During a House Judiciary Committee hearing prior to the Congressional recess, Rep. Adam Schiff (D-CA) questioned witnesses about royalty payments.
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NewsTranscript
00:00Mr. Chairman, any chance I could follow up just briefly on the promotional issue?
00:04If you can be very brief, Mr. Schiff is waiting.
00:07Okay.
00:08Thank you, Mr. Chairman.
00:09I want to say we recognize there may or may not be promotional value in music that is
00:14played on AMFM, but this system takes that into account.
00:17It actually directs the rates that are to consider promotion.
00:20If the broadcasters believe the rhetoric that promotion is so valuable, then they should
00:25be confident that that would work its way out in the proceedings as a rate is set for
00:30this.
00:31Thank you, gentlemen.
00:32I now go to my colleague from California, Mr. Schiff.
00:34Thank you, Mr. Chairman.
00:37Thank you all for being here.
00:38Mr. and Mrs. Travis, I want to start by thanking you for sharing your story with us.
00:44I'm a proud co-sponsor of the American Music Fairness Act and a strong supporter of what
00:49this bill at its core stands for and what it means to creators.
00:55My district and the state of California is home to so many creators that rely, just like
00:59you do, on performance royalty payments every time their songs are played in restaurants,
01:04through streaming services and elsewhere, everywhere but on AMFM radio.
01:09I echo the sentiments of many of my colleagues that support this legislation, and I'm grateful
01:14that you took the time today to share the importance of this critical effort.
01:18I'd also like to take the opportunity to ask you a little more about your most recent song,
01:23Where That Came From, which you created using generative AI to create your voice, Mr. Travis.
01:32Can you share a little more about what that process has meant to you both, and specifically
01:37how you would feel if someone else used AI to recreate your voice without your permission?
01:43What is ownership of your ability, over your ability, and what should be your ability alone
01:51to train a generative AI model on your voice?
01:55What does that mean to you?
01:58I can tell you it was a very emotional thing for Randy to hear his voice again.
02:04We never thought we would.
02:07He went through every human emotion there was, just like he went through every human
02:13ability to create that song.
02:15Being in the studio with his musicians, with his producer, his piece of AI work was humanistic
02:27and artistic.
02:29And that's the difference in the good and the bad AI.
02:33It meant the world to me to hear his song again.
02:35Just a moment ago when Chairman Isaac played that, I thought I was going to break out in
02:41tears again, because just to hear that voice again after so many years, something you never
02:45thought you'd get to do, is very important to us.
02:49But the whole process was, like I said, it took 11 months.
02:55We were in brand new waters.
02:59We were treading in new waters.
03:00We didn't know exactly how this was going to happen.
03:04And in fact, when the final song was sent, after he and Kyle got through tweaking it,
03:12changing, you know, making sure it sounded like Randy Travis, they sent it back to the
03:17gentleman that created this AI platform.
03:23And they said, we never thought it could work this well.
03:27So it was kind of enlightening for a lot of us.
03:30And I apologize, I don't remember the other part of your question.
03:33Well, I guess the other part of my question is the flip side, and that is, what goes through
03:41your head when you contemplate others using AI to recreate your husband's voice without
03:48your permission, authorization, or compensation to produce songs you didn't write using melodies
04:00you would not condone, and what that means in terms of the dilution of your brand.
04:09It feels kind of like identity theft.
04:12It is intellectual property, the voice, the likeness.
04:17So it does feel like somebody has robbed you, because he has spent his whole life, since
04:24he was seven years old, making music, knew that's what he wanted to do.
04:29That's all he wanted to do.
04:31So when you hear somebody on the internet, or on your computer, and they're saying they're
04:38pretending to be Randy Travis, and it doesn't sound like Randy Travis, it hurts.
04:45And I think that that's what all artists feel.
04:48Like I said, just like you've been robbed, just like, it's identity theft, and it, there
04:55be laws that are in place to keep that from happening, which means consent, and compensation,
05:04and attribution, and provenance, so that it doesn't happen, and it's coming up so fast
05:09now that if we don't get on the front end of it, which I'm not sure we can at this point,
05:15but if we don't get in as soon as we can to protect the artist, not sure where we'll go
05:22from there.
05:24Well, thank you for sharing that, and Mr. Travis, I know I speak for many millions of
05:28people who are thrilled and grateful that you can continue to make new music.
05:36Thank you for that gift, and thank you for your testimony today.
05:39Thank you.
05:40I thank the gentleman, and I might remind all of my colleagues that Mr. Schiff has been
05:46a leader.