Harrington/Prowse & McCook/Hall, 1974
Transcript
00:00-♪♪
00:04-♪♪
00:10-♪♪
00:14-♪♪
00:17Everyone in this arena has a money stake
00:19in one of our famous couples
00:21as we play the game of celebrity gossip,
00:24Tattletales.
00:26And here's the star of Tattletales,
00:28Bert Convy.
00:30-♪♪
00:36Hello, everybody. Thank you.
00:37Welcome to Tattletales.
00:38You at home, welcome to Tattletales.
00:40You right here, we have a studio audience,
00:42as you no doubt know,
00:43divided into three sections,
00:45blue, banana, and red.
00:47Yes, there they are over there.
00:49And they're gonna win some money today
00:50with three celebrity couples
00:52that you're gonna find terrific.
00:53They are wonderful, and you're gonna meet them now.
00:55Here they are on my left,
00:56winning money for the blue section,
00:58dressed in blue.
00:59That's right, blue for blue.
01:00Mr. Monty Hall and his wife, Marilyn.
01:02-♪♪
01:08How are you?
01:09Not bad, considering, you know,
01:10six out of eight in two days,
01:11it set a new record for us.
01:13Is that what you had?
01:14We didn't have six right in the whole week
01:15we were on last time.
01:16How about that?
01:17Marilyn, what's the difference?
01:18Why do you think it's going so well for you?
01:21Marilyn, can you hear me?
01:23Bert, are you talking to me?
01:24Yes.
01:25I can barely hear you, Bert.
01:26You're not coming through.
01:27You can barely hear me?
01:28Let me get a little closer to you then.
01:29Oh, there you are.
01:31Listen to him, darling.
01:32No, Monty was saying that you two
01:33are doing so well this week.
01:35What do you think is the reason for it?
01:38Well, a lot of threats.
01:41A lot of threats, right.
01:42Yes.
01:43It's called the big doubled-up fist,
01:44is what it is.
01:45Yes.
01:46Sitting next to Monty and Marilyn,
01:47winning money today for the banana section,
01:50Mr. Pat Harrington and his wife, Marge.
01:53Hi, good afternoon to you as well.
01:55Marge, how are you, darling?
01:56I'm just fine, thank you, Bert.
01:58Pat, how about yourself?
01:59I'm just terrific.
02:00I'm wearing my banana suit.
02:03He's wearing his blue suit and I'm wearing, what?
02:05How do you figure that's a banana suit?
02:07I wonder.
02:08You have a...
02:09Just a silly line that I threw in, Bert.
02:10I didn't want you to question me about it.
02:11Oh, I'm sorry.
02:12Or I may start asking questions about your tie,
02:14which looks like a rattlesnake mole to you.
02:17Oh, I'm sorry.
02:18I'm sorry.
02:20Moving right along.
02:22See if I give you an easy question just for that.
02:25Winning money today for the red section,
02:27ladies and gentlemen,
02:28Mr. John McCook and his wife, Juliette Proud.
02:31Let's hear it for Juliette.
02:33There it is.
02:36No more ties.
02:37No more ties.
02:38I mean, no more tie games.
02:39No more tie games.
02:40It's win or lose.
02:41I don't remember.
02:42I had to take mine off, is what I thought.
02:43Juliette, how are you?
02:44Oh, I'm just terrific.
02:45I'm just terrific.
02:46It's win or lose.
02:47I had to take mine off, is what I thought.
02:48Juliette, how are you?
02:49Oh, okay.
02:50Okay?
02:51Yeah.
02:52You're going to be better in just a second.
02:53I'm glad to hear this voice question.
02:54Okay.
02:55This one's worth $150, gang, and here it is.
02:57Girls, you and your husband take a vacation bungalow.
03:00One morning, you get up before he does,
03:02look out your window, and lo and behold,
03:05there's a beautiful girl taking a dip next door.
03:08She is absolutely in the nude.
03:10Oh.
03:12Absolutely.
03:13Absolutely in the nude.
03:14I don't know how you can be
03:15more in the nude than absolutely, but...
03:17Which of the following would you do?
03:19Watch alone, wake your husband up so he can see the show,
03:23or simply pull down the shade?
03:25Hmm?
03:26Okay, you and your husband take a vacation bungalow.
03:28One morning, you get up before he does,
03:30look out the window, and lo and behold,
03:32there's a beautiful girl taking a dip next door.
