Invitation To A Gunfighter - In New Mexico a Confederate veteran returns home to find his fiancée married to a Union soldier
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Short filmTranscript
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00:03:27 [CAT MEOWING]
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00:03:50 -Somebody out there?
00:04:00 -Who?
00:04:02 -Who's out there?
00:04:04 I got a gun by me.
00:04:05 -Eh, you, Medford?
00:04:08 -Who's that?
00:04:10 -Matt Weaver.
00:04:12 -Weaver?
00:04:14 -You stop right there, Weaver.
00:04:16 Don't you come no closer.
00:04:17 -You crazy?
00:04:20 -What are you doing here?
00:04:22 -Doing?
00:04:23 This is my farm.
00:04:25 -No more it ain't.
00:04:29 I'm warning you.
00:04:32 This is my house.
00:04:34 -Ha, ha.
00:04:35 No more it ain't.
00:04:36 I bought it from Sam Brewster.
00:04:39 -Brewster?
00:04:40 -Yeah, Brewster.
00:04:42 After Grant mustered us out.
00:04:44 -Why, this ain't been your house, rib,
00:04:47 for pretty near three years.
00:04:50 Now you start walking off my land, and keep off.
00:04:54 [THEME MUSIC]
00:05:02 [MUSIC PLAYING]
00:05:30 -Ha, ha, ha.
00:05:32 Welcome.
00:05:33 Welcome home, Senor Matt.
00:05:35 -Home?
00:05:37 It's been stolen out from under me by this steven town.
00:05:41 -My house is yours.
00:05:43 Make a roof over your head.
00:05:45 -I aim to sleep under my own roof.
00:05:47 [MUSIC PLAYING]
00:05:51 [MUSIC PLAYING]
00:05:54 -What's going on here, Billy?
00:06:08 -That weaver.
00:06:09 -Weaver?
00:06:10 -He's got a gun.
00:06:12 He's heading for Brewster's.
00:06:14 -Tartoon!
00:06:15 Hey, Tartoon!
00:06:16 Tartoon!
00:06:17 -Oh, what's the rush?
00:06:19 -The red is back.
00:06:20 Matt, give us a hand.
00:06:22 -Tartoon!
00:06:23 -Hey, Tartoon!
00:06:25 -Guess what?
00:06:26 Matt Weaver's here.
00:06:28 Joe and Joseph headed for Brewster's,
00:06:30 and he's carrying a gun.
00:06:31 -Major Brewster's with a gun.
00:06:33 Wait for me.
00:06:33 -Crane, what is it?
00:06:34 -It's his biggest life out there.
00:06:38 Matt Weaver.
00:06:40 -What?
00:06:43 -I put a bullet through him.
00:06:45 -Crane, please.
00:06:46 -And my nightmare for good and all.
00:06:48 -Crane, you're drunk.
00:06:49 -Don't say it.
00:06:52 Don't you ever say it.
00:06:54 -Go.
00:07:00 -Brewster!
00:07:09 Open up, Brewster!
00:07:11 Brewster, open up!
00:07:15 Brewster!
00:07:17 Brewster, open up!
00:07:19 -It's the Red, sure enough.
00:07:23 Pounding on Brewster's door.
00:07:25 -Yes, sir.
00:07:26 -Brewster!
00:07:29 -Brewster, I'm coming in.
00:07:31 Brewster, I'm coming in.
00:07:32 Come on down, Brewster.
00:07:58 I'm coming up.
00:08:00 -Weaver!
00:08:13 -Stand clear!
00:08:22 -Crane!
00:08:23 -Ruth.
00:08:27 It's between me and him.
00:08:31 -You got him in the arm.
00:08:33 -I aim for his red part.
00:08:35 -Your performance is never up to your intentions.
00:08:39 Ruth, take Crane home.
00:08:43 Oh, welcome, Sheriff, welcome.
00:08:47 Now that you're here, is it in your capacity to arrest this man?
00:08:51 He broke into my house, tried to kill me.
00:08:54 -Chill.
00:08:56 -I came here to ask about my farm.
00:08:59 -To ask?
00:09:00 Ask, and it will be given thee.
00:09:04 But with a rifle in your hands--
00:09:06 -Matt.
00:09:07 Come on, Matt.
00:09:08 Sheriff.
00:09:12 Sheriff.
00:09:13 -Matt, get a hold of yourself.
00:09:28 You put Brewster out of your mind.
00:09:30 You're trying to take on a whole town, not one man.
00:09:33 -Old folks and women folks and Mexicans.
00:09:36 Couple of cripples like Crane, that's what this town is.
00:09:39 -Did you come back on your own legs, swinging your own arms,
00:09:45 seeing out of both your eyes?
00:09:46 -Well, I found my daddy.
00:09:54 Tennessee.
00:09:55 It's my daddy, all right, but his head was shot off.
00:10:07 So I picked up his rifle, picked up where he left off,
00:10:17 and I stayed to the end.
00:10:21 The end.
00:10:22 Now, it's over.
00:10:23 -The war is over.
00:10:24 Not here, it ain't.
00:10:25 -No, sir.
00:10:28 -Not while Brewster can keep it going.
00:10:31 -You say Medford bought my farm from Brewster?
00:10:34 Well, how'd Brewster get it?
00:10:37 How?
00:10:38 How'd Brewster get it?
00:10:39 -Well, when they auctioned it off, nobody had any real cash,
00:10:42 except Brewster handed up just to keep things legal.
00:10:49 -Legal?
00:10:51 Legal, we was mustered out to return home.
00:10:54 Articles of surrender didn't say nothing about confiscation.
00:10:56 -Hey.
00:10:57 Hey, boy.
00:10:58 Now, you just lost the pint of blood.
00:10:59 You quiet down.
00:11:01 -So Brewster picked up my farm cheap, sold it a profit to Medford.
00:11:06 -Hm?
00:11:09 -Just weird isn't it, old folks dying off?
00:11:12 -Well, who's picking up their leavings?
00:11:15 You get out of this town, boy.
00:11:17 Come this morning, you're still here.
00:11:26 Pick up your gear and walk out of here.
00:11:28 Keep walking, never come back.
00:11:31 -Hey, look.
00:11:49 [children shouting]
00:11:52 -Hey.
00:11:55 [bells ringing]
00:11:58 -What's the holy racket?
00:12:22 -Church summons.
00:12:23 -On Tuesday morning?
00:12:25 -Funeral for John Medford.
00:12:26 Crazy rabb killed Medford out of his farm last night.
00:12:29 -This is a meatless town.
00:12:38 -How long is the stop here?
00:12:44 -In Vegas, no longer than I can help.
00:12:46 Quarter hour, maybe.
00:12:50 -Our good reverend, Brother McMichaels,
00:12:53 has given me leave to speak a few words
00:12:57 over the body of my friend and yours,
00:13:02 a Union hero of Apache Canyon.
00:13:07 One of the few to return to us from that valley of death.
00:13:14 May John Medford's soul rest in peace.
00:13:18 -Amen.
00:13:20 -Amen.
00:13:23 -Peace for John Medford.
00:13:26 But not for us, my friends, not yet.
00:13:29 This morning, we woke up to find that we've got still
00:13:32 another widow in a town that's already got more than it share.
00:13:36 And she was witted by a rabb, a Matt Weaver.
00:13:40 No, the war's not over for us, friends.
00:13:44 This Confederate soldier is still in uniform, mind,
00:13:48 still bearing arms, invaded this township,
00:13:51 broke into my house, tried to kill me, broke out of jail.
00:13:54 You believe our good sheriff?
