• last year
Transcript
00:00:00So I'm leaving without finding out why Konstanty shot himself.
00:00:08I think the main reason was jealousy.
00:00:13And the sooner I take Trigorina from here, the better.
00:00:22How can I tell you...
00:00:26There were other reasons, of course.
00:00:30A young, intelligent man, who lives in the countryside,
00:00:34in the wilderness, without money,
00:00:38without a job, without a future.
00:00:41Nothing but work.
00:00:42He's ashamed and afraid of his own failure.
00:00:46Ambition, of course.
00:00:49He should take up an office.
00:00:54I think it would be best if you gave him some money.
00:01:00First of all, he should dress like a human being.
00:01:04Look at him. He's been wearing a turtleneck for three years.
00:01:08He walks without a coat.
00:01:10It wouldn't hurt to have a little fun, would it?
00:01:13A boy...
00:01:14Going abroad...
00:01:17It's not that expensive.
00:01:20I don't have any money.
00:01:25I don't have any money.
00:01:31Yes, forgive me.
00:01:35Forgive me, my dear, don't be angry.
00:01:37I believe you.
00:01:38You're a wonderful, intelligent, noble woman.
00:01:42I don't have any money.
00:01:44If I had money,
00:01:47I'd give it to him myself, but I don't have any.
00:01:50I don't have a penny.
00:01:52I have money, but I'm an artist,
00:01:55and the toilets have completely ruined me.
00:01:59Yes.
00:02:04Yes, I respect you.
00:02:09But there's something wrong with me.
00:02:14I feel weak.
00:02:15Piotr.
00:02:16I feel dizzy.
00:02:18Piotr, what's wrong with you?
00:02:20Piotr, help!
00:02:22Piotr, help!
00:02:24Piotr, he's feeling weak.
00:02:28It's nothing.
00:02:29It's over.
00:02:31I'll go to the city anyway.
00:02:37I'll lie down for a while and go.
00:02:40There's a riddle.
00:02:42In the morning on four legs,
00:02:44in the afternoon on two legs,
00:02:46and in the evening on three.
00:02:47Yes.
00:02:48And at night, as a sign.
00:02:50Of course.
00:02:51Thank you, sir.
00:02:53I can go by myself.
00:02:59I'm sorry.
00:03:00He scared me.
00:03:04He doesn't like life in the village.
00:03:06He's falling into melancholy.
00:03:08If you hit your pocket like that,
00:03:10I could lend you 1,500 or 2,000,
00:03:12and you could spend the whole year in the city.
00:03:15I don't have money.
00:03:16I'm an actress, not a banker.
00:03:19Mom, mom.
00:03:24I'm sorry.
00:03:25I'm sorry.
00:03:26I'm sorry.
00:03:28Change my apron.
00:03:30You do it so well.
00:03:33And the doctor was late.
00:03:35He said he'd be at ten,
00:03:36when it was noon.
00:03:40Sit down.
00:03:45You look like in a turban.
00:03:48Yesterday, a visitor asked in the kitchen
00:03:51what nationality you are.
00:03:58Oh.
00:04:02It's almost completely gone.
00:04:06There's no trace.
00:04:10And when I leave,
00:04:11won't you have a beer again?
00:04:16No, mom, no.
00:04:17It won't happen again.
00:04:27No.
00:04:38You have golden hands.
00:04:43I remember
00:04:44a long time ago,
00:04:47when you were still working in the State Theater.
00:04:50Yes.
00:04:51I was little.
00:04:54There was a fight in our yard
00:04:56and the janitor was thrown out.
00:04:58She was lifted unconscious.
00:05:02You came to her all the time.
00:05:05You brought her medicine.
00:05:07You were in the ball.
00:05:09Her children.
00:05:10Do you remember?
00:05:11No.
00:05:14Two ballerinas lived in the same house
00:05:16when we came to you for coffee.
00:05:18Yes, I remember.
00:05:26Mom.
00:05:30I have no one but you.
00:05:39Why are you influenced by this man?
00:05:45Konstanty,
00:05:46you don't understand him.
00:05:48He's an extraordinary noble man.
00:05:50When he was told
00:05:51I was going to challenge him to a duel,
00:05:53nobility didn't help him.
00:05:56Nonsense.
00:05:57I asked him to leave.
00:05:59An extraordinary noble man?
00:06:01We almost quarrel because of him
00:06:03and he's somewhere in the garden or in the business room.
00:06:06He's an educated man.
00:06:07He's trying to convince her that he's a genius.
00:06:10You find pleasure in making me sad.
00:06:14I respect this man
00:06:15and I ask you not to speak ill of him.
00:06:18I don't respect him.
00:06:20Do you want me to consider him a genius too?
00:06:22But I can't lie.
