Oliver Twist (1948)
Category
🎥
Short filmTranscript
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00:12:20For this abounding provision, O Lord, we thank thee.
00:12:23Amen.
00:12:40Thank you.
00:13:10Thank you.
00:13:40Thank you.
00:14:10Thank you.
00:14:40Thank you.
00:14:52Please, sir, I want some more.
00:14:56What?
00:14:57What?
00:14:58I want some more.
00:15:01I want some more.
00:15:19Ah, good morning, Mr. Bumble, sir.
00:15:21Good morning.
00:15:23I've just taken the measure of the two women that died last night.
00:15:26Coffins are looking up, Mr. Sarver.
00:15:29Ah, thank you.
00:15:31You'll make your fortune, Mr. Sarver.
00:15:33The prices allowed by the board are very small, Mr. Bumble.
00:15:36So are the coffins.
00:15:38Well, well, Mr. Bumble, there's no denying that.
00:15:41But we must have some profit, Mr. Bumble.
00:15:43Oh, just so.
00:15:44By the way, you don't know anybody who wants a boy, do you?
00:15:47We parochial plenties.
00:15:49Liberal terms, Mr. Sarver.
00:15:51Liberal terms.
00:15:53I'll take him.
00:16:00All of them.
00:16:02Yes, sir.
00:16:04Pull that cap off your eyes.
00:16:07And hold your head up, sir.
00:16:13Be good enough to tell Mr. Sarvery that the beadle is here.
00:16:16Oh, pleased to come in, sir.
00:16:21Is that Mr. Sarvery?
00:16:23Yes, sir.
00:16:26Is that you, Mr. Bumble?
00:16:28No one else, Mr. Sarvery.
00:16:30Here, I brought the boy.
00:16:32Ah.
00:16:37So this is the boy, is it?
00:16:39Yes, sir.
00:16:42Who's that?
00:16:44My dear, this is the boy from the workhouse I told you of.
00:16:50He's very small.
00:16:52He is rather small, isn't he?
00:16:54He is small, there's no denying it.
00:16:56But he'll grow, Mr. Sarvery.
00:16:58I daresay he will, on our food and our drink.
00:17:01There, get downstairs, little bag of bones.
00:17:06Charlotte!
00:17:08Yes, ma'am?
00:17:10Give the boy some of the coal bits put by for trip.
00:17:13Yes, ma'am.
00:17:16I suppose you're the new boy, aren't you?
00:17:18Yes, sir.
00:17:22There you are.
00:17:23Oh, thank you, ma'am.
00:17:25On the box, workhouse, on the box.
00:17:37Workers, do you know who I am?
00:17:40Yes, sir.
00:17:42Workers, do you know who I am?
00:17:45No, sir.
00:17:47I'm Mr. Noah Claypole, and you're under me, so don't you forget it.
00:17:52No, sir.
00:17:59Have you done?
00:18:01Yes, ma'am.
00:18:02Then come with me.
00:18:04Come on, get up.
00:18:06Your bed's under the counter. You don't mind, I suppose?
00:18:09No, ma'am.
00:18:10Doesn't much matter whether you do or you don't, for you can't sleep anywhere else.
00:18:15Here, take this.
00:18:19Get in here.
00:18:40Get in here.
00:19:10Get in here.
00:19:29A very good-looking boy, that, my dear.
00:19:32He need be. He eats enough.
00:19:35There's an expression of melancholy in his face, my dear, which is very interesting.
00:19:41Well?
00:19:42He'd make a delightful mute, my love.
00:19:44I don't mean a regular mute to attend grown-up people, my dear, but only for children's practice.
00:19:50Depend upon it. It would have a most superb effect.
00:20:34Come on.
00:20:54Do you want a coffin?
00:20:56I'll fetch the missus.
00:20:58No, no.
00:21:05I want to see the boy.
00:21:09Oh, were this? Is that a job?
00:21:12Who are you?
00:21:14I knew his mother.
00:21:17Nursed her when she died.
00:21:19Died in the workhouse, eh?
00:21:21I haven't got much time.
00:21:23I've got to see him.
00:21:29Missus! Charlotte! Missus!
00:21:34Come in.
00:21:44Come in.
00:21:50How is she this evening?
00:21:52There's much strength left in her.
00:21:54She's troubled in her mind.
00:21:56And when the fits aren't on, and that's not often, she keeps saying she's got something to tell.
00:22:03She wants to see the matron.
00:22:06You'd better fetch her.
00:22:15Come in.
00:22:19Yes?
00:22:21If you please, mistress. Oh, Sally's a-going fast.
00:22:24What's that to me? I can't keep her alive, can I?
00:22:27She says she's got something to tell that you must hear.
00:22:30She'll never die quiet until you come, mistress.
00:22:38Did she say any more, Marta dear?
00:22:40Not a word.
00:22:42Cold tonight, Mrs. Corny.
00:22:44Very cold indeed, sir.
00:22:46If you have to wait long, I shall be surprised.
00:22:49Put the light on the floor. She won't see it there.
00:22:52Good night, sir. Good night.
00:23:00Good night.
00:23:31It won't be long, mistress. None of us have to wait long.
00:23:35It'll come soon enough for us all.
00:23:51Who's that?
00:23:53Who's that?
00:23:55Lie down, dear. Lie down.
00:23:57Who's that? Lie down, dear. Lie down.
00:24:02Come here.
00:24:04Come here.
00:24:11Listen. Yes?
00:24:14In this very room, in this very bed...
00:24:19once must a pretty young creature...
00:24:23she gave birth to a boy...
00:24:26and died.
00:24:28Go on. Yes.
00:24:30They would have treated him better if they'd known it all.
00:24:35Known what?
00:24:37I think...
00:24:39it was the year...
00:24:41Never mind about the year. What about him?
00:24:44Aye, what about him?
00:24:47What about...
00:24:51I know.
00:24:56Turn him away.
00:24:58This is anything.
00:25:00Get out. Get out. Go on. Both of you.
00:25:02Get out. Hurry.
00:25:06Get out.
00:25:11Right. Go on.
00:25:22What?
00:25:27What?
00:25:39Stone dead.
00:25:41What was it, mistress?
00:25:43Nothing. Nothing to tell after all. Nothing.
00:25:46Come on.
00:25:56Can't miss it by the fire, Noah dear.
00:25:58Oliver, shut that door behind Mr. Noah's back.
00:26:04I saved a nice bit of bacon from the master's breakfast for you, Noah dear.
00:26:10Oliver, here's your tea. And take them bits.
00:26:13I want you to mind shop.
00:26:16Julia?
