The War Starts Now Between Them - The Way of Emir
Feriha Yilmaz is an attractive, beautiful, talented and ambitious daughter of a poor family. Her father, Riza Yilmaz, is a janitor in Etiler, an upper-class neighbourhood in Istanbul. Her mother Zehra Yilmaz is a maid. Feriha studies at a private university with full scholarship. While studying at the university, Feriha poses as a rich girl. She meets a handsome and rich young man, Emir Sarrafoglu. Feriha lies about her life and her family background and Emir falls in love with her without knowing who she really is. She falls in love with him too and becomes trapped in her own lies.
Cast: Hazal Kaya, Çağatay Ulusoy, Vahide Perçin, Metin Çekmez,
Melih Selçuk, Ceyda Ateş, Yusuf Akgün, Deniz Uğur, Barış Kılıç.
Production: Fatih Aksoy
Director: Merve Girgin Neslihan Yeşilyurt
Screenplay: Melis Civelek, Sırma Yanık
Cast: Hazal Kaya, Çağatay Ulusoy, Vahide Perçin, Metin Çekmez,
Melih Selçuk, Ceyda Ateş, Yusuf Akgün, Deniz Uğur, Barış Kılıç.
Production: Fatih Aksoy
Director: Merve Girgin Neslihan Yeşilyurt
Screenplay: Melis Civelek, Sırma Yanık
Category
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TVTranscript
00:00Yavuz Sancaktaş hopes to host you, his dear friends, in his new place, S Club.
00:31You are invited to the opening party of the place with the signature of the experimenter Ünal Sarrafoğlu.
00:43You are invited to the opening party of the place with the signature of the experimenter Ünal Sarrafoğlu.
01:00You are invited to the opening party of the place with the signature of the experimenter Ünal Sarrafoğlu.
01:04Come in.
01:07What is this? Open the curtains.
01:10Let it be. They will see us from outside. I don't want that.
01:13They will see us from outside. I guess you are afraid of getting caught.
01:19This is for you.
01:22You won't open it.
01:24Never mind.
01:25I will open it.
01:30This is for you.
01:42Emir.
01:43Sancaktaş-Sarrafoğlu relationship is getting weirder and weirder.
02:03He works with the man he reported two days ago.
02:06Ünal is a man like Sarrafoğlu.
02:08Why would he work with Sancaktaş-Sarrafoğlu just because he needs money?
02:12There is something else going on here.
02:14He works with the man who wants to kill his son.
02:17At the same time, he traps him.
02:21This relationship is getting more and more interesting.
02:28So?
02:30What are you going to do?
02:32What are you going to do?
02:37Emir, if I read this correctly,
02:40the man called Yavuz Sancaktaş is opening a place and making his father work there, right?
02:44I don't care who his father works with.
02:47Don't do it.
02:49Emir, don't you think there is something wrong with this?
02:52Was Ünal crazy?
02:54What does it mean to work with this man? Tell me.
02:56Who is this man? Who is Ünal?
02:59Koray, I'm really not interested.
03:00You don't care.
03:02You really don't care.
03:04Emir, tell me who this man is.
03:07Who is this bastard called Yavuz Sancaktaş?
03:10Didn't this man try to kill you?
03:12What does this mean?
03:14Emir, what does this invitation mean? Tell me.
03:19It doesn't make any sense.
03:21It doesn't make any sense.
03:23Let me tell you what this invitation says.
03:25This invitation says, while you are entering the grave alive, I continue to dance on the ground.
03:28This invitation proves that you are a living dead, brother.
03:32It doesn't invite you to a party or anything.
03:34It celebrates your death.
03:36And I don't know how Ünal got involved in this, but if you came here to help someone,
03:42you have to help yourself first, brother.
03:46The Emir Sarrafoglu I know does not leave such a challenge unanswered as long as he lives.
03:51Of course, if he didn't die,
03:53wouldn't a dead man be of no use to anyone, brother?
03:55Wouldn't a dead man be of no use to anyone, brother?
04:55I'm sorry.
05:16Is Can not here yet?
05:18He's not here yet.
05:25He's not here yet.
05:43Lara, how do I look?
05:47You look like a stone.
05:49I don't know what kind of party we're going to, but I hope I didn't exaggerate.
05:52I didn't exaggerate, don't worry, you look like a party girl.
05:57He's here.
05:59I didn't want to leave you alone at home, I'm sorry.
06:02No, it's nonsense, but look at you having fun.
06:04I got the keys, I hope I'll be back late.
06:07See you.
06:22I'm sorry.
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