Miasto
Miasto
  • 5 months ago
Transcript
00:00Music
00:30Music
01:00Music
01:10Music
01:20Music
01:30Music
01:40Music
01:52Stop!
01:54Who's going?
01:56As the brewer said, it was Manek, before he was hit by a 200-liter barrel with his own beer.
02:03And who's going to go, Mr. Gefreiter?
02:06You're supposed to answer when I ask, not to tell your stupid stories.
02:11This is an army, Schweik. Do you understand? An army.
02:14And in addition, a war.
02:16I report that I understand, Mr. Gefreiter.
02:19But on the other hand, for common sense, who would go, if there are two of us here?
02:24You and me.
02:26The rest in the hospital or on leave.
02:29And as for the war...
02:30Stop!
02:31Do not leave me here again with your pacifistic views.
02:35For common sense.
02:37Who says that?
02:38If it depended on me, you would have been in a cell for a long time.
02:41That's right.
02:42I would forget about a little fig, that one of our crew is already in a cell.
02:47So if I were there, you would be left alone and you wouldn't have anyone to lead.
02:53Schweik, you shouldn't be put in a cell.
02:56You should be immediately put in front of the execution platoon,
02:59along with all your pacifists, communists and homosexuals,
03:04who spread our army from the inside.
03:07We had two of those in Pruszowice, who lived together and none of them had a wife.
03:13Some said they were communists, and others that they were homosexuals.
03:16What do you think, who was right?
03:18Nobody cares.
03:21They were probably Jews.
03:23I report that you are wrong.
03:26They were siblings,
03:28one of whom later became a canon in the St. Vitus Cathedral,
03:33and the other married a very rich girl,
03:37who later left him for a big star dancer.
03:42Stop!
03:45Stop!
03:47Who is going?
03:48Who is going?
03:51Stop!
03:54What do you mean, stop?
03:56This is the army.
03:57War.
03:58This is where the password is given.
04:02Then I am forced to inform you, Mr. Sub-Officer,
04:06that I do not know the password, because it was not given to me.
04:09I was sent to serve on this ship...
04:11...ship.
04:15This is a patrol ship, for fuck's sake.
04:18I was sent to serve on this ship,
04:21but I understand without a password that this is a kind of embarrassment,
04:26because at this moment chaos prevails on the front,
04:31and it is difficult to comply with all the formalities.
04:41I hope, however, that we will reach an agreement.
04:46Who are you?
04:47Volunteer.
04:52Volunteer.
04:53Wittgenstein.
04:58And what, they did not teach you to report properly?
05:04But you hit me.
05:07I will make you soldiers.
05:10And who were you in civilian?
05:12I am...
05:14I am a teacher.
05:17You could have been a housekeeper.
05:20You could have guessed by the look.
05:23But it's hard.
05:25Everyone will be useful in the war.
05:27Fuck.
05:48Maybe you should put this stupid suitcase down.
05:51Wittgenstein.
06:01Wittgenstein.
06:15Have we met before?
06:17Unlikely.
06:18I joined the service recently and this is my first assignment.
06:28Did you not go to the gymnasium in Linz?
06:31Yes.
06:34Well.
06:37Wise Wittgenstein.
06:41Silent, looking up at everyone who does not understand algebra.
06:46So what?
06:49We meet again.
06:52And why did you do all this education?
06:55After all, a volunteer is nothing more than a soldier.
07:00And I am the commander of Mondralo from Linz.
07:05Now I remember Mr. Gefreiter.
07:09I mean, then you were not yet Gefreiter,
07:12but it seemed that you really wanted to be him.
07:16How come?
07:18I remember how we took a picture.
07:22Such a common picture of all the students from our school.
07:27And the whole group was to form on a special approach.
07:30Something like a pyramid.
07:32The most numerous first row at the bottom, then higher.
07:35With each row, fewer and fewer characters.
07:37And at the top, of course, there was only one place.
07:40And you insisted that it belonged to you.
07:44Only you.
07:47And as far as I remember, that's what happened.
07:52You have to know your place, Wittgenstein.
