Criminal Passion 1994 Full Movie
A homicide detective begins a torrid affair with a senator's son who is a suspect in a series of grisly murders.
Category
🎥
Short filmTranscript
00:00:00It's an old habit with me, like an endless thirst, driving the streets at night.
00:00:15Not always sure what I'm looking for, maybe a place to belong, or a place to get away
00:00:23to.
00:00:24I don't think there are a lot of women like me, who drive alone in the dark, who wander
00:00:43neighborhoods far from their own, or maybe there are.
00:01:13I don't think there are a lot of women like me, who drive alone in the dark, who wander
00:01:41neighborhoods far from their own, or maybe there are.
00:02:11I don't think there are a lot of women like me, who drive alone in the dark, who wander
00:02:39neighborhoods far from their own, or maybe there are.
00:03:03Go Elisabella!
00:03:04Jesus, how many times can you do it in one night?
00:03:34I don't think there are a lot of women like me, who drive alone in the dark, who wander
00:04:02neighborhoods far from their own, or maybe there are.
00:04:07My friends call me crazy, I say I'm curious, curious to know what goes on in the dark,
00:04:17I say I'm curious, curious to know what goes on in the dark, I say I'm curious, curious
00:04:41to know what goes on in the dark, I say I'm curious, curious to know what goes on in the
00:05:07dark.
00:05:09It's Stan and Martha from across the courtyard.
00:05:20Isabella?
00:05:27Oh!
00:05:29God!
00:05:38Oh!
00:05:39Oh!
00:05:40Oh!
00:05:41Oh!
00:05:42Oh!
00:05:43Oh!
00:05:44Oh!
00:05:45Oh!
00:05:46Oh!
00:05:47Oh!
00:05:48Oh!
00:05:49Oh!
00:05:50Oh!
00:05:51Oh!
00:05:52Oh!
00:05:53Oh!
00:05:54Oh!
00:05:55Oh!
00:05:56Oh!
00:05:57Oh!
00:05:58Oh!
00:05:59Oh!
00:06:00Oh!
00:06:01Oh!
00:06:02Oh!
00:06:03Oh!
00:06:04Oh!
00:06:05Oh!
00:06:06Oh!
00:06:07Oh!
00:06:08Oh!
00:06:09Oh!
00:06:10Oh!
00:06:11Oh!
00:06:12Oh!
00:06:13Oh!
00:06:14Oh!
00:06:15Oh!
00:06:16Oh!
00:06:17Oh!
00:06:18Oh!
00:06:19Oh!
00:06:20Oh!
00:06:21Oh!
00:06:22Oh!
00:06:23Oh!
00:06:24Oh!
00:06:25Oh!
00:06:26Oh!
00:06:27Oh!
00:06:28Oh!
00:06:29Oh!
00:06:30Oh!
00:06:31Oh!
00:06:32Oh!
00:06:33Oh!
00:06:34Oh!
00:06:35Oh!
00:06:36Oh!
00:06:37Oh!
00:06:38Oh!
00:06:39Oh!
00:06:40Oh!
00:06:41Oh!
00:06:42Oh!
00:06:43Oh!
00:06:44Oh!
00:06:45Oh!
00:06:46Oh!
00:06:47Oh!
00:06:48Oh!
00:06:49Oh!
00:06:50Oh!
00:06:51Oh!
00:06:52Oh!
00:06:53Oh!
00:06:54Oh!
00:06:55Oh!
00:06:56Oh!
00:06:57Oh!
00:06:58Oh!
00:06:59Oh!
00:07:00Oh!
00:07:01Oh!
00:07:02Oh!
00:07:03Oh!
00:07:04Oh!
00:07:05Oh!
00:07:06Oh!
00:07:07Oh!
00:07:08Oh!
00:07:09Oh!
00:07:10Oh!
00:07:11Oh!
00:07:12Oh!
00:07:13Oh!
00:07:14Oh!
00:07:15Oh!
00:07:16Oh!
00:07:17Oh!
00:07:18Oh!
00:07:19Oh!
00:07:20Oh!
00:07:21Oh!
00:07:22Oh!
00:07:23Oh!
00:07:24Oh!
00:07:25Oh!
00:07:26Oh!
00:07:27Oh!
00:07:28Oh!
00:07:29Oh!
00:07:30Oh!
00:07:31Oh!
00:07:32Oh!
00:07:33Oh!
00:07:34Oh!
00:07:35Oh!
00:07:36Oh!
00:07:37Oh!
00:07:38Oh!
00:07:39Oh!
00:07:40Oh!
00:07:41Oh!
00:07:42Oh!
00:07:43Oh!
00:07:44Oh!
00:07:45Oh!
00:07:46Oh!
00:07:47Oh!
00:07:48Oh!
00:07:49Oh!
00:07:50Oh!
00:07:51Oh!
00:07:52Oh!
00:07:53Oh!
00:07:54Oh!
00:07:55Oh!
00:07:56Oh!
00:07:57Oh!
00:07:58Oh!
00:07:59Oh!
00:08:00Oh!
00:08:01Oh!
00:08:02Oh!
00:08:03Oh!
00:08:04Oh!
00:08:05Oh!
00:08:06Oh!
00:08:07Oh!
00:08:08Oh!
00:08:09Oh!
00:08:10Oh!
00:08:11Oh!
00:08:12Oh!
00:08:13Oh!
00:08:14Oh!
00:08:15Oh!
00:08:16Oh!
00:08:17Oh!
00:08:18Oh!
00:08:19Oh!
00:08:20Oh!
00:08:21Oh!
00:08:22Oh!
00:08:23Oh!
00:08:24Oh!
00:08:25Oh!
00:08:26Oh!
00:08:27Oh!
00:08:28Oh!
00:08:29Oh!
00:08:30Oh!
00:08:31Oh!
00:08:32Oh!
00:08:33Oh!
00:08:34Oh!
00:08:35Oh!
00:08:36Oh!
00:08:37Oh!
00:08:38Oh!
00:08:39Oh!
00:08:40Oh!
00:08:41Oh!
00:08:42Oh!
00:08:43Oh!
00:08:44Oh!
00:08:45Oh!
00:08:46Oh!
00:08:47Oh!
00:08:48Oh!
00:08:49Oh!
00:08:50Oh!
00:08:51Oh!
00:08:52Oh!
00:08:53Oh!
00:08:54Oh!
00:08:55Oh!
00:08:56Oh!
00:08:57Oh!
00:08:58Oh!
00:08:59Oh!
00:09:00Oh!
00:09:01Oh!
00:09:02Oh!
00:09:03Oh!
00:09:04Oh!
00:09:05Oh!
00:09:06Oh!
00:09:07Oh!
00:09:08Oh!
00:09:09Oh!
00:09:10Oh!
00:09:11Oh!
00:09:12Oh!
00:09:13Oh!
00:09:14Oh!
00:09:15Oh!
00:09:16Oh!
00:09:17Oh!
00:09:18Oh!
00:09:19Oh!
00:09:20Oh!
00:09:21Oh!
00:09:22Oh!
00:09:23Oh!
00:09:24Oh!
00:09:25Oh!
00:09:26Oh!
00:09:27Oh!
00:09:28Oh!
00:09:29Oh!
00:09:30Oh!
00:09:31Oh!
00:09:32Oh!
00:09:33Oh!
00:09:34Oh!
00:09:35Oh!
00:09:36Oh!
00:09:37Oh!
00:09:38Oh!
00:09:39Oh!
00:09:40Oh!
00:09:41Oh!
00:09:42Oh!
00:09:43Oh!
00:09:44Oh!
00:09:45Oh!
00:09:46Oh!
00:09:47Oh!
00:09:48Oh!
00:09:49Oh!
00:09:50Oh!
00:09:51Oh!
00:09:52Oh!
00:09:53Oh!
00:09:54Oh!
00:09:55Oh!
00:09:56Oh!
00:09:57Oh!
00:09:58Oh!
00:09:59Oh!
00:10:00Oh!
00:10:01Oh!
00:10:02Oh!
00:10:03Oh!
00:10:04Oh!
00:10:05Oh!
00:10:06Oh!
00:10:07Oh!
00:10:08Oh!
00:10:09Oh!
00:10:10Oh!
00:10:11Oh!
00:10:12Oh!
00:10:13Oh!
00:10:14Oh!
00:10:15Oh!
00:10:16Oh!
00:10:17Oh!
00:10:18Oh!
00:10:19Oh!
00:10:20Oh!
00:10:21Oh!
00:10:22Oh!
00:10:23Oh!
00:10:24Oh!
00:10:25Oh!
00:10:26Oh!
00:10:27Oh!
00:10:28Oh!
00:10:29Oh!
00:10:30Oh!
00:10:31Oh!
00:10:32Oh!
00:10:33Oh!
00:10:34Oh!
00:10:35Oh!
00:10:36Oh!
00:10:37Oh!
00:10:38Oh!
00:10:39Oh!
00:10:40Oh!
00:10:41Oh!
00:10:42Oh!
00:10:43Oh!
00:10:44Oh!
00:10:45Oh!
00:10:46Oh!
00:10:47Oh!
00:10:48Oh!
00:10:49Oh!
00:10:50Oh!
00:10:51Oh!
00:10:52Oh!
00:10:53Oh!
00:10:54Oh!
00:10:55Oh!
00:10:56Oh!
00:10:57Oh!
00:10:58Oh!
00:10:59Oh!
00:11:00Oh!
00:11:01Oh!
00:11:02Oh!
00:11:03Oh!
00:11:04Oh!
00:11:05Oh!
00:11:06Oh!
