• 6 ay önce
Salón de té La Moderna - Ep 186
Döküm
00:00A few hours later
00:14Honey!
00:20I'm glad you're here
00:24Don't worry
00:27I'm back
00:30I'm anxious inside
00:33I haven't been able to sleep all night
00:36You've been asking me how I was and what I was doing
00:39I'm fine
00:42The truth is that going through the trance of being detained
00:46is not only my desire, but my worst enemy
00:48The important thing is that you've stayed strong
00:50and you've had no choice but to let him go
00:53I've been calling all night
00:56to see if they told me anything
00:58to know if they were going to let you go
01:00and I haven't gotten an answer
01:02They must have had enough of me
01:05Tell me, what happened?
01:07Have they interrogated you? Have they pressured you?
01:09Yes
01:12And the truth is that
01:16they've used me to their fullest
01:19The inspector has tried
01:21to rip me off
01:23what he wanted to hear
01:26Inigo, being detained is not a shame
01:28but from now on you must be very careful
01:30so as not to raise new suspicions
01:32That's it
01:33Don't give them excuses
01:34so that they can take you back to that dungeon
01:37Don't worry
01:38I'll try not to make any suspicious move
01:42The inspector is
01:44very manipulative
01:46and I have the feeling
01:47that he's gotten rid of me
01:50He almost forces me to confess
01:53Really?
01:55Yes, he forced me to confess
01:57the resentment I feel for Carla
01:59after everything that has happened to us
02:01and he also put a confession in front of me
02:04to affirm it
02:07My God
02:08That man has no limits
02:09or scruples of any kind
02:11Luckily he didn't manage to break me
02:13I drink a lot
02:15Well, as I said
02:16from now on, be cautious
02:19Well, I'm going to go
02:21I'll have a lot to talk about
02:23They want to be alone
02:25Goodbye
02:26Goodbye, Jacob
02:27Thank you for everything
02:40I can't believe what he's telling me
02:42Well, you can believe it, Esperanza
02:44He was kicking me out
02:45and not cleaning as he wanted
02:47You see
02:48Starting with threats
02:50But come on
02:51I don't know why I'm surprised
02:52because Mrs. Lázara has been a bug
02:54since the first moment
02:55she came in through that door
02:57And how have you handled it?
02:59Well, remembering her orders
03:01and putting them into practice
03:02which, by the way,
03:03were quite useful to me
03:06Now I just have to see
03:07what Mrs. Teresa
03:09and Mrs. Lázara think of my work
03:12Oh, my mother
03:13What's wrong?
03:15That if they judge you
03:17they're also judging me
03:20I hope they leave me in a good place
03:22They're not going to say
03:23I'm a bad teacher
03:25or that they can't give me responsibilities
03:27I did the best I could
03:29and I had a good time
03:31I don't know, I hope I left her in a good place
03:33I can't know what they think
03:35but I left her alone
03:36so she could drink soup in peace
03:39Commandment 4?
03:44Never clean the tables
03:46if there are customers
03:47and if it's in the reservation
03:48don't even try
03:49Very good
03:50The last one
03:51The last one, I think it was...
03:53When you see Mrs. Teresa
03:54show her mane
03:55have it all clean
03:56like a patina
03:58We'd have to invent one
03:59for Mrs. Lázara
04:00Well, don't worry
04:01If you pass the test
04:03we'll do it together
04:05There it is
04:12Well
04:13You've done a good job, Marta
04:15At least in my opinion
04:16Although it's clear
04:17that Mrs. Lázara
04:18has the last word
04:19as the new manager of the place
04:22I couldn't agree more
04:23with you, Teresa
04:25Marta has worked hard
04:27She has shown
04:28that she is capable
04:29of being a cleaning lady
04:31in this classroom
04:32Now she just needs
04:33to talk to Don Fermín
04:34and tell him
04:35that she has passed the test
04:36satisfactorily
04:38So I don't have to wait
04:39a month to know
04:40if I have a job?
04:41In principle, it's yours
04:43I imagine Don Fermín
04:44will approve it
04:45But yes
04:46He can say it loud and clear
04:47that she is already
04:48one more employee
04:49of the modern one
04:50with full rights
04:51I'm so proud of you
04:53You have shown
04:54that you have taught yourself
04:55how God commands
04:56to fight against dirt
04:58Well, the merit
04:59is also a bit of mine, isn't it?
05:00Can you tell Don Fermín?
05:12It could only have been
05:13Mrs. Bárbara
05:16Do you think so?
05:18I don't know
05:19She is very sad
05:20because of her daughter's loss
05:21I don't know if she has the energy
05:22to conspire in that way
05:24No, I don't understand
05:25her suffering
05:27But she is the only person
05:28who wants to see me locked up
05:29no matter what
05:31even if I am innocent
05:34She is just as stubborn
05:35as her daughter then
05:39She has also put the police
05:40against me
05:41and she has convinced Fabio
05:43that she has killed Carla
05:45Of course
05:47If she has put the police under pressure
05:49she will do it
05:50with all the people
05:51close to her
05:53Both Fabio and Mrs. Bárbara
05:54know very influential people
05:57you know, judges, prosecutors
06:00and they will easily
06:01go against us
06:03But yes
06:04Mrs. Bárbara
06:06is very much like her daughter
06:08and she will not stop until she destroys me
06:11She won't make it, love
06:13Look
06:14What you have to do now
06:15is recover
06:16and be calm
06:18They won't find anything
06:19love
06:21And if they find it
06:22the lawyer will take it apart
06:27I also thought like you
06:28but
06:29I have seen you
06:30exhausted
06:33I will only be calm
06:34when I find the person
06:35who did it for real
06:38Of course
06:40But what I want
06:42is to relax with you
06:45You had a good night
06:47Love
06:49I would like nothing more
06:50but I have to tell you something
06:52What?
06:53Something that happened
06:54in Madrid-Cabaret
06:56and it is very serious
07:15What about you?
07:16How are you?
07:17I would be better
07:18if you didn't ask me
07:19every five minutes
07:21No, woman
07:22I worry because you are my friend
07:24and the one in there
07:25is almost my nephew, right?