07:54And one of our watchmakers was called Kryzak.
08:00He once visited an old schoolmate.
08:05With a gymnasium in Trnowice.
08:07Kryzak did not remember him very well.
08:09But he brought a photograph with him.
08:11Which is, of course, unclear, because, as he said,
08:13he found evidence on the way.
08:16He showed where the watchmaker was,
08:18before he became a watchmaker,
08:20and where he was.
08:21They were both unrecognizable.
08:23Kryzak was so enraged
08:25that he welcomed his old schoolmate
08:29with all his heart.
08:31He hosted him under his roof.
08:33Be quiet.
08:34This is interesting, Mr. Gefreiter.
08:36And what happened next?
08:38Nothing special.
08:40When the watchmaker woke up in the morning,
08:42and you have to know that in the evening
08:44he was drunk,
08:47there was no trace of his old schoolmate.
08:50As well as all the watches
08:52that people left at his place to repair,
08:54including his own.
08:55Only the photograph remained.
08:58But when Kryzak went to the police with it,
09:00they laughed at him.
09:01That on the basis of something like that,
09:03they can't chase anyone.
09:06This is one of those idiots
09:08because of whom our army
09:09is not as successful on the front as it should be.
09:11Wait, wait.
09:12And with this watchmaker,
09:14what happened?
09:15Nothing special.
09:17He had no choice.
09:19He had to pack his bags
09:20and leave the city.
09:22Later, people in the pub told
09:24that someone saw him
09:25crawling under the church in Trnovice.
09:28But he was unrecognizable.
09:30He was whistling,
09:31he had his beard down
09:32and he looked exactly like that photographer.
09:34You see, Wittgenstein,
09:36the reason why we didn't win this war
09:39is that our army consists of idiots
09:42and clever Jews.
09:44You forgot about yourself.
09:45I didn't forget.
09:49And I won't let others forget.
09:53One day, people like me
09:55will rule this world in their own way.
09:57What do you mean?
09:58I have no obligation to explain anything to you.
10:01Otherwise, you probably wouldn't understand each other anyway.
10:03As our arithmetic teacher said...
10:06Silence!
10:07The future, Wittgenstein,
10:09is not built on talking.
10:11The future is forged by blood.
10:14That's why we're shedding blood today
10:16for the great Germans.
10:17I think it's Austria, Mr. Gefreiter.
10:18Austria is Germany.
10:19My knowledge of geography...
10:21Soon,
10:23in about 20,
10:25well, 30 years,
10:27your knowledge of geography
10:28will be completely useless.
10:30Our geography teacher said the same thing.
10:33But he gave his students
10:35much shorter terms.
10:37You know what?
10:38For a moment, I thought that
10:40saying that 30 years is not long
10:43is a very brave and original thought.
10:46You should think less, Wittgenstein.
10:52Do you know what the problem with Jews is?
10:54That they think too much?
10:55How do you know?
10:56I don't know. It seemed logical to me.
10:59The worst thing is that
11:02they also try to think like other people.
11:05Maybe other people should think more.
11:09I said silence!
11:11And this is your second problem, Wittgenstein.
11:14Thinking for thinking.
11:16No more than that.
11:17Abstract thoughts about thinking.
11:18What came of it?
11:19Has anything ever come of it?
11:21Has anything ever been built on it?
11:24The world needs action.
11:27Do you understand?
11:28The butcher himself said
11:30when the pig was about to be slaughtered.
11:32Silence!
11:33But this is very interesting, Mr. Gefreiter.
11:35What happened to this butcher?
11:37Nothing.
11:38He just swung his scabbard
11:40and cut off all his fingers except his thumb.
11:42And this is what happens to people
11:44when they take too big a swing.
11:47But back to the subject, Mr. Gefreiter.
11:51You said that in 30 years
11:54the geography we know
11:55may turn out to be useless.
11:56Maybe even in 20.
11:57Exactly.
11:58And what then?
12:01The Reich.
12:03Wittgenstein.
12:05A country that has grown out of action.
12:08One that encompasses the whole of German Europe.
