Procesul Judecata Episodul 92 Romana Subtitrat
Procesul Judecata Episodul 93 Romana Subtitrat
Procesul Judecata Episodul 92 Romana Subtitrat
Procesul Judecata Episodul 93 Romana Subtitrat
Procesul Judecata Episodul 92 Romana Subtitrat
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Short filmTranscript
00:01:00Na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na
00:01:30na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na, na,
00:01:34kabullanmış gerçeklerin bazen memnun gibi
00:01:51artık çok uzaklaştım en çok da kendimden
00:01:56sevdan herhalde
00:01:58I'm like a migratory bird, I'm too late
00:02:03In the faded pictures, how many years have passed
00:02:07It was still beautiful, I believed so much when I was little
00:02:12If you want too much, everything is possible
00:02:16It's not hard to believe, my story would start with you
00:02:21You're my life partner
00:02:23What's going on?
00:02:25You believed me
00:02:26What are you doing?
00:02:28I'm going home
00:02:53Come in
00:02:54Mr. Sam?
00:02:55You know, the files that Kurdeşan Hübün has been pushing for me for my file.
00:03:00The files that are out of date.
00:03:02Yeliz's name is mentioned in a murder file there.
00:03:06And as a murder suspect.
00:03:08But it hasn't been proven.
00:03:10So you're saying if we can't catch him there, we'll catch him here.
00:03:14Exactly, prosecutor.
00:03:16But we have a little problem.
00:03:18What is it?
00:03:20You're saying if we can't catch him there, we'll catch him here.
00:03:22Exactly, prosecutor.
00:03:24But we have a little problem.
00:03:26These are the files that are about to expire.
00:03:28So, we have a week.
00:03:38So, are you sure now?
00:03:40Was it teacher Nuray who hit Mustafa?
00:03:42Yes, of course.
00:03:44And he came to me and looked straight into my eyes.
00:03:46I didn't know what to do at that moment.
00:03:48And then he just walked away.
00:03:50I mean, he just walked away.
00:03:52Anyway, queen, it's okay.
00:03:54Forget it.
00:03:56Wait a minute, what is this teacher Nuray thing?
00:03:58I was a lawyer for a group of parents.
00:04:00I told you that the kids were getting sick.
00:04:02Our suspect was teacher Nuray.
00:04:04Okay, but how did it get here?
00:04:06I mean, I don't know anything either.
00:04:08I mean, I thought it was a classic student-teacher case.
00:04:12So it wasn't.
00:04:14It wasn't.
00:04:16It's like she's your enemy.
00:04:18You're the teacher.
00:04:20I want to know what I need to know about this case.
00:04:22Please, let me take you to my room.
00:04:24Please, Ms. Ceylin.
00:04:38Rafet, where are you?
00:04:42What's going on?
00:04:44What the hell are you doing in here?
00:04:46You're making a mess.
00:04:48If you do such a lousy job, you'll make a mess.
00:04:50And you think you're a master.
00:04:52What are you talking about?
00:04:54Look at the way you're talking.
00:04:56You're being rude.
00:04:58I'm an ex-chief.
00:05:00I can wash water, but I can't wash dust.
00:05:02It's obvious.
00:05:04You got everything all over your face.
00:05:06What happened?
00:05:08What's going on?
00:05:10It was fate.
00:05:12You're the one who reported the man he was hiding.
00:05:14He learned everything he needed to know.
00:05:18What do you mean?
00:05:20It's not possible.
00:05:22He texted me.
00:05:24I found the spy.
00:05:26He sent me a picture like a pumpkin.
00:05:32How did he find me?
00:05:34Get out of here.
00:05:36Hide somewhere.
00:05:38What are you thinking about?
00:05:40Hurry up.
00:05:54Keep going like this.
00:05:58Go straight to the plant.
00:06:00You were looking for me.
00:06:02Don't bother.
00:06:04I'm here.
00:06:06What should I do?
00:06:08Don't bother.
00:06:10I'm not going to do it.
00:06:12Don't get mad.
00:06:16It's a waste of time.
00:06:18Get in the car.
00:06:26Yekti, I'm afraid of you.
00:06:28You're a bastard.
00:06:30You even gave the shoe to the devil.
00:06:32Come on.
00:06:34I mean, where am I going to hide?
00:06:39Think about that too, Mr. Rafet.
00:06:53When I found out from the kids that you were oppressing and committing violence,
00:06:57Mr. Efes ordered me to call you.
00:06:59He wasn't at home.
00:07:00The police are looking for him right now. I think the woman ran away.
00:07:03And she's brave enough to come out and threaten you.
00:07:08Let me ask the police what they did.
00:07:12Mr. Efes, come in.
00:07:16There are a few complaints that have been made before, but they have always resulted in ignorance.
00:07:20What are these complaints?
00:07:22One of them is this.
00:07:24You go to a job and...
00:07:25Let's say a job, a cafe.
00:07:26You put the suitcase there, ma'am.
00:07:28When the man goes to work in the morning, he writes in the shop window...
00:07:31...that there is harassment in women in these jobs.
00:07:35This is an accusation, of course.
00:07:36It has not been proven.
00:07:38Another one is...
00:07:40...a person who was beaten...
00:07:42...again claimed that he was harassing the teacher.
00:07:46He made the man do it.
00:07:48It hasn't been proven yet.
00:07:50That's great.
00:07:52We have a soul patient like Nurtopu.
00:07:54He came and found me.
00:07:56We will spend some time together, Ms. Lawyer.
00:07:58So, you will hang out with me until I find this teacher.
00:08:02As you wish.
00:08:03But I have to go to the office first.
00:08:08Let me see if there is any image of the accident.
00:08:10Because the person didn't have a car.
00:08:11If we can find out where he got the car from, we'll catch him.
00:08:14Mr. Efes, should we make a search warrant for his house?
00:08:16Maybe we can get some useful information.
00:08:18Okay, Mr. Prosecutor.
00:08:21I hope we can find the woman as soon as possible.
00:08:23Don't worry about that.
00:08:24Mr. Efes took the file.
00:08:27Wow!
00:08:28These sentences used to be made for me.
00:08:31Queen, will he run away from you?
00:08:33Shame on you.
00:08:34You are my queen again.
00:08:35But I'm not saying anything that doesn't exist.
00:08:37The man is growing day by day, Mr. Prosecutor.
00:08:39That's right.
00:08:40He is growing day by day, Mr. Efes.
00:08:42What are you doing day by day?
00:08:44What's going on here?
00:08:45Surgery has started.
00:08:46Files have been opened.
00:08:48I was just telling my prosecutor...
00:08:49...that your accident happened.
00:08:51I was just telling my prosecutor...
00:08:52...that your accident happened.
00:08:53It's better if we don't do this here.
00:08:55Okay.
00:08:57What's going on?
00:08:58I'll tell you.
00:08:59It's a long story.
00:09:00Eren.
00:09:01Yes.
00:09:02Take these, brother.
00:09:03We can't do it in the station.
00:09:04We'll attract Kubilay's attention.
00:09:06We need a quiet place to work.
00:09:08It's best if we go home.
00:09:10We can spread out to our balcony or garden at home.
00:09:12We can work comfortably.
00:09:13Tell me.
00:09:14What's going on?
00:09:15What are you hiding?
00:09:16What are you doing?
00:09:17Tell me.
00:09:18The chief prosecutor shouldn't know.
00:09:19Mr. Eren.
00:09:20In the case I'm investigating...
00:09:21...the woman who is suspected of murder...
00:09:22...complained to the chief prosecutor.
00:09:24So, it seems like I'm after the woman now.
00:09:27I'll go to the station...
00:09:28...and get the footage.
00:09:29See you later.
00:09:30You should have gone to the station.
00:09:32I'm going to explode.
00:09:33Come on.
00:09:34There was a worker...
00:09:35...who rolled down the stairs and lost his life.
00:09:37Then the boss paid the blood money.
00:09:39He said he was innocent.
00:09:41Okay.
00:09:42It's a different way of saying I did it.
00:09:44Okay.
00:09:45We're saying...
00:09:46...if we have evidence.
00:09:47Come on.
00:09:48Okay.
00:09:49You take those files.
00:09:50I'll take these.
00:09:51See you at home.
00:09:52I don't know about these.
00:09:54We need to see each other more often.
00:09:55Ms. Lawyer.
00:09:56It's a waste of time.
00:09:57Let's go.
00:09:58What are we going to do with my car?
00:09:59We'll call for service.
00:10:00They'll take it.
00:10:10If it wasn't for Çınar's case...
00:10:12...I would never bother you.
00:10:14But I'll be right back.
00:10:15It's important.
00:10:16Okay?
00:10:19I live in Istanbul.
00:10:21I know the streets of Istanbul.
00:10:23It's all a lie.
00:10:25Is that what you're saying?
00:10:27It's not possible without seeing the birds.
00:10:29It's just luck.
00:10:31It's not fated for everyone...
00:10:33...to fly with wings.
00:10:35So?
00:10:36What's the situation now?
00:10:37Did you just watch Istanbul?
00:10:39Well, actually...
00:10:40Thank you, Yaşım.
00:10:41Oh, girls.
00:10:42Great.
00:10:43You're both here.
00:10:44Did something happen?
00:10:46Who's that girl?
00:10:48We need to find Dilan...
00:10:50...who's involved with Çınar.
00:10:52The girl who's suspected of murder?
00:10:54Exactly.
00:10:56We need to find her immediately.
00:10:58As far as I remember, she's missing.
00:11:00Yes, unfortunately.
00:11:02But Çınar's imprisonment...
00:11:04...is up to her statement.
00:11:06We need to find her...
00:11:08...and get her out of there.
00:11:10We need to make sure...
00:11:12...that Çınar has nothing to do with this.
00:11:14We need to prove...
00:11:16...that she's using her son as a pawn.
00:11:18How are we going to find her?
00:11:20In a great plan.
00:11:22By all means.
00:11:24After all, this girl had a problem...
00:11:26...and went to this association, right?
00:11:28The association helped her.
00:11:30She was there to pay her debt.
00:11:32Exactly.
00:11:33She killed Mustafa in the train to pay her debt.
00:11:35Now, if we wrap everything up...
00:11:37...and find out why the girl came to the association...
00:11:39...we'll have a clue.
00:11:41And this clue will lead us to Dilan.
00:11:44Great.
00:11:45We don't have time.
00:11:46There's a hearing on Friday.
00:11:47I need to go to the mosque.
00:11:48Let's go and start investigating.
00:11:49Let's go.
00:11:52Guys, look.
00:11:53This place is more expensive than you and me.
00:11:55So be careful.
00:11:56Look at those nylons.
00:11:58Double it.
00:11:59There are too many of them.
00:12:00Don't worry, okay?
00:12:01Don't drop a gram.
00:12:02They'll finish us off.
00:12:03They'll cut us off.
00:12:04Then I'll cut you off.
00:12:05I don't want to be called a master.
00:12:06Okay?
00:12:07Motivation is very important in our job.
00:12:08Look, master.
00:12:09The color of the bedroom...
00:12:11...will be the same...
00:12:12...as the entrance hall upstairs.
00:12:14Okay?
00:12:15Be careful.
00:12:16I'll mix it up from the front.
00:12:17Okay?
00:12:18You can continue from here.
00:12:19You know the water and everything.
00:12:20You're a master.
00:12:21Come on, brother.
00:12:22Let's continue.
00:12:23Take this if you want.
00:12:24Okay, master?
00:12:25Take this.
00:12:26Good, good.
00:12:27Let's start slowly.
00:12:28Come on, brother.
00:12:29Double it.
00:12:30It's very important.
00:12:31Let it do its thing.
00:12:33Let it dry and bend.
00:12:34Okay?
00:12:41Come on, brother.
00:12:42Come on.
00:12:43Good boy.
00:12:44Very good.
00:12:45Fill the gaps.
00:12:46Fill them up, okay?
00:12:47Your lower jaw.
00:12:49Try to fix it.
00:12:50I need to take some time to plan.
00:12:52I'll come and help you.
00:12:54May all of you help me.
00:12:56Okay?
00:12:57I'm coming.
00:12:58I'll be there soon.
00:12:59I'm coming.
00:13:00I have some plans.
00:13:01I need to look at them.
00:13:08Look at me.
00:13:09My girl.
00:13:10I'm putting on shows for you, you see?
00:13:13I've been watching videos all morning. How was it?
00:13:16I think you're enjoying being someone else.
00:13:24Don't throw your costume away.
00:13:27I'll want you to wear it in the future.
00:13:29Got it?
00:13:35Where am I going to save you?
00:13:39Whichever way you look at it, there's a painter in front of you.
00:13:44It's like that's what he's doing.
00:13:47You think so?
00:13:48Don't do it. It's a shame.
00:13:50I just came home. Let me get some sleep.
00:13:54Let me look around.
00:13:56Let me warm up first.
00:13:57Then I'll make a few plans, of course.
00:14:00I have to get into the role.
00:14:02Okay?
00:14:05So you haven't made a plan yet.
00:14:09I understand you.
00:14:12Why did I choose to walk with you this year?
00:14:15No, you can't do it.
00:14:17Wait a minute. How can I not do it?
00:14:19I have a plan in my head.
00:14:24I'll poison you.
00:14:27But without leaving a trace.
00:14:29How is that going to happen?
00:14:32There's a lot of medicine in his treatment.
00:14:37I'll change the place. The medicine is poison.
00:14:39The nurse will give the poison as medicine.
00:14:42Without leaving a trace, it's over.
00:14:46If you're going to deal with paint, should I go back to the plan?
00:14:49The more you hurry, the better.
00:14:52Let me tell you.
00:15:01Actually, he wants to leave.
00:15:03Look, you can be proud of your brother here.
00:15:06He said, I don't lie, I don't lie.
00:15:08Then he said, how can I look at my brother's face?
00:15:11In short, he wants to leave with his rights.
00:15:14But it's hard.
00:15:16Hard, but impossible? No.
00:15:18Of course not.
00:15:21I can't tell Mr. Prosecutor now.
00:15:24But I can tell Ilgaz.
00:15:27We have something in mind.
