Category
🎥
Short filmTranscript
00:00:00 [MUSIC]
00:00:10 [MUSIC]
00:00:20 [MUSIC]
00:00:45 [MUSIC]
00:01:10 [MUSIC]
00:01:35 [MUSIC]
00:01:45 [MUSIC]
00:02:03 [MUSIC]
00:02:28 [MUSIC]
00:02:48 [MUSIC]
00:02:58 >> Morning Bart.
00:03:10 I was beginning to think that coach is never gonna get here.
00:03:13 >> Looks like it woke you up.
00:03:15 >> Well, waiting makes a man sleepy.
00:03:18 I've been over in that holla since yesterday afternoon.
00:03:21 Kind of scared the coach might pass me during the night.
00:03:24 [LAUGH]
00:03:25 The way he's traveling now though, he'd have been by here two days ago.
00:03:29 I'd have missed you all together.
00:03:33 Rough as you look though, I can't say as I blame him.
00:03:37 >> Sam, you sure it's him?
00:03:40 >> Well, of course I'm sure.
00:03:41 There ain't a hundred Tate Kimbroughs.
00:03:43 >> There could be, but I'm only interested in one.
00:03:45 >> Well, wait till you see him for yourself.
00:03:47 You'll know that's the one.
00:03:48 >> He's a big man in sundown.
00:03:50 >> The biggest.
00:03:51 He's got that town in his fist and he's squeezing it hard.
00:03:54 Ain't heard the folks complain much.
00:03:56 Guess they're all scared.
00:03:58 >> Glad to hear he's doing so well.
00:04:00 When a man's riding high, the ground comes up and hits him a lot harder when he falls.
00:04:04 >> Why don't you rest a little while?
00:04:06 You know, I ain't had nothing to eat since yesterday.
00:04:08 We could make a little fire and cook up a baby.
00:04:10 >> We'll do that when we get to sundown.
00:04:39 >> Sunday?
00:04:40 >> Thursday.
00:04:41 >> What's all the commotion?
00:04:42 >> Tate Kimbrough's getting married.
00:04:44 >> Today?
00:04:45 Why didn't you tell me?
00:04:47 >> Well, I didn't reckon it was important.
00:04:49 >> Sam.
00:04:50 >> Folks say the most important moment in a man's life is when he gets married.
00:04:53 >> Well, I wouldn't know about that.
00:04:55 There's a pretty good eating house down--
00:04:56 >> Where's the barber shop?
00:04:58 >> Over there.
00:04:59 >> I'm not going to miss the most important moment in Tate Kimbrough's life.
00:05:03 A man shouldn't go to a wedding with stubble on his face.
00:05:06 >> A man shouldn't go to a wedding on an empty belly, neither.
00:05:09 >> Go ahead and fill it.
00:05:10 No reason for you to go.
00:05:11 Stomach empty, awful.
00:05:17 >> I have to come back this afternoon, mister.
00:05:19 It's my last customer.
00:05:20 I'm closing up.
00:05:21 I'll be open again at 2 o'clock.
00:05:23 >> What time's the big wedding today?
00:05:24 >> In about half an hour.
00:05:26 >> Ain't you almost finished with him?
00:05:28 Shouldn't take you more than 15 minutes to shave my whiskers.
00:05:31 >> I told you, mister.
00:05:32 I'm closing up.
00:05:37 >> You wouldn't be going to a wedding looking like this, would you, Mr. Baldwin?
00:05:40 >> No, but--
00:05:41 >> That's what I mean.
00:05:42 >> I told you I'm closing up.
00:05:44 >> You told him three times.
00:05:47 >> You don't mind if I shave myself?
00:05:49 >> No.
00:05:50 No, sir, I don't mind at all.
00:05:52 >> Thanks.
00:05:54 Go ahead.
00:05:59 >> I take it you're good friends with Mr. Kimbrough.
00:06:01 >> Do you?
00:06:03 >> Well, looks like you've come a long way to attend his wedding.
00:06:06 >> We've come a long way.
00:06:09 >> Mr. Kimbrough is a very lucky man.
00:06:11 He's marrying up with Miss Lucy Somerton, finest and prettiest young lady in Sundown.
00:06:16 >> Sounds like you think mighty highly of him.
00:06:18 >> Oh, yes, I certainly do.
00:06:20 >> A lady like that's making a big mistake marrying a man as rotten as Tate Kimbrough.
00:06:27 >> I figured out now we ain't friends with Mr. Kimbrough.
00:06:30 >> You shouldn't talk like that about Mr. Kimbrough.
00:06:36 Thank you, Mr. Somerton.
00:06:39 >> Oh, Bart, Mr. Somerton here is Lucy's papa.
00:06:43 >> Yeah?
00:06:46 That's a shame.
00:06:54 [Laughter]
00:07:09 >> Good morning, Mr. Somerton.
00:07:12 >> Good morning, Doctor.
00:07:14 >> How's Lucy feeling today?
00:07:16 >> Both the Somertons are enjoying excellent health, I'm happy to say.
00:07:19 >> Well, I wasn't inquiring about her health.
00:07:22 >> Being a physician, that should be your only concern.
00:07:42 >> Honey?
00:07:44 Ruby?
00:07:46 >> I was just watching Mr. Somerton ride down the street in his fine buggy.
00:07:50 >> Of course you made sure that he saw you.
00:07:53 >> He saw me.
00:07:56 Imagine he must be a little upset having that Bible-quoting justice of the peace perform the ceremony instead of the Reverend Peterson.
00:08:04 >> It can just be that the Reverend's out of town and can't do anything.
00:08:17 >> Oh, Tate, you're making a mistake.
00:08:20 You still need me.
00:08:22 >> I never needed anybody.
00:08:24 >> Everybody's got to need somebody.
00:08:27 You must think you need Lucy Somerton.
00:08:29 >> I'm marrying Lucy because I love her.
00:08:33 >> You love me.
00:08:36 But you never married me.
00:08:39 >> Oh, it's different between you and me.
00:08:41 You know that.
00:08:43 >> Yes, I guess I know.
00:08:46 >> It would be embarrassing for Lucy if you stayed in town.
00:08:50 >> I'm leaving sundown tonight.
00:08:52 I wouldn't want to embarrass Mrs. Kimbrough.
00:08:56 >> Honey, you really are something.
00:09:00 >> I have to change for the wedding.
00:09:05 >> You can't go to the wedding.
00:09:08 >> Now listen to me, Tate.
00:09:09 I never crowded you.
00:09:11 You know I always thought that someday you'd marry me.
00:09:13 I've given you more than any woman should ever give a man.
00:09:17 Even though things haven't worked out the way they should, I've got to be there.
00:09:21 >> You're a man, Lucy, and a father to everybody else in town but us.
00:09:24 >> That's not the reason.
00:09:25 I've got to be there for me, Tate.
00:09:26 Don't you understand? For me.
00:09:30 Maybe if I see you getting married, it'll be easier for me to understand that now you belong to somebody else.
00:09:38 >> Ruby.
00:09:42 Do me one last favor, will you?
00:09:45 Don't sit in the front pew.
00:09:49 [door opens]
00:09:51 >> That sure is a good eating house down there on the corner.