12:11But then we won't be measuring time
12:13by the tens of years.
12:14Because what we create will last for millennia.
12:16This is very interesting.
12:17And could you please
12:19give me a closer look at the borders
12:21of this German Europe?
12:23In your opinion, would its area
12:25be defined by language?
12:27Language.
12:29Why exactly language?
12:30It would make sense.
12:33To put it simply,
12:35if we assume that language
12:37defines the borders of my world...
12:39Ha!
12:40This is a theory worth 5000 years of tradition.
12:43To put it simply...
12:47Let's assume
12:50that the borders of our country
12:52will be where we place them.
12:55And language will sound
12:57where we place it.
12:59This is so simple
13:00that it doesn't require simplification.
13:02You have to have the courage
13:03to think like this.
13:04But no, I didn't mean language
13:06in the sense of the terms
13:09German or English,
13:11but language in general.
13:14The one we use to describe the world.
13:18I don't know about you,
13:22but I call things
13:25in pure Aryan language.
13:27So you mean
13:29one of the Indo-European languages?
13:31What?
13:32Like, for example, Danish.
13:33Danish, maybe.
13:34Or French.
13:35No way.
13:36Czech.
13:37Polish?
13:38No.
13:39Yiddish?
13:40No.
13:41What?
13:42From the point of view of linguistics,
13:43Yiddish is an Aryan language.
13:45If someone can't speak it,
13:47they can swear in Yiddish or Polish.
13:50But it doesn't change the fact
13:51that if we have something to say,
13:53it has to be said well.
13:55Dem Volk Deutsche Gesang.
13:59Do you understand?
14:04Wittgenstein?
14:05Yes, and in the right way
14:07describe what exists.
14:09Yes, you're right.
14:10That's what language is for.
14:12Well, you see.
14:14There is no language
14:16that can describe the world
14:18in a more precise way.
14:21And this is the German language.
14:28You should change your name.
14:30Why?
14:33You should change your name
14:35permanently.
14:37For what?
14:47For nothing.
14:48Why?
14:51When I listened to you,
14:53a lot of things came to my mind.
14:55Our photograph,
14:56you, a little boy in shorts
14:58who desperately wanted to stand
15:00on the top of the pyramid.
15:02And when you were standing there,
15:05you put your hands on your chest
15:07and looked somewhere far away.
15:09I think that already then,
15:11just like now,
15:13you saw yourself somewhere high,
15:15somewhere on the top of some pyramid,
15:17only bigger than that one.
15:19Somewhere above those
15:21who are pressing down.
15:23I don't know, maybe even
15:24stepping on the heads of the crowds.
15:26So what?
15:27So I just think that these crowds
15:29maybe would like to shout
15:31for your honor.
15:32Maybe not one,
15:33but the whole series.
15:34But how to say here
15:35Heil Schickl Goebbels?
15:37Heil Schickl Goebbels!
15:39Heil Schickl Goebbels!
15:41There should be something here.
15:43Heil!
15:45Something shorter.
15:50Whatever can be said,
15:53has to be said clearly.
15:56Really, you went to the same school?
16:25Aha.
16:26A strange coincidence,
16:28as the butcher Pokropecki said,
16:30when he found his own wife
16:31in a bed with Kiełbłaśnik.
16:34And that was when this Pokropecki
16:36still had all his fingers
16:38or after the accident with Tosak?
16:42You're a strange man, Ludwig.
16:44Not only do you remember my stories,
16:46but you also think about them.
16:48And that's not normal.
16:51I remember Mr. Gefreiter,
16:53but I can't mention a student from my class.
16:59Did you think about him
17:00before you met here?
17:02Once or twice.
17:04Even so, recently I was wondering
17:06what is happening to him now
17:07and I always came to the conclusion
17:09that he must be at war, in the trenches,
17:11that he would not waste such an opportunity.
17:13An opportunity for what?
17:14An opportunity to meet an enemy
17:16who can be killed,
17:18but I was wrong.
17:21What do you mean?
17:22I was wrong about the trenches.
17:24You were wrong about the details!