07:26Shut up
07:27and with your mouth shut
07:28I'm still nervous
07:29thinking that
07:30Elias
07:31heard you yesterday
07:33No, woman
07:34I speak lower
07:35don't get like that
07:36Besides
07:37if Elias had found out
07:39he wouldn't have been
07:40quiet, precisely
07:41Let's see if he will realize
07:42about you
07:43because of the mood swings
07:44that you have
07:45Mood swings
07:46and appetite
07:47I don't get anything
07:48with the nerves
07:49I haven't even had breakfast today
07:50and that is not my thing
07:53Look, there is no harm
07:54in coming back
07:55after this step
07:56you were going to end
07:57the existences of the salon
08:01Here you are
08:02I finally find you
08:03By the way
08:04yesterday I was thinking
08:05about something
08:06and I was thinking
08:07about you
08:08and I was thinking
08:09about you
08:10and I was thinking
08:11about one thing
08:12I heard you saying
08:13that someone
08:14was pregnant
08:15and it seemed to me
08:16that it was you
08:17Trini, Trini
08:18you are pregnant
08:19No, no, Trini
08:20Trini is her cousin
08:21who is also called Trini
08:22and that Trini
08:23is the one
08:24who is in a good
08:25state of hope, Elias
08:26Her cousin
08:27who is called Trini?
08:28Yes
08:29What a coincidence
08:30If she has a daughter
08:31she is called Trini
08:32the magic kings
08:33will have to go
08:34with a manual
08:35at home
08:36Elias always
08:37Let's see
08:38What do you think
08:39Nothing
08:40Mrs. Teresa
08:41Trini has a cousin
08:42who is called Trini
08:46You have a lot of
08:47creativity in your family
08:48so no
08:49No
08:50But the thing is
08:51that they are on
08:52their break
08:53but you are not
08:54so come on
08:55to work
08:56At your service
09:02I am very happy
09:03for you
09:04Thank you
09:06And don't worry
09:07about me
09:08I'm not going to say
09:09anything
09:11How long have you been here?
09:12Eight or nine weeks
09:14That's why
09:15I still don't notice much
09:18I'm afraid
09:19that I'll be like my mother
09:20who became like a cow
09:22And what are you going to do?
09:23Are you going to tell
09:24that you are married to Miguel
09:25and that you are waiting
09:26for a baby?
09:27If I do that
09:28I'll lose my job
09:29so
09:30Come on
09:32That's why Miguel
09:33is so worried
09:34about adding the salary
09:35We are thinking
09:36about what to do
09:37to try to solve
09:38this situation
09:39but we need both salaries
09:40And it's true
09:41that sooner or later
09:42I'll have to stop working
09:43so
09:44I don't know
09:45I'd love to be able
09:46to help you
09:54Thank you very much
09:55Goodbye
10:01Good morning
10:02Good morning, dear
10:04Is there any news?
10:05Yes
10:06But you won't like it
10:08Sit down
10:10Don't go
10:11I'll buy you less
10:16They've released Iñigo
10:18How is that possible?
10:20Apparently Inspector Jiménez
10:21interrogated him
10:22exhaustively
10:24but he hasn't found
10:25conclusive evidence
10:26to continue detaining him
10:27Is there another person
10:28with his reasons
10:29his opportunity
10:30and his cold blood
10:31to want to kill my daughter?
10:34It could only be him
10:36Yes, I agree with you
10:38but the evidence
10:39isn't enough
10:40to keep him in the dungeon
10:42From what I understand
10:43Iñigo has a good lawyer
10:44who will help him
10:45with his situation
10:47He won't have
10:48as few scruples as he does
10:50I wonder
10:51if it wouldn't have been more effective
10:52to have the case tied up
10:53before encouraging
10:54his detention
10:55Sooner or later
10:56it will fall
10:57I have no doubt
10:58I'm sure
10:59it will
11:00My acquaintance
11:01the Director General
11:02of Security
11:03pressured Inspector Jiménez
11:04even though Jiménez
11:05thought it was premature
11:07But
11:09in the end
11:10the threats Iñigo
11:11made to your daughter
11:12are serious
11:13but not enough
11:14He has to be
11:15a very good lawyer
11:16They're treating him
11:17with a consideration
11:18that a vulgar murderer
11:19like him
11:20doesn't deserve
11:22They should have
11:23forced him
11:24to confess
11:25somehow
11:28I can't think of
11:29what we can do
11:30now that he's free
11:31Maybe I'll meet
11:32with the Inspector
11:33to see what possibilities
11:34we have
11:37Don't bother
11:39I have my head
11:40in other matters
11:43They just called me
11:45We can take care
11:46of Carla's body
11:52It's time
11:53to say goodbye to my daughter
11:56I'm very sorry
11:59I want to see her
12:00and bring her home
12:06I want her to be here
12:07where we'll meet
12:08after so many years
12:09apart
12:12Here, where we've shared
12:13so much
12:17I want her to have
12:18a dignified and beautiful
12:19farewell
12:22that reflects
12:23the kind of woman she was
12:26and the emptiness
12:27she'll leave in me
12:31I love you
12:43The doctors have told me
12:44that we have to do
12:45a few more tests
12:46but the most likely
12:47is that she won't be able
12:48to sing again
12:49It's terrible
12:51for everyone
12:52but especially for Inés
12:53because
12:54it's her biggest dream
12:55Yes
12:57And even more
12:58now that she was
12:59released
13:01And well
13:02how is she?
13:05We haven't told her
13:06anything yet
13:07until we have all
13:08the definitive evidence
13:10But I confess
13:11that it will be very difficult
13:12for me to transmit
13:13such unpleasant news
13:17I know that Inés
13:19is special to you
13:21so I imagine
13:22that you'll be going
13:23through a bad time
13:25That's right
13:27I try to focus
13:28on helping her
13:29but I can't forget
13:30what happened
13:33And César
13:34how did it happen?
13:35Exactly
13:38Somehow
13:39I chose the glass of champagne
13:40that Inés was drinking
13:42That's horrible
13:44But do you know
13:45how it happened?
13:47Unfortunately
13:48it could only be
13:49a human error
13:51But I can't forget
13:52that I'm responsible
13:54But haven't you spoken
13:55to the waiters?
13:56With the cleaning staff?
13:58Not with everyone
13:59yet
14:02But what do you use
14:03to clean the glasses?
