Yargı 92 Bölüm

Osmin Chan

Yargı 92 Bölüm Yargı 93 Bölüm Yargı 92 Bölüm

Transcript

00:01:00I don't know what's wrong but I'm gonna go

00:01:02I don't know what's wrong but I'm gonna go

00:01:04I don't know what's wrong but I'm gonna go

00:01:06I don't know what's wrong but I'm gonna go

00:01:08I don't know what's wrong but I'm gonna go

00:01:10I don't know what's wrong but I'm gonna go

00:01:12I don't know what's wrong but I'm gonna go

00:01:14I don't know what's wrong but I'm gonna go

00:01:16I don't know what's wrong but I'm gonna go

00:01:18I don't know what's wrong but I'm gonna go

00:01:20I don't know what's wrong but I'm gonna go

00:01:22I don't know what's wrong but I'm gonna go

00:01:24I don't know what's wrong but I'm gonna go

00:01:26I don't know what's wrong but I'm gonna go

00:01:28I don't know what's wrong but I'm gonna go

00:01:30I don't know what's wrong but I'm gonna go

00:01:32I don't know what's wrong but I'm gonna go

00:01:34I don't know what's wrong but I'm gonna go

00:01:36I don't know what's wrong but I'm gonna go

00:01:38I don't know what's wrong but I'm gonna go

00:01:40I don't know what's wrong but I'm gonna go

00:01:42I don't know what's wrong but I'm gonna go

00:01:44I don't know what's wrong but I'm gonna go

00:01:46I don't know what's wrong but I'm gonna go

00:01:48I don't know what's wrong but I'm gonna go

00:01:50I don't know what's wrong but I'm gonna go

00:01:52I don't know what's wrong but I'm gonna go

00:01:54I don't know what's wrong but I'm gonna go

00:01:56I'm like a migratory bird

00:01:58I'm late

00:02:00In faded pictures

00:02:02How many years have passed

00:02:04It still looks beautiful

00:02:06I used to believe so much when I was little

00:02:08If you want to believe

00:02:10Everything is possible

00:02:12It's not hard to believe

00:02:14My story would start with you

00:02:16If you believe me

00:02:18What's going on?

00:02:20What are you doing?

00:02:22What are you doing?

00:02:24What are you doing?

00:02:50Come in

00:02:52Mr. Yeliz

00:02:54Brother?

00:02:56Don't go with such blood money

00:02:58I was looking for Yeliz

00:03:00Let me see

00:03:02There were files that Kurdeşan Kubin

00:03:04asked me for

00:03:06Files that are out of date

00:03:08There is Yeliz's name in a murder file

00:03:10There is Yeliz's name in a murder file

00:03:12As a murder suspect

00:03:14But it hasn't been proven

00:03:16So if we can't catch her there

00:03:18We can catch her here

00:03:20But we have a little problem

00:03:22These are files that are about to expire

00:03:24So

00:03:26We have a week

00:03:34Are you sure?

00:03:36Are you sure?

00:03:38Yes of course

00:03:40She came to me and looked into my eyes

00:03:42I didn't know what to do

00:03:44Then she left

00:03:46She left

00:03:48She left

00:03:50It's okay

00:03:52What is this about teaching Nuray?

00:03:54I was a lawyer

00:03:56I told you about the kids getting sick

00:03:58I was a lawyer

00:04:00How did this happen?

00:04:02I don't know anything

00:04:04I thought it was a student teacher case

00:04:06I thought it was a student teacher case

00:04:08So it wasn't

00:04:10So it wasn't

00:04:12I saw her

00:04:14She is like a teacher

00:04:16I want to know what I need to know about this case

00:04:18I want to know what I need to know about this case

00:04:20Let me take you to my room

00:04:22Let me take you to my room

00:04:34Rafet where are you?

00:04:36What's going on?

00:04:38What's going on?

00:04:40What kind of a way to get in?

00:04:42You blew my cover

00:04:44You blew my cover

00:04:46You're just pretending to be a teacher

00:04:48What are you saying?

00:04:50What are you saying?

00:04:52I'm an ex-chief

00:04:54I can do anything

00:04:56I can do anything

00:04:58I can do anything

00:05:00What happened?

00:05:02What happened?

00:05:04What happened?

00:05:06What happened?

00:05:08What happened?

00:05:10What happened?

00:05:12What happened?

00:05:14What happened?

00:05:16No way

00:05:18She texted me

00:05:20She texted me

00:05:22She texted me

00:05:24She texted me

00:05:26How did she find me?

00:05:28How did she find me?

00:05:30Get out

00:05:32Get out

00:05:34Get out

00:05:36Get out

00:05:38How did she find me?

00:05:40Rafet, just keep going like this, for God's sake.

00:05:44Or better yet, go straight to the plant.

00:05:47You were looking for me. Don't bother.

00:05:49Just say, I'm here.

00:05:51What can I do?

00:05:52What can I do?

00:05:53Am I going to run away to Tabamay?

00:05:54Am I going to get on the subway?

00:05:55Am I going to get on the taxi?

00:05:56You really didn't leave me alone.

00:05:58Ah, Özgür.

00:05:59Ah.

00:06:00I mean, even if I had the brain, I wouldn't share it.

00:06:02But no.

00:06:03Besides, I'm not going to run away.

00:06:04I'm not going to run away.

00:06:05I'm not going to run away.

00:06:06I'm not going to run away.

00:06:07I'm not going to run away.

00:06:09Besides you'll tear up a guy like you.

00:06:11C'mon, get that red car and get out of here.

00:06:17I swear to God.

00:06:19I am more afraid of you, Man.

00:06:22You son of a bitch.

00:06:23Even the Devil will turn against you.

00:06:25Come on Rafet, come.

00:06:29Man.

00:06:31So, where can I hide?

00:06:32Actually, you should think about this just for a little while.

00:06:34Rafet?

00:06:38Yes.

00:06:46When I found out from the kids that you were under pressure and violent,

00:06:50Prosecutor Efes also issued a search warrant.

00:06:52He wasn't at home.

00:06:53The police are looking for him now. I think the woman ran away.

00:06:56And she's brave enough to come up to you and threaten you.

00:07:01Should I ask the police what they did?

00:07:02To see if they found anything, Prosecutor?

00:07:05Prosecutor Efes, come in.

00:07:09There are a few complaints that have been made before,

00:07:11but they have always resulted in indifference.

00:07:13What are these complaints?

00:07:14One of them is this.

00:07:16You go to a workplace, a cafe.

00:07:19I think you put the barista there.

00:07:20While he was going to work in the morning,

00:07:22he wrote on the window of the shop,

00:07:24there is harassment against women in this workplace.

00:07:27This is an accusation, of course.

00:07:28It has not been proven.

00:07:30And the other one is,

00:07:31a person who was beaten.

00:07:34Again, he claimed that he was harassing the teacher.

00:07:38He got beaten up.

00:07:40It has not been proven yet.

00:07:42That's great.

00:07:43We have a soul patient like Nurtopu.

00:07:46And he came and found me.

00:07:48We will spend some time together, Ms. Lawyer.

00:07:50So, you will hang out with me until you find this teacher.

00:07:54As you wish.

00:07:55But I have to go to the office first.

00:07:59I'll check if there is any image of the accident.

00:08:01Because the person did not have a car.

00:08:02If we can find out where he got the car from, we'll catch him.

00:08:06Mr. Efes, shall we make a search warrant at his house?

00:08:08Maybe we can get some useful information.

00:08:10Okay, Mr. Prosecutor.

00:08:12I hope the woman will be found as soon as possible.

00:08:14She will be found, don't worry.

00:08:16She took the file, Mr. Efes.

00:08:18Wow.

00:08:19These sentences used to be set up for me.

00:08:22Queen, will he run away from you, etc.

00:08:24Shame on you.

00:08:25You are my queen again.

00:08:27But I'm not saying anything that doesn't exist.

00:08:28The man is growing day by day, Mr. Prosecutor.

00:08:30That's right.

00:08:31Day by day, Mr. Efes.

00:08:33What are you doing day by day?

00:08:35What's going on here?

00:08:36Surgery has started, files have been opened, huh?

00:08:39I was just telling my prosecutor that...

00:08:41...your accident happened.

00:08:42It was so close.

00:08:44It would be better if we don't do this here.

00:08:46Okay.

00:08:48What's going on?

00:08:49I'll tell you. It's long.

00:08:51Eren.

00:08:52Brother, you take these.

00:08:54Not in the police station.

00:08:55We'll draw Kubilay's attention.

00:08:57We need a place where we can work calmly.

00:08:59It's best if we go home.

00:09:00We can spread our balcony or garden at home.

00:09:02We can work comfortably.

00:09:04Warn me.

00:09:05What's going on?

00:09:06What are you hiding? What are you doing? Tell me.

00:09:08The chief prosecutor shouldn't know.

00:09:10In the case you are investigating...

00:09:11...the suspect woman complained about me to the chief prosecutor.

00:09:14So now it looks like I'm obsessed with the woman.

00:09:17I'll go to the station and get the footage.

00:09:19See you later.

00:09:20You should have at least made a summary.

00:09:22I'm going to be sick.

00:09:24There was a worker who rolled down the stairs and lost his life.

00:09:27Then the boss paid the blood money.

00:09:29He came out and said, I'm innocent.

00:09:31Okay, this is another way of saying I did it.

00:09:34Okay, we're saying we have evidence.

00:09:37Come on, let's go.

00:09:38Okay, you have the files.

00:09:39These are mine.

00:09:40See you at home.

00:09:41I didn't know about these either.

00:09:43We need to meet more often.

00:09:44Ms. lawyer, these are always a waste of time.

00:09:46Let's go.

00:09:47What are we going to do with my car?

00:09:48We'll call the service.

00:09:50They'll pick it up.

00:09:59Yes.

00:10:00If it wasn't for Cinar's case, I wouldn't have bothered you.

00:10:03But I'll be right there. It's important.

00:10:10I live in Istanbul.

00:10:12I know the streets like I know Istanbul.

00:10:14It's all a lie.

00:10:16You're right.

00:10:18It's not possible without seeing the birds.

00:10:20It's just luck.

00:10:22It's not fated for everyone to fly.

00:10:25So, what's the situation now?

00:10:27Did you just watch Istanbul?

00:10:29Actually...

00:10:30Thank you, Yeşim.

00:10:31The girls are great.

00:10:33You're both here.

00:10:35Is there a problem, Ms. Lawyer?

00:10:36We need to find Dilan from Cinar's association.

00:10:40The girl who is suspected of murder.

00:10:43Yes, that's her.

00:10:44We need to find that girl urgently.

00:10:47She's missing, as far as I remember.

00:10:49Yes, unfortunately.

00:10:50But Cinar's trial without detention

00:10:52depends on her statement.

00:10:53We need to find and get her out of there.

00:10:58We need to prove that Cinar has nothing to do with this,

00:11:01that she's not a member of the association,

00:11:03and that she's using her son as a pawn.

00:11:06How are we going to find the girl?

00:11:10By all means.

00:11:12After all, this girl had a problem and went to the association.

00:11:14The association helped her.

00:11:16She was there to pay her debt.

00:11:18Exactly.

00:11:18She killed Mustafa on the train to pay her debt.

00:11:21If we find out why the girl came to the association,

00:11:26we'll have a clue.

00:11:27And this clue will lead us to Dilan.

00:11:30Do you understand?

00:11:31Great. We don't have time.

00:11:33We have a trial on Friday. I need to go to the hospital.

00:11:35Let's go and start the investigation.

00:11:37Let's go.

00:11:39Guys, this place is more expensive than you and me.

00:11:42So, be careful.

00:11:44Look at those nylons.

00:11:45Double the price.

00:11:46There are too many of them. Don't feel bad, okay?

00:11:48Don't drop a single gram.

00:11:49They'll kill us.

00:11:50They'll kill me, then I'll kill you.

00:11:52I don't want to be called a master.

00:11:53Motivation is very important in our job.

00:11:55Look, master.

00:11:56The color of the bedroom and the entrance up there

00:12:00will be the same.

00:12:01Okay?

00:12:02Be careful.

00:12:02I'll mix it from the front.

00:12:04Okay? You can continue from here.

00:12:05You know the water and the nylons.

00:12:07You're a master.

00:12:08Come on, brother. Let's continue.

00:12:09Take this if you want.

00:12:11Okay, master? Take this.

00:12:12Good, good.

00:12:13Let's start slowly.

00:12:15Come on, brother.

00:12:16Pull it a few times. It's very important because...

00:12:19...it should do something.

00:12:20It should dry and bend. Okay?

00:12:27Come on, brother.

00:12:28Come on, brother.

00:12:29Bravo.

00:12:29Bravo. Very good, very good.

00:12:31Fill the gaps and stuff, okay?

00:12:33Fill the gaps and stuff.

00:12:35I need to make a couple of plans slowly.

00:12:38I'll come and help you.

00:12:39May God help us all.

00:12:41Okay, I'm coming. I'll be there in a minute.

00:12:44I'm coming.

00:12:45I have a couple of plans.

00:12:46I'll look at the plans.

00:12:53Look at me.

00:12:54Look at me.

00:12:56My girl.

00:12:57I'm putting on shows for you, you see?

00:12:59I've been watching videos all morning. How was it?

00:13:03I think you're enjoying being someone else.

00:13:10Don't throw your costume away.

00:13:13I'll want you to wear it in the future.

00:13:15Do you understand?

00:13:21Where am I going to save you?

00:13:25Whichever way you look at it,

00:13:27there's a painter in front of you who's painting.

00:13:30As if that's what he's doing.

00:13:32Yes, I think so.

00:13:34Don't do it. It's a shame.

00:13:35I've never done anything like this before.

00:13:37I just got home. Let me get some sleep.

00:13:40Let me look around.

00:13:41Let me warm up first.

00:13:43Then I'll make a couple of plans, of course.

00:13:46I have to get into the role.

00:13:48Okay?

00:13:52So you haven't made a plan yet.

00:13:55I get you.

00:13:57Why did I choose to walk this path with you?

00:14:00No, you won't be able to do it.

00:14:02Wait a minute. How can I not do it?

00:14:05I have a plan in my head.

00:14:09I'll poison you.

00:14:12But without leaving a trace.

00:14:14How is that going to happen?

00:14:17I'll look at the treatment.

00:14:19There are a lot of things like bottles and drugs.

00:14:22I'll change the place. The drug is the poison.

00:14:24The nurse will give the poison as a medicine.

00:14:27Without leaving a trace, it's over.

00:14:31Should I go back to the plan you were dealing with?

00:14:34The sooner you do it, the better.

00:14:37Let me tell you.

00:14:45Actually, he wants to leave.

00:14:48Look, you can be proud of your brother here.