00:13:56 In the secret places, he did smite to death an innocent.
00:14:01 I put it to you, how do we smite this, this enemy of the Lord?
00:14:05 -Now, listen here.
00:14:07 You listen here to me.
00:14:10 I brung the first wagons in.
00:14:12 I can bring this rebel boy into stand trial.
00:14:17 I got to bring him in.
00:14:19 -Now, we're not forgetting what you done when you was able,
00:14:22 you old war horse.
00:14:24 We're not going to send you out to get cut on by a crazy rib.
00:14:27 -Suppose you just tell us what you're working us up to.
00:14:30 -Now, lacking a posse or the sheriff able to do the job,
00:14:35 come to me, we could call on the US Marshal in Santa Fe for help.
00:14:40 -Except the US Marshal's got a territory full of looters and rebs to clean out.
00:14:45 Last word from Santa Fe, they got a backlog a year long.
00:14:48 -But we can't wait a year.
00:14:50 We can't wait a week.
00:14:51 Business will go to pot.
00:14:53 Well, how many more can Matt weave a widow in a year?
00:14:58 -I hear you, Mr. McKeever.
00:15:00 Oh, I'm digging into my own pocket.
00:15:03 I sent Crane Adams to Amarillo to hire a lawman
00:15:06 able to flush that reb out of these hills and end this war we thought was over.
00:15:14 -A lawman, Mr. Brewster?
00:15:16 Crane went to find a gunfighter.
00:15:18 A gunfighter kills the man he goes after.
00:15:21 No trial, no jury.
00:15:23 Guilty or innocent, he kills him.
00:15:25 Are you asking us to believe--
00:15:26 -I'm asking you nothing, Mrs. Adams.
00:15:29 Women don't vote here.
00:15:31 -You turning this funeral service into a meeting, Sam?
00:15:38 Well, I've got a vote.
00:15:41 And I'm asking you, are you saying we're not going to hear Matt's side of it?
00:15:45 Dispense with all due process of law?
00:15:48 -How many here besides me lost sons?
00:15:51 Hands.
00:15:52 -Hands.
00:15:53 -How many here lost husbands?
00:15:56 Hands.
00:15:57 Due process of law, Barker, in wartime, until every last murdering reb lays down his arms, it's still war.
00:16:05 And we got a new widow in our midst that needs our help.
00:16:09 Stand not, brother.
00:16:11 Stand not.
00:16:12 Give.
00:16:14 Give.
00:16:16 And it shall be given unto you.
00:16:22 -All aboard.
00:16:23 All aboard.
00:16:29 You're paying through the Santa Fe.
00:16:33 About your little life, huh?
00:16:38 Don't look for it to last.
00:16:42 -How'd it go?
00:17:00 -Bedford's gone for good, and Weaver's good as gone.
00:17:03 I'll take over.
00:17:10 -You sure you want this side of town?
00:17:14 Mexican town's just over the wash.
00:17:30 Well, you'll be a sight more comfortable here.
00:17:33 Billy, take Mr. uh-- Mr. uh-- take the gentleman's bags up to number five, front.
00:17:39 Stay along, Mr. uh--
00:17:41 [music playing]
00:17:43 [music playing]
00:17:44 (door closes)
00:17:47 ♪ (ominous music)
00:18:12 (door opens)
00:18:15 ♪ (ominous music)
00:18:30 (whistling)
00:18:34 (door opens)
00:18:35 ♪ (ominous music)
00:18:58 (door closes)
00:18:59 ♪ (ominous music)
00:19:01 - You knew I'd open for that signal.
00:19:04 ♪ (ominous music)
00:19:10 - Well who's out there, Crane?
00:19:12 Who else?
00:19:14 - Nobody's out there.
00:19:16 (door opens)
00:19:18 I came here to find out for myself.
00:19:22 Did you kill John Medford?
00:19:26 - Well, I went crazy.
00:19:33 I tried to scare him off with bullets.
00:19:36 Well, old Medford come out with his hands up.
00:19:41 To talk, he said.
00:19:43 "No guns," he said, so I put down mine
00:19:45 and he got close and pulled this.
00:19:48 He missed and I didn't.
00:19:53 Ruth, I swear that's what happened.
00:19:57 - Even if I believed you, what difference would it make?
00:20:00 The whole town is after you. - I know, I know.
00:20:05 I have weeks walking here, Ruth.
00:20:10 And now I...
00:20:16 I get here and...
00:20:19 Ruth, I'm tore up.
00:20:21 Not just Medford...
00:20:24 You and Crane, how could you marry?
00:20:29 If you ever came back, I wanted to be sure
00:20:32 that I wouldn't be waiting for you.
00:20:35 - Oh, you know, you fixed it sure.
00:20:38 - You never would believe that I cared that much about...
00:20:42 about men buying and selling other men.
00:20:45 You wouldn't let yourself care.
00:20:47 You didn't love me enough to stop yourself
00:20:49 from doing the one thing that could finish us off for good.
00:20:51 - Ruth, I told you a thousand times
00:20:52 I had to go find my daddy!
00:20:53 - That is not why you went!
00:20:55 You went because you're pig-headed like your father.
00:20:58 Because you couldn't do like the rest if it killed you.
00:21:02 Oh, Matt.
00:21:09 ♪ (soft music)
00:21:15 - Yell at me again.
00:21:18 Feels real home-like.
00:21:21 ♪ (soft music)
00:21:24 - You're such a mean, stubborn boy.
00:21:25 - That was the only way I could make you listen.
00:21:29 At least to wonder if you'd ever grow up.
00:21:35 ♪ (soft music)
00:21:43 And you never did, hold that.
00:21:47 ♪ (soft music)
00:21:51 - Oh, I grew up!
00:21:53 But you're right, I never was much on reasonableness.
00:21:56 And having my farm stole out from me
00:21:58 doesn't make me any more so.
00:22:01 - Never were and you never will be.
00:22:03 I'm glad I didn't wait for you.
00:22:05 - You happy with Crane?
00:22:08 - Crane left town yesterday.
00:22:13 He went...
00:22:15 He went to find a gunfighter.
00:22:17 - Gunfighter?
00:22:19 - Tch!
00:22:20 - Fight what?
00:22:21 - Fight you.
00:22:23 - Brewster.
00:22:28 ♪ (soft music)
00:22:30 - It'll take Crane a week.
00:22:33 If you leave now, they'll never find you.
00:22:35 (sighs)
00:22:37 - That's my mother's grave out there, Ruth.
00:22:40 I planted them vines on the porch.
00:22:43 I live here till I die, sooner or later.
00:22:46 However long I live, I'll fight the whole town
00:22:48 for the right to die here.
00:22:50 ♪ (soft music)
00:22:53 - Hey, you answer me.
00:22:55 You happy?
00:22:59 - Happy?
00:23:02 This is the house I was going to live in until I died.
00:23:08 You planted vines.
00:23:10 I knew where I was going to plant roses.
00:23:13 I loved you.
00:23:15 I loved you so much that now I hate you...
00:23:19 because you're a thief, Matt.
00:23:21 You stole yourself away from me for nothing.
00:23:25 For nothing.
00:23:27 You stole my rightful life away from me.
00:23:30 ♪ (soft music)
00:23:36 ♪ (dramatic music)
00:23:47 (children playing)
00:23:53 - I got half dollar says he's a skinny runt
00:23:54 tied to a big gun.
00:23:56 And all them skinny runts are the ones
00:23:58 that get handy with a gun.
00:23:59 They got to, you know.
00:24:01 (children playing)
00:24:05 ♪ (soft music)
00:24:26 - Wait here, I'll go find Brewster.