00:06:23His music makes me angry.
00:06:25It's a shame.
00:06:26People with no talent
00:06:27but with pretensions
00:06:28are nothing more than
00:06:30blackening real talents.
00:06:32If that's what you mean,
00:06:34I have more talent than all of you.
00:06:36Routiners,
00:06:37you took the first place in art
00:06:39and you think that what you do is the only real thing.
00:06:42And you want to stifle everything else.
00:06:45I don't recognize you.
00:06:46Decade.
00:06:47Go back to your beloved theatre
00:06:49and play there,
00:06:50in your boring tricks.
00:06:51You can't even write a boring vodka.
00:06:53You have dry liver.
00:06:55Schneer!
00:06:56Zero!
00:07:07Yes.
00:07:17Don't cry.
00:07:22Don't cry, son.
00:07:26Don't cry, son.
00:07:29Forgive me.
00:07:30Forgive me, son.
00:07:33Forgive me, dear.
00:07:34Forgive me.
00:07:37Grandma.
00:07:38Forgive me.
00:07:41If you only knew.
00:07:44I...
00:07:47I lost everything.
00:07:48I lost everything.
00:07:51She doesn't love me.
00:07:54Forgive me.
00:07:57I can't write anything anymore.
00:08:02Quiet.
00:08:04He...
00:08:06will leave soon and...
00:08:08she will love you again.
00:08:13Yes?
00:08:18Yes.
00:08:21Do you agree?
00:08:24Yes?
00:08:25Yes.
00:08:26Yes.
00:08:30And there won't be a duel?
00:08:38No?
00:08:41Okay.
00:08:43Mom.
00:08:46But let me...
00:08:48not meet him again.
00:09:09A doctor will make a bandage for me.
00:09:18The horses will be here soon.
00:09:23If you ever need my life...
00:09:27come and...
00:09:29take it.
00:09:33I hope you're packed.
00:09:35Yes, yes.
00:09:42If you ever need my life...
00:09:44come and...
00:09:46take it.
00:09:50Let's stay one more day.
00:09:58Let's stay.
00:10:02My dear.
00:10:04I know what's keeping you here.
00:10:07But come to your senses.
00:10:10You're a little late, but try to sober up.
00:10:15You too, be sober.
00:10:18Be wise and...
00:10:20generous, I beg you.
00:10:26Look at it all as...
00:10:28a true friend.
00:10:31Give me back my freedom.
00:10:34Are you so in love?
00:10:38Pull me to her.
00:10:40Maybe that's what I need.
00:10:45The love of a provincial girl.
00:10:50How little you know yourself.
00:10:54Sometimes people fall asleep on their way.
00:10:57I'm talking to you now...
00:11:00and I feel like I'm dreaming.
00:11:03I see her in my dreams.
00:11:05Let me go.
00:11:06No, no, no.
00:11:08Boris.
00:11:11I'm an ordinary woman.
00:11:14You can't talk to me like that.
00:11:17Don't torture me.
00:11:22I'm afraid.
00:11:24Young love.
00:11:27Charming, poetic.
00:11:30It takes you to a land of dreams.
00:11:33Only she can bring happiness to the world.
00:11:37I've never experienced such love.
00:11:41I didn't have time when I was young.
00:11:43I beat the walls of the office.
00:11:46I struggled with boredom.
00:11:55And now this love...
00:11:57has come at last.
00:12:00What's the point...
00:12:02of running away from it?
00:12:09Are you crazy?
00:12:13Let it be so.
00:12:20I wish I was so old and ugly...
00:12:23that I could talk about other women without embarrassment.
00:12:27Are you crazy?
00:12:32Lovely, wonderful.
00:12:38If you leave me for an hour...
00:12:40I won't survive it.
00:12:43I'll go crazy.
00:12:46You're amazing.
00:12:48Wonderful.
00:12:50My soul.
00:12:52My happiness.
00:13:00Someone may come in.
00:13:02I'm not ashamed of my love for you, Boris.
00:13:07I'll run away.
00:13:11I'll run away.
00:13:25My treasure.
00:13:34You want to go crazy, but I won't let you.
00:13:40You're mine.
00:13:44You're mine.
00:13:48You're mine.
00:13:53And this forehead is mine.
00:13:56And these eyes...
00:13:58are mine.
00:14:01And...
00:14:03these beautiful, silky hair are also mine.
00:14:10You're all mine.
00:14:14You're so talented, so...
00:14:16wise.
00:14:19You have so much freshness in you.
00:14:22You're the greatest of all living writers.
00:14:28You can give what's most important,
00:14:31characteristic of a person or landscape,
00:14:34with one stroke of a pen.
00:14:37Your characters are alive.
00:14:40I can't read you without admiration.