00:14:51He said, I won't lie, I won't lie.

00:14:53Then he said, how can I look at my brother's face?

00:14:55In short, he wants to go out with Hakkı.

00:14:59But it's hard.

00:15:00Hard, but impossible? No.

00:15:02Of course not.

00:15:05I can't tell the prosecutor now, but...

00:15:09...I can tell brother Ilgaz.

00:15:11We have something in mind.

00:15:13If that happens...

00:15:15...there may be a ray of hope for Çınar.

00:15:17What is that?

00:15:19Brother Ilgaz loves you very much.

00:15:21You can't say that my lawyer is sharing my money, prosecutor.

00:15:28Come on, son-in-law, good news.

00:15:30Yes, prosecutor.

00:15:31Prosecutor.

00:15:33The search warrant has been issued for the teacher's house.

00:15:35I told him to come with me to the search.

00:15:37Now we're at the teacher's house.

00:15:40You did well, prosecutor. Is there anything?

00:15:43You did well, prosecutor. Is there anything?

00:15:49Prosecutor, no, no.

00:15:52You can't believe what you see on the search warrant.

00:15:54For example...

00:15:57...pictures taken in various forms...

00:16:02...other names, fake identities...

00:16:06...passports...

00:16:10...glasses, wigs...

00:16:12...and a gun.

00:16:14So, she's either a psychopath...

00:16:19...or a criminal.

00:16:22Prosecutor, it would be good if we find this woman as soon as possible.

00:16:24Absolutely, prosecutor.

00:16:27Prosecutor, are you available?

00:16:29One second, prosecutor.

00:16:31I'm listening.

00:16:31Prosecutor, the car that hit Ms. Ceylin...

00:16:34...belongs to Nur Özcan's sister.

00:16:36We've also identified the address.

00:16:37Okay.

00:16:38Send the team to the address immediately.

00:16:40Yes, prosecutor.

00:16:43Prosecutor, I guess you heard.

00:16:50Come in.

00:16:51Prosecutor, we need to talk urgently.

00:16:54If you're available, of course.

00:16:55I'm available.

00:17:02Can I sit down?

00:17:04Yes.

00:17:06I'm sorry.

00:17:12It's a bad omen.

00:17:14He found out that the person who reported him was Rafet.

00:17:18It was bad.

00:17:20What are we going to do now, Ms. Sancı?

00:17:22He found out that he was being searched at the border.

00:17:24Now, this is it.

00:17:25Rafet is going to show up.

00:17:26That's your problem.

00:17:27There's nothing I can do.

00:17:30At the very beginning...

00:17:32...if you can get hold of the collar...

00:17:34...I told you that I'm not here.

00:17:36You came to me and said that you'd take care of it.

00:17:39With great self-confidence.

00:17:40I said, I guess he'll be able to do it.

00:17:43Am I wrong?

00:17:46Ms. Katiyen...

00:17:48...it's not in my book to give up.

00:17:52But...

00:17:53...we're trying for a common goal.

00:17:57I thought you might be able to help me a little.

00:18:01What kind of help is that?

00:18:03While I'm doing my job...

00:18:05...why don't you find out who's whispering this information to him?

00:18:09I mean, I think you can at least do this much.

00:18:20In the end, your father's murderer...

00:18:22...will be caught and punished.

00:18:24At the end of the road.

00:18:29Anyway, I won't keep you from your work any longer, Ms. Sancı.

00:18:32Good luck.

00:18:35Good luck.

00:18:57Come in.

00:19:00Ms. Sancı, good luck.

00:19:02The person we took from Bülent Kısmetoğlu has regained consciousness, Ms. Sancı.

00:19:05I wanted to come and let you know personally.

00:19:07Is that so?

00:19:09Yes, in fact, he's about to have a seizure.

00:19:11I mean, we can take his statement.

00:19:13Good.

00:19:15Take him to the station right away. Don't bother him here.

00:19:18Get Bülent Kısmetoğlu ready for diagnosis and statement.

00:19:21Yes, Ms. Sancı.

00:19:23I'm taking him to the station. Hurry up.

00:19:25Of course, Ms. Sancı.

00:19:30I'm going out.

00:19:35The upper floors are here.

00:19:37The tea is here.

00:19:39Wow, look at my queen.

00:19:41How does she know how to work with her friend's gas?

00:19:43I got it, I got it. You take your tea.

00:19:45Would you like to have a snack with me?

00:19:47No, no, no need.

00:19:49How can I have a snack with this?

00:19:51I'll leave it here. We already have a lot of work to do.

00:19:53I'm going to ask you something.

00:19:55How could we not think of this place?

00:19:57The weather is just warming up.

00:19:59Yes, are you going to tell me now?

00:20:01Or should I strangle you?

00:20:03Yes, young people, if we're ready, we're starting.

00:20:05I'm taking you 20 years ago.

00:20:07These are Yeliz's family.

00:20:09His mother, his father, his brother and his sister-in-law.

00:20:11His father was a manufacturer.

00:20:13He decided to leave the job to Yeliz.

00:20:15But of course, this also caused some problems in the family.

00:20:17However, God is there.

00:20:20Yeliz's chair is right.

00:20:22He was educated at very good universities.

00:20:24He is a very successful person.

00:20:26But his brother was a greedy man.

00:20:28He revealed Yeliz's relationship with a married man

00:20:30and he was broadcasting them on the news channels.

00:20:32Of course, his father was very angry at this situation.

00:20:34He said he would leave the job to his son.

00:20:36But before he could declare this,

00:20:38his brother and his sister-in-law were killed.

00:20:40How did this happen?

00:20:42At home.

00:20:44I mean, it happened in the house of his brother and his sister-in-law.

00:20:46Both of them were killed with a butcher's tool.

00:20:48This is probably the reason why Yeliz's brother

00:20:50and his sister-in-law were killed.

00:20:52Yeliz's brother and his sister-in-law

00:20:54were stabbed with a butcher's knife.

00:20:56This is probably a bread knife.

00:20:58Here you are.

00:21:03Yeliz's brother was stabbed on his back twice.

00:21:09Kenan?

00:21:11He was not found with a medical certificate.

00:21:13He was not found with a murder weapon.

00:21:15By the way, the house

00:21:17and the bedroom were always scattered.

00:21:19All valuable things were taken.

00:21:22Gold, silver, jewelry.

00:21:24Almost all of the jewelry was lost.

00:21:26But coincidentally,

00:21:28there were no thieves or robbers.

00:21:30No footage, no witnesses, nothing?

00:21:32According to the witness, there was no camera at home.

00:21:34They just moved in.

00:21:36It was a newly built site where they moved in.

00:21:38There were a lot of empty apartments there.

00:21:40There was only one statement.

00:21:42In that statement, someone said,

00:21:44I saw a car.

00:21:46Then he said, sir, I was very drunk,

00:21:48I'm not sure, and changed his statement.

00:21:50So, was this robbery in the daytime?

00:21:52In the daytime?

00:21:54Yes, in the evening.

00:21:56Isn't it an interesting time

00:21:58to commit a robbery?

00:22:00It's interesting, but it depends on where the house is.

00:22:02After all,

00:22:04it looks like there's no one around the house.

00:22:06Besides,

00:22:08there was no foreign fingerprint found in the house.

00:22:11Who are the suspects?

00:22:13Of course, our hero Yeliz is our main suspect.

00:22:15Why?

00:22:17Because she has a reason.

00:22:19By the way, Yeliz said

00:22:21she was alone at home in the evening.

00:22:23But then,

00:22:25a witness suddenly showed up.

00:22:27Who?

00:22:29Her driver.

00:22:31We were together at the hotel.

00:22:33We had a relationship.

00:22:35So, she lied.

00:22:37All the hotel staff witnessed it.

00:22:39So, who owns the hotel?

00:22:41Of course, Yeliz's close friend.

00:22:43So, who's the driver?

00:22:45Oktay.

00:22:47Congratulations, Mr. Prosecutor.

00:22:49Who's Oktay?

00:22:51Yeliz's wife.

00:22:53She also has a relationship with Serap.

00:22:55Oh.

00:22:57Even though Yeliz is a suspect,

00:22:59it's not proven.

00:23:01It's like what we're going through right now.

00:23:04There's a lot of evidence.

00:23:06They caught her and questioned her.

00:23:08There's a lot of nonsense.

00:23:10But there's more interesting information.

00:23:12Kenan has a lot of enemies.

00:23:14So, what happened next?

00:23:16Yeliz became the head of the company.

00:23:18She married her driver.

00:23:20Oktay climbed the career ladder one by one.

00:23:22And he became the general manager of the company.

00:23:25I see a pretty good deal here.

00:23:27Oh.

00:23:30Who's the killer?

00:23:32Oktay or Yeliz?

00:23:34I think the other question to be asked is

00:23:36whether Serap, who fell down the stairs and died,

00:23:38is also a suspect.

00:23:40If it's a murder, that's what you think.

00:23:42So, who's the killer?

00:23:44Yeliz or Oktay?

00:23:49Maybe the killer from 20 years ago is the same as the killer now.

00:23:52So, there's a lot of questions.

00:23:54Let's start the investigation right away, guys.

00:23:56Let's start from here, Ms. Ceylin.

00:24:00Should I bring a tea cup?

00:24:02So that I can bring tea.

00:24:04Bring it, bring it.

00:24:06There's a bunch of marijuana in the cupboard next to the wall.

00:24:08Pop it and bring it.

00:24:10A bunch of marijuana?

00:24:12I mean, uncle, please, it's a different matter.

00:24:14But if I see it, I can't stand it, I'll pop it.

00:24:17DOORBELL RINGS

00:24:22Where's Yeliz?

00:24:23She's in the living room, Mr. Oktay.

00:24:24Leave us alone for a minute.

00:24:30Yeliz.

00:24:34They took 5 million from the account.

00:24:36Hmm?

00:24:37Can I ask why?

00:24:39And where did the money go?

00:24:42I gave it to Serap's husband, Yilmaz.

00:24:47Why?

00:24:49What do you mean, why?

00:24:51So that the matter is closed.

00:24:53When you say the matter...

00:24:56The investigation, Oktay.

00:24:58I mean, okay, the girl fell and died because of her stupidity...

00:25:01...but the possibility of murder is still going on, the investigation.

00:25:04So I wanted the matter to be closed.

00:25:06Like blood money?

00:25:10Is that so?

00:25:12Yes.

00:25:15Is that so?

00:25:17Is that the name? Blood money?

00:25:19Yes, if so, blood money.

00:25:24Blood money...

00:25:26...is really paid when you cause death.

00:25:29Not to withdraw the complaint.

00:25:32Whatever.

00:25:34Did you do it?

00:25:38I don't understand.

00:25:40Did you push Serap to fall and die?

00:26:05Oktay, Oktay, look, he really knows.

00:26:07You didn't see his eyes. I swear, he knows.

00:26:10I'm going to go.

00:26:12I'm going to go.

00:26:14I won't let you go.

00:26:16You can't go anywhere.

00:26:18I won't let you go.

00:26:20I won't let you go.

00:26:29Am I stupid?

00:26:31I'm telling you, he knows.

00:26:33Let's not force it, Oktay.

00:26:35It's over.

00:26:37I'm quitting today.

00:26:40I'm telling you, it's over. Why don't you understand?

00:26:42It's over.

00:26:43I never accept it. Never!

00:27:10What happened? Are you okay?

00:27:12He fell, he fell.

00:27:16Serap!

00:27:23Serap.

00:27:26What happened to you? Serap.

00:27:28Call an ambulance, quick.

00:27:30Call an ambulance. Call an ambulance!

00:27:32Is Bez here?

00:27:34Serap, pull yourself together.

00:27:36Pull yourself together. The ambulance is coming.

00:27:38Bez!

00:27:45Why?

00:27:47Serap, don't be ridiculous.

00:27:49I heard it with you.

00:27:51This is ridiculous.

00:27:53No.

00:27:55I heard the scream and I left.

00:27:57If you had heard the scream and left,

00:27:59we would have been there at the same time.

00:28:01But when I came, you were there.

00:28:03Then they thought we did it.

00:28:05I didn't prepare for it.

00:28:08Come on, pull yourself together.

00:28:10We have a key right here.

00:28:27What is he putting in her?

00:28:29Towel. We gave her a towel.

00:28:31Give me the towel.

00:28:34You have to stop the bleeding.

00:28:35What are you doing?

00:28:36What do you mean?

00:28:38What do you mean what does it have to do with it? Look, I don't want anything to happen to us.

00:28:42The woman fell while cleaning, that's all.

00:28:44Stop this nonsense, bring a towel or something, we need to stop the bleeding.

00:29:04Hi.

00:29:05Hi.

00:29:09Did the ambulance come?

00:29:11What happened to the ambulance?

00:29:12It's coming, it's coming.

00:29:13Mr. Oktay, the ambulance is here.

00:29:14Let them come.

00:29:15He lost a lot of blood.

00:29:39You insisted to make an accident.

00:29:48I can't do this without asking myself.

00:29:52Did you do it?

00:29:53Why?

00:29:54Why should I do something like this?

00:29:55What kind of question is this?

00:29:56Why should I put a maid who works in my house down the stairs?

00:30:06Why should I?

00:30:08Why should I?

00:30:13That's what I thought.

00:30:15There's no reason for me to kill him.

00:30:36TURKEY

00:30:53Didn't your parents testify?

00:30:56Didn't they file a report?

00:30:58They were in the hospital during the incident.

00:31:00They didn't want to testify afterwards.

00:31:07TURKEY

00:31:09We need to get all the witnesses to testify again.

00:31:12How are you going to do that?

00:31:14They didn't testify then. It's been 20 years.

00:31:16Do you think they'll testify now?

00:31:19People's relationships, conditions,

00:31:21relationships, loyalty and understanding change over time.

00:31:24They didn't testify then, but they can testify now.

00:31:27Yes, that's true. It's possible.

00:31:29Besides, the silence at the time seems to be correcting our current situation.

00:31:33They have two children.

00:31:36One of them is gone.

00:31:38Aren't you hungry?

00:31:40My goodness!

00:31:42My goodness!

00:31:44My mother's cough is a mind-opener.

00:31:46So, here you go.

00:31:48Put it in, Gülen.

00:31:50What did you do, Gülen? Do you have ayran?

00:31:53I do. I'll bring it right away.

00:31:55Wow!

00:31:57Hurry up, Queen.

00:31:59Don't make her nervous.

00:32:01We'll take care of it.

00:32:03My mother's cough is back.

00:32:05Give it to me.

00:32:07Why should I? You gave it all to your son, Gülen.

00:32:10Take it.

00:32:11Of course, I will.

00:32:13If I knew you were so hungry,

00:32:15I would have made it earlier, son.

