That's me.
00:19:26It will be my dream vacation.
00:19:28And don't worry.
00:19:29Definitely. Definitely.
00:19:31Come on. Come on.
00:19:32Proceed with the translation at school.
00:19:34Yes, sir.
00:19:35I hope I don't bother you too much
00:19:37that you will host me in your tower.
00:19:40How did you say that? In your tower?
00:19:42Can't you hear me? Are you deaf?
00:19:44What did you write to the girl?
00:19:45I don't remember.
00:19:46I say whatever comes to my mind and Marina writes it.
00:19:48And did you write to her that you have a tower?
00:19:50If she says so, I'll write it.
00:19:52Of course, on another note,
00:19:53I wrote to her that I own Salamina.
00:19:56Shut up.
00:19:57Of course, the amazing thing is with Japan.
00:19:59I write to a Japanese girl.
00:20:01Oh, and the...
00:20:02Oh, the...
00:20:03Now, now, now.
00:20:05Translate it.
00:20:06I write to her that I am the mayor of Thessaloniki.
00:20:08And now what about the one who will build you a tower?
00:20:10I don't know. I will...
00:20:12I will tell her that...
00:20:13that I sold it.
00:20:14There. The matter is settled.
00:20:15Yes, your girl writes that you will host her.
00:20:18And to have a tower, you must be wealthy.
00:20:20You must have connections.
00:20:21You must be someone.
00:20:23Not just anyone.
00:20:24But what are you saying, Pamino?
00:20:25Where can I find the money?
00:20:27From the tower you sold.
00:20:29Right.
00:20:30What did I do with so much money?
00:20:31Come on, Pamino. Come on, Pamino.
00:20:32Leave me alone.
00:20:33I will tell her that...
00:20:35Of course, I found it.
00:20:36I will tell her that I borrowed money from the tax office
00:20:38and she ate it.
00:20:39There. The matter is settled again.
00:20:40Come on, Pamino.
00:20:41You bring me all the destruction.
00:20:43It doesn't matter at all.
00:20:45What do you mean?
00:20:46It doesn't matter.
00:20:47Because someone who has a tower, even if he is in debt,
00:20:49must have great social connections.
00:20:51He must be an aristocrat
00:20:52so that he can easily lend the villa to a friend of his.
00:20:54Stop it.
00:20:55What is the villa to lend it to me?
00:20:57A bicycle? To go to the market?
00:20:58Shut up.
00:20:59That's how these jobs are done.
00:21:00I know.
00:21:01And now listen to what will happen.
00:21:03What will happen?
00:21:04What will happen again, Pamino?
00:21:06The girl will realize that you are a liar and a fraud
00:21:09and she will call Interpol.
00:21:10Again with Interpol.
00:21:12What do you want now?
00:21:14She will ask to know about the fraud you did to her.
00:21:16Not a fraud.
00:21:17What fraud?
00:21:18A fraud.
00:21:19A lie.
00:21:20A big lie.
00:21:21Interpol
00:21:22will cooperate with Scotland Yard.
00:21:25Then
00:21:27all the factors will fall together.
00:21:290-0-0, 6-5-3
00:21:31and 9-4.
00:21:33And the saint?
00:21:34And the saint.
00:21:36They will look for you.
00:21:37They will come for you.
00:21:38Then you will become a conglomerate.
00:21:45Mama!
00:21:47Don't be afraid.
00:21:49An episode will be created
00:21:51and the tourism you did to Rasilis will be compensated.
00:21:54My God, the exile that awaits me.
00:21:56Then they will catch you.
00:21:58They will condemn you to death.
00:22:00And then
00:22:02you will become an electric chair.
00:22:07Mr. Judge,
00:22:09Mr. Enourki,
00:22:11I am innocent.
00:22:13Society has pushed me into the pit.
00:22:16I have sinned for my child.
00:22:18Bah!
00:22:19Bah!
00:22:20You have a child?
00:22:21Shame on you, you evil father!
00:22:23What child should I have, you madman?
00:22:25I don't have a wife.
00:22:26Where can I find a child?
00:22:27Come on, I'm going.
00:22:28I'm going.
00:22:29And she is crying.
00:22:31Don't do anything crazy.
00:22:33Now that I've done it.
00:22:34Come on, bye.
00:22:45Welcome, Mr. Andreas.
00:22:46One minute.
00:22:47Come on, we're in a hurry.
00:22:48Right away, right away.
00:22:49Where are the fish again?
00:22:51This time they won't escape.
00:22:53Oh, I'm going to sell them.
00:22:54Right away.
00:22:55Wait for me.
00:22:56Here they are.
00:22:58Come on, Gigi Fionko.
00:23:00We have customers.
00:23:01Let me see what customers I have, boss.
00:23:03From Interpol to TEA,
00:23:04they will chase me so little.
00:23:06Let the girls and go to Mr. Andreas.
00:23:08He is the best customer.
00:23:09Go ahead.
00:23:13Welcome to Mr. Andreas.
00:23:14Bye, bye.
00:23:15Fill it up.
00:23:16Right away.
00:23:28Oh, yes.
00:23:33Oh, ah ah ha.
00:23:38Oh oh oh.
00:23:40Oh.
00:23:41I mean, I'm straining stereophonically.
00:23:44Ah.
00:23:45You are straining, my dear.
00:23:47I'm straining, my dear.
00:23:48Leave us alone.
00:23:50No, my dear,
00:23:51when ladies cry, married women cry.
00:23:52If you're straining and you don't miss anything,
00:23:54we have to hug.
00:23:55That's what you think?
00:23:56Is that what you think?
00:23:57That's what I think, of course. What do you lack?
00:23:59You have your car, you have your wife, you have your motorbike.
00:24:03What do you lack? I'm asking you.
00:24:04What do we lack?
00:24:05I should give you my car, Mr. Achilleas.
00:24:07I should give you my wife, my wife.
