La Historia de Juana Cap 15 Completo
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00:00We found this video in the area where they have the newborn babies.
00:04That's the girl who was mistakenly inseminated.
00:07The future mother of her child.
00:21It's incredible!
00:22That we found her?
00:24Well, I'm a very stubborn engineer.
00:26And I honestly don't know what the three of them were doing in that area of the hospital, but there they are.
00:30It's the area of the newborn babies.
00:32They were probably talking about the forced pregnancy.
00:35Forced pregnancy.
00:37I mean, the insemination was not desired.
00:42Poor girl.
00:45Can you pass me the video again, please?
00:50Are you sure it's her?
00:52Didn't she come for a checkup or because she has a problem?
00:54I'm sure.
00:55It's her.
00:56I reviewed all the videos with the spoken portrait that was made.
00:59The one I left in the office.
01:01It's her.
01:03You've been working here since today.
01:06Who hired you?
01:08Where are you working?
01:10I applied for the position of graphic designer and I understand that Enriqueta's license
01:16reviewed my application and selected me among several candidates.
01:20And Gabriel knows about this?
01:22He got you to work here.
01:23David and Enriqueta chose Juana, so anything with them.
01:29It's really impressive how shameless you are.
01:34How far are you going to get?
01:36Because I warn you that Gabriel's wife is very fond of you.
01:40But if nothing happened between Gabriel and me...
01:42Oh, please.
01:44Not with me.
01:45I'm not a fool.
01:47I saw them walking through the gardens of the mansion.
01:49Very in love, by the way, they looked.
01:52It's obvious.
01:53What's going on between you two?
01:56Why don't you leave and let us work?
01:58Allow me.
02:00First, I'm going to make things very clear to this scoundrel.
02:03Let's see, I'm not a scoundrel.
02:05And it's better that you let me insult or...
02:08Okay.
02:09Are you going to tell Gabriel to come defend you?
02:13Look.
02:15Photographer of Quinta.
02:17It's better that you focus the lens of your camera and your life
02:21away from Gabriel's life.
02:24You're not the only one who tried to work here.
02:27Me too.
02:28You're going to be very checked.
02:34Don't listen to her, don't listen to her.
02:36Sit down.
02:38Oh, everyone heard.
02:39Look, don't go anywhere.
02:40This old woman is a poisonous snake, yes, yes.
02:43If she bites, I'm sure she'll kill herself.
02:45Don't listen to her.
02:48Did you realize how I can't even deny Gabriel?
02:52Why did I stop like a fool?
02:56Remind me why I took this job.
02:58Why?
03:00Take the money.
03:01You need it.
03:06I know this girl.
03:08What?
03:09Really?
03:10Yes, she even...
03:13She even works for me.
03:14No, no, no, wait.
03:16Could this have been planned on purpose?
03:18An extortion against you?
03:20Do you think she wants to blackmail you with this?
03:22No, no.
03:23She doesn't know I'm in an insimilation process.
03:27It's just...
03:28It's incredible.
03:32This is a play on fate that is making us, Juana and me.
03:35Her name is Juana?
03:37What happened to that child's father?
03:39What's going on?
03:40No, no, I already told you that he doesn't know
03:41and this has to stay that way.
03:43I mean, if you want me to help you,
03:45you can share me.
03:46Because it's very difficult to explain
03:48and he didn't want this to happen
03:50and I didn't want this to happen either.
03:54God, now I understand everything.
03:57The gas stations don't exist, engineer.
03:59Are you sure it wasn't planned on purpose
04:01to then blackmail you?
04:03You can keep investigating if you want.
04:05No, no, no.
04:06Elias, from this moment on,
04:08your job is over.
04:11I'm just going to ask you one thing.
04:13Never
04:15tell Paula anything about this.
04:17Don't worry, engineer.
04:19Silence is part of my contract.
04:22You decide what to do with the information
04:23that I'm about to give you.
04:35And I, who put my hands in the fire
04:36for Mrs. Porfirio.
04:38No, Tania, it's just a matter of couples.
04:40You don't have to put your hands in the fire for anyone.
04:43Yes, but how is it possible
04:45that Mrs. Porfirio would do that dirty thing to Mr. Gabriel?
04:47Well...
04:49No, in one of those...
04:52I don't know, she's not the only one
04:53who's making tamales for him.
04:55Oh, how can you believe that?
04:57Don't come to me with the search for Porfirio.
04:59In the escort team,
05:01they say things.
05:03No, for me, the engineer
05:05has already put his eyes on someone else.
05:07But yes, just a few months ago,
05:09they married for the social magazine.
05:11Like the couple of the year.
05:13No, I don't believe this about perfect couples
05:15on social media.
05:16And the pictures of the boss' model record label?
05:20I don't even have time for her
05:21and you know I don't have a sweet tooth.
05:24I've been away from her since the wedding night.
