Jenny Scordamaglia - Brickell Art Walk Red Bar Gallery
Sexy Hot Jenny Scordamaglia - Brickell Art Walk Red Bar Gallery
Transcript
00:00I'm also going to show my singing skills in sign language for the mudes.
00:06Did you say you learned it recently?
00:08No, my brother made me deaf-mute.
00:10So I want to give that skill. I'm also going to be dancing with choreography.
00:13How nice!
00:15We have a diversity of things that we're going to be showing.
00:17As a talent, I'm going to be singing in English, Spanish, salsa, pop, rock.
00:22Rock and roll, like hardcore rock and roll.
00:24She's a rock singer, alright, I gotta see that on live.
00:27Before you continue, I have to focus on something first of all.
00:31What do you think, as a talent and as a professional,
00:35about the cultures that get computers and are not used to computers?
00:40Because it is a great work.
00:42Here in the U.S. it's more controlled, but for example in Uruguay,
00:44I remember when they started giving out computers,
00:46the guys saw it in the corner, looking at what they didn't have to look at,
00:49because they don't have control over that.
00:51But here in the U.S. it's more controlled, it's totally different.
00:54What they collect, we know it's not going to end badly.
00:56But what is your opinion about the countries that maybe
00:58are not so high on computer intelligence?
01:01Well, they have to educate themselves a lot more.
01:03Because the fact that...
01:06It's curiosity, let's be clear.
01:08A lot of young people are curious.
01:10But it also has to do with their parents.
01:12A lot with their parents.
01:14Because sometimes there are parents who don't care,
01:16they give them an electronic suit, and those are babies.
01:18They don't cry, they say.
01:19They're not going to cry anymore.
01:20But yes, they have to be very careful with that,
01:23because right now there's a lot of perversity.
01:25Globally.
01:26It's something that they're fighting against.
01:28There's a lot of abuse.
01:29There's a lot of perverts.
01:31In fact, here it's more controlled,
01:32because they say that in Miami there was a lot of that, in every corner.
01:35And social media, for example,
01:37since now they're going to be able to have a computer
01:39because of this foundation,
01:40because of that, I don't think they're going to block it.
01:42But do you think it's good for young people
01:44and young people who have social media?
01:46Well, the idea for the kids to have their computers
01:50is more so that they educate themselves more in class.
01:53Every computer is going to have its own block.
01:56Everything is controlled,
01:57because Calvera Fair, she chooses which families with low resources,
02:02and she gives them that.
02:03There are children who have to study at home.
02:06Do you understand me?
02:07So the computer is being given to the family,
02:09not to the child by itself.
02:11Completely.
02:12Can the whole family use it?
02:13The whole family can use it.
02:14And the education centers, she also gives them the computers
02:17so that the children can also reach a level.
02:20Let's hope that the computers go through the education centers first
02:23and then go to the families.
02:25Because I'm telling you,
02:26when you're at school and you have a computer,
02:28you can't even access Facebook.
02:30So I think it's the best.
02:32Well, can we have an example of your beautiful voice?
02:47Sitting down like a queen, you know.
02:49This is my guest for the evening,
02:51and we're in the middle of the street of Brickell.
03:18And I, of course, will be closing the show.
03:22So I'll leave you with this song,
03:24Ya es muy tarde, and it goes like this.
03:26If you come back to me, it will be too late
03:30And my heart will no longer feel
03:35Turn around, I don't want to see you
03:40Why continue, why suffer
03:42If you're not in anything, or in nothing
03:47Start.
04:00Well, I congratulate you for everything.
04:02Let's see if we can be representing the event.
04:04I mean, everything that is for the children, we already know.
04:06And everything that is talent that is coming today.
04:12Do I really?
04:13Yeah, I think so.
04:14I mean, it's a different taste of Latin, you know.
04:16Like blondes or brunettes.
04:17It's a different taste of Latin.
04:18That's exactly what it is.
04:19I know, that's why I said it.
04:20I got that from that paper right there.
04:22Don't forget.
04:24You know what?
04:25We're going to go to a short break.
04:26Vamos a ir a un pequeño corte por unos minutos.
04:28Yeah, vamos a tomar algo.
04:29It's really hot, so we're going to go inside here.
04:31Come with me.
04:42We had a whole group set up.
04:43But you know what?
04:44Apparently, they're trying to get some game inside with some girls.
04:47No, not you.
04:49But the cool thing is because they're from Belgium.
04:51And one of the guys is visiting.
04:52And he said that he watches Miami TV in Belgium.
04:54So, that's pretty cool.
04:55We're going this way.
04:56I'm pushing you.