00:24:09You give me my peace of mind.
00:24:10Oh...
00:24:12How did you say that, Mr. Andrikos?
00:24:14How did I say that?
00:24:15The way I heard it.
00:24:16I don't know about you,
00:24:17but if you give me your car and your wife,
00:24:20you know for how long I'm going to be on the edge.
00:24:21Until you say, I'm a criminal.
00:24:23Oh...
00:24:26Do you want them?
00:24:27Here you go.
00:24:28Do you want them, I say?
00:24:29Which ones?
00:24:30Everything you see, motorbikes, cars.
00:24:31My Vilitsa.
00:24:32And my Vilitsa, eh?
00:24:33All with automatic buttons inside.
00:24:34You don't even lift your hand.
00:24:35You want them for five days.
00:24:36For a moment.
00:24:37For a moment, Mr. Andriakos.
00:24:38Are you kidding me now?
00:24:39Are you playing with my pain?
00:24:40Say it before I regret it.
00:24:41Do you want them for five days?
00:24:42Ten days?
00:24:43Oh...
00:24:44He's telling the truth.
00:24:45Of course, I'm telling the truth.
00:24:46Well, then, leave the moves.
00:24:47Put something more on.
00:24:48Put something more on.
00:24:49Fifteen?
00:24:50Yes.
00:24:51Here you go.
00:24:52Take the keys.
00:24:54Here you go.
00:24:55Take the keys of the villa.
00:24:56Do you know where it is?
00:24:57No.
00:24:58In Glyfada.
00:24:59Anemonis 15.
00:25:00I haven't seen such a villa in my life.
00:25:01It's a special thing.
00:25:02Special.
00:25:03Take the cars.
00:25:04Lend me the gas.
00:25:05And have fun.
00:25:06Are you serious, Mr. Andriakos?
00:25:07Yes, man.
00:25:08We're friends.
00:25:09Oh, you're forcing me to kiss you.
00:25:10You're forcing me a lot.
00:25:11And tell me, Mr. Andriakos, why are you doing this?
00:25:12Because I like you.
00:25:13Goodbye.
00:25:14And in 15 days I'll be here.
00:25:15In 15 days.
00:25:16Okay.
00:25:17Goodbye.
00:25:18Goodbye.
00:25:19Goodbye.
00:25:20Goodbye.
00:25:21Goodbye.
00:25:22Goodbye.
00:25:23Goodbye.
00:25:24Goodbye.
00:25:25Goodbye.
00:25:26Goodbye.
00:25:27Goodbye.
00:25:28Goodbye.
00:25:29Goodbye.
00:25:30Goodbye.
00:25:31Goodbye.
00:25:32Goodbye.
00:25:33Goodbye.
00:25:34Goodbye.
00:25:35Goodbye.
00:25:36Goodbye.
00:25:37Goodbye.
00:25:38Goodbye.
00:25:39Goodbye.
00:25:40Goodbye.
00:25:41Goodbye.
00:25:42Goodbye.
00:25:43Goodbye.
00:25:44Goodbye.
00:25:45Goodbye.
00:25:46Goodbye.
00:25:47Goodbye.
00:25:48Goodbye.
00:25:49Goodbye.
00:25:50Goodbye.
00:25:51Goodbye.
00:25:52Goodbye.
00:25:53Goodbye.
00:25:54Goodbye.
00:25:55Goodbye.
00:25:56Shut up!
00:25:59Stop!
00:25:59Get on your wheels!
00:26:01I forgotten to tell you.
00:26:02What?
00:26:03You can contact the FBI, and you know what will happen!
00:26:06There's no need for that.
00:26:07Ask the FBI and Interpol to close the case.
00:26:10Why?
00:26:10Do you remember the tower I was telling you about?
00:26:12Yes.
00:26:12I got it back again.
00:26:14What?
00:26:16Bad luck again.
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00:43:47Help! Help! Grigoro!
00:43:55This house is full of ghosts!
00:44:05Oh, yes! In the coffee!
00:44:07In the coffee!
00:44:14I was very tired.
00:44:22Oh, yes!
00:44:37Yes.
00:44:44At last I'm done with you!
00:44:47Please, sir, what kind of man are you?
00:44:49Enough, you are talking about a man.
00:44:50Wipe your feet.
00:44:51No, I won't, and I'll do it all here!
00:44:58What's wrong, sir? Are you crazy?
00:45:00Who are you?
00:45:01Just one, I say. Haliburdas.
00:45:02Here you are.
00:45:03I said Haliburdas.
00:45:05Mr. and Mrs. Haliburda. Is that enough for you?
00:45:08That's right, because if you were a man and not a woman, you'd be illegal.
00:45:11Shut up! You're talking about illegality!
00:45:13Who gave you the right to send flowers to my wife?
00:45:16You're mistaken, sir. It wasn't me.
00:45:18Yes, yes, and you were bothering her on the phone.
00:45:20Me? What Haliburda?
00:45:22Yes, Jeezy Fiongo.
00:45:24I asked and they told me you were staying here. I stood up and I succeeded.
00:45:27Easy, sir. Easy, sir. You're going to make me blush. I'm telling you, it wasn't me.
00:45:30But it's only 3.15, isn't it?
00:45:32Yes, sir.
00:45:33And you have that red car and you stick it in as soon as you see it.
00:45:36It's yours, isn't it?
00:45:37It's mine, but I don't stick it in. I don't know the lady.
00:45:39Don't deny me, Jeezy Fiongo,
00:45:42because they call me Haliburda and I'll make you blush.
00:45:45Easy, Mr. Burda.
00:45:47I said Haliburda.
00:45:48I'm sorry, I'm very sorry.
00:45:50I was being rude. I should have bought you. How much is it?
00:45:53What does the gentleman want, my love? How can you let him talk to you like that?
00:45:56I... The gentleman...
00:45:59The thing is...
00:46:00What do you want from my husband, sir?
