#Mohan #Haraa #TheGOAT #Vijay #Actor #Rajinikanth #Kamalhaasan #FilmiBeatTamil
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00:00Today, OTT platforms play an important role in cinema and for fans
00:07Do you think that OTT has not reached earlier?
00:12Or do you think that theatre experience is the best?
00:16I have no doubt that theatre experience is the best
00:19But it is true that OTT is being adopted by everyone after Corona
00:24One thing, I am not so adamant about making a film with OTT platform
00:29I am not so adamant about making a film with OTT platform
00:33I am saying OTT only after OTT is released in theatres
00:36Films should be made for theatres
00:38OTT can release it
00:40Otherwise, theatre experience is the best experience in the world
00:43I always say that
00:45You are a popular hero in the 80s
00:47If you had to share the screenplay with an 80s artist, who would you share it with?
00:52I will share it with my co-producers and directors
00:56Because all of them are my co-actors
01:01What kind of characters do you want to play?
01:05What kind of directors do you want to approach?
01:09They should inspire me
01:11If they inspire me, I will accept
01:15Apart from industry, the audience's mindset has changed
01:19They say that social media has an impact in a short period
01:23Some producers say that the number of views and hits didn't convert into tickets
01:30Social media has a big impact
01:32But they say that it didn't convert into tickets
01:36How do you see the growth of social media?
01:39It's a matter of time
01:41Everything will change if we update it
01:45I don't know if it has been converted into tickets
01:51I have faith that the audience will decide only after seeing the trailer
01:57I think they will decide on the day the trailer is released
02:02Whether the film is good or not
02:04Whether to watch it or not
02:06Whether to ask for a report
02:08I think they will feel that
02:10Today, backdrops show posters of old films
02:17How do you see the trend of re-releasing old films?
02:24It has been a success
02:26It should be successful
02:28Cinema is a commercial
02:30Success and earning money is the real thing
02:33Entertaining people and earning money is a good thing
02:37I am so for it
02:39Which three films do you want to see in theatres?
02:44I want to see Aathiyar
02:49I want to see Bhashya
02:51I want to see Nayagan
02:54I want to see it in theatres
02:57In today's situation, if two or three films win...
03:02...the next film will be the CM
03:06Why is Mohan, who gave so many films, silent?
03:11I can only say that you are asking this question to a wrong person
03:16As a hero, what do you build and what do you gain?
03:21I think everything is permanent if you want to be a human being
03:26I gain people's love and support
03:30I also gain God's blessings
03:33There is a saying that negative shades make the audience happy
03:40Do you agree with that?
03:43I have made negative shades films since then
03:46What the story needs and what the audience feels...
03:50...is what I believe in
03:52My belief is to win collectively
03:55I want to say something interesting
03:57I want to engage the audience
03:59If I do that, the films will win
04:02What do you want to forget?
04:06I want to forget everything
04:09The best gift for a human being is to forget everything
04:12Can you be at peace if you forget everything?
04:15God has given us sleep
04:18There is no permanence
04:21I want to enjoy that time
04:24I want to experience everything
04:28In the 80s, you gave a tough competition to Rajini sir and Kamal sir
04:34How did you take that as a competition?
04:39You said it yourself. It was a news
04:42We never had a competition
04:45Rajini sir was a superstar when I joined the industry
04:48Kamal sir was a world star
04:51We had seen his films in college in Bangalore
04:54We had seen his films in Tamil
04:57There was a film called Somukruthi Solukruthi
05:00Kamal sir had done a dual role
05:03It was dubbed in Tamil
05:06There was a film called Irunilam
05:09There were a lot of films in college
05:12I grew up watching his films
05:15I was a film actor
05:18I had the opportunity to make good films
05:21There was no competition for anyone
05:24Everyone had their own space
05:27There was no competition for anyone
05:30Rajini sir and Kamal sir were always Rajini sir and Kamal sir
05:33There was no competition for anyone
05:36How do you see the transition between Kokila Mohan and Hara Mohan?
05:41It was an extraordinary experience
05:44Kokila Mohan is a film by Balu Mahendra
05:50Balu Mahendra introduced me
05:53Legendary Kamal sir and great Shobha madam
05:56I acted with Roja Aramani
05:59That was a fantastic experience
06:02Everything was new
06:05I was at an age where I wanted to know everything
06:08Now, I wanted to correct what I had learned
06:13I wanted to know what the director said
06:16I wanted to know what others said
06:19That was the experience
06:22Both were extraordinary experiences
06:25I'm always grateful to Balu Mahendra sir
06:28Kamal sir, Shobha madam, Roja Aramani
06:31Thari Pallar Fernando
06:34The Moksham theatre was the first one here
06:37The owners were the producers of Kokila
06:40I'm grateful to all of them
06:44How did you see the selected moment in Kokila?
