La promesa - Temporada 3 - Ep 385
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00:00It wasn't necessary, Petra.
00:05Well, miss, we can talk more calmly here.
00:08And for me it is an honor that you want to deal with a matter of such importance with me.
00:15Although the truth is, I don't know how I could help you.
00:19Neither do I, but well, we'll see. That's why I'm here.
00:23The truth is that my knowledge of Count de Ayala is reduced to the little treatment I have had with him.
00:30I don't know who his enemies are or if he has them.
00:34But you were his secretary for a while.
00:38Well, secretary, miss, that's a lot to say.
00:42I have only been a simple maid who was asked to help the count in certain tasks.
00:48Especially with his correspondence, as you have commented.
00:51Because that is what interests me precisely.
00:54I don't think I understand you, miss.
00:58If you, Petra, read the letters of Ayala, wrote others to his dictation,
01:05that gave you access to certain information.
01:08Don't you think of anything in those letters that could explain what happened?
01:12Some kind of grudge, resentment?
01:20I'm sorry, the truth is that I can't be of more help to you, miss.
01:26Although ...
01:28However, yes.
01:33The truth is, miss, that it has nothing to do with the correspondence of the count.
01:38And well looked at, it was more my impression than anything else.
01:42But there is something that caught my attention from the beginning.
01:47And it is that Count de Ayala showed a lot of interest in the promise.
01:51And not only in the palace, also on the farm and in his possibilities of ...
01:56I don't know how to say it.
01:58Exploitation possibilities.
01:59Yes, yes, that's what the count said.
02:02I guess it's something that doesn't matter.
02:05Not necessarily, but ...
02:08I admit that I don't know what relationship he may have with the cause of poisoning.
02:12Well, miss, I'm not saying he has.
02:15I'm just pointing out something that caught my attention.
02:19Sure, and I appreciate it.
02:22Please continue.
02:24Well, Vera, at first I thought that all that was mere curiosity.
02:31But soon I realized that what happened with Count de Ayala was pure interest.
02:35Because, for example, he didn't stop talking about practical things.
02:40He said that all the possibilities that the promise offered were mostly wasted.
02:50And then ...
02:53Then there was something else that also caught my attention.
03:01It was you, miss.
03:03It is known that Mr. Ignacio and Mrs. Margarita did not tolerate each other.
03:09That is to say, with delicacy.
03:12And yet, overnight, Mr. Ignacio stopped harassing Mrs. Margarita
03:17and began to go to her company and pour water on her on the slightest occasion.
03:24Yes, it is true that I do not know when they began to intimate.
03:28It was all very sudden.
03:32And soon, Mr. Ignacio announces that he is madly in love with her and intends to marry her.
03:40And did you miss his change of attitude?
03:42Yes, very much.
03:44But as I later understood the reason ...
03:49I hope you tell me right away because you disgust me.
03:55But you, miss.
03:57I am convinced that, precisely during those days,
04:00the count knew that Mrs. Margarita was the owner of nothing more and nothing less than a quarter of the promise.
04:07So he proposed to seduce her, to marry her.
04:11And in that way, everything had gone according to his calculations.
04:17It was where he wanted to be.
04:19And the pieces where he had planned them.
04:22All but one.
04:25Martina.
04:26Precisely.
04:28Count Dallala found that all the whims,
04:32requests and gifts that had served him to earn the favor of the mother,
04:36had not affected him at all with the daughter.
04:39Because Miss Martina refused in a roundabout way that her mother marry him.
04:45And Count Dallala realized that Miss Martina had become an obstacle for his plans.
04:51And as time went by, in a more and more insurmountable gap.
04:59Or so it seemed.
05:01Because now everything points to that it will cease to be.
05:09Do you mean that the count made it seem like something that is not?
05:16Oh, miss.
05:18Who am I to say anything?
05:21You.
05:24You draw your own conclusions.
05:33I thank you for your confidence and I do not take away your reason.
05:36The lackeys and the mozos have to pay their debts to the mayor.
05:40But the next time Mrs. Arcos asks for an explanation, you give it to her.
05:44Are you sure, Mr. Meza?
05:45Yes, yes, yes. Do it. For the good of all, give it to her.
05:50Understood?
05:51High and clear, sir.
05:52I hope so. You can go.
05:56Thank God. I was starting to worry.
05:59It's too late, sit down.
06:00I know. That's why I came to see you for the first time.
06:03It was a shame to leave Mrs. Adarre alone, I guess.
06:06Well, yes. The truth is that I miss her more and more.
06:09And Mrs. Arcos?
06:11What's going on with her?
06:13Well, nothing. I left with the rumble that she had heard something from us.
06:17The truth is that when she asked where I was going, my blood boiled.
06:21And I thought she had discovered us, but then you came up with that notion of the Lord and ...
06:25The first thing that came to my mind.
06:27Well, thank goodness.
06:28The truth is that woman does not leave us even in our moments of rest.
06:31Well, in this case there is nothing to worry about.
06:33Mrs. Arcos, all I wanted was to complain because I would have sent her to Lujan
06:37without having consulted her before.
06:39My God.