00:32:17We're dead, you know.

00:32:19Don't worry, Gülen.

00:32:21Enjoy it. It's good for you.

00:32:25Mr. Fülent is here, Mr. Yekta. It's urgent.

00:32:28Mr. Yekta.

00:32:30If you have anything to do,

00:32:32leave it to me.

00:32:35We have a big problem.

00:32:38Go ahead. What's the problem?

00:32:40Prosecutor Icra is calling me to testify again.

00:32:44And this time, she's going to try really hard, as far as I can tell.

00:32:49Then, we'll have to participate.

00:32:51After all, it's the prosecutor who's calling.

00:32:53We'll make her do it.

00:32:55There's no problem with that, Mr. Yekta.

00:32:57The thing is, will we be able to get out of there as we got in?

00:33:00You tell me.

00:33:03Of course, you will.

00:33:05The prosecutor will call you ten times.

00:33:07They'll ask you the same question ten times.

00:33:09We'll go, we'll testify, we'll get out. Don't worry.

00:33:11All right, then. Let's not keep the prosecutor waiting.

00:33:15Bye-bye.

00:33:22Mr. Murafet Gün.

00:33:24He used to be the chief of police at the murder bureau.

00:33:27Now it's happened.

00:33:29When you sent me the message,

00:33:31I couldn't figure out who it was,

00:33:33but it was him.

00:33:35You've got a job, Mr. Prosecutor.

00:33:38Is that all you've got?

00:33:40Is that all you've got?

00:33:42Mr. Bülent, I've been in this profession for 40 years.

00:33:47I know so many people from the police.

00:33:49Chiefs, chief constables.

00:33:51I even had a job with their chiefs.

00:33:53I mean, you can't imagine how many...

00:33:55I mean, you can't imagine how many...

00:33:58I mean, you can't imagine how many...

00:34:04Yes.

00:34:06The list of stolen items.

00:34:12These are quite valuable items.

00:34:14Crowns and such.

00:34:16Okay, but they're already very recorded.

00:34:20Had they been sold or what?

00:34:21It was never identified.

00:34:24If that was a real burglar, I would have forgotten it by now.

00:34:26If they had been burglars, they wouldn't have been sold.

00:34:28What do you think?

00:34:30What do you think?

00:34:32What do you think? What do you think happened in that house?

00:34:35Yeliz's brother and his sister-in-law died.

00:34:39So you're saying he killed them.

00:34:41Why wouldn't he?

00:34:42Of course, then he made a deal with Oktay.

00:34:44He covered up the incident.

00:34:45And they crowned this secret with their marriage.

00:34:49Where were the stolen goods then?

00:34:51In the woman's room.

00:34:53So, since Yeliz didn't need the money, she obviously didn't take it from her.

00:34:57Exactly.

00:34:59I've never seen anything like this in my life.

00:35:02Yes, we haven't seen it, but our room wasn't there.

00:35:06That's right.

00:35:08There are photos of the houses.

00:35:09Goksular took photos of all the houses.

00:35:11In this case, I'll run to the police.

00:35:13I'll go and look at those photos.

00:35:17Brother, what did they do to your brother's house?

00:35:21Give me some information about him.

00:35:23Okay, Mr. Prosecutor.

00:35:24I'm taking this spare file with me.

00:35:27You can also tell my mother-in-law that I thank her.

00:35:30Take care of yourself.

00:35:30Don't worry, I'll go on my own.

00:35:31See you.

00:35:32Thank you, see you.

00:35:35Look at him.

00:35:36He's a good man.

00:35:37He's looking for his father-in-law.

00:35:39He's a good son-in-law.

00:35:40He's a joker.

00:35:42Brother Efes?

00:35:43We've been looking for you.

00:35:45We found your teacher, Nura, hiding in your sister's house.

00:35:55We're taking him to the police now.

00:35:56We're taking him to the police now.

00:35:58Great, that's great news.

00:36:00Actually...

00:36:03...he was fired from a similar school.

00:36:06How? How did we get rid of him?

00:36:08Because he got divorced...

00:36:10...he started using the girl's name.

00:36:11That's why we caught him red-handed.

00:36:12Anyway, we have him now.

00:36:14She's a total narcissist.

00:36:15She's really a narcissist.

00:36:17She tells her students that she's her teacher.

00:36:21It's obvious that she wasn't loved when she was little.

00:36:23She was excluded by her friends.

00:36:25Her parents didn't like her either.

00:36:27And she created a perfect life story for herself.

00:36:30How nice.

00:36:31But luckily, we found him.

00:36:33Because he was really comfortable...

00:36:35...the kids got rid of the maniac.

00:36:37Also, thank you very much for catching this psychopath yourself, Mr. Prosecutor.

00:36:41What do you mean?

00:36:42My duty is my duty.

00:36:43I will pass on your heroism to Tugce.

00:36:45Don't worry.

00:36:46I'll get a few extra points.

00:36:49Good luck.

00:36:50Good, see you.

00:36:51Good luck.

00:36:53The detention period was short, right?

00:36:55I mean, you can still stay close to me, of course.

00:36:58Hmm, you say so.

00:36:59Yes, of course. I'm Ceylin.

00:37:01Now I'll run into a maniac again.

00:37:03Then I'll hit a psychopath.

00:37:04Something might happen, you know what I mean?

00:37:06How close should I keep you?

00:37:08Not a bad distance, for example.

00:37:10Would it be better if we got a little closer?

00:37:12Hmm.

00:37:15We're on the balcony.

00:37:17Hmm.

00:37:18Let me look at you for a second.

00:37:20Slow down.

00:37:20Okay.

00:37:26Don't be nervous, Mr. Bülent.

00:37:28Calm down.

00:37:29It's a classic tactic.

00:37:30They do it to irritate you.

00:37:32That's what they do.

00:37:34My tactics don't work on me.

00:37:36Don't worry.

00:37:55Look at me, Mr. Ahmet.

00:37:57Is this the man who beat you up,

00:37:59or the one who gave you the order to be beaten up?

00:38:05No, I've never seen this man.

00:38:07How come you haven't seen him?

00:38:08Are you sure? Take a good look.

00:38:13No, prosecutor.

00:38:14I've never seen him in my life.

00:38:15I don't know who he is.

00:38:16He didn't even come to that terrace, did he?

00:38:19No, prosecutor.

00:38:22Did he tell you to shut up?

00:38:24Huh?

00:38:25Didn't he tell you to shut up?

00:38:28This man wanted to enter the firm you run, Mr. Ahmet.

00:38:32There was a disagreement between you.

00:38:34They took you to the terrace.

00:38:36They beat you up.

00:38:37You're still protecting him.

00:38:40No, prosecutor.

00:38:41I'm just protecting myself.

00:38:43Not anyone else.

00:38:47You can take him outside.

00:38:55What are we going to do now, prosecutor?

00:38:59What's in this room, stays in this room, chief.

00:39:04We're the only ones who know that he didn't give himself up.

00:39:07Not him.

00:39:08So, are we going to say he gave himself up to you, Ms. Bülent?

00:39:12Exactly.

00:39:25Yes, Mr. Bülent.

00:39:27We talked to Mr. Ahmet, who we found beaten up on the news.

00:39:32He identified you.

00:39:35Lies.

00:39:37I don't know anyone named Ahmet.

00:39:40Are you sure?

00:39:42I don't know anyone named Ahmet.

00:39:45I don't know anyone named Ahmet.

00:39:47I don't know anyone named Ahmet.

00:39:49I don't know anyone named Ahmet.

00:39:51I don't know anyone named Ahmet.

00:39:53I don't know anyone named Ahmet.

00:39:56Because he is the head of the commission of the bid you wanted to take part in.

00:40:02What did he not accept when you asked him?

00:40:05Tell me what you did to him, that you made him beat up.

00:40:14You've misunderstood, Ms. Prosecutor.

00:40:17I didn't hurt anyone.

00:40:19I didn't do anything to anyone.

00:40:21This is a big lie.

00:40:35It's good to work from home. Let's do that.

00:40:37Yes, I think so too. You're right in the mood.

00:40:39No one comes, no one goes, no one asks questions.

00:40:42If I say home food service, there is.

00:40:44As you can see, we didn't even pass the plates through the water.

00:40:47If we were hungry, if we were thirsty, we were going to put bread in the bowl.

00:40:53Where would you hide it if you were me?

00:40:56The stolen goods?

00:41:01I mean, they probably hid it in the most unsearchable place.

00:41:05So?

00:41:06I mean, I don't think İlyas would hide it in his own house.

00:41:10Because it would be like a body show, like, come and find it.

00:41:13Let Eren take a look, but I don't think it's there.

00:41:17What about you? Where would you hide it?

00:41:20What if they didn't take it out of the house?

00:41:22What do you mean?

00:41:24In the house where the man was killed?

00:41:26Are you talking about your brother's house?

00:41:28I mean, is it illogical?

00:41:31It's logical, I think it could be.

00:41:37Oops.

00:41:39I'm sorry, but I didn't mean to put your hand there.

00:41:43I wonder if my watch is still working.

00:41:45I can't trust you for an hour, then.

00:41:47Yes.

00:41:54Chief Inspector, you wanted to see me?

00:41:55Come, come, come.

00:41:58Come, brother. Come here.

00:42:01Now, these photos are from the house where Serap died.

00:42:07I mean, the photos from Mrs. Yeliz's house.

00:42:10Okay, dear?

00:42:11Yes.

00:42:12Now, I'm asking you,

00:42:13have you ever seen anything of value, antique, priceless,

00:42:16anywhere in the house?

00:42:18No.

00:42:19Are you sure?

00:42:20I'm sure.

00:42:23Although it's not in the photos.

00:42:25I'm asking you to be sure, not to bet on age.

00:42:27Okay, dear?

00:42:30Now, let's come to these photos.

00:42:32These are the things claimed to have been stolen from Mrs. Yeliz's brother's house years ago.

00:42:40Have you seen any of these anywhere in the house?

00:42:42There are jewels, too.

00:42:46I mean, not necessarily in the places where the incident took place.

00:42:48I mean, could you have seen them in places where the incident didn't take place,

00:42:50and you didn't take the photo?

00:42:52Chief Inspector, we examined every corner of that house carefully.

00:42:55I would have remembered if I had seen them anyway.

00:42:58These weren't in any house.

00:43:01Maybe the jewels are in a safe or something.

00:43:06Okay, dear.

00:43:07Thank you.

00:43:08I'm sorry I made you come all the way here.

00:43:10Don't mention it, Chief Inspector.

00:43:11You're welcome.

00:43:12I always come running.

00:43:13Thank you, dear.

00:43:14Have a good day.

00:43:15Thank you.

00:43:30What if we can't find anything?

00:43:32No.

00:43:33We don't have much time.

00:43:34She's going to tear this murder apart.

00:43:36She's going to kill three people,

00:43:38shake their hands and arms,

00:43:40and walk around freely outside.

00:43:42That's great.

00:43:43It's possible.

00:43:44But we're trying our luck.

00:43:46We have to find something.

00:43:48She's sick.

00:43:49And she complained to you, Chief Inspector.

00:43:54Eren.

00:43:55Get the speakers.

00:43:56You're going to ask her what she said.

00:43:58Yes, brother.

00:43:59Brother, we checked with Goksu Can.

00:44:01There are no antiques.

00:44:02He said we'd see if there were.

00:44:05Okay.

00:44:06As we expected,

00:44:07he said he wouldn't point a finger.

00:44:08It was obvious.

00:44:09It's okay, brother.

00:44:10It's good to be sure.

00:44:11There's no stopping.

00:44:12Exactly, my queen.

00:44:14By the way, Yeliz's brother, Kenan's house.

00:44:16It's empty.

00:44:17It's never been used.

00:44:18It's not even rented.

00:44:19You should know that.

00:44:20Okay, brother.

00:44:21Thank you.

00:44:22See you.

00:44:23I hung up.

00:44:24I'm ready.

00:44:28Let's take a break.

00:44:30Think about it.

00:44:32Get yourself together.

00:44:35Maybe it'll help you remember.

00:44:53He said he wouldn't talk.

00:44:56He wouldn't even say a word.

00:44:58Maybe he changed his mind until the last minute.

00:45:01Can't he?

00:45:03He can't.

00:45:04He can't.

00:45:06I'm sure of it.

00:45:12Ms. Prosecutor is looking for us.

00:45:16You go.

00:45:17Let's see if Ahmet said anything.

00:45:20Did he say anything?

00:45:21Did he not?

00:45:22Let's make sure she's telling the truth.

00:45:24Okay.

00:45:32Let's go.

00:45:38Here I am.

00:45:40I'm here.

00:45:42You love these antiques, don't you?

00:45:44What's the big deal?

00:45:45I love curiosity.

00:45:46I love excitement.

00:45:48Because there's something extra.

00:45:50I feel safe.

00:45:52I'm not going to leave you here.

00:45:54You're relying on me, right?

00:45:55What's the big deal?

00:45:56I'm very sincere.

00:45:57Besides, I think you have an adventurous soul.

00:46:00But you don't show it because it's a heavy burden.

00:46:02You love all of these, too.

00:46:04You came to the car before me.

00:46:06So let it go, Ms. Prosecutor.

00:46:09Let go of your curiosity and adventurous soul.

00:46:11I want you to let it go.

00:46:12Let it go.

00:46:14They can't.

00:46:19Ms. Prosecutor.

00:46:21Bülent understood your trick.

00:46:23I'm sure Ahmet didn't identify himself.

00:46:25What trick?

00:46:26Maybe not.

00:46:27It's just a guess.

00:46:29Don't do it, Ms. Prosecutor.

00:46:30If you had proof, we'd be in prison already.

00:46:33But he doesn't know that.

00:46:35I think you should release Bülent before he wakes up.

00:46:38You're giving yourself away.

00:46:40If you're going to teach me how to do my job,

00:46:42if you're going to try to convince me,

00:46:43go and convince your client.

00:46:44Let him admit his crime.

00:46:46We're trying to catch him.

00:46:48It's a crime.

00:46:49He's guilty.

00:46:59He's guilty.

00:47:22Okay, I think this is it.

00:47:24Look at the garden.

00:47:25It looks abandoned.

00:47:26I think this is it.

00:47:29Let's go.

00:47:39Let's see if we can get in.

00:47:41We'll see.

00:47:46How do we get in?

00:47:48I have a number.

00:47:49I can show you.

00:47:50Go ahead.

00:47:54For example, like this.

00:47:55Oh!

00:47:57Let's open it.

00:48:04Yes, it's really old.

00:48:12Oh, plum tree.

00:48:21Come on, let's open this door too.

00:48:25Let's go.

00:48:38What are you doing?