00:11:07Oh!
00:11:08Oh!
00:11:09Oh!
00:11:10Oh!
00:11:11Oh!
00:11:12Oh!
00:11:13Oh!
00:11:14Oh!
00:11:15Oh!
00:11:16Oh!
00:11:17Oh!
00:11:18Oh!
00:11:19Oh!
00:11:20Oh!
00:11:21Oh!
00:11:22Oh!
00:11:23Oh!
00:11:24Oh!
00:11:25Oh!
00:11:26Oh!
00:11:27Oh!
00:11:28Oh!
00:11:29Oh!
00:11:30Oh!
00:11:31Oh!
00:11:32Oh!
00:11:33Oh!
00:11:34Oh!
00:11:35Oh!
00:11:36Oh!
00:11:37Oh!
00:11:38Oh!
00:11:39Oh!
00:11:40Oh!
00:11:41Oh!
00:11:42Oh!
00:11:43Oh!
00:11:44Oh!
00:11:45Oh!
00:11:46Oh!
00:11:47Oh!
00:11:48Oh!
00:11:49Oh!
00:11:50Oh!
00:11:51Oh!
00:11:52Oh!
00:11:53Oh!
00:11:54Oh!
00:11:55Oh!
00:11:56Oh!
00:11:57Oh!
00:11:58Oh!
00:11:59Oh!
00:12:00Oh!
00:12:01Oh!
00:12:02Oh!
00:12:03Oh!
00:12:04Oh!
00:12:05Oh!
00:12:06Oh!
00:12:07Oh!
00:12:08Oh!
00:12:09Oh!
00:12:10Oh!
00:12:11Oh!
00:12:12Oh!
00:12:13Oh!
00:12:14Oh!
00:12:15Oh!
00:12:16Oh!
00:12:17Oh!
00:12:18Oh!
00:12:19Oh!
00:12:20Oh!
00:12:21Oh!
00:12:22Oh!
00:12:23Oh!
00:12:24Oh!
00:12:25Oh!
00:12:26Oh!
00:12:27Oh!
00:12:28Oh!
00:12:29Oh!
00:12:30Oh!
00:12:31Oh!
00:12:32Oh!
00:12:33Oh!
00:12:34Oh!
00:12:35Oh!
00:12:36Oh!
00:12:37Oh!
00:12:38Oh!
00:12:39Oh!
00:12:40Oh!
00:12:41Oh!
00:12:42Oh!
00:12:43Oh!
00:12:44Oh!
00:12:45Oh!
00:12:46Oh!
00:12:47Oh!
00:12:48Oh!
00:12:49Oh!
00:12:50Oh!
00:12:51Oh!
00:12:52Oh!
00:12:53Oh!
00:12:54Oh!
00:12:55Oh!
00:12:56Oh!
00:12:57Oh!
00:12:58Oh!
00:12:59Oh!
00:13:00Oh!
00:13:01Oh!
00:13:02Oh!
00:13:03Oh!
00:13:04Oh!
00:13:05Oh!
00:13:06Oh!
00:13:07Oh!
00:13:08Oh!
00:13:09Oh!
00:13:10Oh!
00:13:11Oh!
00:13:12Oh!
00:13:13Oh!
00:13:14Oh!
00:13:15Oh!
00:13:16Oh!
00:13:17Oh!
00:13:18Oh!
00:13:19Oh!
00:13:20Oh!
00:13:21Oh!
00:13:22Oh!
00:13:23Oh!
00:13:24Oh!
00:13:25Oh!
00:13:26Oh!
00:13:27Oh!
00:13:28Oh!
00:13:29Oh!
00:13:30Oh!
00:13:31Oh!
00:13:32Oh!
00:13:33Oh!
00:13:34Oh!
00:13:35Oh!
00:13:36Oh!
00:13:37Oh!
00:13:38Oh!
00:13:39Oh!
00:13:40Oh!
00:13:41Oh!
00:13:42Oh!
00:13:43Oh!
00:13:44Oh!
00:13:45Oh!
00:13:46Oh!
00:13:47Oh!
00:13:48Oh!
00:13:49Oh!
00:13:50Oh!
00:13:51Oh!
00:13:52Oh!
00:13:53Oh!
00:13:54Oh!
00:13:55Oh!
00:13:56Oh!
00:13:57Oh!
00:13:58Oh!
00:13:59Oh!
00:14:00Oh!
00:14:01Oh!
00:14:02Oh!
00:14:03Oh!
00:14:04Oh!
00:14:05Oh!
00:14:06Oh!
00:14:07Oh!
00:14:08Oh!
00:14:09Oh!
00:14:10Oh!
00:14:11Oh!
00:14:12Oh!
00:14:13Oh!
00:14:14Oh!
00:14:15Oh!
00:14:16Oh!
00:14:17Oh!
00:14:18Oh!
00:14:19Oh!
00:14:20Oh!
00:14:21Oh!
00:14:22Oh!
00:14:23Oh!
00:14:24Oh!
00:14:25Oh!
00:14:26Oh!
00:14:27Oh!
00:14:28Oh!
00:14:29Oh!
00:14:30Oh!
00:14:31Oh!
00:14:32Oh!
00:14:33Oh!
00:14:34Oh!
00:14:35Oh!
00:14:36Oh!
00:14:37Oh!
00:14:38Oh!
00:14:39Oh!
00:14:40Oh!
00:14:41Oh!
00:14:42Oh!
00:14:43Oh!
00:14:44Oh!
00:14:45Oh!
00:14:46Oh!
00:14:47Oh!
00:14:48Oh!
00:14:49Oh!
00:14:50Oh!
00:14:51Oh!
00:14:52Oh!
00:14:53Oh!
00:14:54Oh!
00:14:55Oh!
00:14:56Oh!
00:14:57Oh!
00:14:58Oh!
00:14:59Oh!
00:15:00Oh!
00:15:01Oh!
00:15:02Oh!
00:15:03Oh!
00:15:04Oh!
00:15:05Oh!
00:15:06Oh!
00:15:07Oh!
00:15:08Oh!
00:15:09Oh!
00:15:10Oh!
00:15:11Oh!
00:15:12Oh!
00:15:13Oh!
00:15:14Oh!
00:15:15Oh!
00:15:16Oh!
00:15:17Oh!
00:15:18Oh!
00:15:19Oh!
00:15:20Oh!
00:15:21Oh!
00:15:22Oh!
00:15:23Oh!
00:15:24Oh!
00:15:25Oh!
00:15:26Oh!
00:15:27Oh!
00:15:28Oh!
00:15:29Oh!
00:15:30Oh!
00:15:31Oh!
00:15:32Oh!
00:15:33Oh!
00:15:34Oh!
00:15:35Oh!
00:15:36Oh!
00:15:37Oh!
00:15:38Oh!
00:15:39Oh!
00:15:40Oh!
00:15:41Oh!
00:15:42Oh!
00:15:43Oh!
00:15:44Oh!
00:15:45Oh!
00:15:46Oh!
00:15:47Oh!
00:15:48Oh!
00:15:49Oh!
00:15:50Oh!
00:15:51Oh!
00:15:52Oh!
00:15:53Oh!
00:15:54Oh!
00:15:55Oh!
00:15:56Oh!
00:15:57Oh!
00:15:58Oh!
00:15:59Oh!
00:16:00Oh!
00:16:01Oh!
00:16:02Oh!
00:16:03Oh!
00:16:04Oh!
00:16:05Oh!
00:16:06Oh!
00:16:07Oh!
00:16:08Oh!
00:16:09Oh!
00:16:10Oh!
00:16:11Oh!
00:16:12Oh!
00:16:13Oh!
00:16:14Oh!
00:16:15Oh!
00:16:16Oh!
00:16:17Oh!
00:16:18Oh!
00:16:19Oh!
00:16:20Oh!
00:16:21Oh!
00:16:22Oh!
00:16:23Oh!
00:16:24Oh!
00:16:25Oh!
00:16:26Oh!
00:16:27Oh!
00:16:28Oh!
00:16:29Oh!
00:16:30Oh!
00:16:31Oh!
00:16:32Oh!
00:16:33Oh!
00:16:34Oh!
00:16:35Oh!
00:16:36Oh!
00:16:37Oh!
00:16:38Oh!
00:16:39Oh!
00:16:40Oh!
00:16:41Oh!
00:16:42Oh!
00:16:43Oh!
00:16:44Oh!
00:16:45Oh!
00:16:46Oh!
00:16:47Oh!
00:16:48Oh!
00:16:49Oh!
00:16:50Oh!
00:16:51Oh!
00:16:52Oh!
00:16:53Oh!
00:16:54Oh!
00:16:55Oh!
00:16:56Oh!
00:16:57Oh!
00:16:58Oh!
00:16:59Oh!
00:17:00Oh!
00:17:01Oh!
00:17:02Oh!
00:17:03Oh!
00:17:04Oh!
00:17:05Oh!
00:17:06Oh!
00:17:07Oh!
00:17:08Oh!
00:17:09Oh!
00:17:10Oh!
00:17:11Oh!
00:17:12Oh!
00:17:13Oh!
00:17:14Now, professionally, he's considered
00:17:16to be one of the best architects in the country,
00:17:18and he's worth millions.
00:17:19He collects prices art, dates models,
00:17:21dancers, and princesses.
00:17:23I hate this fucking guy.
00:17:25What about his mother?
00:17:26You hate her too, Rudy?
00:17:27She died when he was 14.
00:17:29Suicide.
00:17:30What's keeping the serology report?
00:17:32After the night of the murder,
00:17:33he was seen entering a deceased building
00:17:34at 8 p.m. by a neighbor named...