00:14:45Boris.
00:14:50Boris.
00:14:53Do you think I'm fooling you?
00:14:58Look at me.
00:15:01Look.
00:15:04Do I look like a vagabond?
00:15:08Wonderful.
00:15:10Fantastic.
00:15:15Boris.
00:15:20You see?
00:15:23Only I can understand you.
00:15:29Only I can tell you the truth.
00:15:31Boris.
00:15:40Will you go?
00:15:45Yes.
00:15:51You won't leave me?
00:15:56I have no free will.
00:15:59I've never had my own free will.
00:16:03Sleepy, whimsical.
00:16:08Can a woman like that?
00:16:13Take me wherever you want,
00:16:17but don't let me go.
00:16:19One step at a time.
00:16:28Anyway, if you want,
00:16:31you can stay and I'll go alone,
00:16:33and then you'll come.
00:16:35No.
00:16:36Yes?
00:16:37No, no, no.
00:16:38Let's go together.
00:16:41Together?
00:16:42Together.
00:16:49Let's go.
00:17:16What are you doing?
00:17:19I've heard nice things.
00:17:23A virgin storm.
00:17:27It'll come in handy.
00:17:34So?
00:17:36We're going.
00:17:39Again?
00:17:41Stations, wagons,
00:17:44buffets,
00:17:46beaten cutlets,
00:17:47tickets,
00:17:49conversations.
00:17:59I have the honor to inform you
00:18:02that the horses are here.
00:18:04It's time to go to the station.
00:18:07The train arrives five minutes after two.
00:18:10So be so kind,
00:18:12Irina Nikolaevna,
00:18:14and don't forget to tell me
00:18:15where the actor Suzdalców is.
00:18:18Is he alive?
00:18:20He used to play with Kieliszka
00:18:23in The Robbed Post.
00:18:26I remember he played with
00:18:29a certain Tragik,
00:18:31Izmailov,
00:18:33also an outstanding individual.
00:18:37Please don't hurry.
00:18:39Five more minutes.
00:18:46I remember once,
00:18:48in a play,
00:18:50they played with Piskowcy,
00:18:52and when they were covered,
00:18:54and we had to say
00:18:56we fell into a trap,
00:18:58Izmailov said
00:19:00we fell into a trap.
00:19:02A trap!
00:19:11I forgot my wand.
00:19:16I think it's on the terrace.
00:19:27These are plums for the road.
00:19:31Very sweet.
00:19:36If there's anything
00:19:38I didn't tell you,
00:19:41please forgive me.
00:19:45Everything was great,
00:19:47very great.
00:19:49Just don't cry.
00:19:53Well,
00:19:56years go by,
00:19:58and we
00:20:01get old.
00:20:05What can we do?
00:20:06I'm sorry.
00:20:15Piotr, it's time.
00:20:17We can't be late.
00:20:19I'm getting in.
00:20:23I'll walk to the station
00:20:25and see you off.
00:20:34Where's Konstanty?
00:20:37Tell him I'm leaving.
00:20:39I wanted to say goodbye.
00:20:44Don't get me wrong.
00:21:02I'm going to the stage!
00:21:03I'm leaving!
00:21:05I won't be here tomorrow.
00:21:07I'm leaving.
00:21:09I'm leaving my father.
00:21:11I'm throwing everything away.
00:21:13I'm leaving to Moscow
00:21:15like you did.
00:21:17I'll see you there.
00:21:20Please stop
00:21:22at the Słowiński Bazaar.
00:21:24Please let me know.
00:21:26Just a moment.
00:21:28My dear,
00:21:30what a blessing
00:21:31to see you again.
00:21:34My dear,
00:21:36you're beautiful.
00:21:37I love you.
00:22:00There are waves on the lake.
00:22:02A huge one.
00:22:06It's dark in the garden.
00:22:10We should tell them
00:22:12to take down the teapot.
00:22:16It's standing there
00:22:18naked and spiky like a skeleton.
00:22:22The curtain is hanging in the air.
00:22:26Last night,
00:22:28when I was in the garden,
00:22:29it seemed to me
00:22:31as if someone was crying.
00:22:34Me too.
00:22:43Let's go home, Masha.
00:22:45I'll stay here for the night.
00:22:49Let's go.
00:22:51The child must be hungry.
00:22:53Nonsense.
00:22:55The nanny will feed her.
00:22:57Marry him.
00:22:59He hasn't seen his mother for three days.
00:23:01You're still just a child to me.
00:23:03A child to me.
00:23:05I can't hear anything else from you.
00:23:13Let's go, Masha.
00:23:15Go alone.
00:23:27My father won't give me an account.
00:23:29He will.
00:23:31He will.
00:23:36Anyway,
00:23:39he will.