00:24:28 ♪ (soft music)
00:24:32 - Down, son.
00:24:34 ♪ (soft music)
00:24:42 - Let me through.
00:24:43 - Let me through, please.
00:24:45 - Ah, Mr. Brewster.
00:24:46 This is Mr. Dancer.
00:24:48 - Good morning, sir.
00:24:50 - You one-armed toad!
00:24:51 Driving me 100 miles in that square wheel hearse for what?
00:24:54 For nothing!
00:24:55 Your brain's rocking with booze!
00:24:57 (men shouting)
00:24:59 ♪ (dramatic music)
00:25:15 - Mr. Brewster...
00:25:16 - Can't you do nothing right?
00:25:18 - Mr. Brewster!
00:25:19 I sent you after a gunfighter,
00:25:20 and what'd you come back with?
00:25:22 - How do you find a gunfighter?
00:25:24 - Don't go to church.
00:25:26 Go to a saloon.
00:25:28 Saloon keeper says a top gun is a fellow by the name of Jewel.
00:25:34 But he had to move on, and now we're using Dancer.
00:25:37 So I go to Dancer and I tell him we're paying $300--
00:25:39 - Jewel! - And you pay his coach fare here.
00:25:42 - And where is he now?
00:25:44 - Here!
00:25:45 He's here!
00:25:46 Jewel!
00:25:47 There!
00:25:49 (footsteps)
00:25:59 - Your name, Jewel?
00:26:01 - No.
00:26:02 - The hotel register!
00:26:05 (footsteps)
00:26:11 - My name is...
00:26:13 (footsteps)
00:26:16 Jewel.
00:26:18 (footsteps)
00:26:20 - Gaspard.
00:26:22 (footsteps)
00:26:27 - Die a sting.
00:26:30 - Jewel, soft J silent S.
00:26:34 Gaspar, silent D.
00:26:36 De stang, just a touch of diphthong.
00:26:40 - Touch of diphthong?
00:26:42 - Well try...
00:26:44 Jewel.
00:26:47 Jewel!
00:26:49 - Yeah, the J's still a little hard.
00:26:52 Try this...shh.
00:26:55 Shh.
00:26:56 - No.
00:26:59 I'm just gonna call you if I need you, Jewel.
00:27:05 Will you step along to my office now?
00:27:07 I'll find out soon enough if I'm gonna need you.
00:27:10 - How many steps?
00:27:15 - Right down the street here, to the bank.
00:27:19 The bank...where the money's kept.
00:27:24 - Too hot.
00:27:26 - You a gunfighter?
00:27:34 We got a little problem around here.
00:27:42 - It's quite a story.
00:27:45 Quite a story.
00:27:47 There's his rib! - Where?
00:27:49 - Uh, on this farmy off.
00:27:52 Just a short ride out of town.
00:27:56 - Horseback ride?
00:27:59 I stay off horses.
00:28:01 - Well I...
00:28:03 I guess you could walk it.
00:28:06 - I'm not much for walking either.
00:28:09 I'll take care of your rib.
00:28:12 - $500?
00:28:14 I'm not done, sir.
00:28:17 I'll take his $300 in account.
00:28:20 Now...
00:28:22 There...
00:28:25 in your breast pocket.
00:28:39 Bank is sweating.
00:28:42 My hotel room's cooler.
00:28:55 (horse whinnies)
00:28:58 (laughing)
00:29:02 (footsteps)
00:29:09 ♪ (soft music)
00:29:25 - After the time you've wasted for us,
00:29:27 you better pray this jewels what they say is,
00:29:31 and does what he says he'll do.
00:29:33 And that's two things I'm settling right now.
00:29:37 ♪ (soft music)
00:29:53 - I'm back.
00:29:54 - I put your coffee on your desk.
00:29:57 ♪ (soft music)
00:30:16 - What I want to hear is how you're gonna earn your money.
00:30:20 - The bullet in his back, no doubt.
00:30:22 - It is.
00:30:26 What I am talking about is you're here,
00:30:29 and he's out there.
00:30:31 Now you won't ride, you won't walk.
00:30:33 - You'll have to come to me.
00:30:35 He can't work a farm under siege.
00:30:37 He's been shooting his food.
00:30:39 - Yeah.
00:30:40 First sign up, we hear his rifle cracking away.
00:30:44 Weaver's always been a dead shot.
00:30:46 - Not with an empty rifle.
00:30:49 Now where would a man buy or steal bullets in this town?
00:30:54 - The Emporium.
00:30:57 - Now suppose I'm tired of this hotel room.
00:31:00 - Now the Emporium might seem more...
00:31:03 - Home-like.
00:31:05 - Not hardly.
00:31:06 Adams used to live upstairs.
00:31:08 Crane might, Ruth.
00:31:10 - Now the way you walked into my room,
00:31:11 I'd say you owned the hotel.
00:31:14 Wouldn't surprise me if you owned a piece
00:31:15 of every business in this town.
00:31:18 - I own more than a piece of the Emporium.
00:31:22 - I can tell you that.
00:31:24 So you see, I have more faith in your powers
00:31:28 of persuasion than you do.
00:31:30 - I'll put you to Crane.
00:31:35 A man know not how to rule his own house.
00:31:37 - Is he a man?
00:31:39 - Yes sir.
00:31:45 Catch...
00:31:47 Weaver red-handed stealing a...
00:31:50 - That is a cut above a bullet in the back, you gotta admit.
00:31:52 (laughing)
00:31:55 - Here you held a town meeting the other day.
00:32:00 How'd they vote?
00:32:02 - Who?
00:32:03 - Mexicans?
00:32:08 - Don't vote.
00:32:10 Live here.
00:32:12 Oh, roundabouts, they go their way,
00:32:17 we go ours.
00:32:18 Two separate town lines.
00:32:19 - And farmers?
00:32:20 - Work our farm, they want to eat.
00:32:22 - Don't eat much.
00:32:23 - Don't eat much, they're different.
00:32:25 - Yes, I can see how you could afford to go Union.
00:32:27 - We went Union because we're against sedition and slavery.
00:32:31 - And sin.
00:32:34 All but one thy hard reb.
00:32:37 Well...
00:32:39 Let's close 'em out.
00:32:41 ♪ (whimsical music)
00:33:08 (bell rings)
00:33:10 ♪ (whimsical music)
00:33:17 (laughing)
00:33:20 ♪ (whimsical music)
00:33:31 - Ruth!
00:33:33 - Uh-huh, Miss Adams.
00:33:35 This is Mr. Jewel.
00:33:37 - Yes.
00:33:38 - Well, Crane, I brought you some business, boy.
00:33:41 But out of your line, maybe.
00:33:42 I got a boarder for you.
00:33:43 - Huh?
00:33:43 - A boarder.
00:33:45 Man, a boarder!
00:33:46 For a couple of days.
00:33:47 Mr. Jewel here, he don't fancy the hotel much.
00:33:50 - We don't take in boarders.
00:33:51 - First time for everything.
00:33:53 - We don't take in boarders.
00:33:55 Ruth!
00:33:56 - I'm putting it to you.
00:33:58 What's Ruth got to do with this?
00:33:59 - The work.
00:34:02 A woman's work is never done in the boarding house, I'm sure.
00:34:05 - I've been meaning to take a...
00:34:09 long look at these books of yours, first chance I got.
00:34:13 ♪ (whimsical music)
00:34:28 Crane, boy, you can't afford nothing taking boarders.
00:34:33 - You'll find Miss Adams here sets a nice table.
00:34:37 - You heard you'll be doing the work.