00:10:11 >> These horses need food more than we do.
00:10:13 Where's the stable?
00:10:14 >> Right down there a stretch.
00:10:18 [door closes]
00:10:20 >> Hey, Doc, come in here and give me a hand, will you?
00:10:36 >> Yeah, sure.
00:10:38 >> You want to buy some feed for our horses, mister?
00:10:45 >> You'll have to talk to Abe about that.
00:10:47 He's in here.
00:10:49 >> I ain't wore these boots in five years.
00:10:55 My feet must have grown some.
00:10:57 >> Horse.
00:10:58 >> Oh, who are you?
00:10:59 >> Want to buy some feed for our horses.
00:11:01 >> How many you got?
00:11:02 >> Two.
00:11:03 >> Much obliged, Doc.
00:11:06 Give me 50 cents and help yourself.
00:11:13 >> I can't go to church smelling like a horse.
00:11:16 Try some of it.
00:11:17 It's real sweet smelling stuff.
00:11:19 >> Yeah.
00:11:20 >> You figure on staying in Sundown for any length of time?
00:11:23 >> We could.
00:11:25 >> You know, there's a lot of folks around here that ain't interested in seeing you rebel.
00:11:30 >> The war is over.
00:11:31 >> I bet you still got plenty of folks down in Texas that think the war is still going on.
00:11:35 >> What makes you think we're from Texas?
00:11:37 >> From your talk, I sure didn't think you was Yankees.
00:11:39 What brings you two fellas to Sundown?
00:11:41 >> Take Kimbrough.
00:11:42 >> Oh, mighty fine fellow, Mr. Kimbrough.
00:11:45 Sure nice you got here in time for his wedding.
00:11:47 Well, come on, Doc.
00:11:49 We'll walk over to the church together.
00:11:51 >> I'm not going.
00:11:52 >> Sometimes you take things too serious.
00:11:55 >> I don't think so.
00:11:56 >> Well, it's up to you.
00:12:08 >> Something bothering you, mister?
00:12:11 >> Were you afraid that Mr. Kimbrough wouldn't like it if you weren't in time for his wedding?
00:12:17 Some folks around here figure that Sundown doesn't need any more of Tate Kimbrough's friends.
00:12:36 We ain't interested in what some folks around here figure.
00:12:41 We ain't interested in what some folks around here figure.
00:12:46 [music]
00:12:49 [music]
00:12:52 [music]
00:12:54 [music]
00:13:06 [music]
00:13:08 [music]
00:13:10 [music]
00:13:12 [music]
00:13:14 [music]
00:13:16 [music]
00:13:18 [music]
00:13:20 [music]
00:13:22 [music]
00:13:24 >> Sheriff, I was shaving Mr. Somerton when these two men came into my shop.
00:13:28 One was the fella I saw hanging around town a couple days ago.
00:13:31 The other one I never saw before.
00:13:33 >> What about him?
00:13:34 >> I don't like their looks.
00:13:35 Especially the one I never saw before.
00:13:37 The nerve of him talking about Tate Kimbrough like he did.
00:13:40 I tell you, Sheriff, he's a bad one.
00:13:42 >> What are you going to do?
00:13:43 >> Nothing he can do.
00:13:45 He ain't broke any laws.
00:13:47 >> But he said that Tate Kimbrough was--
00:13:48 >> Mr. Craninger just stated an opinion.
00:13:50 Now you can't arrest a man for having an opinion.
00:13:53 Can you, Sheriff?
00:13:55 Good morning, gentlemen. What'll you have?
00:14:01 [music]
00:14:05 >> You got anything to eat?
00:14:07 >> Restaurant right down the street, but it's closed.
00:14:09 >> Two whiskers, then.
00:14:11 >> Money's no good today, mister.
00:14:13 All the drinks are on Tate Kimbrough.
00:14:15 >> We're paying for our drinks.
00:14:18 >> There's no charge.
00:14:20 >> If you don't mind, we'd like to pay.
00:14:24 >> Give him back his money, Otis.
00:14:28 [footsteps]
00:14:30 >> That sign means what it says, mister.
00:14:39 >> So do I, Sheriff.
00:14:42 >> Otis, make sure everybody's got a full glass.
00:14:52 [footsteps]
00:14:54 >> The good health of Mr. and Mrs. Tate Kimbrough.
00:15:07 [footsteps]
00:15:15 [glass clinks]
00:15:19 [glass clinks]
00:15:21 [footsteps]
00:15:27 [clears throat]
00:15:29 >> Sheriff, I'd sure appreciate it if you get my money out of there,
00:15:53 and get off and put it back on the bar.
00:15:56 >> Better hurry, Sheriff.
00:16:00 I don't think Mr. Kimbrough would like you to miss his wedding.
00:16:03 >> Mister, you're figuring to stay on and sundown.
00:16:10 You're making a big mistake.
00:16:12 [door slams]
00:16:14 [footsteps]
00:16:16 [footsteps]
00:16:22 [footsteps]
00:16:24 >> Otis, the Sheriff left you a message,
00:16:27 but my friend and I'd like these drinks before we leave.
00:16:30 >> That's all right. You go right ahead. You paid for your drink.
00:16:33 [footsteps]
00:16:37 [liquid pouring]
00:16:40 [footsteps]
00:16:44 [footsteps]
00:16:47 [footsteps]
00:16:49 [glass clinks]
00:16:55 [footsteps]
00:16:58 [footsteps]
00:17:06 >> Otis, I think I will have that drink.
00:17:13 [glass clinks]
00:17:17 On me.
00:17:19 [glass clinks]
00:17:25 [footsteps]
00:17:28 [music]
00:17:31 >> Doc?
00:17:35 >> Hello, Ruby.
00:17:37 >> Do me a favor.
00:17:39 Ride with me to the church.
00:17:41 >> Well, I wasn't planning on going.
00:17:43 >> Please.
00:17:45 [music]
00:17:47 >> All right, Ruby.
00:17:50 [music]
00:17:53 [music]
00:17:57 [music]
00:18:01 [music]
00:18:05 [music]
00:18:09 [music]
00:18:13 [music]
00:18:15 [music]
00:18:19 [footsteps]
00:18:23 >> I sure never expected Morley Chase and the Seacross Boys at the wedding.
00:18:31 >> Something wrong, Barber?
00:18:39 >> Oh, no, no, no, Mr. Chase.
00:18:42 It's just that...
00:18:43 >> Just that what?
00:18:44 >> Well, none of us figured on seeing you here.
00:18:46 Our kind of view and taste ain't exactly friends.
00:18:49 >> Well, why not? I ain't no different than the rest of you boys.
00:18:52 You know we all feel the same about the groom.
00:18:55 [music]
00:18:57 >> Oh, oh, oh, oh. The day's full of surprises.
00:19:03 [music]
00:19:05 >> What's she doing with him?
00:19:10 [music]
00:19:12 [music]
00:19:27 [music]
00:19:29 >> Make way for Mr. Kimbrough. Come on, now, make way for Mr. Kimbrough.
00:19:44 All right, everybody, stand aside and make way for the bridegroom.