05:28Oh, Porfirio.
05:30I'm really worried.
05:31What's going to happen in this house?
05:34Don't worry.
05:35Salmon doesn't work for me.
05:46Salmon doesn't work for me.
06:11What happened, Camila?
06:13This girl came to work at the brewery.
06:16What?
06:17I'm going there right now.
06:19What?
06:20No, Paula, wait.
06:21Calm down.
06:23Think, for the love of God, think.
06:26You look for her.
06:27Surprise her at her house.
06:29But where am I going
06:30if I don't even know the address of that girl?
06:32I'll get you the address and I'll send it to you.
06:34You have to act fast.
06:35Paula.
06:37They're up to something.
06:39I swear to God, there's something going on between them.
06:44Here you go, Reni.
06:45Thanks, count your money.
06:46No, you don't pay today.
06:47The house invites you.
06:48How do you think?
06:49For the coffee.
06:50Didn't you know?
06:51They give us coffee to all the employees
06:52until noon.
06:53You have to read the ticket, son.
06:55Your ticket?
06:56What time is it?
06:57I spend it driving and delivering orders.
07:00But what a nice gesture from the engineer.
07:03Look, she looks just like her.
07:05Who, Camila?
07:06Now she's my new boss.
07:08She looks like a remnant of a girl
07:09I met in my neighborhood years ago.
07:12No, Reni, or not.
07:13That woman moves between the cream and cream
07:14of businessmen.
07:15In fact, she's the wife of the partner
07:18of Engineer Rubio.
07:20What?
07:20She doesn't even know where she is.
07:22Here's my wine.
07:23Thank you.
07:24Are you serious?
07:25I'm serious.
07:29Did you talk to the creature's father?
07:31The father doesn't know I'm pregnant
07:34and I don't want him to know.
07:40Engineer.
07:43Are you okay?
07:45I think I have to go to the marketing area
07:47to look for the new designer.
07:49Juana Bravo?
07:51I'll tell her.
07:52No, no, no.
07:53No, I'm going to look for her.
07:59Well, now that you're our new designer,
08:03I want you to help me with something
08:04that's shocking but not aggressive.
08:06That's very important.
08:07Yes, of course.
08:08No, it's just that the idea
08:09that I was developing
08:10from what you told me about the war
08:12with the beer...
08:14Astro.
08:15Astro, Astro.
08:16Yes, yes.
08:17We're on the same page.
08:18Great.
08:18And, precisely,
08:19Gabriel and I were talking about that yesterday.
08:21The truth is that you have
08:23a very important quality,
08:24which is that you see
08:26common and ordinary things
08:27and you give them a very special shine.
08:29The truth is that that's great, Juana.
08:31Gabriel said that?
08:33Well, it was more of a description of mine,
08:35but Gabriel agrees.
08:37Of course, but Gabriel has also seen my photos.
08:38Does he think the same?
08:40From what I see,
08:41it doesn't matter much what we're talking about.
08:42And we're going to end up
08:43always talking about Gabriel
08:44and not about work.
08:45No, no, no.
08:46It doesn't go that way.
08:47I said it because he's the boss
08:48and I care.
08:50Look, Juana.
08:51I think it's time
08:52that we talk about a topic
08:55that's a little uncomfortable
08:57and I want you to trust me
09:00and be 100% honest with me.
09:03Since when are you in love with Gabriel?
09:07Let's see, I'm not in love with Gabriel.
09:09I don't even know how to say it.
09:10First, Mrs. Camila comes to complain to me
09:12and then you...
09:13Juana, it doesn't matter if you deny it.
09:15Please.
09:16You're talking about him all the time.
09:17You're thinking about him all the time.
09:19Of course not.
09:20Then why does everyone believe it?
09:23I even talked to Gabriel about this.
09:27Sorry, did you talk to Gabriel?
09:28Yes, yes, yes.
09:29I complained to him.
09:30Did you complain to him?
09:31About having fallen in love
09:32when we got married.
09:33We came to the conclusion
09:35that you fell in love with Juana alone.
09:37And that's terrible.
09:38Gabriel thinks that of me?
09:40See?
09:41What does Gabriel think?
09:42What does Gabriel say?
09:43What does Gabriel do?
09:44Everything ends up being Gabriel.
09:46And you just have to see how you see it.
09:48You have to be blind not to realize it.
09:56Thank you.
09:58I'm not alone.
09:59Who told you I'm alone?
10:00That's how many suitors I have.
10:02And my mom, for your information,
10:04is not a widow.
10:05But it's as if she were.
10:07Because Ramon left more than 20 years ago.
10:11It's been confirmed.
10:13Mr. Francisco de Armas and his wife Camila
10:15stayed here.
10:17They just went to the manager
10:19so he could take care of us.
10:20How decisive the impact of parents
10:22on the lives of children, right?