14:05I'm sorry
14:06but I think it's very strange
14:07that Legia got there
14:08and even more
14:09without diluting
14:12I can't know
14:13what happened
14:17I don't know
14:19Maybe the problem
14:20came from the winery
14:21that they bottled
14:22champagne with Legia
14:24Well, don't blame yourself
14:26From experience
14:27I know that
14:28no matter how hard
14:29you try
14:30to be above
14:31your employees
14:33it's impossible
14:34to control everything
14:36And maybe
14:37there's a mistake
14:39Thank you, Don Íñigo
14:42As the owner
14:43of Madrid Cabaret
14:44I'm going to be responsible
14:45for all the medical expenses
14:46and whatever is needed
14:48You know
14:49I get along very well
14:50with your uncle
14:51Absolutely
14:52You don't have to pay anything
14:53As the manager
14:54of Madrid Cabaret
14:55I think it's up to me
14:57I'll pay the full cost
15:00What we're going to do
15:01is return all those
15:02boxes of champagne
15:03to their supplier
15:04And I want you to do it
15:05as soon as possible
15:06Call me today
15:07and give it back
15:08We'll find another house
15:09that serves us champagne
15:10Okay
15:12I'll do that
15:13as soon as I get to the place
15:14And now, if you'll excuse me
15:18Don Íñigo
15:21Doña Matilde
15:26Don Íñigo
15:38I thought you were looking at him
15:39in a very strange way
15:43I think César
15:45doesn't tell us the whole truth
15:49Why would he do something like that?
15:57Antonia
15:58How are you going to get
15:59those sandwiches?
16:00I have Don Amalio
16:01who hasn't had breakfast
16:02and he's hungry
16:03and he's called me twice
16:04You'll have to give me
16:05some time
16:06because I can't find the cheese
16:07with so much reorganization
16:08Oh
16:10A whim
16:11from the new manager
16:13I mean
16:14what you're saying
16:15about the new manager
16:16Antonia, right?
16:17All I'm saying
16:18is that
16:19with all the time
16:20I've been working here
16:21which is many years
16:22we've never had a manager
16:23nor have we needed one
16:24How long will it take
16:25for us to get together?
16:27You promised me
16:28that you'd promote me
16:29to chief of staff
16:30but in front of Don Fermín
16:31he said no
16:33That doesn't mean
16:34that I don't intend
16:35to promote you
16:36I'm very aware of that
16:37I said it
16:38and I'm keeping it
16:40But the changes
16:41have to go little by little
16:42Elías
16:43First
16:44the team
16:45has to realize
16:46that I'm going to be
16:47the new manager
16:48and then
16:49it'll be up to you
16:50Elías
16:51What?
16:52Take the sandwich
16:53to table 6
16:54I'm very happy
16:55Boss
16:56Don Amalio
16:57will have to wait
16:58because there are
16:59more important things
17:00I was talking to Antonia
17:01about the new changes
17:02of the management
17:03and well
17:04I don't know
17:05Antonia
17:06a little bit
17:07yes
17:08What?
17:09No, no
17:10I've only said
17:11that let's see
17:12how long it takes
17:13for us to adapt
17:14to having Dona Lázara
17:15around here
17:16with so much command
17:17so much organization
17:18and so much punch
17:19I was telling him
17:20that the changes
17:21are always for the best
17:22that they're good
17:23What I'm missing
17:24is patience Elías
17:25but that always
17:26happens to me with you
17:27See?
17:28And with an extraordinary
17:29sense of humor
17:30Well, see
17:31Dona Lázara's things
17:32are all advantages
17:33that she doesn't realize
17:34Yes, I'm not saying
17:35that it's not
17:36the only thing I'm saying
17:37is that everything changes
17:38because you need
17:39an adaptation, right?
17:40Like it happened
17:41when Matilde left
17:42or like it happened
17:43when Marta came back
17:44Yes, but
17:45let's see
17:46for not belittling Antonia
17:47those positions
17:48don't have the same
17:49impact on the staff
17:50right, boss?
17:51Don't get me
17:52It's natural
17:53for things to change
17:54for people to change
17:55I'm sure
17:56Don Fermín has chosen
17:57Dona Lázara
17:58because of her
17:59great communicative
18:00and organizational skills
18:01Yes, what we need
18:02to do is to wake up
18:03as the woman said
18:04from the first day
18:05that the more we work
18:06the better things will turn out
18:07and she was right
18:08And here you are
18:09preaching with the example
18:10without stopping working
18:11Hey
18:12and how are you
18:13so aware
18:14of the things above?
18:15It's true
18:16because you're
18:17so focused on the subject
18:18Of course
18:19because you know
18:20that I'm a great observer
18:21Let's see
18:22You have to be blind
18:23to not realize
18:24that Dona Lázara
18:25leaves her skin here every day
18:26I'm not saying it to myself
18:27Don Fermín said it
18:28Yes, that woman
18:29is very observant
18:30What a great virtue she has
18:32What about Don Fermín now?
18:35Well, because
18:36lately they talk
18:37as if they were
18:38very good friends
18:39Oh, really?
18:40And was the conversation
18:41very long?
18:42Well, I don't know
18:45I'm going to take
18:46the mixed ones
18:47to Dona Mario's table
18:48and when I see myself
18:49I'm going to want
18:50a pinot
18:51And the cheese
18:54Let's go
19:07Yes?
19:09Excuse me
19:11Dona Lázara
19:12I've sent for you
19:13because I have to go
19:14with my niece
19:15to the notary
19:16to close
19:17the transfer
19:18of the gramophone store
19:20I don't think it will be long
19:21before I return
19:22Is she well?
19:24Well, no
19:25No
19:26After what happened
19:27to my niece Inés
19:29I haven't found the strength
19:30to get out of bed
19:32It's not for less
19:33My soul has fallen
19:34to my feet
19:35when I found out
19:36How is your niece?
19:38Well, she's a young woman
19:39with courage
19:40She will overcome this trance
19:41I'm sure she will
19:42Yes
19:43Give her my regards
19:45Very kind, Dona Lázara
19:46Thank you
19:47That...