00:23:45So,
00:23:47you'll come tomorrow?
00:23:49Yes.
00:23:51Tomorrow.
00:23:57Why, mother?
00:23:59Piotr asked me to send him here.
00:24:03I'll do it.
00:24:06He's as old as a child.
00:24:27I'll go now.
00:24:30Goodbye, Masha.
00:24:36Goodbye, mother.
00:24:38Go with God.
00:24:45Goodbye, sir.
00:24:57Who would have thought, Kostia,
00:25:00that one day you'd become a real writer.
00:25:04And here you're already receiving money from the editorial office.
00:25:12Be good to my Masha.
00:25:15Stop it, mother!
00:25:16A woman like Kostia doesn't need much.
00:25:19All she needs to do
00:25:21is look at her tenderly from time to time.
00:25:30I know that.
00:25:36I know that.
00:25:39I know that.
00:25:42I know that.
00:25:46I know that.
00:26:02So?
00:26:04You made him angry.
00:26:06You needed it.
00:26:09My heart aches when I look at all this.
00:26:12I'll get a lot out of it.
00:26:13I see it all.
00:26:15I understand it all.
00:26:16Nonsense!
00:26:18Hopeless love is only in fairy tales.
00:26:21You shouldn't give up.
00:26:23And still wait for something.
00:26:25Wait for God's love.
00:26:28If love has nested in your heart,
00:26:30you need to drive it away.
00:26:34It's been promised to move my husband to another town.
00:26:38When we move there,
00:26:41I'll forget about everything.
00:26:43I'll tear my heart out with my roots.
00:26:51Kostia,
00:26:53are you sad?
00:26:57The most important thing, mother,
00:27:00is to lose sight of him.
00:27:06Let them just move my Simeon.
00:27:09We'll see.
00:27:10We'll see, mother.
00:27:13I'll forget about everything.
00:27:17It's all nonsense.
00:27:20Nonsense!
00:27:26I have six people to support.
00:27:28And a pound of flour costs 70 kopecks.
00:27:31And a doctor for a man.
00:27:34It's easy for you to laugh when you're sitting on money.
00:27:37I recently moved abroad and I have nothing.
00:27:40Where did you go?
00:27:42Not far away.
00:27:44I wouldn't have seen you.
00:27:46You've changed a lot.
00:27:48You've turned the salon into a studio.
00:27:51Konstantin Gawriłowicz prefers to work here.
00:27:54He can go to the garden whenever he wants.
00:27:57Where's your sister?
00:27:59She went to the station to get Trigorin.
00:28:02She'll be back soon.
00:28:04If you think it appropriate to call your sister here,
00:28:07it means I'm unsafely ill.
00:28:08Oh, that's a story.
00:28:10I'm unsafely ill,
00:28:12and they don't give me any medicine here.
00:28:15What do you want?
00:28:17Valerian drops, soda, quinine?
00:28:19Heaven's punishment is about to begin.
00:28:23Is this bed for me?
00:28:26For you.
00:28:28Thank you, madam.
00:28:31The month should help me.
00:28:38The month should help me.
00:28:46I'd like to change the subject to a new story.
00:28:49It should be titled
00:28:51The Man Who Wanted to.
00:28:53When I was young,
00:28:55I wanted to be a writer.
00:28:58And I wasn't.
00:29:00I wanted to speak beautifully,
00:29:03but I spoke horribly.
00:29:05Horribly.
00:29:06This, not that.
00:29:08And in general.
00:29:10In the end.
00:29:12And similarly.
00:29:15Sometimes I tried to re-assume something.
00:29:19I tried until my seventh sweat hit me.
00:29:22I wanted to get married, but I didn't.
00:29:25I always wanted to live in the city.
00:29:29And now I'm living in the countryside.
00:29:32In the end.
00:29:34And in general.
00:29:36You wanted to become a real councillor of the state, and you did.
00:29:40I didn't want to.
00:29:42It was an accident.
00:29:44To complain about life when you're 62 years old.
00:29:47That's not very generous of you.
00:29:50Don't be so stubborn.
00:29:52You don't want to understand.
00:29:54A man wants to live.
00:29:56It's easy thinking.
00:29:58According to the laws of nature,
00:30:00every life must have its limit.
00:30:02You talk like a man who's full.
00:30:03You're full and that's why you don't care about life.
00:30:06You don't care about anything.
00:30:08But to die.
00:30:10That's what you'll be afraid of.
00:30:12The fear of death is the fear of the believer.
00:30:15It must be suppressed.
00:30:17Only people who believe in life beyond the grave
00:30:20really fear death.
00:30:22Their fear is overshadowed by their own sins.
00:30:25First of all, you're a non-believer.
00:30:27And secondly,
00:30:29what sins can you have?
