مدي 1 تي في : مع نجوى كرم وحسن حينا - 28/06/2024
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00:00Al-Salamu Alaykum and welcome to a new episode of your daily and artistic show,
00:14Patwork.
00:15It's a daily show where we cover developments, events, and celebrations of the 19th round
00:20of the World Cup.
00:21Stay with us, thank you.
00:22We'll start in a bit.
00:24Welcome again.
00:25We welcome our listeners on Median Radio and we welcome our viewers on Median TV.
00:29Thank you very much for your interaction, for your answers to the questions, as well
00:34as to the topics and sections of Patwork on a daily basis.
00:37Today, in the program, in the menu, we have a list of the press conferences of Nawal
00:42al-Zorbi.
00:43We have the details, technical details, and we also have a list of the events of the
00:48World Cup.
00:50Before we go on, let's start with the first topic and section, the press conference of
00:55Nawal al-Zorbi.
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02:17I met Jannet maybe in Egypt, but we don't have a relationship, but I really like her voice and I like her very elegant, classy and Moroccan, right?
02:35Did you try to sing in French?
02:38I tried to sing in French, but Sophie Botella told me not to sing in French. I don't know. I don't like my voice in French. I don't know. I like to sing only in Arabic. I sing a lot in dialect, but only in Arabic.
02:59Do you plan to make a film or a series?
03:02Whenever I plan to make a film or a series, before I tell them no, I don't want to.
03:08First of all, I may or may not act very well. Either I want to present something that I am convinced of and that I have the talent for, or I don't want to.
03:24Why do I want to make a film?
03:28Secondly, I am always lazy. I wake up at 5 a.m. and I have a video clip. I don't sleep all night because I am so nervous.
03:39How can I make a series or a film? If I am not comfortable with acting and work, I can't succeed.
03:47Who is your character?
03:49He has a very special character. The other one doesn't have a special character at all.
03:56This boy, Giorgi, doesn't want to be called a child. He wants to work from scratch.
04:11He doesn't take any money from me.
04:18When we go shopping, he doesn't accept branded items.
04:23He tells me that the employees he works with don't allow him to buy branded items.
04:29I go to their room service and show them that I have a branded item.
04:35I am proud because I have a boy like him.
04:40I hope that all the boys and girls will take care of themselves.
04:50We have reached the end of the patchwork.
04:53Now it is time to visit and take care of one of the most successful and popular social media platforms.
05:06We invite you to watch the concert of Umm Kulthum.
05:36Umm Kulthum
05:38Umm Kulthum
05:41Umm Kulthum
05:43Umm Kulthum
05:45Umm Kulthum
05:47Umm Kulthum
05:49Umm Kulthum
06:19Our guest today is Hassan Hina.
06:22Hello Hassan.
06:24Hello Hassan. How are you?
06:26I am fine.
06:28You are the founder and manager of NDP, a company specializing in holograms.
06:34How did you start this kind of offers?
06:38We started in 2013 with MBC.
06:43We made a short video that lasted 7 minutes.
06:48When people responded to this offer, we realized that this kind of technology will contribute to the future of entertainment.
06:56From 2013 to 2017, we developed our equipment and the way we produce content.
07:03Today, we are able to offer a full show to an artist who is not with us today like Umm Kulthum.
07:09What is a hologram? Can we touch a hologram?
07:14Today, holograms are an evolution of visual technology.
07:20Today, holograms are just the beginning.
07:25We are used to seeing holograms in movies that we can touch or interact with.
07:33We will reach this soon.
07:35Today, technology allows us to deal with holograms in a way that is closer to the optical illusion.
07:43It is an optical illusion that appears on the stage and is merged with real elements such as musicians, dancers, and so on.
07:52Based on this illusion, the audience will have a one-sided experience with the stage.
07:58Today, we are seeing technological advancements that will allow us to have a live audience.
08:06In the future, you will be able to see the Andalusians and the eastern planets moving in the middle of the stage.
08:11Yes, we will be able to interact with the audience directly.
08:13The songs will be live, not old recordings.
08:17On the contrary, we will be able to create new content for them.
08:19In two or three years, you will be able to listen to a new album released by an artist that is not available anywhere.
