Augustin Abenn HD™
  • 5 months ago

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TV
Transcript
00:00:30Io ti cerco, ti invoco follemente Per dirti che ti amo, appassionato
00:00:50Amapola, dolcissima amapola La luce dei miei giorni splendente
00:01:07Fai fiorire la passione Come il suono della mia canzone
00:01:37Amapola, dolcissima amapola La luce dei miei giorni splendente
00:02:07Amapola, dolcissima amapola La luce dei miei giorni splendente
00:02:37Amapola, dolcissima amapola La luce dei miei giorni splendente
00:03:07Amapola, dolcissima amapola La luce dei miei giorni splendente
00:03:37Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:08E a ti, Duri, quanto ti ho fatto di meno, Duri?
00:04:13Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:23Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:33Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:44Amapola, dolcissima amapola La luce dei miei giorni splendente
00:04:53Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:04Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:14Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:25Amapola, dolcissima amapola La luce dei miei giorni splendente
00:05:36Not here, madam. Use the back door.
00:05:40Ah, no le entiendo. Don't speak...
00:05:42You must use the back entrance around...
00:05:44Eh, I'm a lady, no me toque, eh?
00:05:46¿Cómo se atreve? I'm a friend of Mr. Ferry.
00:05:49Look, aquí. Es italiano.
00:05:51Mr. Ferry, oh.
00:05:52Sí.
00:05:53Welcome to the Walford Hotel, Miss Carmela.
00:05:56Thank you.
00:05:57Welcome.
00:06:06Good morning.
00:06:07Who is this lady?
00:06:08No idea.
00:06:14Sorry, I'll call you back.
00:06:27Soy friend de Mr. Ferry.
00:06:30Sure, Mr. Ferry.
00:06:32De Mr. Ferry.
00:06:33Sure, Mr. Ferry is waiting for you.
00:06:36Please come in.
00:06:37Thank you.
00:06:38Please.
00:06:41Doña Carmela, por fin.
00:06:43Qué placer, Mr. Ferry.
00:06:45Pase, pase, por favor. Gracias, Maureen.
00:06:50Vaya, se ha instalado muy bien aquí.
00:06:56¿Y usted ha podido instalarse bien?
00:06:59No me quejo.
00:07:03Desde luego tiene buenas vistas.
00:07:06Desde aquí se ve todo.
00:07:08Lo bonito y lo feo, como me dijo aquel día en el barco.
00:07:12Eso también pasa en Monroe Street.
00:07:17Entonces, ¿vive usted en un hotel y trabaja aquí?
00:07:21Doña Carmela, en mi casa son un baúl, un telégrafo, un teléfono.
00:07:26Debo estar siempre listo para cambiar y partir.
00:07:29Eso me ha enseñado la vida.
00:07:31Pero veo que aún sigue llevando arrugadas las camisas.
00:07:35Sí.
00:07:39Por favor, siéntese.
00:07:41Gracias.
00:07:43Me ha costado mucho encontrarla, lo sabía.
00:07:46Pero lo ha conseguido.
00:07:47Sí, pero no ha sido fácil, porque ha cambiado de apellido.
00:07:50Ahora se apellida Ritzwinisquiabón, que suena como apellido de noble.
00:07:56Menudo varón mi marido, el de los cacahuetes.
00:08:02¿Y sus hijos? ¿Están bien?
00:08:04Sí, sí, están muy bien.
00:08:06He sabido que Alfredo estudia y es muy aplicado.
00:08:09Sí.
00:08:11No le di las gracias por lo que hizo usted por mí,
00:08:15en la oficina de inmigración, por Rocco.
00:08:20Mr. Ferry, should I ask the driver to wait for you for your appointment with Mr. Brady?
00:08:25Ah, tiene un appointment.
00:08:28¿Está ocupado? ¿Está busy?
00:08:30¿Se defiende en inglés?
00:08:33Yes, yes, I'm coming.
00:08:38Lo lamento.
00:08:39No, tranquilo, el trabajo es el trabajo.
00:08:42Ah, por cierto, he sabido que buscan personal en la lavandería del Walford.
00:08:47Si está usted buscando trabajo, es una posibilidad.
00:08:51¿Habla en serio?
00:08:52Sí.
00:08:53Ah, qué bien.
00:08:54Al menos alguien cuidará de que no tenga las camisas arrugadas.
00:08:58Bien, gracias.
00:09:01Ahora me marcho.
00:09:03Yo la acompaño.
00:09:12Goodbye.
00:09:13Bye bye.
00:09:16Gracias.
00:09:24No work, no pay.
00:09:48No work, no pay.
00:09:50Ding, ding, ding, ding.
00:09:52Es que no lo puedo soportar.
00:09:58Mr. Ferry.
00:10:06Un trabajo así por cinco dólares a la semana.
00:10:09¿Cómo iba a decir que no?
00:10:11Comida no nos falta.
00:10:13Yo traigo dinero a casa.
00:10:14Miquele trabaja y Antonio también.
