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00:03:50Hola.
00:03:52Don't tell me you didn't know it was loaded.
00:03:56Sylvie!
00:03:58Oh.
00:03:59Can't he do something constructive
00:04:01like start an avalanche or something?
00:04:03Bien joué, mon chéri.
00:04:07When you start to it like this,
00:04:09something is the matter.
00:04:12Sylvie, I'm getting a divorce.
00:04:14What?
00:04:15From Charles?
00:04:17He's the only husband I have.
00:04:19I've tried to make it work, really, I have, but...
00:04:22But what?
00:04:23Oh, I can't explain.
00:04:24It's just that I'm too miserable
00:04:26to go on any longer like this.
00:04:29It is infuriating that your unhappiness
00:04:32does not turn to fat.
00:04:34But I don't understand.
00:04:36Why do you want a divorce?
00:04:38Because I don't love him,
00:04:40and he obviously doesn't love me.
00:04:42That's no reason to get a divorce.
00:04:44With a rich husband and this year's close,
00:04:46you won't find it difficult to make some new friends.
00:04:49Look, I admit I came to Paris
00:04:51to escape American provincial,
00:04:52but that doesn't mean I'm ready for French traditional.
00:04:55I loathe the whole idea of divorce, Sylvie,
00:04:58but if only Charles had been honest with me,
00:05:00that's all I ask of anybody, the simple truth.
00:05:03But with Charles, everything is secrecy and lies.
00:05:08He's hiding something from me, Sylvie,
00:05:11something terrible, and it frightens me.
00:05:14Does he belong to you?
00:05:16Well, it's hers.
00:05:17Where'd you find him, robbing a bank?
00:05:19He was throwing snowballs at Baron Rothschild.
00:05:22Oh, thank you.
00:05:23Do we know each other?
00:05:25Why, do you think we're going to?
00:05:27I don't know, how would I know?
00:05:29Because I already know an awful lot of people,
00:05:31and until one of them dies,
00:05:33I couldn't possibly meet anyone else.
00:05:36Well, if anyone goes on the critical list, let me know.
00:05:39Quitter.
00:05:41You give up awfully easily, don't you?
00:05:44Viens, Jean-Louis, let us make a walk.
00:05:46I've never seen Rothschild before.
00:05:55Clever fellow. Almost missed me.
00:05:58Thank you.
00:06:00You're blocking my view.
00:06:02Oh, which view would you prefer?
00:06:05The one you're blocking.
00:06:07It's my last chance.
00:06:08I'm flying back to Paris this afternoon.
00:06:10What's your name?
00:06:11Peter Joshua.
00:06:12Oh, mine's Regina Lampert.
00:06:14Is there a Mr. Lampert?
00:06:15Yes.
00:06:16Good for you.
00:06:17No, it isn't. I'm getting a divorce.
00:06:18Please, not on my account.
00:06:19Oh, no, you see, I don't really love him.
00:06:21Well, at least you're honest.
00:06:23Is there a Mrs. Joshua?
00:06:25Yes, but we're divorced.
00:06:27Oh, that wasn't a proposal.
00:06:28I'm just curious.
00:06:30Is your husband with you?
00:06:31Oh, no, Charles is never with me.
00:06:33What do people call you?
00:06:34Pete?
00:06:35Mr. Joshua.
00:06:37I've enjoyed talking with you.
00:06:39Now you're angry.
00:06:40No, no, I'm not angry.
00:06:41I just have a lot of packing to do.
00:06:43I'm going back to Paris, too.
00:06:44Well, wasn't it Shakespeare who said
00:06:45when strangers do meet in far-off lands,
00:06:47they should ere long see each other again?
00:06:49Shakespeare never said that.
00:06:51How do you know?
00:06:52It's terrible.
00:06:53You just made it up.
00:06:54Oh, well, it sounds right.
00:06:55You going to call me?
00:06:56Are you in the book?
00:06:57Well, Charles is.
00:06:58Is there only one Charles Lampert?
00:07:02Lord, I hope so.
00:07:17Goodbye, Sylvie, and thanks.
00:07:19When you get your divorce,
00:07:20are you going back to America?
00:07:22Well, don't you want me to stay?
00:07:23Yes, of course,
00:07:24but if you went back and wrote me a letter...
00:07:26You could have the stamps.
00:07:27I'll get you some here, okay?
00:07:29Okay.
00:07:30Goodbye.
00:07:54Honorine?
00:08:00Honorine!
00:08:24Come on.
00:08:49Madame Charles Lampert?
00:08:51Yes?
00:08:52I am Inspector Edouard Grandpierre
00:08:54of the police judiciaire.
00:08:56Would you be so kind as to come with me, please?
00:09:22Well, madame?
00:09:26You're positive?
00:09:30You loved him?
00:09:33I'm very cold.
00:09:47We discovered your husband's body
00:09:49lying next to the tracks
00:09:50of the Paris-Bordeaux railroad line.
00:09:54He was dressed only in his pajamas.
00:09:56Do you know of any reason
00:09:58why he might have wanted to leave France?
00:10:01Leave?
00:10:02No.
00:10:04Your husband possessed a ticket of passage
00:10:06on the Maranguapi.
00:10:08It sailed for Venezuela this morning at 7.
00:10:12I'm very confused.
00:10:14He was American, your husband?
00:10:16Swiss.
00:10:17Ah, Swiss.
00:10:18His profession?
00:10:20He didn't have one.
00:10:21He was a wealthy man?
00:10:23I suppose so, I don't know.
00:10:25About how wealthy would you say?
00:10:27I don't know.
00:10:28Where did he keep his money?
00:10:30I don't know.
00:10:32Beside yourself,
00:10:33who is his nearest relative?
00:10:36I don't know.
00:10:37That's absurd, madame.
00:10:39Totalement absurde.
00:10:41I know.
00:10:42I'm sorry.
00:10:43It is all right?
00:10:45I wish you wouldn't.
00:10:48Les effets de l'empaire.
00:10:50D'accord.
00:10:52On Wednesday last,
00:10:53your husband sold the entire contents
00:10:55of the apartment at public auction.
00:10:57Everything.
00:10:58The gallery paid him
00:11:001,250,000 new francs.
00:11:02In dollars, a quarter of a million.
00:11:04The authorities in Bordeaux
00:11:06searched his compartment on the train.
00:11:08They searched it thoroughly.
00:11:10They did not find 250,000 dollars.
00:11:13These few things
00:11:14are all that was found
00:11:15in the train compartment.
00:11:16There was no other baggage.
00:11:18Your husband must have been
00:11:19in a great hurry.
00:11:21One wallet
00:11:22containing 4,000 francs.
00:11:24One agenda.
00:11:26His last notation
00:11:27was made yesterday, Thursday.
00:11:295 p.m., Jardin des Champs-Elysées.
00:11:32Why there?
00:11:33I don't know.
00:11:35Perhaps he was in a hurry.
00:11:37I don't know.
00:11:38I don't know.
00:11:39I don't know.
00:11:40I don't know.
00:11:41I don't know.
00:11:42Perhaps he met somebody.
00:11:44Obviously.
00:11:46One ticket of passage
00:11:47to South America.
00:11:49One letter,
00:11:51stamped but unsealed,
00:11:52addressed to you.
00:11:54May I see it, please?
00:12:00My dear Regina,
00:12:01I hope you are enjoying
00:12:02your holiday.
00:12:03Mergeve can be so lovely
00:12:04at this time of year.
00:12:05The days pass very slowly
00:12:06and I hope to see you
00:12:07as soon as always, Charles.
00:12:09P.S.
00:12:10Your dentist called yesterday.
00:12:12Your appointment
00:12:13has been changed.
00:12:15Not much, is it?
00:12:16We took the liberty
00:12:17of calling your dentist.
00:12:18We thought perhaps
00:12:19we would learn something.
00:12:21Did you?
00:12:22Yes.
00:12:23Your appointment
00:12:24has been changed.
00:12:33One key
00:12:34to your apartment.
00:12:36One comb.
00:12:38One fountain pen.
00:12:40One toothbrush.
00:12:42One tin of tooth powder.
00:12:44That is all.
00:12:48If you will sign this list,
00:12:49you may take the things
00:12:50with you.
00:12:53Is that all?
00:12:54May I leave now?
00:12:55One more question.
00:12:58Is this
00:12:59your husband's passport?
00:13:02Yes.
00:13:04And this?
00:13:08I don't understand.
00:13:10And this?
00:13:17And this?
00:13:38Oh, I telephoned,
00:13:40but nobody answered.
00:13:43Hello.
00:13:44Hello.
00:13:45I wanted to tell you
00:13:46how sorry I am.
00:13:48Let's see if there's
00:13:49anything I can do.
00:13:50How did you find out?
00:13:52It's in the afternoon papers.
00:13:55I'm very sorry.
00:13:56I'm sorry.
00:13:57I'm sorry.
00:13:58I'm sorry.
00:13:59I'm sorry.
00:14:00I'm sorry.
00:14:01I'm sorry.
00:14:02I'm sorry.
00:14:03I'm sorry.
00:14:04I'm sorry.
00:14:05I'm sorry.
00:14:06I'm sorry.
00:14:07I'm very sorry.
00:14:09Thank you.
00:14:12I pressed the bell,
00:14:13but it isn't ringing, I guess.
00:14:14I know.
00:14:15There's no electricity.
00:14:18Well,
00:14:19where did everything go?
00:14:20Charles sold it all at auction.
00:14:22This is all I have left.
00:14:25I love this room,
00:14:26but Charles never really saw it.
00:14:28Only the things in it.
00:14:31I think I prefer it this way.
00:14:34What are you going to do?
00:14:36Try and get my old job
00:14:37back at Uresco, I suppose.
00:14:39Doing what?
00:14:40I'm a simultaneous translator,
00:14:42like Sylvie.
00:14:43Only she's English into French,
00:14:44and I'm French into English.
00:14:46That's what I was doing
00:14:47before I married Charles.
00:14:50The police probably think
00:14:51I killed him.
00:14:52Instant divorce, you mean?
00:14:54Something like that.
00:14:57It's terrible it ended
00:14:58this way, though.
00:15:00Tossed off a train
00:15:01like a sack of third-class mail.
00:15:03Well, come on,
00:15:04you can't stay here.
00:15:05I don't know where to go.
00:15:07We'll find you a hotel.
00:15:11It's nothing too expensive.
00:15:13I'm not a lady of leisure
00:15:15anymore, you know.
00:15:16Something clean and modest,
00:15:17and near enough to Uresco
00:15:18so that you can take a cab
00:15:19when it rains.
00:15:20Okay?
00:15:21Okay.
00:15:33Not a very large turnout,
00:15:35is it?
00:15:37Didn't Charles have
00:15:38any friends?
00:15:39Don't ask me,
00:15:40I'm only the widow.
00:15:42If Charles had died in bed,
00:15:44we wouldn't even have him.
00:15:50At least he knows
00:15:51how to behave at funerals.
00:15:57I don't know.
00:15:58I don't know.
00:15:59I don't know.