03:35She is absolutely nude.
03:37Which of the following would you do?
03:39Watch alone, wake your husband so he can see the show,
03:42or simply pull down the shade?
03:44Think it over, ladies.
03:45We'll return for your answer in just a second.
03:48All right, Monty.
03:50Now, here you are.
03:51You're up at Lake Arrowhead,
03:53taking a little vacation, and it's...
03:55Anybody who's absolutely nude at Arrowhead's gonna have...
03:58Is absolutely blue.
04:00I'm gonna have a blue toe.
04:02Well, it's in the summer. It isn't now.
04:04Oh, I see.
04:05I didn't say that, did I?
04:06It's August.
04:07What would Marilyn do?
04:08Marilyn is very good to me.
04:10Yes.
04:11She'd wake me up.
04:12Yeah.
04:13That is certainly fine.
04:17Has that ever happened that you remember?
04:19Uh, something similar to it.
04:21We lived on a beach with an adjacent beach,
04:23which I hadn't known was one of those nude beaches.
04:25Oh.
04:26And she said,
04:27you gotta see what's going on on the next beach.
04:28So she did that.
04:29She'd certainly do this, wouldn't she?
04:30Yeah, I would think so.
04:31We'll find out.
04:32Next door on that beach,
04:33son of a gun, boy, I'd...
04:35I'd get over there, too.
04:37Are you a rascal?
04:39Let's bring on Marilyn, see what she says.
04:41Marilyn, what would you do now?
04:43I mean, there she is over there,
04:45absolutely nude, as we said.
04:47Would you, um, would you wake up, Monty,
04:49or would you watch yourself,
04:50or would you pull down the shade?
04:52Well, why should I spoil a perfectly lovely vacation?
04:55Um, the bare fact is, Bert,
04:58that I would pull down the shade.
05:01Oh, that's not what Monty said.
05:04No?
05:05He didn't?
05:06Monty felt about it a little differently than that.
05:08How did you feel about it, dear?
05:10I said you would do like you did
05:11when we lived on the adjacent beach, the nude beach,
05:13and you took me there to show me the sights.
05:16You let me share in the fun.
05:17I know, but, I mean, they were very young.
05:20Oh.
05:22Well, I want to know, where does it say on my card
05:24that this was an old broad out there?
05:26Yeah.
05:27Right, right.
05:29Marilyn used to be so nice to me.
05:33Sorry about that, Marilyn.
05:34Uh, Pat, what's Marge gonna say?
05:36Oh, Margie, uh, Margie, Margie's a little...
05:39Margie's a little scamp.
05:42She's a rascal.
05:43No, she would, uh, she'd say,
05:44get over here quick.
05:46She would, huh?
05:47Yeah, she'd let me, uh...
05:48She would, huh?
05:49Yeah.
05:50Okay.
05:51I'm sure of it.
05:52You're sure?
05:53No, I am.
05:54It's really positive, folks.
05:55I really am.
05:56Okay.
05:57Punch her out if she wouldn't.
05:58Let's bring on Marge and find out.
05:59Don't say anything.
06:00Pretty sure.
06:01Marge, what would you do?
06:02Would you watch yourself or wake Pat up to see the show,
06:03or would you pull down the shade?
06:04I'd probably wake him up, I guess.
06:07I'd like his wife.
06:09Yes.
06:10Listen, uh...
06:11She's a good sport.
06:12Marge, while you're at it,
06:13would you call over at Monty's house
06:14and get him up, too?
06:15Yeah, yeah.
06:16Wake me up.
06:17Wake up Monty.
06:18His man's gonna pull down the shade on him.
06:20Really?
06:21You ever say with a partner,
06:22John, what's Juliet gonna say?
06:23No, it's a toughie.
06:24It really is.
06:25This is a toughie.
06:26Yes.
06:27Because we, uh, uh,
06:29we sunbathe nude in Vegas in our yard.
06:31You do?
06:32Yeah.
06:33We sunbathe nude in Vegas in our yard.
06:35You do?
06:36Because Juliet in some of her costumes...
06:37Yes, Margie made me get up and clap down.
06:38Remember that?
06:39We'll go out and see it.
06:40Quite a few times.
06:41No, because Juliet's costumes, uh,
06:42show a lot, so she can't put lines on from suntan.
06:44I see.
06:45So, uh...
