• last year
There was a time not so long ago when tableware was displayed as the prized possession of households across Britain; fine china used only on special occasions and promised one day to younger relatives proudly adorned dining room cabinets. 
More recently, many of those inherited collections have found
themselves forgotten or retired. In the twenty-first century, screen time and throw away culture has eroded the ritual of sitting around a table together at meal times.
In many homes people opt for teas-on-knees while ready-meal packaging and mass-produced supermarket-bought plates have taken the place of the previously treasured dishes.
It's a lack of connection to our tableware that Japanese born potter
Makiko Hastings noticed when she first moved to the UK. 
Working from her studio in Knaresborough, she hopes her lovingly
crafted wheel-thrown pieces will encourage a new way of using and
cherishing our crockery.
“One way of looking at pottery is that some people might want to have a collection and treat it like art to look-at, but I want my pottery to be used in daily life,” she explained. 
“That’s because the food culture in Japan is quite deep. Table gathering was an important part of my childhood.”
“Over here everything was on the one plate and then quite casually it was just eat and done with - or otherwise people have set tableware and everything is just pristine, and for me that’s kind-of too polite or too posh. It’s not really living life.
“I want my work to be part of daily life so people feel comfortable with it and cherish it.”
Makiko embraces the slow process of pottery.
New collections are never rushed to meet commercial demands - “ideas just come when you’re not trying to think. It just comes when you’re on a bus or walking and then eventually I’ll formulate how I want it.”

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Transcript
00:00 [MUSIC PLAYING]
00:03 What do I love my pottery most?
00:13 Well, just creating something out from mud.
00:20 I think its material is fantastic.
00:23 It's so versatile.
00:24 And it's almost like limitless because you just
00:27 make it out of just the clay to make it something
00:30 that you can enjoy every day.
00:33 I think that's fantastic.
00:36 I was born and bred in Japan.
00:38 I was always interested in the arts,
00:40 but it was quite strict fathers.
00:42 And he didn't want me to go to pursue the art
00:46 or go to the university in Japan because I'm a woman.
00:49 There was no option for me.
00:50 So I wanted to pursue some sort of art over here if I could.
00:55 Quite lots of people say the pottery is therapeutic
00:58 because you're using the hands.
00:59 You know, the five senses, I think
01:00 is the touch is a very important part and a very strong aspect
01:04 of the five senses, isn't it?
01:05 I do agree with that.
01:07 But also for me, it's pure enjoyment.
01:10 Ideas just comes up when you're not trying to think.
01:18 It just comes up when you're in a bus walking, whatever.
01:22 And then eventually, it will formulate how I want it.
01:27 I want the pottery to be pretty much involved
01:30 in a daily life.
01:31 That's because my food cultures in Japan
01:33 is quite deep, I think.
01:36 I wanted to bring sort of my vision of a tableware,
01:39 my vision of a food culture over here.
01:42 But if I bring it just a Japanese way,
01:45 people won't be able to adapt it.
01:47 So I started to make the shapes and the sort
01:52 of collection of tableware.
01:54 In my vision of how people over here might be able to enjoy,
02:00 pottery carry the memories.
02:02 For instance, you know, grandma always
02:04 makes lasagna in this dish.
02:06 Or in the Christmas time, you always use that.
02:10 And if I can make something that part to their life,
02:14 then I think that's very honorable things.
02:17 [MUSIC PLAYING]
02:20 My love of Yorkshire is the nature,
02:24 because I always lived in cities.
02:27 I like the space, and I like the connection to the, well,
02:31 outdoor anything.
02:33 Like the trees, I can see the birds in the skies,
02:36 and just air is different.
02:38 People's attitude, more laid back.
02:42 I feel more freer here.
02:44 [MUSIC PLAYING]
02:47 Pottery is just a pot, but it's more than a pot.
02:51 I can actually connect to the people through my expressions,
02:54 through the words I choose.
02:56 It's a long process, pottery.
02:57 It's not really a short process.
02:59 You do this, you do that.
03:00 It's so many stages.
03:02 But knowing that this piece will be somebody's home,
03:08 and then they will cherish it, it's a great feeling.
03:10 [MUSIC PLAYING]
03:13 [MUSIC PLAYING]
03:17 [MUSIC PLAYING]
03:20 [BLANK_AUDIO]

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