doctor.who.2023.s01e05

  • 2 months ago

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00:00Hi there, Lyndsay, such a super-nice day, isn't it?
00:29Such a super day. You look so good, baby.
00:32Aw, keep her. You're so kind.
00:35And kindness all day long.
00:37Good morning to you. Another day?
00:38Don't worry about it, Lyndsay, girl.
00:40Hop, hop, hop. Today is toasty.
00:43Oh, this day is already too much. I'm so tired of this, babes.
00:47I heard from Lucian. He said he's so sorry.
00:49He said he made a mistake, and it turns out that woman was her sister.
00:53I was laughing so hard.
00:56Hey, where's Jimbo? He always wakes up first.
00:59Jimbo? Jimbo Fennel? Jim?
01:02Come on, Jimbo, wake up.
01:05Have you heard from Mabel? And Niamh?
01:07It's like they've disappeared. I tried to link, but they're gone.
01:10Lyndsay, babes, you lie there much longer, and your blood is going to pool.
01:14I said get up!
01:16Stand up.
01:19Turn left. Forward.
01:22Forward. Forward.
01:25Turn left. Forward.
01:28Forward. Forward.
01:31Turn right. Forward. Stop.
01:34Do I need to pee?
01:36Urine content is zero for the third day in a row.
01:38Well done, Lyndy.
01:40Remember, don't waste a day of a daily waste.
01:44Oh, my God. I can't breathe.
01:46Have you seen? Have you seen?
01:47He is amazing.
01:49Oh, Lyndy, he's so beautiful.
01:51If I ever met him, I would simply die.
01:54Oh, wow.
01:56Open Vicky September.
02:01Oh, my goodness.
02:06You don't know me, but my name is the Doctor, and your life is in danger, okay?
02:11There are creatures out there in the real world that are monsters,
02:14and they are coming to get you.
02:16No, no, Lyndy, too long!
02:24Oh, really?
02:54Oh, no!
03:12Fine Time News, where everything's fine all of the time.
03:15Leave those Homeworld blues behind.
03:18And the weather report says it's another glorious day in fine time.
03:23In theory.
03:25Not going to lie, we've got a little bit of trouble with the weather satellites.
03:30We'll get that fixed as soon as we can.
03:33Have a fine time in fine time.
03:35So my socks are a cotton derivative, and my shoes are retro buffed.
03:39I love them so much.
03:41The T-shirt is a classic design from the year 5-5. I adore it.
03:45Oh, you look so beautiful, Lyndy.
03:47I've already stored some refurb, so I'm not depleting any of Fine Time's resources.
03:50I'm so careful about that.
03:52Oh, I wish I could look like you.
03:53And I have the same in teal, lilac, and summer green.
03:56It's so soft.
03:57I'm going to buy that.
03:58I'm going to buy 100.
03:59I know, I probably shouldn't say this, but I look so cute.
04:02You are influencing me hard, girl.
04:11Hey, guys.
04:12Did everyone see my new outfit for my birthday today?
04:15I thought it was so cute.
04:17That's great.
04:18Do you think so?
04:19Oh, it's so unfair.
04:21Now we have to work.
04:22Fine Time never told us how boring it would be.
04:25Boring.
04:26Boring.
04:27I like it.
04:28Oh, you're so well behaved, Alan.
04:30No.
04:31We are helping the community to make Fine Time the number one center for sub-stack processing.
04:37Who am I kidding?
04:38Boring.
04:41All this racket chaps my hands.
04:43Like, I get really bad hand chapping.
04:45Isn't chapping a funny word?
04:47Oh, crazy days.
04:48It so is.
04:49I love that word.
04:50Chap, chap.
04:51I get chapping everywhere.
04:53I'm serious, Lindy.
04:54Now there's no sign of Zachary.
04:56Like, he's disappeared.
04:57So I went to ask Rooster, but he's gone.
04:59Oh, you're no fun.
05:02Hi there, Lindy.
05:03I'm just doing a system check on behalf of Fine Time Enterprises.
05:06Do you mind if I ask you a few questions?
05:08Who are you?
05:09My name's Ruby Sunday.
05:10Hi.
05:11You're not on my friends list.
05:12I know, but please, everyone keeps turning me down.
05:14Super please, Lindy.
05:15Oh, I love that top.
05:18Okay.
05:19What do you want to know?
05:20Thank you.
05:21Can you tell me, what are you doing right now?
05:24Oh, my life.
05:25You're stupid.