00:30:30You've worked 25 years in court and that's it.
00:30:3328.
00:30:38Excuse me,
00:30:40if I may ask,
00:30:42what foreign city did you like the most?
00:30:47Genoa.
00:30:54Why Genoa?
00:30:56Genoa.
00:30:59There's a great crowd of people.
00:31:05You start to believe
00:31:07that one common soul is possible there.
00:31:11Like the one Nina Zareczna used to play in your play.
00:31:16By the way, where is she now?
00:31:21Where is she and what's happening to her?
00:31:24Presumably healthy.
00:31:27I was told she was leading a special lifestyle.
00:31:37It's a long story, doctor.
00:31:40So please shorten it.
00:31:46She ran away from home and lived with Trigorin. You know that.
00:31:50I know.
00:31:53She had a child.
00:31:59She had a child.
00:32:04The child died.
00:32:10Trigorin stopped loving her and came back to his old bonds.
00:32:14As one might expect.
00:32:16He never broke old bonds.
00:32:19He wandered here and there.
00:32:24Hm.
00:32:28She made her debut in a summer theatre near Moscow,
00:32:30and then she went to the provinces.
00:32:34I didn't lose sight of her then.
00:32:37For a while.
00:32:39Where she was, I was there.
00:32:44She was still a great queen,
00:32:48but she played extraordinarily badly.
00:32:51There were moments when she died with talent and screamed with talent.
00:32:59But those were just moments.
00:33:02So she does have talent.
00:33:08It's hard to tell.
00:33:12Presumably she does.
00:33:20Yes.
00:33:26Yes, I saw her.
00:33:28I saw her.
00:33:31But she didn't want to see me.
00:33:36And the hotel staff wouldn't let me into her room.
00:33:41And I understood her mood and didn't want to see her.
00:33:50Hm.
00:34:06Hm, hm, hm.
00:34:10What else can I say?
00:34:11Hm.
00:34:17Later, when I came back home,
00:34:18I received letters from her.
00:34:19Warm, wise letters.
00:34:22Interesting.
00:34:23She didn't feel sorry for them,
00:34:24but I felt that she was deeply unhappy.
00:34:27Every letter was a sick, tense nerve.
00:34:33And she signed
00:34:36Czajka.
00:34:41Czajka is here.
00:34:45What do you mean, here?
00:34:47Here, in the city.
00:34:49In the depot.
00:34:50She's been here for five days.
00:34:54I've been to her, but she doesn't welcome anyone.
00:35:00Yes, I saw her.
00:35:02She was going that way, towards the station.
00:35:04I turned around and asked her why she wasn't visiting us.
00:35:08She said she'd come.
00:35:11She didn't come.
00:35:16She was a charming girl.
00:35:22Go ahead.
00:35:24I'm telling you, she was a charming girl.
00:35:28The real advisor of the state, Sorin,
00:35:30was in love with her for some time.
00:35:33An old lover.
00:35:42I think our people are here.
00:35:46Yes, we're all getting old.
00:35:48We're getting old under the influence of the elements,
00:35:50and you have an eternal youth.
00:35:52Elegance, liveliness, grace.
00:35:55You're trying to seduce me again, you boring man.
00:35:58Welcome, Mr. Piotr Nikolajewicz.
00:36:01Why are you still not demanding?
00:36:03That's not nice.
00:36:06Welcome.
00:36:07Maria Iliczna.
00:36:09You've met me, sir.
00:36:11Married?
00:36:12A long time ago.
00:36:13You're lucky.
00:36:21Your mother told me that you've forgotten everything that happened.
00:36:27And you've stopped getting angry.
00:36:30Boris Aleksejewicz has brought you a timepiece.
00:36:34Boris Aleksejewicz has brought you a timepiece with your new story.
00:36:42The ladies adored you, they told me to bow to you.
00:36:45In Petersburg and in Moscow, they're interested in you.
00:36:48And they still ask me about you.
00:36:51They ask me what he's like, how old he is,
00:36:54a brunette or a blonde.
00:36:57Everyone assumes, it's not known why, that you're not young anymore.
00:37:02You're mysterious, like an iron mask.
00:37:06Are you coming to us for a long time?
00:37:08No.
00:37:09I want to go back to Moscow tomorrow.
00:37:12I have to finish the story in a moment.
00:37:14And besides, I promised something else.
00:37:21Terrible wind.
00:37:22Terrible wind.
00:37:28Tomorrow morning, when it's quiet, I'll go to the lake to catch fish.
00:37:32By the way, you should see the garden and this place.
00:37:34Do you remember where your play was played?
00:37:37Dad, let my husband take the horse, he has to go home.
00:37:40The horse?
00:37:41My husband?