00:10:16Todos juntos ganáis cinco dólares a la semana.
00:10:22Quiero lo mejor para mis hijos.
00:10:25¿Y qué problema? Yo me ocupo.
00:10:27Ya estamos.
00:10:28¿Ya estamos con qué?
00:10:30¿Que crees que no soy capaz?
00:10:32¿Eso crees? ¿Crees que soy un pobre idiota?
00:10:35Cuando llegué tenía 20 liras en el bolsillo.
00:10:38Y con lo de los cacahuetes me compré la bodega.
00:10:40Luego la perdiste.
00:10:41La perdí.
00:10:42¿Y qué has hecho tú para ayudarme a recuperarla?
00:10:44Nada, solo tus hijos, siempre tus hijos.
00:10:47Para ti no existo, solo existen ellos.
00:10:50¿Dónde están ahora tus hijos?
00:10:52En la casa de Italia bailando.
00:10:54Todos menos el que está arriba tocando la flauta.
00:10:57Tus hijos.
00:10:59Mírame.
00:11:00Pero hazme caso.
00:11:02Estoy aquí.
00:11:04Muy bien, ya te miro.
00:11:05Te miro, dime.
00:11:06Dime.
00:11:07Yo por tu amor lo he aceptado todo.
00:11:09Hasta que me acusaran de tener aquí a un chivato, Antonio,
00:11:12que mandó a salvo al reformatorio.
00:11:14Hizo lo correcto.
00:11:15Tú a mis hijos ni los toques.
00:11:17¿Queda claro?
00:11:18No puedes decir esas cosas.
00:11:19Si no te las digo a ti, ¿a quién se las digo?
00:11:22Además, es la verdad.
00:11:24Es la verdad.
00:11:27Pratos.
00:11:32¿Sabes una cosa?
00:11:33Que no voy a dejar ese trabajo.
00:11:35No pienso dejarlo.
00:11:37Y punto.
00:11:48Rocco, mete esa pierna, anda.
00:12:03Hazme el favor, ven dentro, que es peligroso.
00:12:06Mete esa pierna, por favor.
00:12:09Venga.
00:12:16¿Te gustan las palomas?
00:12:18Eran la pasión de mi mujer.
00:12:21Les puso nombre.
00:12:23La grande y negra es Nerón.
00:12:25Porque es mala.
00:12:26Otra Rodolfo Valentino.
00:12:28Como el actor.
00:12:31Rosa es su pareja de siempre.
00:12:37¿Sabes que cuando eligen una pareja,
00:12:39les son fieles toda la vida?
00:12:41Hasta la muerte.
00:12:48Esquiavón.
00:12:49¿Qué es lo que te pasa, Esquiavón?
00:12:56¿Qué es lo que me pasa?
00:12:58Pues...
00:13:09Es muy largo y muy difícil.
00:13:13Es muy largo y muy difícil.
00:13:16Es muy largo y muy difícil.
00:13:21Toca.
00:13:42Toca.
00:13:55¿Eh? ¿Has visto?
00:13:56Sí.
00:14:05Ese es mi hermano.
00:14:06Pues baila de maravilla.
00:14:08Chiro has told me about you, and me about you.
00:14:11He told me that you are in the trade union.
00:14:14You know, my father also defended the workers.
00:14:19Then he was a good Christian.
00:14:22We are organizing a strike at the Red Hoop Foundation, where you work.
00:14:27It will be the first real protest against the bosses, the biggest of all.
00:14:31There is Xiao.
00:14:32We'll be there, right?
00:14:33I told you that Miquel was a good boy.
00:14:35Good, because the more people, the stronger we will be.
00:14:42What's the matter with you? Are you still thinking about Miquel?
00:14:44What do you care?
00:14:46Then say it, say that you think about me.
00:14:49Go away, your mouth still smells like milk. You're a brat.
00:14:52What do you mean brat? There are good things down here.
00:14:56How dare you?
00:15:06Oh, look how many girls are coming.
00:15:12Joan.
00:15:13Hi.
00:15:14How are you?
00:15:15Fine, and you?
00:15:16Fine, fine.
00:15:17Hi.
00:15:18Carlo and Miquel.
00:15:20Hi, this is Beth, this is Sofia and this is Pat.
00:15:24Nice to meet you.
00:15:25Nice to meet you.
00:15:27Chiro, you know we have a thing for Italian boys.
00:15:32Do you understand, Miquel?
00:15:34These Americans love Italians, do you understand?
00:15:38Are we all going to dance?
00:15:40Hey, you speak our language very well.
00:15:43I study melodramas.
00:15:45Your lyrical operas are beautiful.
00:15:47Verdi, Puccini.
00:15:49Who are those?
00:15:52Miquel, are you taking me out to dance or are you going to spend the night looking at me?
00:15:57How do you say?
00:15:59Embobado.
00:16:00Embobado.
00:16:02Go.
00:16:04Girl dance.
00:16:06How do you say? Let's dance.
00:16:08Miquel, how do you say?
