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00:00In the break, we have a gentleman who claims to be a poet.
00:04He's a very strange figure.
00:06Let's talk to him. Greetings.
00:11Greetings.
00:12What kind of greeting is this?
00:15Cut.
00:16What is this?
00:17Is this how you talk to a poet?
00:19When did you become my friend that you're cutting me off?
00:21Sir, don't argue with me about anything else.
00:23I'm here for the sake of poetry.
00:25I didn't even hear your name. What's your name?
00:27My name is Sheeguera.
00:28Sheeguera?
00:30It was Che Guera.
00:31That's possible. I'm different.
00:33What's your name?
00:34I'm Sheeguera.
00:37Is it C-H-E or..
00:39A-C-H-E.
00:41A-C-H-E. Sheeguera.
00:43You were a fashion designer before, right?
00:45No, I'm just a makeup artist.
00:48Mr. Haroon, how could you call Sheeguera here?
00:52I didn't call him. He came himself.
00:54He said that you're a very brave person.
00:56There's a lot of talk about poetry in your show.
00:59There's a lot of talk about poetry in your audience.
01:01What kind of a joke is this?
01:03Okay, I want you to talk about my craft.
01:06Okay, let's talk about your art.
01:09Why not?
01:11Oh, I dropped my poetry.
01:17I don't listen to such poetry.
01:20I thought you were talking about the poetry that fell on the floor.
01:24What's your speciality?
01:26My speciality?
01:28You mean, your speciality is..
01:30No, it's too harsh.
01:32Say it with a little style.
01:34Okay, what's his speciality?
01:36See, people think it's a bad thing.
01:38Okay, then whose speciality is it?
01:42He's my senior. What can I do?
01:47So, if you're done talking, come to my craft.
01:50Okay, tell us a joke.
01:51Okay, sir, I'll tell you.
01:53I arranged myself once again at 9.30 pm.
01:57Wow!
01:59Your no has helped me a lot in life.
02:03Your refusal has helped me a lot.
02:05Sir, I made a mistake in that poem.
02:07So, I corrected it.
02:08I'm also a corrector, sir.
02:09I have another poem, sir.
02:11Yes.
02:11That while sitting on the sofa, a nail got stuck.
02:17I'm not a fine man.
02:19A needle has been used in this poem.
02:21Oh!
02:23That while sitting on the sofa, a nail got stuck.
02:25It's something like that.
02:26That while sitting on the sofa, a nail got stuck.
02:29Okay.
02:31That's it?
02:32This is also a part of the poem.
02:36I get pain from his poems. What else can I do?
02:39What kind of a poet are you?
02:41Okay, what's your character?
02:42I mean, you're a corrector.
02:44Is that what you're trying to say?
02:44Sir, the thing is, I also do corrections.
02:46I correct people who have written poetry
02:47but couldn't do it well.
02:49Okay.
02:49So, I corrected them.
02:50For example, your famous poem or a poem..
02:52Sir, I had a very famous poem.
02:54It goes like this.
02:56Love will happen slowly, slowly.
03:00Love will happen slowly, slowly.
03:02What?
03:03What? This is a song.
03:05Sir, you must have heard that song.
03:06Raju, don't fall in love, get scared.
03:08Yes, of course.
03:09Yes.
03:09What did you say in that song?
03:10Don't fall in love.
03:12This poem..
03:14Today, the water is blue.
03:15And the day is also sunny.
03:16Come on the beach.
03:17Take a picture of me.
03:18I'll be very lucky.
03:19I don't have a home.
03:19Don't listen to me.
03:20Aha, aha, aha.
03:22Yes, you have written this as well.
03:23This is what happens when there is a protest.
03:25No, this is not mine.
03:27Actually, this is my teacher's poem.
03:29Mr. Jameel Kaafi.
03:30What?
03:31Jameel Kaafi?
03:32Yes, sir.
03:32What kind of a person are you?
03:34What kind of a poet are you?
03:35This is a poem of a different lady
03:37whose name we don't know.
03:38Okay, what will you say about Mir?