17:26That's what Pokropecki said,
17:28when Kiełbłaśnik was sleeping in bed with his wife.
17:31Oh my God, he has a bag!
17:33And he took out a knife from behind his back.
17:37So Mr. Gefreiter was in the trenches?
17:40He was even wounded.
17:42That's why they moved him here.
17:45He had such burning eyes.
17:48He looked straight into the lens
17:50as if he wanted to hypnotize
17:52a photographic tape
17:53and through it even those
17:55who will ever watch this photo.
17:57We had one such hypnotist.
18:00A Pole.
18:01He showed his tricks in the pub.
18:04Only then everyone lost their wallets.
18:07Later it turned out that he was
18:09secretly adding powder to the next beer.
18:11That's how it always ends.
18:13First there are seductive slogans,
18:15joint singing,
18:17marches with the origins of collective hypnosis,
18:19then it turns out that it was a powder in a beer,
18:21so everyone lost their wallets.
18:23I saw Mr. Gefreiter
18:25talking in front of a mirror.
18:30Do you think he was trying to hypnotize himself?
18:35No, I don't think so.
18:37I think he needs a crowd, a mirror.
18:40It's just a substitute.
18:43And there at school,
18:45did he manage to hypnotize anyone?
18:47Did he find a crowd that followed him?
18:50No, I think it was too early for that.
18:54How many people do you need to create a crowd?
18:57I don't know.
19:00I avoid crowds.
19:02I don't know the crowds.
19:04I avoid places where crowds gather.
19:07Why?
19:08Don't you go to the pub?
19:10Why should I go there?
19:12Why?
19:13To drink a beer,
19:15to joke with the neighbours,
19:18to sing songs together.
19:20That's right, together.
19:22One small, innocent word, together.
19:25Most people want to be together at all costs.
19:29Is that bad?
19:31The greatest enemy of man is the community.
19:34So what?
19:36Other people?
19:37No, not necessarily.
19:38People don't create a crowd yet,
19:40even when there are many of them,
19:42as long as each of them has his own will.
19:45The only will that can change the world
19:48is the collective will of the nation,
19:51the mass that you despise.
19:54Yes, there are units that can swallow this will,
19:59shape it and put it into action,
20:02but even they would be nothing
20:04if the force of the community didn't stand behind them.
20:12When the streets are flooded with their footsteps,
20:15their will erases all idealisms
20:18along with those who poison human minds with them.
20:22On what basis do you assume
20:24that all idealisms will be erased
20:26by the will of the masses walking the streets?
20:29You forget what history teaches us.
20:32What, exactly?
20:34Well, history teaches us
20:37that all clever theories
20:40will sooner or later be overcome
20:43by the relentless logic of the facts
20:45made up by the masses.
20:47We can end any discussion
20:49by hitting the table with a fist.
20:51And then it turns out
20:53what all those arguments were worth,
20:55all those beautiful words.
20:57That's what history teaches us.
21:00What would the world be without history?
21:03My world is the first and only.
21:05Well, everything in your world is the first and only
21:07and it seems to me that you are the pawn of the world.
21:10And if that's not the case,
21:12then in the end
21:14you are doomed to loneliness.
21:17In any case,
21:19the world is in your nose,
21:21your self, Wittgenstein.
21:23I'm not interested in judging the world.
21:25I'm supposed to judge the world.
21:30And who gave you the right to judge?
21:34The philosophical self
21:36is neither a human nor a human body,
21:38not even a human soul,
21:40but a metaphysical entity.
21:42Is that so hard to understand?
21:44He wants to tell us that we don't exist here.
21:46We don't exist, right?
21:47We don't have bodies, bones, blood.
21:49There is only a metaphysical entity
21:51that Mr. Wittgenstein and his like
21:53will be able to manipulate us.
21:55No, no, it's not like that.