00:16:10Miqueluzo, let's go.
00:16:21Very good.
00:16:22Let's see what you have down there.
00:16:30Cacahuetes. Cacahuetes tostados.
00:16:33Roasted peanuts. Fresh roasted peanuts.
00:16:38Peanuts.
00:16:39Twenty cents, please.
00:16:44Thank you.
00:16:46Sir?
00:16:51Sir, my chains.
00:16:59Good morning, Mr. Ferry.
00:17:01How are you? And the work?
00:17:03Fine, fine. Your shirts are fine.
00:17:18I just found out that there is a strike at the foundation.
00:17:22A strike at the foundation?
00:17:24I don't want to scare you, Carmela.
00:17:26But apparently the police intend to charge against the huelguistas.
00:17:30My God.
00:17:31It would be better if Miquel didn't participate.
00:17:34He promised me that he wouldn't be fooled by politics like his father. He promised me.
00:17:39I have to warn you, but what do I do with the work?
00:17:42That Chinese is a hyena and he won't give me permission.
00:17:46Don't worry, Carmela. I'll talk to your boss.
00:17:49Let's go together.
00:17:56Let's go.
00:18:15Come on, everybody.
00:18:16All together.
00:18:17Let's go.
00:18:18Let's go.
00:18:19Let's go.
00:18:20Let's go.
00:18:21Let's go.
00:18:22Let's go.
00:18:23Let's go.
00:18:24Let's go.
00:18:25Hey.
00:18:26What are you doing?
00:18:27Let go of all that, man.
00:18:28Chiro, what are you doing?
00:18:29Get out of the way, Miquel.
00:18:30Chiro, they are provoking us.
00:18:32If we fall, it's over.
00:18:33What do you mean provoking?
00:18:34Carlos, they won't take long to load.
00:18:36We are a lot.
00:18:37It's not good for them either.
00:18:38Who, Carlos?
00:18:39Let's load ourselves before they load.
00:18:42Come on, let's get them.
00:18:44Let's go.
00:18:45Let's go.
00:18:46Let's go.
00:18:48Come on, let's go.
00:18:49Let's go.
00:18:50What are you doing, mother?
00:18:51Are you crazy?
00:18:52Miquel!
00:18:53Mom, go away.
00:18:54Get in there.
00:18:55Come on, come on, come on.
00:18:57One of you will end it all.
00:18:59You have to go to work, you have to get in there.
00:19:01But we have the right to strike.
00:19:03But what right, what right?
00:19:05The poor don't have any rights.
00:19:07And if they are telling you yes, it is because they are lying.
00:19:10Mom, calm down.
00:19:11Señora Carmela, calmese. Eso son unos bestias.
00:19:13Mami, tienes que irte!
00:19:15Este no es lugar para mujeres. Váyase.
00:19:17Mamá! Mamá, vete, que se van a encargar.
00:19:20Mamá, vete.
00:19:21¿Qué estáis haciendo? ¿Qué estáis haciendo?
00:19:23¡Venga, vamos!
00:19:25Aguantad, aguantad.
00:19:27Ven, Miquel, ven conmigo.
00:19:29Me estás obligando a entrar.
00:19:30Aquí corres peligro, mamá.
00:19:41What have you got a problem with?
00:19:44Ciro!
00:19:45Oh, no!
00:19:46Ciro!
00:19:49Ciro!
00:19:50No, Mikel!
00:19:52Ciro!
00:19:53No!
00:19:54Leave him!
00:20:01Ciro!
00:20:02Ciro!
00:20:03No!
00:20:06Ciro!
00:20:07Mikel!
00:20:08You've forced me to do it, Mom!
00:20:11I made a mistake. My mother also made a mistake. She did it to protect me.
00:20:21Now I'm here. And maybe you can't even hear me.
00:20:29Do you remember what you told me? That we had to fight together.
00:20:35But I'm alone. Carlos has been detained. And you...
00:20:47I swear I can't forgive myself. Forgive me, please.
00:21:01Miquel, we have to go now. No.
00:21:05Is the police here? Not this time.
00:21:08Of course they are. Let's go. It's useless to pretend to be a hero. Please.
00:21:14Come on, let's go. Goodbye, friend.
00:21:19Let's go.
00:21:31Doctor!
00:21:46Doctor Wright, we are here for Chiro Malenti.
00:21:49It's too late. I'm sorry.
00:21:54Please, call the other nurse. Yes, doctor.
00:22:23Let's go.
00:22:36Miquel, where are you going at this hour? With all that on your back?
00:22:43I'm leaving.
00:22:45Leaving? Where? When are you coming back?
00:22:49I don't know.
00:22:51Since when do you leave the family? Since when do you leave like this?
00:22:55I haven't given you any worries, mom. I've never asked you for anything.
00:23:00I've always thought about you and the family. About you and the family.
00:23:05But you can't treat me like a man when you feel good and like a kid when you feel like it.
00:23:11Miquel, forgive me. Forgive me, Miquel. I was wrong. I was wrong. These things happen.
