Divka Za Zrcadlem
Transcript
00:01:01But,
00:01:03you're here?
00:01:05-And you have to go there?
00:01:08-But I'll be back soon.
00:01:10-I'll miss you terribly.
00:01:14-I have to, darling.
00:01:18I have to.
00:01:22You know what? We'll make you a braid.
00:01:27To be a beautiful princess.
00:01:41-So.
00:01:43-And do you have to go? -I have to go there, baby.
00:01:45-A kam?
00:01:50-Will you pick up Julinka after school? -Clearly.
00:01:53Won't you give me a kiss?
00:01:57-Don't you need some money? -Yeah, I haven't received my fee yet.
00:02:02To buy something, something for petrol ... Julča needs new shoes.
00:02:06And pay for the camp. -Yeah, yeah ...
00:02:11-What time will you be back? -I don't know.
00:02:13Some evening. When the casting is over.
00:02:17I'll call you, okay? -So yeah.
00:02:18-Hi, hello. -Hi.
00:02:20-Pa pa. -Hello.
00:02:51-I've always wanted to live in the country.
00:02:54You have a very beautiful garden. Everything is blooming here.
00:02:58- It's beautiful here in August.
00:03:01-Do you live in Prague during the school year, Mirka?
00:03:04Unity on campus, right?
00:03:07- That's why we came to see you, comrade.
00:03:09We have good references for you. Your father is a worker,
00:03:13you demonstrate the ability of Marxist understanding,
00:03:15you are politically highly aware. You can guess at the heart of the matter.
00:03:21-Okay, yes. Thank you.
00:03:23Now I would ask Mr. Paul, right there,
00:03:27if you could play Mirek and the others to switch it over
00:03:30again from one to three, right? Thank you.
00:03:35We will prepare ... Action!
00:03:36-The World Student Congress is approaching.
00:03:39People from all over the world will come to the republic.
00:03:43Most of them mean well with our establishment,
00:03:46but some, on the other hand, want to use the roads for unfair purposes.
00:03:51-You are a student of the History of the Workers' Movement and a member of the Communist Party.
00:03:55We need you to help us.
00:03:58-We're looking for someone to keep track
00:04:00among roommates.
00:04:03In a dorm where different things can happen.
00:04:06-I completely, comrades, I understand. It will be a toy for me.
00:04:09I appreciate your interest.
00:04:11-It's good you take it that way. The congress starts in 2 weeks.
00:04:16When you arrive in Prague, you will call this phone number,
00:04:19so we can get in touch.
00:04:22-Okay, stop. Thank you.
00:04:24I will ask the gentleman on the right to leave.
00:04:27Thank you, we will get back to you.
00:04:29And I would ask Mr. Fibich, who has not yet played Mirek,
00:04:34let him take his text.
00:04:59Halo?
00:05:02Hello. -Hello.
00:05:05-I'm hungry. -There is soup in the pot.
00:05:08Maybe it'll still be warm. -You're amazing.
00:05:12-I was worried something happened to you,
00:05:14you had your phone turned off. -Discharged.
00:05:18So what have you been doing all day? -As always.
00:05:23-Will you have wine? -Yeah.
00:05:27-Then tell me a little more what you did?
00:05:30-I cut the grass, strummed the guitar,
00:05:33he read the newspaper and got upset.
00:05:36-Hmm, it's loaded.
00:05:42You wrote? -Not really.
00:05:47-So at least you did your homework with Julinka?
00:05:49-Why? -Come on - why?
00:05:51-He doesn't have one. -As?
00:05:54- But he has a report card. Only ones.
00:05:57-I completely forgot about it! She is amazing.
00:06:01I have to buy her a present tomorrow. So to her.
00:06:05-I think she would appreciate more
00:06:07if you spent a little more time with her.
00:06:11What about your casting? Shouldn't you have decided today?
00:06:15-The producer is pushing for the Hellebrant to play it.
00:06:19I don't think anyone would believe him,
00:06:21that he is a spy. He's not like my father at all either.
00:06:24-It doesn't matter, does it? -Not to me.
00:06:36-Unfortunately, comrade, I didn't buy much.
00:06:38-I, I'm sorry, I completely forgot to tell you yet,
00:06:41that the character Mirka is now so ... guilty.
00:06:48He would need to experience some success, and that's not the case.
00:06:51-Yes, yes ...
00:06:53-Can we? We continue.
00:06:55Action!
00:06:57-Unfortunately, comrade, I didn't buy much.
00:07:01-You see, and you said it would be a toy for you.
00:07:04-But there was complete peace and order on the dormitories,
00:07:07so it occurred to me to go in front of the Congress Palace.
00:07:10-Well, that's a great initiative.
00:07:13-When it's the World Student Congress,
00:07:15so students should be there in the first place.
00:07:17But I stated
00:07:19that no one like the student moves there.
00:07:23-Well, did you talk to anyone there? Or did you hear something interesting?
00:07:26-I did my best,
00:07:28but it was as if people didn't want to talk to me at all.
00:07:30They said wait for relatives or acquaintances.
00:07:33When I started asking more of them, they answered evasively.
00:07:38-Hard to say,
00:07:40sometimes the anti-social elements are quite careful.
00:07:44Do you like music?
00:07:47-Well, so ... I have, I have.
00:07:50-So a jazz orchestra from London has a concert here tomorrow.
00:07:54There will be various tape and decadents.
00:07:57And we need to find out what he's talking about and thinking about.
00:08:02It's in Rudolfinum. -In Rudolfinum?
00:08:04I've never been there before. -No?
00:08:06- Trust me, comrade. I will do everything I can.
00:08:13-What? How do you feel?
00:08:20-Except for the awful replicas he has to say, he's pretty good.
00:08:25-You're authentic. These are from the file.