00:26:18Julia, workers.
00:26:28What now? That's your mother.
00:26:32She's dead.
00:26:34What did she die of, workers?
00:26:36They said she died of a broken heart.
00:26:40What's so serious, Neville?
00:26:42Not you.
00:26:44Oh, not me, eh?
00:26:46No, not you. You'd better stop saying things about my mother.
00:26:49Better stop.
00:26:51Workers, don't be impudent.
00:26:55You know, workers,
00:26:57your mother must have been a regular right down badden.
00:27:02What did you say?
00:27:04A regular right down badden.
00:27:09A badden, workers.
00:27:11And it's a great deal better, workers, that she died when she did.
00:27:15Or else she'd have been doing hard labour in Bridewell.
00:27:18Or transported.
00:27:20Or armed, which is more likely than either, isn't it?
00:27:27Oliver!
00:27:29Oliver!
00:27:31He'll murder!
00:27:33He'll murder!
00:27:35He'll murder!
00:27:37He'll murder!
00:27:51No!
00:27:58You little villain, you! I'll kill you!
00:28:08No!
00:28:10Now what?
00:28:14Yes, Mum.
00:28:16Fetch the badle.
00:28:18Fetch the badle.
00:28:35Well, then.
00:28:42Where is this audacious young savage?
00:28:45Let me out! Let me out!
00:28:47Let me out! Let me out!
00:28:53Oliver.
00:28:55Yes?
00:28:57Do you know this here voice, sir?
00:28:59Yes.
00:29:01Ain't you afraid of it, sir?
00:29:03Ain't you a-trembling while I speak, sir?
00:29:06No.
00:29:09Let me out! Let me out!
00:29:11The boy must be mad!
00:29:14It's not madness, ma'am. It's meat.
00:29:17What?
00:29:19Meat, ma'am. Meat.
00:29:21If you'd kept the boy on gruel, this would never have happened.
00:29:24What's the meaning of this?
00:29:26Young Twist has turned vicious, sir.
00:29:29He nearly killed the missus!
00:29:37You're a nice young fella, ain't you?
00:29:39He said things about my mother.
00:29:41By all accounts, she deserved them.
00:29:43That's a lie!
00:29:46Don't spare him, ma'am. Don't spare him.
00:30:05Get up to bed.
00:30:14Get up.
00:30:22He comes from a bad family, sir.
00:30:24Excitable natures, Mrs. Sarvery.
00:30:27That mother of his made her way here against difficulties and pain
00:30:31that would have killed any well-disposed woman weeks before.
00:30:34My parochial apologies, sir.
00:30:43Oh, no.
00:31:13Oh, no.
00:31:43Oh, no.
00:32:13Oh, no.
00:32:4350 kilos, sir. 50 kilos.
00:32:45All right, thank you. Any advance on 50 kilos?
00:32:4720 kilos, sir. 20 kilos did I hear.
00:32:4922. 22 kilos, sir.
00:32:51Any advance on 22? The pass is running out, gentlemen.
00:32:5425 kilos.
00:32:56Too far now.
00:33:13Hey!
00:33:44Come on.
00:33:53Staying in London?
00:33:55Yes.
00:33:57Got any lodgings?
00:33:59No.
00:34:00Money?
00:34:01No.
00:34:02Hungry?
00:34:03Yes.
00:34:05Follow me.
00:34:13Come on.
00:34:43Come on.
00:35:14Come here.
00:35:22Who's the other one?
00:35:24A new pal.
00:35:26Come in.
00:35:30Wait here.
00:35:44Do you want him?
00:35:48Come on in.
00:35:54Here he is, Fagin.
00:35:56My friend Oliver Twist.
00:35:59They're glad to see you, are they?
00:36:01Aren't we, my dears?
00:36:03Yeah.
00:36:05How far have you come?
00:36:07I've been walking for seven days.
00:36:09Walking for seven days?
00:36:11Walking for seven days?
00:36:13Beak's all right.
00:36:15Do you know what a beak is, my dear?
00:36:17A bird's muscle.
00:36:20Sit down, all of you.
00:36:22A beak is a magistrate, my dear.
00:36:25Dodger, take off the sausages.
00:36:27Sit down, Oliver.
00:36:33There are a great many of them, ain't there, my dear?
00:36:36Yes, sir.
00:36:38Get ready for the wash.
00:36:41I hope you've been at work, Dodger.
00:36:43Odd.
00:36:50Good boy. Good boy.
00:36:52And free warps.
00:36:55Ingenious worker, ain't he, Oliver?
00:36:58Very indeed, sir.
00:37:02You'd like to make pocket handkerchiefs as easily as the artful, Dodger, wouldn't you, my dear?
00:37:07Yes, if you teach me, sir.
00:37:09We will, my dear. We will.
00:37:12To work. Terry, Fred.
00:37:37All right.
00:38:08Sit down.
00:38:11Charlie, Dodger.
00:38:37Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha
00:39:07Oliver... Oliver...
00:39:37Oliver...
00:40:08Oliver...
00:40:25Clever dogs...
00:40:27Clever dogs...
00:40:30Never blow, don't hold fake in...
00:40:41Why are you awake?
00:40:44Speak up, boy, quick!
00:40:46I couldn't sleep any longer, sir.
00:40:48What have you seen?
00:40:49Nothing, sir.
00:40:50You were not awake an hour ago.
00:40:53No, no, indeed, sir.
00:40:55Are you sure?
00:40:56Yes, sir.
00:41:00Churchill, my dear...
00:41:03I only tried to frighten you.
00:41:07Did you see any of those pretty things, dear?
00:41:11Yes, sir.
00:41:14They... they're mine, Oliver.
00:41:18All I have to live on in my old age.
00:41:22They call me a miser.
00:41:26May I get up now, sir?
00:41:28Certainly, dear, certainly.
00:41:37They've gone to work, Oliver.
00:41:39Make them your models.
00:41:41Do everything they bid you do.
00:41:43Take their advice in all things.
00:41:45Especially the artful dodgers.
00:41:47He'll be a great man himself one day and will make you one too.
00:41:51Is my handkerchief hanging out of my pocket, dear?
00:41:54Yes, sir.
00:41:55See if you can take it without my feeling it.
00:42:03Is it gone?
00:42:04Yes.
00:42:05Here it is.
00:42:07Ah, you clever boy.
00:42:09Here's a shilling for you.
00:42:12Oh, thank you, sir.
00:42:14If you go on this way, you'll be the greatest man of the time.
00:42:25He'll do.
00:42:55Stop, thief!
00:43:13Stop, thief!
00:43:26Stop, thief!