00:34:38 If you don't want 'em here, speak up!
00:34:40 - Well, that's all settled?
00:34:44 - Yes.
00:34:46 - Well, I'll be on my way now.
00:34:48 You'll show me the way?
00:34:51 - Certainly.
00:34:53 ♪ (whimsical music)
00:35:12 - Oh...spare room.
00:35:14 Means room to spare.
00:35:17 - It's never a question of room.
00:35:19 - Yes, just the company.
00:35:21 - Well I do hope you don't find me to troublesome.
00:35:25 - And what if I do?
00:35:28 - Well isn't it easier to keep an eye on me here
00:35:30 than from your front steps?
00:35:33 ♪ (whimsical music)
00:35:42 (knocking)
00:35:44 (door opens)
00:35:46 (footsteps)
00:35:51 (door closes)
00:35:52 (footsteps)
00:35:58 (door opens)
00:35:59 (footsteps)
00:36:07 (footsteps)
00:36:15 (metal clinks)
00:36:16 (footsteps)
00:36:21 (door closes)
00:36:22 (footsteps)
00:36:36 (metal clinks)
00:36:37 (footsteps)
00:36:44 (metal clinks)
00:36:45 (footsteps)
00:36:51 (footsteps)
00:36:54 (door closes)
00:36:55 (footsteps)
00:36:58 (door opens)
00:36:59 (footsteps)
00:37:05 (door closes)
00:37:06 (footsteps)
00:37:07 (door closes)
00:37:08 (footsteps)
00:37:10 ♪ (whimsical music)
00:37:14 - It's Crane's.
00:37:17 He played beautifully.
00:37:20 (door opens)
00:37:25 ♪ (soft music)
00:37:34 ♪ (soft music)
00:38:04 ♪ (soft music)
00:38:07 (Crane hums)
00:38:25 Sleep well, my child.
00:38:29 Silvery dreams be thine.
00:38:33 May happiness...
00:38:37 illumine your way.
00:38:41 Comme dans chaque vie,
00:38:44 bien qu'il soit tôt ou tard,
00:38:48 on dit qu'il faut qu'il tombe un peu de pluie.
00:38:53 - Frank!
00:38:56 That was Frank.
00:38:58 You, French?
00:39:01 - Creole.
00:39:02 - Creole.
00:39:04 New Orleans.
00:39:07 Born...in New Orleans?
00:39:12 (Frank chuckles)
00:39:17 It's funny!
00:39:19 Don't you see the joke?
00:39:21 Joke's on Brewster!
00:39:23 We hired a rab to kill a rab!
00:39:26 - Born in New Orleans, but no rab.
00:39:29 - Union?
00:39:30 - No.
00:39:31 - Oh, well now!
00:39:34 Let's just hear how you manage that.
00:39:37 - Managed to be in Mexico.
00:39:38 - Sat it out.
00:39:40 Slackery.
00:39:42 - Rab or slacker, which makes you feel better?
00:39:45 - Nothing can make me feel better but you.
00:39:48 Put nothing past you.
00:39:51 - Know what I think? I think you're lying straight through.
00:39:54 Creole!
00:39:55 I say you're Mexican!
00:39:56 - Crane!
00:39:59 - I'll tell you what I am...
00:40:01 and what you are.
00:40:03 I'm a man with a gun...
00:40:06 and you're drunk.
00:40:07 - Please go.
00:40:09 - Good night.
00:40:16 (door slams)
00:40:25 Juice is wild?
00:40:29 (door opens)
00:40:31 I'll open with a dollar.
00:40:42 - I call. - Call.
00:40:44 - I'm out.
00:40:46 - A dollar...
00:40:48 I'll raise you 15.
00:40:50 - I'm out.
00:40:54 (dial tone)
00:40:56 - Call. - Out.
00:41:01 - Light.
00:41:05 - Cards?
00:41:08 - Two.
00:41:12 - One.
00:41:15 - One for the dealer.
00:41:18 (dice rolling)
00:41:20 - How about 25?
00:41:33 - Out.
00:41:35 - 25...
00:41:40 25's better.
00:41:43 (dice rolling)
00:41:45 - I'll call you, damn it.
00:41:50 Beat four aces.
00:41:53 - Five kings.
00:41:57 - Show 'em!
00:42:01 - Four kings...
00:42:04 and a deuce.
00:42:06 - No deuce.
00:42:09 - Five kings.
00:42:11 - You...
00:42:13 - Huh? - Upstairs.
00:42:17 - Never dealt a hand like that before.
00:42:22 Never seen such a town.
00:42:24 Nobody challenges the deal.
00:42:27 Brewster's trained you.
00:42:30 - Mr. Butler will collect for me.
00:42:32 (dice rolling)
00:42:34 - I'll come by for my money tomorrow.
00:42:38 (dice rolling)
00:42:41 - You're on hired hand,
00:42:42 and you're letting them see you and walk away.
00:42:46 Jewel!
00:42:47 We hired your gun.
00:42:49 I'd favor us with a little sharp shooting exhibition.
00:42:52 Tomorrow, maybe.
00:42:54 (gunshot)
00:42:56 (gunshots)
00:43:10 Fancy shooting exhibition tomorrow night.
00:43:12 Bring your friends.
00:43:14 (door slams)
00:43:19 (laughing)
00:43:25 - Crane?
00:43:38 (footsteps)
00:43:40 - Don't tell me the boarder made it home first.
00:43:46 - I heard shots. They woke me.
00:43:49 (door slams)
00:43:50 - Just a little gunplay at the saloon.
00:43:52 Nobody hurt.
00:43:54 - Gunplay?
00:43:56 Guns that play things to you?
00:44:00 - Play and work, Mrs. Adams.
00:44:03 Work and play.
00:44:06 (footsteps)
00:44:08 (footsteps)
00:44:10 (footsteps)
00:44:13 ♪ (soft music)
00:44:41 - Tell me something...
00:44:44 the truth.
00:44:46 - Never lie.
00:44:49 ♪ (soft music)
00:44:53 - I...
00:44:55 I have this feeling that you...
00:44:58 that you are playing with us, all of us.
00:45:01 That...
00:45:03 you really don't intend to do what you've been paid to do.
00:45:09 - Is that a question or a request?
00:45:12 - I'm not sure.
00:45:15 Maybe both.
00:45:17 ♪ (soft music)
00:45:20 - First smile...
00:45:22 first in a long time.
00:45:25 ♪ (soft music)
00:45:27 - Much longer since I've laughed.
00:45:30 My mother used to scold me for laughing too much.
00:45:33 - Is that why you stopped?
00:45:35 ♪ (soft music)
00:45:36 - My mother died, my father.
00:45:40 When the war reached us here...
00:45:42 I don't know, one day I stopped laughing.
00:45:45 - You were not born here.
00:45:48 - New England.
00:45:50 A white town in a green valley.
00:45:54 I wish we'd never left.
00:45:56 ♪ (soft music)
00:45:58 This came from New England. It was Crane's family.
00:46:03 - Nothing good comes from the South.
00:46:07 - I'm not one of those northerners
00:46:08 who despises the whole South.
00:46:11 We knew a family here that...
00:46:14 well, a Southern family.
00:46:15 They were wonderful people.
00:46:17 Warm, kind, happy.
00:46:20 - Your second smile.
00:46:23 ♪ (soft music)
00:46:29 - You didn't answer my question.
00:46:32 What would I do without being paid to do?
00:46:35 ♪ (soft music)
00:46:38 What would I gain by answering it?
00:46:41 ♪ (soft music)
00:46:51 - Well your second smile was your last for a while.