00:19:48 [music]
00:19:51 [music]
00:19:53 >> Good morning, Mr. Kimbrough.
00:20:01 >> Good morning, Zeke.
00:20:02 >> All right, folks, everybody inside.
00:20:04 Men, leave your guns in the vestibule.
00:20:07 [music]
00:20:10 [music]
00:20:12 >> Oh, good morning.
00:20:28 Good morning.
00:20:30 [music]
00:20:32 >> I ain't never been to no wedding, even yours.
00:20:42 >> You stay here.
00:20:44 >> I'll barge.
00:20:45 [music]
00:20:49 [music]
00:20:52 [music]
00:20:55 [music]
00:20:57 [music]
00:21:22 [clears throat]
00:21:24 Dear brethren, we're gathered together on this...
00:21:27 Sheriff, we shouldn't proceed with the ceremony with you totin' to God.
00:21:32 You have a gun.
00:21:42 Take it.
00:21:44 [clears throat]
00:21:49 Dear brethren, we're gathered here together on this glorious day...
00:21:52 to unite Lucy Somerton and Tate Kimbrough in holy matrimony.
00:21:57 Oh, friends, before I begin the ceremony, there's a question here has to be asked.
00:22:03 Now, is there any man here who knows any reason why these two dear people should not be married?
00:22:09 If so, let him speak or forever hold his peace.
00:22:11 Lucy Somerton...
00:22:12 >> Hold it.
00:22:15 Well, now, look here. Everybody's welcome as long as they leave their gun in the vestibule...
00:22:19 and they ain't got enough whiskey in 'em to make 'em troublesome.
00:22:21 >> You said if anybody had any objection to this wedding, to speak up. That's what I'm doing.
00:22:25 >> We're not interested, stranger.
00:22:27 >> Kimbrough, we never laid eyes on each other before today, and we are not strangers.
00:22:31 Think back to Sabine Pass and a girl named Mary.
00:22:35 >> I never heard of Sabine Pass.
00:22:38 >> Lyin' ain't gonna help you none.
00:22:41 >> Swede, get that man out of here so we can go on with our wedding.
00:22:45 Stay where you are.
00:22:46 >> You better leave town if you want to stay in one piece.
00:22:54 >> I'll leave when I finish what I came for.
00:22:56 >> Well, whoever you are and whatever you came for, you're not going to stop this wedding.
00:23:00 >> The name's Allison, miss. Bart Allison.
00:23:02 If you marry this man, you'll be a widow by sundown.
00:23:05 You, take this money down to the preacher.
00:23:13 >> Thank you.
00:23:14 >> A good gracious, what's this for?
00:23:23 >> Maybe I just done you out of a wedding fee, so you can keep that money for performing Kimbrough's funeral services.
00:23:28 You men sit down and stay quiet.
00:23:34 [ Music ]
00:23:36 >> Wait!
00:23:50 Wait!
00:23:51 Around the corner!
00:24:11 [ Music ]
00:24:14 [ Gunshots ]
00:24:17 [ Music ]
00:24:20 [ Gunshots ]
00:24:21 [ Music ]
00:24:25 [ Music ]
00:24:28 [ Music ]
00:24:31 [ Music ]
00:24:33 [ Music ]
00:24:43 [ Music ]
00:24:49 [ Music ]
00:24:56 [ Music ]
00:24:58 [ Gunshots ]
00:25:04 >> You should have killed that fellow when he passed us on the street instead of there in church.
00:25:07 >> I didn't kill him.
00:25:09 >> Then what is all the fuss about?
00:25:11 >> I just told him I was going to.
00:25:13 [ Gunshots ]
00:25:15 >> You just stood up there in church, told Kimbrough you was going to kill him.
00:25:25 Bart, you must be going crazy.
00:25:27 >> I'm doing this my own way, Sam.
00:25:29 For three years I've hunted Kimbrough, but he didn't know it.
00:25:32 Before I settle with him, I want him to know he's being hunted.
00:25:35 [ Gunshots ]
00:25:39 >> You ain't hunting him no more.
00:25:43 He's hunting you.
00:25:45 [ Gunshots ]
00:25:47 [ Music ]
00:25:49 [ Gunshots ]
00:25:55 >> They're holed up in Abe's livery stable.
00:25:57 >> Now don't worry, Tate. They ain't going nowhere.
00:25:59 We got that whole stable covered, front and back.
00:26:01 Seeing as how I'm your best man and got the ring, I figured I ought to get back so we could get on with the wedding.
00:26:06 >> You've done the right thing, Sheriff.
00:26:08 Now if everybody will go back inside, we'll proceed with the ceremony.
00:26:10 >> I can't have a wedding without a bride.
00:26:12 >> Lucy!
00:26:16 [ Bell Ringing ]
00:26:23 >> Charlie, I expect you to have Lucy back here at the church by 12 o'clock.
00:26:28 >> I don't think we ought to go ahead with this wedding until this man, Allison, is behind bars.
00:26:32 >> Don't worry about it.
00:26:34 >> I should think you'd be worried about him. He said he was going to kill you.
00:26:36 >> He's not going to kill me.
00:26:38 Allison's not the first man that's had that thought in mind.
00:26:40 >> It's more than just a thought, that one.
00:26:42 >> I told you not to worry about him, Charlie.
00:26:44 I expect Lucy back here by 12 o'clock.
00:26:52 >> I want you to get him now.
00:26:54 >> He won't come, Al.
00:26:56 We can't get in there and get him without somebody getting shot up.
00:26:58 >> I pay you and the boys real good, Swede.
00:27:00 If I didn't think a little gunplay would come up from time to time, you wouldn't be worried.
00:27:03 >> He won't stay holed up forever. As soon as he makes his move--
00:27:05 >> You haven't got forever.
00:27:07 I don't care how you do it.
00:27:09 You've got exactly one hour to take care of Mr. Allison.
00:27:11 I'll be at the hotel.
00:27:13 >> I wouldn't pass by the stable on the way.
00:27:15 The law will not get there.
00:27:17 >> T, is there anything I can do?
00:27:21 >> No.
00:27:23 >> How long has it been since you've handled a gun?
00:27:25 >> Gracious, not since the fracas up in Denver.
00:27:28 I, uh, I don't like guns much.
00:27:31 >> Mm-hmm. I figure as.
00:27:33 >> Well, Rubin, looks like the wedding's been called off.
00:27:42 For a while, anyway.
00:27:45 [music]
00:27:47 >> I thought it showed the nerve he cussed, wasn't he, Doc?
00:27:57 >> Yeah, it's, uh, too bad he didn't use a little common sense along with his nerve.
00:28:01 >> What do you mean?
00:28:03 >> Well, now he hasn't got a chance of accomplishing what he came here for.
00:28:13 >> Herb, you and Pete get up above that Eaton house.
00:28:17 Unless one of them shows his face,
00:28:19 you just keep shooting at that window near his Spanish when he makes his move.
00:28:22 [music]
00:28:50 >> Allison!
00:28:52 Unless you and your partner want to die in that stable,
00:28:55 you throw out your guns and come on out.
00:28:57 >> I ain't ready yet.
00:28:59 When I am, I'll be coming out the same time my gun does.
