La torre de Mabel capitulo 52 part 5
Transcript
00:00Be careful and where are you going?
00:02No, sorry. I was going to say night libellule.
00:08But I know that she has never committed improper acts.
00:14That's why I married her. And I admire her a lot.
00:17But she got carried away by the bad advice of that old man.
00:21Nothing to do, Raul.
00:23Yes, of course.
00:25And because of her bad influence she is giving bad examples to our son.
00:29Pandita, you were not like that.
00:34I know you from Potrilla.
00:37So pure, so beautiful and so sexy as always.
00:43Oh, but I haven't changed that much, have I?
00:47It's so much better than new.
00:51You are tastier than the most expensive wine.
00:56You have to take care of that old man because he is not so clean.
01:04And I assure you, I trust people like him.
01:08Yes, because I met them, didn't I?
01:14But I know you like the back of my hand.
01:19And I know every line of your body.
01:22And I know what every smile means.
01:24Every gesture.
01:26Every...
01:31Excuse me for interrupting you, but I'd better move to my room
01:34because I know this conversation will end in my old lady's room.
01:37So, good night.
01:43She's right.
01:53Oh, shut up.
01:55Well, my love, I have no choice but to tell Raúl the truth about the motel.
01:59Otherwise, I could have defended them.
02:01Yes, Juan Pablo, but we could have thought of anything else.
02:05I don't know.
02:06Yes, but Raúl is not stupid.
02:08And you know it well. You want to get him in the business for a reason, don't you?
02:11No, whoever wants to get him in.
02:13I feel a little forced, really, because of you.
02:17Yeah, okay.
02:18I understand that the outlook is not perfect,
02:20but according to the conditions, it is not so bad either.
02:23Raúl knows how to handle himself, he understands this,
02:26and I'm sure he's going to prevent more people from finding out about the business.
02:30Yes, but I find it so...
02:32so vague, I don't know.
02:36But I remind you that the one who was arrested for prostitution was you.
02:42Fool.
02:44You're so dangerous.
02:52Yes?
02:54Oh, come on in.
02:58Hello.
02:59Hello.
03:00How interesting.
03:02You have enough space on the walls to hang those artistic photographs
03:06you took with your friends.
03:09Thanks for the recommendation.
03:11How can we help you?
03:14You don't fool me.
03:19Even if you have hired that little philandering lawyer,
03:23I am persevering and I know that you are lying.
03:28Look, it's a shame that you have that impression of us,
03:31because we are ordinary neighbors who were raped
03:35the way they took us out of the building, humiliating us.
03:38We are even thinking of taking legal action.
03:41Legal action, exactly, against you and the institution.
03:44Yes, they want to.
03:45I don't believe you.
03:49I'm going to find out.
03:52You're going to fall.
03:55Of course.
03:57Just wait.
04:03Excuse me.
04:04Go ahead.
04:08Thank you.
04:20Thank you, Mr. Paulino.
04:21Thank you very much for hiding me and for the bag.
04:24You know, I'm embarrassed.
04:26Could you lend me some money?
04:30200 lucas.
04:31200 lucas?
04:32Have you gone mad, Wilson?
04:34Where are you going to get all that money from?
04:36I have to have it when I'm old.
04:38I'm 80 and I have to cry.
04:40It's something, thank you very much.
04:42It's a problem.
04:43You are my best friend.
04:44Hey, hey, hey.
04:45I like it, I love it.
04:46It's better if you go, because I want to have problems here in the tower.
04:50Yes, I love it too.
04:51Come on, come on.
04:52Now there is no wall.
04:54You left, you left.
04:55You left, you left.
04:56You left, you left.
04:57Hey, where are you going?
04:59Where are you going?
05:01My money.
05:02The toad throws them.
05:05He doesn't play with the model.
05:07But, but, but.
05:08We are all here.
05:10Look, it's going to be a house.
05:11But, but, but, but, but, Mr. Pablio.
05:17I just don't know, no, no, no.