00:48:39Think.

00:48:41You're killing your brother in there.

00:48:43And your sister-in-law?

00:48:46Then you commit theft.

00:48:47You take on everything.

00:48:48It's a risk.

00:48:49You have to get rid of it quickly.

00:48:50You have to get rid of it.

00:48:52Are you saying in the garden?

00:48:54The easiest way to get rid of it.

00:48:55While hiding, it is unlikely that someone will see it.

00:48:58Look, after the garden,

00:48:59it's obvious that there's a gardener, a guard,

00:49:01or something.

00:49:02So it's not in.

00:49:06What are we going to do?

00:49:07Are we going to dig in the garden?

00:49:19What are you doing there?

00:49:21Hello.

00:49:22It's not hello.

00:49:23What are you doing?

00:49:25We were looking.

00:49:27What for?

00:49:28It's like there's a wedding.

00:49:29We're just getting married.

00:49:31We saw the house from the outside.

00:49:32We liked it very much.

00:49:33We said let's take a look.

00:49:34Is it for sale?

00:49:35Not.

00:49:36Get out.

00:49:38Are you the owner?

00:49:39No.

00:49:40I'm a neighbor, but it's not for sale.

00:49:43Oh my God.

00:49:44I'm so sorry.

00:49:45We really like such old houses.

00:49:46That's why it's a thing.

00:49:48Actually, if you have a key,

00:49:49we'd like to go inside and take a look.

00:49:51Are you stupid?

00:49:53It's not for sale.

00:49:54It's not for rent.

00:49:55I'm still dealing with you.

00:49:57Get out.

00:49:58Okay, darling.

00:49:59Let's look somewhere else.

00:50:00Have a good day.

00:50:04Come on.

00:50:11Thank you.

00:50:13What did we just experience?

00:50:14The man turned out to be a real example of buying a house.

00:50:16He's coming.

00:50:17He's coming.

00:50:18He's coming.

00:50:19He's coming.

00:50:20He's coming.

00:50:21He's coming.

00:50:22He's here.

00:50:23He's not a statue.

00:50:24He's a neighbor.

00:50:40You're right, Mr. Bülent.

00:50:41As you said,

00:50:42I'm a neighbor.

00:50:44I'm a neighbor.

00:50:45As you said,

00:50:46Ahmet didn't speak.

00:50:48I told you.

00:50:49He won't do it.

00:50:50He won't sell me.

00:50:51Because he won't eat me.

00:50:52Mr. Prosecutor,

00:50:53he's playing a game with us.

00:50:54But now we know.

00:50:55We're the ones who have strong hands.

00:50:57So what are we going to do now?

00:50:59We're going to apply the strongest defense tactic

00:51:01in the world of justice, Mr. Bülent.

00:51:04Until the end.

00:51:06That's exactly how it goes.

00:51:07They only have a claim

00:51:08that you're on that terrace,

00:51:09that you hit that man.

00:51:11That's all they have.

00:51:12The claim needs to be proven.

00:51:14Let the prosecutor prove it.

00:51:19What does your father want?

00:51:21Tell me.

00:51:22Well, dad,

00:51:23if I don't get anything for nothing,

00:51:25we'll make a raw meatball.

00:51:27Wow, raw meatball.

00:51:29Girl, now that's a pain in the ass.

00:51:31I don't know,

00:51:32it doesn't suit you.

00:51:33Of course it doesn't, dad.

00:51:34You're a shame.

00:51:35Okay, fine.

00:51:38I'll get your ayran and come to you in two hours.

00:51:40You're the king,

00:51:41but you don't have a kingdom.

00:51:42Look at me, Ginger.

00:51:43You've come to your senses.

00:51:45You're my only kingdom.

00:51:47Don't forget that.

00:51:48Now we're going to get the meatball.

00:51:50We're going to hang out.

00:51:51Really?

00:51:52Come on, open your eyes.

00:51:54Most of all, your eyes are open.

00:51:56You're getting rid of your booger.

00:51:57Oh, shut up.

00:51:58I'm so used to it

00:51:59that I'm going to hide it under my pillow for the rest of my life.

00:52:00Okay, my beautiful girl.

00:52:01I kiss you.

00:52:02Get rid of those concrete, okay?

00:52:03Don't forget.

00:52:04Gairet will win.

00:52:05Gairet will win, dad.

00:52:06I kissed him too.

00:52:07Come on, I kissed you.

00:52:08Come on, Furkan, come on.

00:52:13Chief Inspector, you said...

00:52:17What did I say?

00:52:18Is there a case similar to the case of the brothers who found their fathers at the door?

00:52:24Is there?

00:52:25I swear there is, Chief Inspector.

00:52:26Really?

00:52:29I found three similar cases.

00:52:34Are they all shrouded?

00:52:36Yes, one is in a jar.

00:52:39Where?

00:52:40In the jar.

00:52:41What jar?

00:52:42What jar, son?

00:52:43What are you saying, Furkan?

00:52:44Are you sleepless?

00:52:45No, Chief Inspector.

00:52:46I'm not.

00:52:47When a woman dies, she always wants to be burned.

00:52:49One is in that jar.

00:52:50They found their mother's ashes in front of the door.

00:52:52The other is the son of the house.

00:52:54He was shot in the middle of the street in Beypazarı in Ankara.

00:52:56He is shrouded again.

00:52:58The last one died of hypothermia due to sleeping pills.

00:53:01He is in Istanbul.

00:53:02They left him in front of the door with a shroud.

00:53:07So they're all at the address, right?

00:53:09That's right, Chief Inspector.

00:53:12Then let's go to the police station.

00:53:14Let's see if they can issue a search warrant for the garden of the house.

00:53:17You don't have permission to give instructions, of course.

00:53:19It would be better if I didn't get involved until the file was reopened.

00:53:22You leave me at the station, then you can take Mercan.

00:53:25Was it my turn?

00:53:26Yes, my dear.

00:53:29Okay, let's pick you up on the way back.

00:53:31It would be great if you could do such a trick.

00:53:33Of course we would.

00:53:35I mean, my daughter's father would do anything for my husband.

00:53:42What happened? Is your makeup breaking?

00:53:44No, my red lipstick is breaking. I'm afraid.

00:53:48Chief Inspector, we've been waiting for a long time.

00:53:51I don't think you have any concrete evidence.

00:53:53In this case, we would like your permission.

00:53:55Of course, Mr. Lawyer.

00:53:56You can go, but your client will stay here for a while.

00:53:59For what reason, Chief Inspector?

00:54:01You can't keep me here.

00:54:04Let's take the citizen to the police station.

00:54:06Talk to me, lawyer. Say something.

00:54:08Say something.

00:54:09Chief Inspector, why are you arresting my client?

00:54:11There is a statement, Mr. Lawyer.

00:54:13Mr. Ahmet identified your client.

00:54:16It's a false statement.

00:54:17Let's be sure of that, right?

00:54:19Let's do a thorough investigation.

00:54:21No lies, no truth.

00:54:23As a result, there is a murder attempt.

00:54:26You officially hit the man and left him to die on the terrace.

00:54:29I wasn't there.

00:54:30I have witnesses.

00:54:32Sometimes there can be such witnesses, yes.

00:54:34Those who do the reminder, those who are mistaken, those who are surprised.

00:54:39That's why you won't go anywhere for a while.

00:54:42Until I'm sure.

00:54:44Take him.

00:55:02Chief Inspector.

00:55:03Chief Inspector.

00:55:05Is this how we agreed?

00:55:06You're acting with your feelings, not logic.

00:55:08If he had the chance, he would have run away.

00:55:10Weren't you the one who ran to me and said,

00:55:12do something, the man is going to die?

00:55:14It's under our control. He can't go anywhere.

00:55:17Bring me evidence to accuse him.

00:55:19Let's send him to the police station.

00:55:21Let's close the case.

00:55:34Chief Inspector.

00:55:36Chief Inspector.

00:55:37Those brothers, the ones who found their father.

00:55:39Yes, the friends who carry the body to the police station.

00:55:42That's right, Chief Inspector.

00:55:43We found similar cases.

00:55:47Should we eat out tonight?

00:55:49Okay, let's eat something dirty.

00:55:51Yes, let's eat something dirty.

00:55:53It's my right on the day of harmful things.

00:55:56I think we'll take you for an hour.

00:55:59Deal.

00:56:00Deal.

00:56:01Deal.

00:56:04The dead are not relatives.

00:56:06No, Chief Inspector, there is no relationship.

00:56:08You say the cities are different.

00:56:09So there are two bodies in Istanbul,

00:56:10but one in Anatolia and the other in Europe.

00:56:12Therefore, we can say in two separate cities, Chief Inspector.

00:56:15The only link is the forms of death.

00:56:17That's not much either.

00:56:20What is it?

00:56:21How did you link similar cases to each other?

00:56:24Well, Chief Inspector,

00:56:25three of them, including the body of your father,

00:56:27who was buried here and brought here,

00:56:29were packed separately

00:56:30and left next to the bodies.

00:56:34The bodies were also buried.

00:56:36Except for one,

00:56:37which is in the Turkish jar.

00:56:40Although it was done in accordance with the procedure.

00:56:43So,

00:56:44Chief Inspector,

00:56:45we have a great serial killer.

00:56:51There must be a copy of these.

00:56:52Of course, Chief Inspector.

00:56:53Let me examine it.

00:56:55You take a look too, please.

00:56:56Yes, Chief Inspector.

00:56:59You won't eat pickles for a while now.

00:57:02Now let's get up slowly.

00:57:06Let's try to take a step with these.

00:57:13Very good, Miss Tuğçe.

00:57:15One more step.

00:57:17A tiny step for me?

00:57:19A tiny step for humanity?

00:57:20One more step.

00:57:21Just one more step.

00:57:22As far as you can throw.

00:57:24To open your limits

00:57:25and for us to understand.

00:57:30That's it.

00:57:31That's all I wanted.

00:57:33I'm here.

00:57:40I'm proud of you.

00:57:42The rest is physical therapy.

00:57:44You may not need to stay in the hospital anymore.

00:57:47What?

00:57:48Am I going to be an ambulance?

00:57:49I mean,

00:57:50if you say I'll come and go, yes.

00:57:51But there must be no delay.

00:57:53The most important thing in physical therapy is continuity.

00:57:55What is the delay, sir?

00:57:57The delay is me.

00:57:58I'm going to be a frequent follower anyway.

00:58:01And I'll bring my beloved fiancée.

00:58:04With great pleasure.

00:58:05Good.

00:58:06Then it's a deal.

00:58:07We'll present it to a final approval tomorrow.

00:58:09Then it's Burcu's turn.

00:58:17Shall we go?

00:58:18Let's go.

00:58:29Good day.

00:58:30Welcome, Mr. Prosecutor.

00:58:32Well,

00:58:33I don't know if it's going to be easy.

00:58:37It's like a serial killer case.

00:58:40Who?

00:58:41Prosecutor İclal.

00:58:44I'm looking for him.

00:58:46If you say I'm not worried,

00:58:47it's a lie, brother.

00:58:50In short, we have a psychopath in front of us, Mr. Prosecutor.

00:58:53Let me give you a quick summary.

00:58:55The way he wants to kill people,

00:58:56that's how he kills himself.

00:58:58Interesting.

00:58:59Interesting, isn't it?

00:59:00Mothers, fathers, what a son you raised.

00:59:02Sometimes I think,

00:59:03what did you live to become like this?

00:59:06Anyway.

00:59:08What did you do?

00:59:09Is there anything?

00:59:10Did you find anything?

00:59:11Now the question is,

00:59:13if a thief is a decoration to cover up a murder,

00:59:16which I think so,

00:59:18then where do you put the things you stole?

00:59:21I don't know.

00:59:22Then where do you put the things you stole?

00:59:25Where do I put it?

00:59:27Not at home, we know that.

00:59:30What do I do?

00:59:32I'm a rich man.

00:59:35I don't need money, I don't sell it.

00:59:37I don't give it to anyone.

00:59:40I keep it.

00:59:42If they rot, let them rot.

00:59:44You took it out of the house,

00:59:45but you're afraid of being caught.

00:59:47Did you go home?

00:59:48So let's say we took a look from afar.

00:59:50So let's say we took a look from afar.

00:59:53Kubilay gave me this file.

00:59:54He told me to examine it.

00:59:55So I examined it.

00:59:56There was a suspicious situation.

00:59:57He asked me to get a search warrant.

00:59:59Okay.

01:00:00Tea?

01:00:01That would be fine.

01:00:05My dear, tell him to give us two cups of tea.

01:00:07Ahmet.

01:00:09Did Chief Kubilay pass?

01:00:11He didn't, Chief.

01:00:12Okay, call me when he passes.

01:00:13Okay?

01:00:14Thank you.

01:00:16Chief wasn't in his room yet.

01:00:19We'll have our tea in that car soon.

01:00:21Okay.

01:00:26Let's take care of your bathroom.

01:00:28Sadik is ready.

01:00:29He's waiting for you.

01:00:31Every day, every day.

01:00:34As if he knows everything about the house.

01:00:36It's very important for your health.

01:00:37As much as your medicines, so is your hygiene.

01:00:45Okay.

01:01:15Okay.

01:01:46Hello.

01:01:48Toilet.

01:01:49Is there a toilet?

01:01:50There are toilets everywhere in this house.

01:01:52I thought there was the nearest one.

01:01:54I don't think there is.

01:01:55In the corridor.

01:01:56First right.

01:01:57In the corridor.

01:02:00Okay.

01:02:01Okay.

01:02:02Okay.

01:02:03Okay.

01:02:04Okay.

01:02:05Okay.

01:02:06Okay.

01:02:07Okay.

01:02:08Okay.

01:02:09Okay.

01:02:10Okay.

01:02:11Okay.

01:02:12Okay.

01:02:13Okay.

01:02:15Rest.

01:02:19Rest.

01:02:21Rest.

01:02:22I swear, it's very difficult.

01:02:25It's a very difficult job.

01:02:31I had a grandpa, Hacı.

01:02:32He had such a hard time.

01:02:35Believe me, the doctors told him to be prepared for anything.

01:02:38We went home, and he had to sleep on the sofa for 12 years.

01:02:43Of course, at that time...

01:02:45...technology wasn't like ours.

01:02:47Now, technology is very...

01:02:48I swear, he's watching us from somewhere.

01:02:50Can I finish the painting job as soon as possible, master?

01:02:52I mean, my brain doesn't work because of the smell anymore.

01:02:56I mean, you must be used to it.

01:02:58Of course, we're used to it.

01:02:59We're used to it.

01:03:01I mean, can you believe it, ma'am?

01:03:02Sometimes I say...

01:03:03...I wish I had a magic wand, I could touch it...