06:47Balu Mahendra said yes
06:50You and Kamal sir were in the same frame
06:53There's a rumor that Kamal sir wore glasses and you had a beard
06:56How did you see that moment?
06:59I can see that you've invented a lot
07:04But this truth...
07:07It was an exciting moment
07:10I didn't come to the industry because I wanted to
07:13When I was looking for a job after completing my B.Sc.
07:18There was a drama troupe called Benakka
07:23B.V. Karanth was a legendary man
07:26He called me to an art film troupe
07:31I don't know why they called me
07:34But somehow they felt I was talented
07:38I had to do it
07:41I acted in many dramas
07:46I played B.V. Karanth and Jayasthi Amma in one drama
07:51It was called Lankesh
07:54Jayakantan sir was a great writer
07:57His drama was in his film
08:00It was a big hit in Mumbai
08:04We didn't know that Balu Mahendra sir's associate was in our troupe
08:11I didn't know that he was acting in my film
08:16I didn't need to know
08:19I had gone for an interview
08:22I had written tests for the bank
08:25But he forced me
08:28Balu Mahendra sir saw me and the other senior actors
08:33He asked me what I thought
08:36I didn't know that he was shooting me in his camera
08:41It was a big thing
08:44I was in a good mood
08:47He asked me if I could act
08:50I said I didn't know
08:54I told my associate that I was acting in his film
08:59He made me act very well
09:02It was an extraordinary experience
09:07The way Balu Mahendra sir taught me
09:11I realized how different it was when I worked with other directors
09:16Cinema is an experience every day
09:21God is so kind to me
09:24This is the major difference between working with Balu Mahendra sir and now
09:30Balu Mahendra sir said in the first frame
09:35Mark my words, this boy will be rock
09:40When you heard that, how did you believe it?
09:45I never thought that I would be an actor
09:50In fact, I'll tell you a truth today
09:55I was an employee at Cinecade Bank in Kokila
09:58Before that, I had worked at Cinecade Bank as a return tester
10:03Then I got an offer and I acted
10:06The film became a hit
10:09Then I got an offer for a job
10:12I was committed to a couple of films
10:15I went straight to the bank and requested them
10:18I wanted to work in the bank
10:24If you could give me a leave for Loss of Pale
10:27I would like to work in this bank
10:32They were very kind
10:35He gave me Loss of Pale
10:38But I had to resign from Loss of Pale
10:42I never thought I would become an actor
10:45I didn't want to become an actor
10:48I wanted to use the opportunity I got
10:51With God's grace, I could do it
10:54In the first film, Kamal sir's screen space
10:59Kamal sir is already a great artist
11:02You have worked for more than 20 hours
11:06There is no problem that the release of the film was delayed
11:11Kamal sir taught you how to do a call sheet
11:16Kamal sir sang a song for you for the first time
11:22How do you see these three incidents?
11:26I am blessed
11:29I thank him
11:32I don't know what this program is
11:35Balu Mahendra sir called me for the first schedule of Kokila
11:40I acted for three days
11:43My drama friends were shooting a film
11:46They invited me to act
11:49Karapur forest, a forest in Mysore
11:54I was in the middle of a shoot
11:57Balu Mahendra sir came to Bangalore for the second schedule
12:02Legendary Kamal sir, Shobha, Roja Aravani were acting
12:07They called me and asked me
12:10They were worried that I might go for a shoot
12:15Kamal sir was already a very busy actor
12:21He would come for a shoot with more than 400 people
12:26We would have enjoyed it
12:29It was an important date
12:32I was in Karapur forest with my friends
12:35They gave me a telegram
12:38It had been three days
12:41Kamal sir had to return to Chennai
12:49Balu Mahendra sir was very angry
12:54He asked me why I did it
12:57I said I didn't know
13:00He said it was very difficult
13:03Everyone was there
13:06They didn't take my positions
13:09I said I didn't know
13:12Kamal sir called another director
13:15He asked me how I could go
13:18I said I didn't know
13:22He asked me when I was shooting
13:25I said they didn't tell me
13:28He asked me to mark my word
13:31I said I didn't know
13:34I said I didn't know
13:37I said I didn't know
13:40I said I didn't know
13:43I said I didn't know
13:47My first film was called Kalshid Kalsh
13:51I haven't done a Kalshid Kalsh for any other film
13:54I haven't been late by an hour
13:57That was a very important reason
14:00Kamal sir told me that
14:03I grew up with a drama troupe called Benakkar
14:06It was run by B.B Karanthan
14:09He was an extraordinary man
14:12He was a legendary director
14:15He was an international popular
14:18He was an international popular
14:21I told him not to be late
14:24I told him not to be late
14:27I told him not to be late
14:30He helped me grow up in that school
14:33That song, Ponmanai Theduthu
14:36That song, Ponmanai Theduthu
14:39I don't know why he sang that song
14:42I enjoyed singing it
14:45I enjoyed shooting it
14:48I'm thinking of shooting it in a Vynesh set
14:51It's a film co-company
14:54It's a film co-company
14:57It's a film co-company
15:00People used to see politicians as heroes
15:03People now see heroes as politicians
15:06People now see heroes as politicians
15:09What do you think about this?