05:19Don't get like that.
05:20You're going to get ugly.
05:21And if you get ugly, I'll throw it away.
05:24You're going to get ugly.
05:25I'll take your hair out.
05:27How could you not understand that it's better to have friends than to have...
05:30No, no, no.
05:31My arm, my arm.
05:32No.
05:33Listen to me, listen to me, Chela.
05:34Listen to me.
05:35It's been a while since I've been depressed.
05:37I didn't say it, I didn't say it, I didn't say it.
05:40Wilson, stop lying.
05:42Listen to her.
05:43You're a man.
05:44Put your pants on at some point in your life.
05:45Yes, instead of taking them off the first time.
05:48Look, Wilson.
05:49If you want to get out of this, there's only one thing you can do.
05:52But you're going to have to listen to me on everything.
05:54Did you hear?
05:55Boy, right?
05:56If not, we're going to make sure you're the one who goes to jail.
05:59And not even Raul will be able to save you.
06:01Chela, Chela, Chela.
06:07Who's lying?
06:08He looks like a footballer.
06:09I don't know.
06:10I don't know.
06:11Don't get angry, calm down.
06:18I'm glad you're here, Gasparito.
06:20No, no, Arturo, please.
06:22Don't give me those sermons that I've had enough with my mom.
06:26Hey, what's wrong with him?
06:28How could he leave me here?
06:32Arturo, what's wrong with you?
06:33You've gone crazy.
06:34You've gone crazy, man, for God's sake.
06:35How dare you talk to your mother like that?
06:37After everything she suffered because of the infidelities of Malakias.
06:40Well, she also keeps getting into my life.
06:42Besides, I'm already pretty big, right?
06:44Yes, you're pretty big.
06:45Pretty big for what, man, for God's sake?
06:47But you look like a kid with diapers and you tell me you're pretty big.
06:51Well, it's my life, right?
06:52And I'm making the decisions.
06:54Does it bother you a lot?
06:55Well, whether you like it or not.
06:56Now I'm part of your family.
06:58And I'm going to tell you that I'm tired of seeing how you've wasted your life all these years.
07:03But without taking care of anything, man, for God's sake.
07:05Well, everyone has the right to make mistakes.
07:07Me too.
07:08Okay.
07:09But, but, Gaspar, for God's sake.
07:10You make mistakes one, two, three, but 25 times, man, for God's sake.
07:13But what's wrong with you?
07:14Don't you realize?
07:15Don't you feel ashamed?
07:17But please.
07:18What are you waiting for?
07:19What are you waiting for?
07:20What, what, what?
07:21That everything happens?
07:22What are you waiting for?
07:23To escape?
07:24If you can't escape, that's the reality.
07:26To you, man, for God's sake.
07:27Take on the things.
07:31I have nothing, Arturo.
07:32Nothing.
07:34Mabel, the children, was the only thing.
07:39Mabel was the only one who gave meaning to my life.
07:43And I lost her.
07:46I lost her.
07:47Now I don't know what to do.
07:50It doesn't matter what I do.
07:51With whom I try to forget.
07:53With Florencia.
07:55Laura.
07:56Now Soledad.
07:59There's no way.
08:00You can't forget me, Mabel.
08:01I love her.
08:03Well, at least a first step is to recognize it, right?
08:06Yes, but.
08:09But what can I do?
08:10I gave her my life.
08:11And now she.
08:13She's with that doctor.
08:14She.
08:16She looks happy.
08:17She's in love.
08:19She has a life.
08:21It's okay, it's okay, Gaspar.
08:22But.
08:23But let's see.
08:24You can try it, at least, right?
08:26And how?
08:28Well, but you.
08:29You did a lot of things against her.
08:32Now then.
08:33You are the only one who can undo it.
08:36That's what I mean.
08:37Act, man.
08:38For God's sake, move, act.
08:44Now, now, now, now.
08:47Yes, now.
08:49With tension.
08:51With tension.
08:53With tension.