01:03:05...and it would paint the whole house, but...

01:03:10Don't let it go.

01:03:11Thank you.

01:03:12Thank you.

01:03:14Good luck, then.

01:03:16After all, you can tell who's who in this world...

01:03:18...from the condition of the workers.

01:03:20How do I close the door?

01:03:21Close it.

01:03:22Thank you.

01:03:23Close it.

01:03:47Mommy!

01:03:49Oh, my God!

01:03:51My beautiful doll!

01:03:52I missed you so much!

01:03:54I missed you, too.

01:03:56Are you hungry?

01:03:57Yes!

01:03:59Now, we're going to pick up your dad...

01:04:00...and then we're going to eat out.

01:04:03Olay!

01:04:04Birthday party!

01:04:05Cheers!

01:04:06We're going to celebrate!

01:04:07Yes!

01:04:09Birthday party!

01:04:10Anyway, let's go.

01:04:12We're going.

01:04:13What are we going to eat?

01:04:14Pizza, hamburger, french fries?

01:04:16I don't know.

01:04:17Let's see.

01:04:18Maybe we'll eat something else.

01:04:21Come on in, Mrs. Party.

01:04:25Come in.

01:04:26May I, chief?

01:04:28Oh, chief, come in.

01:04:31I've been waiting for you.

01:04:33Since you've been in charge...

01:04:34...you should come and apologize.

01:04:37I don't know, ask for a solution.

01:04:39Even if it's a lie, an embarrassment.

01:04:42Chief.

01:04:46I'm here to give you some information...

01:04:49...regarding the files that expired.

01:04:52Is that so?

01:04:54There was no search in the garden of the house...

01:04:57...where the incident took place.

01:04:58So?

01:05:00If you'll excuse me...

01:05:03...we have a week until the file expires.

01:05:06Maybe we can reopen the file, chief.

01:05:08Don't you have anything else to do, chief?

01:05:10You gave me a job, chief.

01:05:12It's been a month, chief.

01:05:15Did you see it in your dream?

01:05:16I'm trying to fulfill your order, chief.

01:05:19If you'll excuse me, I'll...

01:05:21No.

01:05:23First, look at the files you have, chief.

01:05:26What was that?

01:05:27The shrouded father.

01:05:29They said there were similar cases.

01:05:31And the last one is...

01:05:41The one who made you chief...

01:05:44...is a mental patient.

01:05:46He gave me the files himself.

01:05:48I asked him what he was going to find.

01:05:49A suspicious situation arose.

01:05:50I asked if he needed a search warrant.

01:05:51He asked if I had nothing to do.

01:05:54And the chief said he would apologize himself.

01:05:57I was going to fix this guy the other day.

01:06:01What are we going to do?

01:06:03Don't worry Kubilay. I'll take care of it.

01:06:06How are you going to take care of it?

01:06:11Queens can't be kept waiting.

01:06:13Honey?

01:06:14We're here, let's go.

01:06:15Come on dad, run!

01:06:17I'm running, I'm running princess, I'm running.

01:06:19Wait, wait, where, where? How are you going to take care of it?

01:06:23We're going to turn it into a game.

01:06:25For God's sake, don't get involved in this.

01:06:27These are not for you.

01:06:28You two ruined me too.

01:06:30See you.

01:06:31God damn it.

01:06:50Why is that plate there?

01:06:51Give me some.

01:06:52Here you go.

01:06:53Here you go.

01:06:54Yes, my beautiful princess.

01:06:56Which sauce should we put?

01:06:58Don't put that green one, dad.

01:07:00Why?

01:07:01Look, it's the same frog.

01:07:04Is it a frog?

01:07:06But it's not a frog, it's avocado.

01:07:08It's very useful.

01:07:09You love it too.

01:07:10Yes, my love, you always eat it at home.

01:07:13Put that white one and the ketchup one too.

01:07:16Of course.

01:07:18Hmm.

01:07:20Hmm.

01:07:22Yes, here you go.

01:07:24It's so beautiful.

01:07:28Hmm, it's so beautiful.

01:07:29Oh, oh, let's wipe it off now.

01:07:33Then, my love, I want it too.

01:07:36From the frog and as Mercan said, from all of them, please.

01:07:40Of course, my dear.

01:07:42Dad, do we have a summer house?

01:07:47No, my dear, why?

01:07:48My loved ones are there.

01:07:50They will stay there in the summer.

01:07:52The clouds will go to them too.

01:07:54Shall we go too?

01:07:55Hmm.

01:07:57We will go on vacation in the summer, but not to your friends' house.

01:08:01Where will we go?

01:08:03We will go on vacation with our own house in the summer.

01:08:06Dad, how can our house come with us?

01:08:09I'm not kidding, my princess.

01:08:11We will travel in a caravan in our mini house.

01:08:13Caravan?

01:08:17It's not a caravan, my love, it's a caravan.

01:08:19Caravan, my dear?

01:08:20Yes.

01:08:21I said it wrong, caravan.

01:08:22With a caravan?

01:08:23Exactly.

01:08:24Think of it as a vacation house.

01:08:25We will have a kitchen inside, we will have a bedroom.

01:08:28What about us?

01:08:29The room behind the car is there with us.

01:08:31Like a sugar-coated bed?

01:08:33Exactly.

01:08:34So will we go while I'm sleeping?

01:08:36Yes, you will look in the morning, you will get up, we are in a completely different place.

01:08:40Then we will see a forest, for example.

01:08:41We will say, let's stay here tonight, we will stay there.

01:08:43We will see the seaside.

01:08:44We will want to stay there, we will stay there.

01:08:46We will go wherever we want.

01:08:48Isn't it nice?

01:08:49Nice.

01:08:50Yes.

01:08:51Our house is as big as a turtle.

01:08:54Yes.

01:08:55Yes, turtle house.

01:08:57Come on, let's eat that frog.

01:09:02Let's go, please, please.

01:09:04First we eat our food.

01:09:06And we need to fix the caravan a little bit.

01:09:08Let's fix them too, then we will go to very nice places.

01:09:14What did they want?

01:09:16I don't know.

01:09:28Let's see.

01:09:38Let's see.

01:09:42It's just that I'm here.

01:09:46What's happening?

01:09:52Give up the lcher!

01:09:54Are they feeding you heart somewhere?

01:09:57Oh! Welcome boss.

01:10:00The weather is just like you.

01:10:02I was just about to throw the stick to the end.

01:10:04And it was so nice.

01:10:07I am doing this job.

01:10:08I swear to God, this is my sport.

01:10:10I am doing it.

01:10:11What are you doing here?

01:10:12What do you mean what am I doing?

01:10:14Didn't you tell me to hide? So I did.

01:10:16In my house?

01:10:18Oh my God.

01:10:19I had the piano running.

01:10:23It made the most sense to come here.

01:10:24Why? Because Bülent wouldn't look.

01:10:27Aren't you Bülent's man? You're Bülent's man.

01:10:29Of course, he wouldn't look at his man's house.

01:10:34Oh, oh!

01:10:37What are you saying? Look at me.

01:10:39Look, at this age, this much anger is not good.

01:10:42Look, I cooked a lot of food for you.

01:10:44Take whatever you have.

01:10:46Like a shepherd.

01:10:48Where can I find it? You Kodaman people don't know.

01:10:50You don't know the taste of your mouth, man.

01:10:52There's also an eggplant next to this.

01:10:55Oh my God.

01:10:57I'm going to bite the bottom of it.

01:10:59Eggplant?

01:11:00Yes. Haven't you heard of it?

01:11:02With pomegranate and walnuts.

01:11:05I bought it on my way here. Don't worry.

01:11:07Maybe it's not at home, but it really isn't.

01:11:10Look at this.

01:11:12I'm going to torture you.

01:11:14I bought you a pomegranate, a liver. Wait a minute.

01:11:17You're a single man. You're feeding like a bird.

01:11:21It's not going to be like this anymore.

01:11:23It's Ramadan. It's over.

01:11:25Your stomach will celebrate.

01:11:27How did you get in?

01:11:29What do you mean, how did I get in?

01:11:31You're embarrassing me. You're really embarrassing me.

01:11:34Why are you making fun of me, boss?

01:11:37I'm the boss.

01:11:39How could you forget? I'm the boss.

01:11:41If you let me go,

01:11:43I'll swim out to Canakkale.

01:11:46I won't run away.

01:11:49Actually,

01:11:50it's not going to be like this.

01:11:52The weather was going to be nice.

01:11:53I was going to make a barbecue out there.

01:11:56I was going to see it.

01:11:58Before you came, I rolled up my sleeves.

01:12:00I tasted it. It was good.

01:12:01It's the best.

01:12:04My hands are so delicious.

01:12:06I swear.

01:12:08Cut it out.

01:12:15Thank you.

01:12:16You're welcome.

01:12:17Defne, I bought the right one, right?

01:12:20The man I told you about gave me this.

01:12:23Yes, you bought the right one.

01:12:24We're going to put the phone in this device.

01:12:27But it's hard to program it.

01:12:29We need to record it.

01:12:31It has three lights.

01:12:33Hot, cold, and tricolor.

01:12:37You put it in the charger.

01:12:39You can turn it on and off.

01:12:42It's so complicated. Hot, cold, etc.

01:12:45It's actually very easy. I'll teach you.

01:12:48We can also put it on your feet.

01:12:51Defne, listen to me.

01:12:53Do you want to win the lottery?

01:12:55Yes, but what does it have to do with it?

01:12:58Take your bread and eat it quickly.

01:13:01It's good for you.

01:13:03What if you record my videos and I give you the money?

01:13:09Aylin, for God's sake.

01:13:12You're going to record a video and publish it.

01:13:13Someone's going to watch it and you're going to make money.

01:13:16You have a great job.

01:13:19Forget about the antiques.

01:13:21You're just busy with the kid.

01:13:23Why do you say that, mom?

01:13:24A lot of people make money from this.

01:13:26There are people who rent out their homes, there are people who educate their kids.

01:13:28I have some followers.

01:13:31I also got a job offer.

01:13:33Ceylin knows about it, too.

01:13:34Good for you.

01:13:36Do whatever you want, Aylin.

01:13:38I don't care about these things.

01:13:40Gül, these young people are so stupid.

01:13:43Let them do whatever they want.

01:13:46That's true, but...

01:13:48What if we put this on?

01:13:49How much did you pay for this?

01:13:52Not much.

01:13:53I'll think about it when I put this on.

01:13:54I'll learn from you.

01:13:56Come here, Merco, Merco.

01:13:59Run, run, run.

01:14:01Hold hands.

01:14:02I'll set it up here.

01:14:05Okay, you can eat.

01:14:06There's a lot going on here.

01:14:09Welcome.

01:14:10Welcome.

01:14:12Welcome.

01:14:15Shall we make a cake from the soil, Merco?

01:14:17Okay.

01:14:18Look, it'll get dirty.

01:14:20We can wash it.

01:14:22Play with it.

01:14:23Mecnun!

01:14:25You're still standing.

01:14:26Have a seat, there's tea, too.

01:14:27Yes, yes, have a seat.

01:14:28We have some work to do with the manager.

01:14:32Okay.

01:14:34Son, would you like some tea?

01:14:35No, thank you.

01:14:36I'll have some, too.

01:14:38What's the manager saying?

01:14:39He's going to make a video and publish it.

01:14:42He's going to make money.

01:14:45Grandpa.

01:14:47I have a job for you.

01:14:48Order me.

01:14:49We'll do whatever you want.

01:14:52I'll tell him.

01:14:53Okay.

01:15:01Look at this.

01:15:03How does it look?

01:15:04Okay, good.

01:15:07Are you ready?

01:15:08Wait a minute.

01:15:12Are you ready?

01:15:13Okay, I'm ready.

01:15:14Three, two, one.

01:15:16Record.

01:15:18If you have a color that matches my skin tone,

01:15:22these blushes will look great on you.

01:15:28What happened? Doesn't it look good?

01:15:30Technically, it looks good.

01:15:32But the content is a bit weird.

01:15:34What do you mean?

01:15:35Ayna is a bit boring, you know?

01:15:38She's always sulking.

01:15:40Make-up is a long job.

01:15:41When I look at her straight, I feel like I'm going to faint.

01:15:45She's been putting on make-up in front of the mirror for hours.

01:15:48It's okay. It happens to everyone.

01:15:52It's not like home.

01:15:53It's next level.

01:15:55I think you should tell her something else while you're putting on make-up.

01:15:58I mean, tell her about what you're going to advertise.

01:16:02I mean, I don't know.

01:16:04For example, Kerala.

01:16:05It's all up to you now.

01:16:07You know, the traffic or the way you see it.

01:16:09A woman with a ragged sock.

01:16:11The more you show off, the better.

01:16:14Is that okay?

01:16:15Of course, a bit of make-up.

01:16:17It's a bit like a life lesson.

01:16:19For example,

01:16:21ten guys who don't look behind us and have to run away.

01:16:25With a ghost.

01:16:26I don't know.

01:16:28The one who texts you in the morning and leaves.

01:16:30I mean, she's been putting on a lot of content.

01:16:32It's crazy.

01:16:34Look at her. She knows so much.

01:16:37Of course, Ayna.

01:16:38If you saw what happened at school, you'd be like, wow.

01:16:42It's crazy, these things.

01:16:46Okay. Okay, I'll give it a try, then.

01:16:50Okay.

01:16:51Are you ready?

01:16:54I'm ready. Don't count. Three, two, one.

01:16:56Three, two, one.

01:16:59Recording.

01:17:00Okay.

01:17:01We're spreading our hair.

01:17:07Girls.

01:17:09By the way, I'd like to give you some advice.

01:17:13We're putting on make-up like this.

01:17:17Why are we putting on make-up?

01:17:20For what?

01:17:22I think we should ask ourselves first.

01:17:26Not for our spouse, friends or lovers.

01:17:32Let's do it for ourselves first.

01:17:34Because the most important relationship is with yourself.

01:17:38I mean, everyone will pass away.

01:17:42But in the end, you'll be alone with yourself.

01:17:46So, love yourself first.

01:17:50You won't believe it, but I've just started doing this.

01:17:56Number ten, five stars.

01:17:58But be a little more sincere.

01:18:00I mean, when it comes to make-up, I don't go out of the concept with clean hands.

01:18:03Okay.

01:18:04It's like therapy. I talk like this until morning.

01:18:08Thank you, girl.

01:18:09But translate the English words you put in there for me.

01:18:12You really love these special things.

01:18:14You'll get used to it.

01:18:16We'll shoot a lot of videos. We'll edit them.

01:18:19I don't understand editing.

01:18:20Okay, relax. We'll edit them.

01:18:23Let's shoot one more.

01:18:24Let's do something else. Yes, I'll do this.