00:17:36Margaret Goldman, known by his driver's son.
00:17:38He admits being there, but says he didn't do it?
00:17:41Right, driver's his alibi.
00:17:42Says he picked him up 10 minutes before the murder.
00:17:45Listen up, people. We got the lab report.
00:17:48Blood type on the razor matches the victim.
00:17:51AB negative. It's pretty rare.
00:17:53Okay, I say we bring him back in.
00:17:55Hold on until we're positive it's her blood.
00:17:58And we have a motive.
00:18:00The D.A. doesn't want him touched.
00:18:03I'm sure you understand the delicacy of the situation.
00:18:07By the way, this will not be in the paper tomorrow.
00:18:09Senator Ashcroft is running for re-election,
00:18:11and the department has agreed to put a lid on it.
00:18:15If it goes to trial, that's another story.
00:18:18Rudy, please.
00:18:20Thank you.
00:18:25This stinks, Captain. You know that?
00:18:27Told you they'd try to bury it.
00:18:29Got your work cut out for you, don't you?
00:18:32Nothing we can't handle.
00:18:33Look, we have nothing conclusive on this guy.
00:18:36Just keep your eyes open.
00:18:37Something will turn up.
00:18:39I checked with a friend in Ashcroft's circuit.
00:18:41He made reservations at Valhalla tonight.
00:18:44Two.
00:18:45You're telling me he's going out on a date tonight?
00:18:47Ten o'clock.
00:18:48Who is this guy?
00:18:49He's just meeting with his attorney.
00:18:50I think we should check it out.
00:18:52Definitely.
00:18:53See what he's up to, and I'll take care of it.
00:18:56Classmates, anyone who's an enemy.
00:18:59Also, check out his past affairs,
00:19:00if there's obsessive types, things like that.
00:19:02Got it. Anything else?
00:19:04No.
00:19:05So, what dazzling outfit are you going to wear
00:19:08to the captain's party?
00:19:09You know me, Jordan.
00:19:10I'll drag something out of the closet.
00:19:12Hey, hey, hey.
00:19:13I'm the only one that has anything
00:19:14coming out of the closet here.
00:19:16So?
00:19:17When are you going to tell the rest of the guys?
00:19:21I don't know, Mel.
00:19:23I mean, I've only been here six months.
00:19:25Let's not push it.
00:19:26I'll pick you up at 9.
00:19:28I'll meet you there.
00:19:29OK.
00:19:30Bye.
00:19:33Magic mushroom soup.
00:19:35Is this stuff legal?
00:19:37I mean, you got to be kidding me.
00:19:39Seaweed.
00:19:42And salmon tartare.
00:19:45Another $12.
00:19:47I mean, it should be $6.
00:19:48The shit's not even cooked.
00:19:53Unbelievable.
00:19:56What's this?
00:19:59Uni tempura.
00:20:05What the hell is an uni?
00:20:11What ever happened to spaghetti and meatballs?
00:20:14Oh, here it is.
00:20:15Pasta and wild game.
00:20:23Well, what's the matter?
00:20:24Am I embarrassing you?
00:20:27Oh, yeah.
00:20:28I forgot.
00:20:29You like all this shit, don't you?
00:20:34I'm really, Nathan.
00:20:35I'm swept away by the grace and beauty of it all.
00:20:39Well, why don't you gracefully lean over and kiss my beautiful ass?
00:20:44Very eloquently put.
00:20:45Did Baruti teach you that?
00:20:47Look who's here.
00:20:4824 hours after his girl is killed and the man's out on a date.
00:20:52That's cold.
00:20:53I'm going to go to the bathroom.
00:20:57Hey.
00:20:58Can I have another, uh, another one of your, please?
00:21:04Can I have another, uh, another one of your, please?
00:21:34Are you following me?
00:21:36Oh, yes, ma'am.
00:21:38Why?
00:21:40I wanted a closer look.
00:21:44Oh, I see.
00:21:46I see.
00:21:48Analytical.
00:21:50Tough.
00:21:51Smart.
00:21:53Original.
00:21:55Observant.
00:21:57And no wedding rings, so I think...
00:22:00Strike one.
00:22:01You're into ownership.
00:22:03I'm into a whole myriad of things.
00:22:06I'm not surprised.
00:22:11So what about you?
00:22:13Not your business.
00:22:15Not yet, anyway.
00:22:17What would I have to do to make you take a risk?
00:22:19Well, that's direct.
00:22:21I don't have time to waste.
00:22:23Who wastes time?
00:22:24Who wastes you?
00:22:26Well, what type of risks are we talking about?
00:22:30You have a preference?
00:22:32You tell me.
00:22:36Fearless.
00:22:37Fearless.
00:22:38That's, that's good.
00:22:40That's real good.
00:22:42Eight o'clock tomorrow night.
00:22:44Strike two.
00:22:46Not enough.
00:22:48Whatever happened to trust?
00:22:52Some things can be worse for you than others.
00:22:56Hmm.
00:22:58You can't possibly be referring to having dinner with me.
00:23:01Mmm, I can't.
00:23:05Time's up.
00:23:07Hey, I was only on strike two.
00:23:09Strike three.
00:23:10For what?
00:23:11Complaining.
00:23:12That's fair enough.
00:23:14May I see you again?
00:23:16You can count on it.
00:23:18Hello.
00:23:25Just a casual conversation with the guy you're staking out.
00:23:31Trouble.
00:23:32At least he's got good taste.
00:23:34So where's Nathan?
00:23:36He's over at the bar getting loaded.
00:23:38That's typical.
00:23:40Jordan, I'm going to call in the cab.
00:23:42You're coming with me.
00:23:44We're going to stick real close to our golden boiler.
00:23:46I like the sound of that.
00:23:48Yeah.
00:23:50So how'd your talk go with Nathan?
00:23:52All right.
00:23:53He'll be fine.
00:23:55Personally, Mel, I think you're a fool.
00:23:59The man loves you.
00:24:01Jordan, he doesn't know me.
00:24:03Mel, you don't know you.
00:24:05You know I love you to death,
00:24:07but you have got to get yourself into therapy.
00:24:09I don't talk about myself to strangers.
00:24:11Excuse me, excuse me,
00:24:13but you don't talk about yourself, period.
00:24:15I know.
00:24:17All right, then talk to Dr. Jordan
00:24:19and tell me about that wild streak in you.
00:24:21You know, that dark side.
00:24:23Come on now, thrill me.
00:24:27Okay.
00:24:28What's the best part of this for you?
00:24:33I think like a psychopathic killer, Jordan.
00:24:36And I really need some place to put that.
00:24:40Heard that.
00:24:46Speaking of psychopathic killers,
00:24:48looks like our Mr. Golden boy's
00:24:50making early night of it.
00:24:58♪♪♪
00:25:18Man, look at that ride.
00:25:20Um, nothing.
00:25:22Hey, Igor, you missed a spot.
00:25:24You're early.
00:25:26Well, we'll just surprise him.
00:25:36Jesus, nice joint, huh?
00:25:38Just your average bachelor gown.
00:25:40Looks like a fucking mausoleum.
00:25:42Hello, I'm Joanna Pinder,
00:25:44Mr. Ashcroft's assistant.
00:25:46You must be Detectives Hudson and Leonard.
00:25:48Yes. How do you do, Joanna?
00:25:50Come in.
00:25:52You are a bit early.
00:25:54Mr. Ashcroft is still doing laps,
00:25:56but he'll be with you momentarily.
00:26:02May I take your jacket?
00:26:04Thanks.
00:26:06Please, make yourself comfortable.
00:26:18Think he's our guy?
00:26:20If he is, let's nail him
00:26:22before he cuts number six.
00:26:24Remember, there's no evidence
00:26:26linking him to the other four dead women,
00:26:28so don't bring it up.
00:26:30So let's just get comfortable.
00:26:32Comfortable?
00:26:34In this place?
00:26:36Yeah.
00:26:38It's like a sword dick.
00:26:40I can't beat it.
00:26:50I can't beat it.
00:27:14That is an excellent addition.
00:27:16Connor, this is Detective Hudson
00:27:18Detective Hudson and Detective Leonard.
00:27:20You were told to expect us?
00:27:22That's right, about 10 minutes from now.
00:27:25Well, you know what they say, the early bird
00:27:27catches the worm.
00:27:30So you were just a cop who was following me.
00:27:33My mistake.
00:27:34I'm sure you'll get over it.
00:27:36Eventually.
00:27:38Ah, my attorney, Erica St. James.
00:27:40Hello again.
00:27:41Erica, Detectives Hudson and Leonard.
00:27:44Pleased to meet you.
00:27:46How do you do?
00:27:48I'll just sit over here and observe.
00:27:49Connor is quite capable of handling himself.
00:27:53Yeah, I'll bet.
00:27:54So can we get on with this?
00:27:56Sure.
00:27:57Have a seat.
00:28:04So how long do you think this investigation will last?
00:28:07I'm expected in the south of France
00:28:08in a few weeks on business.
00:28:10I wouldn't make any immediate plans.
00:28:12At this point, you're the only suspect.
00:28:16So regarding your razor.
00:28:19You're going to tell me you found traces
00:28:21of Isabella's blood on it?
00:28:24Why would you say that?
00:28:26I shaved her legs.
00:28:28You what?
00:28:31I shaved her legs.
00:28:33With a straight razor?
00:28:35That's kind of kinky, isn't it?
00:28:39This is funny to you?
00:28:41No, life doesn't stop being funny.
00:28:42When people die, any more than it stops being serious,
00:28:44and people laugh.