00:43:27Stop, thief!
00:43:28Stop, thief!
00:43:29Stop, thief!
00:43:30Stop, thief!
00:43:31Stop, thief!
00:43:32Stop, thief!
00:43:33Stop, thief!
00:43:41Stop, thief!
00:43:42Stop, thief!
00:43:43Stop, thief!
00:43:44Stop, thief!
00:43:45Stop, thief!
00:43:46Stop, thief!
00:43:47Stop, thief!
00:43:48Stop, thief!
00:43:49Stop, thief!
00:43:50Stop, thief!
00:43:51Stop, thief!
00:43:52Stop, thief!
00:43:53Stop, thief!
00:43:54Stop, thief!
00:43:58Stop, thief!
00:44:15Stop, thief!
00:44:17Stop, thief!
00:44:24Stop, thief!
00:44:27Stop, thief!
00:44:40Get him now!
00:44:46It is from her.
00:44:47He don't deserve it.
00:44:48That's right.
00:44:49Is this the boy, sir?
00:44:51Yes, I'm afraid it is.
00:44:53Afraid?
00:44:54That's a good one.
00:44:56Poor little fellow.
00:44:57He's hurt himself.
00:44:58I did that, sir.
00:44:59I stopped him.
00:45:00I cut my knuckles against his mouth.
00:45:03Come on, get up.
00:45:05Make way there.
00:45:06Make way.
00:45:09Come on.
00:45:10Don't hurt him, officer.
00:45:11Oh, no, I won't.
00:45:16Hold your noise.
00:45:17Do you want to get raped?
00:45:19I can't help it.
00:45:20I can't help it.
00:45:24What a vague insight.
00:45:38Where's Ivor?
00:45:44Where's the boy?
00:45:47What will become of the boy?
00:45:50Speak or I'll throttle you!
00:45:52Let go of me!
00:45:56The traps have got him.
00:45:57And that's all about it.
00:46:09Come on!
00:46:13What's it all about, Fagin?
00:46:15It's lucky the pot didn't hit me or I might have settled someone.
00:46:19Come in, Mr. Sykes.
00:46:21Come in.
00:46:22None of your mysterying.
00:46:23You know my name.
00:46:25Come in, you sneaking cur.
00:46:26What are you hanging about there for?
00:46:28Go on, get in, will you?
00:46:32Will you take a drink, Bill?
00:46:34See you don't poison it, neither.
00:46:37Here.
00:46:38What's he been up to?
00:46:41Ill-treated.
00:46:42What's he been up to?
00:46:45Ill-treating the boys again, eh?
00:46:47You avaricious old fence.
00:46:49You seem out of humour, Bill.
00:46:51Yeah, maybe I am.
00:46:54And you seem kind of out of sorts, too.
00:46:57What's in the wind, Fagin?
00:46:58It's a new boy.
00:46:59The traps have got him.
00:47:00Well, what of it?
00:47:01I'm afraid, you see, he may say something that'll get us into trouble.
00:47:05That's very likely.
00:47:07You're blowed upon, Fagin.
00:47:09I'm afraid, you see.
00:47:10If the game was up with us, it might be up with the good many more.
00:47:15And it would come out rather worse for you than it would for me,
00:47:19wouldn't it, my dear?
00:47:25Look here.
00:47:28Somebody ought to go and find out what's going on at the police court.
00:47:35Somebody ought to go there, Fagin.
00:47:41Told you.
00:47:44Surely.
00:48:06At about time, Bill.
00:48:08At about time, too.
00:48:10Ah, Nancy.
00:48:12The very thing.
00:48:13She's a clever girl.
00:48:15Here's to her.
00:48:16Nancy will go, won't you, my dear?
00:48:19Where's?
00:48:20Only just to the police court, my dear.
00:48:22What do you say?
00:48:23But it won't do, Fagin, so it's no use you trying it on.
00:48:26What do you mean by that?
00:48:27Well, what'd I say, Bill?
00:48:28Well, you'd have anyone for it.
00:48:30No one around here knows anything about you.
00:48:32And as I don't want them to neither, it's rather more no than yes with me, Bill.
00:48:36She'll go, Fagin.
00:48:37Oh, no, she won't, Fagin.
00:48:40Oh, yes, she will, Fagin.
00:48:52Yes?
00:48:53Is there a little boy here?
00:48:55Who are you?
00:48:56His sister.
00:48:58You'll have to wait. The case is on now.
00:49:01Now, what is the charge against this boy?
00:49:04Stealing a handkerchief, Your Worship.
00:49:06I'd rather not press the case.
00:49:08Hold your tongue, sir.
00:49:10Are there any witnesses?
00:49:11None, Your Worship.
00:49:14What is your name?
00:49:17What is your name?
00:49:21He's been hurt, and I fear, I really fear he's very ill.
00:49:25Oh, yes, I do.
00:49:27I really fear he's very ill.
00:49:29Oh, yes, I dare say.
00:49:31Come now. None of your tricks here, you young vagabond.
00:49:34What is your name?
00:49:39What's your name?
00:49:47He says his name's Tom White, Your Worship.
00:49:50Very well.
00:49:52Where does he live?
00:49:55Where do you live?
00:49:57Where he can, Your Worship.
00:50:00Please, sir, would I have some water?
00:50:03Stop that nonsense! Don't try and make a fool of me!
00:50:10I'm afraid he really is ill, Your Worship.
00:50:13I know better. Take care he's not gone.
00:50:16Stand away!
00:50:18Thank you very much, sir.
00:50:21How do you propose to deal with the case, sir?
00:50:23Quiet! What's this? Who is this?
00:50:25I keep the bookstore. I saw it all.
00:50:28It was another boy.
00:50:29Why didn't you come before?
00:50:31Couldn't get a soul to mind the shop.
00:50:33Swear the man.
00:50:51They bring him out of the court fainting.
00:50:53He gets in a carriage with this gentleman and they drive off.
00:50:56He'll blow on us, Fagin, for certain!
00:50:59Whistle!
00:51:01Whistle!
00:51:03Whistle!
00:51:05Whistle!
00:51:07Whistle!
00:51:09Whistle!
00:51:11Whistle!
00:51:13Whistle!
00:51:15Whistle!
00:51:17Whistle!
00:51:19Whistle!
00:51:49Whistle!
00:52:20That's the boy, is it?
00:52:43He can't be that bad.
00:52:45That's the boy, is it?
00:52:48It's a boy.
00:52:51Nice-looking boy, isn't he?
00:52:54I don't know.
00:52:56I only know two sorts of boys.
00:52:59Mealy boys and beef-faced boys.
00:53:03And which is he?