00:15:29If it happens,
00:15:31Çınar may have a glimmer of hope.
00:15:33What's that?
00:15:38Brother, Ilgaz loves you very much.
00:15:40You can't say that lawyers share money.
00:15:47Come on, son-in-law, good news.
00:15:49Yes, Mr. Prosecutor.
00:15:51Prosecutor.
00:15:53The search warrant has been issued for the teacher's house.
00:15:55I said I'd go with you to the search.
00:15:57We're at the teacher's house.
00:15:59You did well, Mr. Prosecutor.
00:16:01Is there anything?
00:16:05Mr. Prosecutor.
00:16:07No, no.
00:16:09You can't believe what's on the search.
00:16:11For example.
00:16:13I mean,
00:16:15photos taken in various forms.
00:16:17With photos.
00:16:19Other names.
00:16:21Fake identities.
00:16:23Passports.
00:16:27Shoes, wigs.
00:16:29There's also a gun.
00:16:31So.
00:16:33The woman is either a psychopath.
00:16:35Or a crime machine.
00:16:39Mr. Prosecutor.
00:16:41It would be good if we found this woman as soon as possible.
00:16:43Absolutely, Mr. Prosecutor.
00:16:45Mr. Prosecutor, are you available?
00:16:47One second, Mr. Prosecutor.
00:16:49I'm listening.
00:16:51Mr. Prosecutor, the car that hit Ms. Celin
00:16:53belongs to Nur Özcan's sister.
00:16:55Send a team to the address.
00:16:57Yes, Mr. Prosecutor.
00:17:01Mr. Prosecutor, I guess you heard.
00:17:07Come in.
00:17:09Mr. Prosecutor.
00:17:11We need to talk urgently.
00:17:13If you don't mind.
00:17:15I don't mind.
00:17:21Can I sit down?
00:17:23Yes.
00:17:29That's his fate.
00:17:31He found out that the one who reported him was Rafet.
00:17:35It was bad.
00:17:37What are we going to do now?
00:17:39The man finds out that he's being searched at the border.
00:17:41That's it.
00:17:43That's your problem.
00:17:45There's nothing I can do.
00:17:47At the very beginning.
00:17:49I told you I wasn't there.
00:17:51I told you I wasn't there.
00:17:53You came here and said,
00:17:55I'll take care of it.
00:17:57With great confidence.
00:17:59I said, I guess he'll be able to do it.
00:18:01Am I wrong?
00:18:05Of course, Mr. Prosecutor.
00:18:07It's not in my book to give up.
00:18:11But...
00:18:13We're trying for a common goal.
00:18:15Maybe you can help a little.
00:18:17That's what I thought.
00:18:19What kind of help is that?
00:18:21I mean, while you're doing this,
00:18:23I wonder if you can find out
00:18:25who's whispering this information to him.
00:18:27I mean, I think you can at least do this much.
00:18:37As a result,
00:18:39we have to catch our father's killer
00:18:41and punish him.
00:18:43At the end of the road.
00:18:45Anyway, I don't want to take
00:18:47more of your time, Mr. Prosecutor.
00:18:49Good luck.
00:19:16Come in.
00:19:23Good luck, Mr. Prosecutor.
00:19:25The person we took from Bülent Kısmetoğlu
00:19:27came to his senses, Mr. Prosecutor.
00:19:29I wanted to come and let you know.
00:19:31Is that so?
00:19:33Yes, in fact, he's about to be discharged.
00:19:35I mean, we can get his statement.
00:19:37Good.
00:19:39Take him to the station right away.
00:19:41Don't bother here.
00:19:43Get him ready for his statement.
00:19:45Copy that, Mr. Prosecutor.
00:19:47I'm taking him to the station.
00:19:49I'm in a hurry.
00:19:53I'm going out.
00:19:57The other side is here, too.
00:19:59The tea is here.
00:20:01Wow, look at my queen.
00:20:03How does she know to work with her friend's gas?
00:20:05I got it, I got it.
00:20:07You take your tea.
00:20:09Would you like some snacks?
00:20:11Is it still a snack shop?
00:20:13I'll leave it here.
00:20:15We already have a lot of work to do.
00:20:17I'm going to ask you something.
00:20:19How could we not think of this place?
00:20:21The weather is just warming up.
00:20:23What can we do?
00:20:25Yes, are you going to tell me now?
00:20:27Or should I strangle you?
00:20:29Yes, young people, if we're ready, we're starting.
00:20:31I'm taking you 20 years ago.
00:20:33These are Yeliz's family.
00:20:35His mother, father, brother and sister-in-law.
00:20:37His father was a manufacturer.
00:20:39Of course, this caused some problems in the family.
00:20:43But thank God, Yeliz is right.
00:20:45He got a very good education at the university.
00:20:47He's a very successful man.
00:20:49But his brother is greedy.
00:20:51He knows his job.
00:20:53He reveals Yeliz's relationship with a married man.
00:20:55He's serving them on news channels.
00:20:57Of course, his father was very angry about this.
00:20:59He said he'd leave the job to his son.
00:21:01But before he announced it,
00:21:03for some reason,
00:21:05his brother and his sister-in-law were killed.
00:21:07How did this happen?
00:21:09At home.
00:21:11I mean, his brother and his sister-in-law
00:21:13did it in their own homes.
00:21:15They were both killed with a knife.
00:21:17This is probably a bread knife.
00:21:19Here you go.
00:21:25His brother was stabbed twice in the back.
00:21:31Kenan?
00:21:33He didn't have a warrant.
00:21:35He couldn't find a warrant.
00:21:39By the way, the house, the bedroom,
00:21:41was always scattered.
00:21:43All valuable things were taken.
00:21:45Gold, silver, jewelry,
00:21:47almost all jewelry was lost.
00:21:49But coincidentally,
00:21:51there were no thieves.
00:21:53No footage, no witnesses, nothing?
00:21:55According to the witness, there was no camera at home.
00:21:57They just moved in.
00:21:59It was a new site where they moved in.
00:22:01There were a lot of empty apartments there.
00:22:03Someone said, I saw a car.
00:22:05Then he said, I was very drunk.
00:22:07I'm not sure.
00:22:09He changed his statement.
00:22:11So,
00:22:13was this theft yesterday?
00:22:15Yesterday?
00:22:17Yes, in the evening.
00:22:19Isn't it an interesting time
00:22:21to commit theft?
00:22:23I mean, it's interesting,
00:22:25but it depends on where the house is.
00:22:27After all,
00:22:29it looks like there's no one around the house.
00:22:31There was no fingerprint at home.
00:22:33Who are the suspects on the list?
00:22:35Of course, our hero Yeliz.
00:22:37Our main suspect.
00:22:39Why? Because there's a reason.
00:22:41It's a pretty strong reason.
00:22:43By the way, Yeliz,
00:22:45in her first statement,
00:22:47she said, I'm alone at home.
00:22:49But then, suddenly,
00:22:51a witness came out.
00:22:53Who? The driver.
00:22:55We were together at the hotel.
00:22:57We had a relationship.
00:22:59So, who owns the hotel?
00:23:01Of course, Yeliz's close friend.
00:23:03So,
00:23:05who's the driver?
00:23:07Oktay.
00:23:09Congratulations, Mr. Prosecutor.
00:23:11I'll take care of the tea services from now on.
00:23:13Who was Oktay?
00:23:15Yeliz's wife.
00:23:17At the same time,
00:23:19she had a relationship with Serap,
00:23:21who fell off the stairs of this house.
00:23:23Although she was suspected of Yeliz,
00:23:25it was never proven.
00:23:27I mean, they caught her.
00:23:29They asked her.
00:23:31Of course, there are a lot of inconsistent statements.
00:23:33But there's another interesting piece of information.
00:23:35Kenan is no exception.
00:23:37He has a lot of enemies, by the way.
00:23:39So, what happened next?
00:23:41Yeliz took over the company.
00:23:43She married her driver.
00:23:45She climbed the steps of Oktay's career one by one.
00:23:47And she became the general manager of the company.
00:23:49I see a pretty good deal here.
00:23:53Who's the killer?
00:23:55Oktay or Yeliz?
00:23:57I think the other question
00:23:59that needs to be asked is
00:24:01whether Serap, who fell off the stairs,
00:24:03was also suspected of death.
00:24:05If it's a murder,
00:24:07who's the killer?
00:24:09Yeliz or Oktay?
00:24:13Maybe the killer from 20 years ago
00:24:15and the killer now are the same.
00:24:17So, there are a lot of questions.
00:24:19Let's start reviewing as soon as possible, guys.
00:24:21Go ahead.
00:24:23Okay.
00:24:43DOORBELL RINGS
00:24:53DOOR OPENS
00:24:55DOOR CLOSES
00:24:57Yeliz.
00:25:01They took 5 million from the account.
00:25:03Hmm?
00:25:05Can I ask why?
00:25:07And where did the money go?
00:25:09I gave it to Serap's husband, Yılmaz.
00:25:17Why?
00:25:19What do you mean, why?
00:25:21I gave it to Serap's husband.
00:25:23What do you mean, why?
00:25:25I gave it to him so he'd know.
00:25:27What do you mean, so he'd know?
00:25:29It's an investigation, Oktay.
00:25:31I mean, okay, the girl fell off the stairs
00:25:33because of her stupidity,
00:25:35but the investigation is still going on
00:25:37and I wanted to end the case.
00:25:39Like blood money?
00:25:41Is that so?
00:25:43Is that the name?
00:25:45Blood money?
00:25:47Yes, if that's the case, blood money.
00:25:50Blood money.
00:25:52It's really paid when you cause death.
00:25:55Not so you can take the complaint back.
00:25:58Whatever.
00:26:01Did you do it?
00:26:05I don't understand.
00:26:07Did you push Serap to fall and die?
00:26:20Oktay.
00:26:22Oktay, look, he really knows.
00:26:24You didn't see his eyes.
00:26:26I swear, he knows.
00:26:28I'm going.
00:26:30I'm going.
00:26:32I'm really going.
00:26:34I'm going.
00:26:36I'm not letting you go.
00:26:38I'm going.
00:26:40I'm going.
00:26:42I'm going.
00:26:44I'm going.
00:26:46I'm going.
00:26:48Enough, let me go.
00:26:56Am I stupid?
00:26:58I'm telling you, he knows.
00:27:00Let's not push him.
00:27:02I'm leaving today.
00:27:04It's over.
00:27:06I don't accept it.
00:27:08I'm telling you, it's over.
00:27:10Why don't you understand?
00:27:12I never accept it.
00:27:18Serap.
00:27:39What happened? Are you okay?
00:27:41He fell.
00:27:45Serap.
00:27:48Serap.
00:27:51Serap.
00:27:53Serap.
00:27:55Call an ambulance.
00:27:57Call an ambulance.
00:27:59Call an ambulance.
00:28:01Serap.
00:28:03Wake up.
00:28:05The ambulance is coming.
00:28:07Call an ambulance.
00:28:13Why?
00:28:15I didn't do anything.
00:28:17Don't be silly.
00:28:19I screamed with you.
00:28:21Don't be silly.
00:28:23No.
00:28:25I screamed when he screamed.
00:28:27If you screamed too, we would be there at the same time.
00:28:29But when I came, you were there.
00:28:33Then they thought we did it.
00:28:35Prepare the bucket.
00:28:48What does he put in it?
00:28:50Towel.
00:28:52We gave him a towel.
00:28:54You have to stop bleeding.
00:28:56What are you doing?
00:28:58What do you mean?
00:29:00The woman fell and probably died.
00:29:02What if they blame us?
00:29:04What does it matter?
00:29:06It was an accident.
00:29:08Besides, Serap didn't die.
00:29:10What does it matter?
00:29:12I don't want anything to happen to us.
00:29:14The woman fell while cleaning.
00:29:16We have to stop the bleeding.
00:29:34Serap.
00:29:38Is the ambulance here?
00:29:40What happened to the ambulance?
00:29:42It's coming.
00:29:44Thank God.
00:29:46He lost a lot of blood.
00:29:48Serap.
00:30:13You insist on giving the accident water.
00:30:15You are stubborn.
00:30:19I can't do this without asking myself.
00:30:23Did you do it?
00:30:28Why?
00:30:30Why should I do such a thing?
00:30:32What kind of question is this?
00:30:34Why should I push a servant down the stairs?
00:30:37Why should I do it?
00:30:39Why should I do it?
00:30:44I thought so too.
00:30:46There is no reason for me to kill him.
00:31:16Didn't your parents testify?
00:31:18Didn't you apply for their information?
00:31:20They were in the hospital during the incident.
00:31:22They didn't want to testify later.
00:31:30We have to apply for the testimony of all the witnesses and suspects again.
00:31:34How are you going to do it?
00:31:36I don't know.
00:31:38I don't know.
00:31:40I don't know.
00:31:42I don't know.
00:31:44I don't know.
00:32:10It had to be done.
00:32:12Yusuf, is that kisir?
00:32:15Gülanne, come here and open it.
00:32:17My mom's kisir will open your mind, guys.
00:32:21Open it, Gülanne.
00:32:23Oh my God!
00:32:26Did you bring ayran for Gülanne?
00:32:27Yes, I have it.
00:32:29Here it is.
00:32:30Come on, damn queen!
00:32:32Don't shake it fearlessly, it's a good kisir.
00:32:34We'll see.
00:32:35Good.
00:32:37My mom's kisir.
00:32:38Let me see.
00:32:40What do you mean? You gave all your money to your son, Gülanne.
00:32:43Here, take this.
00:32:44Of course I will.
00:32:46If I knew you were so hungry, I would have made it earlier, son.
00:32:50Well, we're dead, you know.
00:32:52Wow, don't worry about your hands, Gülanne.
00:32:55Enjoy your meal.
00:32:58Mr. Plant is here, Mr. Yekta. It's urgent.
00:33:02Mr. Yekta.
00:33:04If you have anything to do, leave it if you don't mind.
00:33:08Mr. Yekta.
00:33:10We have a big problem.
00:33:13Yes, go ahead. What's the problem?
00:33:15Ms. Ä°clal is calling me to testify again.