06:40Yes, she is upset because she says that we act behind her back. What do you think?
06:44Well, it seems to me that she has a reason.
06:47Well, it seems to me that she has a reason.
06:51It's like the fox that complains that the owner of the hen throws stones at him.
06:57What's wrong with her?
06:59No, nothing. I like her sense of humor. I always like it.
07:04Well, the fox we are talking about also wanted to comment on the matter of Mrs. Carrance and her son.
07:11I tell you all this to reassure you.
07:14If Mrs. Arcos had known something about Mrs. Carrance, she would not have let her know.
07:18So she doesn't know anything, she doesn't suspect anything.
07:21Well, thank goodness.
07:22And now the important thing. How is Mrs. Carrance?
07:26Is she well? Did she take all the food?
07:28Was she able to find the blankets in Lujan?
07:30Yes, she took everything, but ...
07:32The truth is that I found her very unwell and quite weak.
07:35She was a bit down when I got there.
07:37But then she went to drink Mrs. Simona's broth and ...
07:40The colors even came out of her face.
07:42That broth is an apostolic blessing.
07:44And I'm going to confess one thing.
07:46Sometimes I go down to Hurtadillas at night to the kitchen and I have a cup.
07:50So, without permission and without need.
07:55Everything in order then?
07:57Yes, ma'am.
07:58Today I have ordered Lope to take care of the inventory of the pantry.
08:03And I am pleased to inform you that we have enough canned provisions for a month and a half.
08:08You don't know how happy I am.
08:10And also, to make sure that there is no possible mistake, I have asked him to repeat the task.
08:15Very well.
08:17I have also commissioned a maid who, during the cleaning of the palace these last few days,
08:22will take note of those furniture that will need some arrangement.
08:26But almost everything is in very good condition,
08:29beyond some small imperfection such as some seats in the furniture of the greenhouse.
08:35But I have already given orders to start with the arrangements tomorrow.
08:39Splendid, Petra.
08:41I give myself to be informed.
08:43And then there are the rumors and rumors, such as the case of Virtudes, Simona's daughter ...
08:48Stop, stop.
08:49I don't need all that detail.
08:51Do you think I don't have enough with the things that matter?
08:58The desperate situation with my niece,
09:01the recklessness with my husband, who does nothing but avoid me,
09:05not to mention that my son is in a war where thousands of men die every day.
09:09Excuse me, ma'am.
09:13As you will understand, the misdeeds of the service matter very little to me right now.
09:18While the work is done for me, as if they were killed.
09:23With your permission, ma'am.
09:25Come in.
09:34Come in.
09:40Has something happened?
09:43Hayal has taken advantage of the dinner to make us a proposal.
09:56A few days later.
10:08Good morning.
10:09Yesterday I left a lot of clothes here to mend.
10:12Do you know where they left it?
10:13They are there. The rest is mine, I have to get everything later.
10:16Thank you.
10:26Good morning.
10:28Good morning.
10:29My father has asked me to go buy some things in Lujan.
10:33The problem is that there are too many for one person.
10:38So I asked him and he gave me permission to go with a lacayo or a maid.
10:44Why don't you come with me to Lujan so we can take a walk or chat for a while?
10:49Together.
10:51If you want and dare, we can take a little longer and go to a tavern to have a drink or a hot chocolate.
11:00I don't know, Santos.
11:03If what worries you is the return, I can talk to Mrs. Petra to give her a good excuse and that there is no retaliation.
11:08No, that's not it.
11:11Cheer up, come on.
11:12I wish I could, the plan seems very tempting to me, but I have a lot of work.
11:17Are you sure you can wait?
11:18No.
11:19In fact, all these garments had to have been patched up.
11:22They accumulated yesterday and you can see how I am.
11:24And with all this, at least I have all morning.
11:27But ...
11:28Santos, leave it.
11:29You already know how demanding Mrs. Arcos is and the last thing I want is to start the day putting her against me.
11:36Sure.
11:49Martina.
11:51Martina, you have to eat.
11:54I don't say much, but don't skip breakfast.
11:57If you don't eat, you'll end up feeling worse.
11:59I just can't.
12:00Catalina, I really can't.
12:01I have a closed stomach and I can't eat anything.
12:03That's fear.
12:04Of course it's fear.
12:05How can it not be fear?
12:06You wouldn't be afraid.
12:09Yes, of course I would.
12:10No, no.
12:12I didn't mean to say that.
12:13They want to take me to a sanatorium.
12:15And I know they call it that, but it's actually a asylum.
12:19And I know those places are horrible and I know it by heart.
12:22That his mother has been in them all her life.
12:24This doesn't have to be the same.
12:25I think they're all the same.
12:27Don't even assume you're going to go.
12:29It's not all said yet.
12:30That I have no choice.
12:32That they have already decided for me.
12:33That I can't deny myself.
12:34I can't hide in the hangar.
12:36Look.
12:38I hope you don't have to go.
12:40But if in the end they are sure that your mother will not allow you to enter a place
12:44like the ones Curro described to you.
12:47Not her, not my father, not me.
12:49Martina.