04:57I know I'm pushing you.
04:58Don't worry.
04:59I'm not going to push you girls.
05:00Come here.
05:01All right.
05:02Because we want to show how much traffic is there.
05:03Why are you hiding?
05:04Come over here.
05:05So, your name?
05:06Farhat.
05:07Farhat?
05:08Yes.
05:09A Belgium name?
05:10No, it's Turkish actually.
05:11Okay.
05:12Your name?
05:13Easy.
05:14Oh, yeah.
05:15I like his name.
05:16It's easy.
05:17It's easy.
05:18His name is easy.
05:19And what's your name?
05:20Bram.
05:21Bram?
05:22Like brum, brum, brum.
05:23Okay.
05:24Where is that name from?
05:25Just right and right and right.
05:26Belgium.
05:27Is he the shy one?
05:28Yeah.
05:29He's very shy.
05:30He admits it though.
05:31You know what?
05:32I always say you have to make your fears, which is good, right?
05:33No problem.
05:34So, tell me a little bit about Belgium to begin with.
05:35We have another one that's hiding over there.
05:36Like him, they are very shy people.
05:37Really?
05:38That's not true.
05:40They live 20 years each other, but they say not 20 sentences together to each other.
05:46But I come here in Miami.
05:48I come here in Miami.
05:49So, Belgium people are shy?
05:50Yeah.
05:51Very shy.
05:52And Miami people are what?
05:53Very warm.
05:54Very social.
05:55I think it's because of the weather, I think.
05:58It's always warm here.
05:59No?
06:02Okay.
06:03So, the weather makes you hot, which obviously, it messes up your emotions and it makes you
06:08nice.
06:09Are you drunk?
06:10No.
06:11How can the weather make you nice?
06:12That makes no sense.
06:13It's just good beer.
06:14It's nice beer.
06:15I'm kidding with you, by the way.
06:16Don't worry.
06:17But that's not Belgium beer, is it?
06:18No, it's Dutch beer.
06:19It's Dutch beer.
06:20Dutch beer is good?
06:21Yeah.
06:22It's perfect.
06:23He's like, what the hell is he saying?
06:24Well, we are making fun of him though because you can't say that.
06:25Just coffee and everything will come okay.
06:26All right.
06:27So, send a greetings to Belgium if you want.
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18:39Alright, I need some air, man.
18:40I'm like going crazy over here.
18:42I don't, I mean, obviously, well, the, the, the doors,
18:46they, the doors were closed and open for a while,
18:49so, you know, the heat was coming in,
18:50but I need to get the artist, okay?
18:53So,
18:53I'm going to go to the artist's house, wait for me here,
18:55I don't know if I'm going to look for him, catch him,
18:57but I really want to know what, what,
18:59what is his opinion,
19:01and where did all the ideas come from, like that.
19:24All right, guys, so, a little bit of, uh,
19:26Brickle Art Walk,
19:28here, right in Red Bar Gallery,
19:30and you know what, we have the amazing band,
19:32that's always in Wynwood, so, hi, what's your name?
19:34My name's Russell, we're Gold Dust Lounge.
19:36All right, wait, tell me that name again.
19:38Russell. And the name of the band?
19:40The name of the band is Gold Dust Lounge.
19:42Gold Dust, Gold Dust Lounge? Gold Dust Lounge, yeah.
19:44Why is that? It's named after an old jazz club
19:46in Miami from the 40s, 50s,
19:48it was at the Gold Dust Motel. Okay.
19:50A historic motel. I knew it was for a reason,
19:52I thought you guys played jazz, I mean,
19:54we've heard you before, you play jazz
19:56with a little bit of electronic.
19:58You're trying to back pellets, but that's all right.
20:00Call it whatever you want, but we play it all over.
20:02Well, what do you call it?
20:04I want to be respectful and call it what you call it.
20:06I always say that it's sort of like, um,
20:08like a Pulp Fiction meets Blue Velvet,
20:10or something, like David Lynch meets
20:12Quentin Tarantino. There you go,
20:14so that's what it's called.
20:16So how long have you guys been doing,
20:18well, this is the first time, obviously, in Brickle,
20:20we've been doing this for almost five years.
20:22For the last three years we play
20:24in Wynwood every second Saturday.
20:26You guys catch a crowd there.
20:28We play at the Standard Hotel every Friday.
20:30Okay, alright, that's good to know.
20:32Every Friday for a year we've been there.
20:36How long have you guys known each other?
20:38I met him about two weeks ago.
20:40The top player?
20:42Brian, yeah, and Steve I've known
20:44for about three weeks.
20:46I've known for about three weeks.