10:25Are you saying that
10:26because of Camila de Armas' father?
10:28What?
10:30No.
10:31Camila de Armas' father?
10:32No, I was thinking of...
10:35another father.
10:38But now that you mention
10:39Camila de Armas' father,
10:41we have to investigate it.
10:43Are you done?
10:44Let's see, what else?
10:46The last digits
10:47with which the account was paid.
10:50Date and exact time of payment
10:51so we can trace it.
10:53Now you're Josefina Sousa de Bravo.
10:55And don't give me that look.
10:57You should be telling
10:58our family secrets
10:59to that cop.
11:01First of all,
11:02I tell my secrets
11:04to whoever I want.
11:06Second of all,
11:07he's not a cop.
11:09He's a detective.
11:11Detective Salvador Castillo,
11:13just so you know.
11:14And if you weren't so blind,
11:16so dumb in the head,
11:18you'd realize
11:19that he's a man
11:20who's worth having as a husband.
11:22Well, if you like him so much...
11:23Give me that finger!
11:25You keep it.
11:26He's perfect for you.
11:28Age doesn't matter.
11:30Get married.
11:31Wait, Mom.
11:32Wait, Mom.
11:33That's why you don't mature.
11:34That's why you go
11:35like you're going
11:36with pure good for nothing.
11:40What do you think, Dad?
11:41You're going to have to give it to me
11:43and hot.
11:44And not because you want it,
11:45but because I need it.
11:46Now, now.
11:47Respect me.
11:48The cross key,
11:49I'll put it down there, Mom.
11:50Hey, how's it going?
11:51Hey, beauties.
11:52Are you there?
11:53Oh, you're here.
11:54An angel, Dad.
11:55I'm here.
11:56I brought you a surprise.
11:58What are you doing here?
11:59Well, I was going
12:00to the aesthetics
12:01and I brought you
12:02a cocktail of seafood.
12:03Here, take it.
12:05No, no.
12:06You know what, Yadi?
12:07I'm sorry.
12:08I'm very sorry,
12:09but I'm a helicopter.
12:10The seafood comes out here
12:11and punctures all my cells.
12:12Yes, it gives it temperature
12:13and then it doesn't come to work.
12:14It burns my hand.
12:15It gets so hot.
12:16No, I didn't know.
12:17I'm sorry.
12:18I can leave it there
12:19so you can use it.
12:20Right now,
12:21Chimmy will take it.
12:22Thank you very much.
12:23And I'm sorry, really.
12:24I'm sorry.
12:25You did a great job.
12:26Bye, handsome.
12:27Take care.
12:28So you don't miss me.
12:29Whenever you want.
12:30I'll be out at 8.
12:31Chimmy.
12:32Shut up.
12:33But he said handsome
12:34to both of us.
12:35Champion.
12:37You're good, Sonsuman.
12:38If you don't want to pedal
12:39that bike,
12:40I do like seafood.
12:41Of course.
12:42You know how handsome he is.
12:44Don't you want to have a drink?
12:45He's gone.
12:46He's not going to notice.
12:47I'll take it.
12:49Administration.
12:50Yes.
12:51I am requesting
12:52the file
12:53of the transporter
12:54Reni Cabello.
12:57Yes.
12:58He is the one who requested
12:59the savings fund
13:00for the loan
13:01of his grandmother's operation.
13:03I already sent
13:04all the documents,
13:05but I want to review them too.
13:07Thank you.
13:15Raquita,
13:16I need to see Juana.
13:17I went to the marketing area
13:18and I didn't see her.
13:19She was with David.
13:20If you want, I'll look for her.
13:22Thank you.
13:25I didn't let myself go
13:27thinking I didn't feel
13:28anything for Gabriel,
13:29but I was wrong, right?
13:30Look, David.
13:32I clearly
13:33care about this job
13:34and I like it,
13:37but I'm not going to deny
13:38that I feel close
13:39to Gabriel.
13:41That's the closeness
13:42I feel with you.
13:44But
13:45we're friends.
13:47Is that clear?
13:48Well,
13:49coworkers.
13:50No, of course.
13:51It's the same with Gabriel.
13:52We're friends.
13:53No, it's not the same.
13:54Let's not say it's the same
13:55because it's not the same.
13:56How are you?
13:57How was your first day,
13:58friend?
14:00What's going on?
14:01Why are you so quiet?
14:04Oh, I know.
14:05They're planning
14:06the new strategy
14:07to destroy
14:08Estro's beer.
14:09It's a new campaign.
14:10They don't want to tell anyone.
14:12You already knew, right?
14:15That Juana is in love with Gabriel.
14:19David, what are you talking about?
14:20Oh, you didn't know.
14:23Let's see.
14:24What's going on with Juana
14:25and the blond engineer
14:26is that
14:27Juana is very grateful
14:28to me because
14:29I've helped her a lot.