00:46:02Who? I'm sorry, madam. Are you a man, sir?
00:46:05Of course. We just got married.
00:46:06We just came back from our honeymoon.
00:46:08We've been away for a whole month.
00:46:10How long have you been away? A month? Are you deaf? Didn't you hear me?
00:46:13Come on, my love, get out of here.
00:46:15Mom has prepared food for us. Are you ready, Mom?
00:46:18Okay, my children. I've prepared the table.
00:46:22Your mother-in-law?
00:46:23Yes.
00:46:24I'm sorry. I shouldn't have said that.
00:46:27I'm glad you understood.
00:46:28I'm sorry.
00:46:29I'm Mr. Hadjibourda.
00:46:32I'm a man of my word.
00:46:34My love.
00:46:35I'm sorry.
00:46:43Come back. We don't want to lose you.
00:46:52It's over.
00:46:54She can come back.
00:46:55If she comes back, we'll see.
00:46:57Thank you very much. You're welcome.
00:47:00You're a real man.
00:47:02You know what? We won't get along.
00:47:04No, Daphne. Let me explain.
00:47:07Hello, hello. Don't write letters to me.
00:47:09No, you misunderstood me. Let me explain.
00:47:11Don't turn me away.
00:47:12Don't be a fool.
00:47:13Don't turn me away.
00:47:21Hello, Mr. Bordas. It's me, Nick Mill.
00:47:25Detective Nick Mill here.
00:47:26Yeah. Hello.
00:47:28Can you hear me?
00:47:29Yes.
00:47:30How?
00:47:31I was waiting for you at the airport.
00:47:33Hippies?
00:47:34No hippies.
00:47:36Then?
00:47:37You're a liar.
00:47:38How?
00:47:40You don't know?
00:47:41You should know, you fool.
00:47:42What do I have to pay you in dollars?
00:47:56THE END
00:48:14Yelena, he's going to sing.
00:48:17A white bird in your window
00:48:27Sweetly at night I sing about your castle
00:48:40From the song, from the song to the wine
00:48:47From the wine, from the wine to the stars
00:48:54The stars fly away
00:49:01In the face of May
00:49:08My love, my love, my love that is leaving me
00:49:22In the face of May
00:49:37A white bird in your window
00:49:46Sweetly at night I sing about your castle
00:49:58From the song, from the song to the wine
00:50:05From the wine, from the wine to the stars
00:50:12The stars fly away
00:50:19In the face of May
00:50:26My love, my love, my love that is leaving me
00:50:42In the face of May
00:51:12One, and two, and three, and four...
00:51:15No, my little brother, that's not how you do it.
00:51:18You're confusing me, my child.
00:51:20You're very clumsy.
00:51:22One, two, three...
00:51:42One, and two, and three, and four...
00:51:57Oh, you surprised me!
00:51:59And I can't wait to show you how I can dance!
00:52:03You see, sir?
00:52:05And I can't wait to show you how I can dance!
00:52:36Come on, then!
00:52:51Bravo!
00:52:54That's the way! That's the way!
00:53:06May
00:53:11Really, you didn't tell me anything about you.
00:53:14Or did you tell me anything about you?
00:53:16Besides, what can you tell me? I have a son, it seems.
00:53:19What do you mean, it seems?
00:53:21That you're rich.
00:53:22Oh, yes, of course, of course.
00:53:28But tell me the truth, are you very rich or just rich?
00:53:31Come on, my child, don't talk like that.
00:53:33Everyone can be rich.
00:53:35I'm very rich.
00:53:36How rich are you, then?
00:53:37Let me explain.
00:53:38Sometimes, when I don't want to sleep at night...
00:53:41Do you know what I do?
00:53:42You count sheep.
00:53:43No, I count gas cylinders.
00:53:44I mean, I count my millions, of course.
00:53:46To get me to sleep.
00:53:47And you sleep?
00:53:48Oh, how can I manage that?
00:53:49Until I count them, I wake up in the morning.
00:53:52Oh, what a miracle!
00:53:54I've always dreamed of meeting a millionaire.
00:53:58Come on, my child.
00:53:59Why this dream?
00:54:00Let me see how it is.
00:54:01Do you see how I grew up?
00:54:03How did you grow up?
00:54:04In poverty, poverty and poverty.
00:54:06Parents and fathers, they say.
00:54:08I told you, my child.
00:54:09There are also some poor people.
00:54:11If there are, you should see your father and he'll show you the way.
00:54:14Really? And you?
00:54:15Me?
00:54:16Me?
00:54:17Come on.
00:54:18There are days in our family when we share the bean with the four of us.
00:54:20Yes, yes, yes.
00:54:22What do you mean, yes, yes?
00:54:23Yes, I mean the poor bean.
00:54:24How did you come to Greece?
00:54:26Me?
00:54:27A long story.
00:54:28I made savings.
00:54:29Savings?
00:54:30Yes, yes, yes.
00:54:31Bean, bean.
00:54:32Yes, yes, yes.
00:54:33Tell me, tell me.
00:54:34What can I tell you?
00:54:35For ten years, I've been collecting coins to get the ticket.
00:54:38But it's a return, of course.
00:54:39Of course.
00:54:40Fortunately, well done.
00:54:41Why fortunately?
00:54:42Yes, I want to say that with the movement that exists in the airplane at this time,
00:54:44unfortunately, you can't find a ticket to return to America.
00:54:47But wait, my child.
00:54:48There are so many oil wells in America.
00:54:50So many coins, so many coins.
00:54:52You were born in a poor house.
00:54:54Come on.
00:54:55That's why I asked you to host me at your tower.
00:54:57I see.
00:54:58But you didn't tell me anything.
00:54:59Are you happy that I came?
00:55:00Yes.
00:55:01I'm flying because of my joy.
00:55:02Can't you see me?
00:55:20You again?
00:55:21Excuse me, did I wake you up?