06:46Uh, John, where is it that you live in Vegas?
06:47I forget.
06:48I was, uh...
06:49I'll give you the address.
06:50I'll give you the address.
06:51I'm curious as to where.
06:52It's a cul-de-sac, right?
06:53Um, she would either respect the lady's privacy and,
06:55you know, pull that...
06:57I'll say she'll wake me up.
06:58I think that's what she's gonna say.
06:59You'll say...
07:03Okay, she's gonna wake you up.
07:04Let's bring her on and find out.
07:06Juliet, what would you do?
07:07Would you watch...
07:08Would you wake up John so he can watch,
07:09or would you just pull down the shade?
07:11Well, we work in Vegas so much,
07:13so we see enough nude people.
07:15Yeah.
07:16I would just pull down the shade.
07:17Mm-hmm.
07:18That's not what the man said.
07:19I should've gotten that.
07:20I should've gotten that.
07:22He was gonna say it, but he didn't.
07:24I should've gotten that.
07:25Which means Marge and Pat are the only ones
07:26that got it right.
07:27They get the whole pot all to themselves.
07:30We'll come back in a minute to find out
07:32who wins all the rest of the pots.
07:34After this message for you.
07:35Please come back.
07:36♪♪
07:41Love.
07:43Number three.
07:44Hello there.
07:45We're ready with question number two coming your way.
07:47It's worth $150, and if you are ready, ladies, this is it.
07:51Ladies, a lot of guys brag about the girls
07:54they've picked up, right?
07:56When you were single,
07:57did you ever allow yourself to be picked up?
08:01Hmm?
08:02A lot of guys brag about the girls they've picked up.
08:04When you were single,
08:05did you ever allow yourself to be picked up?
08:07Think about it, ladies.
08:08It certainly has happened to an awful lot of us.
08:11Bye.
08:13Let's start with you, Pat.
08:15You seem to be struggling with that question.
08:17Do you think Marge ever let some fellow say,
08:21hiya, honey?
08:22Well, I think we're gonna have a problem here with semantics.
08:26No, I didn't mean physically pick up.
08:28Yeah, the semantics.
08:30I love her, I hate him.
08:31Yeah.
08:33Um, I think she had a little shipboard to do once,
08:38but I don't know whether or not the guy actually picked her up.
08:42I'll say no, she was never picked up.
08:45I'm taking a chance.
08:46Okay.
08:47You think he's wrong, huh?
08:50You think so?
08:51What have I got wrong?
08:53Why is he misunderstanding?
08:55No, when you were single,
08:56did you ever allow yourself to be picked up?
08:58I'm gonna say that she's gonna say no,
09:01she never did allow herself to be picked up.
09:04Okay, fine.
09:06Let's bring on Marge and see if she says that.
09:09Marge, when you were single,
09:10did you ever allow yourself to be picked up?
09:13Well, he probably,
09:14he would probably say that no,
09:17I never allowed myself to be picked up.
09:19But he's wrong.
09:21That's exactly what he said, you're right.
09:23But that's not right.
09:25I picked up.
09:27Well, that's her answer.
09:28She got the right answer.
09:29I picked up a couple of times.
09:30She said that, but she said, but that's not right.
09:32That's not right.
09:33That's what he would think.
09:34He thinks, that's what I say,
09:35that he thinks that I would not allow her.
09:37Yeah, she answered it correctly,
09:38but then she said that's not the truth.
09:40Oh, yeah, right.
09:41She didn't get picked up.
09:43She said, he probably said, no, I never did,
09:46and that was her answer.
09:47That's what I said.
09:48After that was registered,
09:49she said, but he's wrong, because I did.
09:51But he's wrong, right.
09:52Were you, in fact, huh?
09:53Yeah, well, I know I was picked up.
09:55I mean, I picked up.
09:56That's not the question.
09:58I know.
09:59That's why she answered it the other way.
10:01But that's even worse.
10:02You ever share the pod, whatever happens.
10:04All right, good.
10:05And you probably get picked up
10:06as you walk out of this place today.
10:07By me.
10:08John, how about Juliet?
10:09Well, Juliet has been and was a single lady
10:13for a long time, and a successful one.
10:15I mean, she was a confident lady
10:17and knew how to cope with all those things.
10:19So I would say that she will say, yes,
10:21she has allowed herself to be picked up.
10:23Has allowed herself to be,
10:24because that's...