19:49That's what I think it is
19:51Well, if you think
19:52it's an entrance
19:53for the inauguration
19:54of the bullring
19:55of Las Ventas
19:56Well, yes
19:57It's true
19:58What a surprise, Dona Lázara
20:00I didn't know you were
20:01a fan of the art of spoons
20:03Very much
20:04Well, this promises
20:05to be a historical event
20:06Of course
20:08Of course
20:09It's a great opportunity
20:10to spend a good afternoon
20:11of bullfighting
20:12I was also thinking of going
20:14Does that mean
20:15you're not going?
20:16No, no
20:17After what happened to Inés
20:18I don't have the body
20:19for parties
20:20It took me
20:21to get out of bed
20:23Giving up something
20:24you love
20:25to take care of your own
20:26says a lot about you
20:28But think that this
20:29is something unique
20:30that will never happen again
20:32I don't know
20:33It's the whim
20:34Believe me
20:35I have valued the pros
20:36and the cons
20:37But if something happens
20:38No, no, no
20:40Nothing has to happen
20:41to Miss Inés
20:42She's very strong
20:43Besides, with how good
20:44and affectionate she is
20:45I'm sure that if she finds out
20:46that you're not going
20:47for her
20:48she's going to feel very guilty
20:50Thank you for your encouragement
20:51Mrs. Lázara
20:52But no, I don't have
20:53I don't have soul
20:54and body
20:55for any of that
20:57Think that if you go
20:58to the event
20:59that will cheer you up
21:00And if you are
21:01encouraged
21:02then your niece too
21:04I see
21:06Mr. Fermín
21:07I'd like to ask you
21:08for a consultation
21:10I'll be back later
21:11No, no, no
21:12No, no, no
21:13Teresa, what's wrong?
21:15No, I don't want to bother you
21:17You're not going to bother us
21:18We were just talking
21:19about our things
21:20Imagine what a nuisance
21:22Teresa, if you have
21:23something to say
21:24I'll tell Mrs. Lázara
21:25I have to go
21:26Are you okay, Mr. Fermín?
21:28I can tell you
21:29what has happened
21:31If I find it appropriate
21:32Of course
21:34Sit down
21:38Look how difficult
21:39it was
21:40But the good thing
21:41is that you're happy
21:42And how happy
21:43this hope is
21:44I don't give myself away
21:45all the time, Antonia
21:46What do I have to look like?
21:47You won't say it for me?
21:49Of course I'll say it for you
21:51With everything you've suffered
21:52and look
21:54about to go up to the altar
21:57By the way
21:58Do you think you'll be able
21:59to fix the bass for me
22:00after the chicks ate?
22:01Of course, I'll fix it
22:02right away
22:03I already told you yesterday
22:05By the way
22:06Have you already sent
22:07all the invitations?
22:08Let's see if someone
22:09is going to forget
22:10Ask for telegrams
22:11and letters
22:12I've already notified
22:13my cousin Candelaria
22:14my cousin Lucia, Maria
22:15Well, I've even notified
22:16my uncle Enrique
22:17The famous uncle Enrique
22:19I can't wait to meet him
22:23Aguavar!
22:25But what?
22:26In the end, you don't listen to me
22:27Esperanza, for God's sake
22:28No, woman
22:29That's with the comas
22:32Esperanza
22:33I already recognized you
22:34as a cleaning teacher
22:35Please leave me alone
22:36Teacher?
22:37Teacher of what?
22:38I'm an expert
22:39Look how she takes out
22:40the light from the floor
22:41Oh!
22:42Of course
22:43Because she's great
22:44and she already has experience
22:45as a cleaner
22:46Or do you think
22:47she does everything well for you?
22:49You spend all day
22:50on top of her
22:51Marta
22:52I'm on top of you
22:53all day
22:54Eh?
22:55Come on, tell her
22:56what I've taught you
22:57about the broom
22:58It's nice to hear you
22:59Do you see?
23:00Do you see how she doesn't
23:01leave her alone?
23:02She has her like a parrot
23:03I'm sure
23:04she would work
23:05much better without you
23:06Take that away
23:07Right now
23:08Who would stop
23:09two kids from going to school
23:10and going back to work?
23:12It's fine, Antonia
23:13It's fine
23:14But when Esperanza
23:15works so hard
23:16She's a pain in the ass
23:17Marta
23:18Tell her something
23:19that she's doing wrong
23:20Let's see
23:22When it's time
23:23to make it shine
23:24don't leave any marks
23:25No, please
23:26Please, no
23:27Don't continue
23:28Shut up
23:29She's talking
23:30Come on
23:31Number three
23:32Why don't you complain
23:33about cleaning the display?
23:34Don't complain
23:35about cleaning the display
23:36because more war
23:37will come to you
23:38You see?
23:39What a head
23:40She's better than bread
23:41As long as she doesn't
23:42get her head
23:43as bad as hers
23:47I don't know
23:48what you're laughing about
23:49You're going to stop laughing
23:50when Mr. Fermin
23:51puts a plaque here
23:52with my name
23:53Mrs. Esperanza
23:56Cleaning lady
23:59She's so funny
24:00But I don't know
24:01what you're laughing about
24:02Let's see
24:03There's a cleaning department
24:04We're two people
24:05and if I'm the one
24:06who divides and distributes
24:07I'll have to put
24:08the plaque here
24:09Sorry, I didn't say anything
24:10Of course, of course
24:11Sorry, sorry
24:12Sorry
24:13Cleaning lady
24:16Let's go, Marta
24:17I don't know what you're laughing about
24:18These are two envious people
24:28Bye
24:32What was the commandment
24:33number six?
24:36I'm armed
24:37Watch out
24:38Watch out!