00:55:23Well, you see it.
00:55:24What are you asking?
00:55:25Right.
00:55:26You know, I couldn't stand the temptation and watched you.
00:55:28Why?
00:55:29Are you a policeman?
00:55:30Anything else.
00:55:31I'm just a man, completely alone.
00:55:34You don't have to tell me that.
00:55:36I can see that.
00:55:37And if I'm not mistaken, you're alone too.
00:55:41Probably.
00:55:42Foreigner?
00:55:43Yes.
00:55:44I've been missing for many years.
00:55:47Allow me to introduce myself.
00:55:48Notis Hadjidimas.
00:55:50Inhabitant of Kergenis.
00:55:53And a gunman, in charge of your help.
00:55:56I see you've got a lot of money.
00:55:59I'm not used to it, you know, almost never.
00:56:01But tonight I saw you.
00:56:03I felt the need to approach you, to talk to you.
00:56:06Will you give me your name?
00:56:08I'll give it to you.
00:56:10And then how will I go around naked, without a name?
00:56:14Anyway.
00:56:16Betty.
00:56:17Betty.
00:56:18What a wonderful name.
00:56:19And you come from?
00:56:20From America.
00:56:21Oh, but that's wonderful.
00:56:23I've always dreamt of meeting a woman called Betty,
00:56:26and coming from America.
00:56:28You've missed her, haven't you?
00:56:29All night in the center, I couldn't take my eyes off you.
00:56:32I saw it.
00:56:33You say you didn't see it?
00:56:34And all I could hear was a secret voice.
00:56:36It's her.
00:56:37The one you've been waiting for years.
00:56:39Don't lose her.
00:56:40If you lose her, you'll die.
00:56:42Come on.
00:56:43Don't say such tragic things and make me angry.
00:56:46Tell me.
00:56:47Tell me quickly.
00:56:48Is there anyone else?
00:56:49Probably not.
00:56:50No.
00:56:53Glory be to God.
00:56:54You make me very happy.
00:56:58I have to see you again.
00:56:59All right, all right.
00:57:00Go on.
00:57:01I don't want to make you miss me.
00:57:02Tell me.
00:57:03Tell me quickly where you're staying.
00:57:04Anemonis 15, in Glyfada.
00:57:05I'll be there tomorrow.
00:57:06Good night, sweet Betty.
00:57:09Good night.
00:57:21You should have started, aunt.
00:57:23It was a miracle.
00:57:24I told you.
00:57:25I was tired.
00:57:26She told us.
00:57:27She was tired.
00:57:28She didn't listen.
00:57:29That's it.
00:57:31You're right.
00:57:32It was a mess inside.
00:57:33She's not a little aunt.
00:57:34You're not like that.
00:57:35Please, Daph.
00:57:36How do you know?
00:57:37Maybe I'm like that too.
00:57:50I was thinking of giving her a cup of tea.
00:58:02Just a pack of cigarettes, please.
00:58:03Yes, what kind of cigarette?
00:58:04I don't smoke.
00:58:05Then why do you buy them?
00:58:07For consumption.
00:58:09certainly.
00:58:10Here you go.
00:58:11Good.
00:58:12How much?
00:58:1313, sir.
00:58:14I'll keep it at 50.
00:58:16Thank you very much, sir.
00:58:17No worries.
00:58:19My poor man, you'll have to suffer a lot in this deserted place where you're from.
00:58:25Kessati, my dear sir. Kessati. A lot of Kessati.
00:58:28Kessati, eh? Give me ten packets of gum.
00:58:32Certainly. Here you are, sir. Thirty drachmas.
00:58:35Keep it a hundred.
00:58:36Thank you very much, sir.
00:58:37Because, from what I see, the most houses around here are closed.
00:58:41What can you do, my poor man? Closed, like that one over there, eh?
00:58:46Which one? The luxurious one? The modern one, you say?
00:58:48You fell into my trap, sir.
00:58:50Trap? You said trap?
00:58:52Give me twenty drachmas, eh?
00:58:54Certainly. Here you are.
00:58:56A lot of trap, sir. Especially the one with the villa.
00:59:00A lot of trap, sir.
00:59:02Because he has an old car and a villa, I think he can seduce the girls of the world.
00:59:08Seduce? Give me ten packets of gum, he said.
00:59:14If he gets a girl with money, he'll eat her up to the bone.
00:59:18I'm telling you, he'll eat her up to the bone.
00:59:20He'll eat her up to the bone, yeah!
00:59:23Certainly. What else should I give him?
00:59:25And what's his name, we said? His name?
00:59:30You don't know his name, my dear man, do you?
00:59:33I'll give him ten packets of gum, too.
00:59:35Go ahead, go ahead.
00:59:37Andrea. His name is Andrea. Anything else?
00:59:40No, thanks. I don't need anything else. Bye.
00:59:43Sir, your groceries!
00:59:45They're all yours. Keep them.
00:59:57We're not doing well.
00:59:59You're a dog, life. Why are you a dog?
01:00:01You're having a good life. A human life.
01:00:04Are you going to buy a cigarette?
01:00:06What? You don't smoke? Why?
01:00:08Are you afraid of my cat?
01:00:11Do you want to smoke a cigarette with a bone?
01:00:14A cigarette with a bone.
01:00:20He's talking to the dog!
01:00:22Enjoy your meal.
01:00:24Enjoy your meal.
01:00:28Akhilev, are you crazy? You're talking to the dog?
01:00:31What can I do? He's the only one who understands me.
01:00:34Forget it, Pamino. Go to hell.
01:00:36What?
01:00:37The American.
01:00:38He didn't come?
01:00:39He came, but he's an old man like us.
01:00:41Forget it.
01:00:42I'm telling you, there are no dollars, no oil, no Christmas.
01:00:45They also share the beans with the five of us.
01:00:48Who are they? A lot of them came?
01:00:50Yes, of course. One of them came.