14:30Right, Juana?
14:31Yes, Juana.
14:32Look,
14:33clearly I'm the laughingstock
14:34of this company,
14:35but I'm not going to be
14:36anyone's clown.
14:37Okay?
14:38So I think it's better
14:39to leave the job here.
14:40Thank you for the opportunity.
14:44Juana.
14:45Juana, let's see.
14:47Juana.
14:49You're being helped by angels,
14:50daddy.
14:51Angels.
14:52And one is begging
14:53nieces,
14:54crickets,
14:55seafood of love.
14:56Stop it.
14:58Seriously,
14:59I can't get it out of my head,
15:00Enriqueta.
15:01If I had felt that
15:02rush
15:03when we kissed
15:04in the elevator,
15:07I'm sure
15:08I didn't just feel it.
15:10What you felt
15:11is called hunger,
15:12because that day
15:13you were starving.
15:14I'm serious.
15:15I mean,
15:17I thought those things
15:18were only seen
15:19in the movies,
15:20but no,
15:21I did feel it.
15:22Let's see.
15:23Oh, my God.
15:24Let's see,
15:25what's the deal
15:26with Juana?
15:27Well, she's the
15:28top human resource.
15:29I mean,
15:30she's the boss
15:31of all the staff
15:32at the brewery
15:33where Dani works,
15:34and now Juana works there.
15:36But she's a girl,
15:37she plays with older girls,
15:38daddy.
15:39Older girls.
15:40No,
15:41you don't even get to
15:42the minors of La Colonia.
15:43They're all screwed.
15:44Well,
15:45you have to dream big,
15:46you have to dream big,
15:47right?
15:48Yes,
15:49but what's the point
15:50when you dream Mexican?
15:51Well, do it.
15:52Only when you want to
15:53achieve something,
15:54you have to dream big.
15:55So,
15:56how's my workshop going?
15:57Well,
15:58little by little,
15:59I bought a tool,
16:00here's the other one,
16:01and now,
16:02look,
16:03I have a workshop.
16:04Yes,
16:05we already have our workshop.
16:06Yes,
16:07we already have it,
16:08right?
16:09Uh-huh.
16:10Boss,
16:11let's go,
16:12let's work,
16:13okay?
16:14You're well paid there,
16:15look,
16:16all the money
16:17is in the crates.
16:18Let's go,
16:19I'll help you.
16:20You're more of a boss
16:21than I am.
16:22Let's go,
16:23let's work.
16:24Let's go,
16:25let's go.
16:26Okay,
16:27I'm going to the graphic design
16:28department,
16:29she's in there.
16:30Okay,
16:31if you need to talk to her,
16:32I just found her
16:33in the marketing department.
16:34No, no,
16:35I'm not asking you
16:36about her,
16:37I'm asking you
16:38for her personal address.
16:39I'm sorry,
16:40ma'am,
16:41but you don't have
16:42any information.
16:43You can look for her
16:44and send me
16:45a text message,
16:46okay?
16:47Ma'am,
16:48I would love
16:49to help you,
16:50but I only receive
16:51direct orders from my boss,
16:52Engineer Gabriel.
16:53Juana, you don't have to be like this.
16:55I love this job. I need this job,
16:57but I don't have to put up with this working environment.
17:00They just want to humiliate me.
17:01Leave your things.
17:02I won't leave until I find them.
17:04I've been calling you and nothing.
17:05We were in the cafeteria and we left our cell phones here.
17:07What happened?
17:08The blond engineer wants to talk to Juana.
17:10He says it's something urgent.
17:11So, Juana, I'll wait for you in the office.
17:18Juana, I'm sorry.
17:20I'll wait for you in the office.
17:26But he has to know that he's going to be a father.
17:28And that you're waiting for his son.
17:30No, that's a decision I've already made.
17:32He can't know. Period.
17:33A son is born from the union of two people, Juana.
17:35He never wanted to have a son with me.
17:37And I don't want him to meddle in my life.
17:39This is between my baby and me.
17:41Are you sure?
17:42Yes, totally.
17:43In fact, if he finds out that I'm pregnant with his baby,
17:45I'll leave right now and no one will ever hear from me again.
17:51Come in, come in.
17:52Come in, of course. Hello.
17:54Hello.
17:56Enriqueta told me you wanted to talk to me.
17:58Yes.
18:00Yes. Come, sit down, please.
18:05Be careful.
18:14How are you?
18:17Fine.
18:21Is there something I want to talk to you about?
18:23I think I know what you want to talk about.
18:26Really?
18:28And I want you to know that I didn't plan this.
18:31Me neither.
18:32But it seems...
18:35It seems like it's like a cruel game of fate.
18:38And...
18:39Yes.
18:41Apparently, it comes to a point where you can't deny things.
18:44When did you find out?