00:08:28-Do you think anyone about the Bolsheviks is interested today?
00:08:32Especially you young one? You have a completely different world.
00:08:35Which, of course, I do not envy.
00:08:38-They'll be interested because they didn't live in it.
00:08:43-And you're not worried that the movie might sound like that,
00:08:48that you stand up for estébák?
00:08:50-What? Please. So I'm not worried about that.
00:08:55So what do you say to that Hellebrant?
00:08:57Maybe I liked the Mountain one more,
00:08:59what I showed you last week.
00:09:02-He was boring. -Humdrum? At all.
00:09:05This kind of cute guy, such a seducer, isn't it?
00:09:10-I would take him.
00:09:13I think he has talent. And it's different, that's just good.
00:09:19It is different than one imagines.
00:09:22You know how many people jumped on a pretty, nice face
00:09:26before they found out it was a pig bitch?
00:09:30-I know.
00:09:32For example me.
00:09:45-I'm sorry. I'm not in the mood for it today.
00:09:49-Ivan, stop it. So you have to try a little harder, don't you?
00:09:54-Try ... Try ...
00:09:56I already have my teeth full of effort.
00:10:10My life is an effort for life.
00:10:17-Because you don't like each other.
00:10:20Because you quarreled over everything, you don't want anyone here.
00:10:22You live like a badger.
00:10:25-Yes, you are right.
00:10:28Because the people I loved and respected
00:10:31they are already dead.
00:10:34And those who are left are either disputed
00:10:38or they still have the same bullshit about the past.
00:10:42One feels as if he is walking among them
00:10:45from monument to monument. -You talk like an old man.
00:10:49You're not that old.
00:10:51Then write about it! Find something positive about it.
00:10:55-Positive ...
00:11:01I hate that word - positive.
00:11:06You know what? Good night.
00:11:22-But, who's here ... So now I'm curious.
00:11:28The only ones ...
00:11:31Who are you such a genius after ?! -It's after me,
00:11:34I also had ones at the base.
00:11:37-A future rebel and was a nerd? -Yeah, somehow it worked out for me.
00:11:41Genius too.
00:11:43-You're crazy. You're...
00:11:45But it will want some festive breakfast.
00:11:50And I would try the other suit on that colonel.
00:11:52You know, the darker one. I liked him more after all.
00:11:57-Yes what? -Well? What?
00:12:00-I'd put that hat down. -Right. He's stupid.
00:12:03-Not so. -But the suit is great.
00:12:05-Super.
00:12:07We'll just have to lengthen the pants a little.
00:12:11-Yeah. -And doesn't it look very nice in that?
00:12:13I rather thought it would look awful.
00:12:15-It's about Lucerne. He will still have a coat.
00:12:19-Yeah, it's going to work out. -No.
00:12:21Look, try these glasses. -Hm ...
00:12:26-That is great! - That's exactly what my father wore.
00:12:30-Already?
00:12:31And this is really Mirek and Maria? -No, no, these are my parents.
00:12:34I only took that as such a period inspiration.
00:12:37-Try another shirt again. -Yeah.
00:12:43And this is the holiday one, right?
00:12:46-Well, I thought he should go to the theater,
00:12:49or when they go dancing with Maria. And the ministry.
00:12:52Then he would have such a job. -Yeah.
00:12:55-Unfortunately, this one has short sleeves and it stretches a bit in the shoulders.
00:12:59So ... -Well, she's small.
00:13:01You know, to the office like. Otherwise I wouldn't change it much.
00:13:06When his father was a worker, they probably didn't have much money.
00:13:10-Clearly. -Some different.
00:13:16Um, not this. No, she's stupid.
00:13:22I do not know. I have nothing there ...
00:13:27-I can't imagine
00:13:29that an actress would exhibit here in front of the director like this.
00:13:33-Yeah, you'd be surprised. -Yeah?
00:13:36-Sorry, I didn't think of that.
00:13:38Of course, I wasn't watching anything.
00:13:41-I didn't monitor anything either.
00:13:43So you can probably dress up. -Yeah, yeah ...
00:13:46-We'll do one more test.
00:13:48Will you still have time to come? -Oh yeah.
00:13:51So I don't want you to suspect me of anything,
00:13:53but I wanted to invite you for a drink tonight.
00:13:58To tell me about the character. -Yeah, I'd like that, but ...
00:14:02So yeah.
00:14:05-Hello, I'm so sorry, I'm late.
00:14:06-No, good. -Good day.
00:14:08-It's Catherine. Mrs. artist.
00:14:11This is ...
00:14:12-Hi. -Hi.
00:14:14-You know each other. -We know each other from school.
00:14:15Then I'll call you. -Good.
00:14:17-Because of that shot. -I'll still be here ...
00:14:19I don't know, Bara. Two watches?
00:14:21Then we can call and I would go.
00:14:24-So yeah. -To discuss it.
00:14:25-So bye. Goodbye. -Naschle.-Bye.
00:14:28-Watch out for him, he's older.
00:14:32-About a year ago, they floated from the archives of the Ministry of the Interior
00:14:35father's personal files.
00:14:38That inspired me to write this script.
00:14:41Can't we poke? I'll come like a professor.
00:14:43-I'll be happy. -So like this with tea, right?
00:14:47That's it. -Ondrej, bye.
00:14:48-Hi.
00:14:51You are not afraid to cooperate
00:14:53with a beginner like me?
00:14:56-So I'm mainly glad I can play something else
00:14:58than those moron series. -Hm.
00:15:00-And why is it actually called The Man Behind the Mirror?
00:15:04-Father never wanted to look in the mirror.
00:15:08- Not even in the bathroom? -So, I guess so, yeah.
00:15:12But we just never had a big mirror at home.
00:15:16I know from puberty, we've been fighting for
00:15:18to at least have a large mirror in my room.