00:29:02 >> If you don't come out, we're coming in.
00:29:06 >> You sure I'd be making a big mistake?
00:29:08 [gunshots]
00:29:12 [music]
00:29:14 >> There ain't no way they can get at us from the rear.
00:29:37 [gunshots]
00:29:40 [music]
00:29:43 [gunshots]
00:29:46 [music]
00:29:49 [gunshots]
00:30:17 [gunshots]
00:30:19 >> Fire!
00:30:26 [gunshots]
00:30:28 >> That fellow seemed awful anxious to come in here, so bring him in.
00:30:33 >> Where are you going, Doc?
00:30:44 >> I figured I'm going to need it.
00:30:47 >> Come on in.
00:30:52 Fix him up.
00:30:57 >> A lot of people hoped this would be more serious, Spanish.
00:31:04 >> Including you, Doc?
00:31:06 >> A man takes a hand in something that's no concern of his, he ain't usually so lucky.
00:31:10 >> Take your hand away.
00:31:13 Here, bite.
00:31:15 Stand up, Spanish.
00:31:25 [footsteps]
00:31:27 [coughs]
00:31:43 Ain't it lucky you brought the iodine dye?
00:31:51 Now you just go on about your business and tell everybody else to do the same.
00:31:54 This here thing's between Kimbrough and me.
00:31:57 >> You had your chance to kill Tate.
00:32:02 You won't live long enough to get another.
00:32:05 Come on, Spanish.
00:32:08 >> You'd better move along too now, Doc.
00:32:14 >> Spanish is right, Allison.
00:32:16 It's a pity, but when a man has been on revenge, he has a one-track mind.
00:32:20 He seldom accomplishes what he sets out to do.
00:32:23 >> You sound like you wouldn't mind seeing Kimbrough killed yourself, Doc.
00:32:27 >> No, I guess I wouldn't.
00:32:29 I don't believe in violence, but maybe that's the only way Sundown can get rid of Tate Kimbrough.
00:32:34 >> What'd he do to you?
00:32:36 >> Never did anything to me, personally.
00:32:39 After the war, I came out west to set up practice.
00:32:43 I fell in love with Sundown the first time I saw it.
00:32:46 After I got to know the people, I fell in love with them too.
00:32:49 When Kimbrough came to town a couple of years ago, things changed.
00:32:53 People changed.
00:32:55 I don't imagine I have to tell you how it feels to see something you love destroyed.
00:33:01 Who's Mary?
00:33:03 >> She was Bart's wife.
00:33:05 >> You got what you came in here for.
00:33:11 Now get.
00:33:14 [♪♪♪]
00:33:16 >> Bart, when you told me to check Sundown for a fella named Tate Kimbrough,
00:33:31 you didn't tell me you was aiming to kill him because of Mary.
00:33:35 >> Now you know.
00:33:37 >> Yeah.
00:33:41 [♪♪♪]
00:33:43 >> I'm sorry I drove off and left you, Dad.
00:34:01 >> I know you were terribly upset.
00:34:04 >> First that woman has the colossal gall to show up at my wedding,
00:34:08 and then that beast of a man interrupts the whole thing
00:34:11 and tells me I'll be a widow before the day's over.
00:34:14 >> I was there, dear. I know what happened.
00:34:17 >> And do you know what happened in Sabine Pass and about a woman named Mary?
00:34:21 >> You know I don't.
00:34:23 >> Well, I haven't heard any shooting for a few minutes.
00:34:27 Maybe that means they've gotten him.
00:34:29 >> No, he's holed up in the livery stable.
00:34:31 He won't come out, and nobody will go in to get him.
00:34:34 >> Darling, Tate expects you to be at the church at noon.
00:34:38 Will I tell him you'll be there?
00:34:40 Now, now, in spite of everything that's happened,
00:34:43 I see no real reason why you shouldn't go through with the wedding.
00:34:47 Lucy, I have to tell Tate something.
00:34:52 >> Well, when I've made up my mind what I'm going to do, I'll tell him myself.
00:35:02 [♪♪♪]
00:35:05 [GUNSHOT]
00:35:10 [GUNSHOT]
00:35:22 [♪♪♪]
00:35:25 [GUNSHOT]
00:35:34 >> One shot at those Texans every half hour ain't getting us no place.
00:35:39 I'll bet Tate's really fuming having his wedding held up like this.
00:35:45 >> Now, you get this straight.
00:35:49 I pay you a notch higher than the rest, so I expect more from you.
00:35:52 >> You pay for my services, Tate, but you haven't got enough money to buy my life.
00:35:55 A man can't start in that stable without getting himself killed.
00:35:58 >> Spanish is still alive.
00:36:00 >> How about it, Spanish? You willing to try again?
00:36:03 Not alone, but I'll try it again if you side me, sweet.
00:36:08 >> Well, what about it, sweet?
00:36:10 >> Well, Spanish has never been too bright.
00:36:13 Maybe he doesn't mind getting a belly full of lead, but I do.
00:36:16 >> Maybe he isn't too bright, but he don't look like he scares as easy as you'll go.
00:36:20 >> I'm not scared, Tate. I'm just using good sense.
00:36:23 >> He's right, Tate. All you have to do is wait.
00:36:26 >> You'd like that, wouldn't you?
00:36:28 Well, I'm not going away.
00:36:30 So, sweet, stop telling me how much sense you got...
00:36:34 and start living up to that reputation you've been bragging about.
00:36:37 Now go on down there and blast him out of that hole and stop acting like a scared kid.
00:36:40 >> You know, that last part could go for you, too.
00:36:44 Maybe you're not scared enough for the right people.
00:36:46 >> Well, if you're in such a hurry to take care of him, why don't you go tackle the job yourself?
00:36:50 [knock on door]
00:36:51 >> Come in.
00:36:53 >> Tate, I don't...
00:36:56 >> You know what, Charlie?
00:36:58 >> Well, I...
00:36:59 >> Yes, Charlie?
00:37:01 >> I doubt very much if Lucy will go through with the wedding.
00:37:05 That is, at least until this man, Allison...
00:37:06 >> There's no reason for Lucy to concern herself about Allison.
00:37:09 >> I think there is.
00:37:10 This widow-by-sundown thing is hardly a happy thought for a girl to have on her mind...
00:37:14 when she's taking her marriage vows.
00:37:16 >> Well, I don't suppose it is.
00:37:18 I don't think Allison can be feeling quite as sure of himself as he did when he sounded off at the church.
00:37:23 He must realize he'll never get out of that stable alive.
00:37:26 Now, if I was in his spot, I'd jump at a chance of riding out of this town in one piece.
00:37:32 Wouldn't you, Charlie?
00:37:33 >> I certainly would.
00:37:35 >> So you go on down and give him that chance.
00:37:38 >> Me? Why me?
00:37:40 >> I don't want the rest of the town to think that I'm willing to let him go...
00:37:43 after that threat he made this morning.
00:37:45 And of course, Charlie, I couldn't go into the stable and tell him myself.
00:37:50 I think you can understand that.
00:37:52 >> Well, of course, but...
00:37:54 How about Swede here?