00:53:05Mealy.
00:53:06Mealy.
00:53:19Is Bedwin in the habit of counting the plate at night?
00:53:26Because if she doesn't find a tablespoon or two missing one sunny morning,
00:53:31I'll be content to eat my head, sir.
00:53:35Don't move.
00:53:37Where does he come from? Who is he? What is he?
00:53:41If that boy doesn't deceive you, my good friend, I'll eat my head.
00:53:45And yours, too.
00:53:47We shall see.
00:53:48We will. We will.
00:54:05Where am I?
00:54:06Hush, my dear. You must be very quiet, or you'll be ill again.
00:54:09You've been very, very bad. As bad as bad can be, pretty lie.
00:54:12Lie down again. That's it, dear.
00:54:24There.
00:54:27Oh.
00:54:29Oh.
00:54:34Oh.
00:54:39Don't mind me, my dear.
00:54:44It's all over now.
00:54:46I was rather hoarse this morning, Bedwin. I'm afraid I caught cold.
00:54:51Now, how do you feel, my dear?
00:54:54Very happy, sir.
00:54:55Good.
00:54:56Have you given him any nourishment, Bedwin?
00:54:58He's going to have a basin of beautiful, strong broth, sir.
00:55:01A couple of glasses of port wine will do him far more good.
00:55:04Wouldn't they, Tom White?
00:55:06My name's Oliver, sir.
00:55:09Oliver.
00:55:11Oliver White.
00:55:14No, sir. Twist. Oliver Twist.
00:55:18That's a queer name.
00:55:20What made you tell the magistrate your name was White?
00:55:25I never told him, sir.
00:55:32Some mistake. Some mistake.
00:55:38Ah, have your broth, young man.
00:55:40We must get you strong again.
00:55:42And as soon as you're well enough, we must have a little chat.
00:55:46Oh, thank you very much, sir.
00:55:53Fool, bungler, liar.
00:55:56I paid you good money to make an end of the business.
00:55:58One sniveling boy, and you have to lose him.
00:56:03I'm worse off now than if I never set eyes on you.
00:56:05I'm farther still from what should be mine.
00:56:07What do I get? My money back?
00:56:09No, no, my dear. Not that.
00:56:12I'll give you hope.
00:56:14Do you know the workhouse where the boy was born?
00:56:16Of course. I traced him from there.
00:56:18Then you must go back, my dear.
00:56:20You must go back. Listen.
00:56:29Tomorrow, two months, it was done.
00:56:33It seems a age.
00:56:38You're going to sit there snoring all day?
00:56:41I shall sit here as long as I think proper, ma'am.
00:56:44And though I was not snoring, I shall snore gayly.
00:56:49I shall snore gayly.
00:56:52I shall snore gayly.
00:56:54And though I was not snoring,
00:56:56I shall snore, gape, sneeze, laugh or cry as the humor strikes me,
00:57:01such being my prerogative.
00:57:03Your prerogative.
00:57:05I said the word, ma'am.
00:57:07The prerogative of a man is to command.
00:57:10And what's the prerogative of a woman, in the name of goodness?
00:57:13To obey, ma'am.
00:57:15As your late unfortunate husband should have taught you.
00:57:18And then perhaps he might have been alive now.
00:57:21I wish he were, poor man.
00:57:23You brute!
00:57:29Cry your hardest, ma'am.
00:57:31It opens the lungs, washes the countenance,
00:57:34exercises the eyes and softens down the temper.
00:57:38So cry away.
00:57:48Brute!
00:57:53Blasphemer!
00:57:58Talk about your prerogative again, if you dare.
00:58:03Get up. Get away from here.
00:58:05Or I might do something desperate.
00:58:07Certainly, my dear. Certainly.
00:58:23Come.
00:58:40You were the beadle here once, were you not?
00:58:43I was. Peruvian beadle.
00:58:45What are you now?
00:58:47Master of the workhouse.
00:58:49Good.
00:58:51Now listen to me.
00:58:53I want some information.
00:59:00Carry your memory back ten years, last winter.
00:59:04The scene, the workhouse and the time, night.
00:59:07The place, the line, in room.
00:59:11A boy was born.
00:59:13There were many boys.
00:59:15He was apprenticed down here to a coffin maker.
00:59:17You mean young Twist?
00:59:19There wasn't a obstinate...
00:59:20It's not of him I want to hear.
00:59:22It's of a woman, the hag that nursed his mother.
00:59:26Where is she?
00:59:28She died last winter.
00:59:33One moment.
00:59:35Yes?
00:59:36There was a woman with her when she died.
00:59:39How can I find her?
00:59:43Only through me.
00:59:45It will be worth her while.
00:59:50What if I've paid you for nothing?
00:59:52You can easily take it away again.
00:59:54I'm a woman here, alone and unprotected.
00:59:56You're not alone, my dear.
00:59:58Nor unprotected, neither.
01:00:00You're a fool. You'd better hold your tongue.
01:00:02He'd better have it cut out if he can't speak in a lower tone.
01:00:08Now, let's hear your story.
01:00:12I'm a woman.
01:00:14I'm a woman.
01:00:16I'm a woman.
01:00:18Let's hear your story.
01:00:24You were with this hag the night she died?
01:00:26Yes.
01:00:27There was no one by?
01:00:29No.
01:00:30She asked if we should be alone.
01:00:31Get out!
01:00:32What?
01:00:33She spoke of a young mother.
01:00:35Aye.
01:00:36Who she nursed in that same bed.
01:00:38Yes.
01:00:39What of her?
01:00:41I robbed her.
01:00:44She wasn't cold when I stole it.
01:00:47Stole what?
01:00:49It.
01:00:50The only thing she had.
01:00:53Gold.
01:00:54Gold?
01:00:55Go on, what of it?
01:00:57She charged me to keep it safe.
01:01:00Yes?
01:01:01The boy's name?
01:01:03They called him Oliver.
01:01:06Yes.
01:01:07I...
01:01:08I haven't told you all, have I?
01:01:10Oh, no, be quick.
01:01:12She'd run away.
01:01:15Her father?
01:01:16Yes.
01:01:18I was to tell him.
01:01:21To tell him.
01:01:23What were you to tell him?
01:01:26What?
01:01:29What?
01:01:37She said more.
01:01:40You're lying.
01:01:42She never uttered another word.
01:01:45But it was then that it happened.
01:01:48What?
01:02:00A scrap of paper.
01:02:02What was it?
01:02:04A pawnbroker's ticket.
01:02:06Yes.
01:02:07The time was out in two days, so I redeemed the pledge.
01:02:10Where is it now?