20:48He's like, no, whatever he says, no.
20:50Well, he told me you're the one that likes to talk,
20:52so I'm like, alright, so I've got to come see you.
20:54And the cool thing is that
20:56he actually told me that I could interview you,
20:58even when you're playing.
21:00It means that you have a great sense of direction.
21:02He does.
21:04He's like, alright, alright.
21:16He was right, man.
21:22Lastly, if anybody wanted to hear your music,
21:24where can they go to check you out?
21:26Golddustlounge.com
21:28Alright, we'll see you there.
21:30Rock it!
21:32Alright guys, so
21:34welcome to Brickell Art Walk.
21:36This is it. It was a lot more crowded
21:38a little bit ago, but you know what?
21:40It's the first time that they're doing this,
21:42and I think it's awesome.
21:44Not me in particular, but Miami has been doing this
21:46in Wynwood for a while, and it's pretty much
21:48for the ones that don't live here, it's pretty much when you have
21:50different places, you know, different
21:52bars, different lounges, and different art galleries,
21:54and you pretty much promote one artist per gallery.
21:56So I mean, here in Brickell,
21:58there's no art galleries except Red Bar.
22:00So tonight's artist is right there,
22:02and he's Cuban. His name's
22:04Antonio Guerrero, so he's
22:06standing there like he's cool, waiting for me,
22:08like I'm too good for you.
22:10No, just now. I just walked in for
22:12the interview, finally.
22:14¿Cómo estás, Antonio? Muy bien, gracias a Dios. ¿Y tú, cómo estás?
22:16Muy bien. Bueno, hace mucho que no te vemos. Yo creo que hace casi
22:18dos años, ¿no? Más o menos, más o menos.
22:20Pero hace dos años estabas haciendo muy bien,
22:22y ahora veo que fantástico. Ahora estoy mejor.
22:24¿Estás mejor que antes? Bueno, si no
22:26estás mejor que antes, hay un problema, eh.
22:28Bastante. Bueno, dile a la gente un poco
22:30de Brickell Art Walk, y cómo estás
22:32contribuyendo. Bueno, hoy es el primer
22:34Art Brickell, so le doy la bienvenida
22:36para que vengan todos. Mi barra va a estar aquí por un mes.
22:38Soy uno de los primeros
22:40artistas, gracias a Dios, para la historia de Brickell.
22:42So gracias a Felipe García y Pablo
22:44G, que fueron los productores y los
22:46directores de esta gran idea. Me encanta
22:48estar con gente joven en este lugar.
22:50Súper energizante,
22:52súper rico, la música agradable,
22:54la gente joven. Es un lugar de
22:56mucha plata. Que vengan todos para acá.
22:58Ahora lo que tenemos que hacer, vamos a ir para adentro y dar una
23:00recorrida por el arte. Vengan para adentro, vamos.
23:02Lo que me gusta es que Red Bar and your art is red.
23:04El arte de él es rojo,
23:06rojo y negro, y Red Bar es Red Bar,
23:08o sea, rojo. Red Bar,
23:10en el bar rojo, todo mancha.
23:12Así que vamos a empezar aquí por el primero.
23:14Primero lo sacamos,
23:16porque la gente estaba así arriba, ahora que vengo a otro lado.
23:18Te dejamos así, porque si no, hay que dejarlo
23:20libre para que pueda vender el arte.
23:22Vengan para acá, vengan para acá.
23:24Bueno, este creo que lo hemos visto antes, pero
23:26creo que nunca he tenido la posibilidad de verlo tan grande.
23:28Yo creo que en este
23:30bar las cosas se pusieron más grandes de lo normal.
23:32Es algo diferente completamente.
23:34La obra se llama Conmigo o Mi Contra.
23:36Es sobre una pareja que cuando se quieren,
23:38se quieren con todo el amor, y cuando se fajan,
23:40se fajan también con todo el poder.
23:42Ahí es donde está la misión.
23:44El mensaje de ella es
23:46Conmigo o Mi Contra, o estás conmigo, o estás en contra mía.
23:48Por eso son todas las batallas,
23:50todos los barcos de guerra,
23:52todo el meme de la fuerza.
23:54La mano que pide que te fijes. Exactamente.
23:56O sea, es como Limp Bizkit, With Me or the Highway.
23:58Lo tomo un poco.
24:00Bueno, vamos para atrás y continuamos con las obras,
24:02porque hay una que realmente me interesa,
24:04que es un cocodrilo, pero con las piernas
24:06de personas, lo cual me llamó mucho la atención.
24:08Yo no sé si es por los Everglades o...
24:10¿Qué onda? No, tú estás hablando de Visitante Inesperado.