24:45You can't imagine
24:46how sorry I am, Cesar
24:48When I found out
24:50I couldn't believe it
24:52Me neither
24:53I still can't believe it
24:55And to think that
24:56when I left Inés
24:57she was in a plethora
24:59I've rarely seen
25:01an artist
25:02with such a sincere
25:03smile
25:05She didn't deserve
25:06what happened to her
25:08But well
25:09there's no turning back
25:11It's better to think
25:12she'll smile again soon
25:14Look, Cesar
25:16I'll be honest
25:18I'm worried
25:20about the show
25:22The rehearsals
25:23are about to start
25:24Cesar
25:25I'm sorry
25:26Just give her
25:27a couple of weeks
25:28so she can recover
25:29I'm sure she'll recover
25:31I don't know
25:32if I can do that
25:34You also have a business
25:36Put yourself in my place
25:38Of course I'll put myself
25:39in your place
25:40But if you're really
25:41betting on Inés' talent
25:42don't rush
25:44There's only a couple
25:45of rehearsals left
25:46We'll know right away
25:47how much the throat injury
25:48affects her voice
25:53I can't do that, Cesar
25:55I'd really love
25:56to do it
25:57but I can't
25:58But no, no
26:00The shows
26:01can't be stopped
26:02Make it clear
26:03Inés is a very strong woman
26:04and I'm sure
26:05she'll sing again
26:07Let's suppose that
26:09I'd have to go through
26:10a rehabilitation process
26:11and I know what I'm saying
26:12Cesar
26:13The vocal cords need
26:14rest,
26:15get the tone back
26:16and time
26:18Too much
26:19I'm being honest
26:22Do you understand?
26:29Of course I do
26:32But I'm very angry
26:34Think about it
26:35There are a lot of artists
26:36in Nómina
26:37and every day
26:38I have the show stopped
26:39it costs me money
26:40and it's not little
26:42Don Agustín
26:44If Inés sang again
26:46would you give her
26:47another chance?
26:49Cesar
26:50I never forget
26:51a good voice
26:52and the DNA
26:53stayed inside me
26:55I hope she recovers
26:56I hope she recovers
26:59I have your word
27:01Of course
27:04If I see her
27:06please encourage me
27:08I will
27:09Thank you
27:10You're welcome
27:21Madrid Cabaret, tell me
27:22What?
27:25Wow, Marcel
27:27Of course we have to talk
27:30No, the sooner the better
27:32Why don't we do it
27:33this afternoon?
27:37Perfect
27:38You know where to find me
27:52Of 10
27:53Cañete has been
27:54Of 10
27:55A know-it-all
27:56a spy
27:58I'm glad
28:01Don't you trust Cañete?
28:02He assured me
28:03he'd be a tomb
28:04with all this
28:05Yes, yes
28:06I'm glad
28:07Especially for you
28:08You've been going after him
28:09all night
28:10Me?
28:11After dinner
28:12I fell asleep
28:13I didn't talk in my sleep
28:14No, you didn't
28:15but I'm telling you
28:16you went after him
28:17all night
28:18and I
28:19couldn't sleep
28:20I'm sorry, love
28:21I'm sorry
28:23What's wrong?
28:24Nothing, nothing
28:25I'm just...
28:27I was thinking
28:28about doing
28:29a demonstration
28:30of
28:31Fajas, Corgés
28:32and others
28:33here
28:34tomorrow
28:35Something very intimate
28:36just to present
28:37Madame La Fajete's
28:38rubber range
28:41Alone, he says
28:42My God
28:43You make me feel
28:44much calmer
28:45My love
28:46It's going to be
28:47a very intimate thing
28:48Look, I'm going to start
28:49with the slogan
28:50There are many imitators
28:51but like Madame La Fajete
28:52there's only one
28:54Exactly
28:55and then
28:56I don't know
28:57I'm going to try
28:58a model
28:59I'm going to do
29:00a demonstration
29:01I also have
29:02an assistant
29:03who's going to do it
29:04wonderfully
29:05Really?
29:06Do you have
29:07a new assistant?
29:08Well
29:10If it's like
29:11Madame La Fajete
29:12there's nothing
29:15Well, I'm just saying
29:16that if Don Salvador
29:17wants to appear here
29:19there's nothing
29:20to worry about
29:21He's out
29:22Everything is under control
29:23Don Salvador
29:24is going to miss
29:25the demonstration
29:28Well, and now
29:29Trinidad
29:30if you don't mind
29:31I have to try
29:32some of the products
29:34But well, man
29:35I've seen you
29:37I've seen you a thousand times
29:38with the suit
29:39You always go with the suit
29:40Do you always go
29:41with the suit?
29:42You must have a lot
29:43No, I don't have a lot
29:44but what I have
29:45I spend it on suits
29:46You see
29:47And on books
29:48And now on suits too
29:49Right, Elias?
29:50Right, yes
29:52Well, I hope
29:53the presentation goes well
29:55I'll leave you
29:56with the suits
29:57That sounds weird
29:58Well, I'm leaving
29:59Bye
30:01Bye, Trini
30:05Come on, Elias
30:06Let's move
30:07We have to choose
30:08which models
30:09we're going to present
30:10in the demonstration
30:11Well, you're going
30:12to try them
30:13I've only come here
30:14to help
30:15Because in me
30:16there's the product
30:17clearly
30:18and in you
30:19I'm sure they look...
30:20Are you calling me fat?
30:21No, not fat
30:22Thin with a belt
30:23It's not the same, Miguel
30:26Look, look, look
30:32It's small
30:33It doesn't fit
30:36I can't believe it
30:37But what was the choice
30:38in the cup?
30:39I don't know
30:40Maybe it was
30:41someone's carelessness
30:42in cleaning
30:43It's not clear
30:44But who's going
30:45to clean a cup
30:46with bleach?
30:47I don't know
30:48There must be
30:49a good explanation
30:50Sometimes you're unlucky
30:51And poor Inés
30:52Anyway
30:53Well
30:54I'll come and see her
30:55as soon as I can
31:01It's a shame
31:02that you left
31:03so early
31:04I'm going to work
31:05there again
31:06Yes
31:07The truth is
31:08it's a shame
31:09that we won't
31:10meet again
31:11And don't think
31:12I'm going to miss
31:13going to work
31:14I met a girl
31:15who was a bit shy
31:16and had to work
31:17because of her family situation
31:18but I got used
31:19to the showbiz
31:20But you've done
31:21a lot of things, Laura
31:22And of course
31:23what I least imagined
31:24was that I'd find my way
31:25in advertising
31:26and that we'd have
31:27our own business
31:28I'm so jealous
31:29I only clean
31:30from here to there
31:31And I don't complain
31:32And your uncle
31:33helps you?