00:15:22Do you think anyone like this movie might be interested in it?
00:15:25Nowadays? Especially the political aspect.
00:15:29-I'm afraid no one is dealing with this today.
00:15:32In this infantile world, everyone is just interested
00:15:35about your own navel. -Hm ...
00:15:40-Excuse me, Mr. Hellebrant, but could I take a picture with you?
00:15:43-You know that, yes.
00:15:48THE MOBILE RINGS - Yes?
00:15:51No, I'm still working.
00:15:53-Well, that's it. Please. -Thank you.
00:15:55-Fact? So I'm leaving now.
00:16:12Hey, what exactly did the doctor say?
00:16:15-He said it was nothing serious.
00:16:17-But when you called, it looked like
00:16:19that it is very serious. -She had a fever and her stomach ached.
00:16:23So I didn't disturb you from anything?
00:16:25-Don't interrupt, but scared! -Sorry then.
00:16:31And where have you been for so long? -I had teambuilding.
00:16:35-What? How? What the hell is that?
00:16:40-That's you drinking with someone you work with,
00:16:42because you hope he will work better then.
00:16:45-Oh, that's kind of sophisticated. -You know, well.
00:16:50-We used to drink beer to get drunk.
00:16:53Or they packed girls. -I see.
00:16:58Do you see how times change?
00:17:03This should happen ...
00:17:05The first part should take place here in agreement,
00:17:07as we said.
00:17:08And then there's the other part of the dialogue, and it's at the pillar, right?
00:17:11So yeah. Bye Bye.
00:17:14-Hi. You're good to come.
00:17:15-You know that yeah. Good day...
00:17:17-Then we're ready, we can. -Yes Yes Yes.
00:17:19-Great. So please come to the places.
00:17:21Please extras ...
00:17:23-How it goes? -I do not know. Maybe good.
00:17:25I'm terribly nervous.
00:17:27Can it be seen on me? -Not at all.
00:17:29-We don't have headphones yet, please?
00:17:32-Headphones? -No.
00:17:34You take your headphones and hear what's going on here.
00:17:37-I see. -So, Fando, how are we doing?
00:17:40-We can. Let's go to the places!
00:17:42Ondra, if I may ask, upstairs.
00:17:44Let's get started. Thank you. So, come on, come on, please.
00:17:49Silence everywhere! Camera...
00:17:51I'm eating! Ondra goes to the beginning ...
00:17:55Clap ... -15/1 for the first time.
00:18:00-Action! -Action!
00:18:08-Stop. Stop. -What is?
00:18:10-We bought the whole crane there.
00:18:13Reflex ... All wrong.
00:18:15-Ah, ah ... Then again. -I'm going to sit next to ...
00:18:18-Here, I see.
00:18:20-What is a reflex? -Here, you see, the reflection.
00:18:22You can see the crew, you can see the shoulder,
00:18:25that's what the lights do.
00:18:27So, let's get ready. -Camera...
00:18:30-Everyone.
00:18:31-Clap. -15/1 for the second time.
00:18:35-Action! -Action!
00:18:46-It can still happen here.
00:19:04-AND! I was already afraid you wouldn't be here.
00:19:06I was in the heating plant ... No, in the bakery ... In the pastry shop ...
00:19:09-Stop! No no no.
00:19:12-Did he ruin it? -Yeah, he argued.
00:19:14Homeland, you have those cakes, so in the patisserie.
00:19:18-In the patisserie.
00:19:22-So, quietly, please. The camera ... -It's coming.
00:19:25-So, clap. -15/1 for the third time.
00:19:29-Action! -Action!
00:19:50-AND! I was already afraid you wouldn't be here.
00:19:52I was in the patisserie and there was a queue.
00:19:54You know, my wife has a birthday and she loves coffins and whipped cream,
00:19:58so i bought it for her.
00:20:00I have to be home in 20 minutes, so ...
00:20:03if we could here ... So what about college?
00:20:07-There is absolute peace at the moment.
00:20:09-Does not talk about anything that is happening in Hungary right now?
00:20:12-It doesn't say a word about it among the students.
00:20:14But we dealt with it at our party organization.
00:20:16-Good.
00:20:18-And we decided to keep the service at the gatehouse.
00:20:20To ensure control of life on campus.
00:20:23-Great. So if anything happened,
00:20:25so contact me by phone. Honor!
00:20:27- Comrade Chef, may I ask you something?
00:20:29-Well, you already asked. So what?
00:20:31-I'm finishing school in the summer, I have to apply for a place ...
00:20:37I would like to work for you. -It won't be that easy.
00:20:40You must have a perfect staff profile.
00:20:42We need to knock you out.
00:20:45We'll talk next time, okay?
00:20:47-Honor.
00:20:50-And, stop! Good.
00:20:53We will definitely go again, okay?
00:20:58My legs probably didn't hurt like that in my life.
00:21:02So what do you call it?
00:21:06What is?
00:21:08-I don't know.
00:21:10I just don't like you manipulating like that
00:21:12with our father's life. -How do I manipulate?
00:21:15That's how it really happened in Lucerne.
00:21:17I read it in my father's volumes. Year 1956. Shooting in Budapest
00:21:23and the father proudly describes the estébák,
00:21:25that he organizes security cells on the dormitories.
00:21:28-I just don't mind you drawing conclusions about him in public,
00:21:31which may not be true at all. You settle accounts with a person
00:21:35who can do nothing about it.
00:21:38-If you're not the same opportunist as him.
00:21:41-So I'm a corporate bitch and you're the Doll of Mary, right?
00:21:45Wake up, please.
00:21:47You make exactly the same compromises as everyone else.
00:21:50-Fortunately, the movie isn't just about our father,
00:21:52but it's also about my mother. -At least we have nothing in common here.