01:02:16There.
01:02:20And this is all?
01:02:22All.
01:02:24And what you expected to get from it?
01:02:28It is.
01:02:35Bless us and save us.
01:02:37Come in and wash your hands and let me do your hair nicely for you, child.
01:02:40Why? What's the matter?
01:02:41Mr. Brown, no one wants to see you, dear.
01:02:43We must make you as smart as sixpence.
01:03:02Come in.
01:03:08Oh, come in, Oliver. Come in.
01:03:16Here. There are a good many books, are there not, my boy?
01:03:20I never saw so many, sir.
01:03:22How would you like to grow up a clever man and write books, eh?
01:03:26I think I'd rather read them, sir.
01:03:29What? Don't you want to be a book writer?
01:03:31I think I'd rather be a bookseller, sir.
01:03:37Well said, my boy. Very well said.
01:03:41Now, Oliver, I want you to pay great attention to what I'm going to say.
01:03:48You're not going to send me away, sir?
01:03:50No, my dear, I'm not going to send you away unless you give me cause.
01:03:55I'll never do that, sir. Never.
01:03:58Good. Somehow I feel that you and I are going to be good friends.
01:04:05Oh, thank you, sir.
01:04:07I trust you, Oliver.
01:04:09And I find myself more interested in your behalf than I can well account for.
01:04:14Even to myself.
01:04:27Are you fond of pictures, Oliver?
01:04:29I don't quite know, sir.
01:04:35Now that is a portrait. A likeness.
01:04:41She's very pretty, sir.
01:04:44Yes, she was very pretty.
01:04:49Any muffins for tea?
01:04:52Hello. What's that?
01:04:55This is young Oliver Twist.
01:04:57You don't mean to say that's the boy who had the fever, I hope?
01:05:00That's all over now. Come and speak to my young friend.
01:05:04How are you, boy?
01:05:06A great deal better, thank you, sir.
01:05:09And when are we going to hear an account of his history, eh, my friend?
01:05:14I think we'll have our tea first, eh, Oliver?
01:05:16Oh, is that the bookseller? Yes, sir.
01:05:18Well, stop the boy. There are some to go back.
01:05:20He's gone, sir.
01:05:21Oh, dear me. I particularly wanted to return some tonight.
01:05:24Send Oliver with them.
01:05:27He'll be sure to deliver them safely, you know.
01:05:30Yes, do let me go, sir. I'll run away.
01:05:35You shall go, my boy.
01:05:37The books are on the chair by my table.
01:05:39Fetch them down.
01:05:45Let me see here.
01:05:47He'll be back in 20 minutes at the longest.
01:05:50So you really expect him to come back, do you?
01:05:53Why, don't you?
01:05:54No, I do not.
01:05:56The boy has a new suit of clothes on his back,
01:05:58a set of valuable books under his arm,
01:06:00and a five-pound note in his pocket.
01:06:02If ever that boy returns to this house, sir,
01:06:05I'll eat my head.
01:06:15There.
01:06:19Good night, dear.
01:06:22Good night.
01:06:38Oliver!
01:06:41Oliver, Oliver, oh, you naughty boy!
01:06:44Oh, my dear little brother, I found him.
01:06:46Thank goodness, gracious heavens, I found him.
01:06:48Let go of me.
01:06:49You cruel boy, come home directly.
01:06:51What's the matter, Mum?
01:06:52He ran away near a month ago from his parents.
01:06:54Hard-working, respectable people.
01:06:56I didn't.
01:06:57He went and joined a set of thieves and bad characters
01:06:59and nearly broke his mother's heart.
01:07:01You little wretch.
01:07:02I'm not. I haven't got a mother.
01:07:04Go home, you little brute.
01:07:05I live in Vandenville.
01:07:06Oh, listen how he braves it out.
01:07:08Come home to your mother, will you, you young dog?
01:07:10I don't know them. I don't belong to them.
01:07:12What's this? He's been stealing again.
01:07:15Oh, no, Bill, come on.
01:07:17Right, that's the only way to bring him to his senses.
01:07:19You're right. You and good, too.
01:07:21Yeah, you get it, too.
01:07:23Come on, you young villain.
01:07:47Frankie, don't you look.
01:08:12Ha-ha-ha-ha-ha-ha-ha!
01:08:34All right, let's have a glimp.
01:09:04Delighted to see you looking so well, my dear.
01:09:14Why didn't you write and say you was coming?
01:09:20We'd have got something hot for supper.
01:09:22What's that?
01:09:28That's mine, Fagin.
01:09:30No, no, my dear, mine, Bill, mine.
01:09:32You shall have the books.
01:09:34If that ain't mine, mine and Nancy, that is, I'll take the board back again.
01:09:39Now, come on, hand over, will you?
01:09:41Where is it?
01:09:42This is hardly fair, Bill. Hardly fair, is it, Nancy?
01:09:45Fair or not fair, give it here, you avaricious old skeleton.
01:09:49Give it.
01:09:53Take the books if you're fond of reading, and if you ain't, sell them.
01:09:58Help! Help!
01:10:00Bull's-eye!
01:10:02Leave him in that, Bill. He'll tear the boy to pieces.
01:10:05Am I doing right?
01:10:06No, you don't.
01:10:07You'll stand off of me, I'll ask for television.
01:10:10I don't care. I don't care.
01:10:14Get her.
01:10:21What's the matter here?
01:10:22The girl's gone mad.
01:10:23No, she ain't, Fagin. No, she ain't. Don't think it.
01:10:26Then keep quiet, will you?
01:10:27No, I won't do that neither. What do you think of that?
01:10:39So you wanted to get away, my dear, did you, eh?
01:10:44Wanted to get assistance?
01:10:46Called for the police, did you?
01:10:50We'll soon cure you of that, my young master.
01:10:53See it done, Fagin.
01:10:54You've got the boy. What more do you want?
01:10:56Let him be.
01:10:57Let him be, or I'll put that mark on some of you that'll send me to the gallows before me time.
01:11:02Why, Nancy, you're more clever than ever tonight.
01:11:05You're acting beautiful, dear.
01:11:07Am I?
01:11:08Then take care I don't overdo it.
01:11:10You'll be the worst for it, Fagin, if I do.
01:11:12What do you mean by this?
01:11:13You're a nice one, a pretty subject for the boy to make a friend of.
01:11:17So help me, I am.
01:11:19I wish I'd been struck dead in the street before lending a hand to bring him here.
01:11:23He's a thief, a liar, a devil and all that's bad from this night on.
01:11:27Isn't that enough of the old rich without blows?
01:11:30Come, come, Sykes. We must have civil words.