15:12I've never seen anything like this
15:15When I act, I'm a hero
15:18When I act, I'm a hero
15:21When I act, I'm a hero
15:24When I act, I'm a hero
15:27When I act, I'm a hero
15:30When I act, I'm a hero
15:33In the 80s, which heroine did you get more kisses from?
15:36In the 80s, which heroine did you get more kisses from?
15:39No heroine
15:42No heroine
15:45An interesting thing in Mounarakam
15:48An interesting thing in Mounarakam
15:51was the train sequence
15:54was the train sequence
15:57was the train sequence
16:00He took the train sequence in three or four places
16:03He took the train sequence in three or four places
16:06He took it in Bangalore, Delhi, Chennai
16:09But no one knew
16:12He cut the climax visually and shot it
16:15He cut the climax visually and shot it
16:18I respect him a lot
16:21I respect him a lot
16:24I respect him a lot
16:27But knowing money, he had to do it
16:30So, he didn't need permission
16:33So, he didn't need permission
16:36He created a mood by giving a visual impact
16:39Everyone liked it
16:42It was a fantastic experience
16:45What do you think is the main reason for staying independent?
16:48What do you think is the main reason for staying independent?
16:51What do you think is the main reason for staying independent?
16:54God's grace
16:57As I always say
17:00My fans are the only reason
17:03My fans are the only reason
17:06I thank both of them
17:09When an actor is at the peak of his success
17:12When an actor is at the peak of his success
17:15the circumstances will be different
17:18There will be more friends
17:21There will be less contacts
17:24There will be less contacts
17:27Have you faced such a situation?
17:30I'm not so lucky to have friends in college
17:33I'm not so lucky to have friends in college
17:36I'm always an acquaintance
17:39We get to know each other well
17:42We go to the next film
17:45We get to know each other well
17:48I'm not a social person
17:51I don't socialise with people
17:54I don't socialise with people
17:57I'm not into it
18:00I don't go in and experience it
18:03I'm always happy
18:06I see the actors
18:09I don't have such feelings
18:12Sugasthi madam said you are a naughty boy
18:15Is that so, sir?
18:18You have to ask her
18:21I don't know if I'm a naughty boy or not
18:24How do you see success and failure in cinema?
18:27How do you see success and failure in cinema?
18:30It's an experience
18:33Even if the film is a hit
18:36If the film is a flop
18:39We have to figure out what to do next
18:42Otherwise, we'll go into depression
18:45Otherwise, we'll go to the top end
18:48I don't have either of those
18:51If Mohan sir's films are to be made into a part 2
18:54Which film would you recommend?
18:57If there's anyone in Thari Pallar, let me know
19:00There are many films
19:03In the beginning
19:06Gokila, Moodupandi
19:09Small roles
19:12Negatives in fate
19:15All types of characters
19:18You have done many roles
19:21You have also acted as an antagonist
19:24In the film Goat
19:27You are portrayed as an antagonist
19:30What is the reason for selecting this film?
19:33This film was made with the permission of AGS
19:36With Venkat Prabhu's permission
19:39I am ready to talk to you in detail about this film
19:42I don't want to talk about it now
19:45That's why I don't want to
19:48In the 80s
19:51You were a big hero
19:54In 2024, Vijay sir was a big hero
19:57How do you see this combination?