08:24Do you use artificial intelligence in hologram technology?
08:27We haven't used it yet, but we are in the process of using artificial intelligence in the design.
08:32Artificial intelligence allows us to change the features of the artist.
08:37Today, we are presenting Uncle Tom, which was designed to revive the artist's musical heritage.
08:48Artificial intelligence will be used in the future to transform the artist into a live performance on the stage.
08:55Direct performance, direct performance.
08:57The time that is available, it can react, it can cry, it can be affected, it can block the song, it can take a break live.
09:07Yes, it controls the concert.
09:09Just like an artist is present.
09:11Based on the audience's reaction, it has the ability to change the style it wants to perform.
09:17If it wants to repeat the verse three or four times because the audience reacts to it, it can do that.
09:22Until now, you have been working on it, so it can't be available.
09:26It will be available next year.
09:29In 2025, it will be available live.
09:32Hassan, what was the reaction and reaction of the Moroccan audience?
09:37Not with a hologram, but with a hologram.
09:41To be honest, before we came, we were a little scared.
09:46The Moroccan audience is a musical audience.
09:48Mashallah, they have a huge musical heritage.
09:51So the challenge is to present an artist at the level of Um Kulthum to an audience with a musical ear.
09:58But when we saw the concert and the reaction of the audience, which was unusual.
10:02Honestly, now we have an expansion plan to try to present a wider content in Morocco.
10:08For more artists.
10:09Because we saw an acceptance that we did not see in other regions.
10:12Honestly, of all the shows we have presented, the most interactive audience was the Moroccan audience.
10:17Without conflicts.
10:19They saw Um Kulthum concerts at the 5th Um Kulthum Hologram.
10:23They saw it closed.
10:25Yesterday, there were people standing outside.
10:28We tried to manage to take as many as possible.
10:31But it is clear that there was a very good feedback after the first show.
10:35And the second show also received a lot of acceptance.
10:37You also have, Mr. Hassan, a hologram show in Andalusia.
10:43Abdelhalim Hafez.
10:44Yes, we have a show that was launched two years ago.
10:47He is a tourist.
10:48We have the show.
10:49And now we are in the process of taking the necessary measures to be able to host this show in Morocco.
10:55For example, Abdelhalim Hafez appears on the wood.
10:58And when he finishes his song, he disappears.
11:01Yes.
11:02Nice, clear.
11:04But is it possible to talk about a really new technology?
11:07Is it really a new technology?
11:10You talked about it since 2013 and it exists.
11:13We know that Nishan appeared in a hologram technology show.
11:20It was Um Kulthum's hologram.
11:22Dunya Batma sang with him in one of the Arabic programs.
11:26Why did you wait until 2024 to say that it is a new technology?
11:32It is a technology that has evolved over the years.
11:34It started in 2013.
11:36It was a humble beginning.
11:39But like any technology that we have today, whether it is a mobile phone or a TV,
11:44it has gone through a certain stage of evolution.
11:46When the technology was launched in 2013, it was not suitable for a live performance.
11:52It was not suitable for a full concert for a full artist.
11:54But that is why we were able to see it in TV programs.
11:59We found it in certain features in short lengths.
12:01Today, the technology has evolved.
12:04It is easier to deal with it in a huge theater like the one we had in Mawazin Festival.
12:11In 2025, the technology will take on a completely different system.
12:15As I told you at the beginning, today the communication between the audience and the content is limited.
12:21But we will continue to open this communication so that the next person who attends this concert
12:26will really feel that this artist is in the same hall.
12:29At that time, what was the reality of the Um Kulthum family?
12:32Did they worry?
12:34Did they say that they did not agree and that they did not have all the rights for this kind of concert?
12:40We always, thank God, before any concert or any artist, take all the necessary measures.
12:45Today, we contacted government institutions in Egypt to serve the right to get the rights.
12:51On the contrary, in our previous concerts, we invited the grandson of the Um Kulthum artist
12:56as a part of the concert, as appreciation for the family and their interest in this matter.
13:00We have a very good relationship with them and our relationship with government institutions in Egypt is also very good.
13:06There is a service to get the rights from the owners of the rights.
13:09Hassan Hina is with us now. We will continue after the break.