12:51Do you know what's the worst?
12:57The food.
13:03The worst thing is that when I leave,
13:06if I ever leave,
13:09I will never take off my stigma.
13:12In all the hangars, I will no longer be Martina.
13:14I will be Martina the crazy.
13:17We have not yet entered and you are already thinking about what will happen when you leave.
13:21I just don't know how I got here.
13:24I'm not a murderer.
13:26And I'm not crazy.
13:27And they are giving both things for free.
13:30I'm sorry.
13:32I'm very sorry.
13:35I'm sorry.
13:41I'm sorry.
13:52Hello.
13:54Hello.
13:55Are you very busy?
13:57I don't want to entertain you and make you fall for my fault.
14:00No. Yes, I almost have nothing left.
14:02It's twisting this and this.
14:04In the meantime, you can stay if you want.
14:07Can you believe that until I got here,
14:09I thought that the rich, when they got out of Sila,
14:11threw a sock at them.
14:13Well, you see that they don't.
14:15Well, I don't understand it.
14:17Because they are rich, right?
14:19Why don't they get a new one and here peace and then glory?
14:22What's the point of wearing a sock to make it last longer?
14:26They don't wear them.
14:27Someone has to wear them.
14:29Yeah, but it's not worth it, Vera.
14:32As you can see, you don't know how much a pair of rich people's socks cost.
14:37Oh, what's that?
14:38Of course, what's that?
14:42And how are you?
14:43Are you still getting better?
14:45Yes, I'm much better.
14:47My back hurts a little,
14:49but I had to wait after the beating they gave me.
14:52What worries me is something else.
14:54What?
14:56Well, we prepare the food down here,
14:58but the stomachs are up there, Vera.
15:01And if breakfast or half comes back,
15:02it means that there is something that is not going well
15:04and I don't understand very well what it is.
15:07Do you know if something has happened?
15:09I don't know.
15:10But I've heard that yesterday Count Ayala
15:11must have said something to Miss Martina,
15:13which shouldn't be a small thing.
15:15It's the same.
15:18Well, it's the same, yes.
15:20I don't know, I haven't heard anything.
15:22But well, it's also true that I never heard anything.
15:27What's wrong?
15:28You find it funny that I don't hear anything?
15:30It's that you think it's true.
15:31Yeah.
15:35And now what's wrong with you?
15:36Well, I just realized that I have three kilos of peas
15:39inside their veins.
15:41No, don't laugh because they should be out by now.
15:44I have to go.
15:46Wait for me to go with you and I'll give you a hand.
15:48And that's it.
15:50Let's go.
15:53Let's go.
16:04I don't know.
16:09Well, it seems that Count Ayala made things very clear.
16:12That he was going straight to the Civil Guard
16:14to file a complaint.
16:16Well, all this reminds me of the baroness of Grazalema
16:18when she threatened Mrs. Marquesa.
16:21Well, yes.
16:22Something similar happened when the lady tried to strangle her.
16:26Anyway, I feel sorry for Miss Martina.
16:29She was so excited so recently
16:31because I told her to write a letter to Manuel and Curro
16:34and she thought it was a good idea and she got excited.
16:39We just have to pray for her.
16:41Because she has a future, a black man like coal.
16:44Well, yes.
16:48And speaking of praying, how about your afternoon off?
16:52My afternoon off? What afternoon off?
16:54Yes, the afternoon you went to the church to light a candle for the Virgin,
16:57for Curro and for Manuel.
16:59Ah, well ...
17:02Well, the truth is that it was fine.
17:04Fine, fine. It was fine.
17:06The church was half-empty and well ...
17:10I took the opportunity to ask for everyone.
17:13Well, your prayers were answered.
17:15And why did you come back so late?
17:18Well, because I was taking a walk around town
17:20and suddenly it got dark so ...
17:24So I decided to have something to eat at the tavern.
17:29Well, what about around here? Did something happen while I was away?
17:32Don't you think what I told you about Miss Martina is not enough?
17:35No.
17:36Well, then María Mandrago set up a good virtue for her
17:38when she went in search of her son.
17:41She didn't let her go?
17:42Well, yes. Miraculously, she let her go.
17:45And because it was her afternoon off and because she didn't know where she was going.
17:47But something was suspicious.
17:49With so much hug and so much farewell.
17:51Well, I think that sooner or later she will find out.
17:54That she always finds out everything.
17:55Well, yes, for sure she will find out. Come on, and more now.
17:57And more now? Why?
18:00For two reasons.
18:01The first one, because since she has been a keymaker,
18:03she has been watching more than before.
18:05Come on.
18:06She seems like a permanent guard.
18:09And the second one, because of Santos.
18:11Indeed.
18:12That she is going with the story of Pato.
18:14Well, I think those two get along so well
18:16because they are just as bad.
18:19So you have to be very careful with what we tell Santos
18:22because it is clear that Petra will find out later.
18:28What's wrong with you?
18:31Because I was remembering ...
18:34when I was in La Verbena with Salvador, with Santos and Vera.
18:37You already know how I get when they give me a couple of wines.
18:40Come on, I get drunk and I don't stop.