20:00Vijay sir is a big actor
20:03Dalapathy Vijay
20:06I had the opportunity to act with him
20:09Thanks to Venkat Prabhu and AGS
20:12I have learnt a lot from him
20:15He is a very deep and silent man
20:18I want to learn to be that much silent
20:21I have told him this
20:24I think this is a quality of his
20:27He is a person who observes everything
20:30I like that
20:33I want to learn that from him
20:36What do you miss the most as an actor?
20:39I don't know what I miss
20:42Acting is a profession
20:45When I go home after acting
20:48I talk to my family or friends
20:51It's a big feeling
20:54It's an experience when you give a good film
20:57It's right to go to that stage
21:00If you were to win as a human being
21:03What would you say?
21:09I am trying to win as a human being
21:12I want to live as a human being
21:15That's all I can say
21:18I want to live as a human being
21:21In this day and age
21:24There is a lot of talk about which hero has acted
21:27There is a lot of talk about star value
21:30How do you see this as a star?
21:39I want to tell you something that everyone knows
21:42From the time of Thyagaraja Bhagavatam
21:45The truth is that
21:48A film is always decided
21:51If a film hits on a Friday
21:54The producer, actor, and actor have a star value
21:57If the film flops
22:00They will lose
22:03A film is always a deciding factor
22:06You have to try to make a good film
22:09If the film runs, it has a star value
22:12If it doesn't run, it doesn't have a star value
22:15You have to see how the story is
22:18I think there are opportunities to win
22:21Every Friday it fluctuates
22:24There was a market for flop success
22:27There were no big thoughts then
22:30If the story is good, if the film hits, it has a value
22:33If the film doesn't hit, it has no value
22:36This is a truth that all directors, distributors, and producers know
22:41Actors, actors, technicians, everyone knows this
22:46It is said that a face is a hero
22:49But the truth that all heroes and directors know
22:52The truth that all producers know
22:55A film is always the deciding factor
22:58Balu Mahendra sir
23:01Do you like him as a cinematographer or as a director?
23:07I like him as a director
23:10He is my guru
23:13I have a lot of respect and devotion for him
23:16He is a film maker
23:19He was doing what I am saying now
23:22He has done editing, music, photography, direction, story, script, and script
23:28He is a director when I see him
23:31I like him as a director
23:34I like him as a film maker
23:37He is an extraordinary film maker
23:40How did you feel when you won the National Award, Filmfare Award, and Victory Nayagan?
23:48You might get bored
23:51But you have to thank God
23:54You have to go to the next level
23:57I didn't think of anything else
24:00I thank God for bringing us together
24:03Mohan sir
24:06The people who fall in love
24:09The people who fail in love
24:12Mohan sir sees them as a dictionary
24:15You have given a song for love and breakup
24:18You are a hero to many women
24:21In the period when Gemini Ganesan fell in love
24:25There is a song called Kadhal Chakravarthy
24:28Not just women, but many women's mothers like you
24:34How do you see this?
24:37I know where you are coming from
24:40I always look at Iyekunar
24:43I do what Iyekunar says
24:46Iyekunar knew how to use my talent
24:49He did a project
24:52Iyekunars who are doing new stories
24:55Iyekunars who are hungry
24:58There is a reason for that image
25:01You are the producer's favorite hero
25:04You are also the new director's favorite hero
25:07How do you see this?
25:13When I am not able to travel
25:16I will be looking for new hungry Iyekunars
25:19I always look for them
25:22If I am with a good Iyekunar
25:25If I am with a good director
25:28The film will be a success
25:31That's my belief
25:34When he is hungry, he will do new things
25:37That's the rule of the times
25:40When Payangal Mudidhal became a hit
25:43The market was created for me
25:46If I am an actor
25:49I get a lot of income
25:52I tap new talents
25:55If I see 10 people
25:58I feel they are doing well
26:01When I travel with them
26:04A lot of films have won
26:07I am proud to be a reason for them to become famous
26:10Without a big budget
26:13You have a maximum budget
26:16Why didn't you make a big budget film?
26:19The story is important to me
26:22How the director tells the story
26:25That's what I believe
26:28If it connects with the audience
26:31The film will run
26:34I don't know if the budget is important
26:37To become a hit, the audience has to connect
26:40Whether it's a love story or a thriller
26:43The audience has to connect
26:46It's in the hands of the director
26:49I often say why it's in the hands of the director
26:52He is the captain of the ship
26:55The 25 craftsmen, technicians, artists
26:58All stand behind him
27:01The ship is the producer
27:04When the producer and director work well
27:07I have faith that the story will turn out well
27:10If I do that, it will turn out well
27:13So, rather than the budget
27:16I'm looking for people who can unite and win