03:40Sir, he is a very good journalist.
03:42And I want him to be promoted as much as possible.
03:44I am not talking about Hamid Mir.
03:46Then who are you talking about?
03:47I am talking about Mir Taqi Mir.
03:49He looks like a tailor.
03:51You don't know Mir.
03:52You know Anees.
03:53Which one?
03:54The same one.
03:56I want the thoughts of my loved ones.
03:58I don't want Anees to get hurt.
04:00Aha, aha.
04:01You have used the word, hurt, very well.
04:05What kind of a person is he?
04:07Do you tie a dupatta on your waist before a poem?
04:11Which poet ties a dupatta on his waist before a poem?
04:14Sir, I have understood which poet he is.
04:16Which one?
04:16He is very famous.
04:18Which one?
04:19Which one?
04:19He is very famous.
04:21No, it's not that.
04:22It's that.
04:23Badu, badi, badu, badi.
04:25Oh, man.
04:30I am sorry.
04:31They are bad people.
04:32Okay, Sheik Gurela, tell me this.
04:33Not Sheik Gurela.
04:35She is saying it wrong.
04:36It's not possible.
04:37What?
04:38Sheik Gurela.
04:40He is the biggest poet till date.
04:44How much did he earn?
04:44Sir, in poetry, one earns a lot of money.
04:47But instead of giving like this, they do like this.
04:51So, I can't collect it.
04:52I am looking for a collector.
04:53Will you be my collector?
04:56Okay, I will tell you a poem.
04:57Yes.
04:58Tell us.
04:58When I am in a dream and I am with my beloved.
05:02When I am in a dream and I am with my beloved.
05:06Then why does the bell ring?
05:09You have read my poem.
05:13In fact, I read your poem once.
05:16I remembered you.
05:17Have you ever read my poem?
05:19I read your poem when my son got married.
05:22Why didn't your family attend it?
05:24You were friends in poetry.
05:25No, I said you don't know any poetry.
05:30He doesn't look like a poet.
05:31He seems to be a money catcher.
05:34I have a poem for you.
05:36Tell us.
05:36The storm is rising.
05:39The battle is raging.
05:44There is no meaning to it.
05:45You are praising it.
05:46You don't know the meaning of it.
05:48The storm is rising.
05:50The battle is raging.
05:55Which book do you have that you can get in the market?
05:58I have a book. Come here.
06:00No poet has written in my answer.
06:05I saw his book.
06:06It was written, where should I come?
06:08Where should I come?
06:10Listen to another poem of mine.
06:12Thumka.
06:12It is a very good poem.
06:13I will present a poem from Thumka.
06:15It is..
06:16Get a little far away, my love.
06:19Get a little far away, my love.
06:23Why is there a veil on your mind?
06:27My hot mother will pull my tresses.
06:32My hot mother will pull my tresses.
06:35If there is even a scratch on the forehead, my love.
06:40Repeat it once again.
06:41Why do I feel like I heard something?
06:43What was it?
06:43Get a little far away, my love.
06:47Why is there a veil on your mind?
06:51My hot mother will pull my tresses.
06:55If there is even a scratch on the forehead, my love.
07:00I feel like I heard something.
07:02But I don't feel like I heard it.
07:03What is the reason?
07:04Sir, my poem has been translated in other languages.
07:07This Punjabi version is more famous.
07:09What is that?
07:10Sir, it is..
07:11Get a little far away, my love.
07:14Get a little far away, my love.
07:17Okay.
07:18Why is there a veil on your mind?
07:21Why is there a scratch on the forehead, my love.
07:24My hot mother will pull my tresses.
07:27My hot mother will pull my tresses.
07:30If there is even a scratch on the forehead, my love.
07:33If there is even a scratch on the forehead, my love.
07:35Why do I feel like I heard something?
07:37Why do I feel like I heard it?
07:40You don't have a knee or a leg.
07:42Then why did you write this?
07:43I have a knee and a leg.
07:46I have a long turban as well.
07:49Sir, you don't have that. You don't have a waist.