01:00:52And the worst thing is, they sat me on my back and I don't know how to unload them.
01:00:56Pamino. You, Pamino.
01:00:58Paminaki. You, who understands me.
01:01:00Forget it. You said that only a dog understands you.
01:01:03And you look like a dog.
01:01:06Oh, oh, oh, oh, oh.
01:01:08And you're a dog, aren't you?
01:01:10I told you, Pamino. You're the one who's putting your head down.
01:01:13Think of something to unload and forget.
01:01:15What should I think of?
01:01:17I don't know. You've read the police stories.
01:01:19Find something to help me, too, since I'm your friend.
01:01:22I'll stop walking for a bit.
01:01:24Come on. Come on.
01:01:26Come on.
01:01:34Come on. You've done a lot of miles.
01:01:36Do you want some gas?
01:01:38Leave me alone. You're joking.
01:01:42Come on.
01:01:44I found it!
01:01:46Come on. What is it? Where did you get it?
01:01:48Here it is. Leave me alone.
01:01:50It's an amazing trick.
01:01:52Come on. Tell me. What is it?
01:01:55Something better.
01:01:57They're after you.
01:01:59That's what you're going to tell them.
01:02:01Who's after me?
01:02:03Her sisters.
01:02:05Her sisters? Who are they?
01:02:07The one you abandoned and destroyed a night of her life for your sake.
01:02:11She trusted you, the innocent and innocent little girl.
01:02:15She listened to your simple words.
01:02:17And she fell on your network like a baboon.
01:02:21That one.
01:02:23That one.
01:02:25Nice. I like it.
01:02:27Let's go down.
01:02:33And then?
01:02:35You abandoned her.
01:02:37And you left her homeless in the middle of the road.
01:02:40Stop it, Paminos.
01:02:42It's a police trick, not a Greek movie.
01:02:44Stop it. You don't know.
01:02:46They know better.
01:02:48But her sisters found out.
01:02:50She has sisters?
01:02:53That's more convenient for me.
01:02:55Let's go down.
01:02:57So her sisters found out.
01:02:59And they're looking for you to kill you.
01:03:01What did I do to them?
01:03:03You ruined their honor.
01:03:05Aren't they too many?
01:03:07Four.
01:03:09No, they're too many.
01:03:11Two.
01:03:13Two is too few.
01:03:15Two and a half.
01:03:17Three and the mother's baby.
01:03:19Three is an illogical number.
01:03:21You have to save yourself.
01:03:23If they catch you alive, you're dead.
01:03:25What do they do?
01:03:27We don't care.
01:03:29We don't care.
01:03:31We don't give a damn.
01:03:33Tell me, how many are there?
01:03:35Don't be afraid.
01:03:37It's a watch.
01:03:39Another one.
01:03:41Hats.
01:03:43That's it. Hats.
01:03:45Nice. With knives and daggers.
01:03:47I'm frozen.
01:03:50So you understand what I'm thinking.
01:03:52You take the American girl.
01:03:54You tell her how they chased you.
01:03:56And how you put your bag with her.
01:03:58The next day she's wearing pleats.
01:04:00Knock, knock, knock.
01:04:02And you beg her to empty the corner.
01:04:04So she doesn't become the cause of death.
01:04:06I got it.
01:04:08Just a moment.
01:04:10Three brothers and sisters.
01:04:12Honored Romani.
01:04:14The girl who destroyed him.
01:04:16Let me die.
01:04:18You almost killed me.
01:04:20Do you want more?
01:04:22Be careful.
01:04:24I'll find three friends.
01:04:26And I'll send them to Andrea's villa.
01:04:28They'll sell you wild boars.
01:04:30So the American girl will eat her better.
01:04:32What are you, Pamino?
01:04:34I admire your imagination.
01:04:36No kidding.
01:04:38When will you tell her?
01:04:40In the afternoon.
01:04:42Where is the villa?
01:04:44Anemonis 15.
01:04:47They'll throw me a lot of money.
01:04:49What are you, Pamino?
01:04:51Where are you going?
01:04:53Hello, Mr. Porter.
01:04:55Are you Mr. Porter?
01:04:57Nick Beale.
01:04:59Detective Nick Beale.
01:05:01I've learned.
01:05:03The man who came to find your daughter.
01:05:05Big Lera.
01:05:07Prinko Thiras.
01:05:09I don't care about my money.
01:05:11Go and get it.
01:05:13Listen, Nick.
01:05:15You'll find him.
01:05:17You'll give him money.
01:05:19How much?
01:05:21Give him a lot.
01:05:23100,000 dollars.
01:05:25Yes.
01:05:27I'll give him 100,000 dollars.
01:05:29To get out of the mess.
01:05:31If he accepts.
01:05:33What are you saying, Mr. Porter?
01:05:35With 100,000 dollars.
01:05:37I'll leave you too.
01:05:39Okay.
01:05:41Stay calm.
01:05:44I'll take care of it.
01:05:50Okay, guys.
01:05:52Tell me, Marco.
01:05:54Okay, Pamino.
01:05:56It's done.
01:05:58Do you want to sell him a lot?
01:06:00That's it.
01:06:02Throw him some money.
01:06:04We'll help him get out of the mess.
01:06:06We'll go around the clock.
01:06:08In the afternoon.
01:06:10You'll sell him a lot.
01:06:12Do you understand?
01:06:14I don't care.
01:06:16I'll give him a lot.
01:06:18Okay.
01:06:20Don't yell at my boss.
01:06:22Write down the address.
01:06:24Anemonis 15.
01:06:26Write it down.
01:06:28You write it, George.
01:06:30I forgot my glasses.
01:06:32When I go to school.
01:06:34I understand.
01:06:36I'll tell you something.
01:06:38I don't regret at all.
01:06:41I don't regret at all.
01:06:43It's a nice adventure.
01:06:45Now you say it.
01:06:47Now that I regret it.