00:46:54 I'll answer your question.
00:46:57 I'm in business for money, and pleasure too.
00:47:00 A town that hires a gunfighter is always a henhouse
00:47:02 with just one looster.
00:47:04 A few fat capons, a few clipped wings.
00:47:07 What happens when a man with a gun walks in?
00:47:10 That's play, Mrs. Adams. Fun!
00:47:13 When the fun is over...
00:47:15 how will it trigger?
00:47:16 ♪ (dramatic music)
00:47:19 Where does Crane go at night?
00:47:22 Why does he drink?
00:47:23 What is Matt Weaver to Crane?
00:47:26 What is he to you?
00:47:29 Tell me...
00:47:31 Was Crane a whole man before he lost his arm?
00:47:34 Are you a whole woman?
00:47:37 ♪ (dramatic music)
00:48:01 (knocking on door)
00:48:04 - Always this hot, St. Pecos?
00:48:26 - Hmm?
00:48:27 Hot?
00:48:28 Oh, it'll get much hotter before it cools off...in winter.
00:48:33 We have snow in winter.
00:48:36 Mr. Guthrie used to say it's either burn or freeze in Pecos.
00:48:40 The late Mr. Guthrie.
00:48:42 - Are those fresh flowers?
00:48:46 - Hmm?
00:48:47 Oh, yes. They're from my garden.
00:48:51 - May I?
00:48:55 Thank you.
00:48:58 (birds chirping)
00:49:05 - I want to buy a horse, Mr. Canalsy.
00:49:07 - Buy?
00:49:08 Nah, recollect you saying something about...
00:49:11 staying off horses.
00:49:12 - Until I have to get on one.
00:49:14 I want you to keep it here,
00:49:15 and settled up for the next 24 hours.
00:49:17 - I hear you.
00:49:18 Knew we could look for a little action sooner.
00:49:21 Well...well, let's see what we got here.
00:49:23 Ah!
00:49:25 (horse whinnies)
00:49:27 Here's a beauty.
00:49:29 Yes, sirree.
00:49:31 Do I?
00:49:33 There's a steal. $30.
00:49:37 - Who's stealing from whom, Mr. Canalsy?
00:49:43 Four hours riding, this horse will go lame.
00:49:46 - Huh? You got a pretty good feel
00:49:48 for a horse-shy city fella, huh?
00:49:50 (horse whinnies)
00:49:52 Well now, let's see, uh...what else we got here?
00:49:55 - You got nothing here but that.
00:49:57 - Huh?
00:49:59 Oh no, no, that soil ain't for sale.
00:50:01 I nursed him off of my colt, riding myself.
00:50:03 I wouldn't sell him for gold.
00:50:05 (horse whinnies)
00:50:07 - $30 in currency.
00:50:09 - No, no, I...I wouldn't sell him, no.
00:50:12 - Can't allow you to cheat yourself, Mr. Canalsy.
00:50:15 $30...when I take him out.
00:50:17 (horse whinnies)
00:50:19 - He's worth $200.
00:50:23 - $30.
00:50:24 (horse whinnies)
00:50:26 Now saddle him up, and keep him saddled.
00:50:29 (horse whinnies)
00:50:31 - Max!
00:50:39 Senor Max!
00:50:41 - Cornmeal.
00:50:53 - You poor you.
00:50:54 - And news.
00:50:57 - Gunfighting, John.
00:51:00 - He's due, don't worry.
00:51:03 - But I do, amigo.
00:51:06 I have seen him...
00:51:07 and today he bought a horse
00:51:09 that he will use before tomorrow night.
00:51:12 - Yeah, well...
00:51:14 I'm ready waiting for him.
00:51:22 - If you got it to spare...
00:51:24 thank you kindly.
00:51:28 But...this...
00:51:32 you can't spare that.
00:51:35 - I...I can shoot by it.
00:51:38 - True.
00:51:39 To us, they will not sell shot.
00:51:42 ♪ (birds chirping)
00:52:09 (gunshot)
00:52:11 (footsteps)
00:52:22 - Shave one dime.
00:52:24 - I admire your enterprise.
00:52:34 (audience chuckles)
00:52:35 - The war shorted me on customers,
00:52:37 in a manner of speaking.
00:52:39 I had to do something to make ends meet.
00:52:42 - Show me that.
00:52:45 - I'm showing that on consignment
00:52:49 for...one of our local widows.
00:52:54 Husband didn't make it back.
00:52:57 Bargain at $50.
00:53:01 - I'll take it.
00:53:04 I'll pay Mrs. Guthrie when I see her.
00:53:07 - Oh now, I didn't say Mrs...
00:53:10 No, sirree, I don't do business.
00:53:11 Oh, you can't just...
00:53:13 Well, what am I going to tell Mrs. Guthrie?
00:53:14 - I'll tell her.
00:53:16 My motto is "Eliminate the middleman by hook or crook."
00:53:25 ♪ (suspenseful music)
00:53:49 (car door closes)
00:53:52 (footsteps)
00:53:57 (speaking Spanish)
00:54:12 (speaking Spanish)
00:54:18 ♪ (soft music)
00:54:27 - Senor...you will kill Matt Weaver?
00:54:31 - That's in your office. Why does it interest you?
00:54:34 - He is the only man here who...
00:54:39 treats us like men.
00:54:41 Matt Weaver and his father before him.
00:54:44 - The rat?
00:54:45 (chuckles)
00:54:47 People aren't simple, are they?
00:54:50 Yes, I've been hired to kill Matt Weaver.
00:54:53 Now save your breath...
00:54:55 and tell them they've been wasting theirs.
00:54:58 If only a man with a gun can solve their problems,
00:55:01 I'm not the man.
00:55:02 I'm not even interested.
00:55:04 (indistinct chatter)
00:55:07 ♪ (ominous music)
00:55:28 ♪ (ominous music)
00:55:46 (thump)
00:55:47 ♪ (ominous music)
00:56:11 - You have time to kill me and get away.
00:56:14 ♪ (ominous music)
00:56:17 Cover up for a thief, I won't do it.
00:56:21 Oh, Matt...
00:56:23 ♪ (ominous music)
00:56:27 - These bullets keep me alive.
00:56:30 I'll pay you back.
00:56:32 - Say what you mean, Matt.
00:56:33 Say you're just ready to keep on killing.
00:56:35 - I told you Ruth, I fight to keep what's mine.
00:56:38 ♪ (ominous music)
00:56:43 - I'm ready for your gunfire now, see, you just...
00:56:46 you send 'em after me.
00:56:47 - Is that the way you came in?
00:56:49 We'll leave that way now.
00:56:52 - Ruth, I never thanked you for coming out to warn me.
00:56:55 I do thank you, Ruth.
00:56:58 - Hurry, Matt. - Ruth!
00:57:01 I'm saying goodbye...
00:57:04 only way I know.
00:57:07 I loved you and I'm sorry I'm like I am.
00:57:10 (gun cocks)
00:57:11 ♪ (ominous music)
00:57:13 - Don't you cover up.
00:57:15 (gun cocks)
00:57:16 ♪ (ominous music)
00:57:21 (door opens)
00:57:22 (door closes)
00:57:24 (door closes)
00:57:25 (footsteps)
00:57:31 - May I join you?
00:57:33 (footsteps)
00:57:38 - Who's he?
00:57:39 - I'm bored here.
00:57:42 - Oh sir, aren't you the gunfighter?
00:57:45 - Gunfighter without a gun?
00:57:47 - Taking quite a chance.
00:57:48 - I'd blast out my chance at killing you...
00:57:52 wanted to look you over.