01:18:26I'll do this.

01:18:28Okay, let's start.

01:18:30I'm ready.

01:18:33Three, two, one.

01:18:35Recording.

01:18:36We put this on the bottom.

01:18:41It's nice. It's not too hot or too cold.

01:18:44I've been eating bulgur all day. I'm going to walk around like a balloon.

01:18:47What else did you eat?

01:18:49I ate rice.

01:18:50You never look at yourself. It's a punishment.

01:18:52But I had a nice ayran with it.

01:18:56Anyway, I'll leave this subject open for discussion later.

01:19:01While we're full, I'll give you the good news.

01:19:03What is it?

01:19:06I can be a doctor tomorrow.

01:19:08Really?

01:19:09Yes, dad. I'm so bored. I'm going to get out of here.

01:19:11I'm going to kill myself.

01:19:13Wait, wait. What about the treatment?

01:19:14I'll come when they say physical therapy.

01:19:16Psychologist?

01:19:17I'll come to him, I guess.

01:19:19I guess?

01:19:21Tugce, honey.

01:19:24You're so strong.

01:19:25You're smiling. We're all happy.

01:19:27We're proud of you being strong.

01:19:30Whether it's because of dad's worries, or because you're nervous, okay?

01:19:34Look, honey. You've never had an easy life.

01:19:37I know you've been through a lot.

01:19:40You've been pushed back.

01:19:41And then you'll have to deal with it again.

01:19:44Can you tell me what I'm trying to say, my beautiful daughter?

01:19:46Dad.

01:19:51Life wasn't easy before you.

01:19:55I remember the dark days.

01:19:58What I went through with my mom.

01:20:00Everything I went through with my stepfather.

01:20:04I didn't want you to lose your face.

01:20:06Did you know about it? I'm happy with you, dad.

01:20:09I'm telling you something else.

01:20:13I called my mom twice.

01:20:15I begged her to come and see you, and my brother.

01:20:19She said she'd come, but she didn't.

01:20:24Never mind, my beautiful daughter.

01:20:26It's her fault. She's just getting better.

01:20:28I'm getting better. What else can I do?

01:20:31She taught me how to cook, how to iron.

01:20:35She taught me how to take care of myself, not by forgetting things.

01:20:40I think that's the only difference between the two.

01:20:45Don't worry. I'm fine.

01:20:48No tricks. No games.

01:20:50I'm not fooling myself.

01:20:55And I promise you...

01:20:57...I'll come to school.

01:21:01Not only will I heal my bones, I'll heal my soul, too.

01:21:06I love you so much, you know?

01:21:08I love you so much, too.

01:21:16Look, it's even better now.

01:21:17I'm telling you, right?

01:21:18Please.

01:21:21Come in, Mercucu.

01:21:24Let's go to dad.

01:21:25Come on.

01:21:26Mercu, wash your hands and put on your clothes.

01:21:29Okay.

01:21:31What were you whispering with Grandpa Merdan?

01:21:34Don't let anything get out of your sight.

01:21:36And don't worry about anything.

01:21:38God damn it.

01:21:39Tell me.

01:21:40Mom, my top got wet.

01:21:42Come on.

01:21:42Okay, honey. I'm coming. No problem.

01:21:44You'll tell me.

01:21:46Yes.

01:21:48Miss Tugce, are you full?

01:21:49Yes, we are.

01:21:50Since it's our last night...

01:21:52...let's make good use of it.

01:21:54Miss Tugce.

01:21:55Let's clean this up nicely.

01:22:00What's that? A new case or something?

01:22:02You know, these are...

01:22:05...not for everyone.

01:22:07Is that so?

01:22:08Of course.

01:22:11A serial killer case.

01:22:12Really?

01:22:14Your high intelligence will decide that.

01:22:17You'll look for it.

01:22:18I think so.

01:22:19But, of course...

01:22:21...you don't have to find the link between the victims.

01:22:24You don't have to find that relationship.

01:22:26You don't have to look for it.

01:22:28You don't have to find that relationship.

01:22:29I thought about it. I said, who would do that?

01:22:32I said, my beautiful daughter Tugce would do it.

01:22:35Are you crazy? I'm starting right away.

01:22:38Okay, I'll go then.

01:22:40Good night.

01:22:42How?

01:22:43Without a kiss?

01:22:46I hope so.

01:22:48Good luck.

01:22:50Do you have any other requests?

01:22:51No, no.

01:22:52Close the door.

01:22:53Okay, I'll close it.

01:22:58Here.

01:23:09It's not that.

01:23:10It's a good thing that she can run away between her teeth.

01:23:15Between her teeth.

01:23:17Here.

01:23:19Look.

01:23:20What is it now?

01:23:22Good God.

01:23:25You're staying only for tonight.

01:23:26Say goodbye to her early in the morning.

01:23:27Why?

01:23:29It's a big house.

01:23:30Don't I have a boss here?

01:23:31No, sir.

01:23:32The less you touch the house, the better.

01:23:35For God's sake, Yekta.

01:23:37It's as if I'm staying here because I want to.

01:23:39And I got into this business because of you.

01:23:42Because of you.

01:23:43It's not like you're a real estate agent.

01:23:44You wake up one day and leave the next.

01:23:46Give me a break.

01:23:47It's not because of me.

01:23:48It's not...

01:23:49It's your fault.

01:23:51Everyone took care of me because of you.

01:23:53You must have gone mad.

01:23:55Come on.

01:23:56Come on, you too.

01:23:58Give me a break.

01:24:01Right?

01:24:01We're poor people.

01:24:03We've become greedy.

01:24:05Anyway.

01:24:06What can I say?

01:24:08God bless you.

01:24:09You can't get away with it.

01:24:12This will be a disaster.

01:24:13Why? Because my team is weak.

01:24:15I'm going to bed now.

01:24:17And if possible, I don't want to feel your presence in the morning.

01:24:19Say goodbye to her early in the morning.

01:24:20Quietly.

01:24:26Come on.

01:24:30Didn't you have a blanket?

01:24:33Nylon brought it.

01:24:34Come here.

01:24:36Let's give dad a goodnight kiss.

01:24:39Come here.

01:24:40Dad, when are we going to see the house?

01:24:44We'll go as soon as possible.

01:24:45But first, I have to take a nap.

01:24:47And I have to buy some cream.

01:24:50It smells so good.

01:24:51Okay, take a nap then.

01:24:54Okay, go now.

01:24:56Pick one of the books.

01:24:57I'll come with you, okay?

01:24:58Okay.

01:25:02What did you want?

01:25:04I was going to show you this.

01:25:06What is it?

01:25:08This is Kenan's funeral.

01:25:10Do you see Yeliz's hand?

01:25:11Wrapped, right hand.

01:25:13Is it from the knife incident?

01:25:15Probably.

01:25:17There was nothing like that.

01:25:19It's not in the police report.

01:25:21So, it's a file from 20 years ago.

01:25:22Yes, there may be no such information.

01:25:25Or there was.

01:25:27But it slipped through my fingers.

01:25:29Or it was a solid excuse.

01:25:32Let me see. Let me look at it again.

01:25:42So, Yeliz killed her brother and sister-in-law.

01:25:46Maybe.

01:25:47Probably, that's why there's no trace of a fight.

01:25:52Yes, what did you talk to Mertan?

01:25:55I asked him for a small favor.

01:25:56He'll go home tomorrow with a metal detector.

01:25:59He'll check if the stolen items are in the garden.

01:26:03If he finds them, he'll report them to me.

01:26:06He'll report to me as soon as he finds them.

01:26:09That's a great plan.

01:26:11I hope so.

01:26:12I'll go put Mertan to sleep.

01:27:55Good.

01:28:26Good day, officer.

01:28:28I was going to report to you.

01:28:32Chief Inspector, the report you've been waiting for has arrived.

01:28:35You say it's time, Furkan.

01:28:37Let's go.

01:28:56Let's go.

01:29:17Good morning, Mr. Prosecutor.

01:29:18Good morning, Chief Inspector.

01:29:20We've received a report on an old murder case, Mr. Prosecutor.

01:29:24We need to make a search. With your permission, please.

01:29:42How long are you going to keep this man in custody?

01:29:46It's not the legal period yet. I'll keep him as long as I want.

01:29:49On what grounds, Chief Inspector?

01:29:51Since you don't trust the system,

01:29:54we understand that you didn't identify this Ahmet, this Bülent.

01:29:58Admit it, you didn't have a plan.

01:30:01And you put my two feet in a shoe for no reason.

01:30:08Look, I want to catch this man, but I can't.

01:30:11We're swimming in very dangerous waters.

01:30:13Leave it to me. I'll take care of it.

01:30:15You've been so patient. Let me wait a little longer.

01:30:18What happened, Mr. Prosecutor?

01:30:19You said you weren't afraid of anything.

01:30:22You said you'd take care of it.

01:30:26Did he suddenly ring the alarm?

01:30:28There's nothing wrong with that, Mr. Prosecutor.

01:30:31I'd shoot myself if I had to.

01:30:34But not without reason.

01:30:36Not with any reason at all.

01:30:39You see, he's smart, he's got long arms and hands.

01:30:42We need to be one step ahead of him so we can take him down.

01:30:50Okay, let's do as you say. I'll put an end to your imprisonment.

01:30:55That's the most logical thing.

01:30:56But know this.

01:30:59We've got rid of him.

01:31:01We've taken Bülent away while he was this close.

01:31:04You'll be the last one. I'll ruin you.

01:31:07Just trust someone once.

01:31:10It's not hard, believe me.

01:31:12And that someone is you, right?

01:31:16The peak of fate.

01:31:20What a shame.

01:31:21TURKEY

01:31:47Look at him. He's dead because he's lonely.

01:31:50Come on, team. Pack up your things.

01:31:52We're starting from the garden. Come on, brother.

01:31:55Come on.

01:31:57Come on, get the equipment. Let's go.

01:32:10They took care of it quickly.

01:32:11You didn't have much to do anyway.

01:32:14What kind of feeling is that?

01:32:15What do you mean?

01:32:17I wonder what it's like to be right all the time.

01:32:20Let's find that murder weapon.

01:32:22I'll use it when I feel like it.

01:32:24Okay, I have to go to the office now.

01:32:26Because Parlayer's first real meeting is tomorrow.

01:32:28That's a good idea.

01:32:30Tell him I said hi.

01:32:31I'll tell him. He's his brother-in-law.

01:32:32His brother-in-law.

01:32:33Yes, and he's always the right brother-in-law.

01:32:46TURKEY

01:33:09Yes, guys, we're going to look here.

01:33:12It's like it's dug up and closed.

01:33:13There are those digging shovels. Don't call them.

01:33:16Throw it.

01:33:19Come on, brother. This is it.

01:33:21Dig it up.

01:33:23Let's start digging.

01:33:28A little slower.

01:33:30Slower, calmer.

01:33:35A little more careful.

01:33:37Mr. Prosecutor.

01:33:41It's like it's appropriate for an investigation.

01:33:45TURKEY

01:33:55Hey, girl.

01:33:56Are you stuck at the door?

01:33:58Didn't they let you in?

01:33:59Oh, God.

01:34:01We don't like barbarians. That's why.

01:34:03It's not a problem. I didn't wait long anyway.

01:34:05What's the matter? You know I'm a busy man.

01:34:09First of all, I refuse to pay that money.

01:34:12We can open a case whenever you want.

01:34:13Don't resist for nothing.

01:34:15It'll take time and you'll have to deal with compensation.

01:34:17These are things I've never thought of, Mr. Prosecutor.

01:34:20You can talk about these details with my lawyer.

01:34:23Wow, you're so cool.

01:34:25The lawyers have been hired.

01:34:27Yes, that's how it happened.

01:34:29What's this joy?

01:34:31An explosion of confidence? An extremely happy situation?

01:34:33Did poverty strike you? What happened?

01:34:35It's the happiness of revising my book, Mr. Prosecutor.

01:34:38I didn't know writing was such a thing.

01:34:40I mean, you can always make a better version of it.

01:34:44What revision? What version? What nonsense are you talking about?

01:34:46I changed the book you put together.

01:34:50The father is dead, and the mother is a widow.

01:34:53So, you're not here anymore. You're dead.

01:34:56You can't do such a thing.

01:34:58I did it. We'll print the new version of the book.

01:35:01I looked at it, and when you're not here,

01:35:04the story is stronger, more exciting.

01:35:08I mean, it's better than the existence of poverty, Mr. Yakut.

01:35:12I'm sure it'll be on the list of bestsellers.

01:35:14How dare you do such a thing without asking me?

01:35:16I'm in a hurry. I have to go to a meeting.

01:35:18My editor is pressing me to finish it as soon as possible.

01:35:21Everyone is so excited.

01:35:25By the way, the screenplay for the movie has started.

01:35:29Of course, you're not there.

01:35:31But I'll definitely invite you to the party.

01:35:33I'd be so happy if you come.

01:35:35Come on, honey. Bye.

01:35:38Bye.

01:36:04Well, Mr. Prosecutor, I think that's all.

01:36:09Don't you have a murder weapon?

01:36:11No, Mr. Prosecutor.

01:36:13What do you mean, no? Look around the garden.

01:36:15If necessary, look for it with a detector. Come on, shoot.

01:36:17Okay, Chief Inspector.

01:36:18Come on, shoot.

01:36:19The murder wasn't caused by theft. It's been confirmed.

01:36:23We'll have to take a statement again before we lose time.

01:36:26Let me guess, the first person we'll take is Mrs. Yeliz, right?

01:36:30I could have taken her with my own hands, but...

01:36:33I have to fly to the hospital from here.

01:36:35There's a chance that the plane will take off.

01:36:37Seriously?

01:36:38Seriously, brother.

01:36:40I mean, the treatment will continue. Physical treatment and all, but...

01:36:44It'll be over, brother.

01:36:45It'll be over, brother.

01:36:46You're a father and daughter. There's nothing you can't solve.

01:36:50It started late, but you've built a very strong relationship.

01:36:52Thank you, brother.

01:36:54In the meantime, I'll let the teams know.

01:36:55Tell them to take Yeliz to the emergency room. I'm flying to the hospital.

01:36:58Okay, deal.

01:36:58See you, Chief Inspector.

01:36:59Okay, thanks.

01:37:01Did you look at that corner?

01:37:04Your Honor, we have proven that the evidence we presented to the court...

01:37:08...is a breach of the marriage bond...

01:37:09...and that it harms both sides of the unfaithfulness.

01:37:13The marriage file is irrevocably...

01:37:17Aunt, I'll cut you short.

01:37:19Of course, Aunt.

01:37:21I was so excited, I was getting ready for the hearing.

01:37:24Let me catch my breath.