10:25Yes, I would say so.
10:26Right, because she knew...
10:27I would say that she would say so.
10:28Okay, let's bring her on and see if she says so.
10:30Okay.
10:31Juliet.
10:32Hey.
10:33Well, when you were single,
10:34did you ever, in fact,
10:35allow yourself to be picked up?
10:36Never.
10:37Wrong.
10:38But we are striking out.
10:41I was never picked up, ever.
10:43I always had a boyfriend.
10:44I never had to be picked up.
10:45Well, how did you get your boyfriend?
10:47How didn't he...
10:48I would meet them through other people.
10:50I would never be picked up.
10:51Uh-huh, same.
10:52I'll meet you after the show, yeah.
10:54Okay, John, I guess...
10:55We are striking out.
10:56Well, no, but you're learning, you see.
10:57Sure.
10:58You're learning.
10:59You're living and you're learning about one another.
11:01Yes, that's all right.
11:02We're performing a service here for you today.
11:04Sorry about that, Juliet.
11:05I'll pick you up and take you to dinner.
11:06Marty, what's Marilyn gonna say?
11:09When I met Marilyn, she was very young.
11:11Uh-huh.
11:12And very...
11:13At least she led me to believe she was very proper.
11:14Yes.
11:15And she...
11:16I don't think...
11:17Well, she never told me.
11:18I don't think she'd ever allow herself to be picked up.
11:20I'm probably wrong again.
11:22But I will say no.
11:24You will say no.
11:26Oh, you picked her up, I see.
11:30I hope she says...
11:31Me too, Marty.
11:32I don't know about that.
11:33Okay, let's...
11:34The entire blue section.
11:35The whole blue section had, in fact,
11:37picked up Marilyn once upon a time.
11:39Okay, let's bring on Marilyn.
11:43She goes, are you kidding?
11:44Every night I was picked up.
11:47Who me?
11:49Can we see Marilyn, please?
11:51Marilyn...
11:52Yes.
11:53When you were single,
11:54did you ever allow yourself to be picked up?
11:55I wasn't old enough to be let out of the house, I'm afraid.
11:59No.
12:00That's what he said.
12:01You're absolutely correct.
12:05Did you notice the Canadian accent come through there?
12:07Yes.
12:08She was never let out of the hoose.
12:09Out of the hoose.
12:10Hoose.
12:11That means that...
12:12How did you meet Marty then?
12:13In the kitchen.
12:15He was the first one who picked me up.
12:17He was the first one who picked you up.
12:18Soon as you opened the front door, bam.
12:19There he was.
12:20There he was.
12:21I'll tell you what.
12:22Marty was behind, he opened the...
12:23That means Marilyn, Marty,
12:24Marge and Pat split that pot in half.
12:25It is halftime and we will change places.
12:27Oh, excuse me.
12:28The banana section is in the lead.
12:30We're going to change places
12:31and break away for a moment for these messages.
12:33When we come back, we'll find out who wins it.
12:35See you in just a minute.
12:37It's after halftime.
12:38We have done our turnabout.
12:39I have the ladies with me.
12:40The fellas are in the back ready to go.
12:41Are you not?
12:42Yes, we are.
12:43Yes, we are.
12:44Pat and Marge have all the money at this point, gang,
12:45so you got to try and catch up.
12:46Come on, John.
12:47Only half way to go, though.
12:48We got plenty of show left.
12:49Men, most couples have a song
12:51of special romantic significance
12:53that they call our song.
12:56You better have one because that's the question.
12:58What's the name of the song?
13:00It's called,
13:02You better have one because that's the question.
13:04What song has the most romantic significance
13:07for you and your wife?
13:09Don't say anything now.
13:10Most couples have a song
13:12of special romantic significance
13:13that they call our song.
13:15You better have one because that's the question.
13:17What song has the most romantic significance
13:19for you and your wife?
13:21Think about that, ladies and gentlemen.
13:22We'll return for your answer in just a minute.
13:25Let's start with you, Juliette.
13:27I think I heard you drone.
13:29I knew you'd get me, Bert.
13:31First.
13:32You droned on that one.
13:34Well, that's hard.
13:35That's very hard for us particularly
13:37because being both musical comedy people,
13:40we've done shows together
13:43like Mame and Sweet Charity
13:45and all kinds of things where we've,
13:47and we work in clubs together
13:49where we sing love songs together and everything.