00:57:55 - Ask a question.
00:57:57 - Yeah, well look quick.
00:57:58 I've killed so many men these past four years,
00:58:00 one more don't matter not.
00:58:02 Tell me, you pass up your chance,
00:58:03 you think I won't pass up mine?
00:58:05 - Truth for tonight.
00:58:07 - Oh?
00:58:08 Oh and you believe me when I say I'm crazy?
00:58:10 - So am I.
00:58:11 Now it's a funny thing, a man crazy to live
00:58:13 takes a chance and dies.
00:58:15 A man who doesn't care takes the same chance
00:58:17 and gets away with it.
00:58:19 Let's call it as you, Gaspar Oswald.
00:58:23 - All right...all right.
00:58:26 So far you're getting away with it.
00:58:29 Now about that question...
00:58:31 - Why were you the one rab in a Union town?
00:58:36 - What kind of a question?
00:58:38 Well I used to have a reason.
00:58:43 Lots of 'em.
00:58:44 - Was it to defend your...
00:58:47 let's call it your slave-owning rights?
00:58:50 - Slave-owning rights?
00:58:52 Slave-owning rights?
00:58:53 Who ever seen a slave in these parts?
00:58:54 You Ruth?
00:58:55 Not unless you see my pa and me
00:58:56 slaving away for Brewster.
00:58:58 Paying off loans for seed and stock
00:59:00 took longer to pay off the interest than loans.
00:59:04 I know...
00:59:05 I know it's a poor, mean excuse of a reason to carry on.
00:59:10 Sometimes...
00:59:12 sometimes it seemed like to me
00:59:13 I went rab just to cross Brewster.
00:59:16 - Don't believe him.
00:59:17 He's what he is because he can't do anything
00:59:19 like anybody else.
00:59:21 And because he hates this town...as much as you do.
00:59:25 You both hate this town and you've allowed it
00:59:27 to set you against each other.
00:59:30 - You think you've found a way of persuading me
00:59:31 not to do what I've been paid to do?
00:59:35 - Have I?
00:59:37 - If I were human.
00:59:39 I'm not, I'm told.
00:59:41 - You don't want to be.
00:59:44 I believe that you are.
00:59:46 - I say you're gonna try to earn your blood money.
00:59:49 - Right.
00:59:51 You stand between me and something I want.
00:59:54 - Mm-hmm.
00:59:55 - Well when the time comes, it'll help to know you aren't human.
00:59:58 - Ruth?
01:00:00 Where are you?
01:00:02 Ruth!
01:00:04 ♪ (ominous music)
01:00:24 (thump)
01:00:27 (gunshot)
01:00:29 (gunshot)
01:00:30 ♪ (dramatic music)
01:00:33 (gunshots)
01:00:35 ♪ (dramatic music)
01:00:39 - You stopped me.
01:00:42 - Couldn't have you claiming my $500.
01:00:44 - You let him get away.
01:00:45 - My aim was off.
01:00:47 - Yeah, well I don't see a hot foot in that room.
01:00:49 - It's been a tiring night.
01:00:50 Your wife caught him stealing.
01:00:52 I made the mistake of coming to your rescue without my gun.
01:00:55 We'll make a fresh start tomorrow.
01:00:57 - Sure.
01:00:59 - Good night.
01:01:01 ♪ (ominous music)
01:01:07 - Caught him stealing?
01:01:09 - Yes.
01:01:10 - Or arranged it?
01:01:11 - No.
01:01:13 - Or maybe set up a truce party between him and the gunfighter?
01:01:16 - Sober up before you accuse me.
01:01:20 - What did you promise the gunfighter to let Matt go, huh?
01:01:24 (slap)
01:01:25 ♪ (ominous music)
01:01:54 ♪ (dramatic music)
01:02:20 (knocking)
01:02:22 (door opens)
01:02:24 - Oh, I saw Mr. Adams.
01:02:29 Then I saw you through the...
01:02:31 Well it's early, but I thought you might be...
01:02:33 You're not open?
01:02:34 - Oh, we just opened.
01:02:35 - Well, if Mrs. Adams isn't about yet,
01:02:38 I can just come back a little later.
01:02:41 - What did you have in mind?
01:02:43 - Just some thread, so it can wait.
01:02:47 - Mrs. Guthrie...
01:02:49 do you know that I am now the proud possessor of this?
01:02:54 - That isn't why I came here.
01:02:56 I don't want you to think that's why I came here.
01:02:58 - Are you willing to part with it...to me?
01:03:02 - I must part with it...
01:03:04 if you're sure you want it.
01:03:06 - I want it.
01:03:08 Now what did Mr. Fidler say it was worth?
01:03:12 - He said...he thought I might get...
01:03:15 $25 for it?
01:03:19 - Now, 50 is the price...
01:03:21 Mr. Fidler quoted...
01:03:23 and what it's worth to me.
01:03:25 - Oh, I...
01:03:27 I can't allow you to...
01:03:28 - Now, Mrs. Guthrie...
01:03:30 don't you think you owe yourself...
01:03:34 a new dress?
01:03:36 - I haven't had a new dress since...
01:03:40 but it's been a long time.
01:03:46 - Silk...
01:03:49 or maybe something gay.
01:03:52 (door closes)
01:03:56 - Oh...
01:03:58 I really can't decide.
01:04:00 I'm afraid of losing all control with my newfound riches.
01:04:04 I'll just have to think it over and come back a little later.
01:04:07 - Thread?
01:04:09 - Yes, thread.
01:04:10 I do need some thread...and twice.
01:04:14 (footsteps)
01:04:16 - Thank you for opening for me.
01:04:17 - There you are, Ruth.
01:04:19 - Good morning, Hannah.
01:04:20 - And a spool of thread, that's 12 cents, please.
01:04:23 - It's a lovely morning, isn't it?
01:04:26 Just lovely.
01:04:28 I pray that the watch will be worth $50 to you.
01:04:36 - Mrs. Guthrie...
01:04:37 if one dollar of it finds its way into Mr. Fidler's pocket...
01:04:42 I promise you I'll smash the watch.
01:04:46 - Yes, you...
01:04:49 Here you are.
01:04:51 I think I'll buy enough material to make a bonnet to match.
01:05:00 (footsteps)
01:05:02 ♪ (ominous music)
01:05:20 - You don't keep a record of 12 cent sales?
01:05:24 - What are you?
01:05:28 - You know all you need to know.
01:05:32 - A hired killer, how could you choose such a life?
01:05:36 - Choose?
01:05:38 Why did you marry Crane Adams?
01:05:41 Shall I help?
01:05:43 You both loved music.
01:05:46 He lost his arm in the Holy War to free the slaves.
01:05:49 Lost music with his arm...
01:05:51 so you made it up to him.
01:05:54 Hating slavery as you do...if you do.
01:05:58 - Because I've never seen it?
01:06:00 Can't you hate an idea? I hated it!
01:06:02 - And loved Crane for hating it too?
01:06:04 - Wanted to.
01:06:06 - You're forgetting I was born in New Orleans...
01:06:10 where we see things differently.
01:06:13 Black men are born to be slaves.
01:06:17 - You can't believe that.
01:06:18 - Because all men are born equal?
01:06:20 - They should be!
01:06:22 - Now you wanted to know how it turned gunfighter.
01:06:28 My father educated me beyond what the New Orleans would call...
01:06:33 "my station in life."
01:06:37 - I don't understand.
01:06:39 - You don't?
01:06:40 My mother asked my father to improve my position.
01:06:44 He refused.
01:06:47 She kept asking.
01:06:50 It annoyed him...so he sold her.