05:26Yes, let's say I'm stupid.
05:28I know nothing.
05:29So what are you doing?
05:30This is work.
05:31And work is?
05:33Oh, my gasp.
05:34Child.
05:35Work is data processing.
05:37We clean up sub-stack information and deliver it back to the home world.
05:40Do you approve?
05:41That's great.
05:42And everyone does this.
05:43The whole city.
05:44How stupid can you...
05:45We all work two hours a day, two long hours,
05:48and then we get the rest of the day free.
05:50Isn't it obvious?
05:51And you work in an office of six?
05:53That is correct.
05:54Who are the six?
05:55Oh, come on.
05:56Okay, there's Danny and Vista J, their brother and sister,
05:58plus Molly Champion, Sandy Brooke, and Bertie Lester.
06:01And where are they?
06:03They're at work.
06:04It's work time.
06:05So they're in the same room as you?
06:07Yes.
06:08Danny and Vista J sit at the front.
06:10Next row back, in front of them, Molly Champion, Sandy Brooke, Bertie and I are at the back.
06:14And are they there?
06:16Are they where?
06:17At their desks.
06:18How should I know?
06:19You're in the same room.
06:20What am I supposed to do? Look.
06:22Well, yes.
06:23You are so ridiculous.
06:25If you want to talk to Danny J, you can talk to him on here.
06:27Danny?
06:28Danny?
06:29Are you there?
06:31So where is he?
06:32Danny?
06:34Danny J, hello?
06:36Well, technically, he's in the same room.
06:38He's sitting two rows in front of you, isn't he?
06:40He must be.
06:41You could always see if he's there with your own eyes.
06:44I mean, you could lower your bubble.
06:47Lower it?
06:48You mean turn it off?
06:50For a second.
06:51That's not what we do in fine time.
06:53You are so offensive.
06:55I'm not kidding.
06:56Olive has disappeared, and Kipper, and no one's heard from Alana.
07:00I slid you.
07:01I promise I will leave you alone if you could just look at the four desks in front of you.
07:05I am not lowering.
07:07I am lowering my bubble.
07:09Okay.
07:10Can you stay inside and look beyond it?
07:12Can you do that?
07:13I can do whatever I want.
07:14Then could you try?
07:24What can you see?
07:27There's no one there.
07:29Okay.
07:30That's fine.
07:31Thank you.
07:35Where are they?
07:36That's why I asked.
07:38They can't not be here.
07:40We all have to work.
07:41It's what we do.
07:42We work, and then we play.
07:44Okay.
07:45Now, this is going to be tough, but I'm here with you, Lindy, because according to the charts,
07:49Bertie Lester sits next to you, to your right.
07:52Bertie sits about ten feet away.
07:53Yes.
07:54Is he there?
07:55Oh, who cares?
07:56Lindy, I want you to be very careful and look to your right.
08:07Oh.
08:20I need to get back to work now.
08:22What did you see?
08:23I need to get back to work.
08:25Lindy, what did you see?
08:27I don't know.
08:29Okay, but I'm stuck outside to find time.
08:32I can't see in.
08:33If you could just lower your bubble, turn off the dot, and look, just for a second.
08:37Then come back inside and tell me what's out there.
08:40I'd rather get back to work.
08:42I know, and I'm sorry, but we really need to know what you're sitting next to.
08:51Bubble down, dot off.
09:04Ah.
09:31Top bubble.
09:32Lindy, it's okay. I'm here.
09:34Can you tell me what you saw?
09:36I'm sorry, but your need to urinate has skyrocketed.
09:41So, here's a plan.
09:43After work, we can all plug into Aqua Marina.
09:48What is that noise?
09:49Play Ricky September.
09:52One, dos, tres, cuatro.
09:54One, dos, tres, cuatro.
10:07Lindy?
10:10Lindy, I'm sorry, but if I'm right, I think you saw some kind of thing.
10:14But I've got a friend. He knows how to deal with it. I promise.
10:17Here he is.
10:19Just leave me alone, will you? This is just getting so ridiculous.
10:23No, I know, I know, but come on, babes. We need to get you out of there.
10:26Is that thing, is it something to do with you?
10:29No, I'm trying to find out what it is, but first things first, I'm here to save you.
10:34Okay, so I want you to stand up and walk out, but without the bubble.
10:39I can't do that.
10:40You need to lower the bubble, because there are more of them.
10:42More?
10:43I think so. It's not just your office, and I don't think your dot system can see them.