00:22:00-And what time did Julinka go to bed?
00:22:03Already?
00:22:05Well, she didn't call, I'm sorry. We had a two-hour slide.
00:22:09Yeah, I'll handle it.
00:22:12At 7 o'clock in the morning, pick me up here.
00:22:15All right, good night. Pa pa, hi.
00:22:19Ivan greets you. -Okay, thank you.
00:22:21How is he? -Of course awful.
00:22:24-I'm not surprised he lives with you.
00:22:28Hi, sister. -Hello, bro.
00:22:31Please, what's going on? Why isn't it spinning?
00:22:33-I'm working on it right here. We have a snag in the makeup shop.
00:22:35Kateřina will be there in 15 minutes, unfortunately.
00:22:39-What have they been doing on her for so long, for God's sake?
00:22:41-We create such an intricate hairstyle.
00:22:43-Let's try for now. I'm stepping on it.
00:22:46-Good. Yeah, I'll arrange it.
00:22:49Ondra, please, I'm going to play Catherine now,
00:22:51so if you can start from the inside.
00:22:54About 5 seconds per event. And you're going, right?
00:22:56-Let's take an exam. I ask for silence everywhere.
00:22:59Yes pochovka.
00:23:01-Like a camera. -Like.
00:23:04-Catherine comes out, the camera starts off.
00:23:07He has a glass of wine in his hand. He is heading slowly for the tree.
00:23:12Ondra should be behind her now ...
00:23:16He's watching her. Catherine knows that he is following her.
00:23:19Here, please give me some pagers,
00:23:21may I be the same, at least a little, tall.
00:23:24He is leaning against a tree.
00:23:28Mirek comes and starts talking.
00:23:33-I'm going to look at the monitor, okay? -Yeah, yeah.
00:23:38-I'd forbid you to be here in your sister's place.
00:23:41-Why?
00:23:43-Because you are more beautiful than the bride.
00:23:46Does she mind?
00:23:49-You, as a witness, are also prettier than the groom.
00:23:54-How old are you? -I'll be 18.
00:23:58-And what do you do? Are you studying
00:24:01-From September, they will start going to the construction site.
00:24:04-Here in Brno? -No.
00:24:06They only opened my field in Prague.
00:24:10-So I hope to meet you there.
00:24:13I don't have a phone at home, but I would give you my address.
00:24:19Promise me that you will contact me when you are in Prague.
00:24:26-So it's not there, but good.
00:24:31I just wouldn't go for it like that first, would I?
00:24:35And don't put those hands in there. It's not that flirtatious.
00:24:40It is written in the text and that's enough.
00:24:43And especially he is now 10 years older
00:24:45than when we last saw him.
00:24:47That's a 30-year-old mature man, right?
00:24:51I still have a visitor here, so we'll wait for Catherine
00:24:54and we'll shoot, okay?
00:24:57-Already. 10 minutes, right?
00:24:58We will edit Ondřej, we will adjust the decoration and we will shoot in 10 minutes, thanks.
00:25:04Please come.
00:25:05-Mom, mom! -Hi.
00:25:07Hi. Did you come to see me?
00:25:11Hello. -Hello.
00:25:12It is surprise. - Too big, isn't it?
00:25:14-Aren't you embarrassed? In front of the whole staff ...
00:25:18-Stop it, please. Hi!
00:25:20So do you know what we're shooting here today?
00:25:23How my grandmother met her grandfather.
00:25:25Do you know how it was? That was at Aunt Olinka's wedding.
00:25:30They looked at each other and immediately fell in love.
00:25:33Then they danced together all night and all day ...
00:25:36-And what happened next? -It is surprise.
00:26:33DOORBELL
00:27:28-Hello.
00:27:32-What are you doing here?
00:27:36-I came to see you.
00:27:39What time is it?
00:27:44-Midnight.
00:27:48-And where have you been for so long?
00:27:53-At work.
00:28:38WEAK WALKING
00:28:42-Sorry, I didn't know it hurt so much.
00:29:13-Stop!
00:29:16Good. Yes, this painting is done.
00:29:40-I'm interrupting? -No.
00:29:45-I just wanted to ask you something.
00:29:47-Year?
00:29:51-If you're happy with the way I play?
00:29:54-Of course.
00:29:56Why would not I be? Why are you asking?
00:29:59-So ... I noticed
00:30:01that you keep taking more shots of Andrew than of me.
00:30:04I don't know, I feel like you're scared of me.
00:30:07-Fear? No!
00:30:09Why should I be afraid of you?
00:30:11It just came out like this today with those shots.
00:30:14-Not just today, since the beginning of filming.
00:30:19Me only if there's nothing behind it.
00:30:23-No nothing.
00:30:25-Not? -Not!
00:30:28-Thank you, then.
00:30:55-What is? -Nothing.
00:30:59I'm watching.
00:31:02Do you work
00:31:05-I can't concentrate like that. -It suits you.
00:31:13-Would I get up in the morning?
00:31:19-I'm thinking of your potential erotic escapades.
00:31:25-And you don't want to think about our erotic escapades?
00:31:29-I thought he was doing you good,
00:31:32when you are an erotic object.
00:31:36When you are the center of attention. You flirt, you flirt.
00:31:40It's just in you.
00:31:42-Don't you want to talk about something else, please?
00:31:44-I should understand and respect it.
00:31:49I want to apologize for my behavior.
00:31:55I'm sitting at the computer thinking only of you.
00:31:59You are a mirror in which I see my failure.
00:32:03-Stop it, Ivan. -I know, I'm terrible.
00:32:07I'm sorry. I'm sorry.
00:32:11-You are awesome.
00:32:30-It's not possible. I'm sorry.
00:32:56KNOCKING
00:32:58-Good morning.
00:33:00-Good day. -Good day.