31:34Yes
31:35He'll come with us
31:36to the notary
31:37to sign the transfer
31:38He supports us
31:39and he's also
31:40part of the business
31:41It's a shame
31:42that we won't
31:43meet again
31:44But you'll be delighted
31:45The truth is
31:46we are in a dream
31:47You're very brave
31:48opening your own business
31:49Thank you very much
31:50Marta
31:51We're going to try
31:52to make it
31:53a very special place
31:54because apart from
31:55selling gramophones
31:56and records
31:57we'll also have
31:58a photo studio
31:59in the back
32:00I want you
32:01to make me a portrait
32:02Of course
32:03as soon as we open
32:04Yes, well
32:05now what we have to do
32:06is set the day
32:07with the gramophones
32:08and the photos
32:09and we'll be ready
32:10to go
32:11It's been a long day
32:12with the gramophones
32:13and the records
32:14Yes
32:15Well, but I'm sure
32:16you'll learn it
32:17in no time
32:18Besides, you have
32:19each other
32:20for any problem
32:21Yes
32:22This project
32:23is like
32:24our own child
32:25Yes
32:26We are the mothers
32:27and Mr. Fermin
32:28the father
32:29or the uncle
32:33I'm jealous
32:35You get along so well
32:36and you have so much fun
32:39Meeting Celia
32:40It's a gift
32:41for me too
32:42the best gift
32:43of my life
32:47I know that look
32:48What are you talking about, Marta?
32:49You look at Laurita
32:50just like Antonia
32:51looks at Mr. Pietro
32:53No, I look at Laura
32:54like I look at you
32:55or someone else
32:56Well, it seems to me
32:57that you do it
32:58with a special shine
33:00Marta, you're wrong
33:02Laura is
33:03my friend
33:05It's not right
33:06to say those things
33:08It's bad
33:11Do you want tea?
33:12Yes, of course
33:34Are you okay?
33:35Did you hurt yourself?
33:36No, no, no
33:37I'm fine
33:38but thanks to you
33:40Thanks, Cañete
33:41Now let's get back to work
33:48Are you sure you're okay?
33:49Was it a good back and forth?
33:51Yes, I'm fine
33:52but I don't know
33:53what you were doing here
33:54because that's not your place
33:56My place is where I'm needed
33:58and right now
33:59what you need is...
34:00Look, leave him alone
34:01Please, don't start
34:02because if they hear us...
34:04Don't worry
34:05I have everything under control
34:06I'm watching
34:07on the stairs
34:08here
34:09The important thing
34:10is that you're okay
34:11You don't have any cramps
34:12or flexions
34:13or sudden movements
34:14You're not okay
34:15Look, I'm fine
34:16but it's not enough
34:17for me to know
34:18No
34:22Can you two
34:23tell me
34:24what you're bringing?
34:27What are we bringing?
34:28Women?
34:29Sweets
34:32Why are you so concerned
34:33about Trini, Cañete?
34:35We're here
34:36for what we need
34:37for what we need
34:38Ma'am
34:39I'm not asking you
34:40what your relationship
34:41with Marta is
34:42I'm not flirting with Marta
34:43as if I was
34:44dancing with her
34:45Flirting?
34:46Yes, flirting
34:48Do you think
34:49I haven't seen you
34:50on the stairs?
34:51Come on, tell me
34:54Look,
34:55we're going to tell you
34:57but not a word about this
34:59Trini
35:01has a problem
35:03Her shoes rub
35:05A lot
35:06So I was
35:07helping her
35:08on the stairs
35:09and of course
35:10the movement
35:11just happened
35:12Yes, of course
35:13the movement
35:14yes, of course
35:15the movement
35:16is when it hurts the most
35:17so since it hurts the most
35:18she did me a favor
35:19Right
35:20Or do you think
35:21I fell for it?
35:22Well, ma'am
35:23you asked
35:24and we answered
35:25Let's see
35:26If anyone knows
35:27about shoe rubbing
35:28it's me
35:29and you don't
35:30tell me
35:31Look
35:32I'm going to tell you
35:33the truth
35:34but not a word about this
35:35I was telling Trini
35:36that a very distinguished
35:37client
35:38left without paying
35:415 pesetas
35:42nothing more
35:43and nothing less
35:44Oh my God
35:45I'm speechless
35:46What a face
35:47the man is
35:48And of the disgust
35:49he got dizzy
35:50and almost fell
35:51Thank goodness
35:52I was there
35:53to help her
35:54Yes, yes
35:55Is that the reason
35:56for so much secrecy?
35:57What a disappointment
36:03Look
36:04For the love of God
36:05stop being so careful
36:06But Trini
36:07I couldn't help it
36:08I feel bad
36:09just thinking that
36:10something happens to you
36:11or the creature
36:12Look
36:13You'll feel worse
36:14if because of you
36:15everyone finds out
36:16about my condition
36:17so do me a favor
36:18Look Trini
36:19I'm trying
36:20but I'm not promising anything
36:21In any case
36:22there are other
36:23safer
36:24better
36:25options
36:26for you
36:27Really?
36:28What are they?
36:29Like quitting your job
36:30for example
36:31This salon
36:32seems safe
36:33but it has its dangers
36:34and the important thing
36:35is that you're fine
36:36Look, I'm not kidding
36:37I'm quitting my job
36:38I'm not kidding, Cañete
36:39Got it?
36:40Well then
36:41I have to keep
36:42keeping an eye on you
36:43and I won't allow
36:44any discussion
36:45Health comes first
36:56Nightmare
36:57Oh my God
36:58What a nightmare
37:04Where am I?
37:07What's going on?
37:10Calm down, Cesar
37:13I tried to avoid it
37:15I tried not to hurt
37:16you or Ines
37:17but it was impossible
37:18But you did an amazing job
37:19I'm serious
37:20For God's sake
37:21They wanted to screw you
37:23And you decided
37:24not to tell me anything
37:25You're much more a rat
37:26than I thought
37:27I came to tell you
37:28but it was too late
37:29when I arrived
37:30The doctors were at the door
37:31they were taking Ines
37:32How are you?
37:33How would you be after they ruined your life?
37:36You know it could have been much worse.
37:38I told you to get out of this city,
37:40and you should have listened to me.
37:42Do you want me to thank you for the warning?
37:46Follow orders.
37:47I would be fine.
37:48For your sake and hers.
37:50I was about to debut in a show that was going to change his life.