10:47If you walk using those arrows, you can stroll right into one of those things and get swallowed alive.
10:51Oh, don't tell the truth.
10:53Okay, but, Lindy, trust him, I learned that a while back, and it saved my life so many times.
10:59Bubble down, dot off, walk out.
11:02You can do it. Bubble down.
11:08Bubble down, dot off.
11:22All right, wait.
11:26No.
11:50Oh, God, I'm so stupid.
11:54Dot off, bubble.
11:56Did you do it? Are you out?
11:57I don't know how to walk.
11:58What do you mean?
11:59I don't know how to walk without the arrows.
12:01You don't know how to walk?
12:02Without the arrows.
12:03You don't know how to walk without the arrows?
12:05Oh, that's what I just said. Now shut up. I hate you, I hate you, I hate you.
12:19Exit, please.
12:21Turn right, forward, turn left, forward, forward, forward, forward, forward, turn left, forward, stop.
12:39Elevator down to ground floor.
12:42You see? The arrows work.
12:44Okay, that's good. You're amazing, Lindy. I swear to the sky, you are doing really, really well.
12:50Oh, condescending much?
12:56Stop, stop, stop, stop. Now run.
12:59Run, run, run.
13:00No, no, no, not forward, not forward. Come back.
13:02Move, move.
13:03Don't follow the arrow. Do not follow the arrow. Just keep going back.
13:07Back, back.
13:08Back, Lindy.
13:09No, no, not forward.
13:11Move back.
13:12Back, Lindy.
13:13No, she isn't moving. Move back, Lindy. Do not follow the arrow.
13:18Forward, forward, forward, forward.
13:23It ignored you.
13:24Forward.
13:25Why did it do that? What did you do?
13:27Forward.
13:28That's two of them now, just letting you go.
13:30Lindy, get the lift.
13:31Forward.
13:32Yes, yeah, yeah, yeah, lift, lift, lift, lift.
13:33Forward.
13:35Stop and turn.
13:36Lindy, Lindy, just think. Is there anything different about you?
13:40It might be a perfume or your blood type or just something different to Bertie Lester.
13:46Police.
13:47All lines are busy. We regret we cannot help you at this time.
13:50But I really need the police.
13:51All lines are busy. We regret we cannot help you at this time.
13:55But I really need the police. There's a murder. There was a murder ten feet to my right.
14:00All lines are busy. We regret we cannot help you at this time.
14:03Please, will someone help me?
14:05That's why we're here and we're going to get you out, I promise.
14:10Foyer.
14:11Careful, careful, careful.
14:15What do I do now?
14:16Let's go out to the street. Is that okay? One step at a time.
14:21Forward.
14:24Forward.
14:25Turn right.
14:27Forward.
14:30Turn left.
14:32Forward.
14:34Forward.
14:36Forward.
14:37And could you stop there?
14:39Now, Lindy, I know that you don't like lowering the bubble and I get that, I know, I understand.
14:44But we need to find out what it's like outside, full 360, and you're the only one who can tell us.
14:49Could you just lower the bubble, just for ten teeny tiny seconds?
14:54I'm not a child.
14:55Sorry, sorry. But could you please?
15:03Bubble down door.
15:13Hey, be careful, watch out!
15:26Help! Help me!
15:28Don't bubble.
15:30Hiding place, please.
15:31Turn left.
15:32Turn left.
15:33Turn left.
15:34Turn left.
15:40Hi there.
15:41Hello.
15:44Sorry.
15:46I know this is terrible, I really know, believe me.
15:49I've seen some things, but we just can't reach you, Lindy.
15:54We're trying, but we can't.
15:55And we might not have much time.
15:58Can you tell us, what is it like on the street? What did you see?
16:03They're everywhere, those things.
16:06There was this one girl, she walked right past and it ignored her.
16:10But then this other girl, she got eaten alive.
16:12But some of you, some of you get eaten and some of you don't.
16:18Maybe it's your diet, or your height, or something in your DNA.
16:21And why can't the dogs see those things?
16:23It must be from the wild woods.
16:25What do you mean?
16:26We're told, from day one, never touch the wild woods.
16:30The whole of Fine Time is surrounded by this woodland forest thing.
16:34It's like, really natural.
16:35But we have force fields.
16:37We're shielded off, how did they get inside?
16:40Your security is crazy tight, it's blocked me, I'm stuck on the outside of the city.
16:44So how would those great big bugs sneak in?