18:43María, but you didn't tell her anything, did you?
18:46Knowing me, Hanna, no, Nina.
18:51You too, right?
18:53Yes.
18:55Everything.
18:57Everything.
19:02Well, well, well.
19:05Well, well, what?
19:06No, how are you?
19:08Now that you are again in the low funds.
19:11You are always so thoughtful.
19:12No, no, seriously.
19:14How about this side of the law?
19:16Do you adapt?
19:18Well, the truth is yes.
19:21I feel very good, Salvador.
19:23It's been a long time since I felt so good.
19:25I'm waking up wanting to work,
19:27to be with my colleagues, to cook new recipes.
19:30Everything.
19:31Well, I'm glad, that's very good.
19:33Yes, the only problem is that I feel a little back pain,
19:36but I think that's normal.
19:39Why don't you ask Hanna for one of her miraculous ointments?
19:42I'm sure you'll heal before you take it.
19:44Like Benito's purge.
19:45Look, he did know about pottings.
19:48Yes.
19:49Yes, yes, I think I'm going to ask Hanna for some advice.
19:52Of course, man.
19:53Ask her.
19:54I'm sure she has some remedy for you.
19:58Let's see.
20:00Come on, what is mine?
20:02I mean your back.
20:04The other thing, how do you keep getting into ruts and graves?
20:08Neither Hanna nor Santa Hanna raised you.
20:12Yes.
20:15I still don't know how I ended up in there.
20:18I don't know.
20:20Well, you knew how to get out.
20:22That's the important thing, isn't it?
20:24No.
20:25I didn't know how to get out, Salvador.
20:28If I got out, it was thanks to you.
20:30And above all, thanks to Mr. Baeza.
20:33He looks good, but he's twice as good as he looks.
20:37But I assure you that I've learned the lesson.
20:42That's for sure.
20:45I've always trusted you, Lope.
20:49I'll make sure you know.
20:52Even if it's just so I don't disappoint you or Mr. Baeza.
20:58I just hope you forgive me.
21:02Of course, Lope.
21:18I've already told you I don't like you getting close to me.
21:20I just want to tell you something.
21:21Yes, I guess.
21:22Alonso, I just want to tell you about a letter I received from some good friends of mine in Madrid.
21:27What you're telling me is very interesting, but I can't talk to you right now.
21:31Do you want to talk about it another time?
21:33I have a lot on my plate. I can't promise you anything.
21:44Puzzle solved.
21:46I've been asking myself where you've been all lunch.
21:50I was barely hungry and I've decided to eat something here.
21:55Can I ask you what happened to you, Maria Antonia?
22:01I appreciate it, but I don't think you can help me.
22:05Is it because of the last murder of Martina yesterday?
22:08Well, there's only one reason, but yes.
22:12It's heartbreaking what happened to that girl.
22:14What future awaits her?
22:16A very dark one, certainly.
22:20But you said you weren't like that for a single reason.
22:23No, the other one is that since Alonso invited me to leave, I feel like an intruder in this house.
22:31It's natural.
22:33It could seem that everything would be solved when Cruz intervened and demanded that I stay.
22:38But no.
22:40But Alonso accepted it.
22:42We talked about it and agreed that it was still a misunderstanding.
22:46I don't want to make a new account.
22:48But there is still a lot of tension between us.
22:51Especially on his part.
22:52And not just with me.
22:54Also between him and Cruz.
22:56And that worries you?
22:58Well, yes.
23:00And not only because I think all this can affect my relationship with her,
23:03but because I also suffer from all those possible disagreements between them.
23:07I wouldn't like his marriage to be ruined by all those disputes.
23:12Don't blame yourself.
23:14The situation in the palace is part of the problem.
23:17The Marquises are very tense about everything that is happening to Martina.
23:21Not to mention that they have Manuel in front of them.
23:24It is logical that Alonso does not show himself to be completely affable, but neither with you nor with anyone.
23:29Well, that's bad comfort, isn't it, Captain?
23:32I also tell you, as a consolation, that if you manage to talk to him, you will be able to reach an understanding.
23:41Yes, I am also of that conviction.
23:44But as things are, being able to talk to Alonso is practically impossible.
23:48Among other things, because he constantly avoids me.
23:51I understand.
23:53Is there anything I can do to help you?
23:55No, I don't think so.
23:58I think so.
24:01What do you mean?
24:02You know, I think the constant presence of the Marquise is what makes Alonso not completely relax.
24:10And?
24:12That if you want to have the opportunity to have a normal conversation with Alonso, that happens because ...
24:19Because Cruz disappears.
24:22Let's see, I don't know where you want to go.
24:26I can distract her.
24:29I'll take her for a walk, or whatever I can think of.
24:31And I'll leave you free so you can solve your problems with Alonso once and for all.
24:36No, I'm not sure that's a good idea.
24:38People understand each other when they talk.
24:43You may be right, yes.
24:45I have it.
24:47Leave it to me.
24:58But let's see, they are from the town, we know them.
25:01What's the problem in joining us?
25:03You mean, what's so good about that, Salvador? It's a football club.