00:33:18And this time, she's going to try really hard, as far as I understand.
00:33:24Then we'll have to participate.
00:33:26After all, she's the prosecutor.
00:33:29We'll make her do it. There's no problem with that, Mr. Yekta.
00:33:32The thing is, will we be able to get out of there as we got in?
00:33:35You tell me that.
00:33:37Of course, you'll get out.
00:33:38This is a routine procedure. They call us ten times, ten times.
00:33:41They ask the same question ten times.
00:33:42We go, we give our testimony, we get out. Don't worry.
00:33:45Okay, then. Let's not keep the prosecutor waiting.
00:33:56Mr. Murafet Ãœnbay.
00:33:58He used to be the chief of police at the murder bureau.
00:34:02Now I get it.
00:34:03When you sent me the message, I opened it and checked who it was.
00:34:06I couldn't get it out, but it bit me somewhere in my eye.
00:34:08So that's where it came from.
00:34:09You have a job, Mr. Lawyer.
00:34:11Is that all you've got?
00:34:13To the point of a bite in the eye, huh?
00:34:16Mr. Bülent, now you can appreciate that I've been in this profession for 40 years.
00:34:21I know so many people from the police.
00:34:23Here are the chiefs, chief counsels.
00:34:26I even had a job with their directors.
00:34:28You can appreciate that there are so many people.
00:34:33Let's go.
00:34:44Okay.
00:34:47The list of stolen items.
00:34:53These are very valuable items. Jewels and stuff.
00:34:58Okay, but most of them are already registered.
00:35:00When it was sold, or I don't know, was it not noticed at all?
00:35:04If what you said was a real theft, it would have passed, Nurten.
00:35:06Well, if it was a theft, it wouldn't have been sold.
00:35:09What do you think? What do you think happened in that house?
00:35:12It caused the death of Yeliz and her sister-in-law.
00:35:15So you're saying he killed her.
00:35:17Why wouldn't he?
00:35:18Of course, then he made a deal with Oktay.
00:35:20He covered up the incident.
00:35:22They covered up this secret with their marriage.
00:35:26Where were the stolen goods then?
00:35:28In the woman.
00:35:30So, since Yeliz didn't need the money, he didn't take it from her.
00:35:34That's right.
00:35:36I've never seen anything like this before.
00:35:39Yes, we haven't seen it, but our focus wasn't there.
00:35:43That's right.
00:35:44There are photos of the houses.
00:35:46Goksular took photos of all the houses.
00:35:48In this case, I would run to the police.
00:35:50Let me go and look at those photos.
00:35:54Brother, what did they do to your brother's house, whether it was sold or rented?
00:35:58Get me some information about him.
00:36:00Okay, Mr. Prosecutor.
00:36:02I'm taking the extra file with me.
00:36:05You can also thank my mother-in-law.
00:36:07Take care of yourself. Don't worry, I'll go on my own.
00:36:09See you.
00:36:09Thank you, see you.
00:36:12Look, he's a good man.
00:36:15He's looking for his father-in-law.
00:36:16He's a good son-in-law.
00:36:18He's a joker.
00:36:19Mr. Efes?
00:36:20You caught our eye.
00:36:22We found your teacher, Nura, hiding in your sister's house.
00:36:28We're taking her to the police station now.
00:36:30To get her confession.
00:36:31Great, that's great news.
00:36:33Actually...
00:36:37...she was fired from the previous school because of similar complaints.
00:36:40How? How did we get through this?
00:36:42Because she got divorced...
00:36:44...she started using the word girl.
00:36:45That's why we caught her eye.
00:36:47Anyway, we have it now.
00:36:48The woman is a narcissist.
00:36:50She's really a narcissist.
00:36:52She told her students that she was the teacher of Melek.
00:36:55She told her students that she was the teacher of Melek.
00:36:58She's telling them that she's a teacher.
00:37:00It's obvious that she was not loved when she was little.
00:37:02She was excluded by her friends.
00:37:04Her parents didn't love her.
00:37:06And she created a perfect life story for herself.
00:37:09How nice.
00:37:10But we found her.
00:37:11She was really comfortable.
00:37:13The kids got rid of the maniac.
00:37:15And thank you for catching this psychopath yourself.
00:37:19What do you mean?
00:37:21I'll tell Tugce about your heroism.
00:37:24Don't worry.
00:37:25I'll get a few extra points.
00:37:28Have a nice day.
00:37:29See you.
00:37:30Have a nice day.
00:37:32It took a short time.
00:37:34You can still stay close to me.
00:37:36You say so.
00:37:38Of course.
00:37:39I'm Ceylin.
00:37:40If I run into a maniac again...
00:37:42...then I'm a psychopath.
00:37:43Something can happen.
00:37:44Do you understand?
00:37:45How close can I keep you?
00:37:47Not a bad distance.
00:37:49I wonder if I can get that close in a little while.
00:37:54We're on the balcony.
00:37:57Come sit here.
00:38:07Don't be nervous, Mr. Bülent.
00:38:09It's a classic tactic.
00:38:11They do it to make you nervous.
00:38:13That's the point.
00:38:15I don't need a tactic.
00:38:17Don't worry.
00:38:27Thank you.
00:38:36Look, Mr. Ahmet.
00:38:38Is this the man who beat you up...
00:38:40...or ordered you to be beaten up?
00:38:46No, I've never seen this man.
00:38:48How come?
00:38:49Are you sure?
00:38:51No, Mr. Prosecutor.
00:38:52I've never seen him.
00:38:53I don't know who he is.
00:38:54So he didn't even come to the balcony?
00:38:56No, Mr. Prosecutor.
00:38:59Did he tell you to shut up?
00:39:01Huh?
00:39:02Did he tell you not to talk?
00:39:05This man wanted to enter the tender...
00:39:07...that you run, Mr. Ahmet.
00:39:09There was a dispute between you.
00:39:11They made you stand on the balcony.
00:39:13They beat you up.
00:39:15You're still protecting him.
00:39:17No, Mr. Prosecutor.
00:39:20No, Mr. Prosecutor.
00:39:22I'm just protecting myself, not anyone else.
00:39:28You can take him out.
00:39:41What are we going to do now, Mr. Prosecutor?
00:39:45What's in this room, stays in this room, Chief.
00:39:48We're the only ones who know he didn't identify himself.
00:39:50Not him.
00:39:52So, are we going to say he identified you, Mr. Black?
00:39:54Exactly.
00:40:18Yes, Mr. Bülent.
00:40:21We talked to Mr. Ahmet...
00:40:23...who we found beaten up on the news.
00:40:25He identified you.
00:40:29It's a lie.
00:40:31I don't know anyone named Ahmet.
00:40:34Are you sure?
00:40:36Because he's the head of the commission...
00:40:38...of the tender you want to participate in.
00:40:43What did he not accept?
00:40:45Huh?
00:40:48What happened to the man you punished?
00:40:50You made him beat up.
00:40:56There's a misunderstanding, Ms. Prosecutor.
00:40:58I didn't hurt anyone.
00:41:00I didn't do anything to anyone.
00:41:04This is a big lie.
00:41:18It's nice to work from home.
00:41:20Let's do it like this.
00:41:22Yes, I think so too.
00:41:24You're in the right place.
00:41:26No one comes, no one goes, no one asks questions.
00:41:28There is a home meal service.
00:41:30As you can see, I didn't even pass the plates through the water.
00:41:32If we were hungry, if we were thirsty...
00:41:34...we were going to put a piece of bread in the bowl.
00:41:36Where would you hide if you were me?
00:41:40The stolen goods?
00:41:42Hmm.
00:41:44I mean...
00:41:46They must have hidden it in the most unsightly place.
00:41:48So?
00:41:50I mean, I don't think Yigit would hide it in his own house.
00:41:52Because it would be like a body sign.
00:41:54Like, come and find it.
00:41:56Let Eren take a look.
00:41:58But I don't think it's there either.
00:42:00What about you?
00:42:02Where would you hide it?
00:42:04What if they didn't take it out of that house?
00:42:06What do you mean?
00:42:08In the house where the man was killed.
00:42:10So, are you talking about your brother's house?
00:42:12So, is it illogical?
00:42:15It's logical. I think it's possible.
00:42:21Oops.
00:42:23I'm sorry.
00:42:25I didn't know you were going to put your hand there.
00:42:27I wonder if my watch is still working.
00:42:29Let me show you my watch.
00:42:31Yes.
00:42:39Chief Inspector, you wanted to see me?
00:42:41Come, come, come.
00:42:44Come here.
00:42:46Now,
00:42:48These photos
00:42:50are from the house where Serap died.
00:42:52I mean, the photos from Mrs. Yeliz's house.
00:42:54Okay, my dear?
00:42:56Yes.
00:42:58Now, I'm asking you.
00:43:00Did you see anything of value in these photos?
00:43:02No.
00:43:04Are you sure?
00:43:06I'm sure.
00:43:08Although, they're not in the photos.
00:43:10I'm just asking you to be sure.
00:43:12Okay, my dear?
00:43:14Now, let's come to these photos.
00:43:16These are the things
00:43:18claimed to have been stolen
00:43:20from Mrs. Yeliz's brother's house
00:43:22years ago.
00:43:24Did you see any of these
00:43:26anywhere in the house?
00:43:28There are jewels, too.
00:43:30I mean, not necessarily
00:43:32in the places where the incident took place.
00:43:34I mean, could you have seen them
00:43:36in the places where you didn't take the photo?
00:43:38Chief Inspector, we examined
00:43:41I would have remembered if I had seen them.
00:43:43I mean, they weren't in any of the houses.
00:43:45Maybe the jewels
00:43:47were in the first safe or something.
00:43:53Okay, my dear.
00:43:55Thank you. I'm sorry I made you come all the way here.
00:43:57It's okay, Chief Inspector.
00:43:59You called me. I always come running.
00:44:01Thank you, my dear. Good luck.
00:44:03Thank you.
00:44:11What if we can't find anything?
00:44:13No. We don't have much time.
00:44:15The woman is going to tear up
00:44:17after this murder.
00:44:19She's going to kill three people
00:44:21and walk around comfortably
00:44:23waving her hands and arms.
00:44:25That's great.
00:44:27Possibly.
00:44:29But we're trying our luck.
00:44:31We have to find something.
00:44:33She's sick.
00:44:35And she complained to the Chief Inspector.
00:44:41Eren.
00:44:43Get the speaker.
00:44:45You're going to ask him what he said.
00:44:47Yes, brother.
00:44:49We checked with Goksu Can.
00:44:51There are no antiques.
00:44:53If there were, we would have seen them.
00:44:55Okay, as we expected.
00:44:57It was obvious that they wouldn't do anything blind.
00:44:59Okay, my boyfriend.
00:45:01It's good to be sure.
00:45:03Exactly, my queen.
00:45:05By the way, Yeliz's brother, Kenan's house.
00:45:07It's empty. It's never been used.
00:45:10See you later.
00:45:12I'm ready.
00:45:14Let's take a break.
00:45:16Think about it.
00:45:18Get your mind together.
00:45:20Maybe your memory will come back.
00:45:40He wouldn't talk.
00:45:44He wouldn't even say a word.
00:45:46Maybe he changed his mind until the last minute.
00:45:48Can't he?
00:45:50He can't.
00:45:52He can't.
00:45:54I'm sure of that.
00:46:00The Chief Inspector is fooling us.
00:46:02You go.
00:46:04Let's see if Ahmet said anything.
00:46:06Did he say anything?
00:46:08Let's see if the Chief Inspector is telling the truth or not.
00:46:10Let's be sure.
00:46:12Okay.
00:46:26I'm here.
00:46:28I'm here.
00:46:30You love antiques, don't you?
00:46:32What?
00:46:34I love curiosity.
00:46:37There's something extra.
00:46:39I feel safe.
00:46:41I'm not going to leave you here.
00:46:43What are you talking about?
00:46:45I'm very sincere.
00:46:47I think you have an adventurous soul.
00:46:49But you don't show it.
00:46:51You love them all.
00:46:53Come to the car before me.
00:46:55So let it go.
00:46:57Let go of your curiosity.
00:46:59Let it go.
00:47:01Let it go.
00:47:03They can't eat.
00:47:07Chief Inspector.
00:47:09Bülent understood your trick.
00:47:11I'm sure Ahmet didn't identify himself.
00:47:13What trick?
00:47:15Maybe not.
00:47:17This is just a guess.
00:47:19Don't do it, Chief Inspector.
00:47:21We were already in prison.
00:47:23But he doesn't know that.
00:47:25I think Bülent should wake up.
00:47:27Let him go.
00:47:29You're trying to convince me.
00:47:31Go and convince your client.
00:47:33Let him admit his crime.
00:47:36We're trying to catch him.
00:47:38It's a crime.
00:48:06Okay, I think this is it.
00:48:08Look at the garden.
00:48:10It looks abandoned.
00:48:12Let's go.
00:48:24Let's see if we can get in.
00:48:26We'll see.
00:48:30How are you?
00:48:32I'm fine.
00:48:35How do we get in?
00:48:37I have a number.
00:48:39Let me show you.
00:48:41Go ahead.
00:48:43Like this.
00:48:55It's really old.
00:49:05It's old.
00:49:13Open the door.
00:49:29What are you doing?
00:49:31Think.
00:49:33What are you doing?
00:49:43Are we in the garden?
00:49:45It's the easiest way to get out.
00:49:47It's not likely to be seen while hiding.
00:49:49There's a gardener in the garden.
00:49:51There's a guard in the garden.
00:49:53He's not in.
00:49:57What are we going to do?
00:49:59Dig the garden?
00:50:03Let's go.
00:50:11What are you doing there?
00:50:13Hello.
00:50:15What are you doing?
00:50:17We were looking.
00:50:19What?
00:50:21We're getting married.
00:50:23We saw the house from the outside.
00:50:25We liked it very much.
00:50:27Did we sell it?
00:50:29No.
00:50:32I'm a neighbor.
00:50:34It's not for sale.
00:50:36I'm sorry.
00:50:38We like old houses.
00:50:40If you have a key,
00:50:42we'd like to look inside.