00:16:00I don't know.
00:16:01I don't know.
00:16:07Have you no idea
00:16:08who could have done it?
00:16:10Until two days ago,
00:16:11the only thing I really knew
00:16:12about Charles was his name.
00:16:14Now it seems
00:16:15I didn't even know that.
00:16:31He must have known
00:16:32Charles pretty well.
00:16:33How can you tell?
00:16:35He's allergic to him.
00:16:42Bless you.
00:16:45You know him?
00:16:46Never seen him before.
00:17:01♪
00:17:30Arrivederci, Charlie.
00:17:38Miss Lampert, ma'am.
00:17:42Ah, Miss Lampert, ma'am.
00:17:45Charlie had no call
00:17:46of doing it that way.
00:17:49No siree.
00:17:50Charlie.
00:18:20Ah, what next?
00:18:26Mille pardons, madame.
00:18:29Merci.
00:18:31Pardon.
00:18:32Pardon.
00:18:34Pardon.
00:18:36Pardon.
00:18:38Where is it from?
00:18:39The American Embassy.
00:18:43Pardon.
00:18:45Pardon.
00:18:47Pardon.
00:18:48Pardon.
00:18:49Pardon.
00:19:01I bluffed the old man
00:19:02out of the last pot
00:19:03with a pair of deuces.
00:19:05What's so depressing about that?
00:19:06Well, I mean, if I can do it,
00:19:07what are the Russians
00:19:08doing to him?
00:19:19Hello?
00:19:22Hello?
00:19:24Is there anything wrong,
00:19:25Miss Tompkins?
00:19:27Uh, Miss Tompkins isn't here.
00:19:31Oh, I'm sorry.
00:19:33My secretary must have
00:19:34gone to lunch.
00:19:36Uh, you are, uh...
00:19:37Mrs. Lampert,
00:19:38Mrs. Charles Lampert.
00:19:40Oh, yes.
00:19:41Please,
00:19:42come in, Mrs. Lampert.
00:19:45Excuse me for a moment,
00:19:46Mrs. Lampert.
00:19:47It's a stubborn little devil.
00:19:51Dry-cleaning-wise,
00:19:52things are all fouled up.
00:19:55I had a good man,
00:19:56a really excellent man,
00:19:57in the Rue Ponto.
00:20:00But H.Q. asked us
00:20:01to use the plant here
00:20:02in the building
00:20:03to ease the gold outflow.
00:20:05Mr. Bartholomew,
00:20:06are you quite sure
00:20:07you know who I am?
00:20:08You're Charles Lampert's
00:20:09widow, yes?
00:20:12I'm very sorry.
00:20:13Last time I sent out a tie-only,
00:20:15the spot came back.
00:20:18Well, uh,
00:20:19as they say.
00:20:21Won't you sit down,
00:20:22Mrs. Lampert?
00:20:26I've got something here.
00:20:29I've got liverwurst,
00:20:30liverwurst,
00:20:31chicken and liverwurst.
00:20:33No, thank you.
00:20:35Mrs. Lampert,
00:20:36do you know what C.I.A. is?
00:20:39I don't suppose
00:20:40it's an airline, is it?
00:20:41Central Intelligence Agency,
00:20:43C.I.A.
00:20:45You mean spies
00:20:46and all of that?
00:20:47Only we call them agents.
00:20:49We?
00:20:50You mean you?
00:20:51Someone has to do it,
00:20:52Mrs. Lampert.
00:20:53It's just that I didn't think
00:20:54people like you
00:20:55were supposed to admit...
00:20:56No, I'm not an agent.
00:20:58I'm an administrator,
00:21:00a desk jockey,
00:21:02trying to run a bureau
00:21:03of overworked men
00:21:05with under-allocated
00:21:07funds.
00:21:08Congress seems to think
00:21:09that all a spy needs...
00:21:10Agent.
00:21:13Yes.
00:21:14That all he needs
00:21:15is a code book,
00:21:16a cyanide pill,
00:21:17and he's in business.
00:21:21What's all this got to do
00:21:22with me, Mr. Bartholomew?
00:21:24Your husband was wanted
00:21:25by the United States government.
00:21:30May I have a sandwich, please?
00:21:32Chicken or liverwurst?
00:21:34Chicken.
00:21:35To be more specific,
00:21:36Mrs. Lampert,
00:21:37your husband was wanted
00:21:38by this agency.
00:21:39So that was it.
00:21:40Yes.
00:21:41We, of course,
00:21:42knew him by his real name,
00:21:44Boss.
00:21:45Charles Boss.
00:21:49All right, Mrs. Boss.
00:21:51Now, I'd like you to
00:21:52look at this photograph here
00:21:54for a moment, please.
00:21:56Tell us if you recognize...
00:21:58Oh.
00:22:00By the way,
00:22:01have you seen my husband?
00:22:03By the way,
00:22:04have you seen this one?
00:22:06Scott, Kathy,
00:22:07and Ham, Jr.
00:22:09Very sweet.
00:22:10Aren't they?
00:22:12All right, Mrs. Boss.
00:22:13Please stop calling me that.
00:22:15Lampert's the name
00:22:16on the marriage license.
00:22:17Oh, I'm terribly sorry.
00:22:18Mrs. Lampert,
00:22:19would you look at that photograph
00:22:20and tell me
00:22:21if you recognize anyone, please?
00:22:23Now, just a moment.
00:22:24Have a good look.
00:22:29It's Charles.
00:22:31Very good.
00:22:32He was so young
00:22:33when was this taken?
00:22:341944.
00:22:36Next, please.
00:22:38The man who was
00:22:39at the funeral yesterday.
00:22:40A tall man
00:22:41in a corduroy suit.
00:22:43Does the name Tex Penthollow
00:22:44mean anything to you?
00:22:45No.
00:22:47Would you like some wine?
00:22:48Oh, thank you.
00:22:49Next, please.
00:22:52He was there, too.
00:22:53A little less hair,
00:22:54but it's the same one.
00:22:56Do you know him,
00:22:57Mrs. Lampert?
00:22:58Leopold W. Gideon?
00:22:59No.
00:23:00Last one, please.
00:23:02That's a face
00:23:03you don't forget.
00:23:04He was there, too.
00:23:06Herman Scobie.
00:23:07You've never seen
00:23:08him before, either?
00:23:09No, thank heaven.
00:23:12Mrs. Lampert,
00:23:14I'm very much afraid
00:23:15that you are
00:23:16in a great deal of danger.
00:23:17Why should I
00:23:18be in any danger?
00:23:19You're Charles Vassa's wife.
00:23:22Now that he's dead,
00:23:23you're their only lead.
00:23:25Mr. Bartholomew,
00:23:26if you're trying
00:23:27to frighten me,
00:23:28you're doing
00:23:29a first-rate job.
00:23:30Please do what we ask,
00:23:31Mrs. Lampert.
00:23:32It's your only chance.
00:23:33Gladly,
00:23:34but I don't know
00:23:35what you want.
00:23:36You haven't told me.
00:23:37Oh?
00:23:39I haven't?
00:23:41Well, it's the money,
00:23:42Mrs. Lampert.
00:23:43The money.
00:23:45Of $250,000
00:23:47Charles Vassa received
00:23:48from the auction.
00:23:49Those three men
00:23:50want it, too.
00:23:51They want it very badly.
00:23:52But that's Charles' money,
00:23:53not theirs.
00:23:54Oh, Mrs. Lampert,
00:23:55I'd love to see you
00:23:56try and convince them of that.
00:23:58Oh, boy.
00:23:59But then whose is it?
00:24:00His or theirs?
00:24:03Ours.
00:24:05Oh.
00:24:07Charles Vassa
00:24:08stole $250,000
00:24:09from the United States
00:24:10government.
00:24:11I'm afraid
00:24:12we want it back.
00:24:13But I don't have it.
00:24:16That's impossible,
00:24:17Mrs. Lampert.
00:24:19You're the only one
00:24:20who could have it.
00:24:21Mr. Bartholomew,
00:24:22if I had a quarter
00:24:23of a million dollars,
00:24:24believe me,
00:24:25I'd know it.
00:24:26Nevertheless,
00:24:27Mrs. Lampert,
00:24:28you've got it.
00:24:29You mean it's just
00:24:30lying around somewhere?
00:24:31All that cash?
00:24:32Or a certified check,
00:24:34a safe deposit key,
00:24:36baggage claim.
00:24:37You look for it,
00:24:38Mrs. Lampert.
00:24:39I'm quite sure you'll find it.
00:24:40Look for it.
00:24:41Look just as hard
00:24:42and as fast as you can.
00:24:44You may not have
00:24:45a great deal of time.
00:24:46Those three men
00:24:47know you've got the money
00:24:48just as surely as we do.
00:24:50You won't be safe
00:24:51until the money
00:24:52is in our hands.
00:24:53Is that clear?
00:24:55Now, here's where
00:24:56you ought to call me
00:24:57day or night.
00:24:59It's a direct line
00:25:00to both my office
00:25:02and my apartment.
00:25:03And please don't tell anyone
00:25:04about coming to see us today.
00:25:05It could prove fatal
00:25:06for them as well as yourself.
00:25:08As I said, Mrs. Lampert,
00:25:09I'm afraid you're
00:25:10in a great deal of danger.
00:25:11I regret very much
00:25:12having to say this,
00:25:13but please remember
00:25:15what happened
00:25:16to your husband.
00:25:29Hello.
00:25:31Hello, Peter.
00:25:33Now, didn't you telephone me
00:25:34to meet you on that corner
00:25:35over there?
00:25:37I'm sorry.
00:25:38I heard the children laughing.
00:25:41Do you understand French?
00:25:43Not a word.
00:25:44I'm still having
00:25:45trouble with English.
00:25:47The man and the woman
00:25:48are married.
00:25:50Oh, I can see that.
00:25:51They're batting each other
00:25:52over the head.
00:25:53Who's that with the hat?
00:25:55That's the policeman.
00:25:57He wants to arrest Judy
00:25:58for killing Punch.
00:26:02What's she saying now?
00:26:04That she's innocent.
00:26:06She didn't do it.
00:26:09Oh, she did it all right.
00:26:11I believe her.
00:26:14Well, who was that?
00:26:16I don't know.
00:26:18I don't know.
00:26:20I don't know.
00:26:21Well, who was that?
00:26:23That's Punch, of course.
00:26:25Punch, of course?
00:26:26I thought he was dead.
00:26:28He's only pretending
00:26:29to teach her a lesson.
00:26:32Only he is dead, Peter.
00:26:33I saw him.
00:26:34He's not pretending.
00:26:36Somebody threw him
00:26:37off a train.
00:26:39Charles was mixed up
00:26:40in something terrible.
00:26:42What am I going to do?
00:26:44I wish you'd let me help you.
00:26:46It doesn't sound like
00:26:47the sort of thing a young woman
00:26:48can handle by herself.
00:26:51Well, well, well.
00:26:53How about making me
00:26:54vice president in charge
00:26:55of cheering you up?
00:26:58Starting tonight?