00:28:47That's very profound, Mr. Ashcroft.
00:28:51Would you tell us about your feelings for Miss Sabatini?
00:28:55I would say I cared deeply for her.
00:28:58You don't seem too upset for someone who cared deeply.
00:29:02I deal with my feelings in my own way.
00:29:06Was your relationship exclusive?
00:29:08I don't believe in exclusivity.
00:29:11Why is that?
00:29:13Invariably, one day you wake up to someone
00:29:15who wants to bludgeon you because you
00:29:16squeezed the toothpaste wrong, or something just as trivial.
00:29:22These other women that you dated, would any of them
00:29:24have cause to implicate you?
00:29:28It's possible.
00:29:30Well, we'll have to question them, won't we?
00:29:35Did Miss Sabatini have any enemies?
00:29:39None that I know of.
00:29:41You might.
00:29:42I mean, you're a famous guy, and your father's
00:29:45a United States senator.
00:29:47No.
00:29:52So is there anything else?
00:29:55No, not yet.
00:29:58Not at the moment.
00:29:59Thanks for your time.
00:30:01Very nice meeting you, Miss St. James.
00:30:04Detective Hudson, you've got some time on your hands.
00:30:07I'd highly recommend this.
00:30:10I'm not interested in your recommendations, Mr. Ashcroft.
00:30:12I'm investigating you for murder.
00:30:14I know that.
00:30:15I also know it won't be long before you find me innocent.
00:30:18Innocent is not a word I'd use to describe you.
00:30:24All right, what doesn't make sense is finding it
00:30:27at the crime scene. He's not stupid.
00:30:28No, he's sharp.
00:30:29Very funny.
00:30:30I try.
00:30:31He was seen entering the building at 8
00:30:33by the couple downstairs.
00:30:34Chauffeur swears he left at 11.50.
00:30:3610 minutes later, the Goldmans.
00:30:3810 minutes, someone could have come in right after.
00:30:39Definitely possible.
00:30:40Slipped in and waited for Ashcroft to leave.
00:30:42No forced entry.
00:30:43Nope, if it wasn't him, it was someone she knew.
00:30:46Well, those are the facts.
00:30:47Gut?
00:30:48He did it.
00:30:49Sure as shit did it.
00:30:51They made love, and then he caught her,
00:30:53and then he wiped his hands.
00:30:54Went home and got a good night's sleep.
00:30:56And no bad dreams.
00:30:57Gave the chauffeur a little cash to cover his ass.
00:31:00Absolutely.
00:31:02Motive?
00:31:03We'll find it.
00:31:07See how much we haven't come?
00:31:09We don't even think a lot.
00:31:12It's just an observation.
00:31:28Uh-oh, beds.
00:31:30I know.
00:31:31I was wondering when they'd stick
00:31:32their nose in our business.
00:31:34See the cute one in black?
00:31:36Yeah, so?
00:31:39No way.
00:31:41Yes way.
00:31:41Oh, shit.
00:31:43FBI is here.
00:31:47I know one of those guys.
00:31:48You too?
00:31:51What?
00:31:52That driver's definitely lying.
00:31:54Ashcroft bagged that beaver.
00:31:56Oh, excuse me, Hunter.
00:31:57I meant to say, uh, perpetrated the crime.
00:32:01What off his driver?
00:32:02Self-defense.
00:32:03What off his driver?
00:32:05Simple.
00:32:07Wait a minute, here's something.
00:32:09March 19th last year, Connor Ashcroft
00:32:11filed a restraining order against Tracy Perry.
00:32:14The charges were dropped.
00:32:16Wait a minute, look at these charges.
00:32:18Assault, malicious mischief, stalking,
00:32:20destruction of property, theft, harassment.
00:32:23The list just goes on.
00:32:24Sounds like one sick broad.
00:32:26Broad as in large, wide, what?
00:32:30Do I have to listen to this all day long?
00:32:31Every time I open my fucking mouth, he jumps on my throat.
00:32:34Keep your fucking mouth shut.
00:32:35Hey, hey, hey.
00:32:39Melanie, you and George, see if you
00:32:41can find this Tracy person.
00:32:43Michael, you come with me.
00:32:47Jay, you're going to have to keep her off my back.
00:32:50Mike, you're a good cop.
00:32:53And I love you like a brother, you know that.
00:32:55But if you keep this up, I'm going to have to kick your ass.
00:32:58What?
00:32:59It's not just about Melanie.
00:33:00I mean, you know, broad, beaver, snatch, slash.
00:33:02Nobody appreciates you.
00:33:04Stop, man.
00:33:05I don't need this from you two.
00:33:06You used to say that shit all the time.
00:33:07Yeah, yeah, yeah.
00:33:08Yeah.
00:33:09But I don't call you a greaseball anymore, do I?
00:33:12What's that?
00:33:15Lighten up.
00:33:22Do I think he'd kill someone?
00:33:25No, absolutely not.
00:33:28Connor's a good man.
00:33:32What about the relationship?
00:33:36Well, it wasn't exactly a relationship.
00:33:38We dated for a little while.
00:33:41I had a little crush on him, I'll admit that.
00:33:44But I knew what I was doing.
00:33:46Dating a man like that is an affair, period.
00:33:50Take it for what it is, great sex.
00:33:55Let's face it.
00:33:56Most woman would die to go out with Connor.
00:34:00I guess so.
00:34:03Thank you.
00:34:05So what makes Mr. Ashcroft so special?
00:34:09Just aren't that many interesting men out there.
00:34:12It's a fact.
00:34:14Connor's brilliant, ultra talented, but complicated.
00:34:22He definitely has an extreme side.
00:34:26But so do I.
00:34:31Stay put.
00:34:32I'll be right back.
00:34:45So what do you think, Mike?
00:34:46I can't take any more of these women, Nate.
00:34:48That last one took everything I had, not to spew my goo.
00:34:53Why don't you go lift some weights?
00:35:23Who is it?
00:35:37LAPD.
00:35:38We're looking for Tracy Perry.
00:35:39Need to ask her a few questions.
00:35:50Miss Perry, we'd like to ask you a few questions regarding
00:35:52the night of August 19th.
00:35:54OK.
00:35:57That was last Thursday night.
00:35:59Where were you?
00:36:00I was here working.
00:36:02All night?
00:36:03All night.
00:36:05Was there anyone else here with you?
00:36:06Say, a model?
00:36:09No, I was working for members.
00:36:11Interesting work.
00:36:13That face looks familiar.
00:36:14I actually think that's my best piece.
00:36:18I call it the angel of desire.
00:36:20You make your living doing this?
00:36:21Not yet.
00:36:22You know, I always wanted to be admired for my talent,
00:36:24not my looks.
00:36:25I mean, they're just genes, you know?
00:36:29What can you tell us about Connor Ashcroft?
00:36:32Connor, what?
00:36:33Why do you want to know about him?
00:36:34Is there anything you can tell us about him?
00:36:38We dated for four months, Monday and Wednesday.
00:36:43Is that it?
00:36:46We had incredible sex.
00:36:48And, uh, I've been with great men, you know,
00:36:51really interesting men.
00:36:52Men like to have me around.
00:36:57You were arrested for harassing him?
00:37:00Yeah.
00:37:04Well, it seems you have a violent streak.
00:37:08You took a blowtorch to his car.
00:37:10You broke into his house, painted
00:37:12self-portraits on the wall.
00:37:14To have a temper, so what?
00:37:17Yeah.
00:37:20He deserved it.
00:37:23Is there any reason he would have ended it?
00:37:28Um, you know, just when, um, he started opening up
00:37:33his heart to me, he, uh, he got weird, and he just took off.
00:37:39I never saw him again.
00:37:42He's shit.
00:37:43I mean, the guy's notorious, right?
00:37:45But he knows exactly what to say and do.
00:37:47And then you start letting yourself believe
00:37:49that you're, you know, that you're the only one.
00:37:52And just when he has you, and just when you feel secure,
00:37:55he just drops you like a piece of shit.
00:37:59But, um, he still loves me.
00:38:04I never wanted a job that was different from my life.
00:38:07That's why I became a cop.
00:38:10If people ask me what I do with my spare time,
00:38:14I tell them there's no such thing when women are murdered
00:38:17every night in this city.
00:38:20Donna, Joan, Kristen, Lily, and now Isabella,
00:38:27all killed in their own beds by someone
00:38:30they had just made love to.
00:38:34Someone they trusted.
00:38:37A long time ago, something happened to trust.
00:39:44I'm sorry.
00:40:14I'm sorry.
00:40:45Hey.
00:40:46Hey, I'm talking to you.
00:40:48What are you doing?
00:40:50Who authorized you to take that?
00:40:51Who authorized you?
00:40:52Mel.
00:40:53Mel.
00:40:54Uh, easy.
00:40:55Don't move.
00:40:56Calm down.
00:40:57Calm down.
00:40:58Listen, we have a problem here, and it's my fault.
00:41:01I forgot to tell you that the FBI was going
00:41:04to look over your files, OK?
00:41:06It's standard procedure.
00:41:08The senator's family is involved in this.
00:41:12Are you OK?
00:41:13Sure.
00:41:34Just put it in the fridge, Larry.
00:41:36I'll eat it in a minute.
00:41:42Hello?
00:41:48Shit.
00:41:49Yeah.
00:41:56$100.
00:41:57This was FBI.
00:41:58FBI?
00:41:59Come on.
00:42:00Big Daddy asked her office fucking with us
00:42:02to save his little boy's ass.
00:42:03Oh, come on, Nathan.
00:42:04Do you have any proof?