18:45I don't know, I think when I spent the night here, in this office.
18:48In the office?
18:50Believe me, I didn't...
18:53I had things very clear, I didn't understand what I was feeling,
18:57but I only know that when I woke up and I had your bag on me
19:02and I saw you sleeping in that chair, I approached you
19:05and I felt something that I haven't felt in all my life.
19:08And I know there have been thousands of rumors about what happened between you and me that night
19:12and I hope you believe me that...
19:14I've always made it clear that absolutely nothing happened between you and me.
19:17Yes, I've always said that too.
19:18But apparently I have a sign on my forehead that everyone can see except me and...
19:27They say my eyes are shining.
19:31That I can't hide it.
19:33What is it?
19:35It's obvious.
19:37Well, what I want to tell you...
19:39Do you want me to say it to you directly?
19:41Do you want me to say it to you directly?
19:43Well...
19:45I shouldn't have.
19:46It wasn't right.
19:48I'm pregnant.
19:49You're a married man.
19:50You can't...
19:52I understand.
19:53The thing is that...
19:55I think I'm...
19:57lost in love with you.
19:59Enriqueta.
20:00I'm glad to see you.
20:01I was going to go to your office to see you.
20:02Oh, did you need something?
20:03Yes.
20:04Yes, yes.
20:05I need access to the staff's data because I want to make a list with all the people
20:08I'm going to be working with during my management.
20:10Okay.
20:11Well, if you want, I'll give you the key.
20:12With that, you can access the staff's files.
20:14Yes.
20:15Write it down.
20:16It's P-A-R-T-I-A-N-T-Y.
20:18P-A-R-T-I-A-N-T-Y.
20:19P-A-R-T-I-A-N-T-Y.
20:20P-A-R-T-I-A-N-T-Y.
20:22Okay.
20:23Well, if you want, I'll give you the key.
20:24With that, you can access the staff's files.
20:26Yes.
20:27Write it down.
20:28It's P-Q-R-9-2-2.
20:35Let's see, honey.
20:36Why are you in such a hurry to see us here?
20:38Because I need you to help me understand Gabriel before I go into crisis or go crazy.
20:44What are you talking about?
20:46Well, about the new contracts that Aurelio gave up for nothing.
20:49Well, if you say it for Camila, it's what's best for the company.
20:51No, no, no, Dad.
20:52Obviously, I'm not saying it for Camila.
20:54I'm saying it for the photographer who hired her.
20:59Didn't you know?
21:03So, did Carlos tell you about the mistake I made with Danila's friend?
21:07Yes, and that shows that he's jealous.
21:10He still feels something very important about you.
21:13Oh, please, Inés.
21:14I have a lot of work.
21:15I don't have time for romances.
21:17And on top of everything, you have to help Mrs. Camila acclimatize, right?
21:21Well, I don't think it's that difficult.
21:23She has a lot of desire.
21:25Desire?
21:26Of what?
21:29I'm sorry to tell you, but I don't like that woman.
21:33Inés, you have to be very careful.
21:36Remember that she is the wife of one of the majority shareholders of this company.
21:41And she's also a friend of the blondes.
21:43Yes, yes, I know.
21:45But believe me, that woman didn't come to do anything good to this company.
21:49You don't have to take your eyes off her.
21:51Listen to me.
21:54Juana, you and I get along very well.
21:57Look, I know that my feelings are not reciprocated.
21:59Seriously.
22:01And probably me talking about it because I'm very impulsive
22:04is going to completely ruin our friendship.
22:06No, of course not.
22:07And I also know that I've been a bad friend.
22:09I know that I failed you.
22:11I know that when Camila and David threw me in front of our relationship,
22:19I couldn't look them in the eye and tell them that I don't feel anything for you.
22:22Listen to me, listen to me, listen to me, please.
22:26I don't care what people say or think.
22:30And what you say is that what you feel is wrong
22:32simply because you're pregnant.
22:34No, on the contrary.
22:36Your pregnancy was what brought us together.
22:40I respect very much what you feel.
22:42You don't have to say anything, really.
22:44I know, I know.
22:45Yes, I know.
22:48Don't hurt me.
22:49That's all I ask of you, please.
22:50But don't hurt me.
22:52Juana, I know.
22:54Hey, Juana, Juana, Juana.
22:56Please wait, Juana.
22:57Juana.
23:08I have the address of the photographer.
23:10I'll send it to you by text.
23:11Yes.
23:12Perfect, thank you very much.
23:13I'm on my way.
23:14Goodbye.
23:16Oh, Dad, I'm sorry.
23:18My manager called me.
23:19We urgently need to see about an advertising campaign.
23:22Will you forgive me?
23:23I know I asked you to meet here, but...
23:25How can I say no?
23:26Let's see, don't worry.
23:29And if you feel that the photographer is causing you a lot of trouble,
23:34don't doubt that I can help you get rid of her.