00:27:06Bonsoir, messieurs-dames.
00:27:07Good evening, ladies and gentlemen.
00:27:09Buona sera, signori e signori.
00:27:11Ce soir,
00:27:12comme tous les autres soirs ailleurs,
00:27:14vous savez très bien
00:27:15qu'ici au Black Sheep Club,
00:27:17l'attraction,
00:27:18c'est vous!
00:27:19Alors, approchez-vous,
00:27:21messieurs-dames.
00:27:22Venez-y.
00:27:23Step right up,
00:27:24ladies and gentlemen.
00:27:25What's going on?
00:27:26Fun and games, evidently.
00:27:27We're the floor show.
00:27:28Come on.
00:27:29What, you and me?
00:27:30Everyone.
00:27:33Avanti, avanti,
00:27:34signori e signori.
00:27:35Ecoutez-moi bien, messieurs-dames.
00:27:36Les règles du jeu
00:27:37sont très simples.
00:27:38Alors, écoutez-moi.
00:27:39Alors, il y a deux équipes.
00:27:40There are two teams.
00:27:41Et pour chaque équipe,
00:27:42il y a une orange.
00:27:43For every team,
00:27:44there is one orange.
00:27:46Une orange.
00:27:47Une orange.
00:27:49Une apple du nez.
00:27:50Vous mettez l'orange sur le moteur comme ça.
00:27:52You put the orange on your chin like so.
00:27:53Vous passez cette orange
00:27:54à la personne derrière vous.
00:27:55You pass the orange
00:27:56to the person behind you.
00:27:57Mais sans vous servir les mains.
00:27:59Without the use of your hands.
00:28:01Are you ready?
00:28:02Un, deux, trois.
00:28:17Un, deux, trois.
00:28:47Un, deux, trois.
00:29:17Un, deux, trois.
00:29:43Mrs. Lampert.
00:29:44Who are you?
00:29:45Didn't Charles tell you, Mrs. Lampert?
00:29:47Tell me what?
00:29:48It doesn't belong to you.
00:29:49You do know that, don't you?
00:29:50I don't know anything.
00:29:51Mrs. Lampert.
00:29:53Any morning now,
00:29:54you could wake up dead,
00:29:55Mrs. Lampert.
00:29:57Leave me alone.
00:29:58Dead, Mrs. Lampert.
00:29:59Like last week's news.
00:30:00Like Charles, Mrs. Lampert.
00:30:02Stop it!
00:30:05What's the trouble?
00:30:06You stepped on my foot.
00:30:08Forgive me.
00:30:09Wait here. I won't be long.
00:30:10It was quite unintentional,
00:30:11I'm sure.
00:30:15Mr. Bartholomew.
00:30:31Mr. Bartholomew,
00:30:32this is Regina Lampert.
00:30:33Mr. Bartholomew,
00:30:34I just saw one of those men...
00:30:36Mr. Bartholomew,
00:30:37can you hear me?
00:30:40Mr. Bartholomew,
00:30:41this is Regina Lampert.
00:30:42I just...
00:30:45Howdy.
00:30:47What do you want?
00:30:48Now, you must be kidding.
00:30:50No, I'm not.
00:30:51Now, come on now,
00:30:52Mrs. Lampert.
00:30:53You know what it is,
00:30:55and you're gonna get it for me, too.
00:30:57You know I ain't fooling around here.
00:31:05No sirree, Bob.
00:31:09No, that's...
00:31:10Please stop!
00:31:11Now, don't be a nobody,
00:31:12Mrs. Lampert.
00:31:14No, that's...
00:31:15Please stop!
00:31:16Now, don't make too much noise,
00:31:17Mrs. Lampert.
00:31:19It could get a whole lot worse,
00:31:20you know.
00:31:23That belongs to me,
00:31:24Mrs. Lampert,
00:31:25and you're gonna get it for me.
00:31:28Or your life ain't gonna be worth
00:31:29the paper it's printed on.
00:31:31Do you say what I'm saying to you?
00:31:33Stop!
00:31:34Please stop!
00:31:35Now, you go home
00:31:36and take it over real careful.
00:31:37You're insane!
00:31:38You're absolutely insane!
00:31:44Oh...
00:31:49What's the matter?
00:31:51What are you doing in here?
00:31:55I'm having a nervous breakdown.
00:32:09Now, hold it.
00:32:10I've waited long enough.
00:32:11What happened back there?
00:32:14I'm not sure if I'm supposed
00:32:15to tell you or not.
00:32:16What does that mean?
00:32:18He said if I told anybody,
00:32:19it could prove fatal
00:32:20for them as well as for me.
00:32:22Who said?
00:32:23That's what I'm not
00:32:24supposed to say.
00:32:28Now, stop that nonsense.
00:32:30Stop bullying me.
00:32:31Everybody's bullying me.
00:32:32I'm not bullying you.
00:32:33Yes, you were.
00:32:34You said it was nonsense.
00:32:35Being murdered in cold blood
00:32:37is not nonsense.
00:32:38Why don't you try it sometime?
00:32:40Would you mind
00:32:41seeing me to the door?
00:32:42Of course not.
00:32:45It's a good place
00:32:46for making friends.
00:32:51You said this afternoon
00:32:52your husband was mixed up
00:32:53in something.
00:32:54How do you shave in there?
00:32:57What was it?
00:32:59What was what?
00:33:00What your husband
00:33:01was mixed up in.
00:33:02Look, I know it's asking you
00:33:03to stretch your imagination,
00:33:04but don't you think
00:33:05you could pretend
00:33:06just for a moment
00:33:07that there was something
00:33:08Don't you think
00:33:09you could pretend
00:33:10just for a moment
00:33:11that I'm a woman?
00:33:12Now listen,
00:33:13I could already be arrested
00:33:14for transporting a minor
00:33:15above the first floor.
00:33:18Here you are.
00:33:19Where?
00:33:20On the street
00:33:21where you live.
00:33:22How about once more
00:33:23around the park?
00:33:24How about getting out of here?
00:33:25Come on, child, out.
00:33:28Won't you come in
00:33:29for a minute?
00:33:30No, I won't.
00:33:33I don't bite, you know.
00:33:35Unless it's called for.
00:33:36How would you like a spanking?
00:33:38How would you like
00:33:39a punch in the nose?
00:33:41Stop treating me
00:33:42like a child.
00:33:43Well, then stop
00:33:44behaving like one.
00:33:46Now, if you want to tell me
00:33:47what's troubling you, fine.
00:33:48If not, I'm tired.
00:33:49It's late and I want
00:33:50to go home to bed.
00:33:52Oh.
00:33:54Do you know what's wrong
00:33:55with you?
00:33:56No, what?
00:33:58Nothing.
00:34:06Ah!
00:34:08Where is it, lady?
00:34:10I don't know.
00:34:21I want it.
00:34:24Give it to me.
00:34:26It's mine!
00:34:27Ah!
00:34:30Oh, Peter!
00:34:32Peter!
00:34:33Oh, Peter!
00:34:35Peter!
00:34:36A man tried to kill me!
00:34:37He tried to kill me!
00:35:03Peter?
00:35:04Peter?
00:35:07Peter, are you all right?
00:35:11Oh, Peter,
00:35:12are you hurt?
00:35:14I sprained my pride.
00:35:16How are you?
00:35:18Scared.
00:35:19You'll be all right.
00:35:21Where did he go?
00:35:22Out the window, I guess.
00:35:24Well, lock the door
00:35:25and don't let anyone in
00:35:26except me.
00:35:27And close these windows
00:35:28after me.
00:35:29Be careful.
00:35:31You just took the words
00:35:32right out of my mouth.
00:35:34Oh!
00:35:59Alistair!
00:36:00What is it now, Pamela?
00:36:02It happened again.
00:36:04Another strange man
00:36:05peered in the window at me
00:36:06but then went away.
00:36:08Bad luck, Pamela.
00:36:31That was a dumb move.
00:36:32I'm a man
00:36:33and then some.
00:36:34It only let us know
00:36:35he was going up to a room
00:36:36we could have done something
00:36:37to keep him busy.
00:36:39Sneaking off of there
00:36:40that-a-way by yourself.
00:36:42Man, what did you expect
00:36:43him to do?
00:36:44Walk up and shake you
00:36:45by that hand of yours?
00:36:46A dumb move, Herman.
00:36:47A dumb move!
00:36:49Yes, it was a dumb move, Herman.
00:36:52What is the matter with you?
00:36:54Do you want some more?
00:36:55Never mind that!
00:36:57Did you get the money?
00:36:58How could I
00:36:59with the three Marx Brothers
00:37:00breathing down my neck?
00:37:01I thought we had an agreement.
00:37:05Now, the girl trusts me.
00:37:07If she's got the money,
00:37:08I'll find out about it.
00:37:09But you just leave me alone.
00:37:11We took all the chances.
00:37:13The money belongs to us,
00:37:15not to him.
00:37:16Now, don't be piggy, Herman.
00:37:19A third of nothing is nothing.
00:37:21Just think about that.
00:37:23But make up your mind.
00:37:24She's waiting for me.
00:37:26I don't see how another 24 hours
00:37:28could hurt anything.
00:37:30Shoot?
00:37:31No, not after all these years.
00:37:33Then he gets it out of your share,
00:37:36not mine.
00:37:40Not mine.
00:37:44Either one of you
00:37:45got the room next to her?
00:37:47Yeah, I have.
00:37:48What?
00:37:49Give me the key.
00:37:50Get yourself another room.
00:37:51I want to use it.
00:37:52Hmm.
00:38:00If you do find that money,
00:38:03you ain't gonna forget
00:38:04to tell your buddies about it,
00:38:05are you?
00:38:06Don't worry.
00:38:07Oh, no, I ain't worrying.
00:38:10You see this little fella here?
00:38:13Oh, he worries.
00:38:15And he's even meaner than I am.
00:38:22Come on.
00:38:40Who is it?
00:38:41It's me, Peter.
00:38:52There was no trace of him.
00:38:56Why don't you confide in me
00:38:58and tell me what this is all about?
00:39:02There are three men.
00:39:03He's one of them.
00:39:04They think I have a quarter of a million dollars
00:39:06that belongs to them.
00:39:11Well, go on.
00:39:12That's all.
00:39:14I'm not gonna lie to you.
00:39:15I'm not gonna lie to you.
00:39:16I'm not gonna lie to you.
00:39:17I'm not gonna lie to you.
00:39:18I'm not gonna lie to you.
00:39:19I'm not gonna lie to you.
00:39:20I'm not gonna lie to you.
00:39:21No, it isn't.
00:39:23Where's the money?
00:39:24I don't know.
00:39:26They killed Charles to get it,
00:39:27but he must not have had it with him on the train.
00:39:30So they think he left it with you.
00:39:32But he didn't.
00:39:33I've looked everywhere,
00:39:34and if I don't find it, they're gonna kill me.
00:39:37No, they won't.
00:39:39I won't let them.
00:39:41Peter, help me.
00:39:42You're the only one I can trust.
00:39:45I'll help you.