00:23:18He's dead, mom. These things happen.
00:23:22He's dead? He's dead, poor thing. I'm sorry, Miquel. I'm sorry.
00:23:30But don't you see that if I hadn't been wrong, you could be in his place now?
00:23:35Maybe it would be better.
00:23:44Thank you. It's easier that way.
00:23:48Forgive me, my son. Forgive me.
00:23:56Miquel.
00:24:14Never, never in your life.
00:24:45Never, never in your life.
00:24:49Never in your life.
00:24:51Thank you.
00:24:53Thank you.
00:25:13Let's see, Esquivel. Let's do a test.
00:25:17If everything goes well, maybe the business will be yours again. But it has to go well.
00:25:23Don't worry about anything. Everything will go very well.
00:25:28Well, here. There you go.
00:25:33Thank you.
00:25:34Go, go.
00:25:37Goodbye, Antonio.
00:25:48Chivato!
00:25:50You're an imbecile!
00:25:51What the hell are you doing?
00:25:53I've cleaned it all up.
00:25:55I'm sorry, I'm sorry. I've cleaned it all up.
00:25:57Sit down, Salvo. Come on.
00:25:59It's okay. It comes from the family.
00:26:02They're all cowards. And chivatos.
00:26:05When did you leave?
00:26:06This morning.
00:26:07Well, you know you left thanks to me. I paid for the reformatory's bail.
00:26:12If you were in debt with me before, now you are.
00:26:15Very well. Thank you, Don Matranga.
00:26:16You're useless. Bring him another glass, Salvo. We're going to toast.
00:26:20Hurry up. And don't break anything.
00:26:28Goodbye, Rocco.
00:26:31Goodbye.
00:26:33Goodbye, Mom.
00:26:35Behave yourself at school.
00:26:37Yes.
00:26:39Good morning, Mom.
00:26:41Hello, Antonio.
00:26:43Hey, is it true that Salvo has already left the reformatory?
00:26:47Oh, yes.
00:26:49What a Christmas present.
00:26:57Antonio, we're missing three dollars.
00:26:59Are you telling me?
00:27:01I'm telling the one who's coming this week.
00:27:04Are you telling me?
00:27:06I'm telling the one who bought a shirt and a new jacket this week.
00:27:10Of course.
00:27:11Because whenever something happens here, who's to blame?
00:27:14Antonio's criminal.
00:27:16Because you always give me reasons.
00:27:18But why? What have I done?
00:27:20I work, right? I make money, just like Mikele.
00:27:23But he's your favorite, even if he's gone home.
00:27:25But what are you saying?
00:27:27This time, you shouldn't look at me alone.
00:27:30And who should I look at? Tell me.
00:27:32Who should I look at?
00:27:38Esquiabón.
00:27:40Esquiabón?
00:27:46What does he have to do with it?
00:27:48Do you know that he sold the cart?
00:27:50The cart?
00:27:52I think he wants to get the business back.
00:27:55He's been talking to Matranga in the warehouse for a long time.
00:27:58Black Hand stuff.
00:28:00What's that about Black Hand? I'm interested, too.
00:28:03It's not about women, Mom.
00:28:05Antonio!
00:28:06Antonio, where are you going?
00:28:08Whenever we talk about something serious, you leave.
00:28:10Can you explain to me what Black Hand is?
00:28:12Is it like a mafia?
00:28:14Have we crossed the ocean to find ourselves in the same situation again?
00:28:18Can you explain it to me?
00:28:20Mom, forget it.
00:28:22Antonio, you have to listen to me when I'm talking to you.
00:28:25It's too long, Mom.
00:28:27It's too long and too difficult.
00:28:34Pastorcillo.
00:28:38Oveja.
00:28:42I'm sorry!
00:28:43What are you doing? Are you always here?
00:28:47This is my place.
00:28:49Where would a fool like me be if not insulted and slapped?
00:28:54Come on, hit me, too.
00:28:56Come on, shut up.
00:28:57Although I do want to slap you.
00:29:03What's wrong with you now?
00:29:05Again, Matranga?
00:29:08No, no.
00:29:10My mother.
00:29:12What happened?
00:29:13Mikele is handsome and strong.
00:29:15Alfredo, smart.
00:29:17Rocco, a bastard.
00:29:19And me? I'm a thief, a liar and a snitch.
00:29:23How many things!
00:29:25I don't like good guys.
00:29:28You know?
00:29:30And why do you like Mikele?
00:29:32I liked Mikele.
00:29:34But he prefers the Americans.
00:29:38Come here.
00:29:39Come.
00:29:44I think I'm going to make you a gift, boy.
00:29:48A gift?
00:29:49Yes, it's almost Christmas.
00:29:51Do you feel like it?
00:29:53Yes.
00:30:10Thank you.
00:30:19Where's Antonio?
00:30:21He went out.
00:30:25And Rocco?
00:30:27He's on the rooftop with the pigeons.
00:30:30Very good.