00:37:55 >> Swede, go down and tell the boys to hold that fire in case Allison agrees to accept Mr. Somerton's offer.
00:38:01 >> Are you willing just to let him ride out, Tate?
00:38:07 >> Sure.
00:38:08 >> What's worrying you, Charlie?
00:38:27 >> Well, I... I...
00:38:28 Well, this puts me in an awkward position.
00:38:31 >> Well, what about me?
00:38:33 A thing like this can start barreling.
00:38:35 Start people talking.
00:38:36 Once Allison is out of the way and Lucy and I are married...
00:38:40 the talking will taper down and things will drop right back into normal.
00:38:44 >> You wouldn't want anything to change, would you, Charlie?
00:38:48 >> No, no, I guess not.
00:38:50 >> You and I have always understood one another, haven't we, Charlie?
00:38:54 >> Well, at least I have always understood you.
00:38:57 I'll speak to her.
00:39:00 >> Let's do it.
00:39:01 >> Well, I'll be.
00:39:19 Next to Kimbrough, that's about the last fellow I'd figure on coming to pay us a visit.
00:39:25 [footsteps]
00:39:27 >> Allison!
00:39:37 Mr. Allison, I'd like to speak to you.
00:39:43 >> Then start.
00:39:45 >> I'd rather come inside.
00:39:52 I can hear you just fine from where you are.
00:39:54 >> You must realize you men are trapped in there.
00:40:00 Unless you forget that foolish threat you made at the church.
00:40:03 >> I ain't going to.
00:40:04 >> Then you're a complete fool.
00:40:06 >> That ain't no way to talk to a man who saved your daughter from making an awful mistake.
00:40:10 >> I came down here to offer you a chance to ride out of Sundown.
00:40:15 The sheriff is willing to let you leave town.
00:40:18 >> You mean Kimbrough's willing, don't you?
00:40:21 >> I can't much blame him.
00:40:22 You go on back and tell Kimbrough we're staying.
00:40:25 >> Be reasonable, man.
00:40:26 Save your life and ride out of town.
00:40:29 You'll be better off than when you rode in.
00:40:31 >> How would we?
00:40:32 >> Be very blunt, I'll make it worth your while.
00:40:35 >> How much?
00:40:37 >> Five hundred dollars.
00:40:40 >> That ain't very much money for three years' work.
00:40:45 We got a lot of traveling expenses tied up in Kimbrough.
00:40:50 Hey Bart, how do you like this father offering money to save Kimbrough's skin so his daughter can marry up with him?
00:40:55 Lucy always looked like a pretty good looking girl to me to have her father going around trying to buy her a husband.
00:41:02 >> I'm not trying to buy my daughter a husband.
00:41:05 >> Don't know what else you could call it, Somerton.
00:41:07 [ Music ]
00:41:29 >> Charlie!
00:41:31 [ Music ]
00:41:58 >> Bart, I think you've done a fool's thing.
00:42:00 After all that searching around, it seems like you'd have been satisfied to just kill him on sight.
00:42:05 >> Even a rattler gives a warning.
00:42:07 >> Yeah?
00:42:09 Well, if they gave as much advance notice as you're giving that Kimbrough, rattlesnakes would be as out of date as them dinosaurs.
00:42:15 What time do you figure it to be?
00:42:21 >> Sun's throwing a pretty good shadow now.
00:42:22 Must be now into two.
00:42:24 >> My old belly's growling like a trapped bear.
00:42:28 Bart, I think you ought to have snapped up Somerton's offer.
00:42:32 >> There ain't nothing to stop you from picking him up on it, Sam.
00:42:36 >> Ah, well, probably both be as dead as a pole beef by supper time anyway.
00:42:42 I sure ain't hankering to try and argue my way past old St. Peter on an empty stomach.
00:42:48 >> Allison!
00:42:50 The offer still stands, but it ain't going too much longer.
00:42:55 If you're smart, you'll ride out of town while you got the chance.
00:42:58 >> Sweet!
00:43:07 >> Give me another drink, will you, Otis?
00:43:18 >> Me too.
00:43:20 >> Oh, I wish those fellas would hurry up and get out of there.
00:43:24 So I could get in and get my other boots.
00:43:26 These things are killing me.
00:43:28 Hey, Doc! Come and get these things off of me, will you?
00:43:32 >> Yeah, and you can send him a bill for it too, Doc.
00:43:36 >> That Sweet is the shyest sheriff I ever saw.
00:43:52 Look at him. He's been doing nothing but just standing there.
00:43:55 >> There's nothing keeping you from going down there, barber. You're not tied down.
00:43:58 >> It isn't any of my business.
00:44:00 Besides, I wouldn't want to do that, Tate.
00:44:03 If I went down and took care of those two, I'd be showing up our sheriff.
00:44:07 >> Sweet!
00:44:14 You still got your private book on you?
00:44:20 >> I do, Mr. Kimbrough. Never without it.
00:44:22 >> Well, a saloon's no place for a star citizen like you. Come on.
00:44:26 >> Is there something eating you, Doc?
00:44:38 >> No, nothing bothering me, Morley.
00:44:40 This affair's no concern of mine.
00:44:44 [car horn honks]
00:44:45 >> After all that's happened, Lucy needs time to think it over.
00:44:53 >> We've wasted too much time already.
00:44:56 The train pulls out of Silver Springs tonight at 8 o'clock.
00:44:59 Mr. and Mrs. Tate Kimbrough are going to be on it.
00:45:01 >> I wouldn't count on that if I were you.
00:45:03 >> But I am counting on it, Charlie.
00:45:05 The only changes we're making in our plans is getting married here instead of the church.
00:45:10 [music]
00:45:11 >> Now, honey, hasn't this gone far enough?
00:45:22 When we decided to get married, I didn't think it'd be necessary for me to chase after you anymore.
00:45:28 Come to think of it, Lucy, it wasn't me did the chasing.
00:45:33 >> You don't have to remind me of that, Tate.
00:45:37 I'm really no different than Ruby, am I?
00:45:39 >> You must be. I never asked Ruby to marry me.
00:45:42 >> And what about Mary?
00:45:45 >> I never asked her either.
00:45:47 You know, there are some girls a man gets to know pretty well without having to ask them anything.
00:45:52 >> How well did you get to know Mary?
00:45:54 >> Oh, well enough never to consider marrying her.
00:45:56 Lucy, I never pretended to be a saint.
00:46:00 And you never tried to pass yourself off as a wide-eyed innocent.
00:46:05 You knew about Ruby and me and...
00:46:07 >> Tate, why does this man want to kill you?
00:46:13 >> Maybe it's because he doesn't understand women the way that I do.
00:46:16 Lucy, I promise you when you wake up tomorrow morning, you won't be a widow.
00:46:20 You'll be a very happy and content Mrs. Tate Kimbrough.
00:46:23 Now forget all about this fellow.
00:46:25 >> I can't, Tate.
00:46:27 [music]
00:46:29 [music]
00:46:48 >> Afternoon, Lucy.
00:46:50 >> May I come in?
00:46:52 >> Paul sends you here.
00:46:54 >> Why should my father ask me to come here?
