Ralph Rolle Drum Masterclass - Part 1: Disco Grooves - video Dailymotion

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Ralph Rolle occupies one of the grooviest drum chairs on the planet. As well as his current job, holding down the foundation for disco/funk legends Nile Rogers & Chic, Ralph has also played for an impressive list of funk, soul, hip-hop artists and beyond, with a CV boasting Stevie Wonder, D’Angelo, Notorious B.I.G., Roger Daltrey, Bono and many, many more.  Armed with our cameras, we met Ralph at Yamaha’s UK HQ where he took the time to share some of his favourite funk and disco concepts, as well as important advice on how to approach your drumming goals.  Ralph Rolle's kit  Thanks to Yamaha, Zildjian and Remo for supplying the gear used in this masterclass.   Drums Yamaha Tour Custom (maple shells) Toms: 10” x 7” 12” x 8”, 16” x 15” Bass drum: 22 x 16” Snare Drum: Yamaha Tour Custom 14 x 6.5”  Cymbals Zildjian: 13” K hi-hats, 10” A Custom Splash, 16” A Custom Fast Crash, 16” A Custom Medium Crash, 17” K Custom Hybrid Crash, 17” K China, 20” A Custom Ride  Heads Remo Ambassador Coated, Powerstroke P3 Clear bass drum batter  Electronics Roland SPD-SX

Transcript

00:00So, currently, right now, I am the drummer with Nile Rodgers and Chic, which is a really,

00:10really great gig.

00:12What's so great about it is that we're looked upon as a disco band, but the truth of the

00:18matter is that we play R&B, disco, funk, pop, and we cover a lot of different styles within

00:25our show, and it's always a lot of fun.

00:28So what I'm going to demonstrate to you, the first thing I want to do is I want to show

00:31you the groove that I play on Good Times.

00:34Now, if you listen to the original, I think everyone knows that song, but if you listen

00:38to the original recording, what you'll hear is claps, and that's a group of people coming

00:43in and doing claps.

00:45I actually have to play the claps when I'm doing that groove.

00:48So I'm holding down the groove, and I'm bringing in the claps when it comes to the chorus.

00:54So in the beginning of the song, it starts out with just bass and drums, and then the

00:59keys come in, and then I come in with the claps on the chorus, and I'll demonstrate

01:04that.

01:05Here we go.

01:24Now, what I'm doing when I'm playing that groove, when it comes to the claps, my left

01:51hand is actually staying within the 16th notes, and I'll show you, it's going.

02:09If you see, I'm getting the claps in the middle of the upbeat 16th note, because I want to

02:22get that consistent 16th note sound coming in on the snare, which is a lot of fun to

02:37get it in there, and try to get it on time with the kick, the snare, and the hi-hat.

02:44Takes a little bit of practice, but I think anybody can do it, all you just got to do

02:48is put in the time.

02:50One of the next songs that we do in Chic is the opening song, which is called Everybody

02:54Dance.

02:56That is basically a straight disco song, it's the same type of groove, because back when

03:00disco started, what was consistent throughout the songs that were written in was a quarter

03:06note bass drum.

03:09That was consistent throughout most of the songs, because when you went to the club,

03:14that big sound would basically hit you in the chest, and you would just want to get

03:18up and dance no matter what.

03:21Now, depending on the song, I will, again, utilize the claps, along with holding down

03:27the groove, doing a two-four pattern on the snare, also with grace notes, with ghost notes,

03:34and I'll demonstrate that, okay?

03:36Now, when I first started playing in bands in New York, I didn't know what I was doing,

04:07it was essential to try to get the sounds of the records that we were playing, and back

04:12then, a clap machine was just one little machine with only claps, there wasn't percussion or

04:18any other thing on there, so now you can play whatever you want, because you can sample

04:23any sound, which is great, but to emulate that particular sound, I usually use claps,

04:30and then on other songs, I will use congas and do conga fills and conga patterns.

04:35Now, when I'm playing, and I'm doing the conga sounds and conga patterns, I'm holding down

04:43the groove with my right hand on the hi-hat and the snare, my foot is doing the same thing,

04:48but my left hand, luckily I'm a left-handed, open-handed drummer, I'm holding down a conga

04:54pattern on my left hand and doing different type of syncopated fills in the middle, and

05:01I will start out slow first, and then I'll show you the tempos that will do it when I'm

05:06playing with Nile Rodgers and Chic. Okay, so, you start out...

05:31And then, after you do the conga pattern, you throw the hand claps on 2 and 4 with the snare.

05:43Okay, so I'm going to do the whole pattern together. I'm laughing because I remember

05:48when I started learning this, it was a mess. Yes, it was a head explosion, exactly. So

05:55the nickname in the band for me is Octopus, because I'm doing all of this stuff at the

05:59same time. So I'm going to show you how it first is to be slow, and then I'll show you

06:04the tempo we do it, which is about 120, 125. Okay.

06:29Okay, so now, I'll show you the tempo we usually do it, which is about 120. Here we go.

06:59Now, if I'm doing that same exact groove without the hand claps, I'm doing more of

07:15a syncopated pattern with the conga sounds. So I'll show you what I'm talking about.

07:30Ah, fun. I have a lot of fun doing that. So that is how I play a disco groove with Nile

07:37Rodgers and Chic.

Ralph Rolle Drum Masterclass - Part 1: Disco Grooves

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