00:39:48I told you I would.
00:39:50Come on.
00:39:51Oh, I'm so hungry.
00:39:52I could faint.
00:39:55And I've got your suit all wet.
00:39:57That's all right.
00:39:58It's a drip dry.
00:40:01Wipe your eyes.
00:40:05Promise me you'll never lie to me the way Charles did.
00:40:08Why do people have to tell lies?
00:40:11Usually it's because they want something.
00:40:13They're afraid the truth won't get it for them.
00:40:15Do you tell lies?
00:40:20Hello?
00:40:21Mrs. Lambert, it's me.
00:40:23The man who was in your room a few minutes ago.
00:40:27What do you want?
00:40:28Who is it?
00:40:30It's the man you had the fight with.
00:40:32It's Dial, would you?
00:40:34Who?
00:40:35The man I had the fight with, lady.
00:40:38Dial.
00:40:39That's his name.
00:40:41What's wrong?
00:40:42Is he still there?
00:40:44No.
00:40:45He's gone.
00:40:46He's gone.
00:40:47What's wrong?
00:40:48Is he still there?
00:40:52Yes.
00:40:55That's right.
00:40:56What's he saying?
00:40:58Don't trust him.
00:40:59Don't tell him anything.
00:41:02He's after the money.
00:41:13What was all that about?
00:41:14He...
00:41:16He said if I don't give him the money, he'll kill me.
00:41:19Oh, don't take it seriously.
00:41:22He's just trying to frighten you.
00:41:25I believe what he said.
00:41:27No, no, it's just a lot of words.
00:41:29Words can hurt.
00:41:32I know.
00:41:33Try to get some sleep.
00:41:35You'll feel better.
00:41:36But don't worry.
00:41:37I've arranged to take the room next door to you.
00:41:39So you'll be all right.
00:41:42If you want anything, just bang on the wall.
00:41:45Better lock the door after me.
00:41:48Good night.
00:42:09But I am gone, Mr. Bartholomew.
00:42:11What I'm trying to say is that...
00:42:13Is that there's someone else.
00:42:15What?
00:42:16Someone who wasn't in that photograph you showed me today.
00:42:19He says his name is Peter Joshua, but it isn't.
00:42:21It's Dial.
00:42:24Are you still there, Mr. Bartholomew?
00:42:26Yes, yes, Miss Lampert.
00:42:28I'm here.
00:42:29I'm here.
00:42:30I'm here.
00:42:31I'm here.
00:42:32I'm here.
00:42:33I'm here.
00:42:34I'm here.
00:42:35I'm here.
00:42:36I'm here.
00:42:37I'm here.
00:42:38Yes, yes, Miss Lampert.
00:42:40I don't know who this Mr. Dial is,
00:42:42but it's just possible we were wrong about who killed your husband.
00:42:46You mean he might have?
00:42:50Mr. Bartholomew, I'm catching the next plane out of here.
00:42:52I'm not going to sit around for somebody to make chopped liver out of me.
00:42:56Now, take it easy, Miss Lampert.
00:42:57Take it easy.
00:42:59Where are you now?
00:43:00Can you meet me at the market?
00:43:02At Leal?
00:43:03Yes, opposite San Eustache.
00:43:05I'll meet you there in 15 minutes.
00:43:07I'll meet you there in 15 minutes.
00:43:37I'll meet you there in 15 minutes.
00:43:56Come on, quick!
00:43:57Nowhere!
00:43:58Nowhere!
00:43:59Quick!
00:44:07Sweet base of taxi.
00:44:15Were you followed?
00:44:16Yes, by Dial, but I lost him.
00:44:19I'm beginning to think women make the best spies.
00:44:21Agents.
00:44:23He has a gun, Mr. Bartholomew.
00:44:25No.
00:44:26But I saw it.
00:44:28No, that's not Carson Dial.
00:44:30Carson?
00:44:31There's only one Dial connected with this affair, Mrs. Lampert.
00:44:34That's Carson Dial.
00:44:35You mean you've known about him all along?
00:44:39It's enough to make you a vegetarian, isn't it?
00:44:42It's just lucky that I'm not hanging next to one of those things right now.
00:44:48Why didn't you tell me you knew about Dial?
00:44:50I didn't see any point.
00:44:51Dial's dead.
00:44:55Mr. Bartholomew, what is all this about?
00:44:57In 1944,
00:44:59five members of the OSS,
00:45:02the military espionage unit,
00:45:04were ordered behind the German lines
00:45:06for the purpose of delivering
00:45:08$250,000 in gold
00:45:12to the French underground.
00:45:14The five men were, of course,
00:45:16your husband Charles,
00:45:17the three men who showed up at his funeral yesterday,
00:45:20and Carson Dial.
00:45:22Oh.
00:45:23Instead of delivering the gold, they stole it.
00:45:26How?
00:45:27By burying it,
00:45:29then reporting the Germans had captured it.
00:45:32All they had to do was come back after the war,
00:45:34dig it up,
00:45:35split it five ways.
00:45:37A quarter of a million dollars
00:45:40with no questions asked.
00:45:42May I have a cigarette, please?
00:45:45I can't stand those things.
00:45:47It's like drinking coffee through a veil.
00:45:50Everything went smoothly enough
00:45:52until after the gold was buried.
00:45:54Then before they could get out,
00:45:56they were ambushed by a German patrol.
00:45:59A machine gun separated Scobie from his right hand
00:46:02and caught Carson Dial full in the stomach.
00:46:09What's wrong with that one?
00:46:11Nothing, I guess.
00:46:12What happened then?
00:46:14Have you any idea what these things cost?
00:46:17Please go on, Mr. Bartholomew.
00:46:18What happened then?
00:46:22Carson Dial was dead,
00:46:24but Scobie was able to travel.
00:46:27La soupe, c'est pour qui?
00:46:29Pour moi.
00:46:41Where was I?
00:46:43Carson Dial was dead.
00:46:44Yes, Carson Dial was dead.
00:46:45The others finally got back to the base
00:46:47and waited for the war to end.
00:46:49Only Charles couldn't wait quite as long as the others.
00:46:51He beat them back to the gall,
00:46:53took everything for himself and disappeared.
00:46:55It's taken Gideon, Tex, and Scobie
00:46:57all this time to catch up with him again.
00:46:59But if they stole all that money,
00:47:01why can't you arrest them?
00:47:03Shh.
00:47:05We know what happened from the bits and pieces
00:47:08we were able to paste together,
00:47:10but we still have no proof.
00:47:12What's this got to do with the C.I.O.?
00:47:18C.I.A., Mrs. Flapper.
00:47:21It's an extension of the wartime O.S.S.
00:47:25It's our money, and we want it back.
00:47:27I'm sorry, Mr. Bartholomew,
00:47:29but nothing you've said has changed my mind.
00:47:31I'm leaving Paris tonight.
00:47:34Wouldn't advise that, Mrs. Flapper.
00:47:36Better consider what happened to your husband
00:47:38when he tried to leave.
00:47:40Those men won't be very far away,
00:47:42no matter where you go.
00:47:43In fact, I don't even see any point
00:47:45in your changing hotels.
00:47:46Now, please help us, Mrs. Flapper.
00:47:49Your government is counting on you.
00:47:51I suppose if I'm going to die,
00:47:53I might as well do it for my country.
00:47:55That's the spirit.
00:47:56Here's what I want you to do.
00:47:58We're anxious to know who this man is,
00:48:00the one calling himself Dial.
00:48:02I want you to find out.
00:48:04Why me?
00:48:06You're in an ideal position.
00:48:08He trusts you.
00:48:10Besides, you yourself said
00:48:12women make the best spies.
00:48:15Agents.
00:48:21Oh, pardon.
00:48:51Fräulein?
00:48:53Fräulein!
00:48:54What are you doing following me?
00:48:56It's going to look like a parade.
00:48:58Stop it!
00:49:07How are you?
00:49:08How nice to see you.
00:49:09When did you arrive?
00:49:10It's lovely down to stay.
00:49:11Are you having a good time?
00:49:12So many things to see.
00:49:21Fräulein!
00:49:24Fräulein!
00:49:25If you don't stop following me,
00:49:26I'll call the police!
00:49:31Taxi!
00:49:51Dial, please.
00:49:53D-Y-L-E.
00:49:54Yes, Mr. Dial, I remember.
00:50:00No, I'm sorry, Mr. Dial.
00:50:02Nothing today.
00:50:03Thank you.
00:50:05Mr. Dial, please.
00:50:07You're wanted on the telephone.
00:50:09Mr. Dial, cabin four.
00:50:11Mr. Dial, cabin four, please.
00:50:21Yes?
00:50:23Good morning, Mr. Dial.
00:50:27Reggie?
00:50:28It's the only name I've got.
00:50:29How about you?
00:50:30No cat and mouse.
00:50:31You've got me.
00:50:32What do you want to know?
00:50:33Why you lied to me.
00:50:35I had to.
00:50:37I knew you were in on the whole thing.
00:50:39I'm trying to find out who you are.
00:50:41But you know my name.
00:50:42It's Dial.
00:50:43Carson Dial is dead.
00:50:45Yes, he is.
00:50:46He was my brother.
00:50:48Your brother?
00:50:50The army thinks he was killed in action by the Germans.
00:50:53I think they did it.
00:50:55Tex, Gideon, Scobie, and your husband.
00:50:57Because my brother wouldn't go along with their scheme to steal the gold.
00:51:01I think he threatened to turn them in, and they killed him.
00:51:04I'm trying to prove it.
00:51:05They think I'm working with them.
00:51:07But I'm not, Reggie.
00:51:08I'm on your side.
00:51:10Just believe that.
00:51:11How can I?
00:51:12You lied to me, just the way Charles did.
00:51:14After promising you wouldn't.
00:51:16Oh, I want to believe you, Peter.
00:51:18I can't call you that anymore, can I?
00:51:21Take me a while to get used to your new name.
00:51:23What is it?
00:51:26Hmm?
00:51:27Hello?
00:51:29Hello?
00:51:31Hello?
00:51:46If you do anything funny or try to talk to anyone, I'll kill you, Dial.
00:51:49You'll wreck your raincoat.
00:51:53Take the next car, please.
00:52:01Look out.
00:52:02Didn't want you to bump your head.
00:52:06All right, get in there.
00:52:20All right, turn around.
00:52:22Turn around.
00:52:24All right, turn around.
00:52:36Now sit down.
00:52:48Now what?
00:52:50Now what?
00:52:52Now what?
00:52:54We wait.
00:52:56With our mouth shut.
00:53:05I'm sorry about that.
00:53:19Okay, up there.
00:53:22Okay, up there.
00:53:32Do I knock or something?
00:53:33No, open it.
00:53:35And keep right on going.
00:53:38The view, it better be worth it.
00:53:52Very pretty.
00:53:53Now what?
00:53:57I was afraid of that.
00:54:04I'll give you a chance, Dial.
00:54:06Which is more than you'd give me.
00:54:09Where's the money?
00:54:12Is that why you dragged me all the way up here, to ask me that?