21:57The human body, let's say my body,
21:59is a part of the world
22:01a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world
22:31a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world
23:01a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world, a part of the world
23:31A soldier gets a gun in his hand to shoot people, not dogs
23:41And if you're ever looking for a friend, think of a dog
24:01A soldier gets a gun in his hand to shoot people, not dogs
24:11And if you're ever looking for a friend, think of a dog
24:21A soldier gets a gun in his hand to shoot people, not dogs
24:31A soldier gets a gun in his hand to shoot people, not dogs
25:01And what's more, I'm a landscape painter, I paint castles, mountains
25:07But this is a painting
25:10Everyone sees that it's a painting depicting a castle
25:13Well, I mean that a painting is a separate being
25:20It exists in itself and there must be a purpose for its existence, apart from depicting a castle, do you understand?
25:28You're lucky I'm in a good mood today
25:30Because you'll agree with me that the one who built this castle, whoever he was, had to know what he was building it for
25:38He also planned everything in accordance with this purpose
25:41And you, as an artist, know just as well why I'm painting this painting
25:45And as I understand it, I subordinate all my work to this purpose
25:50You paint a painting to express something
25:53Art is an expression, a work of art, and certainly a good work of art
25:59Art is a finished expression
26:04You want to draw me in, don't you?
26:08Of course, you know better what real art is, better than me, better than the whole world
26:13Because it seems to you that you have a special right to judge, which...
26:16What is the purpose of art?
26:21Beauty
26:23No, you're right, but what is beauty?
26:30What gives strength
26:32You see, and here I can't agree with you anymore, because beauty is what makes you happy
26:37The essence of artistic vision of the world is that you look at the world with a happy eye
26:42And do you know what your problem is?
26:44That the eye you look at the world with is not a happy eye
26:54Do you have to show your superiority at every step?
26:58Do you enjoy criticizing my painting?
27:01Humiliate me?
27:03Just because I don't agree with a degenerated idea?
27:06I just want to present things as they look in reality?
27:09And what is reality?
27:16Stupid question
27:18Reality is what I see
27:20And you never thought that when you turn around
27:26The world that you have lost sight of ceases to exist
27:40You are tormented by the eternal Jewish sense of guilt
27:47Why do you come up with all these theories? So that I can kill myself?
27:50But the problem does not cease to exist, just because we refuse to think about it
27:53We will solve your problems once and for all
27:56All of them?
27:58And once and for all?
28:00Well, if that happens, you will go down in history
28:06You are right, Wittgenstein
28:08This one time, I will admit it
28:13There he is!
28:17I heard screams and I thought something had happened
28:20As you can see, look and learn
28:23A simple man
28:25On the first sign of danger
28:27He grabs a gun and runs to his homeland
28:30To be honest, I thought the war was over
28:32I took a rifle, so that I could shoot a rifle
28:35So you were in a bit of a hurry
28:37No, not at all
28:39It's good that you are here
28:41Come here
28:43Come, come, come
28:51What is this?
28:54In your opinion
29:04I read it wrongly, that it reminds me of...
29:08...a painting of an artist, who...
29:11...one day came to our town
29:14He said he was a student of Elesh
29:16With whom he supposedly painted the National Theatre in Prague
29:20He even claimed that...
29:22...in fact, he painted more walls and ceilings than Elesh himself
29:26Who supposedly was not sober all the time
29:29And he kept complaining that when he painted the ceiling
29:32The paint kept dripping into his sleeve
29:35I asked you a simple question, you moron!
29:40And you, instead of answering, have been running around for half an hour
29:44One!
29:46Incurable moron!
29:47Second!
29:48Jewish moron!
29:49The same as you!
29:51You should either be executed without a sentence!
29:54I report that it is impossible, because there are only two of us here
29:57If even Ludwig would execute me
29:59There would be no one to execute Ludwig!
30:01I'm not worried about that
30:11Enough talking
30:15Enough!
30:30There is nothing worse than an artist...
30:32...injured in his creative pride
31:15Silence!
31:17And what is this? A reading?
31:20Is this what the service looks like on a patrol ship?
31:24What are you reading here?
31:26Probably some philosophical nonsense that you have no use for
31:30And there is an enemy on his knees in the water!
31:32And he is jumping!
31:37What hit you in the head?