16:47Lindy, do you mind if I ask, what is Fine Time?
16:50How does it work?
16:52Jiminy, you're stupid.
16:53We come here from the home world.
16:55No stinky old folk, just people ages 17 to 27.
16:58I mean, no, not just anyone.
17:00If you can afford it, obviously.
17:02Ah, so you're the rich kids.
17:04Uh, I should hope so.
17:06I thought you were like, office drones.
17:08But that's why you only work two hours a day.
17:11So the rest of the time, we party.
17:14It's like Love Island, the planet.
17:16Mummy paid for it all.
17:18We miss you so much, darling.
17:20But I'd pay for the whole moon to make you happy.
17:24Just look up at the sky and wave to us, on the home world.
17:28Happy Fine Time, Lindy Lou.
17:31And don't forget, you're only a bubble away.
17:35Who is that?
17:36I told you, it's Mummy.
17:38Oh, hold on, I've seen her before.
17:40Yeah, she's like, she's the face of the ambulance in Castario 3.
17:43No, no, no, I've seen her somewhere else.
17:46Are you two in the same room?
17:48No.
17:49Uh, sorry, we'll save that for later.
17:51You are.
17:52You're in the same room.
17:53You're together.
17:54Oh, what the hell?
17:55Yes.
17:58You lied to me.
18:00This is like a conspiracy.
18:02Who are you?
18:03We're just trying to help you.
18:06I blocked you.
18:07Didn't I block you?
18:08I knew it.
18:09I did.
18:10I thought that you just looked the same, but you're...
18:12How did you do that?
18:13Unblocked, babes.
18:15You can't unblock.
18:16There's no such thing as unblocking.
18:17That's breaking all the rules.
18:19Oh, my hazy days.
18:20Why am I even talking to you two?
18:22You're criminals.
18:23I actually have proper friends.
18:25Guys, guys, close friends, priority one,
18:28initiate group chat now.
18:30You did not just priority one.
18:32We're going to be disciplined for this.
18:34Seriously?
18:39Guys, guys, sorry, not sorry,
18:41but this is much more important.
18:43I have evidence.
18:44Just look at my close friends.
18:46Look how many are missing.
18:47Jimbo and Bobby.
18:49Oh, my God.
18:50Where's Cooper Mercy?
18:52She was here five minutes ago.
18:54Cooper?
18:55Can you hear me?
18:56Cooper Mercy?
18:58Cooper Mercy was my best friend.
19:00And Valerie?
19:02Has she gone?
19:03Calling Valerie Nook.
19:05Unmute Gothic Ball.
19:07Guys, I've been trying to say,
19:08people have been disappearing.
19:10Stewie Bloom, when was the last time you saw him?
19:13Rooster Jacket, Joseph and Lucy.
19:15And I've not seen Kirstie Bookkeeper since last week.
19:17This is the weird thing.
19:18Some of us get eaten and some of us don't.
19:21I'm sorry, some of us get what?
19:23Eaten.
19:24What do you mean, eaten?
19:26Eaten alive.
19:27There are things out there in the real world,
19:29and I swear, they are eating us alive.
19:32Oh, for Lun's sake, Lindy, don't be so silly.
19:35Not even I would say something like that.
19:37Just because someone goes on the bus...
19:40Food!
19:42Oh, I'm sorry.
19:44Sorry, sorry, sorry.
19:47Oh, no, no, no, no, no.
19:51I told you, I told you.
19:53Why didn't you listen to me?
19:55I told you.
19:56Lindy, Lindy, it's okay.
19:58I think that I can get you out.
19:59I muted you.
20:00Unmuted, honey.
20:02I was so right to hate you.
20:03Yeah, okay, but I need to talk to everyone.
20:05Let me just, let me just squeeze in.
20:07You can't do that.
20:08Yeah, well, I just did.
20:09Okay, if you all could just listen.
20:12Guys, I know this is wrong,
20:15and when this is over,
20:17he is gonna be so disciplined.
20:19I can't wait, but just give him a shot, okay?
20:22I think he's not as stupid as he looks.
20:24You don't have to like me.
20:25The only important thing is to get you out,
20:27and I found it.
20:28I've got access to the plans of the city.
20:30There is a river running underground
20:32underneath the town.
20:33If you can get to the river,
20:34there is help, there is safety,
20:36there is an escape.
20:38Okay, there are conduits throughout the city,
20:40like tunnels, vertical tunnels.
20:41The river was generating electricity
20:43back in the old days,
20:44and the conduits still stand.