00:50:44Are you stupid?
00:50:46It's not for sale.
00:50:48I'm still dealing with you.
00:50:50Get out.
00:50:52Let's go somewhere else.
00:50:54Goodbye.
00:51:02Thank you.
00:51:04What did we just experience?
00:51:06He's a real house buyer.
00:51:08He's a neighbor.
00:51:12He's coming.
00:51:14He's coming.
00:51:16He's coming.
00:51:18He's here.
00:51:20He's a neighbor.
00:51:32He's here.
00:51:36You're right.
00:51:38As you said,
00:51:40Ahmet didn't tell anyone.
00:51:42I told you.
00:51:44He won't sell me.
00:51:46He won't.
00:51:48He was joking.
00:51:50But we know.
00:51:52We're strong.
00:51:54What do we do now?
00:51:56We will use the strongest defense tactic in the world of justice.
00:51:58Until the end.
00:52:00and so on and so forth.
00:52:01All they have to do is claim that you're on the terrace
00:52:04and that you beat up that man.
00:52:07And they need to prove it.
00:52:08Let's leave it to the prosecutor to prove it.
00:52:13What does your father want?
00:52:15Tell me.
00:52:16Well, dad, if nothing comes up,
00:52:19we'll make a raw meatball.
00:52:21Wow, raw meatball.
00:52:24Girl, he's a pain in the ass.
00:52:26What does he think he is?
00:52:28Of course not, dad.
00:52:29You're so rude.
00:52:30Okay, fine.
00:52:32I'll get some ayran and come to you in two hours.
00:52:34You're the king, but you don't have a kingdom.
00:52:37Look at me, Ginger.
00:52:38You've come to your senses.
00:52:41You're my only kingdom, don't forget that.
00:52:44We're going to pick up the dishes now.
00:52:45The hotel is about to close.
00:52:46Really?
00:52:48Well, good luck to us.
00:52:49And good luck to you.
00:52:51You're getting rid of your boob.
00:52:52Oh, shut up.
00:52:53I'm so used to it that I'm going to hide it under my pillow for the rest of my life.
00:52:55Okay, my beautiful girl.
00:52:56I'm kissing you.
00:52:57Get rid of those concrete, okay?
00:52:58Don't forget.
00:52:59Gairet will win.
00:53:00Gairet will win, dad.
00:53:01I kissed him, too.
00:53:02I kissed him, too.
00:53:03Come, Furkan, come.
00:53:09Chief inspector, you told me...
00:53:12What did I tell you?
00:53:14Is there a similar case of the brothers who found their fathers at the door?
00:53:19Is there?
00:53:20There is, chief inspector.
00:53:22Really?
00:53:25I found three similar cases.
00:53:29Are they all shrouded?
00:53:31Yes, except one.
00:53:33In that jar.
00:53:35Where?
00:53:36In the jar.
00:53:37What jar, son?
00:53:38What are you talking about, Furkan?
00:53:39Are you sleepless?
00:53:40No, chief inspector.
00:53:41I'm not.
00:53:42The woman always wanted to be burned when she died.
00:53:44Stop.
00:53:45In that jar.
00:53:46They found the ashes of their mothers in front of the door.
00:53:48The other one is the son of the house.
00:53:50He was shot in the middle of the street in Beypazarı, Ankara.
00:53:52He's shrouded again.
00:53:54The last one died of hypothermia due to sleeping pills.
00:53:57He's in Istanbul.
00:53:58They left him at the door with the shroud.
00:54:02Are they all handed over to the address?
00:54:04That's right, chief inspector.
00:54:08Let's go to the police station then.
00:54:10Let's see if they can issue a search warrant for the garden of the house.
00:54:13You don't have permission to give instructions, of course.
00:54:15It would be better if I didn't get involved until the file is reopened.
00:54:18Leave me to the police station.
00:54:19Then you can take Mercan.
00:54:21Was it my turn?
00:54:22Yes, darling.
00:54:24Okay, let's pick you up on the way back.
00:54:27It would be great if you could do that.
00:54:29Of course.
00:54:33My daughter's father would do anything for my husband.
00:54:39What happened? Did your makeup break?
00:54:41No, I'm afraid my red lipstick will be ruined.
00:54:45Chief, we've been waiting for a long time.
00:54:47I don't think you have any concrete evidence.
00:54:49In this case, we would like your permission.
00:54:51Of course, Mr. lawyer.
00:54:54You can go, but your client will stay here for a while.
00:54:57For what reason?
00:54:59You can't keep me here.
00:55:01Let's take the citizen to the police station.
00:55:04Talk to me, lawyer. Say something.
00:55:06Chief, why are you arresting my client?
00:55:09There's a statement, Mr. lawyer.
00:55:11Mr. Ahmet identified your client.
00:55:13Unemployed, false statement.
00:55:15Let's be sure of that, right?
00:55:17Let's do some research.
00:55:19Neither lies nor truth.
00:55:21As a result, there is a murder attempt.
00:55:24You officially hit the man and left him to die on the terrace.
00:55:27I wasn't there. I have witnesses.
00:55:30There may be such witnesses, yes.
00:55:33Those who do the reminder.
00:55:35Those who are mistaken, those who are surprised.
00:55:38So you're not going anywhere for a while.
00:55:40As long as I'm sure.
00:55:43Take him.
00:55:54Let's go.
00:56:01Prosecutor.
00:56:03Is this what we agreed on?
00:56:05You're not moving with logic, you're moving with your feelings.
00:56:07If the man had the chance, he would have run away.
00:56:09Weren't you the one who ran to me and said,
00:56:11do something, the man will go?
00:56:13It's under our control. He can't go anywhere.
00:56:16Bring me evidence to accuse him.
00:56:18Let's send him to prison.
00:56:20Let's close the case.
00:56:24Let's go.
00:56:34Prosecutor.
00:56:36Mr. Prosecutor.
00:56:38You know the brothers who found their fathers?
00:56:40Yes, the friends who carry the body to the station.
00:56:42That's right, prosecutor.
00:56:44We found similar cases.
00:56:47Should we eat out tonight?
00:56:49Okay, let's eat something dirty.
00:56:51Yes, let's eat something dirty.
00:56:53It's my right on the day of harmful things.
00:56:56I think we'll get you in an hour.
00:56:59Agreed.
00:57:01Agreed.
00:57:03The deceased are not relatives.
00:57:05No, prosecutor, there is no relationship.
00:57:07You say the cities are different.
00:57:09So there are two bodies in Istanbul,
00:57:11but one in Anatolia, the other in Europe,
00:57:13so we can say in two separate cities.
00:57:15The only link is the forms of death?
00:57:17Not really.
00:57:19What do you mean?
00:57:22You say it's a similar case to the others.
00:57:24Mr. Prosecutor,
00:57:26all three of them, including the father's body,
00:57:28were packed and placed next to the bodies.
00:57:30Except one.
00:57:32The one in the pickle jar.
00:57:34Although it was done according to the procedure.
00:57:36I mean, Mr. Prosecutor,
00:57:38we have a great serial killer.
00:57:41There must be a copy of these.
00:57:43Yes, of course, prosecutor.
00:57:45Let me examine it.
00:57:47You take a look too, please.
00:57:49Yes, Mr. Prosecutor.
00:57:51You won't eat pickles for a while.
00:57:53Let's get up slowly now.
00:57:55Let's take a step.
00:57:57Let's try these.
00:57:59Let's take a step.
00:58:01Let's try these.
00:58:03Let's take a step.
00:58:05Let's take a step.
00:58:07Let's take a step.
00:58:09Let's take a step.
00:58:13It was very good, Ms. Tugce.
00:58:15One more step.
00:58:17A little step for me?
00:58:19A little step for humanity?
00:58:21One more step.
00:58:23As much as you can.
00:58:25To open your limits and for us to understand.
00:58:31That's it.
00:58:33I'm here.
00:58:36Sit down.
00:58:40I'm proud of you.
00:58:42The rest is physical therapy.
00:58:44You may not have to stay in the hospital anymore.
00:58:48Am I going to be an ambulance?
00:58:50I mean, if you say I'll come and go, yes.
00:58:52But there shouldn't be delaying.
00:58:54The most important thing in physical therapy is continuity.
00:58:56We're not delaying, sir.
00:58:58We're not delaying.
00:59:00I'll be a close follower of him anyway.
00:59:02I'll bring my beloved fiancée.
00:59:05With great pleasure.
00:59:07Well, deal then.
00:59:09We'll present it to a final approval tomorrow.
00:59:11Then Burcu.
00:59:19Shall we go?
00:59:21Let's go.
00:59:35Hello.
00:59:37Welcome, Mr. Prosecutor.
00:59:39I don't know if it's going to be easy.
00:59:43It's like a serial killer case.
00:59:47Who?
00:59:49Prosecutor Ä°clal.
00:59:51He's gone for a while.
00:59:53If I say I'm not worried, it's a lie, brother.
00:59:57In short, we have a psychopath in front of us, Mr. Prosecutor.
00:59:59When we look at it in a nutshell,
01:00:01the way people want to die,
01:00:03that's how they kill themselves.
01:00:05Interesting.
01:00:07Interesting, isn't it?
01:00:09Mothers, fathers, what a child you raised.
01:00:11Sometimes I think, what did you live to become like this?
01:00:13Anyway.
01:00:15What did you do?
01:00:17Did you find anything?
01:00:19Now the question is,
01:00:21if theft is a decoration to cover murder,
01:00:23which I think it is,
01:00:25then where do you put the things you steal?
01:00:27Where do I put it?
01:00:29Not at home, we know that.
01:00:33What do I do?
01:00:35I'm a rich man.
01:00:37I don't need money, I don't sell it.
01:00:39I don't give it to anyone.
01:00:43I keep it.
01:00:45If they rot, let them rot.
01:00:47You took it out of the house,
01:00:49but you're afraid of getting caught.
01:00:51Did you go home?
01:00:53So let's say we took a look from afar.
01:00:55Well, let's take a look then.
01:00:57Kubin already gave me this file.
01:00:59He told me to examine it.
01:01:02Okay.
01:01:04Tea?
01:01:08Ciger, make us two teas.
01:01:10Ahmet.
01:01:12Did Chief Kubilay pass?
01:01:14He didn't, Chief Inspector.
01:01:16Okay, we'll give him a sign when he passes.
01:01:18Thank you.
01:01:22Chief wasn't in his room yet, Prosecutor.
01:01:24We'll have some tea in the meantime.
01:01:26Agreed.
01:01:32Let's take care of your bathroom.
01:01:34Sadik is ready. He's waiting for you.
01:01:36Every day, every day.
01:01:40As the saying goes.
01:01:42It's very important for your health.
01:01:44Your hygiene is as important as your medication.
01:02:01Okay.
01:02:31Okay.
01:03:02Hello.
01:03:04Toilet, isn't there a toilet?
01:03:06There are toilets everywhere in this house.
01:03:08I said there are toilets everywhere.
01:03:10I think the nearest toilet is in this building.
01:03:12I don't think so.
01:03:14In the corridor, first right.
01:03:16In the corridor.
01:03:24Good luck.
01:03:26It's very difficult.
01:03:28It's a very difficult job.
01:03:30It's a very difficult job.
01:03:36I had a grandfather.
01:03:38He had such a hard time.
01:03:40Can you believe it?
01:03:42The doctors told him to be prepared for everything.
01:03:44We went home.
01:03:46The man slept on the sofa for 12 years.
01:03:48Of course, then.
01:03:50Technology is not like ours.
01:03:52Technology is not much now.
01:03:54Maybe he's watching us from somewhere.
01:03:56Can this painting job be done as soon as possible?
01:03:59My brain doesn't work anymore.
01:04:01You must be used to it.
01:04:03Of course, we are used to it.
01:04:05Can you believe it?
01:04:07Sometimes I wish I had a pencil.
01:04:09I wish I could touch it.
01:04:11I wish I could paint the whole house.
01:04:15Is it on the left?
01:04:17Thank you.
01:04:19Good luck.
01:04:21After all, they understand the state of the workers.
01:04:23Who else in this world?
01:04:25How do we close the door?
01:04:28Thank you.
01:04:30Close it.
01:04:54Mom!
01:04:56My love!
01:04:58I missed you so much.
01:05:00Me too.
01:05:02Are you hungry?
01:05:04Yes.
01:05:06Now we're going to pick up your dad.
01:05:08Then we'll eat out.
01:05:10Oley!
01:05:12Happy birthday!
01:05:14Yes!
01:05:16Happy birthday!
01:05:18Come on, let's go.
01:05:20What are we going to eat?
01:05:22Pizza, hamburger, potato?
01:05:25Let's see.
01:05:27Maybe we'll eat something else.
01:05:29Come in.
01:05:33Come in.
01:05:35Excuse me, chief.
01:05:37Chief inspector, come in.
01:05:39I've been waiting for you.
01:05:41Since you've been in charge.
01:05:43I mean, you come and apologize.
01:05:45I don't know.
01:05:47Don't remind me.
01:05:49Even if it's a lie, it's an embarrassment.
01:05:52Chief inspector.
01:05:54I'm here to give you information about someone
01:05:56who's been out of time.
01:05:58Is that so?
01:06:00There was no search in the garden of the house
01:06:02where the incident took place.
01:06:04He jumped, chief inspector.
01:06:06So?
01:06:08I mean, if you'll excuse me.
01:06:10We have a week to close the file.
01:06:12I mean, to get out of time.
01:06:14Maybe we can reopen the file, chief inspector.
01:06:16Don't you have anything else to do, chief inspector?
01:06:18You gave me this job, chief inspector.
01:06:20It's been a month, chief inspector.
01:06:22Did you see it in your dream?
01:06:24I'm trying to fulfill your order, chief inspector.
01:06:26If you'll excuse me,
01:06:28I'll...
01:06:30No.
01:06:32Take a look at the files you have, chief inspector.
01:06:34What was that?
01:06:36This shrouded father.
01:06:38They said there were other similar cases.
01:06:41You know, chief inspector,
01:06:43you are a patient of the spirit.
01:06:45He gave me the files himself.
01:06:47I said, look, what are you going to find?