31:41I wanted to see what it's like when you give orders to people...
31:45...and they listen
31:47What for?
31:50To finally...
31:52...issue orders
31:54And not just execute them
31:58Admit it yourself
32:00That you would rather issue orders than execute them
32:07I never gave orders to anyone
32:11You should try
32:14Who knows?
32:16Maybe you could even become an officer
32:21And you really think that the only way to...
32:25...not be remembered by us is to be remembered by someone else?
32:30Do you know a better way?
32:34What is this?
32:37Sex and character
32:40Some kind of a church book?
32:42Yes
32:44How did you come up with that?
32:47Because our priest said that only people without character...
32:51...could be interested in sex, so I thought...
32:54No, no, that's not it
32:58The author...
33:00...proves that every human being...
33:03...is a mixture of a man and a woman
33:06The fact that an individual is ultimately a man or a woman...
33:10...depends only on the proportion of these elements
33:12Each one?
33:13Each one
33:14Biologically, we are both a man and a woman...
33:17...and only the proportions make us psychologically become one or the other
33:24Me too?
33:26Because all men and women are a mixture of masculinity and femininity
33:31Do you understand?
33:32Something is wrong
33:34At our fair in Spindler's Mill...
33:36...they were showing a woman with a beard...
33:39...that even a rabbi from a synagogue in Pilzno wouldn't be ashamed of
33:45Despite that, psychologically...
33:48...each one of us is either a man...
33:51...or a woman
33:53Oh, well, that's a bit of a relief
33:56Wait, what about homosexuals?
34:00Well, it's a matter of proportions
34:04They are either male women...
34:07...or female men
34:13Until now, it seemed to me that the difference between a woman and a man is completely obvious
34:18It is
34:19The essence of a woman is that she is immersed in femininity
34:23She has nothing but sexuality
34:25She herself is sexuality
34:28I'm starting to like that
34:31What about men?
34:33While women are completely absorbed by sex...
34:36...men are able to be interested in many other things...
34:39...such as politics, economics, science, philosophy...
34:43War
34:46War
34:48But the fact that all women are only interested in sex...
34:53...on the one hand...
34:56...well, there's nothing wrong with that...
34:59...especially when it comes to the prettier ones...
35:02...but on the other hand, when a man...
35:05...thinks, for example...
35:07...about his mother...
35:12...well, I can't agree with that at all
35:15The essence of a woman cannot be understood without referring to the Platonic forms of a mother and a prostitute
35:21Every woman is their combination...
35:24...and one of them takes the upper hand
35:29Ah, all those allusions to the nature of women...
35:32...what's new about that?
35:34Many men think that all women are whores
35:37Of course, with the exception of prostitutes
35:39I'll give you an example
35:40Once...
35:42...I was taking Mr. Major von Horwath...
35:44...whom I was a lieutenant in Budapest...
35:46...out of the dugout...
35:48...because he couldn't walk on his own...
35:51...and on the street...
35:52...we came across Captain Count von Malotka...
35:55...with whom Mr. Major, when he was still sober...
35:58...was competing with a certain lady
36:00The captain asked briefly...
36:02...did she give it to you?
36:04She didn't
36:05...answered Mr. Major
36:07And she didn't give it to you?
36:09She didn't give it to me either
36:11What the fuck?
36:13...were the last words of Mr. Major...
36:16...before he completely lost consciousness...
36:18...and I had to carry him on my back...
36:20...all the way home
36:31That's Mr. Gefreiter
36:33How did you find him?
36:35Maybe he waved too much during the exercises...
36:39...but why didn't he call for help?
36:42Because his German pride didn't allow him to
36:44Save me!
36:46And all your understanding for nothing
36:48I don't want to teach this Polish bitch!
36:51Wait!
36:53Do you remember what Mr. Gefreiter said about history?
36:56That he's going to change it?
36:58I remember
37:00It seems to me that right now...
37:02...you have a chance to change the course of history
37:08Faster!
37:10Faster, for fuck's sake!
37:17Faster!
37:24Schweig!
37:26Schweig!