23:37Really?
23:39Oh, Dad, you're the best.
23:41I'm leaving.
23:42I love you.
23:44I love you too.
23:51Oh, why?
23:52Oh, my God.
23:53Oh, my God.
23:55But, let's see, how?
23:56Did you just let him go like that?
23:57You were in love with him.
23:59Well, what do you want me to do, Dani?
24:00Anyway, David had already told her everything.
24:02What was he doing?
24:03Was he giving me the table?
24:04As if nothing was happening?
24:05Oh, I'm going to kill David.
24:07Obviously, they are friends.
24:08They were going to tell each other.
24:09No, no, he's not going that way either.
24:12So, what did he tell you?
24:17I don't know, he really didn't say much.
24:19I didn't let him talk.
24:20Rather, I was talking and talking and talking.
24:22And, well, what do I tell you?
24:23I ruined it.
24:24I ruined it, obviously, because I don't have experience in love.
24:26And, obviously, I was going to ruin it with someone I care about.
24:29With someone for whom I would have given everything to have in my life.
24:34I mean, my mom is right.
24:35I don't know why I came here to accept a job knowing what I feel for him.
24:38Because I'm stupid, really.
24:42You know what, Dani?
24:46Please tell David and Enriqueta that...
24:49Thank you very much.
24:50I really appreciate this opportunity.
24:52But...
24:53Please accept my resignation.
24:55No, Juana.
24:56Dani, it's love.
24:57What do you mean?
24:59Juana!
25:01Juana, no!
25:02Gabriel, you're worrying me.
25:03Do I look bad?
25:04Is everything okay?
25:07No, everything is fine.
25:10The thing is that I hired a private investigator to find the girl
25:13who was put on my sample by mistake.
25:16And what happened?
25:17Did you find her?
25:18Yes.
25:20Yes, the doctor identified her in a security video from the clinic.
25:26And...
25:28Did you talk to her?
25:30Did what I told you happen?
25:32Did the pregnancy stop?
25:33No.
25:36No, she's still pregnant.
25:39So...
25:41You already met her?
25:44Uncle, the woman who is pregnant with me is Juana Bravo.
25:48Let's see.
25:50Juana, the photographer?
25:52The one who came to work here today?
25:55Yes, she was just in my office.
25:57Right now!
25:58And what happened? How did she react?
26:01I tried to tell her at first.
26:03We started talking.
26:04I thought we were talking about the same thing and...
26:07She told me she was in love with me.
26:09And she left.
26:10And she left.
26:17Good.
26:19Let's see.
26:21The important thing here is...
26:24That everything is clear with you.
26:25Not you.
26:27What do you feel about her?
26:29Are you in love with her?
26:31A FEW HOURS LATER
26:39Honey, what happened?
26:41What happened to you, princess?
26:43Are you okay?
26:44What happened?
26:45You were right.
26:47I shouldn't have worked in the brewery.
26:50I couldn't control myself and I ended up confessing everything to Gabriel.
26:57Good.
26:58How are you?
26:59I'm fine.
27:02Why did you knock on the door?
27:03It was Juana.
27:05She doesn't feel well.
27:06She has nausea, she's pregnant.
27:08I told her to stay in bed for a while.
27:10I'm going to make her some tea with cookies.
27:13No, Mom. It's not necessary.
27:15No, it's okay.
27:16I can sleep with that.
27:17Do you want to eat something?
27:19Make me some tea, honey.
27:20My tour is about to start.
27:21I'll get it for you.
27:22I'll get it for you right now.
27:23I'll get it for you.
27:26Oh, God.
27:27I'm so sorry.
27:29All I know is that I've never felt what's happening to me with her.
27:32It's new to me.
27:34When I'm with her, I feel good.
27:37I feel...
27:39calm.
27:40I feel at peace.
27:41I have a great time with her.
27:42In fact,
27:44we laugh a lot.
27:46When I'm with her, no, no.
27:47I don't have to be anyone else.
27:48I feel free.
27:49It's like life sees her from a different point of view.
27:53Of course.
27:55Look,
27:56I'm your uncle.
27:57We trust each other.
27:58We're family.
27:59Tell me,
28:01have you and her had anything more than...
28:04No, no, no.
28:05Of course not, Uncle.
28:08Sorry to bother you.
28:09Can I come in?
28:10Yes, of course.
28:11Ines told me you were here, Gabriel.
28:13What's going on?
28:14The thing is...
28:16we have a situation.
28:18Daniela just told me that Juana Bravo just resigned.
28:21She thanked me and she doesn't want the job anymore.
28:23No, no, no.
28:24Tell her not to resign.
28:25I'm going to look for her at her house.
28:29Do you know what happened with that girl?
28:31She was very excited.
28:41Daniela, are you okay?
28:42Yes, yes, yes.