00:54:16She has it.
00:54:18And I say maybe you both have it.
00:54:20One more time, Dial.
00:54:24Where is it?
00:54:25Supposing I had it.
00:54:27Which I don't.
00:54:30Do you really think I'd just hand it over to you?
00:54:36Step back.
00:54:41Back where?
00:54:44That's the idea.
00:54:46Now, now, just a minute.
00:54:48Take it easy.
00:55:16Get down.
00:55:46Get down.
00:56:16Get down.
00:56:38Heaven?
00:56:40Blood.
00:56:43How you doing?
00:56:45How do you think?
00:56:47If you get bored, try writing love thy neighbor a hundred times on the side of the building.
00:57:02Monsieur, next time, please.
00:57:05Use the keyhole.
00:57:15Is that you?
00:57:17Yeah.
00:57:19You gonna open up?
00:57:21Sure, wait a minute.
00:57:23Don't you know it's impolite to leave someone holding the phone?
00:57:27What happened?
00:57:29Oh, I met a man with sharp nails.
00:57:34Scobie?
00:57:36Mm-hmm.
00:57:37I left him hanging around the American Express.
00:57:40Come in.
00:57:42I've got something that stings like crazy.
00:57:44Now, you're the kind of girl that'd have something like that.
00:57:46Sit down.
00:57:48Wait a minute.
00:57:50What is this stuff?
00:57:52Marvelous stuff.
00:57:54It's gonna hurt you much more than it's gonna hurt me.
00:57:56Did you hear something rip?
00:57:58No.
00:58:00Oh, that's odd.
00:58:04Listen, I only came in for an estimate.
00:58:06Sit still.
00:58:08It's not too bad.
00:58:10It's not too bad.
00:58:12You won't be able to lie on your back for a few days.
00:58:14Then you can lie from any position, can't you?
00:58:16Oh, ho, ho, ho.
00:58:18Does it hurt?
00:58:20What, what?
00:58:22Does it hurt?
00:58:24Oh, are you kidding?
00:58:26Have you got a bullet I could bite like they do in the movies?
00:58:28Are you really Carson Diles, brother?
00:58:30Now, would you like to see my passport?
00:58:32Passport?
00:58:34What kind of a proof is that?
00:58:36Would you like to see where I was tattooed?
00:58:38I was never around that way.
00:58:42You could at least tell me what your first name is these days.
00:58:46Alexander.
00:58:48Okay, Alexander.
00:58:50You're done.
00:58:52Good.
00:58:54You're a new man.
00:58:56I'm sorry the old one couldn't tell you the truth.
00:58:58But I had to find out your part in all this.
00:59:02Is there a Mrs. Dile?
00:59:04Yes.
00:59:06I thought that was Peter Joshua.
00:59:08I'm just as difficult to live with as he was.
00:59:12Alex, how can you tell if anyone's lying or not?
00:59:16You can't.
00:59:18There must be some way.
00:59:20There's an old riddle about two tribes of Indians.
00:59:22The white feet always tell the truth and the black feet always lie.
00:59:24So one day you meet an Indian.
00:59:26You say, hey, Indian.
00:59:28What are you, a truthful whitefoot or a lying blackfoot?
00:59:30He says, I'm a truthful whitefoot.
00:59:32But which is he?
00:59:34Well, why couldn't you just look at his feet?
00:59:36Because he's wearing moccasins.
00:59:38Well, then he's a truthful whitefoot, of course.
00:59:40Well, why not a lying blackfoot?
00:59:43Which one are you?
00:59:45A truthful whitefoot.
00:59:49Come in.
00:59:51Sit down.
00:59:53All right, do you want to look at my feet?
00:59:55Yes.
00:59:57Uh-oh.
00:59:59There you go.
01:00:02Uh-oh.
01:00:04Knock it off.
01:00:06Now, come on, Reggie, listen to me.
01:00:08Oh, here it comes, the fatherly talk.
01:00:10You forget I'm already a widow.
01:00:12So was Juliet at 15.
01:00:14But I'm not 15.
01:00:16Well, that's your trouble.
01:00:18You're too old for me.
01:00:20Can't you be serious?
01:00:22Oh, you just had an horrible word.
01:00:24What did I say?
01:00:26Serious.
01:00:28When a man gets to be my age,
01:00:30he's all day long being frivolous.
01:00:32How about that?
01:00:34Reggie, cut it out.
01:00:36Okay.
01:00:38Well, now what are you doing?
01:00:40Cutting it out.
01:00:42Who told you to do that?
01:00:44You did.
01:00:46Oh, I'm not through complaining yet.
01:00:48Oh.
01:00:50Now, cut it out.
01:00:52Alex, I think I love you.
01:00:54Oh.
01:00:56Ain't the telephone free?
01:00:58Never mind.
01:01:00Whoever it is won't give up,
01:01:02and neither will I.
01:01:04Come on, take it.
01:01:06Hello.
01:01:08I'm sorry.
01:01:10I was just nibbling on something.
01:01:14Say, I'd appreciate it mighty highly
01:01:16if you'd wiggle on over to room 46
01:01:18and chew the fat for us, Belle.
01:01:20Could you do that?
01:01:22I'd appreciate it mighty highly
01:01:24if you'd wiggle on over to room 46
01:01:26and chew the fat for us, Belle.
01:01:28Could you give me one good reason why I should?
01:01:30Yeah, a little one,
01:01:32about six or seven.
01:01:34Keeps calling for Aunt Reggie.
01:01:36Ain't that cute?
01:01:38They've got Jean-Louis.
01:01:40I'll be right there.
01:01:46Hey, Tex,
01:01:48do something with this kid, will you?
01:01:50Are you a real cowboy?
01:01:52Yeah, sure am, kid.
01:01:54So where's your gun?
01:01:59Will you put that thing away?
01:02:03Jean-Louis.
01:02:05Got her, Miss Lampert?
01:02:07No, who invited him?
01:02:09Well, her, but she had a happy landing.
01:02:11I must call Sylvie right away.
01:02:13I'm afraid that'll have to wait, Mrs. Lampert.
01:02:15It's his mother.
01:02:17She won't be anybody's mother
01:02:19unless you answer some questions.
01:02:21This ain't no game, Miss Lampert.
01:02:23I want that money now.
01:02:25Why don't you keep quiet and stop threatening the child?
01:02:27He hasn't got the money
01:02:29and neither has Mrs. Lampert.
01:02:31Then who does?
01:02:33I don't know, Herman.
01:02:35Maybe you do.
01:02:37Me.
01:02:39Or you.
01:02:41Or him.
01:02:43Why, that's the most ridiculous thing I...
01:02:45Listen to this man.
01:02:47Hold it.
01:02:49Suppose one of you found Charles here in Paris.
01:02:51Even bumped into him by accident.
01:02:53Followed him when he tried to run out again.
01:02:55Cornered him on the train.
01:02:57Threw him out the window
01:02:59and without bothering to tell the other two
01:03:01took all the money for yourself.
01:03:03If one of us did that, he wouldn't hang around here
01:03:05waiting for the other two to figure it out.
01:03:07But he'd have to, don't you see?
01:03:09If he left, he'd be admitting his guilt.
01:03:11Whoever it is has to wait here
01:03:13pretending to look for the money
01:03:15He's just trying to throw us off.
01:03:17They got it, I tell you.
01:03:19Why don't we search their rooms?
01:03:23That's all right with us.
01:03:25What are we wasting time for? Let's go.
01:03:27While we're waiting, we'll search yours.
01:03:29Not my room.
01:03:31Well, Herman,
01:03:33you have something to hide
01:03:37then there are no objections.
01:03:39All right, here's my key.
01:03:41I'll take that.
01:03:43It's open.
01:03:49You two just make yourselves to home here.
01:03:53Now, let's get busy.
01:03:55Come on, Jean-Louis.
01:03:57Oh, that's fine.
01:03:59Who gets your vote?
01:04:01Scolby, he's the one who objected.
01:04:03All right, I'll take Texas Rubin, Gideons.
01:04:05You take Jean-Louis with you
01:04:07and bolt the door from inside.
01:04:09Come on, Jean-Louis, we'll have a treasure hunt, okay?
01:04:11Tex?
01:04:17Man, it's Charlie's stuff.
01:04:19Looks like it.
01:04:21They've gone to call Herman?
01:04:23Who for?
01:04:25If it's not here, why bother him?
01:04:27And if it is?
01:04:29Why bother him?
01:04:37Sure there's nothing missing?
01:04:39No, everything's here.
01:04:41The police have kindly provided us with a list.
01:04:45Sure ain't nothing here
01:04:47worth no quarter of a million dollars.
01:04:49Not unless we're blind.
01:04:51I keep telling myself
01:04:53we've stolen a great deal of money,
01:04:55but up to now I've yet to see a penny of it.
01:04:57You think maybe
01:04:59we're fishing up the wrong stream?
01:05:01Meaning what?
01:05:03Suppose one of us has it,
01:05:05you know, like the man says.
01:05:07Now, that'd be mighty distasteful.
01:05:09Us being veterans
01:05:11of the same war and all.
01:05:13Well, you'll know
01:05:15I tell you if I had it.
01:05:17Oh, naturally,
01:05:19just like I'd tell you if I had it.
01:05:21Naturally.
01:05:23And that goes for Herman, too.
01:05:25Naturally.
01:05:31He's all right, Sylvie, honestly.
01:05:33Just hurry over as soon as you can.
01:05:35Okay, goodbye.
01:05:37Now,
01:05:39if you had a treasure,
01:05:41where would you hide it?
01:05:43I would bury it in the garden.
01:05:45Well, swell, but this man doesn't have a garden.
01:05:47Oh, neither do I.
01:05:49You don't?
01:05:51Well, if you had to hide it in this room,
01:05:53where would you put it?
01:05:55Up there.
01:05:57On top of that cupboard?
01:05:59You know something?
01:06:01You may be right.
01:06:05Oh, I hope I don't find
01:06:07any hairy little things living up here.
01:06:09Hey, there is something.
01:06:11It's heavy.
01:06:13I found it, I found it, I found it, I found it.
01:06:15If you think you're getting credit for this,
01:06:17you're crazy.
01:06:19We won, we won, we won.
01:06:21We won, we won, we won.
01:06:23We won, we won.
01:06:25We found it, we found it.
01:06:27Did you find it?
01:06:29No.
01:06:31What do you mean, no?
01:06:33There's nothing up there.
01:06:35Believe me, there's nothing up there.
01:06:37Yeah?
01:06:57Oh.
01:06:59Something freeholders Herman spare.
01:07:03Where is he?
01:07:05He's over in my room.
01:07:25You'd better take the boy out in the hall.
01:07:33Oh.
01:07:35Now, who would have
01:07:37done a mean thing like that?
01:07:41I'm not quite sure.
01:07:43Well, this ain't my room.
01:07:45Mine neither.
01:07:47Oh, the police aren't gonna like this a bit.
01:07:51We could dry him off and take him
01:07:53down the hall to his own room.
01:07:55He really doesn't look too bad.