37:32Here you are
37:46Thank you
37:51By any chance...
37:53...don't you have a shift in the kitchen today?
37:56According to the regulations, it's dinner time
37:58And I would eat...
38:00...something...
38:01...good
38:02I report that I actually have a shift in the kitchen today
38:06Just as I had it yesterday...
38:08...and the day before yesterday
38:10And that's because...
38:11...veteran Wittgenstein...
38:13...can't cook anything
38:15Well...
38:16...people are destined for different things
38:19Everyone can say...
38:21...he plays...
38:22...a designated...
38:26...role
38:29And isn't it by chance...
38:31...the proportion of male and female elements?
38:35Schweig!
38:46What are you reading there, Wittgenstein?
38:54Sex...
38:55...and character
38:57Isn't it pornography, by any chance?
39:00More or less
39:02It's a scientific work
39:04Is it?
39:05What is it about?
39:06More or less
39:09Well?
39:10The author questions modern civilization from the point of view of...
39:14You know what?
39:16Lend it to me
39:17I'll read it
39:18Here you are
39:19I've already read it
39:20I just have to warn you...
39:22You know what?
39:23We'll do it even better
39:24You lend it to me
39:25And I'll...
39:44...give it to you
39:57That's it
39:58And I'll give it to you
40:01It'll be just
40:04It's my favorite book
40:08It's my fault
40:14It's...
40:15Oh, it's about the Indians
40:17Well, to put it simply...
40:22Do you think that a good story...
40:24...let it be about the Indians...
40:26...is unworthy of reading?
40:28No, at least I was just surprised that you...
40:30What do you know?
40:33What can you, Wittgenstein, know about male friendship?
40:36Not that salon based on interest...
40:38...and attractive as unpretentious notations...
40:40...but the real one
40:41which is born in danger...
40:43...arm in arm...
40:44...and confirms at the firing range...
40:46...when the sun sets over the prairie
40:48And was there a pantomime?
40:51You're stupid
40:54You have an intelligence, but...
40:56...you lack imagination
40:59Do you have to be somewhere...
41:01...to see?
41:03I'll tell you something smart
41:05A long time ago...
41:06...still in Linz...
41:08...I dreamed of great travels...
41:10...of a great world...
41:11...but no
41:12A great world of travels is not for me
41:14They were for people like you
41:18That's why I had to deal with it differently
41:21I understood that the greatest treasure of a man...
41:23...are unfulfilled dreams
41:25Because they give him strength
41:28I understand that's why...
41:29...on that photograph...
41:31...you were looking somewhere far away...
41:33...out of the horizon...
41:35...and I guess that in your pocket...
41:37...you had a copy of the vignette
41:39Out of the horizon, Wittgenstein
41:41Out of the horizon
41:43You have to look there...
41:45...if you want to see something...
41:47...that others can't see
41:49And what did you see there?
41:55Wait
41:57You'll see it soon
42:04But I'm afraid you'll regret it
42:12And Ludwig said...
42:14...that everyone is a man and a woman at the same time
42:19Did he say that about me, too?
42:41Yes
42:55You could use some exercise, too
42:59I'm too weak
43:01I'm too weak
43:03I'm too weak
43:05Typical overestimation
43:07I'm too weak
43:09I don't have the strength
43:11If I talked like that...
43:13...I wouldn't get anywhere
43:15You just have to want
43:17That's what I'm talking about
43:19I don't have the strength to want
43:21How can you not have the strength to want, Wittgenstein?
43:23How can you understand so easily?
43:25It's so simple
43:26I want and that's it
43:27My will gives me strength
43:29And strength makes me do what I want
43:31I'm powerless
43:33The world is independent of my will
43:36Stop it!
43:56You see how simple it is?
44:00My will made you do something
44:06Of course, you wanted me to get up
44:08But for it to happen...
44:11...I had to want it
44:21I...
44:23...woke up in your will
44:27OK, so what is this human will?
44:31A will is like an order inside
44:33Who gives it?
44:35I do
44:37So if there was no will...
44:40...there would be no center of the world...