20:46I'm sending you all locations.
20:49You all live within a half a mile
20:50of a conduit, so get there.
20:52The conduits are locked.
20:53Once you find them, I can send you a call.
20:55But you've got to be careful,
20:56because it means going out onto the streets
20:59with those things.
21:01I'm sorry, guys, it's true.
21:02But we can't work out why the some of you
21:05are not all of you.
21:06You lot, you lot, is there something
21:07you've all got in common?
21:08Is there something you drink
21:10that other people don't?
21:11Or something that you don't drink
21:12that other people do?
21:13Or maybe something you touched
21:14that Gothic Paul didn't, or Cooper?
21:16Why would they eat it?
21:17Your power is low.
21:18Oh, no.
21:19No, no, no, no, no, not now.
21:20Please charge your don.
21:21Lindy, what's happening?
21:22I'm out of power.
21:23You are kidding me!
21:24You still have battery problems!
21:26We charge up at work,
21:27and you stop me from working.
21:29You took me away from my desk.
21:30This is your fault!
21:32Okay, everyone, everyone,
21:33head to your conduits.
21:35Follow my instructions.
21:36Go, now!
21:37Lindy, listen to me.
21:39Your conduit has an access point
21:40on Plaza 55.
21:41It's inside the building.
21:44What?
21:45Building number what?
21:46Which way, which way do I go?
21:48Which plaza?
21:49What was it, 55?
21:51Where do I go?
21:53Oh, come on, Lindy.
21:55Okay.
21:57Okay.
21:58Come on, Lindy.
21:59It's this way.
22:00Yes.
22:01No.
22:02Yes.
22:06Forward.
22:09Forward.
22:15Lindy!
22:17Forward.
22:39Plaza 55
22:43is
22:45forward.
22:48Forward.
22:52No, no, no, no!
22:59Forward.
23:09I'm so stupid.
23:13Turn left.
23:14Take two steps forward.
23:15What?
23:16Turn left.
23:17Take two steps forward.
23:19Who's that?
23:21Just follow my voice.
23:23Turn left,
23:24and then take two steps forward.
23:33Stop.
23:34Turn right.
23:39Is this for real?
23:42I know.
23:43It's me.
23:44Just listen to my voice.
23:45All you have to do is walk forward.
23:47Use me like the arrows.
23:48But...
23:49I'm not on screen.
23:50I'm over here.
23:51But you look like Ricky September.
23:53I am Ricky September.
23:55Oh, my gosh.
23:56But we do need to get out.
23:57This whole city's going mad.
23:59You just have to do what I say and walk forward.
24:01What's your name?
24:02Lindy Pepper Bean.
24:03Ah, you're one of my followers.
24:04How do you know that?
24:05Well, okay, everybody is.
24:07Everybody is.
24:08Follow my voice?
24:10Walk forward.
24:18Forward.
24:20Forward.
24:23Forward.
24:27Forward.
24:28Forward.
24:30Forward.
24:31Forward.
24:34Forward.
24:36Forward. Forward. That's it. That's it.
24:44Well done, Lindy. You did it.
24:45Sorry. I'm sorry. It's just... that's the first time I've ever done that.
24:49Oh, no, well, it's not every day we walk past monsters.
24:51No, I mean the hug.
24:53That was your first hug?
24:54Yeah.
24:55I'm so sorry. I should have asked.
24:57No, no. I made you. It was my fault. I shouldn't have. It was nice.
25:01It was great.
25:02You and Ricky September.
25:04Every day. But we do have to get moving.
25:06I tried to warn people in my videos, but they kept getting deleted.
25:08Because it's weird. These things eat some people, but not everyone.
25:11And I can't help but think that they're saving us till last.
25:13I know, but there's this conduit, like an escape.
25:17It's like a tunnel sort of thing on Plaza 55.
25:20Building number 7Z2.
25:21No way. How did you know that?
25:23Come on. It's almost night cycle. We've got about ten minutes till the sun clicks off.
25:26Oh. Is that okay?
25:28It's fine.
25:30You're so good at walking.
25:34Don't tell anyone, but I open the bubble, drop my songs,
25:37and then I turn the dot off for the rest of the day.
25:41Oh, my eyes. You're wild.
25:43I know.
25:44I just stay in my apartment and read, kind of thing.
25:49Oh, you're crazy.
25:51That's how I know about the conduits.
25:53I read, like, history.