00:42:05Of course we don't have any proof.
00:42:06If we did, they'd steal it.
00:42:07Will you listen to yourself?
00:42:09Who jacked up Ray?
00:42:10Tracy Perrins.
00:42:11Look, hypothetically speaking, even if Senator Ashcroft
00:42:13is protecting his son, it doesn't prove that he's guilty.
00:42:16Hey, Ray.
00:42:17How's your head?
00:42:18It's nothing I can't move.
00:42:19Look, guys, I'm really sorry, but the razor blades,
00:42:22the blood sample, the whole mishka's gone.
00:42:26I'm sorry.
00:42:27I'm sorry.
00:42:28It's not your fault.
00:42:30OK.
00:42:31Get him to the hospital.
00:42:32I'm sorry.
00:42:33I'm sorry.
00:42:34I'm sorry.
00:42:35I'm sorry.
00:42:36I'm sorry.
00:42:37Get him to the hospital.
00:42:39All right.
00:42:40Oh.
00:42:4110-31.
00:42:45Clear 10-42.
00:42:51Oh, damn it.
00:42:57Let's go.
00:43:07Let's go.
00:43:21Hey, buddy.
00:43:22You know where Connor Ashcroft is?
00:43:25Que?
00:43:26You know where Connor Ashcroft is?
00:43:28No hablo ingles.
00:43:31Me gusto los setos, senor.
00:43:33Gracias.
00:43:35Adonde esta Connor Ashcroft?
00:43:37El senor Ashcroft.
00:43:38Tando en el edificio azul.
00:43:40Ah, in the customs office.
00:43:42Gracias.
00:43:54Hey.
00:43:56So what brings you two down here?
00:43:599.30 last night.
00:44:00Where were you?
00:44:02Oh, one of my sites.
00:44:03I guess we had a problem with the gas line.
00:44:05Can you substantiate it?
00:44:07Sure.
00:44:08Gas people were there.
00:44:09About half a dozen of my guys.
00:44:11What's this about?
00:44:12The razor was stolen.
00:44:14Stolen?
00:44:15Jesus, what a surprise.
00:44:17Give me a break, please.
00:44:19No, it wasn't me.
00:44:21You got money.
00:44:22Maybe you hired someone.
00:44:24Maybe.
00:44:25Maybe you did.
00:44:26Look, if you want to know where I am 24 hours a day,
00:44:29why don't you have someone keep an eye on me?
00:44:32I don't want to have to worry for myself
00:44:34every time you lose something down at the station.
00:44:36Besides, I think I'd sleep a little better
00:44:38knowing Detective Hudson was parked
00:44:40outside my door at night.
00:44:42Do these quasi-subtle insinuations usually work?
00:44:45Sometimes.
00:44:47Ashcroft, we don't care about the towers you build,
00:44:50your mansions, your girlfriends.
00:44:52Right now, all you are to us
00:44:54is a class-A suspect
00:44:56with a very bad attitude.
00:44:58Hey.
00:44:59Oh, Jesus, look out.
00:45:02Lighten up, Detective.
00:45:04Life is short.
00:45:06Are you all right?
00:45:08Yeah, yeah.
00:45:10Thanks. I owe you one.
00:45:12Well, us psycho-killers have our moments.
00:45:14So I've read.
00:45:16You're a very suspicious person.
00:45:18You're the suspicious person.
00:45:20We're the cops.
00:45:22Then who did?
00:45:24No one else has the power
00:45:26or the selfish motivation
00:45:28to steal something out of a police lab.
00:45:30Selfish motivation?
00:45:32Well, I put my ass on the line for you.
00:45:34You're up for re-election, Senator.
00:45:36This had nothing to do with me.
00:45:40Bank across the street.
00:45:42Safe deposit box.
00:45:44Now get out of here.
00:45:46I don't want to see you again.
00:45:49Safe deposit box.
00:45:51Now get out of my sight.
00:45:53Oh, by the way,
00:45:55what would Mama have said?
00:45:57She always hated dishonesty.
00:45:59If you ever bring up your mother again...
00:46:01What?
00:46:03You gonna kill me?
00:46:11Five, come in.
00:46:13Jordan, where are you?
00:46:15Unit 35, come in.
00:46:19Unit 35.
00:46:21Jordan, where are you?
00:46:23You can call into the station.
00:46:25Lieutenant Hudson wants to talk to you right away.
00:46:27Jordan, get this.
00:46:29It matches the fragments of glass
00:46:31that we found in a couple of the wounds.
00:46:33What about prints?
00:46:35There's one that's been partially smudged,
00:46:37but we'll run some tests to see
00:46:39if we can clarify it any further.
00:46:41Great. Thanks, Ray.
00:46:44He knew exactly what a woman wanted.
00:46:46That's what all his girlfriends said.
00:46:50Where did Ashcroft learn so much
00:46:52about what women want?
00:46:54He must have learned it from women.
00:46:56I had to find out.
00:47:00What a man who knows so much
00:47:02about what women want.
00:47:04He must have learned it from women.
00:47:06I had to find out.
00:47:10What a man who knows so much
00:47:13What a man who knows so much
00:47:15about women.
00:47:17Cut them up.
00:47:31Hey, Sherlock.
00:47:38Hi.
00:47:43Hi, I'm not here.
00:47:45So what else is new?
00:47:47But please leave a message.
00:47:49I want to hear your voice.
00:47:51I hate coming home to the dial tone.
00:47:55Hey, girlfriend.
00:47:57I miss you.
00:47:59Where are you?
00:48:01Where are you?
00:48:17Hi, I'm not here.
00:48:19So what else is new?
00:48:21But please leave a message.
00:48:23I want to hear your voice.
00:48:25I hate coming home to the dial tone.
00:48:31Hey, girlfriend.
00:48:33I miss you.
00:48:35Where are you, anyway?
00:48:37Oh, let me guess.
00:48:39Out driving the streets alone
00:48:41what any single girl would be doing
00:48:43on her time off?
00:48:45I want to tell you something, girl.
00:48:47All that you're seeking
00:48:49is also seeking you.
00:48:51And if you stand still,
00:48:53it'll find you.
00:48:55Just be still, Melanie.
00:48:57And maybe I can help you.
00:49:00Just be still, Melanie.
00:49:02And maybe I can reach you at home
00:49:04once in a while.
00:49:06I'm praying for you, girlfriend.
00:49:08Call me.
00:49:10Now you know what it feels like
00:49:12to be watched and followed.
00:49:14What are you doing here?
00:49:16Hey, darling, it's me.
00:49:18Are you there?
00:49:20Pick up the phone.
00:49:22Brought a little something for you.
00:49:24Now, pick up the phone.
00:49:26It's very important.
00:49:28It has the sharpest edge.
00:49:30Check this out.
00:49:32It appears a missing razor just dropped in value.
00:49:34Are you there?
00:49:36Well, it's not missing.
00:49:38And it's still extremely sharp.
00:49:40So the value's probably the same.
00:49:42Melanie.
00:49:48I can see it in your eyes.
00:49:50See what?
00:49:52You don't trust me, do you?
00:49:54Look, I found the real murder weapon
00:49:57It has her blood on it and the lab verified it.
00:49:59Call me later and I'll fill you in.
00:50:01All right? Talk to you then.
00:50:03Well,
00:50:05I guess that's that.
00:50:13Forgive me if I scared you.
00:50:18You enjoyed it.
00:50:20I knew you'd understand me.
00:50:22I just wanted you to see
00:50:24I have nothing to hide.
00:50:27Let me know if there's anything else you need from me.
00:50:33Ashcroft.
00:50:37I think you did more than just shave her legs.
00:50:41Such as?
00:50:43You tell me.
00:50:47Well, if you're wondering
00:50:49if I used it to turn her on
00:50:53the answer's yes, ma'am.
00:50:57Thank you.
00:51:03So, uh, we still haven't talked about tonight.
00:51:05What's up tonight?
00:51:07The captain's charity work. She's going, right?
00:51:09Right.
00:51:11So, uh, why don't we go together?
00:51:13No.
00:51:15What do you mean, no?
00:51:17No, I'll see you there.
00:51:19I feel like driving.
00:51:21She was chewing on me so hard
00:51:23I thought she was gonna castrate me.
00:51:25I was walking by the night of the murder.
00:51:27Great.
00:51:29She said she heard screams
00:51:31and then glass hit the cement next to her.
00:51:33Really?
00:51:35She said when she looked up
00:51:37she saw a woman move away from the window,
00:51:39a female Caucasian.
00:51:41Now, I don't see Isabella
00:51:43tossing out her own murder weapon.
00:51:45Oh, shit.
00:51:47So the killer was a woman.
00:51:49Or Ashcroft had an accomplice.
00:51:51I mean, you're trying to tell me
00:51:54Oh, great.
00:51:56That's important, guys.
00:51:58Ashcroft returned it last night.
00:52:00Last night?
00:52:02Yeah, wouldn't tell me where he got it,
00:52:04but I think he got it from his father.
00:52:06Can't prove it, though.
00:52:08Well, let the D.A. handle this, Senator.
00:52:10You know something? Ashcroft, he's, uh,
00:52:12starting to look pretty clean.
00:52:14There's no motive.
00:52:16A woman in the window,
00:52:18not his prints on the glass,
00:52:20and he's got an alibi.
00:52:22Be kind. You don't know how sensitive I am.
00:52:28So, I say to the captain,
00:52:30I say, Captain, in my opinion,
00:52:32it's apparent that some men on the force
00:52:34are nothing but white supremacists on steroids.
00:52:37I was on my way to the captain's party
00:52:39when suddenly the old habit again.