01:37:25Oh, no.

01:37:26I'm sorry.

01:37:27I'm sorry.

01:37:29Let me catch my breath.

01:37:30What do you mean?

01:37:31You're a girl who did great in your parents' hearing.

01:37:34You'll do it.

01:37:35But it's not the same thing. It was a divorce by agreement.

01:37:37There was a procedure. They signed it.

01:37:38It didn't even take five minutes. I didn't even talk, you know?

01:37:40I didn't even open my mouth.

01:37:41But it's not like that.

01:37:42The woman says she'll never get a divorce.

01:37:44I'm going to present a lot of evidence now.

01:37:47Calm down.

01:37:48It'll be great. It'll be even better.

01:37:51Okay? Just trust yourself.

01:37:54Is that what you're saying?

01:37:55Yes. Now lift your head.

01:37:57And stretch your arm.

01:37:59Why?

01:38:01Now I'm going to show you something that won't let you lose your case.

01:38:11In fact, I had your mother read it.

01:38:16The procedure is complete.

01:38:18Bring it here.

01:38:20What are you talking about? Thank you so much.

01:38:24What do you mean?

01:38:25Look, if you don't like it, I won't take it, I won't break it.

01:38:28There's a return card anyway.

01:38:30As you wish, okay?

01:38:31Are you crazy? I love it.

01:38:34Thank you so, so, so much.

01:38:37Good luck, dear.

01:38:41Hello.

01:38:42You're a young man.

01:38:44I couldn't resist. I found myself here.

01:38:47You know, tomorrow is a big day.

01:38:50We haven't met yet.

01:38:52Celin Erguban, Kaya Ben.

01:38:54Tilben Okun, you're the partner.

01:38:55I'm also Parla's aunt.

01:38:58Is that so?

01:38:59I'm glad to hear that.

01:39:01Me too.

01:39:02If you want, we can go out slowly.

01:39:04We can sit somewhere.

01:39:05Then we'll go over it quickly.

01:39:09Then we'll go to court. What do you say?

01:39:10You're the boss, Ms. Parla. Whatever you say.

01:39:13Please.

01:39:15Have a nice day, Ms. Celin.

01:39:16Have a nice day.

01:39:24Celin.

01:39:25I was coming to you.

01:39:27What happened?

01:39:28I found something about Bilal.

01:39:30Great. Come on, let's talk in my room.

01:39:39Avocado, please.

01:39:40Okay, Ms. Yeliz. I'll make you a new avocado.

01:39:44No, all of them.

01:39:45But I had prepared it.

01:39:48So, you're not going to make it?

01:39:50No, I'm not going to make it.

01:39:51I had prepared it. It was finished.

01:39:54So, it's not finished.

01:39:58Who is it?

01:39:59Where is Yeliz?

01:40:00Wait a minute. Nothing is ready yet.

01:40:02Look, we're getting ready. What happened?

01:40:04Who is it?

01:40:05Police.

01:40:07Why?

01:40:08They want to take us to the police station.

01:40:10Oh, that's enough.

01:40:12We told them everything. We said it was an accident.

01:40:17Mind your own business. Hurry up.

01:40:22They didn't come for Seraf. They came for your brother's murder.

01:40:26They searched the garden of the house and found everything.

01:40:35Dilan's brother died of high dose.

01:40:38Dilan's brother was the one who made the drug addict...

01:40:40...that is, the one who caused his death...

01:40:42...to take revenge from the bag man.

01:40:45It's a shame. He's only 15 years old.

01:40:47He's a young man. His life is cold.

01:40:50That's right. It's really painful.

01:40:53But the real important question here is...

01:40:56...what happened to the bag man?

01:40:58He disappeared.

01:41:00His family announced that he was missing, but there's nothing there.

01:41:03Most likely, the association removed the bag man.

01:41:06In return, Dilan killed Mustafa.

01:41:09Exactly. That's what I thought.

01:41:12Yes, but this information is useless for us.

01:41:15So, we can't find Dilan with this information.

01:41:18How many siblings does he have? I mean, does he have any other siblings?

01:41:23He has two sisters, but they're very young.

01:41:26Dilan's oldest.

01:41:28Do you know where they are?

01:41:29No, I couldn't find them, but I'm looking into it.

01:41:31If we find their siblings, we'll find Dilan, too.

01:41:34I mean, I don't think they're related.

01:41:37It's obvious that she's attached to her siblings.

01:41:39Okay, I'll look into it right away, then.

01:41:41By the way, Esra will come before I forget.

01:41:43I know. I took my notes. Thank you.

01:41:48She's already in the car. She's very close, but she's here.

01:41:58So, my hospital days are over, huh?

01:42:01I thought I couldn't get out. I thought I'd go home and kiss the bed.

01:42:05Thank God. Thank God.

01:42:07You got out and made me the happiest person in the world.

01:42:11Don't make me cry.

01:42:13What am I going to do?

01:42:15What am I going to do?

01:42:17Girls' parents will be surprised. You don't know.

01:42:20Okay, if you don't want to make me cry, let's go home, then.

01:42:23Let's go, but I wonder...

01:42:27...in the open air, without permission,

01:42:31without a watch, without any restrictions,

01:42:34would we like to have a meal?

01:42:38I thought about it.

01:42:39Are you crazy?

01:42:41I've never had a meal for the first time in my life.

01:42:44What about the rest?

01:42:45It's your job, Mr. Prosecutor.

01:42:50Okay, then.

01:42:51You can go. I have to go to the station.

01:42:53My teeth are itching like dry toast.

01:42:56You're going to the station again, huh?

01:43:00Your complaints to Mr. Prosecutor, your satisfaction to me at your father's house.

01:43:06My dear daughter.

01:43:07My king father.

01:43:14If he sees that you're walking,

01:43:16then he'll be the happiest man in the world.

01:43:30My son.

01:43:33I beg you, my beautiful daughter.

01:43:37I love you so much.

01:43:39I love you so much, too, my dear daughter.

01:43:42Come on, my daughter.

01:43:44Come on.

01:43:45I think her parents are stubborn, too.

01:43:47Don't say that. Come on, sit down.

01:43:49Her parents will be jealous.

01:43:51Come on.

01:43:53Okay, I'll take you to your seat. I'll run away after that.

01:43:55Come on.

01:43:56Chief Inspector, I'll take care of it.

01:44:00Will you be able to do it, Mr. Prosecutor?

01:44:02We'll be able to do it.

01:44:03It's our job.

01:44:05Okay, then.

01:44:10My beautiful daughter.

01:44:12Come on.

01:44:22Don't worry about us, Chief Inspector.

01:44:36Yes, stop, stop, stop.

01:44:38Now let's go a little further.

01:44:41I'll take care of it.

01:44:42Okay, okay.

01:44:44I'll take care of it.

01:45:10I'll take care of it.

01:45:36Should we take it here, Chief Inspector?

01:45:38Here you go.

01:45:41What's going on, Mr. Prosecutor?

01:45:43What does it have to do with my brother? I don't understand anything.

01:45:45Let me explain.

01:45:46Please, have a seat.

01:45:51We made a search at Mr. Iskender's house based on a report.

01:45:56And we found these in their gardens.

01:46:00The file has been reopened.

01:46:01Because we can't call it a simple theft anymore.

01:46:05Why?

01:46:06Because it's a crime.

01:46:09It's against the purpose of the thief.

01:46:11It's against the extraordinary flow of life.

01:46:14Even if he was afraid and hid it, he should have returned and taken it.

01:46:19So, the murderer is someone who doesn't need it or wants to get rid of it.

01:46:23Or the killers.

01:46:26You said the lawyers are on their way.

01:46:27That's right, Chief Inspector.

01:46:28Good.

01:46:29Let's start with Ms. Yeliz.

01:46:31Please, take her to the interrogation room downstairs.

01:46:36Please.

01:46:41Please.

01:46:45Did she admit to the crime?

01:46:48Yes, she has nowhere to run.

01:46:50She was told that she was released from school.

01:46:53The director called, yes.

01:46:55Ms. Ceylin, I'm so relieved. I can't tell you.

01:46:59Thank you so much.

01:47:01If it wasn't for you, who would have done this to our children?

01:47:04What else would have happened?

01:47:05Please, I just did my job.

01:47:09I'll follow up and get back to you.

01:47:12Thank you so much.

01:47:15Goodbye.

01:47:16Goodbye.

01:47:20Come in.

01:47:21May I come in?

01:47:22Yes, come in.

01:47:28What's going on?

01:47:31You look a little upset.

01:47:34A little, but not much.

01:47:37Why?

01:47:39It's spring fatigue, Ceylin. There's nothing to worry about.

01:47:42Did you take care of the school file?

01:47:44I think I did.

01:47:45I told the parents.

01:47:47They're relieved, too.

01:47:49From now on, the school should be more meticulous when it comes to hiring.

01:47:54Come in.

01:47:55I'm sorry, I interrupted.

01:47:57I learned something important about Dilan's brother.

01:48:01I thought you'd like to know.

01:48:03What is it?

01:48:04Dilan's brothers are staying at their aunt's.

01:48:07That's great news. Address?

01:48:08Of course.

01:48:10That's it. You're one of a kind.

01:48:12If you need anything, I'm here.

01:48:14Okay, thank you.

01:48:16Come on, get up. We're going to save Çınar.

01:48:18I'll buy you a meal afterwards.

01:48:21Are you going to eat kebab or işkembe?

01:48:23Don't come to me with işkembe, please.

01:48:25No ü, please.

01:48:27Okay.

01:48:28Then are you going to eat Japanese style duck or capybara?

01:48:32What if I say I'm not hungry?

01:48:34You're on the right track today.

01:48:36You're on the right track, Yekta.

01:48:39Mr. Prosecutor, may I know what you're trying to say?

01:48:42First, you said you were at home.

01:48:46Then you changed your statement.

01:48:49Because I didn't want my relationship with my driver girlfriend to be revealed.

01:48:53Besides, it's been proven that I stayed at the hotel.

01:48:55No, it hasn't been proven.

01:48:57There are only two statements.

01:48:59If I had the file 20 years ago,

01:49:01I would have proven that the testimony was a lie.

01:49:06I watched the footage from the funeral.

01:49:08The press members took it.

01:49:09Your hand is wrapped.

01:49:11Why? What happened to your hand?

01:49:13I lost my only brother.

01:49:15I was very sad.

01:49:17I rebelled against this happening to us.

01:49:19I hit my hand on the wall.

01:49:20They wrapped it.

01:49:22You have the rest of your needs.

01:49:25You took your father's seat.

01:49:29Also...

01:49:33...there was no trace of a fight.

01:49:37So, there was someone they knew at home.

01:49:45He was my brother.

01:49:49For no reason...

01:49:52...it can't be enough to kill a brother.

01:49:55It's not something that hasn't been seen in the history of humanity.

01:50:10Here you go.

01:50:12Thank you, sister.

01:50:18You must be hungry, master.

01:50:21I told you to have some tea.

01:50:23It will warm you up.

01:50:25Warming up is important.

01:50:27Thank you, ma'am.

01:50:35The medicines are ready for now, Mrs. Zümrüt.

01:50:37He wanted to rest in the chair.

01:50:39I'm ready for today.

01:50:41Okay, you can leave.

01:50:42Okay. I'll be back tomorrow.

01:50:44Have a good day.

01:50:47Good luck to you, master.

01:50:49Thank you.

01:50:52Thank you.

01:51:04Hüsnü.

01:51:05The weather is great again.

01:51:07Do you want to go outside?

01:51:08Come on.

01:51:09I'm watching you.

01:51:11The garden is the same as here.

01:51:12It's so clean. The weather is great.

01:51:14You can't find a better place than here.

01:51:16It's good for both of us.

01:51:18It's also good for you.

01:51:19Let's open this.

01:51:21You know everything.

01:51:23Thank you.

01:51:50I guess I'll cover...

01:51:53...the old man's face with this paint.

01:51:55I don't want to bother him.

01:51:57I'll go in and see what we can do.

01:51:59I'll make a few plans about the paint.

01:52:23Okay, it's okay here.

01:52:25It's a good paint.

01:52:27We had a close relationship for a while.

01:52:30Then it turned into a relationship, I mean a relationship.

01:52:34We went to the hotel that day to stay.

01:52:36When we heard the bad news, we left right away.

01:52:39Where was Yeliz Hanim living at that time?

01:52:42In Bebek.

01:52:43With whom was she living?

01:52:45Alone.

01:52:46Did you see her?

01:52:48No, I didn't see her.

01:52:49I didn't see her either.

01:52:51Alone.

01:52:53Where were you living?

01:52:54I had a small house in Istinye.

01:52:57With whom were you staying?

01:52:59Alone.

01:53:01You both have a house.

01:53:03But you're going to stay in a hotel.

01:53:04Not outside the city, not outside of Istanbul.

01:53:08I couldn't understand this part.

01:53:10I mean...

01:53:12It's been so long.

01:53:14I don't remember which logic we used to go to the hotel.

01:53:17Since you don't remember which logic...

01:53:20...I guess it wasn't a special day.

01:53:23Did you go to the hotel?

01:53:25Yes.

01:53:27Did you go to the room?

01:53:28Yes.

01:53:30How many floors was the hotel?

01:53:31What was your room number? Which floor?

01:53:36I don't remember.

01:53:38No, I don't remember.

01:53:39Anything about the room?

01:53:41No.

01:53:43You received an important news that day.

01:53:44The name of a colored worker on the walls.

01:53:48I don't know. I really don't remember.

01:53:50Anything about the hotel?

01:53:52No.

01:53:53Really, no.

01:53:54Maybe it's because you've never stayed in that hotel, Mr. Oktay.

01:53:59Hasn't it been bothering you for years...

01:54:02...that you're hiding these facts, your conscience, Mr. Oktay?

01:54:08I don't know why you're talking about it.

01:54:11Mrs. Yeliz killed her brother and sister-in-law, didn't she?

01:54:14Did you help her?

01:54:16No, I didn't kill anyone. No.

01:54:20Helping the murderer to cover up the crime...

01:54:23...is the murderer of the truth.

01:54:25And the punishment is great.

01:54:36Her face is disfigured.

01:54:38We have to prove it, Eren.

01:54:40She has a potential to commit crimes all the time.

01:54:42And it's obvious that she's used to covering it up.

01:54:45She's used to it, because it's not easy...

01:54:47...to hide her position, money, and these things.

01:54:59Thank you so much. You didn't have to.

01:55:02You're welcome. Enjoy your meal.

01:55:06Thank you.

01:55:08I was shocked when I heard it.

01:55:10Dilan is a little girl.

01:55:12What's the point of killing someone?

01:55:14I don't get it at all.

01:55:16The police come and ask about it.