25:55During the Great Abrogation, this whole city was sealed off,
25:58but there's a river running underground underneath the city, and I think...
26:03Whoa, whoa. Don't look at that.
26:05Look at me. Look at me.
26:07Don't look at that. Look at me.
26:09Lindy Pepperbean, I will get you out of here.
26:12I promise.
26:14I thought this was the worst day of my life, but maybe it's the best.
26:19There's still thousands of people being eaten alive.
26:23There's still thousands of people being eaten alive.
26:25Yeah, but...
26:40Oh, I can charge up. Yahoo!
26:42Yes, and we've got a planet link. I can call the Homeworld.
26:44Do you think they can help us?
26:45Oh, it's going to be massive.
26:46Up there in the sky is a planet full of our mums and dads,
26:48and they're going to be snow-crossed.
26:50They're going to be righteous, and they'll come down here
26:52with rocket ships and flamethrowers and weed killers.
26:58There was this man, and he said there was a code.
27:02He was horrible. He was so rude.
27:05He said the Conduit has a code.
27:07Yeah.
27:09Did you get through? What are they saying?
27:11Can I speak to Mummy?
27:13Link's busy. They're probably getting millions, of course.
27:16But they're coming. They're on their way.
27:18This might, you know, take a little while.
27:20And we need to find that Conduit.
27:22We can sit and wait. We'll be safe.
27:25Completed.
27:26OK. Charged up.
27:2860 seconds till night cycle.
27:30Come on.
27:31Let's go.
27:43This way.
27:45Oh, mind your head.
27:47Down here.
27:55Yeah, this way.
28:02Oh, my gosh.
28:04This is so manual.
28:07Yeah, people used to work like this back in the old days.
28:11Got paid in money.
28:13I read about it.
28:15Life was tough.
28:16My job's not easy. I get chapping.
28:18Hey, I think this is it.
28:20This is the Conduit, the river.
28:22You've got the code?
28:23Yes, certainly have. Dot and bubble.
28:25Oh, there you are. You're alive.
28:27You are still with us. Excellent.
28:28Don't be so surprised.
28:30I found it. I'm at the Conduit.
28:32But guess what? I'm with Ricky Zeptember.
28:35What? Ricky the singer?
28:36That's him.
28:37Oh, nice one.
28:38It's hot.
28:39Hands off.
28:40Yo, hi, hi, guys.
28:41Yeah, the code, so we can get out of here.
28:43Sorry. Yeah, hi, Ricky. Wow.
28:45Hi.
28:46So that door is monosealed
28:48because they closed it off when they disinfected the city.
28:51I can send you the pulse numbers one at a time.
28:53You get the numbers for five seconds.
28:55Type it in like a combination, but you've got to be fast.
28:58Don't miss a number.
28:59They only stay live for five seconds
29:00and there's 100 numbers in total.
29:02Yeah, it's OK. You don't...
29:03I've studied pulse codes, so I kind of know how they work.
29:06You're clever as well.
29:08OK, heart-stuffer.
29:10Sending you the numbers now.
29:14BEEP
29:1933.
29:20My friends, are they still alive?
29:23They are, but I'm sorry, they're still at the desks.
29:27I told them, and they all saw Gothic Pool being eaten.
29:30One of them went on the run, the one with the trumpet.
29:33Hootie Pie. Hootie Pie.
29:34We lost her signal, but she's still running.
29:37Good thing is, none of them have been eaten so far.
29:40Why?
29:41Ricky says, my friend, Ricky September,
29:43he says they're saving us to eat last.
29:45Maybe we're the most tasty.
29:47Well, Ricky is.
29:48Steady.
29:49I feel maybe it's that simple.
29:51That would imply that they've got a list.
29:54No.
29:57No.
29:59Wait a minute.
30:00What is it?
30:01It can't be.
30:02What?
30:03No way.
30:04No, no, no, no, no.
30:05No, no, no, no, no, no, no, no, no, no.
30:07Doctor, stop it. Tell us.
30:08No.
30:09Linda, your friend, Gothic Poe, is he a Poe who's Gothic,
30:12or is Poe his surname?
30:13It's his surname.
30:14Alexander Poe.
30:15Gothic's just a nickname.
30:16Which means no.
30:18No.
30:20Really?
30:21Gothic Poe got eaten before that Valerie Nook,
30:24before that Cooper Mercy, before that Bertie Lester.
30:27Don't you see?
30:28It's been a week since anyone has heard from Kirsty Bookkeeper.
30:31No, it can't be.