28:44What do you want?
28:45What do you want from me?
28:46I don't have change.
28:48I'll pay you tomorrow.
28:49No problem.
28:52Thank you.
28:55Hey, honey,
28:56do you want to buy some candy to sweeten your life?
28:58No, thank you.
28:59I don't want anything.
29:00Should I ask Juana for 1,000 euros?
29:09Well, here it is.
29:10So,
29:11you decide.
29:21I don't care what people say or think.
29:24And what you say is wrong.
29:26What you feel simply because you're pregnant.
29:28No, on the contrary.
29:30Your pregnancy
29:32was what brought us together.
29:35I respect very much what you feel.
29:39But I don't feel the same for you.
29:41Shut up, stupid.
29:46Shut up, stupid.
29:51Shut up, stupid.
30:02Oh, it's so good.
30:05With this.
30:10There it is.
30:12If you're so nervous,
30:14it's because you're worried about Juana.
30:17Yes, of course.
30:18I'm worried, yes.
30:19Yes, I'm worried.
30:20Wouldn't it be better to take her to the hospital?
30:24Mom, Juana's problem is not medical.
30:27Well, anyway,
30:28we have to take her to the hospital
30:29because maybe it's a complication with her pregnancy, honey.
30:32No, no, no.
30:33The pain she feels is not physical, mom.
30:37It's another kind of pain.
30:41How awful.
30:51Hello?
30:52Good afternoon.
30:53I'm here to talk to Juana Bravo.
31:05Nothing.
31:07Juana doesn't answer my calls,
31:08she doesn't answer my messages.
31:11Neither do I.
31:12I already told Enriqueta to quit
31:14so she wouldn't tell her anything.
31:16I don't understand why she did that.
31:17I don't understand why she did that.
31:20You and Camila ruined her first day, Juana.
31:23I'm sorry.
31:24I didn't know Camila had told her the same thing.
31:26Juana told her later.
31:28I don't understand.
31:30You say you're her friend
31:31and you behave like a spoiled child with her.
31:34Juana really needed this job.
31:36I already told you.
31:37I'm so sorry, Dani.
31:39We were working normally
31:40and Juana kept calling Gabriel, Gabriel, Gabriel.
31:43All I did was ask her if she was in love with him
31:46and that was it.
31:47With that attitude that characterizes you.
31:49Well, I'm really sorry.
31:50I feel terrible.
31:53I don't know what to do.
31:55For now, leave her alone.
31:57Don't go looking for her.
31:58You always do that and make things worse.
32:01Yes, right?
32:03Let's see.
32:04When did I tell her because I love her, Dani?
32:06It's not right for her to be in love alone
32:08with a married man.
32:10She deserves much more than that.
32:13I don't know.
32:14She needs time to realize
32:17and allow someone else to truly love her.
32:20Right?
32:22Someone like you?
32:25Why not?
32:29I'm Paula Fomayor de Rubio.
32:32Oh, yes.
32:35By any chance,
32:37don't you work
32:39in the charity for orphaned children
32:41of Father Jose?
32:44Yes.
32:45Oh, I've seen you.
32:47I'm going to tell my daughter you're here.
32:50Yes?
32:51Come in, please.
32:53Have a seat.
32:55Would you like some tea or coffee?
32:57You can't miss the sweets I make.
33:00They're traditional
33:02and I personally make them by hand.
33:05So, would you like some coffee?
33:07Yes, please.
33:16Hello.
33:17Where are you?
33:21Are you serious, Mom?
33:22Is Gabriel's wife there?
33:23Yes, Gabriel's wife is talking to you.
33:25Do you know her?
33:26No, I saw her at the birthday party,
33:28but she didn't say a word.
33:29Oh, then the witch fell on us.
33:30What?
33:31What are you doing at home?
33:32I don't understand.
33:33What did she say?
33:34I don't know.
33:35What did she say?
33:36What did she say?
33:39Nothing.
33:40Don't tell her anything.
33:42I'm going to hit her in the face.
33:45I think it's a good idea.
33:46Yes, yes, yes.
33:47But fix yourself, right?
33:48Yes.
33:51Are you deaf?
33:52I don't understand.
33:53Did she speak Chinese?
33:54Where is Gabriel?
33:55I already told you I don't know.
33:57Of course you know where he is.
33:58You're his secretary.
33:59I'm not his secretary.
34:01I'm his executive assistant.
34:03But you're denying it.
34:04Let's see, ma'am.
34:05I already told you I don't know where my boss is.
34:08Excuse me, is everything okay?
34:10Is something wrong, Camila?
34:11It's just that this executive assistant is denying Gabriel.
34:14And I need to talk to him.
34:16I need to tell him about the plans I have for the corporate.
34:19Yes, well, I don't think Inés is denying Gabriel.
34:21In fact, he left because he had a personal emergency.