01:06:54 ♪ (soft music)
01:07:00 You see, who could say that Crane lost his arm...
01:07:04 to free me?
01:07:06 To free me for what?
01:07:08 That is the question, Mrs. Adams.
01:07:11 ♪ (soft music)
01:07:15 You lost your voice?
01:07:18 ♪ (soft music)
01:07:20 - Don't look like that.
01:07:23 It's not what you just told me.
01:07:27 It's what it's made of, you know.
01:07:30 - It was a wide choice for the son of a quadroon slave.
01:07:34 Piano player in a fancy house,
01:07:36 backroom gladiator for white gentlemen batters.
01:07:40 - But...your name, that beautiful French name--
01:07:44 - Oh yes, my father's name.
01:07:47 I'm covering it with glory.
01:07:50 You pity him?
01:07:52 ♪ (soft music)
01:07:54 I pity his son.
01:07:57 ♪ (soft music)
01:07:58 - Save your pity for Matt Weaver.
01:08:00 He's dying tonight.
01:08:03 - Please...
01:08:05 Last night you let him live.
01:08:08 Today you're going to kill him because of...
01:08:10 something I've said or done?
01:08:13 - There's something I want from you, it's not pity.
01:08:17 ♪ (soft music)
01:08:18 Leave your husband...
01:08:20 and this hellhole of a town...
01:08:23 with me.
01:08:26 Think about it.
01:08:28 ♪ (soft music)
01:08:36 ♪ (soft music)
01:08:44 - Will you kill Matt Weaver, senor?
01:08:47 ♪ (soft music)
01:08:49 - Senor...
01:08:51 I'm not here to talk.
01:08:54 I'm here on very important business.
01:08:59 ♪ (soft music)
01:09:00 - Do not kill Matt Weaver.
01:09:03 (sighs)
01:09:05 - I've been paid to kill him.
01:09:09 I swore to kill him.
01:09:13 And I want to kill him.
01:09:17 - Then why do you drink in the morning?
01:09:20 (door opens)
01:09:22 - Don't worry about the rev.
01:09:30 His skin is white.
01:09:34 If the white town finds out...
01:09:37 they need him...
01:09:40 they'll find a way of getting to him.
01:09:42 - No, never!
01:09:44 - Soon.
01:09:46 If I am wrong...
01:09:48 if he lets himself be used...
01:09:51 I will load your gun for you.
01:09:56 - Stand by, senor.
01:09:58 Stand by.
01:10:00 - I guess you didn't hear, Crane Adams.
01:10:03 Jewel let Matt Weaver fly free as a bird last night.
01:10:07 Shot at him, and missed.
01:10:11 Dying gunfighter.
01:10:12 - It was a dead shot. He done it on purpose.
01:10:14 He's from New Orleans.
01:10:16 Mr. Brewster, he's a rev, just like Matt.
01:10:20 - You all had your say, huh?
01:10:24 All right.
01:10:25 I want to do whatever is right and best for us all.
01:10:29 Whosoever would be chief among you...
01:10:32 let him be your servant.
01:10:35 So...
01:10:36 let's hear the will of this meeting.
01:10:39 - Get rid of the gunfighter.
01:10:44 - No.
01:10:46 ♪ (ominous music)
01:10:54 - So be it.
01:10:56 I am elected to do the talking, am I?
01:11:00 ♪ (ominous music)
01:11:05 And you all bear me witness I do it right.
01:11:10 ♪ (ominous music)
01:11:18 (children laughing)
01:11:22 ♪ (ominous music)
01:11:49 ♪ (dramatic music)
01:12:10 (glass shattering)
01:12:13 ♪ (dramatic music)
01:12:35 - Today we'll bury your band.
01:12:38 There.
01:12:43 ♪ (dramatic music)
01:12:48 God in heaven.
01:12:50 ♪ (dramatic music)
01:13:02 Go in the hotel. - Yeah.
01:13:05 - Go past it now.
01:13:07 (door opens)
01:13:08 - Bill, it's locked the door.
01:13:09 (Bill laughing)
01:13:11 ♪ (dramatic music)
01:13:18 (glass shattering)
01:13:20 ♪ (dramatic music)
01:13:25 (glass shattering)
01:13:27 ♪ (dramatic music)
01:13:42 - Like a dog in a garbage heap.
01:13:45 ♪ (dramatic music)
01:13:48 - Yes, a mad dog.
01:13:51 ♪ (dramatic music)
01:13:53 (Bill gasps)
01:13:55 ♪ (dramatic music)
01:13:57 (gunshots)
01:13:59 ♪ (dramatic music)
01:14:05 (gunshot)
01:14:07 ♪ (dramatic music)
01:14:13 (gunshot)
01:14:15 ♪ (dramatic music)
01:14:20 (gunshot)
01:14:22 ♪ (dramatic music)
01:14:26 (gunshot)
01:14:28 ♪ (dramatic music)
01:14:30 (Bill screams)
01:14:32 ♪ (dramatic music)
01:14:46 (sword clatters)
01:14:48 ♪ (dramatic music)
01:14:50 - What's he doing?
01:14:52 ♪ (dramatic music)
01:14:56 (gunshot)
01:14:58 ♪ (dramatic music)
01:15:00 (gunshot)
01:15:02 ♪ (dramatic music)
01:15:11 (gunshot)
01:15:13 ♪ (dramatic music)
01:15:17 (Bill laughing)
01:15:19 ♪ (dramatic music)
01:15:33 (gunshot)
01:15:35 ♪ (dramatic music)
01:15:57 (men chattering)
01:15:59 ♪ (dramatic music)
01:16:20 (gunshot)
01:16:22 - Stop them!
01:16:24 ♪ (dramatic music)
01:16:30 (gunshot)
01:16:32 ♪ (dramatic music)
01:16:33 (glass shatters)
01:16:35 ♪ (dramatic music)
01:16:54 (aircraft rumbles)
01:16:55 ♪ (dramatic music)
01:17:14 - Talk or I will!
01:17:16 ♪ (dramatic music)
01:17:19 - Jewel...
01:17:22 I'd...like to have a word with you.
01:17:27 - Well here I am.
01:17:29 - I...
01:17:33 I'd like...
01:17:36 a few words in private, Jewel.
01:17:42 - A few words here.
01:17:44 - All right.
01:17:46 - Kneel!
01:17:48 (aircraft rumbles)
01:17:52 - On your knees, Mr. Brewster.
01:17:56 Brewster, ruler of the roost.
01:17:59 Get on your knees!
01:18:03 (aircraft rumbles)
01:18:21 Repeat after me.
01:18:23 Don't face me, face this miserable animal.
01:18:28 (aircraft rumbles)
01:18:36 He's doing it.
01:18:38 (aircraft rumbles)
01:18:43 Now...
01:18:45 repeat after me.
01:18:47 I'm a thief...and a hypocrite...
01:18:52 and I beg forgiveness...
01:18:54 for all the filth I've burdened you with...
01:18:59 in this dirtiest of towns...
01:19:02 on the dirty face of the earth.
01:19:05 ♪ (dramatic music)
01:19:08 - Say it!
01:19:10 (aircraft rumbles)
01:19:11 (gunshot)
01:19:13 ♪ (dramatic music)
01:19:23 (gunshot)
01:19:25 ♪ (dramatic music)
01:19:30 (aircraft rumbles)
01:19:32 ♪ (dramatic music)
01:19:55 (aircraft rumbles)
01:19:57 ♪ (dramatic music)
01:20:04 (gunshot)
01:20:06 ♪ (dramatic music)
01:20:22 ♪ (dramatic music)
01:20:28 - Matt!