01:06:49He said, I'm saying, there's a suspicious situation.
01:06:51I need a search warrant.
01:06:53He said, don't you have anything else to do?
01:06:55And the gentleman says,
01:06:57I'm going to apologize to him.
01:06:59You were going to leave that day,
01:07:01I was going to fix this guy.
01:07:03What?
01:07:05I mean,
01:07:07I'm not the one who's going to fix him.
01:07:10What are we going to do?
01:07:12Don't worry Kubilay, I'll take care of it.
01:07:15How are you going to take care of it?
01:07:19Ah, the queens are waiting.
01:07:22Honey?
01:07:23We're here, let's go.
01:07:24Come on dad, run!
01:07:26I'm running, I'm running princess, I'm running.
01:07:28Wait, wait, where, where? How are you going to take care of it?
01:07:30Tell me.
01:07:32We're going to turn it into a game.
01:07:34For God's sake, don't get involved in that.
01:07:35These are not for you.
01:07:37You two ruined me too, well done.
01:07:39See you.
01:07:40For God's sake.
01:07:59Why is that plate there?
01:08:01Give me some.
01:08:02Here you go.
01:08:04Yes, my beautiful princess.
01:08:05Which sauce should we put?
01:08:08Don't put that green one, dad.
01:08:10Why?
01:08:11Look, it's the same frog.
01:08:14Is it froggy?
01:08:16But it's not a frog, it's an avocado, it's very useful.
01:08:18You love it too.
01:08:20Yes, my love, you eat it at home.
01:08:23Put that white one and the ketchup one too.
01:08:26Of course.
01:08:32Yes, here you go.
01:08:35It's beautiful.
01:08:39It's very nice.
01:08:41Now, let's clean it.
01:08:44Then, my love, I want it too.
01:08:47From the frog and from all of them, as Mercan said.
01:08:51I'll call you in the morning.
01:08:53Dad, do we have a summer house?
01:08:57No, my daughter, why?
01:08:59I have friends.
01:09:01They're going to stay there in the summer.
01:09:02The frogs will go to them too.
01:09:04Shall we go too?
01:09:07We'll go on vacation in the summer, but not to your friends' house.
01:09:12Where will we go?
01:09:14We'll go on vacation with our own house in the summer.
01:09:17Dad, how can our house come with us?
01:09:20I'm not kidding, my princess.
01:09:22We'll travel in a caravan in our little house.
01:09:24A caravan?
01:09:28It's not a caravan, my love, it's a caravan.
01:09:30Caravan, my dear.
01:09:32A caravan.
01:09:34A caravan?
01:09:36Exactly. Think of it as a vacation house.
01:09:38We'll have a kitchen inside, we'll have a bedroom.
01:09:40What about us?
01:09:42The room behind the car is there with us.
01:09:44Like a wheelchair bed?
01:09:46Exactly.
01:09:48So, will I go there too?
01:09:50Yes, you'll look in the morning, you'll get up.
01:09:52We'll be in a completely different place.
01:09:54Then we'll see a forest, for example.
01:09:56We'll say, let's stay here tonight, we'll stay there.
01:09:58We'll see the seaside, we'll want to stay there, we'll stay there.
01:10:00We'll go wherever we want.
01:10:02Our little house is as big as a turtle.
01:10:04It's coming with us.
01:10:06It's not a caravan, it's a turtle house.
01:10:08Come on, let's go.
01:10:10Let's eat that frog.
01:10:13Let's go, please, please.
01:10:15We'll eat first.
01:10:17And we need to fix the caravan a little bit.
01:10:19Let's fix them too, then we'll go to very nice places.
01:10:25What did they want?
01:10:32Let's see.
01:10:51Let's see.
01:10:54It doesn't make a sound, does it?
01:11:03Stop it.
01:11:05Are they giving you a heart attack?
01:11:07What is it?
01:11:09Oh, welcome, boss.
01:11:11I swear, it's great.
01:11:13I was just about to finish it.
01:11:15Oh, it's beautiful.
01:11:17It's beautiful.
01:11:19I'm doing this job.
01:11:21I swear, this is my sport.
01:11:23I'm doing it.
01:11:25What are you doing here?
01:11:27What do you mean, what am I doing?
01:11:29Didn't you tell me to hide?
01:11:30I'm in my house.
01:11:32Oh, my God.
01:11:34Did you turn on the piano?
01:11:36You came to the most logical place.
01:11:38Why?
01:11:40Bülent doesn't look anywhere.
01:11:42Aren't you Bülent's man?
01:11:44You're Bülent's man.
01:11:46Of course, he doesn't look at his man's house.
01:11:48Oh.
01:11:50Oh.
01:11:52What are you saying?
01:11:54Look, look.
01:11:56It's not good to be so angry at this age.
01:11:58Look, I made you a lot of food.
01:12:00It's a shepherd's recipe.
01:12:02I don't know where to find it.
01:12:04You Kodaman people don't know the taste of your mouth.
01:12:07There's an eggplant next to this.
01:12:09Oh, my God.
01:12:11I'm going to bite the bottom of it.
01:12:13Eggplant?
01:12:15Haven't you heard of it?
01:12:17With pomegranate and walnuts.
01:12:19I bought it on my way here.
01:12:21Don't worry.
01:12:23Maybe it's not at home.
01:12:25Look at this.
01:12:27I'm going to torture you.
01:12:28Oh, my God.
01:12:30I got the liver.
01:12:32You're a single man.
01:12:34You're feeding like a bird.
01:12:36It's not going to be like this anymore.
01:12:38It's not going to happen.
01:12:40This job is over.
01:12:42My stomach will celebrate.
01:12:44How did you get in?
01:12:46What do you mean, how did you get in?
01:12:48You're a shame.
01:12:50You're a shame.
01:12:52Why are you so small, boss?
01:12:54I'm the chief.
01:12:56How quickly did you forget?
01:12:58I can swim out of Çanakkale.
01:13:00I'm not blind.
01:13:03Actually, it's not going to be like this.
01:13:06The weather was going to be good.
01:13:08I was going to make a barbecue out there.
01:13:11I was going to see it.
01:13:13Before you came, I rolled it up a few times.
01:13:15I tasted it.
01:13:17It's beautiful.
01:13:19It's number ten, five stars.
01:13:21My hands are delicious.
01:13:23Cut it.
01:13:29Thank you.
01:13:31You're welcome.
01:13:33I got it right, didn't I?
01:13:35The man I told you about gave it to me.
01:13:38You got it right.
01:13:40We're going to put the phone in this apparatus.
01:13:42But it's hard to program like this.
01:13:44We need to record it.
01:13:46It has three lights.
01:13:48Hot, cold.
01:13:50There's a tricolor.
01:13:52You put it in the charger.
01:13:54You put it in the bottle.
01:13:56You can run it.
01:13:58It's very complicated.
01:14:00Hot, cold. You said a lot of things.
01:14:02Actually, it's very easy.
01:14:04I'll teach you.
01:14:06We can put it on your feet.
01:14:08Defne, look what I'm going to say.
01:14:10Do you want to make a living?
01:14:12I mean, yes.
01:14:14But what does it matter?
01:14:16Take your bread as soon as possible.
01:14:18Quick, quick.
01:14:20Come on.
01:14:22What if you shoot my videos?
01:14:24What if I give you a living?
01:14:25Aylin.
01:14:27For God's sake.
01:14:29You're going to shoot a video.
01:14:31You're going to publish it.
01:14:33Someone's going to watch it.
01:14:35You're going to make money.
01:14:37You have a great job.
01:14:39You're busy with the kids.
01:14:41Why do you say that, mom?
01:14:43A lot of people make money from this.
01:14:45There's a housekeeper, there's a teacher.
01:14:47I mean, I have some followers.
01:14:49I also got the cooperation.
01:14:51Ceylin also knows.
01:14:53You did well.
01:14:55I mean, I don't even think about it.
01:14:57My dear Gül,
01:14:59it doesn't make sense for these young people.
01:15:01Let them do whatever they want.
01:15:03That's true, but...
01:15:05How much did you pay for this?
01:15:07For God's sake, how much did you pay?
01:15:09Not much.
01:15:11I'll think about it when I print this.
01:15:13I'll learn from you anyway.
01:15:15Come on, come on.
01:15:17Run, run, run, run, run.
01:15:19Hold your hands.
01:15:20I didn't set the temperature as you said.
01:15:22Okay, you're going to eat anyway.
01:15:24Oh, there's something nice going on here.
01:15:27Welcome.
01:15:29Welcome.
01:15:32Shall we make a cake from the soil?
01:15:34Okay.
01:15:36Oh, my daughter, look at the evening.
01:15:38You can't do that.
01:15:40What's going to happen?
01:15:42We'll wash it.
01:15:44Play.
01:15:46You're up.
01:15:48Sit down, there's tea.
01:15:51Son, are you going to drink tea?
01:15:53No, I'm not.
01:15:55I'll drink it, too.
01:15:57What's the manager saying?
01:15:59He's going to shoot a video and publish it.
01:16:01He's going to make money.
01:16:03Grandpa.
01:16:05I have a job for you.
01:16:07Order.
01:16:09We'll do whatever you want.
01:16:11I'll tell you.
01:16:20Look, how does it look from here?
01:16:22Okay, fine.
01:16:25Are you ready?
01:16:27Wait a minute.
01:16:30Are you ready?
01:16:32Okay, I'm ready.
01:16:343, 2, 1.
01:16:36Record.
01:16:38Here, if you have a color in my color tone,
01:16:41this style of blush will look very nice.
01:16:47What happened?
01:16:48Doesn't it look good?
01:16:50Technically, we're good.
01:16:52But the content is a bit weird.
01:16:54What do you mean?
01:16:56The mirror is a bit boring, you know?
01:16:58I mean, it's narrowing.
01:17:00And the make-up is a long job.
01:17:02When I look at it straight,
01:17:04I feel like I'm going to faint.
01:17:06People do make-up in front of the mirror for hours.
01:17:08It's good, but people come and go.
01:17:11It's not like home.
01:17:13Direct next.
01:17:15I think you said something else when you did your make-up.
01:17:18I mean, talk about what you're going to advertise.
01:17:21I mean, I don't know.
01:17:23For example, Kelal Aga.
01:17:25It's up to you now.
01:17:27You know, from the traffic,
01:17:29or from a woman whose socks you saw on the road.
01:17:31I mean, the more you show off, the better.
01:17:34Is that possible?
01:17:36Of course, a little make-up.
01:17:38It's a bit like a life lesson.
01:17:40For example,
01:17:4210 men in a row who don't look behind us and have to run away.
01:17:45I don't know.
01:17:46I don't know.
01:17:48A message in the morning.
01:17:50I mean, it's a lot of content.
01:17:52It's crazy.
01:17:54Oh, look at that.
01:17:56What does he know?
01:17:58We'll know, Aylin.
01:18:00Of course, if you don't show them at school,
01:18:02you'll say, whoa.
01:18:04It's crazy.
01:18:06Okay.
01:18:08Okay, I'll try it then.
01:18:10Okay.
01:18:12Are you ready?
01:18:14I'm ready.
01:18:16Three, two, one.
01:18:19Recording.
01:18:21We're spreading our arms like this.
01:18:27Oh, girls.
01:18:29By the way,
01:18:31I'll give you some advice.
01:18:33I mean, we're dressing up like this.
01:18:37Who are we dressing up for?
01:18:40For what?
01:18:42I mean, I think we should ask ourselves that first.
01:18:46Not for our job,
01:18:48our friends,
01:18:50or our lover.
01:18:53Let's do this for ourselves first.
01:18:55Because the most important relationship of a person is with himself.
01:18:59I mean, everyone will pass away in your life.
01:19:03But in the end, you'll be alone with yourself.
01:19:07So first love yourself.
01:19:10You won't believe it, but I just started doing this.
01:19:17You're the best.
01:19:19But be a little more sensitive.
01:19:21When you put on make-up, don't go straight out of the concept.
01:19:25Okay.
01:19:27This is like therapy. I can talk like this all day.
01:19:30Thank you, girl.
01:19:32But translate the English words you put in there for me.
01:19:35I mean, you really love this kind of thing.
01:19:37You'll get used to it.
01:19:39We're going to shoot a lot of videos.
01:19:41We'll edit them.
01:19:43Oh, you're the editor. I don't understand.
01:19:44Let's shoot one more.
01:19:46Let's do something else.
01:19:48I'm going to do this.
01:19:50Okay, let's start.
01:19:52I'm ready.
01:19:543, 2, 1.
01:19:57Record.
01:19:59We're going to apply this to the bottom.
01:20:03It's beautiful. It's perfect.
01:20:06It's beautiful, but I ate it all day.
01:20:08I'm going to walk around like a balloon.
01:20:10What else did you eat?
01:20:12I ate rice.
01:20:14But you had a very nice ayran with you.
01:20:19Anyway, I'll leave this subject open for discussion later.
01:20:23While my stomach is full, let me give you my good news.
01:20:26Oh, what is it?
01:20:28I can be a doctor tomorrow.
01:20:31Really?
01:20:33Yes, dad, I'm so bored that I'm going to get out of here.
01:20:35Stop, stop, stop. What about the treatment?
01:20:37I'll come when they say physical therapy.
01:20:39Psychologist?
01:20:41I guess I'll come to him, too.
01:20:42Tugce.
01:20:44Tugce.
01:20:46My dear.
01:20:48Look, you're so strong.
01:20:50You're smiling. We're all happy.
01:20:52We're proud of you being strong.
01:20:54Whether it's dad's concern or you're in a hurry, okay?
01:20:57My dear, look, you've never had an easy life.
01:21:00I know you've been through a lot.
01:21:03I know you've been through a lot.
01:21:05I know you've been through a lot.
01:21:07I know you've been through a lot.
01:21:09I know you've been through a lot.
01:21:11I know you've been through a lot.
01:21:13I know you've been through a lot.
01:21:15It was never easy before you came into my life.
01:21:17It was never easy before you came into my life.
01:21:19I remember very dark days.
01:21:21What I've been through with my mom.
01:21:23What I've been through with my stepfather.