34:24But if you want, I'll review your plans and you can tell me.
34:26Let's go to your office, okay?
34:27Thank you, Inés.
34:29Let's go.
34:34Inés.
34:40It's my first job, Carlos.
34:42And I don't want to fail.
34:43That's why I'm looking for Gabriel so much.
34:46Well, when you don't know Gabriel, you can come to me.
34:50May I?
34:51Yes, of course.
34:52This is the list of our clients, right?
34:54Excuse me.
34:56Look, I suggest you start by calling these people.
35:02Contact them.
35:03Introduce yourself.
35:04Let them know you.
35:07Okay.
35:08Thank you.
35:09Now I know that if Gabriel is not there, I can come to you.
35:12Or Rogelio.
35:14He's the one who insisted the most that you come to work here.
35:19I knew that Rogelio and Francisco had a relationship as shareholders in the company.
35:24But I didn't know that you and him got along so well.
35:28Yes, yes, yes.
35:29What happens is that...
35:30Look, I studied with Paula in high school.
35:32I've known him since I was a child.
35:34I'm like a family to him.
35:35He's like a father to me.
35:42No matter how much money Mr. Rogelio has left, he was a major.
35:45I think it's an excessive kindness on his part to have paid the bill.
35:48Why do you say that?
35:49Because it would have been logical for the blond engineer to pay the bill,
35:52a difference for his friend, etc.
35:54But why would he have paid them?
35:57At least...
35:59At least I would like to have a difference with Mr. Armas.
36:04Capi.
36:07Can I ask you an unofficial question?
36:09Of course.
36:11Everything okay?
36:12I've been feeling a little scattered for days.
36:19Jenny Bravo.
36:21Juana Bravo's mother was just thinking about her and I don't know why.
36:26And the truth is...
36:27I don't know how to get close to her.
36:32Capi, I'm surprised you don't miss her.
36:36What do you mean?
36:38Like in your job.
36:39The arrow goes straight.
36:41The bull by the horns.
36:43Three months.
36:45I need you here and now.
36:48I'll bring you a coffee.
36:49Thank you.
36:54I've come to see your sister and I'm very worried about her.
36:57She's totally destabilized because of Gabriel.
37:01I don't know why she still has problems with my sister-in-law.
37:04If it were up to me, I'd get her out of that house right away.
37:07You know Paula wouldn't stand to be separated from Gabriel, right?
37:10Yes, I know, but I don't like to see her suffer.
37:13Now she has between her eyebrows that this photographer is to blame for all her evils.
37:19And it seems Gabriel hired her to work here at the railroad station.
37:22What do you know about that?
37:23Oh, well.
37:24From what I see, anyone can make a good deal at the company.
37:30The photographer, Camila...
37:31Stop being ironic!
37:35Go find out if it's true.
37:54Between you and Camila, the ruin was Juana's first day.
37:57You say you're her friend and you behave like an animal.
38:00Juana really needed this job.
38:02You're getting all stupid, David.
38:05You end up writing with Juana.
38:09Oh, no. No, no, no. We've already lost him. Now he's talking to himself.
38:14Do you know what happened just now?
38:15What?
38:17Enriqueta came looking for Juana because Engineer Rubio wanted to see her in his office.
38:21And guess what?
38:22What?
38:23Since then, no one has seen Juana.
38:26She disappeared.
38:37It seems to me that this elegant lady came to see Juana because Father Jose must have asked her.
38:44Because she's also involved in the things of the city.
38:48Maybe she came to ask for help.
38:50That's why.
38:51That's it.
38:54Let's go see my brother so he can talk to us.
38:57No, we're not going.
38:59But I wanted to tell you that you know the rules.
39:03And that we were going to go to your brother's room.
39:07Your grandmother is so innocent that she thinks I'm here to talk to you about Father Jose's orphans.
39:15Can you explain to me what you're doing in my house?
39:17Please don't play dumb. You know very well what I do here.
39:21Since you appeared in Gabriel's life, you've known how to mess with us with that face of not breaking a plate.
39:28Look, you even managed to get a job at the brewery.
39:31Well, I don't really work at the brewery.
39:33You shut up and listen to me.
39:35I'm here to warn you that I won't have mercy on you if you don't get out of our lives on your own.
39:42Gabriel Rubio is my husband.
39:44And he will be until the last day of his life.
39:47I assure you that nothing happened with Gabriel.
39:50Mr. Gabriel, for you.
39:52Yes, it is very clear to me that he is your husband.
39:55And you know you don't have to worry because I'm not going back to the brewery.
40:15Julián.
40:17Isn't that Mrs. Paula's truck?
40:20There's Porfirio.
40:22Porfirio!
40:24What are they doing here?
40:26What are they doing here?
40:31Gabriel!
40:37What are you doing here?
40:39What are you doing here?
40:44Gabriel!