00:30:34And Alfredo?
00:30:36At school, like every morning.
00:30:43And what is the pot of money doing here?
00:30:48I'm watching him.
00:30:50The head of this family has very long hands.
00:30:53Really?
00:30:55Do you know something, Esquiavo?
00:30:57No, no, I don't.
00:31:02Esquiavo, let's be clear.
00:31:04I know it was you.
00:31:06So tell me why you sold the cart and then pretend to go to work.
00:31:09Did you think I was stupid?
00:31:12What happened?
00:31:14Happened, happened.
00:31:17Nothing happened.
00:31:19I wanted to recover the business.
00:31:21The peanuts were provisional until God gave way.
00:31:25And how?
00:31:27Business.
00:31:29With whom?
00:31:31You can rest assured.
00:31:34I don't know what that is.
00:31:36I want to know who you're doing business with.
00:31:39I've already made money.
00:31:41I've made money, look.
00:31:43And I put it in the pot.
00:31:45No, no, thank you.
00:31:46Save it for the winery.
00:31:48Are you doing business with the Black Hand?
00:31:51The Black Hand?
00:31:53The Black Hand doesn't exist.
00:31:55It's a children's story.
00:31:56The Black Hand?
00:31:58No, no, no.
00:32:00Trust me.
00:32:01In two months, we'll get the winery back.
00:32:04Mateo's word, Esquiavón.
00:32:06I'll fix everything tonight.
00:32:08I'm busy tonight.
00:32:10I am busy.
00:32:13You're busy.
00:32:18The eggs are very good.
00:32:48I'm sorry, Mr. Ferri.
00:32:50Miss Rizzo is waiting for you in your office.
00:32:53In my office?
00:32:54Yes.
00:32:55Okay, thanks.
00:33:04Mr. Ferri, can you explain to me what the Black Hand is?
00:33:08Something that is better to stay away from.
00:33:11Kidnappings, extortions, homicides, smuggling.
00:33:16It's Gentuza.
00:33:18There's an article in La Voz d'Italia today.
00:33:22See you this afternoon, Mr. Ferri.
00:33:25See you soon, ma'am.
00:33:26Goodbye.
00:33:29See you later, Maureen.
00:33:33Look.
00:33:35Michele Guarino.
00:33:38The king of New York distilleries.
00:33:41People like him dirty the reputation of the Italians.
00:33:46I'm afraid that Black Hand has already entered my house.
00:33:49That's why I've come to bother you.
00:33:52Because if someone steals, he's in his house.
00:33:55He has serious problems.
00:33:57Who are you referring to?
00:33:59My husband, Esquiavón.
00:34:01He says he's doing business.
00:34:03But he doesn't look good.
00:34:06And since you have so many friends,
00:34:09like that policeman who managed to find us.
00:34:12I don't know if you could ask him to find out
00:34:14what that bastard is up to.
00:34:17Don't worry, Carmela. I'll take care of it.
00:34:20Thank you. He's a good friend.
00:34:30Carmela.
00:34:33Why don't you stay and eat with me?
00:34:36When you called me, I was at the restaurant.
00:34:39And for a moment,
00:34:42I got excited thinking you'd eat with me.
00:34:45No, I can't.
00:34:47I have to go home with my children.
00:34:50Besides, my clothes aren't the right ones.
00:34:53You're beautiful, Carmela.
00:34:55Clothes are just an appearance.
00:34:57But appearance doesn't matter.
00:35:00I'm fine where I am.
00:35:02Down, where the Lord put me.
00:35:05Otherwise, it would be a mess.
00:35:08But thank you.
00:35:11Maybe tonight?
00:35:14My appearance will still be a problem.
00:35:21See you later, Carmela.
00:35:31Appearance.
00:35:35Appearance.
00:35:38Appearance.
00:35:41Appearance.
00:35:44Appearance.
00:35:47Appearance.
00:35:50Appearance.
00:35:53Appearance.
00:35:56Miss Rizzo?
00:35:58Yes, Rizzo Schiavone?
00:36:00Yes, this is for you, from Mr. Ferry.
00:36:04This?
00:36:07He waits for you at 8 p.m. at the Walford Hotel.
00:36:10I don't understand.
00:36:12Tonight, 8 p.m.
00:36:14Ah, tonight.
00:36:16Yes, yes.
00:36:18And what do I do with Schiavone?
00:36:20Ah, Schiavone works tonight.
00:36:22He's busy. Okay.
00:36:24I'm sorry, I don't understand.
00:36:26Doesn't matter.
00:36:28Tell Mr. Ferry it's okay.
00:36:30Okay.
00:36:31Bye.
00:36:32Bye.
00:36:33What is this?
00:36:34Is it a dress?
00:36:37Come on, hurry up!
00:36:38Pepe, come on, it's for today.
00:36:40Come on!
00:36:41Let's see.
00:36:42Take the state one for New Jersey.
00:36:44Come on, careful, careful.
00:36:45If there's a checkpoint...
00:36:46You've already told me.