25:06Well, what's so bad about it?
25:08Let's see.
25:09If the club is a football club, it's because those who found it want to play football.
25:13And neither you nor I know how to play.
25:15But you learn, Lope.
25:16Salvador, I have no interest in learning how to play.
25:18But if you haven't played in your life.
25:20Well, that's why. Another reason not to learn.
25:23Besides, I don't see myself.
25:24And I don't have the ribs to start exercising.
25:27Not the ribs, but you don't need them, you have good feet, right?
25:29I'm telling you no, that's it.
25:31Well, it's fine, it's fine.
25:34And now I'm leaving because I have to continue with my homework.
25:36But I don't forget.
25:53This morning he was in Lujan, making some messages.
25:58Well, very well.
26:01And while he was in Lujan,
26:02a little bird told me that Vera has been helping you in the kitchen.
26:10What do you have to say about that?
26:14Nothing.
26:16And now, if you'll excuse me.
26:19What was Vera doing in the kitchen?
26:24Helping me get rid of guisantes.
26:27Since when do I have to give you explanations about anything?
26:29You have nothing.
26:31Do you have something bad?
26:34Leave my girlfriend alone.
26:37Do you understand?
26:38Leave me alone.
26:41Whatever you have with your girlfriend is your business.
26:44And if you don't trust her, it's not my fault.
27:00Actually, it hasn't been long since your daughter left.
27:03This is the second night.
27:05And with what happiness, girl?
27:08If you want, I say it with a smile on my face.
27:10Well, you can try.
27:11You're always getting worse.
27:13But this time I think I have more than enough reasons.
27:17Well, Mrs. Simona, it's no use torturing yourself with possibilities.
27:20Before ignorance, the best is not going to get anything.
27:22Is that what I say?
27:24That's very easy to say, but it's not that simple.
27:26But your daughter is a very awake girl.
27:27Don't worry about her.
27:29She may have arrived in a hurry and preferred to stay in the Lucerne fountain
27:34to spend the night, to arrive in the morning with a better time.
27:37Well, let's hope that's not the case.
27:39Because I had dinner once in that fountain.
27:41Some torres and some sardines.
27:43I won't forget that.
27:45I don't know if it was the fault of the sea or the mountain.
27:48But the sentence was served.
27:50Miraculously, I didn't go to the garden that night.
27:53I was more tired.
27:55Maybe it was indigestion.
27:57Are you calling me a glutton, Mr. Pellicero?
28:00No, no, no.
28:02That's what I thought.
28:04No, I assure you that I would never insinuate something so disrespectful, Mrs. García.
28:10Revenge, Ricardo.
28:12I was in a bad mood.
28:14Don't give me that, Mrs. Pellicero.
28:17Forgive me, but don't tell me that your face wasn't meant to piss us off.
28:22I would prefer that you leave the bad mood at this moment, Candela.
28:24You're right, Candela.
28:26Anyway, I don't have to have dinner at the Lucerne Fountain, even though I sleep there.
28:29Don't you want to go to bed early?
28:31Well, Mr. Baeza, I prepared some snacks for you so that you didn't have to eat outside.
28:36Well, as you will understand, after a day and a half of your snacks, you won't even remember.
28:40I don't think so.
28:42I prepared seven for you.
28:44Two of pork loin, two of bacon, two of chorizo and one of paletilla.
28:46And according to the way I wrapped them, they have to last until tomorrow.
28:49Well, then the girl won't go hungry.
28:50You have prepared plenty and forceful snacks for her.
28:53Blessed be my Lope, who is so ...
28:55No, yes, that's true, but ...
28:57This is very strange.
28:59She should be back by now.
29:01And if things have gotten complicated for her ...
29:03Don't be a whore, come on, Sibona.
29:05I should have gone with her.
29:07Because I could have helped convince her in-laws to respect me and we get along very well.
29:12It's no use regretting something you could have done in the past, Mrs. Martínez.
29:15Besides, Mrs. Arcos would have put inconvenience to her absence in the kitchen.
29:19With all due respect, Mr. Baeza,
29:21I don't care about the inconveniences that Mrs. Petra has put me in this matter.
29:25That's it, that's it, that if we cared what she says or says, we would be bitter.
29:30Well, whether we like it or not, Mrs. Arcos is the master of keys.
29:33What we have to do is not make it easier for her to get into trouble.
29:36Yes, of course, and you are her superior.
29:39I would like to ask you one thing.
29:41What thing?
29:44Let me leave to get my daughter so that I can help her in her task.
29:48What a real agony, huh?
29:50Mrs. Martínez, I think the most prudent thing is to wait for your daughter to return.
29:54But this is very strange, Mr. Baeza.
29:56Please.
30:00Okay.
30:02You are a blessed man.
30:04Yes, but you will leave tomorrow morning.
30:06If by then your daughter has not returned, then you have permission to leave.
30:18Have you seen Cruz?
30:20I can't find him anywhere.
30:23Lorenzo had stayed for dinner with a superior of his, who happens to be in Lujan and who ...
30:29and who has been a military observer on the front.
30:32And he has asked Cruz to accompany him to that dinner.