01:06:49All of a sudden?
01:06:51All of a sudden?
01:06:53Why?
01:06:55Why?
01:06:57Why?
01:06:59You woke up crying for your father.
01:07:01It's bad.
01:07:03Since the day I was born.
01:07:05He pays all my bills.
01:07:07Who?
01:07:09I don't like him.
01:07:11When he comes.
01:07:13I give him my shoes.
01:07:15I don't want to do the same thing.
01:07:17Achilleas?
01:07:19Mr. Notti?
01:07:21Who is he?
01:07:23He conquered me last night.
01:07:25I can't flirt with a man.
01:07:27You think I'm crazy.
01:07:29You don't go back.
01:07:33Welcome.
01:07:35Take your shoes off.
01:07:39Help!
01:07:41Help!
01:07:43Who are you?
01:07:45I'll call the police.
01:07:47I want her too.
01:07:49Who are you?
01:07:51What are you doing here?
01:07:53What are you doing here?
01:07:55I'm not doing anything.
01:07:57You are.
01:07:59I'm looking for money.
01:08:01Do you go to foreign houses?
01:08:03Foreign houses?
01:08:05Are you crazy?
01:08:08Your house?
01:08:10Of course my house.
01:08:12This is Achilleas' house.
01:08:14Achilleas' house?
01:08:16If it wasn't for the house.
01:08:18You'd be careful.
01:08:20You mean the violins?
01:08:22What do we want with the violins?
01:08:24Do you prefer the Beatles?
01:08:30You don't like them?
01:08:34Come here.
01:08:36I have a small gift for you.
01:08:42I don't need it.
01:08:44Someone else will take it.
01:08:48I don't understand.
01:08:50What should I explain?
01:08:52Who are you?
01:08:54I'm Andreas.
01:08:56Achilleas brought you here?
01:08:58Yes.
01:09:00You didn't miss the chance.
01:09:02What?
01:09:05I want to know the truth.
01:09:07I gave him my car and my villa.
01:09:09To make his share.
01:09:11His share?
01:09:13Isn't he rich?
01:09:15Achilleas is rich.
01:09:17He works at the gas station.
01:09:19How can you say that?
01:09:21I didn't know that.
01:09:23So it's a myth.
01:09:25Don't be angry.
01:09:27He's not rich.
01:09:29But you know me.
01:09:31What are you doing here?
01:09:33I've been here for 10 years.
01:09:35Welcome.
01:09:37Be careful.
01:09:39Excuse me.
01:09:41I'm Andreas.
01:09:43Are you Cypriot?
01:09:45No.
01:09:47I'm going to the garden.
01:09:49What will we do tonight?
01:09:51Leave me alone.
01:09:54Today we will clean together.
01:09:56Definitely.
01:09:58And immeasurably.
01:10:03Shall we hurry?
01:10:05In a minute.
01:10:07First, we need to warm up.
01:10:15Daphne!
01:10:17Daphne!
01:10:19Daphne!
01:10:21Daphne!
01:10:23Daphne!
01:10:25Where did she go?
01:10:27Oh, it's you.
01:10:29It's me.
01:10:37What's the matter?
01:10:39Nothing.
01:10:41I'm tired.
01:10:43Daphne, I need to explain.
01:10:45I'm very sad.
01:10:47Come here.
01:10:49What happened?
01:10:51Don't get hurt.
01:10:53What hurt?
01:10:55Her siblings.
01:10:57What siblings?
01:10:59The one who ruined her life.
01:11:01The innocent child.
01:11:03Who believed in her lies.
01:11:05Paparuna,
01:11:07in love.
01:11:09Paparuna,
01:11:11jealous.
01:11:13The devil,
01:11:15who lives for me.
01:11:17Have you been here?
01:11:19I'm sorry for what I did.
01:11:21What did you do?
01:11:23I left the innocent child.
01:11:25Humble and neglected.
01:11:27Orphaned in the streets.
01:11:29And now her siblings,
01:11:31chasing me to clean me.
01:11:33Oh, you did such a crime, my dear.
01:11:35So, you see what the rich do.
01:11:37You see what they do.
01:11:39And now?
01:11:41Now, there's no choice but to separate.
01:11:43Do you understand?
01:11:45If her siblings see me with you,
01:11:47they'll kill me sooner or later.
01:11:49Oh, my God.
01:11:51Do you want them to kill me?
01:11:53No, of course not.
01:11:55Because...
01:11:57because I hid it, too.
01:11:59I have it in my conscience.
01:12:01You're rich, aren't you?
01:12:03What do you mean?
01:12:05Very rich.
01:12:07Very.
01:12:09Very rich.
01:12:11I don't know what I have.
01:12:13Do you want us to separate?
01:12:15Okay.
01:12:17Oh, I'm relieved.
01:12:19Relieved of what?
01:12:21Of the lie I told you.
01:12:23Because I read it, too.
01:12:25I'm rich, too.
01:12:27My father has 50 oil wells,
01:12:29100 restaurants,
01:12:31and some 50 million dollars.
01:12:33I wanted to meet a boy
01:12:35who would love me,
01:12:37not because I'm his daughter,
01:12:39but because that's who I am.
01:12:41Okay, don't bother me.
01:12:43No, let me explain.
01:12:45What do you mean?
01:12:47Open the door.
01:12:49No, let me explain.
01:12:51Open it.
01:12:53Don't break anything.
01:13:03Hello.
01:13:05Mr...
01:13:07Oh, Paminos.
01:13:09We have something to say.
01:13:11You're finished.
01:13:13Look who's talking.
01:13:15No, guys, you're wrong.
01:13:17Listen, Maka.
01:13:19We don't have a lot to say to you, right?
01:13:21I know.
01:13:23You get me?
01:13:25You don't have to.
01:13:27I'll talk, Paminos.
01:13:29You're ironed, guys.
01:13:31You walked into our brotherhood.