37:54God!
37:59It was a very bad accident, yes.
38:01You know that the bosses don't like slacks.
38:04They make them pay.
38:05Very expensive.
38:08You are very lucky that he is already involved.
38:10If not, it would have ended a long time ago.
38:12If you want there to be no more serious consequences,
38:15limit yourself to following orders.
38:17Understood?
38:22I'll call you
38:23to organize the next reception of the merchandise.
39:02Thank you very much.
39:03Today is a very sad day,
39:05especially for Mrs. Bárbara.
39:07She doesn't know how much her presence here means.
39:13Excuse me for a moment.
39:15I'll be right back.
39:32I've been watching you for a while,
39:34and I'm worried.
39:35Do you need anything?
39:37What happens this day?
39:38As soon as possible.
39:44I don't know if I can do this, Fabio.
39:47And on the other hand,
39:48I don't want them to take her either.
39:51Because when they do,
39:52I know I'll never see her again.
39:54Bárbara, we have to be strong.
39:56Your daughter's memory is very important to us.
39:59Yes, I know, I know.
40:01I know.
40:05But Carla didn't deserve to end up like this.
40:10What a shame.
40:12What an atrocity
40:14what they've done to my poor child.
40:18My child.
40:20These wild acts will receive their due punishment.
40:23It has to comfort you.
40:25I can't.
40:26I can't.
40:27I can't see her, Fabio.
40:28I can't.
40:29I can't look at her body.
40:31I can't do it.
40:43Why don't you go to your room and rest?
40:45I can take care of the guests.
40:53I don't want to.
40:54No.
40:58Okay.
41:05That's it.
41:06The tears and regrets are over.
41:10I'm going to say goodbye to her the way she deserves.
41:14With all the smells, you know?
41:20I'm not going to lower my head.
41:23I understand you, dear.
41:25But you should rest, really.
41:27Even if it's only half an hour.
41:28No.
41:29No.
41:33I'm going to be here until the last minute
41:36saying goodbye to my daughter.
41:45Good afternoon.
41:47Good afternoon.
41:55Good afternoon.
42:09Mrs. Bárbara,
42:10I'm here to give you my condolences
42:12for your daughter's death
42:14and to tell you that I wish
42:16that you find the person responsible for all this
42:19and that you assume the consequences of your actions.
42:22Excuse me.
42:23I think it's best if she leaves.
42:25You end my daughter's life
42:27and you have the nerve to come and rub it in my face.
42:30Ma'am, please calm down.
42:32How dare you come here?
42:34Wretch.
42:39Antonia, doesn't it seem like you have to put up with Mrs. Esperanza all day
42:42as if she were your parrot?
42:44Well, she's over it.
42:46The important thing is that you've passed the test
42:48and that you're already working on the model.
42:50And how can I be happy?
42:52The only thing is that I have to put up with Mrs. Esperanza all day
42:55with the cleaning lady, boss.
42:57Honey, but that goes with the salary.
42:59Just like Mrs. Vampira.
43:01Yeah.
43:03Me too.
43:04Well.
43:06Antonia, does it matter to you to finish?
43:08I have to go to the nursery before they lock me up.
43:11Your dress won't fix itself.
43:14By the way,
43:15have you told Pietro yet?
43:18No, I haven't told him yet.
43:20Well, the truth is that
43:22between the bakery, the wedding,
43:24and the fact that it's a delicate matter,
43:27I haven't done it.
43:28Yeah, but Pietro is very good.
43:30I'm sure he doesn't care if he marries the dress of his first wedding.
43:33Really.
43:34Well, I don't know how he'll feel, Marta.
43:36But I'll try to tell him with all the love in the world.
43:39I'm sure he'll be fine.
43:41I'll be right back.
43:46Come in, Pietro.
43:47Hi, Vampira.
43:48See you at dinner time.
43:49Okay.
43:50Hi, Antonia.
43:51Hi.
43:55How are you?
43:56Any news?
43:57A few news.
43:59I've met with Marco, my friend,
44:01to take a look at the bakery machines.
44:05They're old,
44:06but they'll hold up.
44:08In the end, he'll find out about the bakery in the middle of Madrid.
44:11So what?
44:13We've made the decision.
44:15Pietro, have you thought about quitting your job?
44:18Because starting a business is very risky.
44:21Antonia, what other option do we have?
44:24And in the eyes of Mr. Fermin,
44:25who doesn't want to raise the ban on married women...
44:29Yeah, but that's my business, not yours.
44:31You don't have to quit your job, Pietro.
44:33You're very well considered.
44:35I know.
44:37I don't want to be mean, Antonia,
44:39but do you have any doubts?
44:41No.
44:43What I don't want is to mess with Mr. Fermin.
44:46That maybe, in such a hurry...
44:50And what do we do?
44:51I don't see any other solution.
44:54All I'm asking is that you don't tell Mr. Fermin anything
44:57until we're sure about the bakery.
45:00Please.
45:02It's worth it.
45:05Come here.
45:07Come here.
45:09Come here.
45:10But you'll have to hurry,
45:13because I don't like lying to Mr. Fermin.
45:16Fabián.
45:17Come here.
45:18Come here.
45:19Good boy.
45:24Are you here to make sure you've done your job right?
45:26No, Barbara.
45:28How dare you show up here?
45:30I'm sorry, Fabián, I really didn't want to provoke all this.
45:33Oh, this isn't provoking.
45:36Showing our faces to everyone we're watching here, to Carla.
45:41That you're doing your job,
45:43even though you're the murderer?
45:45I'm sorry,
45:46that you keep accusing me
45:48of the death of your daughter.
45:50But that accusation has no basis, and that's why I'm here.
45:53To show my good will.
45:55You'll be miserable.
45:57That's enough, please.
45:58It looks like you've come to provoke.
46:00Fabio, what I want
46:02is to say in front of all the people who are here
46:04mourning Carla's death,
46:06that I didn't kill her.
46:08And it's true that Carla and I were
46:11estranged,
46:13but I would never want an ending like this.
46:17The ending you chose.
46:20Ma'am, no matter how much I deny it, I'm innocent.
46:22And it shows that the police have set me free.
46:25Of course, you can easily deceive the police.
46:28Not a mother.