13:16Welcome again. Welcome to our listeners on Median Radio and also to our viewers on Median TV.
13:23Now, we will continue with the last part of today's episode, where we will meet Najwa Karam, the sun of Arabic music.
13:36Now, we have Najwa Karam with us. Hello.
13:39Hello.
13:41The first question is, what are the conditions of your welcome here in Rabat?
13:48Nothing has changed for me from the first day I came to Morocco, especially in terms of the weights,
13:53in terms of the wonderful welcome and the wonderful honor.
13:58Nothing has changed for me from the first day to the last day.
14:01But you can see Najwa Karam doing tourism in Morocco.
14:05Usually, fans, lovers and relatives try to get an idea of Morocco through tourism.
14:14I know about the climate, I know about its nature, and most importantly, the security.
14:20This is what I love about this country.
14:22Welcome at any time, Najwa Karam.
14:24Of course, welcome at any time.
14:26Welcome at any time.
14:28We would like to know how you deal with social media.
14:32Not in the professional or artistic aspect, but what does Najwa Karam do like everyone else?
14:38Does she scroll, does she like, what kind of content do you like?
14:44I did it once on WhatsApp.
14:47She told us what content we like.
14:50You mean in the question, how we deal with it, right?
14:55You mean like this in the question?
14:57We use things that are always circulating, far from art.
15:01Which is, I love you, I miss you.
15:03I miss you.
15:06I miss you. Where are you?
15:08Do you have direct communication with your fans?
15:11Ask them, of course.
15:13Of course, of course.
15:14And this indicates that they welcome me, and they honor me.
15:18This indicates that we have continuous communication.
15:20God bless you.
15:22What does it mean to choose songs between the 90s, 2000s, and today in 2024?
15:32Maybe the nature of successful songs has changed.
15:35The standards of success and success have changed.
15:38How do you choose your songs and melodies today?
15:42We are in a different era from our beginnings.
15:46We are different from our beginnings.
15:49We are with originality, with renewal, with development.
15:55For me, I try to be as modern as possible.
15:59I try to be as contemporary as possible with my songs.
16:02But I can't give up what I started with, even if I don't like it.
16:07Or even if I want to satisfy a small group of people.
16:11Laila Najwa Karam, what do you think?
16:13There is a positive energy in the artistic world.
16:18We say that this artist, this star, has a little bit of madness.
16:22What is justified?
16:24What is his right to do a little bit of madness?
16:27What is a star that can reach a big fame?
16:31Can he live a kind of late adolescence?
16:36For me, the stars are responsible.
16:40For me, there is seriousness, there is seriousness.
16:43There is the responsibility of people who love you.
16:45There is the responsibility of your own name that you bear for people.
16:49To stay like a crystal, to stay organized, to stay beautiful.
16:55Great madness leads to an empty void.
17:00Why should we have great madness?
17:03On a talent that is not made by God?
17:06It is not allowed to have great madness.
17:09Because it is not made by us.
17:11It is a gift from God Almighty to us.
17:15Laila Najwa Karam, thank you very much.
17:16Thank you.
17:20I am back in the plateau with our guest, Hassan Hina.
17:24Thank you very much for accepting the invitation.
17:26Thank you.
17:27What are the future projects?
17:28Today, our projects, God willing, there is a serious dialogue that is taking place
17:32regarding Moroccan artists.
17:34They will be released next year as a special artist in the hologram from Morocco itself.
17:39We also have a concert for the artist Qadir Abdelhalim Hafid.
17:43We are producing a new special content for an artist.
17:46We want it to be the beginning of the release of non-traditional artists from the Arab world.
17:51Because our idea is not only to revive the past with the hologram.
17:54We want to show people the future of entertainment.
17:59What is Moroccan art?
18:01I will not tell you.
18:02I don't know how to tell you.
18:03Thank you very much, Hassan Hina.
18:04Thank you.
18:05Good luck with your projects.
18:06Thank you.
18:07We have reached the end of today's episode.
18:08Our daily media show, Al-Miraj Al-Mawazin,
18:11continues daily on Medea TV channel and on Medea Radio.
18:16Good luck.
18:17See you soon.
18:18Goodbye.