30:35In case the other one has any news about Manuel's battle, right?
30:38Yes, I guess he doesn't know anything new, but ...
30:42And how is it that you haven't gone to dinner with them?
30:46I would have loved to.
30:49But Lorenzo does not want to deceive his guest. The man prefers to be discreet.
30:53Because of the neutrality of Spain.
30:56The fewer people know that he has been on the front, the better.
30:59A cautious man, it seems.
31:01Yes. And I was going to retire.
31:03Well.
31:05I can always stay here alone.
31:09Wouldn't it be very gentlemanly of me?
31:13No.
31:15It wouldn't.
31:16And in any case, Alonso.
31:18Are you going to keep avoiding me?
31:21There has been too much tension lately.
31:24I mean, between us.
31:26Are we really going to allow your misunderstanding and a little touch to spoil everything?
31:32Because it wouldn't be beneficial for us, but it wouldn't be for anyone.
31:37Wouldn't it be better if we lowered our guard?
31:40And if we treated each other naturally again?
31:42Naturally.
31:45The promise needs harmony and understanding again.
31:53You may be right.
31:55We already have enough real problems to complicate everything with something so easy to solve.
32:02It couldn't be more.
32:12I love you.
32:42I love you.
32:51Martina, daughter.
32:54The time has come.
32:56The time for what?
33:07The time to go to the sanatorium.
33:10What? No.
33:11No, no, no, no.
33:12Daughter, please, don't make it more difficult.
33:15This is also very painful for me because you are my daughter.
33:17It can't be. It doesn't make sense.
33:19No.
33:20There has to be a way to prove that I'm innocent.
33:23No, there isn't.
33:26There isn't.
33:28This is...
33:30This is the best solution, or at least the...
33:33the least bad.
33:36I promise you that the count
33:39has searched heaven and earth to find a place in a wonderful place.
33:42It's a residence with all the amenities.
33:45It's a first-class sanatorium, daughter, so you can get well.
33:47And I don't have to get well? I'm not crazy.
33:49I don't have to cure myself of anything.
33:50Of course you do.
33:51Please, don't take me to such a horrible place.
33:53Martina, listen to me.
33:54No. No.
33:55Listen to me. I'll go with you. I promise I'll go with you.
33:58And if the place is as horrible as you think, I will never leave you there.
34:01Do you hear me? Never.
34:04I don't care about you, daughter.
34:06I don't care about you.
34:09Mother, please.
34:11If you love me, don't leave me in that place.
34:13If you love me the most, let me live.
34:14Please, don't leave me in that place.
34:15Of course I love you. You're what I love the most.
34:17You're what I love the most in this world, Martina.
34:19You're what I love the most.
34:23And that's why I ask you to let me help you, daughter.
34:27Everything will be fine.
34:28No.
34:29Everything will be fine.
34:30No.
34:31I love you.
34:38I love you, Martina.
34:45I love you.
34:57First, we're going to serve a soup.
34:58Then, a spoon and a deep plate.
35:01Well, and one less service.
35:03Is it true?
35:04Yes, that of Miss Martina.
35:06How could they have taken her like that? Poor thing.
35:09Besides, it's in the middle of the night.
35:10She wouldn't have time to say goodbye to anyone.
35:12There's no right.
35:14Well, but Miss Martina is a very strong and very smart young woman.
35:17So, I'm sure she can handle all that and be home before it's too late.
35:21I hear you, daughter.
35:22Of course, Maria.
35:23Yes.
35:24Besides, I'm convinced that sooner or later, the truth will be revealed about the poison and who's behind it.
35:30Are you sure it's not Miss Martina?
35:32Because Miss Martina is not a murderer.
35:34As long as there's no evidence against her and she's back on her feet.
35:37Exactly.
35:39Well, I have to go back to the kitchen to check the soup.
35:42I'll go with you.
35:44Of course.
35:54You don't get it either, do you?
35:55Well, no.
35:56The truth is that I don't.
35:58If they see the glory together.
36:00Have you noticed that the phrase ends?
36:02One, the other, and the other, the one.
36:05Anyone who doesn't know they broke up a while ago would think they're still dating.
36:09Well, yes.
36:10They're dating who fight very little.
36:12Not like us.
36:14It's a joke.
36:15A little chance, huh?
36:18If he looks for me, he finds me.
36:20How am I going to fight with you?
36:21With how beautiful you are and how outstanding you are.
36:24It wouldn't make sense.
36:26Going back to Lope and Vera,
36:27what doesn't make sense is that they're not together.
36:30Well, yes.
36:31That girl is still with that idiot Santo.
36:33Especially when she doesn't love him.
36:35Because Lope is the one she's in love with.
36:39Have you noticed that you and I also ...
36:42The phrase ends, right?
36:43Yes.
36:45Yes, I had noticed, yes.
36:47You're very smart.
36:49Very smart.
36:50Well, yes.
37:04It's not that I thought you were a good mother, but this is already ...
37:07Let me go, Cruz.
37:08Please.
37:09Take your daughter to Rastras,
37:11in the middle of the night,
37:12without even allowing her to say goodbye to her family?