01:13:33He was a baby.
01:13:35I showed him the army,
01:13:37the little army.
01:13:39You took the honor and the rest.
01:13:41Go to the bathroom.
01:13:43I'll explain, Paminos.
01:13:45Listen, Maka.
01:13:47One and one make two.
01:13:49You walk into our brotherhood.
01:13:51I told your mother to make a crib.
01:13:53Did you say anything?
01:13:55Don't be so serious.
01:13:57You'll melt me.
01:13:59I don't want any more jokes.
01:14:01That's enough.
01:14:03Easy, gentlemen.
01:14:05Don't teach Achilleas so much.
01:14:07What did he say?
01:14:09Did he tell you what he said to our sister?
01:14:11No.
01:14:13He said he repented and wants to have the baby again.
01:14:15Please, Daphne.
01:14:17I don't take it.
01:14:19It's my right.
01:14:21How do you feel now?
01:14:23Like a calf.
01:14:25Come on, guys.
01:14:27Let him talk.
01:14:29There's Thamnos.
01:14:31Daphne.
01:14:33I love you.
01:14:35Go.
01:14:37I'll explain, Paminos.
01:14:39What did he say?
01:14:41I love you.
01:14:43He'll die.
01:15:05I love you.
01:15:09I love you.
01:15:35I love you.
01:16:05I love you.
01:16:07I love you.
01:16:09I love you.
01:16:11I love you.
01:16:13I love you.
01:16:15I love you.
01:16:17I love you.
01:16:19I love you.
01:16:21I love you.
01:16:23I love you.
01:16:25I love you.
01:16:27I love you.
01:16:29I love you.
01:16:31I love you.
01:16:33I love you.
01:16:35I love you.
01:16:37I love you.
01:16:39I love you.
01:16:41I love you.
01:16:43I love you.
01:16:45I love you.
01:16:47I love you.
01:16:49I love you.
01:16:51I love you.
01:16:53I love you.
01:16:55I love you.
01:16:57I love you.
01:16:59I love you.
01:17:01I love you.
01:17:03I love you.
01:17:05I love you.
01:17:07I love you.
01:17:09I love you.
01:17:11I love you.
01:17:13I love you.
01:17:15I love you.
01:17:17I love you.
01:17:19I love you.
01:17:21I love you.
01:17:23I love you.
01:17:25I love you.
01:17:27I love you.
01:17:29I love you.
01:17:59I love you.
01:18:01I love you.
01:18:03I love you.
01:18:05I love you.
01:18:07I love you.
01:18:09I love you.
01:18:11I love you.
01:18:13I love you.
01:18:15I love you.
01:18:17I love you.
01:18:19I love you.
01:18:21I love you.
01:18:23I love you.
01:18:25I love you.
01:18:27I love you.
01:18:29I love you.
01:18:31I love you.
01:18:33I love you.
01:18:35I love you.
01:18:37I love you.
01:18:39I love you.
01:18:41See you soon.
01:18:43See you soon.
01:18:45See you soon.
01:18:47Adjust it a little bit.
01:18:49Adjust it a little bit.
01:18:51You know the's a lot I don't want to be sticky up here.
01:18:55I don't know what you're talking about, Mr. Betti, but I'm going to tell you what I know.
01:19:23I don't understand, you're the face.
01:19:26Thank you.
01:19:27One minute, let me notify the other face.
01:19:29Ready for the new plot, Mr. Notis.
01:19:31We'll wait a little while to catch him in the act.
01:19:33He's not calm.
01:19:34How many times have we hit him to make him mad?
01:19:36And to eat the money from the foreigners?
01:19:38That's his system.
01:19:39He presents himself as a homeless man,
01:19:41makes the homeless man, sells some romantic booze,
01:19:44and then he stretches his arms and dives wherever he finds.
01:19:49He came and I'm not ready.
01:19:51Help me, I want to be beautiful.
01:19:54But you're beautiful.
01:19:55Come on, let him work and get the bag.
01:19:58Give me the bag.
01:19:59Not the bag.
01:20:00Give me the bag.
01:20:01I want the lotion.
01:20:02Oh, aunt, you're driving me crazy, what do you want anyway?
01:20:04I don't know, I've been waiting for this moment all my life.
01:20:21Hello.
01:20:22Hello.
01:20:23Can I come in?
01:20:24Of course.
01:20:25Is the gentleman here?
01:20:26No.
01:20:27Do you know where I can find him?
01:20:28It's a very serious and urgent matter.
01:20:30How urgent, by the way?
01:20:31What can I tell you now?
01:20:32He doesn't give up, you see.
01:20:34When someone has to discuss a $100,000 dollar issue,
01:20:38it's impossible for him to wait.
01:20:40$100,000 dollar issue?
01:20:41Yes.
01:20:42He doesn't give up.
01:20:43He doesn't give up.
01:20:44He doesn't give up.
01:20:45He doesn't give up.
01:20:46He doesn't give up.
01:20:47He doesn't give up.
01:20:48He doesn't give up.
01:20:50$100,000 dollar issue, you said?
01:20:52Exactly.
01:20:53And it's extremely urgent.
01:20:54Terrible.
01:20:55Excuse me, are you going to take it, or give it?
01:20:58Of course I'll give it.
01:20:59Then come in.
01:21:03So, what did we say?
01:21:04Ah, if you want, you can tell me.
01:21:06I'm very much at his mercy.
01:21:08At his mercy?
01:21:09I mean, how at his mercy?
01:21:11What should I tell you, like I'm on a corpse.
01:21:14So I shouldn't say anything more characteristic.
01:21:16Well, well, be careful, sir.
01:21:18Then you'll know his story with an American girl I seduced.
01:21:21What are you saying? He doesn't keep secrets from me.
01:21:25Well, well, well. But this must not continue.
01:21:29Don't shout, sir. Calm down, calm down.
01:21:31Yes, yes. Danny, her father, has decided to send an army to bring her back.