01:21:26What I've been through with my stepfather.
01:21:28Your face right away.
01:21:30Did you know about me?
01:21:32Am I bothered by you, dad?
01:21:34I'm telling you something else.
01:21:36I called my mom twice.
01:21:38I called my mom twice.
01:21:40I begged him to let me see your face and my brother's face.
01:21:43He said he'd come, but he didn't.
01:21:48Forget it, beautiful girl.
01:21:50It's his fault, he's just being late.
01:21:52I'm already late. What else can I do?
01:21:55He taught me to forget things,
01:21:56whether it's cooking or being a steel worker.
01:22:00He taught me to deal with things on my own.
01:22:04I think he's the only solution to both.
01:22:09Don't worry.
01:22:10I'm fine.
01:22:12No tricks.
01:22:13No games, no fooling around.
01:22:19And I promise you,
01:22:22I'll go to school.
01:22:26Not only will I heal my bones, I'll also heal my soul.
01:22:31I love you so much, you know?
01:22:32I love you so much, too.
01:22:40Look, it's the same again.
01:22:42I'll tell you everything.
01:22:43Please.
01:22:46Come on in, Mercu.
01:22:49Give dad a hand.
01:22:50Come on.
01:22:51Mercu, wash your hands and put on your clothes.
01:22:54Okay.
01:22:56What were you whispering to Grandpa Meldan?
01:22:59Something to hide from his eyes.
01:23:01And don't worry about anything.
01:23:03God damn it.
01:23:04Tell me.
01:23:05Mom, my top got wet.
01:23:07Come on.
01:23:08Okay, honey, I'm coming. No problem.
01:23:09You'll tell me.
01:23:11Yes.
01:23:13Ms. Tugce, are you full?
01:23:14Yes, we are.
01:23:15Since it's our last night,
01:23:18let's make a good use of it, okay, Ms. Tugce?
01:23:21Let's clean this up nicely.
01:23:31What are these? Newspapers or something?
01:23:32You know, these.
01:23:35Not everyone gets to use them.
01:23:37Oh, I see.
01:23:39Of course.
01:23:41It's a serial killer case.
01:23:43Really?
01:23:45Yes, but your high intelligence will decide.
01:23:48You'll look for it.
01:23:49I think so.
01:23:50But, of course,
01:23:52we need to find the link between the victims.
01:23:55So I thought, who would do this?
01:23:58My beautiful daughter Tugce would do it, I thought.
01:24:01Are you crazy? I'm starting right away.
01:24:04Okay, I'll go then.
01:24:06Good night.
01:24:08How is it?
01:24:09Didn't they give you a shot?
01:24:12Oh, I hope so.
01:24:14Good luck.
01:24:16Do you have any other requests?
01:24:17No, no.
01:24:18Close the door.
01:24:19Okay, I'll close it.
01:24:20What is it?
01:24:35It's not that.
01:24:36You know how it feels when you run between the teeth?
01:24:39It's a nice feeling.
01:24:41Between the teeth.
01:24:44Take it.
01:24:46Look.
01:24:47What is it now?
01:24:49Oh, God.
01:24:51You're staying here tonight.
01:24:53You should have left earlier.
01:24:54Why?
01:24:56It's a big house.
01:24:57I don't have a mortgage here.
01:24:58No, sir.
01:24:59The less you touch the house, the better.
01:25:02Come on, Gekti.
01:25:04I'm not staying here because I want to.
01:25:06And I'm doing this because of you.
01:25:09Because of you.
01:25:10You're always up and down like a refugee boat.
01:25:13What are you doing?
01:25:15What do you mean because of me?
01:25:17It's your fault.
01:25:18It's all your fault.
01:25:20You're all crazy.
01:25:22Come on, come on.
01:25:24Come on, you too.
01:25:25You can't get rid of the prosecutor,
01:25:27but you can get rid of me.
01:25:29We're poor people.
01:25:31We've become arrogant.
01:25:33Anyway.
01:25:34What can I say? I'm an old friend.
01:25:35I'm sorry.
01:25:37You can't get rid of me.
01:25:38You can't sell me.
01:25:40This is going to be a disaster.
01:25:41Why? Because my team is weak.
01:25:43I'm going to bed now.
01:25:44And if possible, I don't want to feel your presence in the morning.
01:25:47I want to say goodbye to you in the morning.
01:25:48Quietly.
01:25:58Didn't you have a blanket?
01:26:01I brought you a nylon blanket.
01:26:03Come here.
01:26:04Let's give dad a goodnight kiss.
01:26:08Come here.
01:26:09Dad, when are we going to see the house?
01:26:12We'll go as soon as possible, but I have to stay for a while.
01:26:16I'll have some cream.
01:26:18It smells so good.
01:26:19Come on, give me a hug.
01:26:23Go now.
01:26:24Pick one of your books.
01:26:26I'll be right back, okay?
01:26:27Okay.
01:26:27Good night.
01:26:31What did you want?
01:26:32I was going to show you this.
01:26:34What is it?
01:26:36This is Kenan's funeral.
01:26:38Do you see Yeliz's hand?
01:26:40Wrapped in a bandage.
01:26:42Is it from the knife?
01:26:44Probably.
01:26:46There was no such thing.
01:26:47It's not in the police report.
01:26:49So, it's a file from 20 years ago.
01:26:51Yes, there may be no such information.
01:26:54Or there was.
01:26:56But it slipped through my fingers.
01:26:58Or it was a solid excuse.
01:27:01Let me see. Let me see it again.
01:27:04Yeliz killed her brother and sister-in-law.
01:27:07Maybe.
01:27:09Maybe that's why there's no sign of a fight.
01:27:14Yes, what did you talk to Mertan Dede?
01:27:16I asked him for a small favor.
01:27:18He'll go home tomorrow with the metal detector.
01:27:21He'll check if the stolen goods are in the garden.
01:27:25He'll check if the stolen goods are in the garden.
01:27:27He'll check if the stolen goods are in the garden.
01:27:29He'll check if the stolen goods are in the garden.
01:27:31He'll check if the stolen goods are in the garden.
01:27:33If he finds it, he'll report it anonymously.
01:27:36He'll report it to me directly.
01:27:39That's a great plan.
01:27:41I hope so.
01:27:43I'll go and put Mertan to sleep.
01:28:01I'll go and put Mertan to sleep.
01:28:31I'll go and put Mertan to sleep.
01:28:33I'll go and put Mertan to sleep.
01:28:35I'll go and put Mertan to sleep.
01:28:37I'll go and put Mertan to sleep.
01:28:39I'll go and put Mertan to sleep.
01:28:41I'll go and put Mertan to sleep.
01:28:43I'll go and put Mertan to sleep.
01:28:45I'll go and put Mertan to sleep.
01:28:47I'll go and put Mertan to sleep.
01:28:49I'll go and put Mertan to sleep.
01:28:51I'll go and put Mertan to sleep.
01:28:53I'll go and put Mertan to sleep.
01:28:55I'll go and put Mertan to sleep.
01:28:57I'll go and put Mertan to sleep.
01:28:59I'll go and put Mertan to sleep.
01:29:01I'll go and put Mertan to sleep.
01:29:03I'll go and put Mertan to sleep.
01:29:05I'll go and put Mertan to sleep.
01:29:07I'll go and put Mertan to sleep.
01:29:09I'll go and put Mertan to sleep.
01:29:11I'll go and put Mertan to sleep.
01:29:13I'll go and put Mertan to sleep.
01:29:15I'll go and put Mertan to sleep.
01:29:17I'll go and put Mertan to sleep.
01:29:19I'll go and put Mertan to sleep.
01:29:21I'll go and put Mertan to sleep.
01:29:23I'll go and put Mertan to sleep.
01:29:25I'll go and put Mertan to sleep.
01:29:27I'll go and put Mertan to sleep.
01:29:29I'll go and put Mertan to sleep.
01:29:31I'll go and put Mertan to sleep.
01:29:34I'll go and put Mertan to sleep.
01:29:36I am sorry.
01:30:00Good day, officer.
01:30:02I was going to call you.
01:30:06Yes, chief inspector. The intelligence you've been waiting for has arrived.
01:30:09You say the time has come, Furkan. Let's go.
01:30:36Good day, chief inspector.
01:30:50Good day, chief inspector.
01:30:52Good day, chief inspector.
01:30:54We have received a report about an old murder case, chief inspector.
01:30:58We need to make a search. For this, we ask your permission.
01:31:06Good day, chief inspector.
01:31:16How long are you going to keep this man in custody?
01:31:20It hasn't been a long time yet. I'll keep him as long as I want.
01:31:23On what grounds, chief inspector?
01:31:25Since his statement was not uploaded to the system, we understand that...
01:31:28...he did not identify this man called Ahmet, this man called Bülent.
01:31:32Admit it, your plan didn't work.
01:31:34You put my two feet in a shoe for nothing.
01:31:41Look, I want to catch this man, but it can't be like this.
01:31:45We are swimming in very dangerous waters.
01:31:47Give me some time, I'll take care of it.
01:31:49You've been so patient. Wait a little longer.
01:31:51What happened, Mr. lawyer?
01:31:53You said you were not afraid of anything.
01:31:55You said, I'll do it, I'll take care of it.
01:31:59Did he suddenly ring the alarm?
01:32:02There is no problem with that, prosecutor.
01:32:05If necessary, I will shoot myself without fear.
01:32:08But not by chance.
01:32:10Especially not by any chance.
01:32:13You see, the man is smart, he has long arms and hands.
01:32:16We have to be one step ahead of him so that we can defeat him.
01:32:24Okay, as you said, I'll put an end to your detention.
01:32:27The most logical.
01:32:29But know this.
01:32:31It happened that we got rid of it.
01:32:34We kidnapped Bülent while he was so close.
01:32:37It's your end, I'll ruin you.
01:32:40Once you trust someone, it's not hard, believe me.
01:32:45You're the other one, aren't you?
01:32:49That's the twist of fate.
01:32:52Too bad.
01:32:54Too bad.
01:32:55Too bad.
01:32:56I'm sorry.
01:33:23Wow, look at the back.
01:33:24It looks like he died of loneliness.
01:33:26Come on, team, pack your things.
01:33:28We're starting from the garden.
01:33:30Come on, brother.
01:33:33Come on, come on, get the materials, come on.
01:33:46They handled it quickly.
01:33:48You didn't have much to do anyway.
01:33:50What kind of situation is this?
01:33:52What is that?
01:33:54I wonder what it's like to get out of jail.
01:33:57Let's find that murder weapon.
01:33:59I'll use it after I'm happy.
01:34:01Okay, I have to go to the office now.
01:34:03Because Parlayer will have his first real meeting.
01:34:05Suitable.
01:34:06Yes.
01:34:07Tell him I congratulate him.
01:34:08I'll tell him, he's his brother-in-law.
01:34:09His brother-in-law.
01:34:11Yes, and always the right brother-in-law.
01:34:24Let's go.
01:34:47Yes, friends, we'll look here.
01:34:49It's like it's dug up.
01:34:51There are friends who have that excavation shovel.
01:34:52Throw them.
01:34:53Throw.
01:34:56Come on, brother, come here.
01:34:58Let's dig here.
01:35:01Let's start digging.
01:35:06A little slow, slow, slow, slow.
01:35:08Slow, calm.
01:35:12A little more careful.
01:35:14Mr. Prosecutor.
01:35:19It's like it's suitable for the investigation.
01:35:22Let's dig here.
01:35:34Prosecutor, are you at the door?
01:35:37Didn't they let you in?
01:35:39We don't like barbarians, that's why.
01:35:42No problem, I didn't wait long anyway.
01:35:44What's the matter?
01:35:46I'm a busy man.
01:35:48First of all, I refuse to pay that money.
01:35:50We can open the case you want.
01:35:52Don't resist for nothing.
01:35:54It will take a long time and you will deal with compensation.
01:35:56These are things I never thought of, Mr. Prosecutor.
01:35:59You can talk about these details with my lawyer.
01:36:01Wow, you're so cool.
01:36:04The lawyers are engaged.
01:36:06Yes, it happened.
01:36:08What is this joy?
01:36:10An explosion of self-confidence?
01:36:12An extremely happy state?
01:36:14Did poverty hit you? What happened?
01:36:16The happiness of revising my book, Mr. Prosecutor.
01:36:18Oh, so writing is such a thing.
01:36:20People can always make a better version.
01:36:23What revision, what version, what nonsense are you talking about?
01:36:26I changed the book you put together.
01:36:29The father is dead, and the mother is dead.
01:36:32So you're not here anymore, you're dead.
01:36:35You can't do such a thing.
01:36:37I even did it.
01:36:39We're going to print the new version of the book.
01:36:41I looked at it like this.
01:36:43When you're not there, the story is stronger, more exciting.
01:36:47I mean, it's better than the existence of poverty, Mr. Prosecutor.
01:36:51Again, it will be on the most sold list.
01:36:53How dare you do such a thing without asking me?
01:36:56I'm in a hurry, I'm going to a meeting.
01:36:58My editor is pressing me to finish it as soon as possible.
01:37:01Everyone is very excited.
01:37:03Oh, by the way, the screenplay work for the movie has begun.
01:37:09Of course, you're not there either.
01:37:11But I will definitely invite you to the party.
01:37:13I would be very happy if you came.
01:37:14Come on.
01:37:16Bye.
01:37:44Well, Mr. Prosecutor.
01:37:46I think that's all.
01:37:49Isn't there a murder weapon?
01:37:51No, Mr. Prosecutor.
01:37:53What do you mean, man? Look at the gardeners.
01:37:56If necessary, call the detector or something. Come on, shoot.
01:37:58Okay, Chief Inspector.
01:38:00Come on, shoot.
01:38:02The incident is now confirmed that it was not a murder caused by theft.
01:38:04We will have to take a statement again before we lose time.
01:38:07Let me guess, the first person we're going to get is Mrs. Yeliz, right?
01:38:10I had to take this with my own hands, but...
01:38:13I have to fly to the hospital from here.
01:38:15There is a possibility that the police will come out.
01:38:18Seriously?
01:38:20Seriously, brother.