00:46:58 >> Well, he might have figured you'd have a little better luck than he did.
00:47:01 >> What are you talking about?
00:47:03 >> Come on in.
00:47:05 Your Paul offered to pay us to leave town.
00:47:12 >> I don't believe you.
00:47:14 >> It's true.
00:47:16 Maybe your father's more interested in having this wedding come off than you are.
00:47:21 >> Look, I'm marrying Tate Kimbrough because I want to, not because my father or anyone else wants me to.
00:47:27 >> You're a stubborn gal.
00:47:28 I was hoping you'd stop by to thank me.
00:47:31 >> Thank you for embarrassing me in front of the whole town?
00:47:34 >> I did you a favor, Lucy, and it won't take long to get over your embarrassment.
00:47:37 >> And how long do you think it'll take you to get over the fact that Tate once took a woman away from you?
00:47:41 >> I'd expect Kimbrough to explain it to you that way.
00:47:44 >> Well, what other way is there to explain it?
00:47:46 Instead of putting all the blame on Tate,
00:47:48 why aren't you big enough to admit that whatever happened was just as much and probably more your fault than anyone else's?
00:47:54 Just because your girl liked the way Tate looked doesn't give you the right to kill him.
00:47:57 >> I don't suppose he bothered to tell you that that girl was my wife.
00:48:01 >> Well, does even that give you the right to kill him?
00:48:09 Listen, when you're in love the way you must have been, the truth isn't an easy thing to face up to.
00:48:15 No man, including Tate Kimbrough, can take another man's wife away from him unless she wants to be taken.
00:48:22 So maybe you didn't lose anything that was really very worthwhile.
00:48:24 >> Bart, I was just thinking.
00:48:47 >> Well?
00:48:50 >> That little girl had a point.
00:48:52 >> Did I hear you right?
00:48:56 >> If I'd known you was hunting Kimbrough because of Mary, I'd have tried to stop you from coming here.
00:49:03 Bart, I got to tell you something about Mary.
00:49:09 She wasn't the girl you thought she was, and Tate Kimbrough, he wasn't the first man...
00:49:17 [gunshot]
00:49:18 >> Sheriff, that offer of yours still go?
00:49:26 >> It's about time you started showing some sense.
00:49:29 >> Doesn't that doonit still go?
00:49:31 >> It does.
00:49:33 >> Then my partner's coming out.
00:49:35 >> I'm staying.
00:49:37 >> Get your horse, Sam, and get moving.
00:49:39 >> I ain't leaving, Bart.
00:49:41 >> I told you to get moving.
00:49:46 >> I won't need my horse just to go across the street to get something to eat.
00:49:50 I'm going to that restaurant, then I'm coming back.
00:49:55 [gunshot]
00:49:56 >> Hold it!
00:50:18 Drop your gun, Bert.
00:50:20 Drop your gun, Bert.
00:50:21 >> Anybody home here?
00:50:43 Franco!
00:50:45 Jose!
00:50:47 Guadalupe!
00:50:49 Maria!
00:50:50 >> Maureen.
00:50:55 >> Maureen.
00:50:59 I was going to have some enchiladas, but maybe I better make it Irish stew, huh?
00:51:06 >> Well, you can have anything you want.
00:51:09 >> Well, bring the eggs.
00:51:11 Lots of them.
00:51:13 Maureen.
00:51:16 Maureen.
00:51:17 >> I think you made a mistake trusting the sheriff, Sam.
00:51:22 >> I've made a lot of mistakes in my time, Doc.
00:51:25 One more ain't going to hurt much.
00:51:27 >> What happened between you and your friend?
00:51:31 >> I got this from trying to tell him the truth.
00:51:36 >> Sometimes the truth can be mighty painful.
00:51:39 >> Yeah.
00:51:42 >> Either way, maybe you can't convince a man like him about something he just don't want to know about.
00:51:47 You knew Mary.
00:51:49 >> Here, this ought to hold you for a while.
00:51:56 >> Oh, fine, fine.
00:51:57 I don't know whether to gulp it right down or just let it sit there and admire it.
00:52:03 >> Well, I always figured I could go for a man as uncertain as him.
00:52:10 >> Looks like it's been a long time between you. Want some more coffee?
00:52:12 >> Mm-hmm.
00:52:13 >> You did know Mary.
00:52:24 >> I knew her.
00:52:26 Maybe I should say I knew more about her.
00:52:29 >> She was no wife for Bart Allison, Doc, or no other man.
00:52:33 >> Beautiful, though. Beautiful as the springtime.
00:52:37 >> Wild.
00:52:38 >> Wild.
00:52:39 The way I figure it, Kimbrough must have been one of the last fellows she got a hankering for.
00:52:48 Anyway, about a week before Bart got back from fighting the war, she killed herself.
00:52:55 On account of the way she was, I guess that's all she could do.
00:53:00 >> So now Allison's taking out all of his hate on one man.
00:53:05 >> He don't figure there was ever anybody else.
00:53:08 Doc, I'm going back over there and tell Bart about this whole mess if I have to hit him over the head and tie him up.
00:53:13 There ain't no more men like Bart Allison.
00:53:16 I ain't gonna let him kill him over the likes of Mary.
00:53:19 >> I don't think they're gonna let you back in there.
00:53:21 >> Oh, sure they will.
00:53:22 We'll get on our horses and we'll ride out of this town and maybe even start living like a man's supposed to.
00:53:27 >> What man knows how a life should really be lived?
00:53:30 >> Yeah, he'll know.
00:53:31 He'll know as soon as he gets the memory of that woman out of his craw, he'll know.
00:53:37 >> Well, food's on me, Sam.
00:53:38 >> Thanks, Doc.
00:53:39 >> You keep that coffee hot, honey.
00:53:41 I'll be back one of these days.
00:53:43 >> Texas!
00:53:57 Where are you heading?
00:53:59 >> I ain't about to walk back to Texas.
00:54:04 >> No objection to me getting my horse?
00:54:06 >> No, go ahead.
00:54:07 >> Thanks.
00:54:09 >> You better get away from there, Doc, before you get hurt.
00:54:25 >> Doc, Doc, you gotta tell Bart.
00:54:29 Mary was no good.
00:54:33 >> Oh, good.
00:54:34 >> How can you all stand around doing nothing when a man's been murdered right before your eyes?
00:54:46 >> Shut up, Doc!
00:54:47 >> Sweet, sweet Hanson, I'm gonna take you and when I do, you're gonna see me coming.
00:54:53 >> I'll be waiting for you, Allison.
00:54:55 >> And he won't be coming alone.
00:54:57 >> Doc, go on up the street and join the rest of your fine citizens.
00:55:00 >> Allison, Sam wanted you--
00:55:02 >> What do you want? It don't make no difference now.
00:55:04 >> Well, if you'd listen to me, I think it might.
00:55:06 >> I ain't listening no more.
00:55:08 Where I come from, an all man don't shoot an unarmed man in the back, and when he gives his word, you can count on it.
00:55:14 There's liable to be some more shootings for everybody off the street.
00:55:27 If we're only just gonna be spectators to the next killing, we might as well go inside and wait with the others.
00:55:34 Their consciences will rest easier if they don't see what happens to Allison.