07:52Who is Sajna in your imagination?
07:54My Sajna is hosting a comedy show.
07:59She hosts a comedy show?
08:00Yes.
08:01What?
08:02She has invited me to her comedy show.
08:04What?
08:06After this, you have to go there.
08:07After this, you have to go there.
08:09By the grace of God, your knees have brought you to Sahiwal.
08:17Sir, I have a scratch on my head as well.
08:21Sir, I am writing my book. Sheekh Vera, Volume 2.
08:25Okay.
08:26You have a lot of scratches on it.
08:26Has it ever happened that someone misbehaved with you in poetry?
08:30Why do people misbehave in poetry?
08:34Mr. Haroon, they are such bad people.
08:36Okay.
08:37I went to Sahiwal to read a poem.
08:38It was such a big poem. Thousands of people were singing it.
08:41No one misbehaved with me.
08:46It was such a big poem.
08:47Your cap is here. Your shoes are here.
08:50Sir, there was another famous poem of mine.
08:53Which was the most famous poem?
08:55I will tell you the most famous poem.
08:59A lot of famous people sang it.
09:01Really?
09:01And he got that appreciation.
09:03Wow.
09:04Sir, since you are here, please present it.
09:06Sir, it was something like this.
09:09It is true that there is something wrong
09:13but it hurts the heart. Come on, present it.
09:16This is Mr. Faiz's poem.
09:19He must have bumped into something.
09:22Do you have anything original written?
09:25Yes, of course.
09:26What is it?
09:26Sir, it is a love poem.
09:29Yes.
09:29It is a story of armies.
09:30Yes.
09:31Life is nothing else.
09:33It is our story.
09:34This is Mr. Santosh Anand's poem.
09:36He was trapped in one place.
09:37He was trapped in one place. Where?
09:38You must have seen, there is a part where..
09:43It is there in the song.
09:44Yes, he was doing..
09:46I was doing..
09:48In that, Lala is yours.
09:50Yes, in that, Lala is mine.
09:51You cut your Lala and leave.
09:54Okay, this is a very old poem
09:56which you are claiming that you have written.
09:58And you don't look that old.
10:00Yes, my new poem which is very famous
10:02is very famous on social media.
10:03The thing is, who has banned jeans?
10:09Wear it.
10:11It looks good.
10:12This is Ali Zariun's and it is not banned.
10:14It is forbidden.
10:15Yes.
10:16It is forbidden?
10:16Yes.
10:17Look, how people change their poems.
10:19Although, he is such a great poet.
10:21Oh!
10:22I remembered something on social media.
10:25These days, people fit Ghalib everywhere.
10:27They fit Faraz everywhere.
10:29So, Ghalib was Ghalib in his time.
10:31Yes.
10:31People knew that he was a great poet.
10:34In fact, he used to like it.
10:36He used to write that there is no greater poet than me.
10:39There is no one more eloquent than me.
10:41Ghalib has a lot more to say.
10:43In fact, his poem is so famous
10:45that for a long time, my mother didn't sleep.
10:46Ghalib..
10:47He is a poet.
10:49There is so much plagiarism.
10:52And you people..
10:53One minute.
10:53In the beginning, for some time, Ghalib
10:56kept his identity as Asad.
10:58Okay.
10:59Then he changed it and made it Ghalib.
11:01So, even in that era, people used to do this.
11:03They used to fit Ghalib's name or Asad anywhere
11:06and make a poem.
11:07So, a man came to him and said,
11:09I am a big fan of yours.
11:11I liked your poem a lot.
11:14That on this page, you did loyalty.
11:17On this page, you did loyalty.
11:20Asad is my poem of God's mercy.
11:22Wow!
11:23So, when he heard this,
11:25he replied that if this is a poem of some other Asad,
11:29then it is of God's mercy.
11:30And if this is my poem, then it is of God's curse.
11:33Wow!
11:34Okay, tell me, where are you looking at yourself in the future?
11:37At the well of death.
11:39Yes, illiterate people.
11:40Not at the well of death, it is in the well of death.