01:07:57Oh, poor old Herman.
01:07:59Seems like him and good luck
01:08:01always was strangers.
01:08:03Well, maybe now he'll meet up
01:08:05with his other hand someplace.
01:08:15A man drowned
01:08:17in his bed? Impossible.
01:08:19And in his pajamas.
01:08:21The second one in his pajamas.
01:08:23C'est trop stupide.
01:08:25Stop lying to me.
01:08:27This nose tells me when you are
01:08:29lying. It is never mistaken.
01:08:31Not in 23 years.
01:08:33This nose will make me
01:08:35commissaire of police.
01:08:37Mr. Dyle or Mr. Joshua.
01:08:39Which is it?
01:08:41Dyle. And yet you
01:08:43registered in Mezhev as Mr. Joshua.
01:08:45Didn't you know it was
01:08:47against the law to register under an assumed
01:08:49name? No, I didn't.
01:08:51He's done in America all the
01:08:53time.
01:08:55None of you will be permitted to leave Paris
01:08:57until this matter is cleared up.
01:08:59Only I warn you,
01:09:01I will be watching.
01:09:03We use the guillotine
01:09:05in this country.
01:09:07I have always suspected that the
01:09:09blade coming down causes
01:09:11no more than a slight tickling
01:09:13sensation on the back of the neck.
01:09:15It is only a guess, of course.
01:09:17I hope
01:09:19none of you ever finds out
01:09:21for certain.
01:09:27Who do you
01:09:29think did it? Gideon?
01:09:31Possibly.
01:09:33Or Tex?
01:09:35Possibly.
01:09:37You're a fat lot of help. That's right.
01:09:39Can I have one of those? One of what?
01:09:41I think Tex did it. Oh.
01:09:43Why do you think Tex did it?
01:09:45Because I really suspect Gideon
01:09:47and it's always the person you don't suspect.
01:09:49Do women think it's
01:09:51feminine to be so illogical or can't they help it?
01:09:53What's so illogical about that?
01:09:55Well, you just said that it's always
01:09:57the one you don't suspect.
01:09:59And you suspect Gideon, so therefore it must be Tex.
01:10:01But on the other hand, if you suspect Tex, it must be the other fellow,
01:10:03Gideon.
01:10:05I guess they just can't help it.
01:10:07Hmm? Who?
01:10:09Women. Oh.
01:10:11You know, I can't help feeling rather
01:10:13sorry for Scobie.
01:10:15Wouldn't it be nice if we were like that?
01:10:17What, like Scobie?
01:10:19No, Gene Kelly. You remember when he
01:10:21danced down here by the river in America and
01:10:23left Paris without a care in the world?
01:10:25Hmm.
01:10:27You know, this is good. Want some?
01:10:29Oh.
01:10:31No, thanks.
01:10:33And I guess you don't do it.
01:10:35I'm sorry.
01:10:39Alex, I'm scared.
01:10:41Yes, I know.
01:10:43I can't think of any reason
01:10:45why he was killed.
01:10:47Well, perhaps someone thought the four shares
01:10:49were too many.
01:10:51But this someone is going to be satisfied with three.
01:10:53He wants it all, Alex.
01:10:55That means we're in his way, too.
01:10:57That's right.
01:10:59We've got to do something.
01:11:01I mean, any minute now, we could be assassinated.
01:11:03Would you do anything like that?
01:11:05What, assassinate someone?
01:11:07No, swing down from there on a rope
01:11:09to save the woman you love.
01:11:11Like the hunchback of Notre Dame.
01:11:13Huh?
01:11:15Oh, who put that there?
01:11:17Hurry up and change.
01:11:19I'm starved.
01:11:21Let me know what you want to eat,
01:11:23so that I can pick out a suit that matches.
01:11:35Ah!
01:11:37What do you want?
01:11:39It's the house, detective.
01:11:41Why don't you have a girl in there?
01:11:43Oh, you're a pest.
01:11:45Can I come in?
01:11:47No, I'm going to take a bath.
01:11:49Oh, wouldn't it be better
01:11:51if you did it in here?
01:11:53What for?
01:11:55Well, I wouldn't want to use that tub.
01:11:57And anyway, I don't want to be alone.
01:11:59I'm afraid.
01:12:01Go on in next door.
01:12:03If anything happens, holler.
01:12:05Ah!
01:12:09Reggie?
01:12:11Got you.
01:12:13Did you ever hear the story of the boy who cried wolf?
01:12:15The shower's in there.
01:12:17Oh, come on, Reggie.
01:12:19Open the door.
01:12:21This is a ludicrous situation.
01:12:23I can think of a dozen men
01:12:25who are just longing to use my shower.
01:12:27Why don't you call one of them?
01:12:29I dare you.
01:12:31Oh, you're a nut.
01:12:33What are you doing?
01:12:35Taking off my shoes.
01:12:37What do you think I'm doing?
01:12:39Did you ever hear of anyone
01:12:41I usually sing a medley
01:12:43of old favorites when I'm in the shower.
01:12:45Oh, any requests?
01:12:47Shut the door.
01:12:49Oh, I'm afraid I don't know that one, miss.
01:12:51Well...
01:12:53Shut the door.
01:12:55Why? Come in and watch.
01:12:57Oh!
01:13:09Drip dry.
01:13:13How often do you go through this little ritual?
01:13:15Oh, every day.
01:13:17The manufacturer recommends it.
01:13:19I don't believe it.
01:13:21Oh, yes. Wait a minute.
01:13:24There's a label.
01:13:26Look, look at the small print.
01:13:28Wearing this suit
01:13:30during washing
01:13:32helps protect its shape.
01:13:40Waterproof?
01:13:50Acro-nylon.
01:13:52Vipers resistant.
01:13:54Plastic, rustproof, fly-proof.
01:13:56Proof-proof.
01:13:58You're the nut.
01:14:04Yes?
01:14:06Mrs. Slappett, Bartholomew.
01:14:08I spoke to Washington, Mrs. Slappett.
01:14:10Go ahead, Mr. Bartholomew. I'm listening.
01:14:12Well, I told him
01:14:14what you said about this man being
01:14:16Carson Dial's brother.
01:14:18I asked him what they knew about it, and they told me.
01:14:20You're not gonna like this, Mrs. Slappett.
01:14:22Carson Dial
01:14:24had no brother.
01:14:26Mrs. Slappett?
01:14:28Are you sure there's no mistake?
01:14:30None whatsoever.
01:14:32Please be careful, Mrs. Slappett.
01:14:34Bye.
01:14:44I left all my drip dry dripping.
01:14:46Is that all right?
01:14:48What's the matter? Something wrong?
01:14:51Oh, you're probably weak from hunger.
01:14:53You've only eaten five times today.
01:14:55I'll get someone to fix up my suit quickly
01:14:57and take you out to dinner.
01:14:59Let's go somewhere crowded. I feel like a lot of people.
01:15:11Hey, you know this thing's still damp?
01:15:18You haven't spoken a word for 20 minutes.
01:15:21I was thinking about Charles and Scobie
01:15:23and who's going to be next.
01:15:25Me?
01:15:27I don't suppose you know who the murderer is, do you?
01:15:29No, not yet.
01:15:31Whoever's left alive at the end
01:15:33will pretty much have sewn up the nomination, don't you think?
01:15:35What are you trying to say?
01:15:37That I might have killed Charles and Scobie?
01:15:39What'd I have to do to satisfy you?
01:15:41Become the next victim?
01:15:43It's a start, anyway.
01:15:45I can't understand you at all.
01:15:47One minute you're chasing me around the shower room
01:15:49and the next minute you're accusing me of murder.
01:15:52Carson Dial had no brother.
01:15:59Oh, I can explain that if you'll just listen.
01:16:02Well, I can't very well leave without a pair of water wings, can I?
01:16:05All right, get set for the story of my life.
01:16:07Fiction or non-fiction?
01:16:09Why don't you shut up?
01:16:11Where?
01:16:13Are you going to listen?
01:16:15All right.
01:16:17Now, when I was a young man
01:16:19my father expected me to go into his business.
01:16:21Umbrella frames,
01:16:23that's what he made.
01:16:25Oh, a sensible business, I suppose,
01:16:27but I didn't have the sense in those days to be sensible.
01:16:29I suppose all this is leading somewhere.
01:16:31Well, it led me away from umbrella frames
01:16:33for one thing.
01:16:35But that left me without any honest means of support.
01:16:37What do you mean?
01:16:39Well,
01:16:41in this highly competitive world,
01:16:43where there's no profession, there isn't much choice.
01:16:45So I began looking for people
01:16:47who had more money than they needed,
01:16:49including some they'd barely miss.
01:16:51You mean you're a thief?
01:16:55Well, that's not exactly the term I'd have chosen,
01:16:57but it sort of captures the spirit of the thing.
01:17:01I don't believe it.
01:17:05I can't really blame you now.
01:17:07But I do believe it, that's what I don't believe.
01:17:09So it's goodbye Alexander Dial
01:17:11and welcome home Peter Joshua.
01:17:13Sorry, the name's Adam Canfield.
01:17:15Adam Canfield?
01:17:19Wonderful.
01:17:21Don't you realize you've had three names in the past two days?
01:17:23I don't even know who I'm talking to anymore.
01:17:25Well, man's the same,
01:17:27even if the name isn't.
01:17:29No, he isn't the same.
01:17:31Adam Canfield is a crook and I want to know why.
01:17:33Well, it's simple. I like what I do.
01:17:35I enjoy my work.
01:17:37There are many men in the world who love their work as much as I do.
01:17:39We'll be walking around sometime.
01:17:41Is there a Mrs. Canfield?
01:17:45Yes, but we're divorced.
01:17:47That's right, now go and eat your dinner.
01:17:49Oh, I could eat a horse.
01:17:51I think that's what you ordered.
01:17:53Don't you dare be civil with me
01:17:55after leading me on like this.
01:17:57How did I lead you on?
01:17:59Oh, all that marvelous rejection.
01:18:01You knew I couldn't resist it
01:18:03and now it turns out all you're interested in is the money.
01:18:05That's right.
01:18:07What are you going to say?
01:18:09That a pretty girl with an outrageous manner
01:18:11means more to an old pro like me
01:18:13than a quarter of a million dollars?
01:18:15I don't suppose so.
01:18:17It's a toss-up, I can tell you that.
01:18:19What?
01:18:21Hasn't it occurred to you
01:18:23that I'm having a tough time keeping my hands off you?
01:18:29Oh, you should see your face.
01:18:31What's the matter with it?
01:18:33It's love, Ann.
01:18:37Now what's the trouble?
01:18:39I'm not hungry anymore,
01:18:41isn't it glorious?
01:18:43Adam!
01:18:45It's all right, come and look.
01:18:47Romeo came
01:18:53And it was
01:18:59closing night
01:19:05Hey, you don't look so bad in this light.
01:19:07Why do you think I brought you here?
01:19:09I thought maybe you wanted me to see
01:19:11the kind of work the competition was turning out.
01:19:13Pretty good, huh?