01:38:22I mean, the real treatment will continue, physical treatment or something, but...
01:38:24That's over, brother.
01:38:26It's over, brother.
01:38:28There's nothing you can't handle, you can't solve.
01:38:30It started late, but you've built a very strong relationship.
01:38:33Thank you, brother.
01:38:35By the way, I'll let the teams know then.
01:38:37Let them take Yeliz to the police station. I'm flying to the hospital.
01:38:39Okay, deal.
01:38:40Okay, deal.
01:38:46Did you look at that corner?
01:38:50Your Honor, we have proven that the evidence we present to your court...
01:38:54...is that the marriage bond is broken and that unfaithfulness is harmful for both parties.
01:38:58The marriage file is irrevocably...
01:39:03Aunt, I'm going to beat you up.
01:39:05Of course, aunt.
01:39:07I was dying of excitement, I was getting ready for the trial.
01:39:10Let me catch my breath.
01:39:12What do you mean?
01:39:14You're a girl who created miracles in your parents' trial.
01:39:16You're going to do it.
01:39:18But it's not the same thing, it was an arranged divorce.
01:39:20There was a procedure, they signed it.
01:39:22It didn't even take five minutes, I didn't even talk, you know?
01:39:24I didn't even open my mouth, but it's not like that.
01:39:26The woman says she won't divorce, she never says she won't divorce.
01:39:28I'm going to present a lot of evidence now.
01:39:30Calm down.
01:39:32It's going to be great.
01:39:34It's even going to be great.
01:39:36Just trust yourself.
01:39:38Is that what you're saying?
01:39:41What is this?
01:39:43Now I'm going to show you something that won't let you lose the case, that will bring you luck.
01:39:53In fact, I made your grandmother read it.
01:39:59The process is complete.
01:40:01Bring it on.
01:40:03Aunt, thank you so much.
01:40:07What do you mean, honey?
01:40:08Look, if you don't like it, I won't take it, I won't break it.
01:40:12There's already a return card, whatever you want, okay?
01:40:15Are you crazy? I love it.
01:40:17Thank you so much.
01:40:20Good luck, girl.
01:40:24Hello.
01:40:26Mr. Canberk, you're early.
01:40:28I couldn't stand it.
01:40:30I found myself here.
01:40:32Tomorrow is a big day.
01:40:34We haven't met yet.
01:40:36Ceylin Erguban, Kayaben.
01:40:38I'm also Parla's aunt.
01:40:40Is that so?
01:40:42Then I'm glad.
01:40:44Me too.
01:40:46If you want, let's go out slowly.
01:40:48We'll sit somewhere.
01:40:50Then we'll go over it quickly.
01:40:52Then we'll go to court.
01:40:54You're the boss, Ms. Parla, whatever you say.
01:40:56Here you go.
01:40:58Good day, Ms. Ceylin.
01:41:00Good day.
01:41:09Ceylin, I was coming to you.
01:41:12What happened?
01:41:14Did you find anything about Dilan?
01:41:16Great, come on, let's talk in my room.
01:41:24Avocado.
01:41:26Okay, Ms. Yeliz, I'll make you a new avocado.
01:41:30No, all of them.
01:41:32But I prepared it, it was over.
01:41:34So it's not over.
01:41:36Who came?
01:41:38Where is Yeliz?
01:41:40One minute, nothing is ready yet.
01:41:42Look, we're getting ready, what happened?
01:41:44Who came?
01:41:46Police.
01:41:48Why?
01:41:50They want to take us to the statement.
01:41:52Oh, that's enough.
01:41:54I mean, we told everything, we said it was an accident.
01:41:58Can you mind your own business?
01:42:00Tell me quickly.
01:42:01They didn't come for Serap, they came for your brother's murder.
01:42:05They searched the garden of the house and found everything.
01:42:14Dilan's brother died of high dose.
01:42:17Dilan's brother was at the door of the association to take revenge on the drug dealer,
01:42:21that is, the bag man who caused his death.
01:42:24It's a pity, it's not 11 o'clock yet.
01:42:27I'm sorry, I'm sorry.
01:42:28Dilan's brother was at the door of the association.
01:42:31It's a pity, he's only 15 years old.
01:42:33It was a young life.
01:42:35That's right, it's really painful.
01:42:38But the real important question here is what happened to the bag man.
01:42:44He disappeared.
01:42:46Of course, his family announced a loss, but there's nothing there.
01:42:49Most likely, the association removed the bag man.
01:42:52In return, Dilan killed Mustafa.
01:42:55Exactly, that's what I thought.
01:42:58Okay, this information doesn't work for us.
01:43:01So we can't find Dilan with this information.
01:43:05How many siblings does he have?
01:43:07Does he have any other siblings?
01:43:11He has two sisters, but they're pretty small.
01:43:14Dilan is the oldest.
01:43:16Do you know where they are?
01:43:18No, I couldn't find it, but I'm looking into it.
01:43:20If we can reach their siblings, we can also reach Dilan.
01:43:23I don't think they're very close.
01:43:26Okay, I'll look into it right away.
01:43:28By the way, Esra will come soon.
01:43:31I know, I got my note. Thank you.
01:43:36The car is already very close, but here...
01:43:46So my days in the hospital are over?
01:43:49I thought I couldn't get out.
01:43:51I'll go home and kiss the floor.
01:43:52What am I going to do?
01:43:54Thank God, thank God.
01:43:56You made me the happiest person in the world.
01:44:00Okay, don't make me cry.
01:44:02What are you going to do?
01:44:04You don't know how parents are.
01:44:07Okay, if you don't want to cry, let's go home.
01:44:12Let's go, but I wonder...
01:44:13I wonder...
01:44:15In the open air...
01:44:17Without permission...
01:44:19Without time...
01:44:21Without restrictions...
01:44:23Would we like to eat a meal?
01:44:25I thought about it.
01:44:27Are you crazy?
01:44:29The first five things I can never say no to.
01:44:32The remaining four.
01:44:34Thank you for the light.
01:44:38Okay, then.
01:44:40Come on, I have to go to the hospital.
01:44:41You've been in the hospital for two days.
01:44:43It's just dry dust.
01:44:45You're back at the police station.
01:44:47It's not without you.
01:44:49Your complaints to Mr. Prosecutor, your satisfaction, in the father's house.
01:44:53My dusty.
01:44:55My king.
01:45:03And if you see him walk,
01:45:06That's when I'll be the happiest man in the world.
01:45:11♪
01:45:41I'll take you to your seat and then I'll run away.
01:45:43Come on, Chief Inspector.
01:45:45I'll take care of it.
01:45:48Can you do it, Mr. Prosecutor?
01:45:50We'll do it. It's our job.
01:45:53Well, let's see.
01:45:58My beautiful girl.
01:46:11Don't worry about us, Chief Inspector.
01:46:25Yes, stop, stop, stop.
01:46:27Now let's go a little further.
01:46:30Oh, my legs.
01:46:33That's it.
01:46:41♪
01:47:11♪
01:47:15♪
01:47:19♪
01:47:23♪
01:47:25Shall we take it here, Chief Inspector?
01:47:27Here you go.
01:47:31What's going on, Mr. Prosecutor?
01:47:33I don't understand anything about your brother.
01:47:35Let me explain.
01:47:37Please sit down.
01:47:41According to a report,
01:47:43a search was carried out at the house of your brother, Mr. Iskender.
01:47:47And these were found in the gardens.
01:47:51The file has been reopened.
01:47:53Because we can't call it a simple theft anymore.
01:47:55Hmm.
01:47:57Why?
01:47:59Contrary to the purpose of the robber,
01:48:01contrary to the extraordinary flow of life.
01:48:03Even if he was afraid and hid it,
01:48:05then he had to go back and get it.
01:48:07Hmm.
01:48:31Here you go.
01:48:37Did he accept the report?
01:48:39Yes, he has nowhere to run.
01:48:41The exit operation was also carried out from the school.
01:48:43He must have been notified to you.
01:48:45The director called, yes.
01:48:47Ms. Ceylin, I really can't tell you how comfortable I am.
01:48:51We really appreciate it.
01:48:53If it weren't for you,
01:48:55who knows what else would happen to our children?
01:48:57Please, I just did my job.
01:49:01Well, I'll follow up.
01:49:03I'll let you know again.
01:49:05Goodbye.
01:49:07Goodbye.
01:49:11Come in.
01:49:13Are you available?
01:49:15Yes, yes, come in.
01:49:21What's up?
01:49:23You look a little depressed.
01:49:25A little.
01:49:27But not much.
01:49:29Hmm. Why?
01:49:31I'm tired of spring.
01:49:33It's okay.
01:49:35You took care of the school file.
01:49:37Well, I guess I did.
01:49:39I told the parents.
01:49:41They were relieved.
01:49:43From now on, the school
01:49:45should be more meticulous.
01:49:47Come in.
01:49:49I'm sorry I interrupted.
01:49:51I learned something important
01:49:53about Dilan's siblings.
01:49:55I thought you might want to know.
01:49:57Of course.
01:49:59Dilan's siblings live with their aunts.
01:50:01Of course.
01:50:03You're one of them.
01:50:05If you need anything, I'm in my room.
01:50:07Okay, thank you.
01:50:09Come on, get up.
01:50:11We're going to save Çınar.
01:50:13Then I'll treat you to dinner.
01:50:15Do you want kebab or iÅŸkembe?
01:50:17Don't come to me with iÅŸkembe, please.
01:50:19No, please.
01:50:21Okay.
01:50:23Then do you want Japanese style duck or
01:50:25Café de Paris?
01:50:27I'm not hungry.
01:50:29You're in the car, but you're in the van.
01:50:31May I know
01:50:33what you mean?
01:50:35First,
01:50:37you said you were at home.
01:50:39Then you changed your statement.
01:50:41Because I didn't want
01:50:43my relationship with my driver girlfriend to be revealed.
01:50:45Also,
01:50:47my stay at the hotel was proven.
01:50:49No, it wasn't.
01:50:51There are only two statements.
01:50:53If I had this file 20 years ago,
01:50:55I would prove that the witness statements were lies.
01:50:59I watched the footage from the funeral.
01:51:01The press took it.
01:51:03Your hand is handcuffed.
01:51:05Why? What happened to your hand?
01:51:07I lost my only brother.
01:51:09I'm so sorry.
01:51:11I rebelled against this happening to us.
01:51:13I hit my hand on the wall.
01:51:15They wrapped it up.
01:51:17You still have a need.
01:51:19You took
01:51:21your father's seat.
01:51:23Also,
01:51:25they didn't find
01:51:27any traces of
01:51:29any fight.
01:51:31So, they knew someone at home.
01:51:39He was my brother.
01:51:43For no reason,
01:51:45it can't be enough
01:51:47to kill a brother.
01:51:49It's not something
01:51:51that hasn't been seen in human history.
01:51:55Please.
01:52:05Here you go.
01:52:07Thank you, sister.
01:52:13You must be thirsty, master.
01:52:15I told you to drink some tea.
01:52:17It will warm you up.
01:52:19Warming up is important.
01:52:21Thank you, madam.
01:52:25Thank you.
01:52:31The medicines are ready for now.
01:52:33He wanted to rest in the chair.
01:52:35I'm ready for today.
01:52:37Okay, you can leave.
01:52:39I'll be back tomorrow.
01:52:41Have a nice day.
01:52:43Have a nice day, master.
01:52:45Thank you.
01:52:55Yusuf
01:52:57Yusuf
01:52:59It's nice out here.
01:53:01Do you want to go out?
01:53:03Come on.
01:53:05I'm just watching.
01:53:07The garden is the same.
01:53:09It's clean.
01:53:11It's a nice place.
01:53:13I'm sure it will be good for both of us.
01:53:15It's good for you as well.
01:53:17Let's open this.
01:53:19You know everything.
01:53:25I
01:53:47Don't come in
01:53:55You
01:54:01Yeah, yeah, I'm Joe I can't I don't know if you didn't get it you didn't get him. Yeah, that's the up to us
01:54:07They can't be big plan you people boy. They're good
01:54:25I
01:54:55Can you make a little news?
01:54:57yes
01:54:59He can you see me watch
01:55:01I'm a telecom
01:55:03She's a she's a lady
01:55:05Istanbul
01:55:07Okay
01:55:09Okay
01:55:11Okay
01:55:13Okay
01:55:15Okay
01:55:17Okay
01:55:19Okay
01:55:21Okay
01:55:23Oh
01:55:25Yeah
01:55:27Oh
01:55:29Oh
01:55:31Oh
01:55:33Oh
01:55:35Oh
01:55:37Oh
01:55:39Oh
01:55:41You received an important piece of news that day.
01:55:43The name of a worker with the color of the walls.
01:55:47I don't know. I really don't remember.
01:55:49Something about the hotel.
01:55:51No.
01:55:52Really, no.
01:55:53Could it be because you never stayed in that hotel?
01:55:56Mr. Oktay.
01:55:58Hasn't this truth been haunting you for years?
01:56:01Doesn't it bother your conscience, Mr. Oktay?
01:56:08I don't know what you're talking about.
01:56:10Ms. Elis killed her brother and sister-in-law, didn't she?
01:56:13Did you help her?
01:56:15No.
01:56:16I...
01:56:17I didn't kill anyone. No.
01:56:19Helping the murderer to cover up the crime...
01:56:22...is what makes you the murderer of the truth.
01:56:24And the punishment is great.
01:56:35Her face is completely disfigured.
01:56:37We have to prove this, Eren.
01:56:39She has the potential to commit crimes all the time...
01:56:42...and it's obvious that she's used to covering it up.
01:56:44She's used to it.
01:56:45Because it's not easy to find the location, the money...
01:56:47...and all these details.
01:56:58Thank you so much. Why did you bother?
01:57:01You're welcome. Enjoy your meal.
01:57:05Thank you.
01:57:10I was shocked when I heard it.
01:57:13Dilan is a little girl.
01:57:15What's the point of killing someone?
01:57:17I can't believe it.
01:57:19The police are asking about it.
01:57:21I'm telling them the same thing.
01:57:23Unfortunately, the girl is not here.