00:33:02Hello. -Ondrej, one more minute.
00:33:05He can't talk until his mustache dries.
00:33:07-Aha.
00:33:08And isn't Mr. Průcha here? -He was here, but he disappeared somewhere.
00:33:11Don't you want coffee, Andrew? -Hm.
00:33:13-I'll jump for her.
00:33:16-I thought we could say the text.
00:33:19-I think about you. -Please?
00:33:21-Hello, director. -Good day.
00:33:24-Hello, hello. I stayed in the costume for a while.
00:33:27So you're dry, colleague, huh?
00:33:29-Hopefully, yes.
00:33:31-So I see your role as a colonel as
00:33:33that he looks like a cheerful, cheerful dad,
00:33:36but he is a sharp man.
00:33:40And Mirek, he's a stunned colonel.
00:33:44He is proud that his superior is having fun with him and ...
00:33:48She's so conceited.
00:33:53-So I'd try it, okay? What do you say?
00:33:56-Hm. -So I'll start.
00:33:58I would start with glasses. -Hm.
00:34:01-I'm flipping through the files.
00:34:03You have proven yourself as a cultural officer!
00:34:06You have positive evaluations with your superiors.
00:34:09Am I taking off my glasses now?
00:34:12How long have you served in the third department?
00:34:14-10 years old, Comrade Colonel.
00:34:17- Realize that another world awaits you. Intelligence is the elite.
00:34:22Only the best are in it and they can also stay in it.
00:34:25-I know, comrade.
00:34:27-Why did you choose the code name Sailer?
00:34:29-Don't you like sports? -I don't have time for that, boy.
00:34:32-Toni Sailer is a famous Austrian skier.
00:34:35He's been my idol for years. He won the Olympics twice.
00:34:38Plus, he was born in the same year as me.
00:34:42-It sounds too exotic to me, the name, but so be it.
00:34:48I see you're not married.
00:34:50Do you have a girlfriend? -Yes, fresh.
00:34:54-And he works for us? -No, he's studying construction.
00:35:00- Too bad it would be more practical if she was employed by us.
00:35:04What did you tell her you were doing? -As always.
00:35:09That I'm a cultural officer at the State Department.
00:35:12-Great. So now to work.
00:35:16I assigned you to Great Britain,
00:35:18this is a very important sector. There is a quick career there.
00:35:23I know you have a second level exam in English.
00:35:26Everyone praises you.
00:35:28And you will still practice at the intelligence school.
00:35:31So congratulations.
00:35:34-Thank you, Comrade. -Happy birthday, comrade.
00:36:12-I did this with my dad yesterday.
00:36:14-Phenomena? -I tore the raspberries myself.
00:36:19-It looks amazing.
00:36:21-I still made you a coffee. I'll go get him.
00:36:24-But there's no mistake! -Julča, for me too.
00:36:27-Year.
00:36:37-I thought it would be nice to go with you.
00:36:41We haven't been on a trip together in a long time.
00:36:44-What about Julinka? -She would come with us, wouldn't she?
00:36:48-But it's not a trip, it's outdoor shooting.
00:36:51That will be work. I need peace there.
00:36:55I'll go together alone sometimes. No staff.
00:36:59-I'd be your personal driver, personal cook,
00:37:04personal bodyguard ...
00:37:07-You're very nice, but I have people for all that.
00:37:12-And isn't it that you want peace for your ...?
00:37:17What? Well, what's the actor's name? -Hellebrant ...
00:37:20Yeah! I'm going there to work. -All right, I'm sorry.
00:37:27I was kidding.
00:37:32I'm going to die.
00:37:34-I'm basically going there for a turn.
00:37:36-It'll be crazy for me anyway.
00:37:38I need you.
00:37:46-I, the undersigned Comrade Farkaš, confirm that
00:37:49that Comrade Sailer was recommended to me,
00:37:52to attend to him in London,
00:37:54together with Comrade Bělík from the residency.
00:37:56It was a common sightseeing stay that a future intelligence agent
00:38:00before deploying to the field for a long-term mission
00:38:03must pass.
00:38:05We visited various tourist places in London.
00:38:08They showed the comrade what life in a capitalist foreign country looks like.
00:38:21Comrade, hurry up!
00:38:40IN ENGLISH:
00:38:41(-Do you need help, sir? -No, no, no ... No, thank you.)
00:38:49-Do you know where you are now?
00:38:52-Born.
00:38:55FARKAŠ REPORT: "Comrade Sailer
00:38:57the first visit to the capitalist state
00:39:00emotionally upset. He even fainted.
00:39:03In our opinion, Comrade Sailer
00:39:05very unstable nervous system.
00:39:08He himself is aware of this and asked us,
00:39:11so that we do not inform the headquarters in Prague about its embarrassing collapse.
00:39:15He fears he won't be in England because of it
00:39:17sent on a long-term mission, although he is already looking forward to it.
00:39:21Personally, I believe that Comrade Sailer
00:39:24cannot withstand the load required by the intelligence function
00:39:29and that he is unable to serve his socialist homeland ... "
00:39:36-And why didn't you emigrate then ...
00:39:40maybe to England?
00:39:41-There's beer and whiskey, I like wine and coffee.
00:39:45And I also take it as such hostile territory.
00:39:50-And how long have you lived in Paris? -10 years.
00:39:54-So why did you come back?
00:39:57-Because I was expecting a baby with Ivan.
00:40:08-Don't you miss Paris? -No, I miss you.
00:40:13How I was.
00:40:16-And how were you? -Young, no obligation, pretty ...
00:40:25-You're still young ... and pretty.
00:40:31Nicer than everyone else. -Please stop it.
00:40:37Look, we get up early in the morning.
00:40:41So we should go to sleep.
00:40:44Do you hit?
00:40:46-Like your room? -Yes.