24:12Ese es un cocodrilo que
24:14estuvo un tiempo comiéndose puro
24:16a turistas. Bueno,
24:18hay historias que dicen que en los Everglades
24:20hay historias de verdad donde la gente...
24:22son mitos, ¿no?
24:24O sea, leyendas, como se dice,
24:26de que desaparecen y, bueno, nunca nadie sabe
24:28por qué. OK, veamos, para
24:30mostrarles más que todo las grandes, que son las que más resaltan,
24:32vamos en la cámara. Hablame un poquito de ésta.
24:34Bueno, no sé si quiero que me hables de ésta.
24:36Esta obra se llama 01-27-68,
24:38y fue el día que yo nací.
24:40Y los nombres en hebreo son los 72 nombres
24:42de Dios. Ellos son dos de ellos. Uno
24:44dice, paz para el mundo,
24:46y el otro dice, enriqueciendo
24:48el alma.
24:50Ahora, siempre tuve la inquietud de preguntarte
24:52¿de dónde vienen tu imaginación
24:54las personas con cara de pingüino?
24:56Con cara de pingüino y muchas veces
24:58con cara de pájaro.
25:00A mí me gusta mucho el humano con la naturaleza
25:02porque me encanta, soy parte de ella
25:04y la amo, amo la naturaleza y todo lo que está en ella.
25:06Promueve nobleza para ti, ¿no?
25:08Sí, es lo que yo exploro todos los días y está
25:10dentro de mí. Me gusta
25:12ser algo diferente.
25:14Yo creo que eso es lo que a la gente le gusta también, porque estás
25:16cansado de quizás ver arte que, bueno,
25:18pintan un edificio o esto y lo otro, aunque es bonito, pero
25:20algo que tiene imaginación.
25:22Yo quiero saber qué pasa por tu mente cuando estás pintando
25:24todo esto, porque, ¿no?
25:26¿Por qué no?
25:28Aquí está la mitad de las cosas que pasan por mi mente
25:30y las que no están, están peores.
25:32¿Y tu esposa qué hace cuando estás pintando?
25:34¿Sale corriendo? ¿Se queda? ¿Te apoya?
25:36No, se queda trabajando en internet casi todo el tiempo
25:38una vez apoyándome, otra vez discutiendo
25:40conmigo, pero...
25:42¿Qué es eso?
25:44Aquí tenemos otro que también es de magnetismo
25:46bastante grande y luego tenemos el cocodrilo que les quiero mostrar.
25:48A ver, ¿este de qué me dices?
25:50Este obra la dediqué a Lea Henderson
25:52porque los grandes artistas en toda la historia
25:54siempre han tocado el tema de Lea Henderson porque es
25:56la parte más grande de la historia y se ha quedado en la historia del arte
25:58entonces yo también como artista contemporáneo
26:00ahora también quiero mostrar mi pequeño grano de arena
26:02para esa parte que quede para la historia también.
26:04Ahí está Lea Henderson.
26:06Y dos preguntas más.
26:08Quiero saber de ese ahí arriba
26:10que es el que más me llama la atención, porque está simpático.
26:12La verdad es que lo miras y te hace sonreír.
26:14Eso se llama...
26:16Yo cuando tengo tiempo libre voy a los canales
26:18que tienen acá y me encanta ir
26:20donde están los ríos, donde hay cocodrilo y...
26:22¿Has visto los Everglades?
26:24Sí, pero en Tampa siempre iba a los ríos donde estaba lleno de cocodrilo
26:26y siempre hacía callao.
26:28¿En Tampa hay cocodrilo?
26:30Una vez estando ahí me dijeron, los cocodrilo se te pueden comer.
26:32Salió una noticia hace poco que un cocodrilo saltó y se comió a una persona.
26:34Entonces yo dije, bueno voy a hacer un arte que tenga que ver con eso.
26:36Yo siempre voy al río,
26:38hago callao en el río, voy a hacer un cocodrilo
26:40como que ya se comió a unas cuantas personas y lo voy a hacer con pies
26:42y ahí lo llevé.
26:44¿Cuatro personas se comió específicamente?
26:46Todavía no, porque todavía estoy por acá.
26:48No sé si le entran más, creo que está lleno.
26:50Por eso el bote vacío y los pies en cocodrilo.
26:52Bueno, y la intriga de todos creo que es,
26:54para los que no conocen el arte de él,
26:56¿Por qué eligiste el rojo y el negro?
26:58El rojo es el color favorito mío.