00:52:41Driving me.
00:52:43Something's still eluding me.
00:52:45Something about fear.
00:52:47Fear of death.
00:52:49Fear of death.
00:52:51Fear of death.
00:52:53Fear of death.
00:52:55Fear of death.
00:52:57Fear of death.
00:52:59Fear of death.
00:53:01Fear of death.
00:53:03Fear of death.
00:53:06Fear of trust.
00:53:08And how it motivated this man.
00:53:14How much do I fear?
00:53:36I just want to say
00:53:38that this is one of the finest men
00:53:40I've ever known.
00:53:42One of the best captains I've ever had.
00:53:44And we're all, I think we,
00:53:46I can say, on every level.
00:53:48We're all men.
00:53:50We're all men.
00:53:52We're all men.
00:53:54We're all men.
00:53:56We're all men.
00:53:58We're all men.
00:54:00We're all men.
00:54:02We're all men.
00:54:04We're all men.
00:54:06We're all men.
00:54:08You're still fire.
00:54:30You're still fire?
00:54:32Are you going to listen to me or to your mother?
00:54:36And he said, I'm going to listen to my mother.
00:54:44Astro.
00:54:48Look at you.
00:54:50It's a dress. You've seen me in one before.
00:54:52That's true.
00:54:54You left your calling card the other night.
00:54:56Oh, yeah, that little thing.
00:54:59You read fast. I'm impressed.
00:55:02I'm not.
00:55:05Tomorrow it's official.
00:55:07You'll be off the list of suspects.
00:55:09Well, I won't say I didn't tell you so.
00:55:11What took you so long?
00:55:14Aren't you going to invite me in?
00:55:17I don't think so.
00:55:20Is that because you don't want to?
00:55:22Or because you can't handle being out of control?
00:55:25I'll ask my therapist.
00:55:27I think you're afraid.
00:55:29Why would I be afraid?
00:55:31You tell me.
00:55:33I like to pick the time and the place.
00:55:38This is the time and the place.
00:55:43Are you always this aggressive?
00:55:45What about you? Are you always this shy?
00:55:48Shyness is just a protective veneer.
00:55:51Inside, I'm starting to get the feeling we're very much alike.
00:55:54Oh, you are?
00:55:56Yes, I am.
00:55:59So, are you going to cuff me?
00:56:02That depends.
00:56:04On what?
00:56:06On whether your mouth can do anything but talk.
00:57:29You're late.
00:57:31I know.
00:57:33Where were you last night?
00:57:36A, I had a problem with my car.
00:57:39B, it's none of your business.
00:57:42Calm down, Nathan. Everything's okay.
00:57:48I'm sorry.
00:57:50I'm sorry.
00:57:52I'm sorry.
00:57:54I'm sorry.
00:57:57You want to say something?
00:57:59No.
00:58:01You?
00:58:03Maybe it was Tracy Perry.
00:58:05It's not a woman's style.
00:58:07Right, but I want to bring her in.
00:58:11All right, Miss Perry, for the record,
00:58:15did you kill Isabella Sabatini?
00:58:18No.
00:58:20Did you know her?
00:58:22You're going to have to define know her, detective.
00:58:25Had you ever spoken with her,
00:58:28you would have known her.
00:58:30I'm sorry.
00:58:32I'm sorry.
00:58:34I'm sorry.
00:58:36I'm sorry.
00:58:38Had you ever spoken with Miss Sabatini?
00:58:41We had words.
00:58:43What kind of words?
00:58:45I ran into Connor at a restaurant that he used to take me to.
00:58:48She was with him.
00:58:50I got mad and told them both off. It was no big deal.
00:58:53Well, we have sworn statements here that say
00:58:55you threw Mr. Ashcroft's dinner in his face
00:58:58and then threatened to kill Miss Sabatini.
00:59:01You were then forcibly removed from the premises.
00:59:05I'm a passionate person.
00:59:08You threatened to kill her.
00:59:10Passion makes you go to extremes, doesn't it?
00:59:13You start to do things that you never thought you could do.
00:59:16And you don't give a shit what happens.
00:59:19Tracy, hold on now.
00:59:21You understand, don't you?
00:59:23Tracy, I told you not to get involved.
00:59:25It's okay. She understands.
00:59:27Don't you, Melanie?
00:59:31He's good, isn't he?
00:59:34So I heard.
00:59:37I'm sorry.
00:59:49This interview is over.
00:59:51Jordan, will you escort these two women out of the room, please?
00:59:53Okay, you heard me.
01:00:08You fucked him, didn't you?
01:00:13Shit.
01:00:15I don't believe it.
01:00:18Why?
01:00:20I don't understand!
01:00:22You don't need to understand.
01:00:24I don't need to understand?
01:00:26Understand what, God damn it?
01:00:28Oh, man, oh, man, oh, man!
01:00:32You just fucked our number one suspect
01:00:35and you're telling me I don't need to understand?
01:00:39Has it even occurred to you how Tracy knew I was with him?
01:00:46She's watching his house.
01:00:48She's stalking him.
01:00:50She's making sculptures of the man.
01:00:52She's pathologically obsessed over him.
01:00:54Well, maybe she's not the only one.
01:01:02I know you're hurt.
01:01:04Hurt?
01:01:11What the hell were you thinking?
01:01:13Huh?
01:01:15You're gonna fuck yourself right out of a career!
01:01:21He's been released as a suspect and everyone knows that, sir.
01:01:28You just had to lay down in the gutter, didn't you?
01:01:31You fucking tramp!
01:01:35I didn't fuck him.
01:01:39Hey! Hey, I'm not finished talking to you!
01:01:42Where are you going?
01:01:44Hey, where are you going?
01:01:46I'm taking myself off this case.
01:01:48I have three weeks' vacation due, and I'm taking it.
01:01:50Starting when?
01:01:51Two minutes ago.
01:01:52All right, fine. You go on vacation.
01:01:54You go to fucking Paris.
01:01:55Spain.
01:01:56All right, fucking Spain.
01:01:58I don't care where the hell you go,
01:02:00but don't even think about seeing that prick again.
01:02:03Do you understand me?
01:02:06The guy cuts women up!
01:02:11Trust me.
01:02:21Want to come out and play?
01:02:25What do you have in mind?
01:02:27Something uplifting.
01:02:30Where?
01:02:32700 Metarise Lane.
01:02:37Okay.
01:02:59Let's go.
01:03:17What's this all about?
01:03:30Fuck!
01:03:40Why are you smiling?
01:03:43Back of your neck.
01:03:45You're sweating.
01:03:59Fuck.
01:04:29Fuck.
01:04:59Fuck.
01:05:29Fuck.
01:06:00Hey, you doing okay?
01:06:02Yeah, fine.
01:06:04All right.
01:06:06So where are we going?
01:06:08Look familiar?
01:06:10It's Joanna.
01:06:121974, Ph.D. in psychology from Stanford.
01:06:14Top of her class.
01:06:16A year later, Connor's mother died,
01:06:18and she was on the senator's payroll.
01:06:20Can I hold on to this?
01:06:22Yeah, go ahead.
01:06:24When Mrs. Ashcroft died...
01:06:26Suicide, right?
01:06:28Her son was the one who found the body.
01:06:30He was only 15 and going through
01:06:32the trauma of adolescence.
01:06:34It absolutely devastated him.
01:06:36He felt responsible?
01:06:38He shut down, completely.
01:06:40They brought me in to counsel him
01:06:42and help him get through it.
01:06:44For 20 years?
01:06:46Yes, for 20 years.
01:06:48The senator was abusive,
01:06:50promiscuous.
01:06:52His mother was a very disturbed woman.
01:06:54She had formed an unusually strong
01:06:56and unhealthy bond with her son
01:06:58to try to compensate
01:07:00for what she hadn't had in her marriage.
01:07:02As a consequence,
01:07:04Connor was deeply wounded emotionally,
01:07:06even before her death.
01:07:08I became the only one he could turn to.
01:07:10Sort of replaced his mother, huh?
01:07:12I became his friend.
01:07:14How close a friend are you?
01:07:18We have a special friendship,
01:07:20a lot of trust.
01:07:22Did you ever sleep with him?
01:07:24Never.
01:07:26Never.
01:07:28And I'm offended, you'd ask.
01:07:32You must really be hurting.
01:07:34You never drink or have tea?
01:07:36Yeah, I think I'm getting an ulcer.
01:07:38I got some Pepto if you want some.
01:07:40You could kill him, Mike.
01:07:42I don't think so.
01:07:44Personally, I think the Perry woman did it.
01:07:46Oh, come on, please.
01:07:48No, really, think about it.
01:07:50She's a psycho, fucked-up bitch.
01:07:52Pass? No alibi?
01:07:54I think you're too close to the case.
01:07:56It just doesn't add up.
01:07:58Hey, Captain,
01:08:00I'd give my I.T. to get a look at those F.B.I. files.
01:08:02What files?
01:08:04You got these confidential files of Mr. Ashcroft
01:08:06that are locked up so tight
01:08:08you need a fucking presidential order to get them open.
01:08:10I think I can get a hold of them.
01:08:12You can?
01:08:14You trying to show me I'm Jordan?
01:08:16I couldn't even get that information.
01:08:18I got friends.
01:08:20You know,
01:08:22you can really be a pig for Rudy.
01:08:24What did I say?
01:08:26I didn't say anything about women.
01:08:28What did I say?
01:08:30Never mind. Go ahead, Jordan.
01:08:32Look, Captain,
01:08:34I know someone that has clearance.
01:08:36At least let me give it a shot.