46:30But I'm not deceiving anyone, ma'am.
46:32There's no evidence against me.
46:34That there's no evidence doesn't mean that you're not the culprit.
46:38I'm telling you in front of everyone.
46:41Sooner or later,
46:42they'll find that evidence.
46:44And then,
46:46then you'll pay for everything you've done to my daughter.
46:51I understand that the pain
46:53for your daughter makes you talk like that.
46:56And that I need a culprit, and I've chosen myself.
46:59Don't play with me.
47:01I'm not playing with you, ma'am.
47:03And I'm telling you that I understand you perfectly.
47:05We have something in common.
47:07We both want to find
47:09the person behind this cruel murder.
47:11Because Carla didn't deserve an ending like this.
47:14You're being cynical.
47:15Out there in the garden,
47:17I heard you threatening her.
47:19Inigo, calm down.
47:20I'm not going to repeat it.
47:22I don't intend to use this hearing
47:24to give an image of innocence among others.
47:26But you didn't hear me.
47:28Get out of this house, right now.
47:32Okay, I'm leaving.
47:35But a murderer is still out there.
47:37While we're not doing anything here.
47:39And that's because you, Mrs. Barbara, and you, Mr. Fabio,
47:41accuse me of being Carla's murderer.
47:43Because you are.
47:45Look, if that's good for you,
47:46to mourn your daughter's loss, go ahead.
47:49But I remind you
47:50that as long as you tell me that I'm the murderer,
47:53the real culprit is still out there.
47:56And this is not a way to do justice, Carla.
48:02Good afternoon.
48:18Uncle Fermi is determined to keep me company at all hours.
48:22He even wants to miss the inauguration of the bullring.
48:25Well, I'll talk to him about the bulls.
48:28But you have to promise me that you're going to keep that voice.
48:34Can I have a few more words?
48:36Well, five.
48:38But take it into account.
48:41I'm sorry to have ruined your joy, Laurita.
48:44Inés.
48:46You've taken the five words so seriously
48:48that I don't understand what ruined joy you're talking about.
48:51You should be happy
48:53about your store of gramophones,
48:55and now you're only thinking about my throat.
48:58Look, if you don't want me to worry about your throat,
49:01stop talking right now.
49:02You'll see that everything will be fine.
49:06I'm going to open.
49:18César.
49:19Laurita.
49:20Can I see her?
49:22Come in.
49:28I'll leave you alone.
49:33I know it's late.
49:36Sit down.
49:44I needed to know how you were.
49:47How would you be if you found out that you could never
49:50dedicate yourself to your passion?
49:54Have you heard the doctor?
49:57They have to do more tests.
49:59It's too soon to have a safe diagnosis.
50:02No one would pay to hear me sing with this voice, César.
50:06Your vocal cords have to be deflated.
50:12Is Agustín aware of what happened to me?
50:16Yes.
50:17He sends you a lot of encouragement.
50:20And...
50:22He didn't tell you anything about the contract?
50:25Because with my throat like this,
50:28we'll have to postpone everything, right?
50:30The rehearsals, the premiere, everything.
50:34He didn't tell me anything about that.
50:39Go find him.
50:40Another singer, right?
50:42That's it.
50:51I'm very sorry about the accident.
50:53Don't be silly.
50:57What happened to me wasn't an accident.
51:00He chose my drink because someone wanted to poison me.
51:05Marta is probably behind all this.
51:08Isn't she?
51:14I wish you had never let him enter Madrid, Marietta.
51:21I wish I had never met you.
51:26What you're saying is not true.
51:29I love you very much.
51:32You warned me with the story of the scorpion you told me.
51:37And you were right.
51:39Your nature would come to light.
51:44In the end, you and Marcel are the same.
51:47I'm not that scorpion anymore, and I'm not thanks to you.
51:54Cesar...
51:56You're armed.
51:58You're just like them.
52:02Let me explain why I have a gun.
52:04No.
52:06Go.
52:09Go, please, and don't let me repeat it.
52:14Very well.
52:16We'll talk tomorrow, calmly.
52:18No, you don't understand me.
52:21I don't want to see you ever again.
52:25Never again, Cesar.
52:31What you're saying is not true.
52:45Inés...
52:52Inés, how did it go?
52:55Inés...
52:57It's over.
52:58The truth is over.
53:16Do you fear the worst?
53:17Yes.
53:18It was you at the police station.
53:20Why wouldn't I do it?
53:21I haven't done anything, I have nothing to fear, and that's why I went.
53:24To prove that I have nothing to hide.
53:26The newspaper says that they have arrested a suspect in the crime.
53:29And you thought that Iñigo was that suspect.
53:32Don't worry, Antonio. Yes, it's him.
53:35I want Madrid Cabaret to go and observe everything.
53:38I think Cesar is hiding something from me.
53:40He's asking me to spy on him.
53:41I'm asking him to be my eyes.
53:43I don't know, could he install me here?
53:44Here in my office, do you mean?
53:46Yes, of course.
53:47Well, I understand that his niece Laurita is not going to use him anymore.
53:50Maybe I could take his place.
53:53Did Contrini hit you again?
53:55Do you want to know what's going on with Trini?
53:56Yes, of course.
53:57If I tell you what's going on, will you stop being silly?
53:59Yes, tell me, tell me.
54:01It seems that you've been alone for a long time.
54:03I'm here...
54:05gathering ideas for my new place in Seville.
54:07I've taken as an example Don Jacobo.
54:10Don't tell me you haven't told Pietro yet
54:12that he's getting married with the same dress as his first wedding.
54:14Well, no.
54:15He couldn't.
54:16I was going to do it, I promise,
54:17but the bakery thing came up and what do you want me to tell you?
54:19Why don't we go to the square together?
54:22Unless I have another companion.
54:24No, no, no, no, no.
54:25No, I don't have one.
54:26I'll be delighted to be this one.
54:28When a student passes an exam, who is in merit?
54:31The student who studied or the teacher who taught her the lesson?
54:34Why do you ask me?
54:35I came to put two coffees.
54:36Three coffees at once?
54:38Do you know what I'm telling you?
54:39You put the coffees.
54:41What have you done for my sister to break up with you overnight?
54:44Because I'm not going to insist on Inés,
54:46but I think I deserve an explanation from you.