30:33I don't understand.
30:36Oh, my poor friends.
30:38Yeah, yeah, yeah, yeah, but look.
30:41Yeah, what's the difference?
30:43Those are the names in alphabetical order.
30:45So?
30:46They are in alphabetical order.
30:48Yes, I can see that. So?
30:51They died in alphabetical order.
30:54I don't understand.
30:55Oh, God, right in front of me.
30:57Those things are eating people in alphabetical order
31:00right across the city.
31:01But that's impossible.
31:02Lindy, your surname, Pepper Bean,
31:04is that P for Pepper or B for Bean?
31:05It's P for Pepper, which comes after Gothic Poe,
31:07but I'm still alive.
31:08We ran past those things outside and they didn't even look at me.
31:11Yeah, there's a lot of people beginning with P.
31:13Maybe they're still eating the ones that came before you.
31:18All the Poes are gone.
31:19Alice and Partner, dead.
31:21Pattersons, there are 25 Pattersons, all of them dead.
31:25Pavilions, dead.
31:26Pavings, dead.
31:27Oh, my God.
31:29It's working its way towards me.
31:31Peach, dead.
31:33Pebble, dead.
31:35Pelican, dead.
31:36Wait, wait, wait, wait.
31:37There's someone.
31:38Susie Pentecost.
31:40She's still here.
31:41Here she is.
31:42Oh, hi there, Lindy.
31:43You look like fun.
31:44Hello.
31:45Happy day.
31:46Hi, Susie.
31:47I guess I need some new friends.
31:48It's all gone so quiet out there.
31:50Have they declared a holiday or something?
31:52But it's really, really nice to meet you.
32:00But I'm next.
32:01Pepper's next.
32:02Hurry up with those numbers.
32:03I get eaten next.
32:04Oh, my soul, it's me.
32:06They're coming for me.
32:07Okay, hang on, hang on.
32:08They're going to eat me.
32:10Lindy!
32:11No, they're not.
32:12Listen to me.
32:15You might be next, but we're safe in this room.
32:1945.
32:22Those things, they aren't done yet.
32:24And even if they do chase after you, they're slow.
32:27And all I've got to do is punch in 30 more numbers into this keypad,
32:31and then we're gone.
32:34I've got this.
32:37Lindy, I'm getting you out of here.
32:40Oh, Ricky, babes.
32:41Oh, he's a keeper.
32:47Oh, my hopscotch.
32:49That's a relief.
32:51I just, I keep getting lucky, don't I?
32:54Except, I hate to say this,
32:57but if those things are eating an alphabetical order,
32:59they're not bugs from the outside.
33:01They have been created.
33:03They're grown.
33:04They are designed.
33:05And I keep saying, why can't the dot see them?
33:08And?
33:09Well, what if it can?
33:11What if it wants you to walk right into them?
33:13Why would it do that?
33:14Imagine if that dot has achieved sentience,
33:17and then it has to spend all day hovering
33:19and listening to you lot chatter in the way.
33:21I'm not being rude, but I think it's learned to hate you.
33:25Lindy, turn off your dot.
33:26But it's just a dot.
33:27Turn it off right now.
33:28That is a powerful anti-grav cycle combination device.
33:31If it wants you dead, it can kill you itself.
33:34Dot off! Dot off! Dot off!
33:36Bubble down dot off.
33:39I said dot off.
33:41Lindy, what's it doing?
33:42You will obey me. Dot off.
33:53Lindy, do the numbers. Come here.
33:55Take my place.
33:56Lindy, come here. Do the numbers.
34:00Oh, help me.
34:07Okay, every five seconds a new number.
34:10Forty-five.
34:18I'll fight it off. Do the numbers.
34:22Come on.
34:27Come on. Forty-five.
34:33Twenty-one. Action.
34:34I've got it!
34:35Get through! Don't worry about me.
34:47Lindy, watch out.
34:51It's our enemies, Coombs.
34:53It's our enemies, Coombs.
34:57He was born Richard Coombs because I know everything about him.
35:00He changed his name to Ricky September when he reached 50,000 followers.
35:03But just check your files. He was born Coombs.
35:05See? He comes from 4P.
35:10Lindy.
35:23Lindy.
35:53Come on.
36:08Thank you all. Thank you.
36:09Come on in here, please.
36:12And do it quick as you can. Remember your partner.
36:16Who'd you buy?
36:17For you!
36:18Pleasing day, sweetie.
36:21Oh! Is that what we do now?