27:00No solo hago trabajo en rojo,
27:02hago en base blanco, en azul,
27:04en diferentes colores, pero me baso más ahora en el rojo
27:06porque es la serie más grande que tengo que se llama
27:08Yo Vivo en un Planeta Rojo
27:10y para el barro es súper especial.
27:12¿Yo Vivo en un Planeta Rojo?
27:14¿Qué significaría eso?
27:16Porque los colores tienen un significado, te lo sabes, ¿no?
27:18El color del rojo es el color del warning,
27:20del semáforo, el color de la sangre.
27:22Nuestra sangre está, es el color del amor.
27:24Sí, lo iba a decir, mucha gente lo siente.
27:26Es el color más lindo, el color de todos los más lindos.
27:28Bueno, no sé si la sangre es linda, pero el amor sí.
27:30La sangre no es linda, pero fluye por dentro de nosotros
27:32y nos mantenemos vivos.
27:34¿Ves?
27:36Hay que sacarle miña a todo.
27:38Bueno, yo me estoy acostumbrando al lenguaje cubano,
27:40todavía no estoy ahí, y bueno, ¿y el negro?
27:42Bueno, el negro y el blanco.
27:44El color negro representa la noche, el blanco representa el día.
27:46Sí, pero quería que vos lo digas,
27:48porque si lo digo yo, no es mi arte, es la tuya.
27:50Bueno, sí, el blanco representa, en todos los blancos,
27:52en todos los lugares, representa el día,
27:54lo bello que es el día,
27:56el sol, la nieve, el sol y todo.
27:58I'm going to strangle him.
28:00Y lo negro representa siempre la noche.
28:02Sí, si yo me pusiera a explicar
28:04lo que para mí son el blanco, el negro y el rojo,
28:06no tendría sentido, pero tú como artista,
28:08¿cómo es tu pintura? Por eso te lo pregunté.
28:10Bueno, ¿verdad?
28:12Yo sé que es simple, pero la gente no lo entiende a veces.
28:14Bueno, hay muchas personas que hay que explicarle
28:16todo detalladamente, y yo estoy aquí para eso.
28:18Te doy muchas gracias por la...
28:20Es un señor.
28:22Para los que quieren obtener quizás tu arte, ¿dónde pueden conseguirte?
28:24Pueden ir a GuerreroArt.com, es mi página oficial en la internet,
28:26y voy a estar aquí en este lugar,
28:28en el Red Bar, por un mes.
28:30Los invito a que vengan y vean la obra por sí,
28:32por su propio medio, y la interpreten por su propio medio.
28:34Si tienen alguna duda, llámenme,
28:36no les voy a contestar, pero igual...
28:38Mira, es medio cabeza dura,
28:40pero es buena onda, lo tengo que decir.
28:42Muchas gracias.
28:44Yo pensaba que eras argentino.
28:46Eso es lo que piensan la mayoría de las personas, por el pelo, la onda.
28:48Tengo muchos amigos argentinos.
28:50¿Qué querés? Decime algo.
28:52Es la buena onda, pero tenés que sacar más la buena onda.
28:54Los argentinos son unas personas encantadoras,
28:56tengo muchas amistades argentinas,
28:58y yo creo que no solo los argentinos, sino que toda la gente en el mundo
29:00son personas lindas, y todo el mundo tiene una parte linda
29:02de su ser que lo quiere compartir
29:04con las demás personas, y aquí estamos para eso.
29:06Para hacerlo bien y disfrutar.
29:08Es así. Bueno, antes de dejarte ir,
29:10felicitaciones, porque me encantó
29:12la idea del animal con la persona,
29:14es verdad, la bondad, el cariño, todo eso,
29:16es algo que es lindo, ver que alguien lo interprete
29:18junto, y los humanos somos bondadosos,
29:20somos, bueno, la mayoría, por lo menos.
29:22Los humanos somos seres especiales.
29:24Eso sí, pero los animales creo que son más especiales
29:26con nosotros, por eso si nos juntáramos,
29:28quizás saldría una especie como la que hiciste tú,
29:30mucho más interesante.
29:32¿Te imaginas a esas personas aquí caminando con cabezas de pájaro?
29:34Sí, me lo imagino.
29:36Sí, mucho mejor. Bueno, felicitaciones.
29:38Mándanos un saludo a Miami TV,
29:40y te dejamos porque hay gente...
29:42Los quiero, vengan, pasen por aquí,
29:44mírenla ahora en persona, caballero,
29:46vengan, y por favor, vengan con un cheque en la mano.
29:48Sí, no, digo, lo tenemos que dejar ir porque está la gente...
29:50Quiero que me expliques esta hora para comprarlo, así que...
29:52Gracias, dale, chao.