00:36:47I won't stop because I'll go slowly.
00:36:49Schiavone, be careful.
00:36:51You have very valuable merchandise.
00:36:53And above all, it's forbidden.
00:36:55Have you told him, Matranga?
00:36:57Let me introduce you to Don Guarino.
00:36:59He's in charge of all this.
00:37:01He's the boss.
00:37:03It's an honor.
00:37:05Thank you for your trust, Don Guarino.
00:37:07Don't worry.
00:37:08Now we do business together, right?
00:37:10That's right.
00:37:11Come on, come on, come on, Mateo.
00:37:13Move it, come on.
00:37:14Get to work, Mateo.
00:37:16Get to work.
00:37:19He's a snitch.
00:37:21And we send him straight to the police.
00:37:29This time, bad luck won't stop me.
00:37:34Everyone will see that the money is made, Schiavone.
00:37:39And I'll get the business back.
00:37:41Everyone will see it.
00:37:43Guys, hurry up.
00:37:44They've loaded another truck.
00:37:45Let's go.
00:37:46Salvo, move it.
00:37:47Let's go.
00:37:48Come on, come on, come on.
00:37:49Let's go, let's go.
00:37:50Up, up.
00:37:51Let's go, let's go.
00:37:52Let's go, let's go.
00:37:53Hurry up.
00:37:54Come on, let's go.
00:37:55Let's go, let's go.
00:37:56Let's go, let's go.
00:37:57Hurry up.
00:37:58Come on, come on, come on.
00:37:59Hurry up.
00:38:00Hurry up.
00:38:01This is the plan.
00:38:02Schiavone goes south and you go north.
00:38:05In the right direction.
00:38:06Move it, come on.
00:38:07Let's go, let's go.
00:38:27Let's go.
00:38:28Let's go.
00:38:29Let's go.
00:38:30Let's go.
00:38:31Let's go.
00:38:32Let's go.
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00:38:34Let's go.
00:38:35Let's go.
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00:38:40Let's go.
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00:38:46Let's go.
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00:38:48Let's go.
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00:39:00Let's go.
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00:40:00Let's go.
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00:40:15Let's go.
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00:40:21Let's go.
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00:40:26Let's go.
00:40:27Let's go.
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00:40:43Let's go.
00:40:44Let's go.
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00:40:46Let's go.
00:40:47Let's go.
00:40:48Let's go.
00:40:49Let's go.
00:40:50Let's go.
00:40:51Let's go.
00:40:52They were full of Zin.
00:41:00Mateo....
00:41:01Jesus Christ...
00:41:03Mateo!
00:41:04Captain O'Connor, what is it?
00:41:09I know this guy...
00:41:10I knew this man...
00:41:11His name was Mateo Schiavone.
00:41:13He was a good man.
00:41:17These fucking crates are empty.
00:41:18They really got us this time, didn't they?
00:41:22You see, Tomas? They have deceived us all.
00:41:52Giovanni?
00:42:00Doña Carmel.
00:42:06Your husband...
00:42:14Wait a moment. I must change.
00:42:22Mr. Ferris, it's late. I'm leaving.
00:42:39Could I cancel the restaurant first?
00:42:42Oh, you're not even going to dinner?
00:42:45No, not even me.
00:42:49Thank you.
00:43:07Twenty-nine, twenty-nine and fifty.
00:43:12No, I don't even have enough for the funeral.
00:43:22And this? How much is it?
00:43:28More than twenty dollars, Mom. I was saving it for the school, but you need it more for the poor Esquiagón.
00:43:38Holy Virgin, how can a child that I had to buy glasses from, gather so much money?
00:43:46No, Mom, it's not what you think. It's all legal. I've earned it.
00:43:50How?
00:43:51At the pier, when the Italians arrive, I change their currency.
00:43:54Are you fooling those people who are like us? Aren't you ashamed?
00:43:58But what have I taught you? Antonio almost finished high school and you've become a swindler.
00:44:04No, Mom, I'm not a swindler. In fact, I help poor immigrants. Mr. Ferris taught me. He also started like that.
00:44:10Mr. Ferris? Then he also started badly.
00:44:14But it ended well.
00:44:15I don't want this money, soaked in sweat and tears of all those poor people.
00:44:19I prefer to sell my eyes, which with you only serve me to cry.
00:44:24I'm going to sell everything to the house of Empeños. I'm leaving.
00:44:28Mom, why don't you go to the Jewish neighborhood?
00:44:31And what do you know?
00:44:33In the Jewish neighborhood they do good business.
00:44:35Look at the money, Caco. Save the money for college.
00:44:55Sorry, pawn shop?
00:44:57In the corner, there.
00:45:00Thank you.
00:45:03Good morning.
00:45:11Good morning.
00:45:16Good morning.
00:45:19I don't speak English.
00:45:21Don't worry, ma'am. You can speak in your language.
00:45:25Ah, thank goodness.
00:45:27I'm from Naples.
00:45:28My grandfather was from Naples.