01:55:18I tell them the same thing.

01:55:20Unfortunately, the girl is not there.

01:55:22It's hard for you, too.

01:55:24Isn't it?

01:55:25I'm all alone with these kids around here.

01:55:28They're my brother's heirlooms.

01:55:31I'm the only one who can take care of them.

01:55:33I'm the only one who can take care of them.

01:55:37If her sister hadn't eaten these mints...

01:55:39...she would have been with them.

01:55:41Anyway, there's nothing beyond fate.

01:55:43It's up to God.

01:55:44If that's the case, we'll excuse ourselves.

01:55:48Do you have any tea left?

01:55:49We have a lot to do. We'll do it another time.

01:55:52Can I use the lobby?

01:55:54It's at the end of the corridor, on the left.

01:55:55Wait a minute.

01:56:06Let's go.

01:56:07I'll step on it when I come to press it.

01:56:09It'll fall right here.

01:56:11Like this.

01:56:18Hello, girls.

01:56:28How are you?

01:56:32Who are you?

01:56:34I'm Ceylin.

01:56:35What are your names?

01:56:41This is my favorite cartoon.

01:56:48I know your sister.

01:56:51I want to help your sister.

01:56:53I know she never comes here.

01:56:55You miss her a lot, too.

01:56:56But if I find her, I can help her.

01:57:00You can always see your sister.

01:57:01She may not need to hide anymore.

01:57:05This is my card.

01:57:07If your sister comes, can you give this to her?

01:57:10No, she never comes here.

01:57:13Okay, I'm just saying if she comes.

01:57:21Goodbye. See you.

01:57:22Sorry, I'll go. I don't want to see you anymore.

01:57:24Goodbye.

01:57:35Dilan is definitely coming here. I'm sure of it.

01:57:37That's great.

01:57:39We took a great step to save the honest brotherhood of Çınar.

01:57:42Someone has to wait here to follow Dilan's arrival.

01:57:45Goodbye.

01:57:46No, no. Leave it. I'll take care of it.

01:57:49Okay, fine.

01:57:50Oh, my God. You're not hesitating at all today.

01:57:52You're so rude.

01:57:54I'm sorry.

01:57:55I'm sorry.

01:57:56I'm sorry.

01:57:57I'm sorry.

01:57:58I'm sorry.

01:57:59I'm sorry.

01:58:00I'm sorry.

01:58:01I'm sorry.

01:58:02I'm sorry.

01:58:04I'm sorry.

01:58:05I'm sorry.

01:58:21Yes.

01:58:23The prosecutor is unaware of it.

01:58:24He wants you to stay here.

01:58:27Don't worry. We can't leave.

01:58:29If we leave, you'll be informed.

01:58:31The police will let us know that you're following us.

01:58:34Did you think we didn't notice?

01:58:37Of course, Chief Inspector. Let the prosecutor handle it.

01:58:42The prosecutor is determined.

01:58:44He'll find the murderer.

01:58:46We're very happy.

01:58:47I don't know if justice will come after 20 years,

01:58:51but at least my brother's bones won't leak anymore.

01:59:04I'm sorry.

01:59:10My love.

01:59:11My love.

01:59:12Can I ask you for something?

01:59:14Of course, go ahead.

01:59:15I have a lot of work to do today. Can you pick up Mercan for me?

01:59:18I can, but you can pick him up tomorrow.

01:59:21Deal.

01:59:22Thank you for your understanding.

01:59:23You're welcome, my love.

01:59:24I should thank you for being my husband.

01:59:27I love you. See you at home.

01:59:29See you, my love.

01:59:30Since you got permission from the queen, you have a lot of work to do.

01:59:33Where do we start?

01:59:34Let's get Mrs. Yeliz's mother and father's statement.

01:59:37Okay, I'll get it right away.

01:59:38No, we should go to their homes since they're old people.

01:59:41Of course, we should respect the elders.

01:59:43Let them go ahead, then, Chief Inspector.

01:59:51I don't want you to feel sorry for us, Mr. Prosecutor.

01:59:54It's been 20 years since my son and my daughter-in-law were buried.

01:59:58This woman hasn't spoken since that day.

02:00:00No one has heard her voice.

02:00:02While you're used to the pain of Kenan, don't do it.

02:00:05Please.

02:00:06It's a shame for us, too.

02:00:09Of course, our goal is not to remind you of your pain, Mr. Fahri.

02:00:11But as I said, there is an incident that was covered up with theft

02:00:14and the murderer is still free.

02:00:18My son is gone.

02:00:20You can't bring him back to anything now.

02:00:24Even if justice is a little bit, it pours water on your pain.

02:00:27Let's continue our investigation without tiring you

02:00:30and find the murderer.

02:00:31How is that going to happen?

02:00:32The questions will be asked again. Old books will be opened.

02:00:35Look, you've found the stolen goods.

02:00:37You came to our door for the first time.

02:00:39We don't have an answer to any question, Mr. Prosecutor.

02:00:43We just came to see if you remember anything that was stolen.

02:00:48I'm sorry.

02:00:52Good evening.

02:00:53You, too.

02:00:55Here, let me bring it to you.

02:01:00I'm so sorry.

02:01:03You know, if I had known it would end up like this,

02:01:06I wouldn't have asked you to come out of the jail.

02:01:08Yes, I know.

02:01:09I understand.

02:01:12Let's get going then.

02:01:16Okay, but I don't want to scare anyone.

02:01:18I don't want to upset anyone.

02:01:21No matter what happens, we are together.

02:01:23You don't have to be afraid.

02:01:25I'm not afraid of anything.

02:01:27I'm not afraid of anything anymore.

02:01:30Come on, let's dance. We've been waiting for all winter and spring.

02:01:33Come on.

02:01:36Have fun.

02:01:37Thank you.

02:01:54You're still not dressed.

02:01:56Everyone's waiting for you.

02:01:58Everyone's waiting for you. The party has begun.

02:02:02What's this?

02:02:05What?

02:02:06What's that thing down there?

02:02:09Welcome to the spring party.

02:02:13Come on.

02:02:14Iris, a few days ago, someone came to this house.

02:02:21Someone.

02:02:24Someone insignificant.

02:02:29Someone.

02:02:40Tell me, Doctor.

02:02:42Tell me.

02:02:45You're in so much pain.

02:02:47Are you sick?

02:02:50It must be devastating to have to bury the woman you love.

02:02:59You knew.

02:03:01Of course I knew.

02:03:03And that's why you killed her.

02:03:28THE SPRING PARTY

02:03:56Is there anything you need?

02:03:57Where were you looking?

02:03:59Well...

02:04:00Nothing.

02:04:01I mean, I'm not even aware of it.

02:04:04Why are you still here? Didn't I tell you to go?

02:04:06Cleaning is over now.

02:04:08I don't want to see that dirty face of yours for another second.

02:04:11Okay? Go.

02:04:13What are you doing?

02:04:15What did you dream about?

02:04:17While you were setting up Octa?

02:04:19Huh?

02:04:20Did you think about being the lady of this house?

02:04:22What do you think of yourself?

02:04:24What are you saying?

02:04:27Get out of my house, Uncle Servet.

02:04:39Why do you think I set up your husband?

02:04:42You can't think of him falling in love with me, can you?

02:04:46He's sick of you because you treat him like shit.

02:04:49He's looking for love.

02:04:52I didn't go to him.

02:04:54He came to me.

02:04:56He asked for love from me for months.

02:05:00You're lying. You'd give anything for money.

02:05:04Don't face me. Face your husband.

02:05:07Even if I leave his life, he'll never love you.

02:05:11Never.

02:05:27What happened? Are you okay?

02:05:29He fell. He fell.

02:05:31Serap!

02:05:35Come on, get dressed.

02:05:37Everyone's waiting for us.

02:05:40You killed him.

02:05:42And this time, I won't let you cover your face.

02:05:45Either you go and confess that you killed Serap...

02:05:49...or I go and tell myself that you killed my brother and my sister-in-law.

02:05:54Who's going to believe you?

02:05:58You have no proof.

02:06:01Do you have proof that I pushed Serap down the stairs? No.

02:06:05Do you have proof that I stabbed my brother and my sister-in-law?

02:06:09No.

02:06:11Are they going to believe you?

02:06:16Maybe I don't just have words.

02:06:20I have a lot.

02:06:22I have a lot.

02:06:38Let's not keep our guests waiting.

02:06:41Come on, get dressed.

02:06:53He's going to go to tennis early tomorrow.

02:06:56I hope he doesn't suffer too much.

02:07:01So, are we having fun?

02:07:04Yes!

02:07:23I think we should leave it open like this.

02:07:25It will heal faster.

02:07:27You're right, warn me.

02:07:29I'm already bored of the bandage.

02:07:32But if I can get a kiss, it will heal faster.

02:07:36Where are you going?

02:07:38What do you mean?

02:07:39It's not too late.

02:07:41One dose a day.

02:07:42The rest tomorrow.

02:07:43It's not accepted.

02:07:44I'm asking for a dose.

02:07:46I'm not going.

02:07:48I'm not going.

02:07:51Mercan, we're going to be late.

02:07:53You said ten minutes.

02:07:55Look, you're calling Mercan to be a nuisance.

02:07:57Because we're going to be late.

02:07:59Shut up.

02:08:01Come on, Mercan.

02:08:03If you get ready like this every day,

02:08:05how are we going to get out of the house?

02:08:07How do I look?

02:08:09You look beautiful.

02:08:11You look beautiful.

02:08:13Come on, we're going now.

02:08:15It's your turn to pick up Mercan today.

02:08:17My intention, ma'am.

02:08:20If it's going to be my father's day,

02:08:22it's the harmful things day.

02:08:24Oh, my God.

02:08:25Isn't this harmful things day new?

02:08:27No, I counted.

02:08:30Okay, then.

02:08:31Count to 30 again.

02:08:33If you can count, I'll let you go.

02:08:35Count, girl.

02:08:36Count.

02:08:37Let the unbelieving ears hear.

02:08:391, 2, 3, 4, 5, 6, 7, 8, 9,

02:08:4510, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20,

02:08:5321, 22, 23, 24, 25, 26, 27, 28, 29, 30.

02:09:00Harmful things.

02:09:01Harmful things day.

02:09:03I say, after Mercan gets it,

02:09:05I'll come and get you, too.

02:09:06So?

02:09:07We're going to look at the caravan.

02:09:09What are you talking about?

02:09:10What are you talking about?

02:09:12I found one.

02:09:13It's clean, just like us.

02:09:14Great.

02:09:15But I can't wait till the evening.

02:09:16I'm so curious.

02:09:17Come, I'll show you on the computer in the room.

02:09:19Even if you don't like it, we won't go.

02:09:20Okay, but I'll definitely like it.

02:09:22After all, you're the expert in this business.

02:09:24We'll see.

02:09:27Why hasn't he called yet?

02:09:31Open it, come on.

02:09:33Yes, Mr. Nevzat.

02:09:35He wants to talk to his wife.

02:09:37He wants to meet you.

02:09:41What?

02:09:44Kill me.

02:09:46It won't do any good.

02:09:48The knife you killed your brother and sister-in-law with

02:09:51will go to the prosecutor today.

02:09:59Now?

02:10:01Leave Oktay.

02:10:06Kill the prosecutor.

02:10:09That knife should never reach the prosecutor.

02:10:30I love it.

02:10:37This corner will be my corner.

02:10:39I'll stretch my legs here and read my book.

02:10:42It doesn't matter to me.

02:10:43My place is fixed.

02:10:44Captain's mansion.

02:10:45I can use it sometimes.

02:10:48Mercan will go crazy.

02:10:50We'll have him take care of it until summer.

02:10:52Then a small escape, a few hours away,

02:10:54by the lake or something.

02:10:56Great idea.

02:10:57We can even do a few things.

02:11:00You liked it, didn't you?

02:11:02I liked it, I loved it.

02:11:04But shouldn't we do something personal

02:11:07to make it better?

02:11:09I see.

02:11:10We won't be able to do it without any expenses.

02:11:13Anyway, I have to go.

02:11:14I have three interviews in three days.

02:11:19You'll be here all day, then?

02:11:20Yes.

02:11:21I'll come to you as soon as I'm done.

02:11:23I'll make you eat.

02:11:24That's not possible.

02:11:27Have a nice day, darling.

02:11:30I love you.

02:11:31I love you, too.

02:11:42Don't go, Salma.

02:11:56Don't go.

02:11:57Don't go.

02:11:58Don't go.

02:11:59Don't go.

02:12:00Don't go.

02:12:01Don't go.

02:12:02Don't go.

02:12:03Don't go.

02:12:04Don't go.

02:12:05Don't go.

02:12:06Don't go.

02:12:07Don't go.

02:12:08Don't go.

02:12:09Don't go.

02:12:10Don't go.

02:12:11Don't go.

02:12:12Don't go.

02:12:13Don't go.

02:12:14Don't go.

02:12:15Don't go.

02:12:16Don't go.

02:12:17Don't go.

02:12:18Don't go.

02:12:19Don't go.

02:12:20Don't go.

02:12:21Don't go.

02:12:22Don't go.

02:12:23Don't go.

02:12:24Don't go.

02:12:25Don't go.

02:12:26Don't go.

02:12:27Don't go.

02:12:28Don't go.

02:12:29Don't go.

02:12:30Don't go.

02:12:31Don't go.

02:12:32Don't go.

02:12:33Don't go.

02:12:34Don't go.

02:12:35Don't go.

02:12:36Don't go.

02:12:37Don't go.

02:12:38Don't go.

02:12:39Don't go.

02:12:40Don't go.

02:12:41Don't go.

02:12:42Don't go.

02:12:43Don't go.

02:12:44Don't go.

02:12:45Don't go.

02:12:46Don't go.

02:12:47Don't go.

02:12:48Don't go.

02:12:49Don't go.

02:12:50Don't go.

02:12:51Don't go.

02:12:52Don't go.

02:12:53Don't go.

02:12:54Don't go.

02:12:55Don't go.

02:12:56Don't go.

02:12:57Don't go.

02:12:58Don't go.

02:12:59Don't go.

02:13:00Don't go.

02:13:01Don't go.

02:13:02Don't go.

02:13:03Don't go.

02:13:04Don't go.

02:13:05Don't go.

02:13:06Don't go.

02:13:07Don't go.

02:13:08Don't go.

02:13:09Don't go.

02:13:10Don't go.

02:13:11Don't go.

02:13:12Don't go.

02:13:13Don't go.

02:13:14Don't go.

02:13:15Don't go.

02:13:16Don't go.

02:13:17Don't go.

02:13:18Don't go.

02:13:19Don't go.

02:13:20Don't go.

02:13:21Don't go.

02:13:22Don't go.

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