00:40:50-Of course.
00:40:53-Good night.
00:40:56-Good night.
00:41:22-What is?
00:41:28-Sorry, it's never happened to me before.
00:41:36-I see. So it's probably my fault.
00:41:39-Born.
00:41:45It's my fault.
00:41:49It really never happened to me before.
00:41:51-Yeah? So please don't say that anymore.
00:42:02-What is?
00:42:06Are you crying?
00:42:09-I haven't slept with any other guy in an awful long time.
00:42:15There are so many emotions on me right now.
00:42:20Please go away.
00:42:25-You're really beautiful, it was my fault that ...
00:42:30It really happened to me for the first time.
00:42:33-I'm a specialist for that.
00:42:39Go, okay?
00:43:07-Hi. -Hello.
00:44:06Hello Hello. -Hi, Mom.
00:44:08-Hi. Hello! -Hello Hello.
00:44:13-I don't know if you missed us like you,
00:44:16but without you it was here to survive.
00:44:19Good day. -Good day.
00:44:21-Yeah, you're good. So yeah. Thank you.
00:44:23-Goodbye. -Goodbye.
00:44:25So have a nice day.
00:44:26-So bye. -Hello.
00:44:28Come.
00:44:31I brought you something.
00:44:33-And what? -You will see.
00:44:48-Knock Knock. Don't you want to go to sleep anymore?
00:44:52-I have to finish emails. I still have 20 pending.
00:44:56-Can't he start by tomorrow? -No, he can't.
00:45:04-Please ask me who calls you at half past one in the morning?
00:45:06-I don't know.
00:45:09Some foreign number.
00:45:15-So we're going to bed?
00:45:17-I'll come, but I have to take care of it first.
00:45:20-So yeah.
00:45:32-I think Mary wants the baby deep down,
00:45:35that she just needs to be convinced.
00:45:38-He doesn't want to, he doesn't want him. He made it against her will.
00:45:41He deliberately didn't pay attention, even though she begged him to.
00:45:43After all, we shot the scene.
00:45:45I thought it was clear.
00:45:47-Good morning.
00:45:49-Good morning. -Good morning.
00:45:53-So we're preparing the scene here.
00:45:56So - Marie didn't have an abortion, she's sorry.
00:45:59Mirek comes, sees what he is doing.
00:46:01He wants to save the baby, he wants to save the relationship.
00:46:03He loves her more than she loves him.
00:46:06Jo? -Hm.
00:46:08-So can we? -Yeah. So let's go.
00:46:16-Close that door.
00:46:19-Push, please, everywhere.
00:46:22Exam. Like a camera. Action!
00:46:27-Come on!
00:46:31-What are you doing?
00:46:34Please stop jumping!
00:46:36Don't you understand that you could hurt yourself like that ?!
00:46:39It's too late to do anything now.
00:46:41-I do not want it! I do not want!
00:46:45-Marie, please, the baby is you and me.
00:46:50You will see...
00:46:52You will see that you can do it.
00:46:54I will help you as much as I can.
00:46:56-You say that now, but then you leave me alone with it!
00:46:59-What are you doing? -You'll go to work
00:47:02and I'll squat at home! -Calm down. Take control!
00:47:04-You did it to me on purpose! -Please calm down!
00:47:06-To have me insured! -Calm down, the neighbors will hear you!
00:47:10-I don't care, let everyone hear it!
00:47:19-You know how much I love you.
00:47:22And now I love that baby too.
00:47:25You will see that you will love him, that you will not regret it.
00:47:30I want to give you so much in my life.
00:47:36-Good.
00:47:39-Then stop the test. -Yeah, nice.
00:47:43You don't have to push that cry like that.
00:47:46She is a young man, but she is a tough person.
00:47:50Yeah? Pretty.
00:47:52-Will we shoot? -We can.
00:47:54Can we go now? We need -10 minutes.
00:47:56-Good. So we make adjustments.
00:47:58I'm going to have a cigar and we'll shoot.
00:48:00-Can I come with you? -I am going too.
00:48:04-Wait, I want to work out a picture with Renata, what's next, you know?
00:48:08-Oh yes, of course.
00:48:11-We will prepare what is needed and we will shoot in 10 minutes.
00:48:19-I don't read your SMS, so you're trying unnecessarily.
00:48:24I need to have a clear head for this movie.
00:48:26And you should have that too. And don't think of any nonsense.
00:48:30-Don't take it as blackmail, but if you don't give me a kiss,
00:48:32so I'll play it bad for you.
00:48:34-You're a teenager. -Then give me a kiss and it will be calm.
00:48:38-I won't!
00:48:40I have to talk to you about the scene we're going to shoot this afternoon.
00:48:43-So this is blackmail.
00:48:46-Then, Sailer, congratulations. - Comrade Colonel, thank you.
00:48:50I know about my posting to the residency
00:48:52There were some doubts, but you will see that you will be satisfied.
00:48:57-I hope so.
00:48:58You will be in charge of contact with our legals
00:49:00and several dead boxes.
00:49:02And above all, gaining new contacts.
00:49:04You and your wife are young, you look harmless,
00:49:06you get where others don't.
00:49:09But don't tell your wife about your job,
00:49:11women don't understand these things.
00:49:13-Of course, count on it, Comrade Colonel.
00:49:19REPORT: So please everyone back to Studio 4.
00:49:22We are ready, we will start ...
00:49:30-So. Now sleep nicely.
00:49:36-And when you were little, did your mother scratch your back like that?
00:49:40- Not Mom, but Dad.
00:49:46So bye. -Don't go. Not yet.
00:49:52- Do you want me to sleep here with you?
00:49:56-So it's you, all right.
00:50:04So get some sleep.
00:50:21-Will you write to me? -I'll write and call you.
00:50:25-But, Mom, phones are banned at camp.