00:45:31I wanted to know how much you'd give me for this.
00:45:43It's 8-kilat gold.
00:45:46And it's not good?
00:45:47Let's say it's not top quality.
00:45:50But let's weigh it.
00:45:54Can it be opened?
00:45:55It can be opened.
00:45:56There are two photographs inside it.
00:45:58If you keep them, I'd like to keep them.
00:46:01I'm fond of them.
00:46:11Is there a problem?
00:46:22Come here a moment, ma'am.
00:46:26Come in, come in.
00:46:28You're worrying me.
00:46:30No, come on, sit down.
00:46:34Do I sit here?
00:46:35Sit here.
00:46:39I'll be right back.
00:46:42Hey, could it be that it's stolen?
00:46:46Lately, only misfortunes happen to me.
00:46:56Um...
00:46:58Now, don't be scared.
00:47:01You, calm down.
00:47:02I'm calm, but you're worrying me.
00:47:05No.
00:47:13Mom.
00:47:17Mom.
00:47:19Mom, it's me, Mom.
00:47:21Maria.
00:47:22Are you Maria?
00:47:23My daughter.
00:47:25My daughter.
00:47:29Maria.
00:47:30Maria.
00:47:32It's me, Mom.
00:47:34You're so beautiful.
00:47:36I've been looking for you.
00:47:39I knew you were alive.
00:47:41I knew it, I felt it in here.
00:47:43I told everyone.
00:47:44I told them, Maria is alive, Maria is alive.
00:47:47Because Maria is alive.
00:47:48I knew Maria was alive.
00:47:51My daughter.
00:47:56And this little one?
00:47:59He's our son, Salvatore.
00:48:03Salvatore.
00:48:07Salvatore.
00:48:11You called him your father.
00:48:16Now I have to sit down.
00:48:19He's my husband, Moses.
00:48:21A pleasure.
00:48:22Likewise.
00:48:25I told you we'd find her, didn't I?
00:48:27I told you.
00:48:28The truth is, she found us.
00:48:30Salvatore.
00:48:34My daughter.
00:48:37She's the grandmother, huh?
00:48:45She gave this to me when we arrived.
00:48:50Mrs. Carmé, I'm sorry to have to question you
00:48:52just after the funeral of poor Schiavone.
00:48:55But we have to investigate.
00:48:56Don't worry, I understand.
00:49:00But I can tell you little.
00:49:03Because I didn't pay much attention to poor Schiavone.
00:49:08He was a good person, that's for sure.
00:49:11And I was wrong, because he helped us a lot.
00:49:16And don't you think I could help you now?
00:49:18How?
00:49:19We have to find out who set him up.
00:49:23He told me he was doing things to get the business back.
00:49:28And that he had sold the cart.
00:49:31He was probably doing someone a favor.
00:49:34But I don't know who.
00:49:36I only hear rumors.
00:49:38Matranga.
00:49:40The Black Hand.
00:49:41And what do you know about that?
00:49:42Only that he was also killed.
00:49:46We could have stayed where we were.
00:49:50What's the difference between these bastards and my poor Turi's murderer?
00:49:54The difference is that here we do our best to punish the murderers.
00:49:58I'm going to go against Matranga, his accomplices,
00:50:02and Guarino, the king of the distilleries.
00:50:05Mr. Ferry told me about that Guarino.
00:50:09I'm sure there's a connection between the two of them.
00:50:12Trust me, Mrs. Carmé.
00:50:14We're on the right track.
00:50:16This time they have no escape.
00:50:21Let's hope so.
00:50:38Angela!
00:50:40Angelina!
00:50:44Angela!
00:50:51Angela!
00:50:53Ah, hello.
00:50:55What?
00:50:56Are you peeing on me?
00:50:58Come in, you're free now.
00:51:00I also gave him a little present.
00:51:03Anto, what did you think?
00:51:05That you were my boyfriend?
00:51:06I'm going with whoever I want.
00:51:10Me neither!
00:51:11I don't give a shit about you!
00:51:15Do you see this?
00:51:18Give it to me.
00:51:21This was for you!
00:51:23You're so stupid.
00:51:27Anto.
00:51:29We have to talk.
00:51:30Today at Esquiabón's funeral, what did Ardigo want from your mother?
00:51:34I have no idea.
00:51:37Esquiabón was set up.
00:51:39And the police are doing their job.
00:51:41Come here.
00:51:43If you find out anything, tell me, okay?
00:51:47You're such a good boy.
00:51:49Yes, yes.
00:52:01It's good.
00:52:02Yes, my dear.
00:52:03I love this music.
00:52:05It's beautiful.
00:52:12Josephine, have you seen the Gaiteros?
00:52:16There.
00:52:18How nice.
00:52:19When is dad coming?
00:52:20He's coming now.
00:52:22Then we'll go to Grandma's house for dinner, okay?
00:52:29I can't believe it.
00:52:30If it weren't for the death of poor Esquiabón,
00:52:33I would never have been able to find my Maria.