01:20:29 Matt Weaver!
01:20:32 - Don't move, Doc!
01:20:35 - I won't!
01:20:37 A rooster's coming into Parley.
01:20:38 We got trouble, Matt!
01:20:40 (door opens)
01:20:52 - Crane's dead!
01:20:54 Sheriff's dead drunk!
01:20:56 - Ruth!
01:20:57 - All right, last I saw her...
01:20:59 Gunfighters gone on a rampage.
01:21:01 They smashed up the whole town.
01:21:03 Everybody's dead out.
01:21:05 - What you want?
01:21:06 - Heh...I'm going to give you the satisfaction
01:21:08 of hearing that from Brewster.
01:21:10 That much you got coming.
01:21:13 - Leave you, farm.
01:21:16 Signed back to you by Mrs. Metric.
01:21:18 She told me how Metric got himself killed.
01:21:21 - How long you known that?
01:21:23 - Let's just call this paper a peace treaty.
01:21:27 War's over.
01:21:29 - What you want from me for my own farm?
01:21:36 - Your help.
01:21:38 - I don't look so sad when you make a joke.
01:21:41 - No joke.
01:21:42 - Funniest I ever heard.
01:21:44 You bribed me to kill a gunfighter.
01:21:47 You hired to kill me.
01:21:49 I'm not even fit to kill.
01:21:52 - But you're right, Matt.
01:21:55 You got no use for me and I got none for you.
01:21:58 But fair is fair. I was wrong about Metric.
01:22:01 I was wrong to hire the gunfighter.
01:22:03 I just pray you're a better shot than him.
01:22:07 - You think you can pray me into being
01:22:09 one of your fool hired hands?
01:22:12 The town's full of 'em.
01:22:15 - You can do it, Matt, and you're going to do it,
01:22:16 so let's just stop talking about it.
01:22:18 I know.
01:22:20 - You know what?
01:22:24 - Ruth.
01:22:26 Ruth and a gunfighter alone in the Emporium
01:22:29 ever since Crane was killed.
01:22:31 And she went back of her own free will, I saw.
01:22:35 Today...
01:22:37 Crane stopped fretting about you.
01:22:39 Tried to kill a gunfighter.
01:22:41 I got an ocean eye, got me to try.
01:22:46 - Go on.
01:22:47 - Oh, Matt.
01:22:49 Now we all know Ruth's still got a soft spot
01:22:51 in her heart for you.
01:22:54 I got this notion she...
01:22:56 promised the gunfighter something.
01:23:00 That you'd go.
01:23:03 Crane couldn't stand that.
01:23:06 - He said I stood between him and something he wanted.
01:23:13 - Well anyway, Dave...
01:23:15 been a lone day together in the Emporium this past hour.
01:23:20 He brung a horse for you.
01:23:26 ♪ (somber music)
01:23:41 You've changed your mind.
01:23:44 ♪ (somber music)
01:23:48 - It was changed for me.
01:23:51 Crane's dead, I'm half dead.
01:23:53 My going with you will save one whole life.
01:23:58 - Is that the whole reason?
01:24:01 ♪ (somber music)
01:24:03 - I wish it were.
01:24:06 But the truth is...
01:24:10 part of me wants to come with you.
01:24:14 And you know that.
01:24:17 I warned you...
01:24:20 it won't keep me alive very long.
01:24:24 You said you never lie...
01:24:27 so I believed everything you told me.
01:24:31 You said you'd kill Matt.
01:24:34 You said you aren't human.
01:24:37 - I told you I'd been told that...
01:24:41 all my life.
01:24:44 It didn't have to be true.
01:24:47 Now you've believed it...
01:24:49 and now it's true.
01:24:52 ♪ (somber music)
01:24:56 - I give you two lives for the one I took.
01:25:00 Yours...
01:25:04 and Matt Weaver's.
01:25:07 ♪ (somber music)
01:25:15 Because what I feel for you...
01:25:18 might turn out to be the opposite of hate.
01:25:24 I can't risk that.
01:25:28 ♪ (dramatic music)
01:25:39 I'm going in.
01:25:42 - There!
01:25:44 ♪ (dramatic music)
01:26:09 - Homeless con pistolas.
01:26:11 And Matt Weaver. - Gracias.
01:26:14 ♪ (dramatic music)
01:26:26 - Looking for me? - No.
01:26:29 (car door closes)
01:26:30 ♪ (dramatic music)
01:26:33 - You going somewhere? - Yes.
01:26:36 - Without any of your blood money?
01:26:39 - Oh...it reminds me.
01:26:42 ♪ (dramatic music)
01:26:46 The blood money...
01:26:49 you might use it in my name.
01:26:53 Save for the emancipation of the local slaves.
01:26:58 Reb...
01:27:00 - I'm still not standing between you and something you want?
01:27:02 - You're standing between me and the road out of town.
01:27:05 (car door closes)
01:27:07 - Well if it wasn't the money, what'd you want?
01:27:10 What'd you get?
01:27:13 ♪ (dramatic music)
01:27:15 - Neither profits nor pleasure.
01:27:18 ♪ (dramatic music)
01:27:19 You can't make me draw on you.
01:27:23 Stop trying, boy.
01:27:26 ♪ (dramatic music)
01:27:29 - Matt!
01:27:31 Let him go.
01:27:35 - Why's he going?
01:27:38 - Why'd you give him to let me off?
01:27:43 - Nothing.
01:27:49 - Not true.
01:27:53 - Cuidado!
01:27:54 (explosion)
01:27:55 ♪ (dramatic music)
01:27:59 Oh God!
01:28:00 (explosion)
01:28:01 ♪ (dramatic music)
01:28:16 - Brewster!
01:28:19 Throw the gun!
01:28:26 ♪ (dramatic music)
01:28:33 Get on your knees.
01:28:36 ♪ (dramatic music)
01:28:43 This time say it.
01:28:45 Don't face me.
01:28:47 Face this mule of a reb.
01:28:50 ♪ (dramatic music)
01:29:02 Say after me.
01:29:05 I'm a thief...
01:29:09 and a liar.
01:29:12 - I am a thief...
01:29:15 and a liar.
01:29:17 - Say, forgive me...
01:29:20 for betraying you...
01:29:24 and this town.
01:29:27 (gunshot)
01:29:28 ♪ (dramatic music)
01:29:31 This town that I now...
01:29:34 bequeath to your care.
01:29:37 ♪ (dramatic music)
01:29:47 Say it.
01:29:50 ♪ (dramatic music)
01:30:02 Say it!
01:30:05 (gunshot)
01:30:07 ♪ (dramatic music)
01:30:13 - We did it!
01:30:15 - No, you did it Brewster.
01:30:19 You turned me into one of them.
01:30:22 ♪ (dramatic music)
01:30:24 Now finish it.
01:30:26 Say forgive me for betraying this town.
01:30:29 - It's a reb talking.
01:30:31 I warned you!
01:30:32 I warned you!
01:30:34 That's a reb taking over!
01:30:36 - Say it!
01:30:37 - Stop him!
01:30:38 Stop him!
01:30:39 Say it!
01:30:40 - We just took a vote, Sam. You heard it.
01:30:45 He'll walk this town like he owns it!
01:30:49 (gunshot)
01:30:51 (footsteps)
01:31:00 ♪ (soft music)
01:31:16 ♪ (ominous music)
01:31:24 - Brewster...
01:31:26 ♪ (ominous music)
01:31:49 - Here as I just won the war, Reb.
01:31:53 ♪ (dramatic music)
01:32:21 [BLANK_AUDIO]