13:51So that's particularly difficult.
13:53I would think, though,
13:55probably we did a duet the very first time we fell in love.
14:01Isn't that wonderful?
14:02Oh, yes.
14:03To the strains of?
14:05It was a duet.
14:07It was Drink to Me Only with Thine Eyes.
14:10And I would say that is probably wrong.
14:14Drink to Me Only with...
14:17Thine Eyes.
14:18Thine Eyes.
14:19Yeah.
14:20Oh, wonderful.
14:21Okay.
14:22Oh, so wonderful.
14:23I don't know.
14:24It's music-making, isn't it?
14:26You want to throw up now or later?
14:27No, no, it's terrific.
14:32Let's bring on John and find out what he says.
14:36John, would you say that you and Juliet have a song,
14:39and if so, what is it, sir?
14:41I would say, no, we don't have a song.
14:43Okay.
14:44Now, what song is it?
14:45Okay.
14:46Because I know you made her name a song.
14:48That's not what you said.
14:49I know you made her name a song, right?
14:51Well, she did give us one.
14:52Yes, she did.
14:53Well, I have to think of...
14:55I just have to say that when we were first together,
14:59we were singing together in the act,
15:01and we sang a song called...
15:04I would say it is a song by Bread,
15:07which is titled If...
15:09Oh!
15:10Oh, look at that!
15:12John!
15:13The very first song we sang was
15:15Drink to Me Only with Thine Eyes.
15:17Well, I thought about that, but that's...
15:20He recovers beautifully.
15:21That's too old.
15:22Yes, I thought about that.
15:23Yes, I thought about that.
15:24Yes, it was on my mind at the moment.
15:25Well, it's hard when you sing a lot of songs together.
15:27That's right.
15:28We've done a lot of songs together.
15:29We're gonna sing a song tonight.
15:31Oh, yeah, we're gonna sing a song.
15:34And that song ain't gonna be it.
15:37Or maybe.
15:38Or maybe.
15:39Maybe this time.
15:41Thank you, John.
15:42Zoom to the moon.
15:43Sorry about that.
15:44Marilyn, what's Marty gonna say?
15:45Well, we...
15:46I have a...
15:47I'm sure a definite answer this time.
15:50The song that means the most to Marty and to myself
15:53is Where or When?
15:55Right.
15:56Where or When?
15:57Right.
15:58Did you...
15:59Was that the song that was popular with you?
16:00He courted me with that song.
16:01With that song.
16:02He kept saying to you, Where or When?
16:13And you kept singing back,
16:15Eh, eh, eh, eh, eh, eh, eh, eh, eh, eh, eh, eh, eh, eh.
16:17Okay.
16:18Where or When it is, huh?
16:19Yes.
16:20Let's bring him on to find out.
16:21Marty.
16:22Yep.
16:23Do you and Marilyn have a song that has special...
16:26Of all the questions ever asked on this show,
16:28this is the one where I'd bet the house, the kids,
16:31let's make a deal, everything.
16:33Okay.
16:34The song is Where or When?
16:35You're right.
16:45That's lovely.
16:47Oh, I could tell you a chapter and verse.
16:49Seems we've stood and talked like this before.
16:51That's the one, boy.
16:52Oh, yes.
16:53All right.
16:54You have a say in the pot.
16:55Well done, Marty.
16:56Mars, how about you and Pat?
16:57We're not...
16:58We're not that tender.
16:59We've been married so long,
17:00nobody would remember the song anyway.
17:01Well, knowing Pat...
17:02Knowing Pat would be the beer barrel polka, you know.
17:03No.
17:04When we were...
17:05Yeah.
17:06Well, you're almost right.
17:07No.
17:08When we were dating in New York,
17:09we used to go here to Dixieland all the...
17:10Every night, four or five nights a week,
17:1180 condoms.
17:12Oh, yes.
17:13And Pat used to get up
17:14and play the piano there all the time.
17:15He's two favorites for Limehouse Blues
17:17and Sweet Georgia Brown.
17:19And we sit down and play a duet now
17:21of Limehouse Blues.
17:22So, isn't that romantic?
17:24Yes.
17:25I think it's...
17:26You know?
17:27It's very romantic.
17:28I would have to say
17:29we still play Limehouse Blues on the piano
17:30every time somebody comes in the house.
17:31Let's sit down and play Limehouse Blues.