01:19:15Pretty good, huh?
01:19:17I taught them everything they do.
01:19:21Oh, did they do that kind of thing way back in your day?
01:19:25Sure.
01:19:27How do you think I got here?
01:19:33Not allowed to kiss back, huh?
01:19:35Oh, no.
01:19:37Doctor said it was bad for my thermostat.
01:19:45Well,
01:19:53when you come on,
01:19:55you come on, don't you?
01:19:57Well, come on.
01:20:15Yeah.
01:20:17Hmm?
01:20:19In the lobby?
01:20:25Are you out of your mind
01:20:27or something?
01:20:29It's 3.30 in the morning.
01:20:31You mean it?
01:20:35All right.
01:20:37All right, I'll be right down.
01:20:39Wait a minute.
01:20:45I'll be right down.
01:21:15Hey, hey,
01:21:17turn down the lights!
01:21:25Hey,
01:21:27how do you stop this thing?
01:21:29Ah!
01:21:31Ah!
01:21:33Ah!
01:21:35Ah!
01:21:45Ah!
01:21:51Three of them.
01:21:53All in their pajamas?
01:21:55What is it?
01:21:57Some new American fad?
01:21:59And now, your friend who lives here,
01:22:01the one from Texas,
01:22:03he's disappeared into thin air.
01:22:05Where is he?
01:22:07I wish I knew.
01:22:09Madam?
01:22:11Tell me, Mr. Dyle,
01:22:13And you, Mrs. Lampert?
01:22:15I was too.
01:22:16In Mr. Dyle's room?
01:22:18No, in my room.
01:22:21Obviously, you're telling the truth.
01:22:23For why would you invent such a ridiculous story?
01:22:28And if I were you, I wouldn't stay in my pyjamas.
01:22:32Good night.
01:22:35Well, that wraps it up.
01:22:37Tex has the money.
01:22:39You go to bed. I'll let you know when I've found him.
01:22:41You're going to go looking for him now?
01:22:43Well, if the police find him first, they're not going to turn over that quarter of a million dollars to us.
01:22:46Oh, Adam!
01:22:47Do as I tell you. Go to bed and bolt your door.
01:22:57Yeah?
01:22:58Now, you listen to me, Dyle.
01:23:00Look, I know who's got that money, man.
01:23:02And I want my share.
01:23:04Seems to be growing and growing every day.
01:23:06Well, I ain't disappearing until I get it.
01:23:08Where are you, Tex?
01:23:10Come on, man.
01:23:11Look, my mama didn't raise no stupid children.
01:23:14Look, I'll tell you what.
01:23:16You want to find me, well, you just look over your shoulder.
01:23:20Because from now on, I'm going to be right behind you.
01:23:35Open up.
01:23:41I think I was wrong about Tex having the money.
01:23:44Why?
01:23:46I just heard from him he's still hungry.
01:23:48That means killing Gideon didn't get it for him.
01:23:51So he's narrowed it down to us.
01:23:53You've got it.
01:23:55But I've looked everywhere. You know I have.
01:23:57Where's the airline's bag?
01:23:59In the wardrobe.
01:24:00Get it.
01:24:02Lord, you're obstinate.
01:24:04Charles must have had it with him on the train when Tex killed him.
01:24:07Thanks.
01:24:10Everybody and his Aunt Lillian has been through that bag.
01:24:14Including me.
01:24:15Okay, we'll do it again.
01:24:16I've been into it at least once a day.
01:24:18Somebody would have seen it.
01:24:22It's there, Reggie.
01:24:24We're looking at it right now.
01:24:26Something on that bed is worth a quarter of a million dollars.
01:24:29But what?
01:24:30I don't know, I don't know.
01:24:32Four passports.
01:24:37Steamship ticket.
01:24:40Anything in there?
01:24:41Nothing.
01:24:43Wallet.
01:24:46Phone.
01:24:48And a fountain pen.
01:24:54What about that key?
01:24:56To the apartment. Matches mine exactly.
01:24:58Oh.
01:25:01I bet you don't really need those.
01:25:06You need them.
01:25:10Well, it still doesn't make sense.
01:25:12But it is worth a quarter of a million dollars, I don't know.
01:25:17Wait a minute.
01:25:18What?
01:25:19The tooth powder.
01:25:20What about it?
01:25:21Could you recognize heroin just by the taste of it?
01:25:31Heroin.
01:25:32Peppermint flavored heroin.
01:25:36Well, I guess that's it.
01:25:38Dead end.
01:25:40Well, go to bed.
01:25:42You've got to get up and go to work in the morning.
01:25:44There's nothing more we can do tonight.
01:25:46I love you, Adam.
01:25:50Yes, you told me.
01:25:52No.
01:25:53The last time I said I love you, Alex.
01:25:55Oh.
01:25:57Oh.
01:26:09Hold it. They're recognizing Great Britain.
01:26:11What a bust.
01:26:12Mr. Chairman, fellow delegates, my distinguished colleague from Italy.
01:26:17Her Majesty's delegation has listened with great patience to the Southern European...
01:26:21Oh, are you on?
01:26:22No, it's all right.
01:26:23What's wrong, Adam?
01:26:24Nothing's wrong. I think I found something.
01:26:26I was snooping around Texas Room and came across this in the wastebasket.
01:26:29I stuck it together again.
01:26:31Well, that's the receipt Grandpierre gave me for Charles' things.
01:26:33I don't see how that's going to...
01:26:35No, you're not looking.
01:26:36Last night when we went through the airline's bags, something was missing.
01:26:39An agenda.
01:26:40That's an appointment book, isn't it?
01:26:42It wasn't there.
01:26:44That's right.
01:26:45I remember Grandpierre looking through it, but there was nothing in it.
01:26:48At least nothing the police thought was very important.
01:26:50Can you remember anything in it at all?
01:26:52Well, he did say something about Charles' last appointment.
01:26:57With whom? Where?
01:26:58I think it only said where.
01:27:00Now, come on, Reggie. Think. Think.
01:27:02This may be what we're looking for.
01:27:03Adam, that money doesn't belong to me.
01:27:05Adam, that money doesn't belong to us.
01:27:07If we keep it, we'll be breaking the law.
01:27:09Nonsense. We didn't steal it.
01:27:11There's no law against stealing stolen money.
01:27:13Of course there is.
01:27:14There is?
01:27:15Yes.
01:27:16When did they pass such a silly law?
01:27:17Now, think, Reggie. What was in that appointment book?
01:27:19Oh, it was a place or a street corner or something.
01:27:21Watch it. I'm on.
01:27:23Messieurs les délégués.
01:27:25Mon distingué collègue de la Grande-Bretagne.
01:27:28Le problème qui se présente influence d'une manière vitale
01:27:32la proposition la plus importante de la Conférence de l'Hémisphère Occidental.
01:27:36Of the Western Hemisphere Conference...
01:27:42Of the Western Hemisphere Conference held on March 22nd...
01:27:45No, wait.
01:27:47It was last Thursday, 5 o'clock, at the Jardin des Champs-Elysées.
01:27:51That's it, Adam. The garden.
01:27:53Well, it's Thursday today and it's almost 5 o'clock.
01:27:55So, come on.
01:27:57Oh, it's all right, gentlemen. Carry on.
01:28:02Now what?
01:28:045 o'clock, Thursday, the gardens.
01:28:07Must be something around here.
01:28:09Charles's appointment was last week.
01:28:11Yes, I know, but this is all we've got left.
01:28:13You're not kidding.
01:28:14Ten minutes ago, I had a job.
01:28:16Well, now you've got another job, so stop grumbling and start looking.
01:28:19I'll take that side. You poke around over here.
01:28:33Come on, let's go.
01:28:35Let's go.
01:29:02It's hopeless. I don't even know what we're looking for.
01:29:05I don't think Tex does either.
01:29:08Tex, is he here?
01:29:10Look.
01:29:15I'm going to see what he's up to.
01:29:17You stay here.
01:29:19Be careful, Adam. He's already killed three men.
01:29:33Oh, my God.
01:29:48Wee!
01:29:53I don't believe it.
01:30:03Oh, my God!
01:30:29Wait! Wait!
01:30:32Oh, my God!
01:30:51All right, where's the letter?
01:30:54The letter, huh?
01:30:56It ain't worth nothing.
01:30:58You know what I mean.
01:31:00The envelope with the stamps on it. I want it.
01:31:03You greenhorn.
01:31:06Why, you thick-skulled, harebrained, half-witted greenhorn.
01:31:11And they was both too smart for us.
01:31:14What are you talking about?
01:31:16First her husband, now her.
01:31:18She batted all of them big eyes at you,
01:31:20and you fell for it like an egg from a tall chicken.
01:31:24You want the envelope?
01:31:26There.
01:31:28You take it. It's all yours.
01:31:33You killed all three of them for nothing.
01:31:39You greenhorn.
01:31:41You block-headed jackass.
01:31:44You knee-cum-poop.
01:31:49Sylvie, what are you doing here?
01:31:51I'm waiting for Jean-Louis.
01:31:53Oh.
01:31:55What's he up to?
01:31:57He was so excited when he got the stamps you gave him this morning.
01:32:00He said he'd never seen any like them.
01:32:02I'm glad. What's all this?
01:32:04The stamp market. It's there every Thursday afternoon.
01:32:07That's where Jean-Louis trades his stamps.
01:32:10Good Lord, where is he?
01:32:12What's the matter, Sylvie?
01:32:13The stamps. They're worth a fortune.
01:32:15What?
01:32:16A fortune. Come on.
01:32:19I don't see him anywhere.
01:32:21We'll separate. You look over there.
01:32:23Okay.
01:32:29Jean-Louis!
01:32:32Jean-Louis!
01:32:35Jean-Louis!
01:32:49Jean-Louis!
01:32:51Jean-Louis!
01:32:53Reggie!
01:32:55Reggie!
01:32:59Jean-Louis, thank heaven, do you have them?
01:33:02What's this?
01:33:04A man gave me all those for only three.
01:33:07A man? Oh, no, Jean-Louis.
01:33:09Who? Where?
01:33:13Vite, mon chéri, vite.
01:33:15Vite, mon chéri, vite.
01:33:19LÃ -bas. Come on.
01:33:24Oh, but he's gone.
01:33:26I don't blame him.
01:33:29Entrez.
01:33:31Monsieur Felix?
01:33:33Oui.
01:33:36I was expecting you.
01:33:38I knew you would come.
01:33:40Look at them, madame.
01:33:42I've never in your entire life seen anything so beautiful.
01:33:45I'm sorry, I don't know anything about stamps.
01:33:48I know them as one knows his own face,
01:33:50though I had never seen them.
01:33:52This one, a Swedish four shilling,
01:33:54called the Gula Filaskillingen,
01:33:56printed in 1854.
01:33:58What is it worth?
01:34:00Well, the money is unimportant.
01:34:02I'm afraid it's very important.
01:34:04Well, in your money, perhaps $85,000.
01:34:08May I sit down?
01:34:10And the blue one?
01:34:12Oh, it's called the Hawaiian blue.