36:23We do. We hug.
36:25I was taught that by a very wonderful man.
36:30Hey, uh, where's Ricky? Is he with you?
36:39He went back.
36:41He said he had other people to save.
36:43I couldn't stop him.
36:45He was so brave.
36:49And...
36:51Well...
36:53Gosh.
36:54You two.
36:56This is strange.
36:58I suppose I should say thank you.
37:03It's okay.
37:04No need.
37:05It was, um, nice of you.
37:11You got here just in time.
37:13We're going, Lindy.
37:15We're leaving.
37:16Going where?
37:17Outside.
37:18The Great Beyond.
37:20The world outside fine time.
37:22You must be Lindy Pepperbean.
37:24I've heard a lot about you.
37:26Brewster Cavendish.
37:27I haven't got titles yet, but if the role of leader was up for grabs,
37:30I guess I put myself forward.
37:32What do you mean, the Great Beyond?
37:34The Wild Woods?
37:35No further than that.
37:36The river leads down to the sea.
37:37There's a whole world out there.
37:39Untamed.
37:40But I thought the Homeworld would just come and save us.
37:44That might take a while, Hon.
37:46They're not coming, Lindy.
37:48There's only us.
37:50But what about Mummy?
37:55She's not there, darling pie.
38:00You mean she's gone to the sky?
38:05That's right.
38:12Well, lucky Mummy.
38:13That's what I said.
38:14That's so lucky.
38:15Yeah, we can go out there to this planet,
38:17and we can fight it and tame it and own it.
38:20We'll be pioneers.
38:21Just like our ancestors.
38:23Or you could come with us.
38:30We could what?
38:32Come with us.
38:34Yeah, we all chose escape, didn't we?
38:37So if we could get you out of there in the blink of an eye.
38:42I have a ship.
38:43It's called the TARDIS.
38:44That blue box.
38:47It harnesses technology that makes it bigger on the inside than on the outside.
38:51I could take you all.
38:53I could carry you to the stars.
38:55I could find you a home that is safe and clean and everything you want.
39:03But we couldn't travel with you.
39:08What? Why not?
39:10Because you, sir, are not one of us.
39:13I mean, you were kind.
39:15Although it was your duty to save me, obviously.
39:18I mean, screen-to-screen contact is just about acceptable,
39:21but in person, that's impossible.
39:26Like, you have a magic box.
39:28Seriously.
39:29Bigger on the inside.
39:31Excuse me, sir, that's voodoo.
39:34And it doesn't matter where we end up living,
39:36because it is our God-given duty to maintain the standards of fine time forever.
39:43Now, thank you.
39:45And goodbye.
39:47Oh, I can't even.
39:50I don't care what you think.
39:54You can say whatever you want.
39:58You can think absolutely anything.
40:02I will do anything.
40:09If you just allow me to save your lives.
40:18If you'll turn away, ladies, before we contaminate it.
40:25Like, you will die!
40:28Out there!
40:30Out there!
40:32And I can save your lives!
40:37Now, let me!
41:00Ah!
41:08Ah!
41:11Down!
41:13Down!
41:15Ah.
41:45Ah.
41:47Ah.
41:48Ah.
41:49Ah.
41:50Ah.
41:51Ah.
41:52Ah.
41:53Ah.
41:54Ah.
41:55Ah.
41:56Ah.
41:57Ah.
41:58Ah.
41:59Ah.
42:00Ah.
42:01Ah.
42:02Ah.
42:03Ah.
42:04Ah.
42:05Ah.
42:06Ah.
42:07Ah.
42:08Ah.
42:09Ah.
42:10Ah.
42:11Ah.
42:12Ah.
42:13Ah.
42:14Ah.
42:15Ah.
42:16Ah.
42:17Ah.
42:18Ah.
42:19Ah.
42:20Ah.
42:28Ah.
42:31Ah!
42:33Oh, this is so British, isn't it!
42:34Lord Barton approaches.
42:36Everything is chalkless and heartbreaking!
42:37There's a Chauldre at work on this planet and I've been payed good money to find you.
42:41What could be better than a wedding?
43:11What could be better than a wedding?
43:16What could be better than a wedding?
43:21What could be better than a wedding?
43:26What could be better than a wedding?
43:31What could be better than a wedding?
43:36What could be better than a wedding?
43:41What could be better than a wedding?
43:46What could be better than a wedding?
43:51What could be better than a wedding?
43:56What could be better than a wedding?