00:50:27-Well, you're right. It is true.
00:50:30-Hi, hello. -Hi.
00:50:32-What time will you be back tonight?
00:50:33-I don't know, the shift is until ten, then right away.
00:50:36-And will you send me a package? -You know that yeah.
00:50:39Look, go ahead, you're not catching up. -And at least you'll accompany me?
00:50:43-I won't accompany you, love, because I wouldn't make it.
00:50:46Fasten your seatbelts.
00:50:49And enjoy it, okay?
00:50:51Pa pa. Hi.
00:51:02-58/2 tenth.
00:51:10-Action!
00:51:22-Je třeba, abys svému muži, který má důležitou
00:51:25a odpovědnou práci, pomáhala.
00:51:26Kulturní atašé zvaný na různé společenské akce
00:51:29a ty ho budeš doprovázet.
00:51:31Prý jsi v angličtině udělala pokroky.
00:51:34Vycházej dobře s kolektivem na úřadě,
00:51:36protože jiné přátele v Londýně mít nebudeš.
00:51:39Když tě osloví cizinec, obzvlášť emigrant,
00:51:41ihned to nahlas manželovi, ano? -Jak to myslíte?
00:51:46Když se začnu bavit s nějakou anglickou maminkou v parku,
00:51:48tak to mám hlásit? -Ne, stop!
00:51:52Kateřino, já jsem tě prosila, abys to nehrála
00:51:54takhle provokativně. Ty působíš přisprostle.
00:51:58-Renato, já jsem nástroj ve službě režiséra.
00:52:04-No, tak buď.
00:52:07-Já jsem struna, která potřebuje naladit.
00:52:10A hraju přesně to, co jsem pochopila, že po mně chceš.
00:52:13Tak ty jsi říkala, že s ním mám trochu koketovat,
00:52:15mít žensky navrch. -Ale ty hrozně tlačíš na pilu.
00:52:18-Aha, dobře. Tak asi mě naladit neumíš.
00:52:24Pardon.
00:52:27-We'll try again and Kateřina will play it,
00:52:29as if she were a naive girl from the village. She's afraid of the colonel.
00:52:34-OK, no problem. -So yeah.
00:52:36-So where from then?
00:52:38-Since your last sentence, that'll be enough for me.
00:52:41-Yeah fine. -And we don't change the shot?
00:52:45-Will we give a ride? -Yes.
00:52:47-We'll take a ride. 25 lenses. Come on, boys.
00:52:57-58/3 for the first time.
00:53:03-Action!
00:53:05-When a stranger addresses you, report it to your husband, okay?
00:53:08-What do you mean? When they start having fun
00:53:11with some English mom in the park, so ...
00:53:15so should i report it?
00:53:18-Stop! Hey, are you doing this to me on purpose?
00:53:21-Please don't be paranoid.
00:53:27Could I try it the way I feel?
00:53:30-That would be nice.
00:53:32-Can we go now? -Yes.
00:53:33-So, come on at the beginning. Quiet, please.
00:53:35Camera ... -Everyone.
00:53:37-58/3 for the second time.
00:53:41-Action!
00:53:44-When a stranger addresses you, report it to your husband, okay?
00:53:48-What do you mean?
00:53:50When I start talking to an English mom in the park,
00:53:52so should i report it?
00:53:54I'm young, but I can take care of myself.
00:53:59-You know nothing about life there! Such an inexperienced woman from the East
00:54:03is ideal for foreign intelligence services.
00:54:06They invite her to a restaurant, offer her some jewelry,
00:54:08possibly a suit because he knows such a wife
00:54:11has a lot of important information!
00:54:13-Please, it's like some spy book.
00:54:16-Don't take it lightly!
00:54:20If you find something weird, say it out loud.
00:54:24If someone was watching you or if someone was watching you
00:54:28the staff of the embassy seemed suspicious,
00:54:30confide in her husband.
00:54:33-A stop! Great.
00:54:36Yes, we have her. Yeah, we can go to the next picture.
00:54:38-So I'm finishing today, right? -Yeah, yeah, thank you!
00:54:40-Thanks too. Naschle. -Naschle.
00:54:42-We are leaving Prague in 1968 and preparing for London in 1970.
00:54:45I will ask Kateřina, she will change and change.
00:54:49And we move to the side decoration.
00:54:51Please come. Thank you so much.
00:54:55-So how was it? -Good.
00:54:59-Thank you. -That's exactly what I wanted.
00:55:02-Hi. -Hi.
00:55:05-Yeah, hi. What are you doing here?
00:55:07You're not filming today, are you? -I came to see you.
00:55:10-Well, we're honored.
00:55:12Yeah, like, you knew he was here,
00:55:14is that why you served me like that?
00:55:16-How could such nonsense strike you?
00:55:21-But it actually suits us.
00:55:22You could record that for her now, let's shoot the phone.
00:55:25-Sure, I'm basically here for that.
00:55:29-Your professionalism is completely boundless.
00:55:32So I'm going to change.
00:55:36-Come on, I'll show you London.
00:55:46-Hm ... -What?
00:55:50-Then I'll throw Catherine, then I'll invite you to dinner.
00:56:00-Everyone back to the square, we'll start. Thanks.
00:56:02-61/1 fifth.
00:56:06-Action!
00:56:13THE PHONE IS RINGING
00:56:24-Hello? -Marie?
00:56:33-Hello.
00:56:35How was your trip?
00:56:37I was afraid something had happened to you,
00:56:39if you haven't called in so long.
00:56:41-Marie, listen to me well.
00:56:43I will not be able to return to London.
00:56:46I have to stay in Prague.
00:56:48-But we should have been here for another 2 years?
00:56:50-I know there have been some changes in my job.
00:56:52I can't explain it to you on this phone.