01:34:14In 1894, the owner was murdered
01:34:16by a rival collector who was obsessed to own it.
01:34:19And what is its value today?
01:34:22$65,000.
01:34:24And the last one?
01:34:26Ah, the best for last.
01:34:28Le chef-d'oeuvre de la collection,
01:34:30the masterpiece.
01:34:32It's the most valuable stamp in the world.
01:34:34It's called the Gazette Moldave.
01:34:36It was printed by hand on colored paper
01:34:38and marked with the initials of the printer.
01:34:41Today it has a value of $100,000.
01:34:45I'm not a thief, madame.
01:34:48I knew there was some mistake.
01:34:54You gave the boy a great many stamps in return.
01:34:56Are they for sale now?
01:34:58Oh, let me see.
01:35:00350 European, 200 Asian,
01:35:02175 American, 100 African,
01:35:04and 12 Princess Grace commemorative,
01:35:07which comes to 10 francs.
01:35:12And don't forget these.
01:35:14Thank you.
01:35:16I'm sorry.
01:35:18No, for a few minutes they were mine.
01:35:20That is enough.
01:35:27Adam?
01:35:29Adam?
01:35:37Adam?
01:36:07Hello?
01:36:09Mr. Bartholomew?
01:36:11Yes?
01:36:13Tex is dead.
01:36:15Smothered.
01:36:19And Adam did it.
01:36:21He killed them all.
01:36:23Are you sure?
01:36:25Yes, I'm sure.
01:36:27Tex wrote the word dial before he died.
01:36:33He's the murderer, I tell you.
01:36:35He's the murderer, I tell you.
01:36:37Now, wait a minute, just a minute, Mrs. Lampert.
01:36:39You better give that to me again.
01:36:41It was the stamps on the letter Charles had with him on the train.
01:36:44They were there in plain view all the time,
01:36:46but no one bothered to look at the envelope.
01:36:48Now, Mrs. Lampert, listen to me.
01:36:49You're not safe as long as you have these stamps.
01:36:51Now, let's see.
01:36:53Do you know the Cine Garden at the Palais Royale?
01:36:55Yes, the Colonnade?
01:36:57Yes, by the Colonnade.
01:36:58As fast as you can get there.
01:36:59Hurry, Mrs. Lampert.
01:37:01I'm leaving right away.
01:37:02Goodbye.
01:37:05Goodbye.
01:37:16Reggie!
01:37:17The stamps, where are they?
01:37:19Reggie, wait!
01:37:20Why, so you can kill me too?
01:37:21Tex is dead, he wrote dial on the cartridge.
01:37:23I'm not dial, you knew that.
01:37:25Tex didn't know it, you're a murderer.
01:37:27Reggie, I want those stamps.
01:37:29Palais Royale, vite.
01:37:31Je suis occupé.
01:37:32Mais c'est très urgent.
01:37:33Occupé.
01:38:04Whoa!
01:38:05The entrance!
01:38:33The entrance!
01:39:03The entrance!
01:39:34The entrance!
01:39:35The entrance!
01:40:03The entrance!
01:40:34American Embassy.
01:40:37American Embassy?
01:40:39Mr. Bartholomew's office, please.
01:40:43Would you speak a little louder, please?
01:40:45I can't speak any louder.
01:40:47Mr. Hamilton Bartholomew.
01:40:50I'm sorry, Mr. Bartholomew is left for the day.
01:40:53But someone's trying to kill me.
01:40:56What?
01:40:57Kill me!
01:41:00What?
01:41:01Kill me!
01:41:03You've got to get word to him right away.
01:41:05He's in the center garden of the Palais Royale near the colonnade.
01:41:09Tell him I'm trapped in a phone booth right below him in the metro station
01:41:12and the name's Lampert.
01:41:30Hello?
01:41:59Hello, Mr. Bartholomew?
01:42:00Yes?
01:42:01There was a call for you just now, Mr. Bartholomew.
01:42:03It sounded quite urgent. A Mrs. Lampert.
01:42:06Lampert? I don't know any Mrs. Lampert.
01:42:09She says she's trapped in a metro station and someone's trying to kill her.
01:42:13Trying to kill her?
01:42:15Who does she think I am, the CIA?
01:42:18All right, I guess you better call the French police.
01:42:48Mr. Bartholomew! Mr. Bartholomew!
01:43:16Help me!
01:43:17Stop!
01:43:19That man is Carson Dial.
01:43:23We all know Carson Dial is dead, Mrs. Lampert.
01:43:26I tell you, he's Carson Dial.
01:43:28Now, you're not going to believe him.
01:43:29Just bring those stamps over here. He's trying to trick you again.
01:43:32Tex recognized him. That's why he wrote Dial.
01:43:36If you take him those stamps, he'll kill you, too.
01:43:38Mrs. Lampert, if I'm who he says I am, what's preventing me from killing you right now?
01:43:44Because he'd have to come out to get the stamps.
01:43:46And he knows he'll never make it.
01:43:48Mrs. Lampert, he wants the money for himself.
01:43:50That's all he's ever wanted.
01:43:52He's with the CIA. I saw him at the embassy.
01:43:54I tell you, he's Carson Dial.
01:43:56That's right, Mrs. Lampert. That's right.
01:43:59I'm a dead man. Look at me.
01:44:05Oh, I don't know who anybody is.
01:44:07Reggie, I beg you.
01:44:09Just trust me once more.
01:44:12Why should I?
01:44:14I can't think of a reason in the world why you should.
01:44:23Stop right now, Mrs. Lampert, or I'll kill you.
01:44:25He won't get you the stamps, Dial.
01:44:27You'll still have to come out to get them.
01:44:29And I'm not like you to miss at this range.
01:44:31Maybe not, but it takes a lot of bullets to kill me.
01:44:33They left me there with five of them in my legs and my stomach.
01:44:36Mrs. Lampert, they knew I was still alive, but they left me there.
01:44:39I spent ten months in a German prison camp with nothing to stop the pain.
01:44:42They left me there. Mrs. Lampert, they deserve to die.
01:44:45But I had nothing to do with it.
01:44:47You've got the money now. It belongs to me.
01:44:49Mrs. Lampert, they knew I was still alive, but they left me there.
01:44:53That's why I had to kill them, all four of them.
01:44:56Please believe me, Mrs. Lampert, I'll kill you too.
01:44:59It won't make any difference.
01:45:02It's no use. You're running out of time.
01:45:05I've come too far to turn back.
01:45:07I swear I'll kill you.
01:45:11Make up your mind, Mrs. Lampert, now.
01:45:14Adam!
01:45:37Adam!
01:46:07Adam!
01:46:37Adam!
01:47:07Adam!
01:47:38All right. I know you're in there, Mrs. Lampert.
01:47:41Come on out.
01:47:59Do you hear me? Come on out!
01:48:08I don't want to kill you, but I will.
01:48:17Come on out.
01:48:37Come on out.
01:49:02The game is over, Mrs. Lampert.
01:49:07It's over.
01:49:37Oh, God.
01:49:39That one's done. Do this one.
01:49:42I'm sorry I thought you were the murderer.
01:49:45How was I to know he was as big a liar as you are?
01:49:48Is that all the gratitude I get for saving your hide?
01:49:51You're rubbing on a big, big foot.
01:49:53The truth now. Was it my hide or those stamps?
01:49:56Well, what a terrible thing to say. How could you think that?
01:50:00Then prove it to me.
01:50:02Tell me to go to the embassy first thing in the morning and turn in those stamps.
01:50:07I said tell me to go to the embassy first thing...
01:50:09I heard you. I heard you. I heard you.
01:50:11Then say it.
01:50:12Now, Reggie, listen to me.
01:50:15There's something I'd like to explain.
01:50:17Never mind. I'll go by myself.
01:50:19Well, what makes you think they're even interested?
01:50:21It's only a quarter of a million dollars.
01:50:22It'll cost more than that for them to fix up their bookkeeping.
01:50:24Now, as a taxpayer...
01:50:26Who's a taxpayer? Crooks don't pay taxes.
01:50:28Excuse me, soldier.
01:50:30Marine, ma'am.
01:50:31Oh, forgive me.
01:50:32Who would I see regarding the return of stolen government money?
01:50:35Well, you might try the Treasury Department, ma'am.
01:50:37Room 217, second floor, Mr. Crookshank.
01:50:39217. Thank you, Marine.
01:50:49Do you mind if I don't go in with you?
01:50:51The sight of all that money being given away might make me break out.
01:50:57Mr. Crookshank, please. My name is Lamp.
01:51:00Yes.
01:51:02Mr. Crookshank?
01:51:04Mrs. Lamp... Mrs.
01:51:05Mrs. Lampert to see you.
01:51:07Yes, sir.
01:51:08Go right in.
01:51:09Thank you.
01:51:20Of all the mean,
01:51:23rotten,
01:51:25contemptible crooked...
01:51:28Crooked?
01:51:29Don't you think you'd be glad to find out I'm not crooked?
01:51:31You can't even be honest about being dishonest.
01:51:34Why didn't you say something?
01:51:36You were not allowed to tell.
01:51:38Now, come on. Give me the stamp.
01:51:41Wait a minute.
01:51:42How did Carson Dyer get an office in this building anyway?
01:51:45Well, when did you meet him?
01:51:46One time a day, I mean.
01:51:47About one?
01:51:48The lunch hour.
01:51:50Probably worked it out in advance.
01:51:52Found an office usually left open and just moved in for the time you were here.
01:51:55Then how do I know this is your office?
01:51:59Mrs. Foster.
01:52:01Take a memo to Bartholomew and Security recommending that...
01:52:04Bartholomew.
01:52:06Recommending that embassy offices be kept locked during the lunch hour.
01:52:09Starting with his own.
01:52:11I'll give you the stamps. Come on.
01:52:13What's your first name today?
01:52:15Brian.
01:52:16Brian Crookshank.
01:52:17Serves me right if I get stuck with that one.
01:52:19Well, who asks you to get stuck with any of them? Come on.
01:52:21Is there a Mrs. Crookshank?
01:52:23Yes.
01:52:24But we're divorced.
01:52:25No.
01:52:27Oh.
01:52:31My mother.
01:52:32She lives in Detroit.
01:52:33You'd like her.
01:52:34She'd like you, too.
01:52:35Come on. Give me those stamps.
01:52:36Not until you prove to me that you're really Brian Crookshank.
01:52:40All right. One day next week.
01:52:41I'll put it on the marriage license.
01:52:42How about that?
01:52:43Quit stalling. I want some identification now.
01:52:45I wouldn't lie on a license.
01:52:46You can't prove it till the beginning.
01:52:47You're still trying to...
01:52:49Marriage license?
01:52:52Did you say marriage license?
01:52:54Now, don't change the subject.
01:52:55Just give me the stamps.
01:52:56Oh, I love you, Adam Alex Peter Brian.
01:53:00Whatever your name is.
01:53:02Oh, I love you.
01:53:04I hope we have a lot of boys and we can name them all after you.
01:53:07Well, before we start that, may I have the stamps?