00:37:42He just came back from the station.
00:37:44I saw it myself.
00:37:45Yes, but there are some other horses.
00:37:46I want to talk to my father.
00:37:49There's no need, Masha.
00:37:50I'll go on foot.
00:37:51On foot?
00:37:52In such weather?
00:37:53Here you are.
00:37:55It's only six stars.
00:37:56Goodbye, Masha.
00:37:57Goodbye.
00:37:59When long autumn evenings come, you play the lotto here.
00:38:03Goodbye, Masha.
00:38:04Please look.
00:38:05The Old Swedish lotto, which our godmother played with us when we were still children.
00:38:11Would you like to play a game with us?
00:38:17Goodbye.
00:38:19It's a boring game, but when you get used to it, it's nothing.
00:38:29I wouldn't disturb anyone, but the child.
00:38:33Goodbye.
00:38:37Don't be afraid, he'll come.
00:38:40He's not a general.
00:38:41Please, let's play.
00:38:42He invited us to a lecture soon.
00:38:45And you, Kostya?
00:38:47I don't feel like it.
00:38:50Here you are.
00:38:57He read his story and didn't even cut mine.
00:39:00Be quiet.
00:39:02Ten kopecks.
00:39:04No, no, doctor.
00:39:06Let him bet on me.
00:39:08Excuse me?
00:39:10Let him bet on me.
00:39:12I'll start.
00:39:14Twenty-two.
00:39:16I've got it.
00:39:20Three.
00:39:22I'm sorry, three?
00:39:25Eight.
00:39:28Eighty-one.
00:39:29Don't be in such a hurry.
00:39:38In Kharkov, I was welcomed so warmly that my head is still spinning.
00:39:44Thirty-four.
00:39:46Here you are.
00:39:47The students made me an ovation.
00:39:49Three baskets, two wreaths and...
00:39:53and...
00:39:55this.
00:39:59I understand.
00:40:01Fifty.
00:40:03I've got a wonderful toilet.
00:40:06Whatever, but I can get dressed.
00:40:16Kostya...
00:40:22Kostya, my dear.
00:40:26I'm sad.
00:40:31He's very popular in the newspapers.
00:40:35Seventy-one.
00:40:37Here you are.
00:40:39There's something to worry about.
00:40:41He's...
00:40:45He's not doing well.
00:40:47He can't hit the right note.
00:40:50Eleven.
00:40:51Here you are.
00:40:53Eleven.
00:40:54It's strange, it's unclear.
00:40:58Sometimes it reminds me of a haze.
00:41:02Not a single living figure.
00:41:07Petrusha, are you bored?
00:41:09Seven.
00:41:10He's sleeping.
00:41:11Me?
00:41:12A real counsellor of the state...
00:41:15is sleeping.
00:41:16Ninety.
00:41:18Ninety.
00:41:19Ninety?
00:41:21If I lived in a courtyard by the lake,
00:41:25I don't know if I'd write at all.
00:41:28I'd overdo it.
00:41:30I'd just catch fish.
00:41:34Twenty-eight.
00:41:35Catch a lizard or a horse.
00:41:37I believe in Konstanty Gawrychowicz.
00:41:40There's something about him.
00:41:44There's something about him.
00:41:46His thoughts and stories are colourful and expressive.
00:41:52He lives them to the fullest.
00:41:55Irina Nikolaevna, are you happy that your son is a writer?
00:42:01Imagine that I haven't read anything yet.
00:42:06I don't have time.
00:42:09Twenty-six.
00:42:11You left something for us, Boris Alekseyevich.
00:42:15What is it?
00:42:16Konstanty Gawrychowicz once shot a seagull
00:42:21and you told me to push it out.
00:42:25I don't remember.
00:42:26Sixty-six.
00:42:27I don't remember.
00:42:28Sixty-six.
00:42:30Here you are.
00:42:32Sixty-six?
00:42:33I don't remember.
00:42:34One.
00:42:36One.
00:42:39I've got a score, ladies and gentlemen.
00:42:41Bravo, bravo, bravo.
00:42:43This man always knows everything.
00:42:46Ladies and gentlemen, now we're going to have a snack.
00:42:50Our excellence didn't have dinner today.
00:42:53Thank you.
00:42:55And after dinner we'll continue playing.
00:43:02Kostia, leave your papers and come for dinner.
00:43:07No, Mom, I'm not hungry.
00:43:09I'm going for a walk.
00:43:12As you wish.
00:43:14Petrusha, dinner!
00:43:19I'll tell you how I was welcomed in Kharkov.
00:43:23Just imagine.
00:43:53I'll tell you how I was welcomed in Kharkov.
00:44:23I'll tell you how I was welcomed in Kharkov.