01:57:25It's hard for you, too.
01:57:27Isn't it?
01:57:28I'm all alone here with these kids.
01:57:31They are my brother's heirlooms.
01:57:34If his sister-in-law hadn't eaten these nuts...
01:57:37...she would have been in trouble.
01:57:39Anyway, it's all fate.
01:57:41It's up to God.
01:57:43Well, if that's the case, we'll excuse ourselves.
01:57:46Do you have any tea left?
01:57:48We have a lot to do.
01:57:50Can I use the bathroom?
01:57:52It's on the left at the end of the corridor.
01:57:54Wait a minute.
01:58:07The number you are trying to reach is unavailable.
01:58:18Hello, girls.
01:58:29How are you?
01:58:33Who are you?
01:58:34I'm Ceylin.
01:58:36What are your names?
01:58:41Oh, this is my favorite cartoon.
01:58:49I know your sister.
01:58:52And I want to help your sister.
01:58:55I know she never comes here.
01:58:57You miss her, too.
01:58:58But if I find her, I can help her.
01:59:01You can always see your sister.
01:59:03I mean, she may not need to hide anymore.
01:59:12This is my card.
01:59:14If your sister comes, can you give this to her?
01:59:17No, my sister never comes here.
01:59:19Okay, I'm just saying if she comes.
01:59:27Goodbye, see you.
01:59:29Sorry, I don't want to see your cartoon anymore.
01:59:31Goodbye.
01:59:33Goodbye.
01:59:50Dilan is definitely coming here.
01:59:52I'm sure of it.
01:59:53That's great.
01:59:54We took a great step to save the honest brotherhood.
01:59:57Someone has to wait here.
01:59:59To follow Dilan.
02:00:01Don't worry about it.
02:00:03I'll take care of it.
02:00:04Okay, okay.
02:00:05Oh, my God.
02:00:06You don't move at all today.
02:00:07You're a pain in the ass.
02:00:25Yes.
02:00:26My attorney is unaware of it.
02:00:28He wants you to stay here.
02:00:30Don't worry, we can't leave anywhere anyway.
02:00:32If we leave, you'll know.
02:00:34The police will let us know you're after us.
02:00:37Did you think we didn't notice?
02:00:40Of course, Chief Inspector.
02:00:41Let the prosecutor handle it.
02:00:45The prosecutor is determined.
02:00:47He'll find the killer.
02:00:49We'll be very happy.
02:00:51I mean, I don't know if the justice that comes after 20 years is justice, but...
02:00:54At least my brother's bones won't leak anymore.
02:01:00I'm sorry.
02:01:13My love.
02:01:14My love.
02:01:15Can I ask you for something?
02:01:17Of course, go ahead.
02:01:19I'm going to be a little long.
02:01:20Can you take Mercan to my place today?
02:01:22I'll take it, but you'll take it tomorrow.
02:01:24Deal.
02:01:25Thank you for the deal.
02:01:27You're welcome, my love.
02:01:28I mean, thank you for being my husband.
02:01:31I love you. See you at home.
02:01:33See you, my love.
02:01:35Since you got permission from the queen, it's a long distance.
02:01:37Where do we start?
02:01:39Let's get Mrs. Yeliz's mother and father's statement.
02:01:41Okay, I'll get it right away.
02:01:43No, since they're old people, let's go to their house.
02:01:46Of course, sir.
02:01:48See you then.
02:01:50I don't want you to feel our pain, Mr. Prosecutor.
02:01:58It's been 20 years since my son and my daughter-in-law were buried.
02:02:02This woman hasn't opened her mouth since that day.
02:02:04No one heard her voice.
02:02:06While you're used to Kenan's pain, don't do it.
02:02:10Please.
02:02:11It's a shame for us, too.
02:02:13Of course, our goal is not to remind you of your pain, Mr. Fahri.
02:02:16But as I said, there's a case that's been covered up with theft.
02:02:19And the killer is still free.
02:02:23My son is gone.
02:02:25Nothing can bring him back now.
02:02:29Even if justice is a little bit, it pours water on your pain.
02:02:32Let's continue our investigation without tiring you.
02:02:35And let's find the killer.
02:02:36How is that going to happen?
02:02:38Questions again, old notebooks will be opened.
02:02:40Look, you found the stolen ones.
02:02:42You came to our door first.
02:02:44We have no answer to any questions, Mr. Prosecutor.
02:02:48We just came to see if you remember anything that has been skipped.
02:02:54I'm sorry.
02:02:57Good evening.
02:02:58You too.
02:03:00Here, I'll bring it to you.
02:03:15How are you? Are you having fun?
02:03:18Have fun.
02:03:26Come on, let's dance.
02:03:27We've been waiting all winter.
02:03:29Come on.
02:03:30Come on.
02:03:31Come on.
02:03:32Come on.
02:03:33Come on.
02:03:34Come on.
02:03:35Come on.
02:03:36Come on.
02:03:37Come on.
02:03:38Come on.
02:03:39Come on.
02:03:40Come on.
02:03:41Come on.
02:03:42Come on.
02:03:43Come on.
02:03:45Have fun.
02:03:46Thank you.
02:04:03You're still not dressed.
02:04:05Everyone is waiting for you.
02:04:07The party has started.
02:04:09What is this?
02:04:11What?
02:04:12What is this thing down there?
02:04:16Welcome to the Spring Party.
02:04:19Come on.
02:04:20Elis.
02:04:21A few days ago, someone died in this house.
02:04:28Someone.
02:04:31Someone insignificant.
02:04:36Anyone.
02:04:40Anyone.
02:04:48No, it was not like that, Oktay.
02:04:51Tell me.
02:04:53Your pain is too great.
02:04:55Are you sick?
02:04:59It must be devastating for you to be burying your loved one.
02:05:08Did you know?
02:05:09Of course I knew.
02:05:11And that's why you killed him.
02:05:39I'm sorry.
02:06:04Did you want something?
02:06:06Where were you looking?
02:06:07Well, nothing. I mean, I'm not even aware of it.
02:06:12Why are you still here? Didn't I tell you to go?
02:06:15Cleaning is over now.
02:06:17I don't want to see that dirty face of yours for another second, okay? Go.
02:06:21What are you doing?
02:06:23What did you dream about?
02:06:25While setting up the table?
02:06:28Did you think about being the lady of this house or something?
02:06:31What do you think of yourself?
02:06:33What are you saying?
02:06:36Get out of my house, Mr. Servet.
02:06:48Why do you think I set up your husband?
02:06:52You never think that he might be in love with me, right?
02:06:55That he's sick of you because you treat him like shit.
02:06:59That he's looking for love.
02:07:01I didn't go up against him.
02:07:04He went up against me. He asked me for love for months.
02:07:09You're lying. You'd give anything for money.
02:07:14Don't confront me, confront your husband.
02:07:17Even if I leave his life, he'll never love you.
02:07:21Never.
02:07:35What happened? Are you okay?
02:07:37He fell. He fell.
02:07:39Serap!
02:07:44Come on, get dressed. Everyone's waiting for us.
02:07:49You killed him.
02:07:51And this time, I won't let you cover yourself.
02:07:54Either you go and confess that you killed Serap...
02:07:58...or I go and tell myself that you killed my brother and my aunt.
02:08:02Who's going to believe you?
02:08:05You have no proof.
02:08:08Do you have proof that I killed Serap? No.
02:08:12Do you have proof that I stabbed my brother and my aunt?
02:08:16No.
02:08:18Are they going to believe you?
02:08:24Maybe I don't just have words.
02:08:28Maybe I don't just have words.
02:08:31Maybe I have more, Yeliz.
02:08:49Let's not keep our guests waiting.
02:08:52Come on, get dressed.
02:08:58Come on.
02:09:18He's going to tennis early tomorrow.
02:09:21I hope he doesn't suffer too much.
02:09:25So, are you having fun?
02:09:42I think we should leave it open like this. It'll heal faster.
02:09:45You're right, Manu.
02:09:47I'm already bored of the bandage.
02:09:50But if I can kiss it, it'll heal faster.
02:09:54Where are you going?
02:09:56What do you mean?
02:09:57Isn't it too late?
02:09:58One dose a day.
02:10:00The rest is tomorrow.
02:10:01I'm asking for a dosage that hasn't been approved.
02:10:04Mercan, we're going to be late. You said ten minutes.
02:10:08Look, Mercan, you're making a fool of yourself.
02:10:11Because we're going to be late.
02:10:13Shut up.
02:10:15Come on, Mercan.
02:10:16If you get ready like this every day, how are we going to get out of the house?
02:10:20I'm here. How did it go?
02:10:23It went well, my dear.
02:10:26Come on, let's go.
02:10:28It's your turn to get the bandage today.
02:10:30What is this for, ma'am?
02:10:32If my dad is going to get it, it's for the harmful things day.
02:10:36Oh, my God.
02:10:37Wasn't this harmful things day new?
02:10:40No, I counted.
02:10:43Okay, then. Count to 30.
02:10:45If you can count, I'll let you.
02:10:48Count, my dear.
02:10:49Count, so that the unbelieving ears can hear.
02:10:521, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16.
02:11:0317, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30.
02:11:14Harmful things.
02:11:15Harmful things day.
02:11:17I say, after you get the bandage, I'll come and get you.
02:11:20So?
02:11:21Let's go look at the caravan.
02:11:23What are you talking about? What are you doing?
02:11:26I found one, second hand, clean, just for us.
02:11:28Great.
02:11:29I can't wait for the evening. I'm so curious.
02:11:31Come on, I'll show you on the computer in the room.
02:11:33Even if you don't like it, we won't go.
02:11:35Okay, but I'll definitely like it.
02:11:36After all, you are the expert in this business.
02:11:38We'll see.
02:11:41Why hasn't he called yet?
02:11:44Open it.
02:11:47Yes, Mr. Nevzat.
02:11:48He wants to talk to his wife.
02:11:50I want to see you too.
02:11:54What?
02:11:59Kill me.
02:12:00It won't do any good.
02:12:02The knife you killed your brother and sister-in-law with will go to the prosecutor today.
02:12:14Now?
02:12:26Leave Okta.
02:12:31Kill the prosecutor.
02:12:34That knife should never reach the prosecutor.
02:12:44I love it.
02:12:52This corner will be my corner.
02:12:54I'll stretch my legs here and read my book.
02:12:56It doesn't matter to me.
02:12:58My place is fixed.
02:12:59Captain's mansion.
02:13:00I'll use it sometimes.
02:13:03Mercan will go crazy.
02:13:05We'll have him take care of it until summer.
02:13:07Then a small escape, a few hours away, by the lake or something.
02:13:12Great idea.
02:13:13We can even do a few things.
02:13:16I thought you liked it.
02:13:18I liked it, I loved it.
02:13:20But now, let's not touch our personality.
02:13:23To make it better.
02:13:25Understood.
02:13:26We won't be able to save this job without expenses.
02:13:29Anyway, I have to go.
02:13:30Because I have three interviews the day after tomorrow.
02:13:35You'll be here all day then.
02:13:36Yes.
02:13:37I'll come to you as soon as I'm done.
02:13:39I'll make you look like me.
02:13:40That's not possible.
02:13:44Have a nice day, darling.
02:13:46I love you.
02:13:48I love you too.
02:13:59Don't think I'm leaving.
02:14:10I love you.
02:14:11I love you too.
02:14:12I love you.
02:14:13I love you.
02:14:14I love you.
02:14:15I love you.
02:14:16I love you.
02:14:17I love you.
02:14:18I love you.
02:14:19I love you.
02:14:20I love you.
02:14:21I love you.
02:14:22I love you.
02:14:23I love you.
02:14:24I love you.
02:14:25I love you.
02:14:26I love you.
02:14:27I love you.
02:14:28I love you.
02:14:29I love you.
02:14:30I love you.
02:14:31I love you.
02:14:32I love you.
02:14:33I love you.
02:14:34I love you.
02:14:35I love you.
02:14:36I love you.
02:14:37I love you.
02:14:38I love you.
02:14:39I love you.
02:14:40I love you.
02:14:41I love you.
02:14:42I love you.
02:14:43I love you.
02:14:44I love you.
02:14:45I love you.
02:14:46I love you.
02:14:47I love you.
02:14:48I love you.
02:14:49I love you.
02:14:50I love you.
02:14:51I love you.
02:14:52I love you.
02:14:53I love you.
02:14:54I love you.
02:14:55I love you.
02:14:56I love you.
02:14:57I love you.
02:14:58I love you.
02:14:59I love you.
02:15:00I love you.
02:15:01I love you.
02:15:02I love you.
02:15:03I love you.
02:15:04I love you.
02:15:05I love you.
02:15:06I love you.
02:15:07I love you.
02:15:08I love you.
02:15:09I love you.
02:15:10I love you.
02:15:11I love you.
02:15:12I love you.
02:15:13I love you.
02:15:14I love you.
02:15:15I love you.
02:15:16I love you.
02:15:17I love you.
02:15:18I love you.
02:15:19I love you.
02:15:20I love you.
02:15:21I love you.
02:15:22I love you.
02:15:23I love you.
02:15:24I love you.
02:15:25I love you.
02:15:26I love you.
02:15:27I love you.
02:15:28I love you.
02:15:29I love you.
02:15:30I love you.
02:15:31I love you.
02:15:32I love you.
02:15:33I love you.
02:15:34I love you.
02:15:35I love you.
02:15:36I love you.
02:15:37I love you.
02:15:38I love you.
02:15:39I love you.
02:15:40I love you.
02:15:41I love you.
02:15:42I love you.
02:15:43I love you.
02:15:44I love you.
02:15:45I love you.
02:15:46I love you.
02:15:47I love you.
02:15:48I love you.
02:15:49I love you.
02:15:50I love you.
02:15:51I love you.
02:15:52I love you.
02:15:53I love you.
02:15:54I love you.
02:15:55I love you.
02:15:56I love you.
02:15:57I love you.
02:15:58I love you.
02:15:59I love you.
02:16:00I love you.
02:16:01I love you.
02:16:02I love you.
02:16:03I love you.
02:16:04I love you.
02:16:05I love you.