01:08:38My best friend's life is on the line.
01:08:40I understand. Can you trust that person?
01:08:42Absolutely.
01:08:44How can you be sure?
01:08:46She's my sister.
01:08:50Rudy.
01:08:56Hey, Tiff, how you doing? It's Jordan.
01:08:58I'm all right. Listen, I need your help.
01:09:00Connor Ashcroft.
01:09:02Oh, shit.
01:09:04Nathan, they took my private things.
01:09:06Really a personal violation.
01:09:08I think it was Tracy Perry.
01:09:10I'm sure you think it was her.
01:09:14How do you know it wasn't your boyfriend, Connor?
01:09:16Because I was with him.
01:09:20Well, if it was Tracy Perry,
01:09:22we'll need a warrant.
01:09:24Jesus.
01:09:32I'm telling you, the ones this beautiful
01:09:34are the most fucked up.
01:09:36Like Cocker Spaniel's. It's him reading or something.
01:09:38Yeah, well, I think this one is rabid.
01:09:44Miss Perry?
01:09:46Miss Perry?
01:09:48Miss Perry, it's the police.
01:09:50We have a warrant.
01:09:52Miss Perry.
01:09:58All right. Back me up.
01:10:00I'll be Batman this time.
01:10:02You be Robin.
01:10:04All right. On three.
01:10:06One, two, three.
01:10:16Mike!
01:10:22Mike!
01:10:28Goddamn it! No, Mike!
01:10:46Goddamn it!
01:11:16Goddamn it!
01:11:46Son of a bitch.
01:11:50We found Melanie's stuff in Tracy's loft
01:11:52along with a bunch of photos.
01:11:54Ashcroft and the ballet dancer.
01:11:56I think we got us a total wacko.
01:11:58Did you pick her up yet?
01:12:00No, not yet.
01:12:02She's not a genius, though. We'll get her.
01:12:04He's up, Nathan.
01:12:06Come on.
01:12:08It wasn't your fault.
01:12:10It wasn't your fault.
01:12:12It wasn't your fault.
01:12:14It wasn't your fault.
01:12:18I heard.
01:12:20I'm sorry about earlier.
01:12:22Yeah.
01:12:26I just wanted to see if you were okay.
01:12:30I really don't want to talk to you right now.
01:12:38Did I miss something?
01:12:40Look, if you have something to say,
01:12:42open your mouth and say it.
01:12:44Captain, will you excuse us a second, please?
01:12:46Come here.
01:12:54Okay.
01:12:56Here it is.
01:12:58Verruti is dead because he was doing his job
01:13:00while you were on fucking vacation.
01:13:06I'm out.
01:13:08I'm out of here.
01:13:28No mustachio, love.
01:13:38No mustachio, love.
01:14:08Mom!
01:14:14Your neighbor let me in.
01:14:18You know, men will believe anything if you just say it with a smile.
01:14:22What can I do for you, Tracy?
01:14:24You can just stand there
01:14:28while I blow your eyes out the back of your head.
01:14:38Move!
01:14:52Oh, shit!
01:14:54Oh, shit!
01:15:04Always keep the first chamber empty.
01:15:08Oh.
01:15:10Nathan, everybody's allowed to be wrong
01:15:12once in their life, all right?
01:15:14Even you.
01:15:16Look, Melanie's okay. Tracy Perry's in the lockup.
01:15:18You know what I think, Captain?
01:15:20I'm not sure.
01:15:22Yeah, well, listen, listen, listen.
01:15:24Ashcroft set Tracy Perry up.
01:15:26Yeah, come on, all the way.
01:15:28He knew how she'd react, and he pushed all the right buttons.
01:15:30I mean, the guy should have been a fucking chess player.
01:15:32Case is closed, Nathan. The game's over.
01:15:34Let it go.
01:15:36Come on, Captain, this is... Nathan.
01:15:42Yeah, all right, what is it, Jordan?
01:15:44This is straight from the FBI. Yeah, yeah, come on.
01:15:46Ashcroft might have had something to do with his mother's death.
01:15:48What? I don't know what this means,
01:15:50but I thought you should know.
01:15:54Thanks, Jordan. Where are you going?
01:15:56Melanie's in trouble.
01:16:00Shit. Melanie.
01:16:02It's me, Nathan.
01:16:04Where the hell are you? Melanie!
01:16:06Melanie!
01:16:14What's up, Nathan?
01:16:16I'm getting you out of here.
01:16:18There's an FBI file that says he might have killed his mother.
01:16:20And?
01:16:22And his father suppressed it for political reasons.
01:16:24Sound familiar? So arrest him.
01:16:26So I can't. There's not enough conclusive evidence.
01:16:28Then let's wait till there is conclusive evidence.
01:16:30Let's not. Come on, get in the car.
01:16:32Don't worry about me.
01:16:34I'm taking care of myself, okay?
01:16:36I said get in the car.
01:16:38No. Get in the car!
01:16:40Is everything okay? Yeah, everything is fine.
01:16:42I mean, have you fucking lost it?
01:16:44I mean, this son of a bitch could go to a drive-in
01:16:46and machine-gun 20 people.
01:16:48I never go to drive-ins.
01:16:50Oh, yeah. Make a joke, pal.
01:16:52You got the life expectancy of sperm.
01:16:54You know that?
01:16:56I've offended you in some way.
01:16:58Yeah.
01:17:00You've offended me in a big way.
01:17:02You just interrupted a conversation about your mom.
01:17:04Nathan, take it easy.
01:17:06I think you should leave now, Nathan.
01:17:08No.
01:17:10Am I under arrest here?
01:17:12No, you're not.
01:17:14We're leaving.
01:17:22I'll be coming back for you.
01:17:30Okay.
01:17:38You want to tell me about it?
01:17:40Not particularly.
01:17:42Oh, come on.
01:17:44Give it a shot.
01:17:48It's just that when Mama died,
01:17:50we'd been fighting, and...
01:17:52naturally, the senator decided
01:17:54I'd driven her to it, so...
01:17:56made her to blame me.
01:17:58There was this lifeline. There was this investigation.
01:18:00Before long, I was...
01:18:02I was actually believing I killed her.
01:18:04Took a lot of years
01:18:06working with Joanna to sort things out.
01:18:08That's about it.
01:18:10Okay.
01:18:40Okay.
01:19:10Okay.
01:19:40Okay.
01:20:10Okay.
01:20:40Okay.
01:20:54Where would he put it?
01:21:10Trust.
01:21:18I'm a cop.
01:21:22It's habit.
01:21:26You love your job, don't you?
01:21:30Parts of it.
01:21:32Catching bad guys.
01:21:34Catching bad guys.
01:21:40You still don't trust me, do you?
01:21:44I haven't made up my mind yet.
01:21:50Danger can be...
01:21:54quite erotic.
01:21:56Danger can be...
01:21:58quite erotic.
01:22:04I think you'd agree with that.
01:22:06Wouldn't you?
01:22:16I'm nude.
01:22:22A dangerous woman.
01:22:26Touching you where you're most vulnerable.
01:22:34What are you afraid of?
01:22:38Lack of trust?
01:22:42Or losing control?
01:22:46Huh?
01:22:52Hey!
01:22:54Hey, this is your lucky night.
01:22:56I just caught some kids trying to steal your radio.
01:22:58Yeah, right.
01:23:08Now, tell me about the night of the Isabella Sabatini murder.
01:23:10Piss balls.
01:23:12Wrong answer.
01:23:18What are you afraid of?
01:23:24Nothing.
01:23:30Nothing.
01:23:38He paid you to lie, didn't he?
01:23:40Fuck you.
01:23:44No!
01:23:46He killed Isabella, didn't he?
01:23:48No!
01:23:50Swear it!
01:23:52Fuck you.
01:24:22Fuck you.
01:24:44Eleanor!
01:24:48Eleanor!
01:24:52Eleanor!
01:25:08You're positive about the I.D.?
01:25:10That's great.
01:25:12The fax is coming through now.
01:25:14Look, I owe you one, okay? Thanks.
01:25:22Melanie!
01:25:24Melanie, open up!
01:25:30You're dead, motherfucker.
01:25:32You're drunk, Nathan.
01:25:34I just had a talk with his driver.
01:25:36You are under arrest, golden boy.
01:25:38Yeah, right.
01:25:40There, you see?
01:25:44On Lincoln 21, respond immediately.
01:25:48Yeah, Jordan, it's Mel. Go ahead.
01:25:50Ashcroft, get some units over here immediately.
01:25:52Nathan's become ballistic.
01:25:54Melanie, listen to me very carefully.
01:25:56We just matched Joanna's fingerprint
01:25:58to the one on the murder weapon.
01:26:00Be extremely careful.
01:26:02Joanna?
01:26:06Ashcroft!
01:26:12Oh, shit.
01:26:20Joanna?
01:26:24It's me, you dickhead!
01:26:34I got a 9mm here
01:26:36and some hollow points.
01:26:40I'm gonna build you a new fucking asshole.
01:26:42Drop it.
01:26:44Drop it.
01:26:48Please don't hurt him.
01:26:52Your fingerprint was on the murder weapon.
01:26:54I didn't kill her.
01:26:56I know that.
01:27:00You're protecting Ashcroft. Tell me why.
01:27:02I found a note
01:27:04that Isabella wrote him
01:27:06criticizing their relationship.
01:27:08I went to warn her, but it was too late.
01:27:10When I found the body,
01:27:12I found a bullet hole in her throat.
01:27:14I panicked.
01:27:16I just wanted to protect him,
01:27:18and I threw it out the window.
01:27:26Ashcroft?