00:52:35And look at this.
00:52:36Look what she brought me.
00:52:39The alliances.
00:52:40One is mine and the other is your father's.
00:52:44And Mrs. Carmel, we've been looking for you.
00:52:46We haven't stopped.
00:52:47But how did you change your last name?
00:52:49No, no.
00:52:50That was a mistake from the immigration office.
00:52:53Grandma is beautiful.
00:52:54She's beautiful.
00:52:56Do you like Rocco's flute?
00:52:58Rocco will teach you all the songs.
00:53:00Grandma.
00:53:01I am Grandma Carmela.
00:53:04How do you say grandma in English?
00:53:06Grandmother.
00:53:07What?
00:53:08Grandmother.
00:53:10Too long.
00:53:11Very, very long.
00:53:13Very difficult.
00:53:14I've learned a new religion.
00:53:16And you, Mom, will learn English.
00:53:26Is it true that you celebrate Christmas twice
00:53:28because now you're a Jew?
00:53:30Hanukkah is not like Christmas, Alfred.
00:53:32But it's celebrated on the 24th.
00:53:34We've celebrated Hanukkah at lunchtime.
00:53:37And now we're here.
00:53:39But where's Antonio?
00:53:41We're about to sit down at the table.
00:53:43He went out to get a cake.
00:53:45He's always late.
00:53:47Come on, don't be silly.
00:53:48You'll see.
00:53:49We'll see when he comes back.
00:53:51Mom, are we expecting someone else?
00:53:53No.
00:53:54But weren't Conchita and the policeman coming?
00:53:57No, they're having dinner with their in-laws.
00:53:59Maybe it's a gift, Mom.
00:54:01A Christmas gift.
00:54:03Could be.
00:54:06What a surprise.
00:54:08Mrs. Carmela, I hope I'm not bothering you.
00:54:11You never bother me.
00:54:12It's a pleasure to have you here.
00:54:14Come in.
00:54:15Thank you.
00:54:17I brought you a panettone.
00:54:19Do you know what it is?
00:54:20No.
00:54:21It's a sweet that's eaten at Christmas
00:54:23in my homeland, in northern Italy.
00:54:24Here.
00:54:25Thank you.
00:54:26Alfredo, here.
00:54:28I'll keep the coat for you.
00:54:30Thank you.
00:54:33You know, I've found my daughter Maria.
00:54:37Yes, Alfredo told me.
00:54:40He invited me.
00:54:42Thank you, Alfredo.
00:54:44I'm very happy.
00:54:46It's clear that sometimes miracles happen.
00:54:50Yes, if you believe in them.
00:54:54I'm very happy that you've met.
00:54:57You have a beautiful family, Carmela.
00:54:59Family is important.
00:55:01Especially if you find the right person
00:55:05to be able to form it.
00:55:08But please come in.
00:55:10Come in, Mr. Ferri.
00:55:11Thank you.
00:55:31Giovanni Ardigo!
00:55:52Antonio, if you speak, your mother and you are dead.
00:55:54Do you understand? Shut up!
00:55:58Antonio.
00:55:59Antonio!
00:56:00It's Antonio!
00:56:01You stay with the girl.
00:56:03I'll be right back.
00:56:09Carmela, wait.
00:56:10Don't go away from me.
00:56:12Mom!
00:56:13Wait, come with me.
00:56:20No!
00:56:22Giovanni!
00:56:24No!
00:56:26No!
00:56:28Why?
00:56:32Antonio, my son.
00:56:34My son.
00:56:36You haven't seen anything.
00:56:37No, Mom.
00:56:38You haven't seen who shot?
00:56:40No, I arrived later.
00:56:41I haven't seen anything, Mom.
00:56:42You have to believe me.
00:56:43Carmela.
00:56:45There's nothing to see here.
00:56:46Let's go home.
00:56:47Let's go home.
00:56:48They killed my husband.
00:56:51They killed him.
00:56:52Poor Ardigo.
00:56:54No!
00:56:58They killed him.
00:57:17I almost forgot how beautiful our land is.
00:57:22You like it, huh?
00:57:23And you want to go to New York?
00:57:25Are you sure you want to give up this paradise?
00:57:29For a bigger paradise, yes, cousin.
00:57:36But in America, I'm going to send.
00:57:39I want you to know.
00:57:41I'll keep everything.
00:57:44How beautiful you are.
00:57:45You have to be mine.
00:57:47Only mine, Carmela.
00:57:48No!
00:57:49Help!
00:57:52That depends only on you.
00:57:54And how willing you are to play, cousin.
00:57:56Because there.
00:57:58The stakes are high, Vince.
00:58:00Very high.
00:58:04Come on.
00:58:05Your boss has arrived.
00:58:07Yes, but for a short time.
00:58:09Yes, but for a short time.
00:58:20Before or after, all this will be mine.
00:58:24Baron, at your service.
00:58:30At your service, Baron.
01:00:39THE END
01:01:09© BF-WATCH TV 2021