44:43...which is the bearer of ethics
44:47Damn you, dad!
44:49Wittgenstein!
44:50Damn you, dad!
44:52All your ethics is just weakening your will
44:55And will is the bearer of actions
44:57And only actions can be good or bad
45:01Will is effective or not
45:06Is it so hard to understand for your analytical mind, Wittgenstein?
45:10But you admit that you can want good...
45:13...want bad...
45:15...or not want at all
45:17What do I care?
45:18I don't want what you're saying
45:20This is someone without will
45:22Useless
45:23If he doesn't awaken will in him...
45:26...he won't even be able to move
45:29Will is nothing but the basis of action
45:34If I want to raise my hand...
45:36...I raise it
45:39If there is such a will...
45:42...nothing can stop me
45:49Did something happen to you?
45:51Shut up, idiot
45:52We had a guy called Michael...
45:54...who couldn't move his hand or leg
45:57When he was sent to the army...
45:59...the doctors said he was fine
46:01But he still couldn't move his hand or leg
46:05So they sent him to the front...
46:07...in a special cart with four wheels
46:10When the artillery shot started...
46:12...the first bullet hit the cart
46:15The family got a message...
46:17...that Michael had fallen on the battlefield
46:22So what happened to your will?
46:25Shut up
46:26Maybe your muscles don't listen to your will?
46:31I told you to shut up!
46:33Don't try to make fun of me
46:36I'm just asking you...
46:38...what is the difference between will and action?
46:41Action
46:42Like you prefer
46:44We agreed that one doesn't exist without the other
46:47We agreed?
46:48We agreed?!
46:50Are you happy now?
46:52All your sophistication...
46:55...is able to make my will stronger
46:58But don't be happy too soon, Wittgenstein
47:02The will and you will win
47:05You'll see
47:21I'm sorry, but I don't have your talent
47:24Someone should...
47:27...perish this corpse in pain
47:33I forbid you...
47:35...to comment on my will
47:44I forbid you to comment on my will
47:48I forbid you to comment...
47:51...on my painting...
47:54...and on my painting in general
47:57First, you have no qualifications
48:00Second, you have no right
48:03And third...
48:06...no one...
48:08...cares
48:17I forbid you...
48:20...to comment on my will
48:23You're supposed to be quiet about it
48:29Is that clear to you?
48:35Of course
48:38You can't talk about it...
48:40...you should be quiet about it
48:43You finally got it, Wittgenstein
48:47I'm sorry
49:17I'm sorry
49:23Why did you join the army?
49:27To meet God
49:30Who?
49:32God
49:34Face to face
49:37At war?
49:40In the face of death, you can meet God
49:48Don't be afraid!
49:51Fear of death is the best sign of a bad life
49:54Only death makes sense in life, do you understand?
49:57Remember, Ludwig...
50:00...for God's sake...
50:03...these bullets are real, they can kill
50:18I feel that death is close...
50:21...and I can't say anything...
50:24...no story...
50:27...as if nothing had happened
50:30You don't experience death
50:33Death is not a life event
50:38You said that everything that can be said...
50:41...can be said clearly
50:44Everything that can be said can be said clearly
50:47What did I say?
50:50You should put everything you think...
50:53...clearly
50:56Preferably in points...
50:59...like catechism
51:02Then it's easier to forget
51:14The End
51:33And one more...
51:36...Slavic idiot
51:39But he's proud
51:43He died a soldier's death
51:46He had a good life...
51:49...but he didn't see your new world
51:52Don't give me that word, Wittgenstein
51:55I know it's your specialty
51:58You know me so well
52:01I saw your departure
52:06Already then, in Linz...
52:09...I understood that under the sun...
52:12...there's a place only for one of us
52:15Either you...
52:18...or me
52:40Now I see everything clearly
52:43I know that this world exists...
52:46...that there's something mysterious in it...
52:49...which is probably its meaning
52:52Not what the world is...
52:55...what's mystical...
52:58...but that it exists
53:01What can't be said...
53:04...must be kept silent
53:07The End
53:37Written and Directed by
53:40Music by
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