37:15Because you haven't even stopped saying goodbye to me.
37:17When you know that I consider her like another daughter?
37:18Never.
37:19Well, I already feel pretty bad,
37:20so that you come to me with your reproaches.
37:22And do you know what makes me most indignant?
37:24That someone doesn't obey your will?
37:26That when I was still fighting for Martina,
37:28you, who are her mother,
37:29you had already given up.
37:30No, I resisted as much as I could.
37:32Please.
37:33I tried to dissuade Ignacio
37:34when he said he was going to go to the Civil Guard.
37:37But it was useless,
37:38because you had already claimed from the beginning.
37:39No.
37:40No.
37:41That's not true.
37:42Of course it's not true
37:43that you have allowed them to take her to a asylum.
37:45Well, I have made the best decision for Martina
37:47given the circumstances.
37:48The best?
37:50It will be for someone else,
37:51but not for your daughter.
37:52Well, I have done what I could, Cruz.
37:54I have done what I could,
37:55so don't overwhelm me.
37:56Oh, you're overwhelmed.
37:57Poor thing.
37:58Cruz, leave me alone.
38:01Do you know how Martina will have felt these days?
38:05What?
38:06You don't have a heart.
38:07Look at yourself in the chest
38:08before saying that.
38:10How do you think your daughter will feel?
38:12Sad to the point of despair
38:13and on top of that, locked up in that horrible place.
38:15No, it's not a horrible place.
38:17Because I have accompanied my daughter
38:19and it has
38:20magnificent gardens
38:21and the rooms are very welcoming
38:23and it also has an excellent medical setting.
38:25But what are you saying?
38:27Don't you realize that's what they say
38:29to silence the conscience of the relatives
38:31who leave their madmen there
38:32as if they were broken dolls in a junkyard?
38:36I want you to be clear about one thing, Margarita.
38:38You can decorate it as much as you want.
38:40You can call it whatever you want.
38:41Sanatorium, if that makes you feel better.
38:44But I've made a couple of calls
38:45and I know what that place really is.
38:47And it's not a retirement home
38:48like the place they took me to.
38:49No, of course not.
38:51Because it's a clinic
38:52for conduct injuries.
38:54I'm talking to you with cause knowledge, Margarita.
38:56It's a madhouse.
38:57Let's see if you find out.
38:58Shut up!
38:59Shut up!
39:00Maybe with this
39:01you have avoided the scandal
39:02and the dishonor of prison.
39:04But I don't even want to imagine
39:05how Martina will get out
39:07of that
39:08clinic for conduct injuries,
39:10as you call it,
39:11if she ever gets out.
39:18I don't know what you told her,
39:20but you managed to destroy her.
39:22The truth.
39:23I only told her the truth.
39:24Did you know this?
39:26Did you know they were going to take her away last night?
39:28Of course not.
39:29Otherwise, I wouldn't have offered you dinner.
39:32I would have loved to see
39:33how you faced those two.
39:34Or they could have taken Catalina instead
39:36and not poor Martina.
39:39Are you outraged
39:40about your niece?
39:41You still don't understand?
39:43Yes.
39:44Not only have I not been able to help her,
39:47but on top of that,
39:48as soon as they take her away,
39:49I have the other one back.
39:51My stepdaughter.
39:52With her airs
39:53and her face of a republican,
39:54for God's sake.
39:56And I have to put up with her.
39:57If it were only her.
39:59What do you mean?
40:01That her visits are also there.
40:03What visits?
40:04Cruz,
40:05your stepdaughter is still seeing
40:06the man in the coat
40:07with whom she was seen in the hangar.
40:09I don't know what coat you're talking about.
40:11It doesn't matter.
40:12The fact is that now,
40:13as she is not locked in the hangar,
40:14she is going to see him here.
40:16So any day
40:17you find yourself
40:18playing the piano.
40:24But where are you going, Simona?
40:27I can't wait any longer here, Candela.
40:29Simona, for God's sake.
40:31I'm sure the girl was fine.
40:33And it's just that things are getting a little longer
40:35than we expected.
40:37A little longer?
40:38No.
40:41Don't move from there, I know.
40:42Let me go, I've lost my diligence.
40:43I won't let you go.
40:45Candela,
40:46don't get mad at me.
40:47Simona,
40:48use your wits.
40:50What wits?
40:51I don't know anything about my virtues.
40:52I don't even know where she is
40:53and what happened to her.
40:55The most normal thing is that she is on her way.
40:58And what can happen then
40:59is that if you go there
41:00and she comes here,
41:01well, she's going to cross
41:02and see us.
41:04That's also true.
41:05Of course I'm telling you.
41:08But no.
41:10I prefer to cross with her
41:11and take longer to see her later,
41:12to risk something happening to her
41:14and take longer to look for her.
41:15You're so stubborn.
41:16Besides, I have the permission of Mr. Baeza,
41:18so you,
41:19get out.
41:20Hey, hurry up.
41:21Ale, go away.
41:22I've already tried.
41:23Can you tell me what that scream is coming from?
41:25How does Maria Mandrago hear it?
41:27Nothing.