01:11:32Civil words, Bill.
01:11:33Civil words.
01:11:34Civil words, you villain.
01:11:36Yes, you deserve them from me.
01:11:38I thief for you when I was a child, not half his age.
01:11:41And I thief for you ever since.
01:11:43Don't you know it?
01:11:45And if you have, it is your living.
01:11:48Aye, it is.
01:11:50It is my living.
01:11:52It is my living.
01:11:54And the cold, wet, dirty streets are my own.
01:11:58And you're the wretch that drove me to them long ago.
01:12:01And that'll keep me there day and night.
01:12:04I'll show you later.
01:12:05Day and night.
01:12:06A mischief less than that, have you to say much more?
01:12:10No.
01:12:12No.
01:12:18No.
01:12:22That's the worst of having to do with it, isn't it?
01:12:51That's the worst of having to deal with women, my dears, but they're clever and we can't get on in our line without them.
01:12:56Dodger, show her over to bed.
01:12:58He hadn't better wear his best suit tomorrow, had he, Fage?
01:13:00Certainly not. The Dodger shall give you another suit, my dear, for fear that Sunday one shall get stolen.
01:13:05Well, Mrs. Bedwin?
01:13:28I'm afraid he's lost his way, sir.
01:13:30You mean he never went there, eh?
01:13:32There you are. The boy's an imposter.
01:13:34It can't be. It can't be.
01:13:36What do you mean, it can't be?
01:13:39You old women never believe anything but quack doctors and lying storybooks.
01:13:44He was a dear, grateful, gentle child, sir.
01:13:47I know what children are and have done these forty years.
01:13:50And people who can't say the same shouldn't say anything about them. That's my opinion.
01:13:56That'll be all, Bedwin.
01:14:12Well...
01:14:18I'll take the liberty, if you'll allow me, of helping us both to a glass of sherry.
01:15:17Why don't you join us, Mr. Fagin? There'll be a lovely little show.
01:15:37What can I do for you?
01:15:39Monks?
01:15:45Speak to the mirror before now.
01:16:01Lie down, will you, you stupid brute?
01:16:04Don't you know the devil when he's got a great coat on?
01:16:09Ah, Nancy.
01:16:11Well?
01:16:12Well, my dear, it's about the crib at Chertsey.
01:16:15Well, what about it?
01:16:16Ah, you know what I mean, my dear. He knows what I mean, Nancy, don't he?
01:16:20No, we don't.
01:16:22And don't stand there talking to me and Ince as though you weren't the first what thought about the robbery.
01:16:28Shh, somebody will hear us.
01:16:29Well, let them in. I don't care.
01:16:32There, there, my dear. It was only my caution, nothing more.
01:16:36Now, Bill, I've got the boy. You can...
01:16:41What's the matter?
01:16:42I don't know whether she might be out of sorts as she was before.
01:16:46Go on, Fagin. Tell him it's Oliver.
01:16:48Ah, you're a clever one, my dear. The sharpest girl I ever saw.
01:16:52It was about Oliver I was going to speak.
01:16:55Him?
01:16:56Yes, Bill. It's time he began to earn his bread. Besides, the others are all too big.
01:17:01He's about the size of a wolf.
01:17:03And will do everything you want if you frighten him enough.
01:17:07When's it to be done?
01:17:10When is it to be done, eh?
01:17:19Tomorrow night.
01:17:20Good. It's all arranged about bringing off the swag.
01:17:24It's all planned. Now you hold your tongue and keep your melting pot ready.
01:17:28That's all you have to do.
01:17:30Now leave us alone, will you?
01:17:40Yeah.
01:17:41Yeah.
01:18:12What's the news?
01:18:13Great.
01:18:14So is mine.
01:18:15May I introduce to you a charming young singer who's never appeared in public before.
01:18:21Miss Lucy Willow.
01:18:29This morning early, my melody was such
01:18:34I in my tea took brandy
01:18:39And I took a drop too much
01:18:51But stop, I must not wag my head
01:18:54My head aches if you please
01:18:57A pinch of Irish flavour
01:19:01I'll take to give me ease
01:19:08This is the only proof of the boy's identity.
01:19:11So I've got the young devil's money at last.
01:19:14Now you can do what you like with him.
01:19:16Get him hauled up for some felony, drag him through every jail in town.
01:19:19It's not easy to train him to the business.
01:19:21That's your affair.
01:19:23If it's not likely mine, but if the worst should come to the worst.
01:19:28It's no fault of mine. Mind that, Fagin.
01:19:30I had no hand in this.
01:19:38La la la la la la la la la la la
01:19:40La la la la la la la la la la la la la la
01:19:47In the mood for crying
01:19:50Cares a silly cot
01:19:53If to the past you're trying
01:19:56Send my way to love
01:19:59La la la la la la la la la la la la la la la la la la la la la la
01:20:07Get out!
01:20:37Nowhere to stop!
01:20:39He likes his bra
01:20:41Up to the top!
01:20:43For dear Marie
01:20:45He's all over the shop
01:20:47Cause he's out!
01:20:49Nowhere to stop!
01:20:53Look at the drunkards of London!
01:20:57Flying all over the place!
01:21:01There isn't a doubt
01:21:03It's a lovely look
01:21:05It's a lovely look
01:21:07For the human right!
01:21:13Get out!
01:21:15Nowhere to stop!
01:21:17He likes his bra
01:21:19Up to the top!
01:21:23For dear Marie
01:21:25He's all over the shop
01:21:27Cause he's out!
01:21:29Nowhere to stop!
01:21:35Get out!
01:21:39Opal
01:21:41Are you awake?
01:21:43What's the matter?
01:21:45Listen carefully my dear
01:21:47I want you to do a piece of work for me
01:21:49That needs great care and caution
01:21:51What is it?
01:21:53I want you to dodge a woman
01:21:55Don't do that Opal
01:21:57What do you want me to dodge her for?
01:21:59Not to do anything
01:22:01But to tell me where she goes
01:22:03Who she sees
01:22:05And what she says
01:22:07And to bring back all the information you can
01:22:11Who is she?
01:22:13One of us
01:22:17What will you give me?
01:22:21If you do it well my dear
01:22:23A guinea
01:22:25One guinea
01:22:27And that's what I never gave you
01:22:29For such a pleasant piece of work
01:22:33Thank you
01:22:53Barters for me Bill
01:22:55Here
01:22:57The persuader
01:22:59I got him
01:23:01Nothing forgotten
01:23:03You take the crowbar
01:23:15Take ease
01:23:17He's a rough man
01:23:19Mind
01:23:23What's that?