01:21:38Excuse me, is it about Mr. Nixon's daughter?
01:21:41No, of course not.
01:21:43But Mr. Sporter is willing to pay anything to save his daughter from this scoundrel.
01:21:49One hundred thousand dollars.
01:21:50I see. How did you know?
01:21:52I've heard about it.
01:21:54Well, it motivated me to discuss it with him.
01:21:57Unfortunately, sir, you won't achieve anything.
01:21:59Do you know what a liar he is? He doesn't listen to anyone.
01:22:02Don't tell me.
01:22:03Except for one.
01:22:04Who?
01:22:05Me.
01:22:06Seriously?
01:22:07Yes. So, if you want, you can leave the matter to me.
01:22:09Sir, you're enslaving me.
01:22:12Do you keep the money?
01:22:13Of course, of course.
01:22:15Here.
01:22:17Counted?
01:22:18Up to one.
01:22:19Ah, well done. So, go and leave it to me.
01:22:22You're very lucky.
01:22:24I don't know, sir, how can I thank you?
01:22:27Me too, me too. So, go and leave it to me.
01:22:29Goodbye.
01:22:30Goodbye.
01:22:33Let me do something for you too.
01:22:35Thank you very much, thank you.
01:22:37Come, come, go.
01:22:42Go.
01:23:12Go.
01:23:42Go.
01:24:12Go, go, go.
01:24:13Go, go, go.
01:24:37Open the door. Open the door.
01:24:39Open the door.
01:24:48Come on, auntie, don't be like this.
01:24:50What a shame, my dear.
01:24:52I don't understand how he was such a liar.
01:24:55And he was so sympathetic.
01:24:57Why?
01:24:58As if I understood it for my own sake.
01:25:09Good evening.
01:25:17I brought this for you.
01:25:19Thank you.
01:25:21With the hope that you will forgive me the little trouble for which I am responsible.
01:25:25It was no trouble.
01:25:27I had a great time.
01:25:29Good again.
01:25:30I would like to tell you something else.
01:25:32I'm listening.
01:25:33I don't know how to say it.
01:25:35I am ashamed of you.
01:25:37Of me?
01:25:38Because you are not like the others.
01:25:40You are a real lady.
01:25:42Prove to me that you didn't want to lie to me.
01:25:45But won't you treat me to a coffee?
01:25:47You know, I love coffee the way they make it here in Greece.
01:25:50With pleasure.
01:26:08If you see anything good, bring it so that I can see it too.
01:26:18Daphne, you?
01:26:19Mr. Ploussis, you again.
01:26:21You again.
01:26:22What can we do, Daphne?
01:26:23We can't do anything else.
01:26:24You see, since that day...
01:26:25Where?
01:26:26Where there was a mess.
01:26:27What can I do?
01:26:28I have to get used to it too.
01:26:29And you will get used to it.
01:26:30To the unknown with a boat of hope.
01:26:32If you don't get used to it, my dear, you get more confused.
01:26:35That's what I used to say to my aunt.
01:26:37What did you say to her?
01:26:38That for each of us there is a lock.
01:26:41For some it's silver, for others it's gold.
01:26:43It's in your hand to feel that you are free and happy in your lock.
01:26:47Right.
01:26:48And with some company, of course.
01:26:50That girl who writes you letters...
01:26:51Marina?
01:26:52Yes.
01:26:53How do you know Marina?
01:26:54I know everything.
01:26:55Do you know what she will do to you if you put her in your lock?
01:26:59Tell me.
01:27:00Departure, BA, flight 427, Milan, New York.
01:27:06If I have something to tell you, I will write it.
01:27:08Yes.
01:27:09But you have to write it in Greek so I can understand it.
01:27:12Okay.
01:27:13Bye.
01:27:14Bye.
01:27:15Where is my aunt?
01:27:17Here she is.
01:27:21You always go, aunt.
01:27:22Didn't you hear?
01:27:23I won't come.
01:27:24You won't come?
01:27:25I haven't finished my coffee yet.
01:27:27And when will you finish it?
01:27:28I say...
01:27:29Never.
01:27:30I understand.
01:27:31It's a long coffee.
01:27:32How are you, mister?
01:27:33Take care of her for me, okay?
01:27:35Nothing.
01:27:36Excuse me, Miss Daphne.
01:27:37No, Miss Daphne.
01:27:38I was just asking.
01:27:41Bye.
01:28:05Mr. Achilleus Kourkoutos, please come to the information office.
01:28:17Mr. Achilleus Kourkoutos, please come to the information office.
01:28:23Mr. Achilleus Kourkoutos...
01:28:25Yes, yes, it's me, it's me, ladies, it's me, thank you.
01:28:27Thank you very much.
01:28:29Kourkoutos, please, you say?
01:28:31Achilleus, it's you?
01:28:32Yes, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it's me, it
01:29:02It can't be. It's not possible. I, Marina, I mean, Marina, me, I, Marina, how can I say it? I love her, where else can I get her?
01:29:12I wish you understood. It was a long time ago. Yes, yes, yes. You're getting married in an hour. No. She called you three times since this morning.
01:29:20At the last moment she understood and she regretted that she can't live without you. But her uncle insists. They're engaged.
01:29:26Pamino, my brother, I love you. Please, do something. I don't know, put down your movies, your James Bond movies, but we have to do something. Yes, yes, yes, I'm coming, I'm coming.
01:29:45Athens, quickly!
01:29:57Please, sir, quickly, Athens!
01:30:08Come on, what are you waiting for? Come on!
01:30:15The signs! Where are you going, kids? Don't you have a brain? You forgot the signs!
01:30:27Athens, Athens!
01:30:45Marina, Marinaki, it's me, Achilleas!
01:30:49Eleftherotis!
01:30:50Achillea, at last!
01:30:52Marina, Marina, I love you. I've always loved you. And now I just realized it.