17:34It's probably Limehouse Blues,
17:35although that's really...
17:36That's the only song I can think of
17:38that we have any, you know...
17:40Okay.
17:41...connection with.
17:42Limehouse Blues it is.
17:43Let's bring him on now.
17:46Hey, Pat.
17:47Do you have a special song, sir,
17:49that has a little romantic meaning for you
17:52and Marge, would you say?
17:54I am completely without...
17:59The only thing that comes to mind
18:01is Limehouse Blues.
18:03That's it!
18:05Oh, that is...
18:09Oh, ho, ho.
18:12Oh, look at that car out there.
18:15Oh.
18:16Incredible.
18:17You really arsed it, guys.
18:19That's incredible.
18:20We're really tuned in today.
18:21And he's howling back there.
18:23Isn't that something?
18:25I told him the whole story.
18:26Well, you really did it with that one.
18:28Marge and Pat and Marilyn and Monty
18:30split that pot in half
18:31and there it is on the boards,
18:33the banana section still leads,
18:34and we'll be back in a minute
18:35with our double question on Title Tales.
18:37Come back and see us, won't you?
18:45Hello.
18:46Hello.
18:47Hi.
18:48Here we go.
18:49This question is worth double,
18:50$300 riding on this one.
18:51Fellas, if you are ready...
18:52Limehouse Blues.
18:53No, no, no.
18:54Too late, too late, John.
18:55Okay.
18:56See how you do with this one.
18:57Which one of you takes yourself more seriously,
18:59you or your wife?
19:02Think about that, fellas.
19:03We'll come back for your answers
19:04in just a second.
19:06We'll start with you, Juliette.
19:07Oh, that's easy.
19:08I do.
19:09Do you?
19:10Mm-hmm.
19:11Yeah.
19:12Yeah.
19:13I'm very much more the,
19:14as I said before, earlier,
19:15the more practical of the two people.
19:17Uh-huh.
19:18John is more silly,
19:19which is wonderful,
19:20but I'm more stayed.
19:21So he'll say you, you think?
19:23Yeah.
19:24Okay, let's bring silly on.
19:25I mean, let's bring John on.
19:27John, you're up.
19:30John, between you and Juliette,
19:32who takes themselves more seriously,
19:34would you say?
19:35My wife.
19:36That's what you said.
19:37You're right.
19:38Finally.
19:39Finally.
19:42Do you have something to add to that, John?
19:43No, that's just for sure.
19:44I know that.
19:45Okay, you have a share of the pot, too.
19:46Well done, Marilyn.
19:47It's about time.
19:48How about between you and Monty?
19:49Oh, I think Monty takes himself
19:50more seriously than I do.
19:51Than you do.
19:52Yes.
19:53You sure of that?
19:54Oh, 100%.
19:55Okay, let's bring him on to find out.
19:56Monty, between you and Marilyn,
19:58who takes himself more seriously?
20:00I think I do.
20:01That's what you said.
20:02You're right.
20:05Okay.
20:07Marge, you gonna make it three ways here?
20:09I don't know.
20:10I hope so.
20:11I take myself much more seriously.
20:13Than Pat does.
20:14Oh, yeah.
20:15You sure of that?
20:16Mm-hmm.
20:17She says giggling.
20:18Okay, let's bring Pat on to find out.
20:20Pat, between you and Marge,
20:22who takes himself more seriously?
20:24Marge.
20:25That's what she said.
20:26You're right.
20:28You're all right, gang.
20:30We split that pot three ways,
20:32and there's the money racked up on a board.
20:34That's it.
20:35That means time is up.
20:36The Bananas have done it.
20:41Okay, we'll be back in just a moment
20:43to find out how much the Bananas have won.
20:45Please come back after this message for you.
20:51Here we are, gang.
20:52The big winners,
20:53the Bananas section with the Harringtons.
20:54$400, we have $1,000.
20:56$1,400, big ones.
20:59Wow, you guys are something.
21:05What?
21:06Is that right?
21:07Boy, they are really something.
21:08You're all something.
21:09Thank you so much,
21:10and so are you at home for watching this.
21:11Thank you so much.
21:12Birdcom is saying see you next time on Tattletales.
21:14Goodbye, everybody.
21:16This is Jack Clark speaking for Tattletales,
21:19a Mark Goodson, Bill Todman production.
21:45APPLAUSE