41:29Simona, she's going to look for virtues.
41:31Virtues? But why?
41:32What happened?
41:33Well, that's what I want to find out.
41:34What does she want to find out?
41:35But she suspects something.
41:36That she's going to see nothing.
41:37So?
41:38Herself.
41:39Because she doesn't care about the same thing.
41:40Well, that's why.
41:41And she's still in agony.
41:44Well, I'll continue with what you want, Candela,
41:45but I'm leaving.
41:46Go away.
41:48Virtues?
41:58What's wrong, Candela?
42:04Ale.
42:09My son.
42:14My son.
42:29I came back to the palace because I knew she needed me.
42:33I wanted to help her, but ...
42:36But I have failed.
42:39I have absolutely failed.
42:41Miss, but it hasn't been long since you came back.
42:44Why are you talking about failure?
42:46You haven't been able to fix anything, much less fail.
42:49The bad thing is that there is no more time, Adriano.
42:52Last night ...
42:55Last night they took her to a asylum.
42:57I found out this morning.
42:59My God.
43:01I'm sorry.
43:04I will never forget yesterday.
43:07Were you with her yesterday?
43:09Yes.
43:12And I ...
43:13I tried to comfort her,
43:15but I didn't know how.
43:18If only I could have said goodbye to her.
43:26Miss.
43:28Come on.
43:39But what is this?
43:41Well, man, what I needed to see.
43:45Who was this Gañan?
43:46And what is he doing here?
43:57Do you want to do me the favor of coming in?
44:00What I don't understand is why we have to talk here.
44:04And what's wrong with this place?
44:06No, it's not that.
44:07But was it necessary to come here?
44:09Yes.
44:11But why?
44:13Don't rush.
44:15And now you will understand.
44:22Are you sure that Mrs. Arco has given you permission to enter her office?
44:26I have her permission.
44:35Don't look at me like that.
44:37What's wrong?
44:39I look at you like the boyfriends look at their girlfriends.
44:42I don't like it when you look at me like that.
44:48Yesterday you told me that you couldn't come to Lujan with me
44:51because you had ...
44:53many tasks pending.
44:56Of course.
44:58It wouldn't be that many.
45:00What?
45:02It wouldn't be that many.
45:05Santos, I don't know what you mean.
45:07They told me that you were in the kitchen all day
45:10beating up Byzantium.
45:18With Lope.
45:25And don't bother to deny it.
45:30I wasn't going to do it.
45:31Better.
45:33Why?
45:35If everyone saw you.
45:38That's not true.
45:40Yes, it is.
45:43They also told me that you didn't stop laughing.
45:46That's not true either.
45:48The last time you laughed with me
45:50I think it was the day of the funeral.
45:53It must have been for something that Maria Fernández or Salvador said.
45:58Look, Santos, I don't know.
45:59Why do you know?
46:04I don't remember either.
46:06But I'm sure it wasn't for something I said.
46:11Santos, I don't know what you mean.
46:15Do you like being with Lope?
46:20Do you enjoy his company?
46:23He's just a partner.
46:26Just that?
46:29Just that.
46:30And then this is a thing of the past.
46:34Yes.
46:37Now you're my girlfriend.
46:40Yes.
46:41Say it.
46:44Say it!
46:47I want to hear it.
46:52Now I'm your girlfriend.
46:56Let's see if it's true.
46:57It's true.
47:03I would have liked you to love me, you know?
47:06But you've made it clear to me over and over again
47:09that that's not going to be possible.
47:12That you'll never love me.
47:19This is all I have left.
47:23Santos, please.
47:27No.
47:30You can always imagine what Lope's hands are like.
47:34Lope's lips.
47:47You should thank me.
47:48And a woman less generous than me
47:50wouldn't have put up with two unbearable people like Tomás and you.
47:53I think this conversation...
47:54You shut up, Añan.
47:55Get out of here.
47:56You're not going anywhere, Mariano.
47:59I couldn't see the place well.
48:01It's true that they greeted us with a lot of cordiality,
48:04but I don't know if it's a greeting of rigor.
48:06I did a lot of research before I left that place.
48:09I have to talk to a doctor.
48:11Please, it's a mistake that I'm here.
48:13If I could talk to a doctor, please.
48:16Start by getting dressed, please.
48:18It'll be better if you do it on your own.
48:20In the darkest of nights, there's always a ray of light.
48:23There's always a ray of light.
48:25Always.
48:26At least I don't have to put up with your daughter Catalina anymore.
48:29That's the ray of light.
48:31What?
48:32I wouldn't leave a poor creature in the hands of a...
48:35stupid whore like me.
48:37No, no, no, no.
48:39Don't talk like that, daughter.
48:42I'm sure there's a way to convince them.
48:45Yes, there is.
48:47There's a possibility.
48:48It's an impossible one.
48:50I just want you to understand that this is going too far.
48:52I can't help it, Alonso.
48:54I know this is affecting our good relationship.
48:57But how can it not affect our good relationship
48:59if you take advantage of any opportunity to try to get closer?
49:02This can't happen again, Maria Antonia.
49:05Never again.