00:55:56 Doc, if you'd been tending bars as long as I have, you wouldn't expect so much out of the human race.
00:56:02 Hey, Otis! Come on in here and start pouring some more whiskey!
00:56:07 Another one.
00:56:22 [music]
00:56:24 This is still a saloon, Morley. How about joining me in a drink?
00:56:36 I don't want another drink.
00:56:49 How about you joining me, Mr. Justice of the Peace?
00:56:53 Oh, good gracious, no, no, I haven't touched a drop of whiskey in years.
00:56:57 That's a lot of fun!
00:56:59 Gospel truth, isn't that right, Otis?
00:57:01 You never fool anyone, Zoran. So why don't you drink out in the open the way a man's supposed to?
00:57:14 Take him back here!
00:57:16 Leave him alone!
00:57:17 Let him go.
00:57:18 You had no call to do that. We all knew that Zoran was a drinking man.
00:57:22 I figured it was about time we let him know that we will.
00:57:27 Did you see the old hypocrite's face when I broke his whiskey bottle?
00:57:32 He claims he's going to be a real preacher someday.
00:57:35 I'll bet he'll never dare get back in that pulpit again, even for a while.
00:57:40 You all think that's really funny?
00:57:44 What's the matter with you, Doc?
00:57:47 Why should Zoran be the only man forced to see himself the way he really is?
00:57:52 Why, if we all faced up to the truth, our heads would be hanging lower than his is right now.
00:57:57 How you figure that?
00:57:59 We all heard our fine sheriff offer to let those two men ride out of town unharmed if they'd come out without their guns.
00:58:06 We all saw what happened.
00:58:08 You know dang well he ain't our sheriff, Doc. He's Kimbrough's sheriff.
00:58:11 But he should be ours, Abe. This is our town.
00:58:14 We're responsible for everything good and everything bad that happens in it.
00:58:17 Kimbrough couldn't have changed Sundown if we hadn't helped him.
00:58:20 I ain't never helped Kimbrough.
00:58:21 Well, you've all helped him.
00:58:23 Haven't we, Mr. Morley?
00:58:25 By doing nothing, just like we're doing now.
00:58:28 Sure, Spanish and the sheriff pulled the triggers that killed that Texan.
00:58:33 But we're all guilty, just as guilty as they are.
00:58:37 And unless we do something about it, there's another killing coming up.
00:58:42 You're sure keeping me waiting a long time, Allison!
00:58:45 There isn't anyone here who hasn't lost something since Tate Kimbrough came to town.
00:58:59 If we let this chance pass without doing anything, I doubt that we'll ever get back what we've lost.
00:59:05 I hadn't noticed Mr. Somerton had lost anything, Doc.
00:59:08 He's done pretty well the last couple of years.
00:59:11 Perhaps you hadn't noticed it, but I've lost more than anyone else.
00:59:15 I lost my self-respect.
00:59:18 Where are you going, Lucy?
00:59:27 What's going on in here?
00:59:31 I don't know, Tate.
00:59:33 But whatever it is, I like it.
00:59:37 It wouldn't surprise me, Doc, if you weren't stirring things up a bit.
00:59:41 I've certainly been trying.
00:59:44 I'd stop if I were you.
00:59:49 I've certainly been trying.
00:59:52 I'd stop if I were you.
00:59:56 You know, Mr. Morley?
01:00:09 I think Allison deserves a better chance than his partner got.
01:00:13 What do you think?
01:00:15 I think you're right, Doc. You're just as right as rain.
01:00:19 Old Charlie Somerton ain't the only one that lost his self-respect.
01:00:23 But I aim to do something about getting mine back.
01:00:26 Now, I always figured that our sheriff was a coward unless he had all the odds of going for him.
01:00:31 So, if it's all right with my boys, we'll go over there and just even them odds up a little.
01:00:37 [♪♪♪]
01:00:40 [♪♪♪]
01:00:43 [♪♪♪]
01:00:46 [♪♪♪]
01:00:49 [♪♪♪]
01:00:54 [♪♪♪]
01:01:01 [♪♪♪]
01:01:07 [♪♪♪]
01:01:15 [♪♪♪]
01:01:18 Been waiting for two years for something like this to happen.
01:01:22 Looks like maybe Allison's coming to town was all we needed to get us back in the right track.
01:01:29 All right, up. Up!
01:01:34 Throw it out!
01:01:37 Drop it!
01:01:44 And the belts.
01:01:47 Looks to me, Morley, like you and your Seacross boys are going out of your way to make trouble.
01:01:52 Maybe so, but we just got to figuring that a man's got to draw the line someplace if he's going to go on living with himself.
01:01:59 And that's just what we're doing.
01:02:02 Now, Sheriff, if you want that Texan, you're going to have to take him all by yourself.
01:02:07 Interfering with the law is a pretty serious offense, Morley.
01:02:10 Oh, your boys ain't lawmen.
01:02:13 The fact is, there was pretty decent ranch hands till Kimbrough put his brand on them.
01:02:17 Now, go ahead. Do your duty.
01:02:19 Jack, give the Sheriff back his gun.
01:02:23 Maybe we best get back inside.
01:02:38 Looks like there's going to be some more shooting.
01:03:05 Sweetie, Sam never had a chance to use his gun, and you won't either.
01:03:10 Start walking.
01:03:13 [♪♪♪]
01:03:16 [♪♪♪]
01:03:19 [♪♪♪]
01:03:46 [GUNSHOT]
01:03:49 Doc!
01:04:14 Let's see.
01:04:16 Morley, let's have a look at it.
01:04:18 Looks like I'm going to have to go over to that hotel and pry Kimbrough loose.
01:04:21 In a half an hour, this hand will be so swollen, you won't be able to use it.
01:04:24 Go over there and sit down.
01:04:26 By that time, I'll be finished what I came here for.
01:04:28 Allison, I want you to listen to me.
01:04:30 Sam thought more of you than anyone else in the world.
01:04:32 That's why I wouldn't hurt you--
01:04:34 Sam never hurt anybody in his life, on account of me, he's dead.
01:04:36 It should have been me, but you can't change things by wishing.
01:04:38 Only one--
01:04:40 Or by talking.
01:04:42 Looks like you're doing your job real good,
01:04:44 so don't spoil it by some of your philosophizing.
01:04:47 Doc, if it just so happens I ain't able to bury Sam,
01:04:54 I'd appreciate it if you'd take care of it.
01:04:57 I'll take care of it, Bart.
01:04:59 Thanks.
01:05:01 [♪♪♪]
01:05:08 [thunder rumbling]
01:05:11 Tate, you're gonna be next.
01:05:25 [laughing]
01:05:27 How can you find anything to laugh about?
01:05:29 It's really very funny.
01:05:31 Funny?
01:05:33 Yeah, that a woman like Mary Allison can cause all this commotion.
01:05:35 Take me with you?
01:05:37 I can't.
01:05:39 Please.
01:05:41 I'm not going anyplace.
01:05:43 Tate, you can't meet him in a gunfight. He'll kill you.
01:05:45 Or I'll kill him.
01:05:47 It's sure gonna be one way or the other.