00:44:53I'll tell you how I was welcomed in Kharkov.
00:44:56I'll tell you how I was welcomed in Kharkov.
00:44:59I'll tell you how I was welcomed in Kharkov.
00:45:16Lady.
00:45:20Lady.
00:45:22You came for my good.
00:45:25Don't cry.
00:45:28Don't cry.
00:45:40There's someone here.
00:45:42There's no one here.
00:45:45Please close the door, they'll come in.
00:45:47No one will come in.
00:45:48I know that Irina Nikolaevna is here.
00:45:51I know that Irina Nikolaevna is here.
00:45:54Please close the door.
00:45:55Please close the door.
00:46:21There's no key here.
00:46:22I'll leave them in the armchairs.
00:46:28Please don't be afraid.
00:46:31No one will come in.
00:46:34Let your wife take a look.
00:46:53Did I change a lot?
00:46:58Yes.
00:47:02You've lost weight.
00:47:05Your eyes are bigger.
00:47:08It's strange that I can see you.
00:47:14Why didn't you want to accept me?
00:47:18Why?
00:47:20Why?
00:47:23Why didn't you come before?
00:47:25I know you've been here for almost a week.
00:47:34I was afraid
00:47:37that you would hate me.
00:47:42I dream every night
00:47:46that you look at me.
00:47:50You don't know me.
00:47:57I can't believe it.
00:48:00Ever since I came here,
00:48:02I've been walking by the lake.
00:48:05I've been by your house many times,
00:48:11but I didn't have the courage to come in.
00:48:16Let's sit down
00:48:19and talk.
00:48:37It's good here.
00:48:42It's quiet and cozy.
00:48:45Do you hear the wind?
00:48:51Do you hear the wind?
00:48:59Turgenev has a saying.
00:49:06It's good
00:49:10for someone
00:49:11who sits
00:49:14under the roof at night.
00:49:17Who has a warm corner?
00:49:24I'm a seagull.
00:49:29No!
00:49:31That's not it!
00:49:35What did I want to say?
00:49:37It's nothing!
00:49:41No!
00:49:43It's nothing!
00:49:47What did I want to say?
00:49:51I haven't cried in two years.
00:49:55Yesterday,
00:49:57late at night,
00:49:59I went to see
00:50:01whether the theatre
00:50:03was still there.
00:50:04It's still there.
00:50:07I cried
00:50:08and it made me feel better.
00:50:25We'll see.
00:50:30Don't cry anymore.
00:50:39You're a writer now.
00:50:44You're a writer
00:50:47and I'm an actress.
00:50:51We're both in the same boat.
00:50:57Tomorrow,
00:50:59early in the morning,
00:51:02I'm going to Jelz
00:51:05in the third class with the boys.
00:51:09Life is so ordinary.
00:51:15Why go to Jelz?
00:51:19I signed a commitment for the whole winter.
00:51:22It's time to go there.
00:51:30Nina,
00:51:31Nina,
00:51:38I hated you.
00:51:42I cursed you.
00:51:46I gave you letters and photographs.
00:51:50I can't stop loving you.
00:52:01I lost you
00:52:04and I started to print them.
00:52:08Life became
00:52:14unbearable for me.
00:52:18My youth
00:52:20flew away.
00:52:23I feel like I've lived
00:52:2590 years.
00:52:29I'm lonely.
00:52:31I'm not bound to anyone.
00:52:33Whatever I write,
00:52:35it's soulless.
00:52:41Nina,
00:52:43why?
00:52:45Stay with me.
00:52:48No, no.
00:52:50Don't drive me away.
00:52:53My horses are waiting.
00:52:57Give me some water.
00:53:02Thank you.
00:53:15Where are you going now?
00:53:18To the city.
00:53:21Is
00:53:23Irina
00:53:25here?
00:53:27Yes.
00:53:28We were in a hurry for her to come.
00:53:36You don't have to kill me.
00:53:42I am
00:53:43a seagull.
00:53:45No,
00:53:47that's not it.
00:53:51I'm an actress.
00:53:59And he is here.
00:54:08Yes.
00:54:14Yes.
00:54:17It's nothing.
00:54:21It's nothing.
00:54:23It's nothing.
00:54:25It's nothing.
00:54:26It's nothing.
00:54:35He
00:54:41didn't believe in the stage.
00:54:46He still
00:54:48bought himself from my dreams.
00:54:52Gradually,
00:54:54I also
00:54:57stopped believing.
00:55:00There were still
00:55:03love problems,
00:55:07jealousy,
00:55:11constant fear
00:55:15of the little one.
00:55:19I stopped
00:55:22talking to him.
00:55:26I'm a seagull.
00:55:29I played terribly.
00:55:34He didn't like my voice.