01:27:30Come on, man.
01:27:36Hey, what's this?
01:27:38Some 3,000-year-old vase?
01:27:40It's expensive.
01:27:42Whoops!
01:27:44Don't worry.
01:28:04Stupid cop.
01:28:10Shoot.
01:28:12Nathan!
01:28:20Nathan!
01:28:24Are you okay?
01:28:26Yeah.
01:28:28Be careful. The guy cuts...
01:28:30Cuts women.
01:28:32I know.
01:28:34Yeah, yeah.
01:28:40Fuck!
01:28:50What do you think we should do now?
01:28:56Not this.
01:28:58I don't know.
01:29:00Yeah, let's do this.
01:29:04Put it away.
01:29:06You of all people,
01:29:08I thought...
01:29:10I thought you knew me.
01:29:12I know you, Connor.
01:29:14I know you.
01:29:16No, you don't.
01:29:18Yes, I do.
01:29:20No, you don't.
01:29:30Oh.
01:29:38Oh.
01:29:40You can trust me, Connor.
01:29:42You can trust me.
01:29:44I can trust you.
01:29:46That's what they all say.
01:29:48Come on.
01:29:50Let's do this.
01:29:52Let's do this.
01:29:58Bastard!
01:30:00Let's go.
01:30:10Ashcroft!
01:30:18Freeze!
01:30:20Freeze!
01:30:28Oh, yeah.
01:30:30You have nothing.
01:30:32I'll walk.
01:30:34I'm just defending myself from
01:30:36two obsessed cops.
01:30:38One drunk,
01:30:40and the other...
01:30:42The other what, Connor?
01:30:44I just never fucked a cop before.
01:30:46Really?
01:30:48Well, I've never killed
01:30:50a man before.
01:30:54It's all about trust, right?
01:30:58Do you trust me, Connor?
01:31:02I don't trust any of you.
01:31:08You nervous?
01:31:12Don't flatter yourself.
01:31:14No.
01:31:16You should be.
01:31:18How many women
01:31:20did you kill, Connor?
01:31:22Two? Three? Four?
01:31:24Five.
01:31:28Who's counting?
01:31:30I am.
01:31:32Donna.
01:31:40John.
01:31:42Kristen.
01:31:46Lily.
01:31:48Isabella.
01:31:58Oh.
01:32:00Gee.
01:32:02Shit.
01:32:08Hey, nice grouping, Hudson.
01:32:10You spent some time on the range, huh?
01:32:12Shut up.
01:32:14Still...
01:32:16I don't think I have a choice.
01:32:20You think you're gonna make it?
01:32:22Yeah, all things considered.
01:32:36It's still the same old habit.
01:32:40Only now, as I drive these streets alone,
01:32:44I ask myself,
01:32:48what life am I afraid to give birth to?
01:32:54I'm never gonna trust again.
01:32:58What in me has to die?
01:33:14What in me has to die?
01:33:16What in me has to die?
01:33:18What in me has to die?
01:33:20What in me has to die?
01:33:22What in me has to die?
01:33:24What in me has to die?
01:33:26What in me has to die?
01:33:28What in me has to die?
01:33:30What in me has to die?
01:33:32What in me has to die?
01:33:34What in me has to die?
01:33:36What in me has to die?
01:33:38What in me has to die?
01:33:40What in me has to die?
01:33:42What in me has to die?
01:33:44What in me has to die?
01:33:46What in me has to die?
01:33:48What in me has to die?
01:33:50What in me has to die?
01:33:52What in me has to die?
01:33:54What in me has to die?
01:33:56What in me has to die?
01:33:58What in me has to die?
01:34:00What in me has to die?
01:34:02What in me has to die?
01:34:04What in me has to die?
01:34:06What in me has to die?
01:34:08What in me has to die?
01:34:10What in me has to die?
01:34:12What in me has to die?
01:34:14What in me has to die?
01:34:16What in me has to die?
01:34:18What in me has to die?
01:34:20What in me has to die?
01:34:22What in me has to die?
01:34:24What in me has to die?
01:34:26What in me has to die?
01:34:28What in me has to die?
01:34:30What in me has to die?
01:34:32What in me has to die?
01:34:34What in me has to die?
01:34:36What in me has to die?
01:34:38What in me has to die?
01:34:40What in me has to die?
01:34:42What in me has to die?
01:34:44What in me has to die?
01:34:46What in me has to die?
01:34:48What in me has to die?
01:34:50What in me has to die?
01:34:52What in me has to die?
01:34:54What in me has to die?
01:34:56What in me has to die?
01:34:58What in me has to die?
01:35:00What in me has to die?
01:35:02What in me has to die?
01:35:04What in me has to die?
01:35:06What in me has to die?
01:35:08What in me has to die?
01:35:10What in me has to die?
01:35:12What in me has to die?
01:35:14What in me has to die?
01:35:16What in me has to die?
01:35:18What in me has to die?
01:35:20What in me has to die?
01:35:22What in me has to die?
01:35:24What in me has to die?
01:35:26What in me has to die?
01:35:28What in me has to die?
01:35:30What in me has to die?
01:35:32What in me has to die?
01:35:34What in me has to die?
01:35:36What in me has to die?
01:35:38What in me has to die?
01:35:40What in me has to die?
01:35:42What in me has to die?
01:35:44What in me has to die?
01:35:46What in me has to die?
01:35:48What in me has to die?
01:35:50What in me has to die?
01:35:52What in me has to die?
01:35:54What in me has to die?
01:35:56What in me has to die?
01:35:58What in me has to die?
01:36:00What in me has to die?
01:36:02What in me has to die?
01:36:04What in me has to die?
01:36:32What in me has to die?
01:36:34What in me has to die?
01:36:36What in me has to die?
01:36:38What in me has to die?
01:36:40What in me has to die?
01:36:42What in me has to die?
01:36:44What in me has to die?
01:36:46What in me has to die?
01:36:48What in me has to die?
01:36:50What in me has to die?
01:36:52What in me has to die?
01:36:54What in me has to die?
01:36:56What in me has to die?
01:36:58What in me has to die?
01:37:00What in me has to die?
01:37:02What in me has to die?
01:37:04What in me has to die?
01:37:06What in me has to die?
01:37:08What in me has to die?
01:37:10What in me has to die?
01:37:12What in me has to die?
01:37:14What in me has to die?
01:37:16What in me has to die?
01:37:18What in me has to die?
01:37:20What in me has to die?
01:37:22What in me has to die?
01:37:24What in me has to die?
01:37:26What in me has to die?
01:37:28What in me has to die?
01:37:30What in me has to die?
01:37:32What in me has to die?
01:37:34What in me has to die?
01:37:36What in me has to die?
01:37:38What in me has to die?
01:37:40What in me has to die?
01:37:42What in me has to die?
01:37:44What in me has to die?
01:37:46What in me has to die?
01:37:48What in me has to die?
01:37:50What in me has to die?
01:37:52What in me has to die?
01:37:54What in me has to die?
01:37:56What in me has to die?
01:37:58What in me has to die?
01:38:00What in me has to die?
01:38:02What in me has to die?
01:38:04What in me has to die?
01:38:06What in me has to die?
01:38:08What in me has to die?
01:38:10What in me has to die?
01:38:12What in me has to die?
01:38:14What in me has to die?
01:38:16What in me has to die?
01:38:18What in me has to die?
01:38:20What in me has to die?
01:38:22What in me has to die?
01:38:24What in me has to die?
01:38:26What in me has to die?
01:38:28What in me has to die?
01:38:30What in me has to die?
01:38:32What in me has to die?
01:38:34What in me has to die?
01:38:36What in me has to die?
01:38:38What in me has to die?
01:38:40What in me has to die?
01:38:42What in me has to die?
01:38:44What in me has to die?
01:38:46What in me has to die?
01:38:48What in me has to die?
01:38:50What in me has to die?
01:38:52What in me has to die?
01:38:54What in me has to die?
01:38:56What in me has to die?
01:38:58What in me has to die?
01:39:00What in me has to die?
01:39:02What in me has to die?
01:39:04What in me has to die?
01:39:06What in me has to die?
01:39:08What in me has to die?
01:39:10What in me has to die?
01:39:12What in me has to die?
01:39:14What in me has to die?
01:39:22What in me has to die?
01:39:24What in me has to die?
01:39:26What in me has to die?
01:39:28What in me has to die?
01:39:30What in me has to die?
01:39:32What in me has to die?
01:39:34What in me has to die?
01:39:36What in me has to die?
01:39:38What in me has to die?
01:39:40What in me has to die?
01:39:42What in me has to die?
01:39:44What in me has to die?
01:39:46What in me has to die?
01:39:48What in me has to die?
01:39:50What in me has to die?
01:39:52What in me has to die?
01:39:54What in me has to die?
01:39:56What in me has to die?
01:39:58What in me has to die?
01:40:00What in me has to die?
01:40:02What in me has to die?
01:40:04What in me has to die?
01:40:06What in me has to die?
01:40:08What in me has to die?
01:40:10What in me has to die?
01:40:12What in me has to die?
01:40:14What in me has to die?
01:40:16What in me has to die?
01:40:18What in me has to die?
01:40:20What in me has to die?
01:40:22What in me has to die?
01:40:24What in me has to die?
01:40:26What in me has to die?
01:40:28What in me has to die?
01:40:30What in me has to die?
01:40:32What in me has to die?
01:40:34What in me has to die?
01:40:36What in me has to die?
01:40:38What in me has to die?
01:40:40What in me has to die?
01:40:42What in me has to die?
01:40:44What in me has to die?