01:05:49 It doesn't have to be that way if you left town.
01:05:51 I'm staying. I got a lot of time and effort in this town.
01:05:54 I had everything my way until Allison came along.
01:05:56 [♪♪♪]
01:05:59 Things aren't gonna be the way you want them any longer, Tate.
01:06:15 They're not afraid of you anymore, don't you understand?
01:06:17 You've lost everything.
01:06:19 As soon as Allison is taken care of,
01:06:21 things will step right back into place.
01:06:23 Then you've lost Spanish and Swede. There's no one left to help you.
01:06:26 The world's full of people like Spanish and Swede.
01:06:29 I just gotta get by Allison.
01:06:31 I'll replace them easy enough.
01:06:33 Please don't try to shoot it out with him.
01:06:35 I gotta.
01:06:37 Why?
01:06:39 Survival to most people means just staying alive.
01:06:41 To me, it means more than that.
01:06:43 There's nothing more important than staying alive.
01:06:45 Ruby, I haven't got time to argue the point with you.
01:06:48 Well, I better start showing my face.
01:06:52 What can you do to have people think that Tate Kimbrough's afraid?
01:06:57 But you are afraid.
01:06:59 But nobody's gonna know about it but me and you.
01:07:07 [INDISTINCT CHATTER]
01:07:19 [INDISTINCT CHATTER]
01:07:23 [INDISTINCT CHATTER]
01:07:26 [FOOTSTEPS]
01:07:29 [FOOTSTEPS]
01:07:58 Why'd you take the sign down, Willis?
01:08:00 Well, the way things was going, I figured...
01:08:02 Put it back up there.
01:08:04 Looks like there's a lot of changes going on today, Tate.
01:08:11 Like, I never saw you carrying a gun before.
01:08:14 I don't like using a gun, but I can if I have to.
01:08:18 We all figured that you'd leave town before you'd face up to Allison.
01:08:21 Thought your boys standing by to help you out.
01:08:24 You mean that's what you were hoping I'd do, don't you?
01:08:27 Why? Probably Allison don't know it,
01:08:30 but he's done this town a lot of good since he come here.
01:08:33 And I just hate to see you get lucky and beat him to draw.
01:08:37 Well, if I do get...lucky...
01:08:41 You'll find out that things haven't changed as much as you think.
01:08:44 But that's why you're wrong.
01:08:46 'Cause no matter what happens between you and Allison,
01:08:49 you're finished and sundown.
01:08:52 We'll see, Molly. We'll see.
01:08:54 As it is mine, Seth, so, Lord.
01:08:57 If you could get that message over to Allison, you'd save me a lot of trouble.
01:09:01 No more orders.
01:09:03 If you're not gonna drink anymore,
01:09:05 why don't you go on outside and get things over with?
01:09:08 I'm in no hurry.
01:09:11 No hurry at all.
01:09:16 ( indistinct chatter )
01:09:19 Mr. Allison, you were right.
01:09:35 You did do me a big favor.
01:09:38 I came here to help you.
01:09:40 You said I ought to thank you for stopping the wedding.
01:09:43 Well, you were right about that.
01:09:45 But you're wrong about going down there now.
01:09:47 Tate's already lost everything.
01:09:49 The town, the power he had.
01:09:51 Me, if he ever really wanted me.
01:09:53 Don't you see, if you go out there and try to kill him--
01:09:56 Lucy, now, you just stay here inside with Doc, where you belong.
01:10:00 ( door opens )
01:10:02 ( door closes )
01:10:05 ( music playing )
01:10:28 ( music playing )
01:10:31 Zorin, your cup finally runneth over.
01:10:50 I guess I can't keep Mr. Allison waiting any longer.
01:10:54 ( music playing )
01:10:57 I close.
01:11:14 ( music playing )
01:11:20 ( music playing )
01:11:23 Hotel orders to pour you a drink.
01:11:33 Allison!
01:11:41 This what you've been waiting three years for?
01:11:44 ( music playing )
01:11:48 ( music playing )
01:11:52 ( music playing )
01:11:55 ( music playing )
01:11:59 ( music playing )
01:12:02 ( music playing )
01:12:27 ( music playing )
01:12:30 ( gunshot )
01:12:35 ( growling )
01:12:39 Oh, Tate, Tate!
01:12:44 I had to do it, Tate. Couldn't let him kill you.
01:12:52 Get up, Kimbrough, and pick up your gun.
01:12:56 Haven't you had enough hate for one day?
01:12:59 If you killed Tate and 300 more, you still couldn't change things?
01:13:03 You were married, but you never had a wife. Do you hear me?
01:13:06 You never had a wife.
01:13:08 How can you get revenge for something you never had?
01:13:12 Get up, Kimbrough.
01:13:15 Stay out of this, Doc.
01:13:18 I can't, Allison.
01:13:20 Sam said he hoped you'd start living the way a man should live.
01:13:23 The only way you can do that is to know the truth.
01:13:26 He tried to live long enough to tell you.
01:13:28 You just heard it from Ruby, and I heard it from Sam.
01:13:31 You're gonna need some patching up before you leave town.
01:13:39 Lucy, get my satchel.
01:13:41 [footsteps]
01:13:44 [music playing]
01:13:58 [chatter]
01:14:02 [music playing]
01:14:05 [chatter]
01:14:08 [music playing]
01:14:12 [chatter]
01:14:15 [music playing]
01:14:18 [footsteps]
01:14:26 [music playing]
01:14:36 [footsteps]
01:14:39 [water running]
01:15:04 [music playing]
01:15:07 Otis, this is a day for a celebration.
01:15:12 Oh, boys, come on back in here, and I'll buy drinks for everybody.
01:15:16 Fill Mr. Allison's glass up first.
01:15:19 [music playing]
01:15:22 I'll pour my drinks myself and pay for my drinks myself.
01:15:30 But, Allison, you've done this town a big service.
01:15:33 We feel that we--
01:15:36 Well, there certainly was no call to do that.
01:15:38 You're an ungrateful cuss, Allison.
01:15:40 If it wasn't for Morley here, you wouldn't be standing drinking that whiskey.
01:15:43 Where I come from, folks don't celebrate or have a big to-do when a man acts the way a man's supposed to act.
01:15:50 Morley, if you'd remembered you were a man before Sweden, Spanish, shot Sam in the back, I'd have--
01:15:56 I'd have joined your celebration.
01:15:59 I'm sorry.
01:16:01 I wish I had remembered sooner.
01:16:04 [glass shattering]
01:16:07 [music playing]
01:16:19 [music playing]
01:16:22 John, we just can't let him ride away.
01:16:38 If it wasn't for him--
01:16:40 Yes.
01:16:41 He changed things for everybody in town.
01:16:44 But, unfortunately, there's nothing we can do for him.
01:16:47 I'll tell you one thing.
01:16:49 None of us will ever forget the day that Bart Allison spent in sundown.
01:16:52 [music playing]
01:16:55 [music playing]
01:16:58 [music playing]
01:17:01 [music playing]
01:17:04 [music playing]
01:17:07 [music playing]
01:17:10 (dramatic music)
01:17:12 [BLANK_AUDIO]