00:55:37I didn't know
00:55:39what to do with my hands.
00:55:42I couldn't stand on the stage.
00:55:45He said,
00:55:47what is it?
00:55:48A man plays terribly.
00:55:52I
00:55:53am a seagull.
00:55:54No.
00:55:57It's not what I wanted to say.
00:56:12What am I talking about?
00:56:20I'm talking about the stage.
00:56:26About the stage.
00:56:30Now it will be different.
00:56:36I became
00:56:40a real actress.
00:56:46I play
00:56:49with luxury.
00:56:53The stage fascinates me.
00:56:57And I feel
00:57:00that I'm beautiful.
00:57:05And since I came here,
00:57:08I still walk
00:57:12on foot.
00:57:14I walk and think
00:57:17and I feel
00:57:20spiritual forces
00:57:23growing in me.
00:57:27And now I know
00:57:29that in our work,
00:57:31whether we write or play on stage,
00:57:34it's important
00:57:36not fame,
00:57:38not glory,
00:57:39not what I dreamed of,
00:57:40but
00:57:44the ability
00:57:48of suffering.
00:57:53The ability to bear the cross.
00:57:57And you know,
00:58:01I
00:58:03believe
00:58:06and that's why it's not so hard for me anymore.
00:58:12And when I think about my calling,
00:58:16I'm not afraid of life anymore.
00:58:27You
00:58:30found your way.
00:58:34You know where you're going.
00:58:43I still
00:58:46don't believe.
00:58:50I don't know
00:58:53what my calling is.
00:58:56I don't know
00:58:58what my call is.
00:58:59Thank you.
00:59:09You stay.
00:59:12I'll bring you dinner.
00:59:16No, no.
00:59:19I'll go now.
00:59:23So...
00:59:25She took him with her.
00:59:31It doesn't matter.
00:59:36When you...
00:59:39see...
00:59:42Trigorin...
00:59:46tell him...
00:59:47he...
00:59:54says nothing.
01:00:01I love him.
01:00:06I love him...
01:00:10even more than before.
01:00:13A topic for a short story.
01:00:18I love him...
01:00:21desperately.
01:00:25I love him...
01:00:28passionately.
01:00:31It was good back in the day.
01:00:35So bright, so warm.
01:00:38There were feelings, similar to this.
01:00:40Feelings similar to delicate, bright flowers.
01:00:44I remember.
01:00:54People, lions, eagles...
01:00:57parrots...
01:01:01rogues, deer, geese, spiders...
01:01:05sea stars in the water...
01:01:08and those you couldn't see with your eyes.
01:01:11In other words, all life.
01:01:14All life.
01:01:18All life has run its tragic circle.
01:01:24It's gone.
01:01:28For thousands of years...
01:01:31the earth has not carried...
01:01:34a single living being.
01:01:38And the moon...
01:01:41doesn't light its lantern...
01:01:45for nothing.
01:01:49Cold.
01:01:52Cold.
01:01:55Cold.
01:01:59Empty.
01:02:02Empty.
01:02:03Empty.
01:02:06Empty.
01:02:10Terrible.
01:02:13Terrible.
01:02:16Terrible.
01:02:33Terrible.
01:03:03Terrible.
01:03:05Terrible.
01:03:33It's strange.
01:03:36He ran away from the obstacle.
01:03:41Red wine for Boris Alexievich.
01:03:44Put it there.
01:03:46Ladies and gentlemen, we will drink...
01:03:49and play.
01:03:51Sit down, please.
01:03:53Bring the tea.
01:03:55This is the object we were talking about.
01:03:59This is the object we were talking about.
01:04:04Your order.
01:04:07I don't remember.
01:04:13I don't remember.
01:04:18What was that?
01:04:21Nothing.
01:04:22Something must have broken in my travel kit.
01:04:28Don't worry.
01:04:58As I said, a jar with ether broke.
01:05:04I got scared.
01:05:07It reminded me of...
01:05:11how my eyes were darkened.
01:05:14I'm standing...
01:05:17in front of you...
01:05:20with my eyes...
01:05:21in front of you...
01:05:24with my eyes...
01:05:30Two months ago,
01:05:32there was an article here.
01:05:35A letter from America.
01:05:37I wanted to ask you...
01:05:40because I'm very interested in this issue.
01:05:45Please...
01:05:48take Irina Nikolaevna out of here.
01:05:52Anywhere.
01:05:54Because, you see...
01:05:58Konstanty Gawriłowicz...
01:06:03shot himself.
01:06:21THE END
01:06:51© BF-WATCH TV 2021
01:07:21© BF-WATCH TV 2021
01:07:51© BF-WATCH TV 2021
01:08:21© BF-WATCH TV 2021
01:08:51© BF-WATCH TV 2021