01:23:25The boy
01:23:27One of Mr Fagin's lads
01:23:32It's cold Nancy dear
01:23:34It seems to go right through one
01:23:36It must be a piercer to find its way through your heart
01:23:40Come here young'un
01:23:42Come here
01:23:47Do you know what this is?
01:23:49Yes sir
01:23:50Well if you speak a word when we're outside
01:23:53You'll get a bullet through your head without warning
01:23:56So if you do make up your mind to talk
01:23:59You'd better say your prayers first
01:24:03Now then look sharp
01:24:05We're late as it is
01:24:09Come on
01:24:29Come on
01:24:59Come on
01:25:30Come on
01:25:32Come on
01:25:34Come on
01:25:36Come on
01:25:38Come on
01:25:40Come on
01:25:42Come on
01:25:44Come on
01:25:46Come on
01:25:59Come on
01:26:13Sir
01:26:14You come in consequence of having seen my advertisement?
01:26:17Not here sir I'm afraid to speak
01:26:20Down the steps
01:26:30Why do you bring me to this dark and dismal place?
01:26:34Because there are those who would surely murder me if they knew I was here tonight
01:26:38Young woman if you have any intelligence of this poor child
01:26:42In heaven's name put me in possession of it
01:26:46Do you know a man named Monks?
01:26:48Monks?
01:26:50What do you know of this man?
01:26:52Oh before I tell you sir
01:26:54Have I your promise that my secret will be strictly kept?
01:26:57I'll not turn on the others because bad as they are they never turn on me
01:27:02Have I your promise for that?
01:27:04You have
01:27:05And nobody will ever learn how you know what you do?
01:27:08Never
01:27:13Some time ago soon after Oliver was taken from your house in Pentonville
01:27:18I saw this man Monks for the first time
01:27:21And the other day I saw him again
01:27:24I'll take you to a place I know
01:27:55There take care of that and do the most you can with it
01:27:59It's been trouble enough to get
01:28:14What are you looking at me like that for?
01:28:19He's gone mad
01:28:21He's gone mad
01:28:23I've got that to tell you will make you worse than me
01:28:27Aye?
01:28:28Well look sharp or Nance will think I'm lost
01:28:31Lost?
01:28:32She's pretty well settled that in her own mind already
01:28:36Open your mouth and say what you gotta say in plain words
01:28:40Suppose that lad that's lying there
01:28:42Well?
01:28:43Suppose that lad was to peach to blow upon us all
01:28:46First stealing out at nights to find the right folks for the purpose
01:28:49Then having a meeting with them in the streets
01:28:51Not grabbed, trapped, tried and brought to it on bread and water
01:28:56But if his own fancy do you hear me suppose he did this what then?
01:28:59What then? I'd smash his head in
01:29:01What if I did it I that know so much and could hang so many besides meself?
01:29:06I'd beat your brains out
01:29:08You would?
01:29:09Try me
01:29:10If it was Charlie or the Dodger or...
01:29:13No matter who I'd do the same
01:29:20Dodger
01:29:25Dodger
01:29:26Dodger
01:29:29Poor lad
01:29:30He's tired
01:29:34Tired with watching for her so long
01:29:38With watching for her Bill
01:29:44What do you mean?
01:29:46Dodger
01:29:47Dodger
01:29:49Tell me that again once again just for him to hear
01:29:53Tell you what?
01:29:54That about Nancy
01:29:59What about her?
01:30:00You followed her?
01:30:01Yes
01:30:02To London Bridge?
01:30:03Yes
01:30:04Where she met a gentleman?
01:30:06So she did
01:30:07A gentleman she'd gone to of her own accord who asked her to give up her pals which she did
01:30:12Well she...
01:30:13She did all this
01:30:14She did all this
01:30:15She told it all, every word without a threat, without a murmur
01:30:19She did, did she not?
01:30:21All right, that's just about what it was
01:30:24What did she say about the boy?
01:30:26I told you that before
01:30:27Again, tell it again
01:30:29Well, he asked her why she hadn't brought Nolly with her
01:30:33Why? Why? Tell him that
01:30:36Because he'd got out on a job with him
01:30:40More of him, tell him that, tell him that
01:30:43That she'd bring him to London Bridge tomorrow, midday
01:30:47Yes, why?
01:30:50Because he'd be asleep
01:30:52She made me laugh when she said it
01:30:54Said what?
01:30:56That she was going to give him a drink loaded
01:31:01Get me out of here
01:31:08Bill, Bill
01:31:14Bill
01:31:15Don't speak to me, it's not safe
01:31:17You won't be
01:31:18Let me out
01:31:19You won't be too violent, Bill
01:31:21I mean not too violent for safety
01:31:44Get up
01:31:52How it's you, Bill
01:31:54It is
01:31:56Get up
01:32:02There's light enough for what I've got to do
01:32:05I've got to go
01:32:07I've got to go
01:32:09I've got to go
01:32:11There's light enough for what I've got to do
01:32:14Why are you looking at me like that?
01:32:20Oh no, no, no
01:32:24Bill, Bill, Bill
01:32:26Speak to me, what have I done?
01:32:30You were watched tonight
01:32:32Every single word you said was heard
01:32:36Oh, I've been true to you
01:32:39For my soul I have
01:32:41Give me time, a little
01:33:35Give me time, a little
01:34:05Bill
01:34:35Bill
01:35:05Bill
01:35:31Bill
01:35:33They can lie, Bill
01:35:35I didn't tell
01:35:38He deceived you
01:35:40He deceived you
01:35:42He deceived you
01:35:44She told on all her pals
01:35:47Not brought to it on bread and water
01:35:51But of her own fancy
01:35:54She did, she did, she did
01:36:03Bill
01:36:08My Bill
01:36:10My Bill
01:36:22My Bill
01:36:33My Bill
01:37:03Bill
01:37:33Murder, brutal murder
01:37:49Murder, brutal murder
01:37:52In the early hours of this morning
01:37:55A young woman was brutally beaten to death
01:37:58By one William Sykes
01:38:01Keep any person or person
01:38:32I first met this girl at London Bridge
01:38:35I went there in response to an anonymous letter
01:38:39I promised not to reveal the names of her associates
01:38:43But in face of this terrible crime
01:38:45I no longer consider that promise binding
01:39:02Murder
01:39:17Lock the door on the outside and come when I ring
01:39:20Yes, sir
01:39:22Where is my grandson?
01:39:24Grandson?
01:39:25I warn you that every word that passed between you and your criminal associates
01:39:29Is known to me
01:39:30Is this a trick to deprive me of my inheritance?
01:39:32You have no inheritance
01:39:34For as you know my daughter had a child
01:39:36And it was you who for your own gain
01:39:38Suppressed the only proofs of his birth and parentage
01:39:41You can prove nothing
01:39:42Your daughter ran away and was never heard of again
01:39:44Coward, liar
01:39:47Where is Oliver Twist?
01:39:49I know nothing of him
01:39:51We shall see
01:39:57Sit down
01:40:01Sit down
01:40:13How do you do, sir?
01:40:14I hope you are well
01:40:20Take him away
01:40:21Idiot
01:40:24It only remains for me to tell you
01:40:26That neither of you will ever be employed in a position of trust again
01:40:30You may go
01:40:32Fool
01:40:38I hope, sir, that this unfortunate little circumstance
01:40:41Will not deprive me of my parochial office
01:40:44Indeed it will
01:40:45And think yourself well off besides
01:40:48It was all Mrs. Bumble
01:40:50She would do it
01:40:51That is no excuse
01:40:52You were present at the sale of the locket
01:40:54And indeed are the more guilty of the two in the eye of the law
01:40:57For the law supposes that your wife acts under your direction
01:41:01If the law supposes that
01:41:03Then the law is a ass
01:41:05A idiot
01:41:10If that's the eye of the law
01:41:12Then the law is a bachelor
01:41:14And the worst I wish the law is
01:41:16That his eye may be opened by experience
01:41:19By experience
01:41:24Come on
01:41:42It's Charlie
01:41:48It's all up
01:41:49What's the matter?
01:41:50They've got scouts out everywhere
01:41:55Now, what's the news?
01:41:57They've nabbed monks
01:42:00And Sykes?
01:42:01What about him?
01:42:02They say he'll be took tonight
01:42:04They're looking for his dog
01:42:08Fool
01:42:24Come here, will ya?
01:42:54What's the matter?
01:43:25There
01:43:37Take him away
01:43:47The dog
01:43:48Follow the dog
01:43:54Follow the dog
01:43:56Follow the dog
01:44:02What's happened?
01:44:03It's the dog
01:44:04They've got his dog
01:44:05Yes
01:44:24Don't leave us in the dark
01:44:55Who is it?
01:45:21What are you gonna do?
01:45:23Sell me or let me lie here till the hunt's over
01:45:26We're in this together, Fagin
01:45:29Lock up
01:45:53Come on
01:46:21Get me a drink
01:46:24Get me a drink, will ya?
01:46:28Wagon
01:46:53Blast you, can't you say something?
01:47:23Don't you know me, Dodger?
01:47:28Don't come near me
01:47:30I'm not afraid of him
01:47:32If they come here, I'll give him up
01:47:35I will
01:47:36You what?
01:47:54Come here
01:47:55Get back
01:48:21What?
01:48:22They're here
01:48:37Get that table, will ya?
01:48:48Help
01:48:49Help
01:48:50Help
01:48:51He's here, help
01:49:12In the king's name
01:49:14In the king's name
01:49:20They've gone out over the roof
01:49:24I'll teach you yet
01:49:26Do you hear me?
01:49:38Darren
01:49:39They're coming with me
01:49:41Get me a rope
01:49:42Come here
01:49:44Get me a rope
01:49:45Get me a rope
01:49:46Get me a rope
01:49:47Get me a rope
01:49:48Get me a rope
01:50:13Don't go without me, Bill
01:50:16Don't go without me
01:50:23Strike them all, Dean
01:50:27What right have you to butcher me?
01:50:46Don't go without me
01:50:58Get close to me, young'un
01:51:02It's Reagan
01:51:03It's Reagan
01:51:05It's Reagan
01:51:07They've got Reagan
01:51:16Goodness
01:51:18You're on the stick
01:51:40You're on
01:51:46You're on
01:52:08Strike
01:52:09Strike
01:52:17Help
01:52:18Help
01:52:19Help
01:52:20Get in round
01:52:23Get that rope round
01:52:29Fifty pounds from a man who rescues the boys
01:52:35Get in round, will ya?
01:52:47Bill
01:52:49Bill
01:53:13We've got the boys, sir
01:53:15I've got the boys
01:53:45We've got the boys
01:54:09He's come back, sir
01:54:10I knew he would
01:54:15I knew he would
01:54:16I knew he would
01:54:17I knew he would
01:54:18I knew he would
01:54:19I knew he would
01:54:20I knew he would
01:54:21I knew he would
01:54:22I knew he would
01:54:23I knew he would
01:54:24I knew he would
01:54:25I knew he would
01:54:26I knew he would
01:54:27I knew he would
01:54:28I knew he would
01:54:29I knew he would
01:54:30I knew he would
01:54:31I knew he would
01:54:32I knew he would
01:54:33I knew he would
01:54:34I knew he would
01:54:35I knew he would
01:54:36I knew he would
01:54:37I knew he would
01:54:38I knew he would
01:54:39I knew he would
01:54:40I knew he would
01:54:41I knew he would
01:54:42I knew he would
01:54:43I knew he would
01:54:44I knew he would
01:54:45I knew he would
01:54:46I knew he would
01:54:47I knew he would
01:54:48I knew he would
01:54:49I knew he would
01:54:50I knew he would
01:54:51I knew he would
01:54:52I knew he would
01:54:53I knew he would
01:54:54I knew he would
01:54:55I knew he would
01:54:56I knew he would
01:54:57I knew he would
01:54:58I knew he would
01:54:59I knew he would
01:55:00I knew he would
01:55:01I knew he would
01:55:02I knew he would
01:55:03I knew he would
01:55:04I knew he would
01:55:05I knew he would
01:55:06I knew he would
01:55:07I knew he would
01:55:08I knew he would
01:55:09I knew he would
01:55:10I knew he would
01:55:11I knew he would
01:55:12I knew he would
01:55:13I knew he would
01:55:14I knew he would
01:55:15I knew he would
01:55:16I knew he would
01:55:17I knew he would
01:55:18I knew he would
01:55:19I knew he would
01:55:20I knew he would
01:55:21I knew he would
01:55:22I knew he would
01:55:23I knew he would
01:55:24I knew he would
01:55:25I knew he would
01:55:26I knew he would
01:55:27I knew he would
01:55:28I knew he would
01:55:29I knew he would
01:55:30I knew he would
01:55:31I knew he would
01:55:32I knew he would
01:55:33I knew he would
01:55:34I knew he would
01:55:35I knew he would
01:55:36I knew he would
01:55:37I knew he would
01:55:38I knew he would
01:55:39I knew he would
01:55:40I knew he would
01:55:41I knew he would