00:56:56Focus, what do I tell you now, okay?
00:56:58Keep in mind that this phone is business, okay?
00:57:00-But you did something? Why can't you come back?
00:57:03-I'll explain it to you then, now just listen to me!
00:57:06You'd better pack everything tomorrow morning, you may have to leave right away.
00:57:10I would like...
00:57:12I want you to remember one thing.
00:57:16-God, that's awful!
00:57:18That's terrible! -Marie, do you read?
00:57:21Bring me to Prague the picture hanging in the living room above the fireplace.
00:57:26-What's happening? I don't understand you at all,
00:57:28how can you think of some stupid images now ?!
00:57:31-It's important to me, like a memory of that night,
00:57:33when we bought it, you know? I don't want you to leave him in London.
00:57:36So be so kind and take him to Prague.
00:57:40Take him down now!
00:57:42Take him down and get him ready. Do you understand
00:57:46Marie, do you understand ?!
00:57:49-Yes, yes, darling.
00:57:52I understand, it's very important to me too.
00:57:54-Great.
00:57:56We celebrated the second anniversary of our wedding at Tower Bridge,
00:57:59do you remember -Yes.
00:58:01-Do you remember that date? -Yes I remember.
00:58:10I will definitely take it to Prague. -Great.
00:58:14The ambassador will call you tomorrow and tell you when you will leave.
00:58:18I kiss you. -Bye.
00:58:31Miroslav Sailer?
00:58:36-Okay, bro. Thanks a lot.
00:58:38Well.
00:59:47-Are you sleeping with him?
00:59:50-S Ivanem? -Hm.
00:59:53-Sometimes, not very often.
01:00:01-So I'm telling you right away, I can't stand it.
01:00:04-You don't even have to. This only happened exceptionally.
01:00:11I can't be with you.
01:00:16-Why not? -Because I have a baby with him.
01:00:20I have to take care of them.
01:00:29-Do you love him? -So, you're asking me questions!
01:00:33-These are completely normal questions.
01:00:38I'm tired of seeing you only occasionally.
01:00:43From the first moment I saw you,
01:00:44I knew I wanted to be with you.
01:00:56-I can't leave them.
01:01:08-I'll wait for you.
01:01:34-I guess you're mainly interested in
01:01:35if I brought you your secrets.
01:02:01-What if we went for a walk out? -Pf!
01:02:13-63/1 for the fifth time.
01:02:20-I kissed Dubcek and someone told me
01:02:22that I'm a revisionist. They took my passport at the ministry.
01:02:26-What kind of ministry was it?
01:02:29-At the State Department, of course.
01:02:31-Stop it, please.
01:02:33Do you really think we're so stupid?
01:02:35You work for the Ministry of the Interior, you have a fake name!
01:02:38You're not a cultural attaché at all, you've been lying to me all this time.
01:02:40-But this wasn't a lie, but this was just in my profession
01:02:43he doesn't tell his wives.
01:02:45-All the way to Prague I asked myself,
01:02:47why am i actually coming back.
01:02:50Renatka and I were supposed to stay there, start a new life.
01:02:53-You mean the guy who invited him to our house?
01:02:57How could you think I wouldn't know?
01:03:00Fortunately, my colleague was on duty that day,
01:03:02who held me and didn't give you.
01:03:05-I came back on condition you left inside,
01:03:07otherwise I won't be with you!
01:03:08-But that's nonsense. I'm glad they didn't fire me!
01:03:11After the checks, the heads fell one after the other.
01:03:13You know how long I've been waiting for me to
01:03:16work for reporters ?! 10 years!
01:03:18-Mirk, listen to me, I'm not sure
01:03:20if I want to stay with you! For a long time.
01:03:24And I definitely know I won't live with a cop!
01:03:26-What do you think I should do? Any manual work?
01:03:30And I'm not a cop, I'm a reporter.
01:03:32-But the spies are lying. Plus, it's dangerous.
01:03:33-But, please don't dramatize it.
01:03:35My task was only to get the English to cooperate,
01:03:38which sympathize with our system.
01:03:41-I want you to know one thing.
01:03:43I have no sympathy with your system at all.
01:03:46-Marie ... Please forgive me,
01:03:50that I lied to you. But I had to.
01:04:00-Stop!
01:04:02Great, the snow was great now.
01:04:05The snow came to me absolutely great!
01:04:07Give Kateřina gloves, make her feel really cold.
01:04:11Make them red noses.
01:04:13That tree over there, it's too snowy
01:04:17and you took the green branches, that's bullshit.
01:04:22There must be it ...
01:04:25Oh, she knows I'm not in the ministry.
01:04:27I have to stop, "How come he knows?"
01:04:29Then you remind the lover again.
01:04:30She must be stunned.
01:04:32You've been so excited now, it's coming to me ...
01:04:34Surprise. Let's go one more time, okay?
01:04:42So good night. -Good night.
01:04:50-Please, miss. -Thank you.
01:05:45Hello...
01:05:47Are you serious about those suitcases?
01:05:51-You have some things to wear. Shoes and stuff.
01:05:56You can sometimes come for other rags.
01:05:59-Ivan, isn't that kind of behavior, right?
01:06:02-What behavior?
01:06:04What behavior are you talking about? About yours ?!
01:06:06-About yours. -About my behavior!
01:06:08Hey, you know what? Let's stop playing comedy.
01:06:11You slept by your brother for two nights.
01:06:15Yeah? I do not believe you.
01:06:18Come on, tell the truth! Be brave, don't lie !!!
01:06:22Did you sleep with Jakub? Did she sleep or not sleep ?!
01:06:25-Well, I didn't sleep with Jakub, well!
01:06:28- Did you sleep with that actor? So she slept or didn't she sleep ?!
01:06:35You're destroying me. Let me live!
01:06:38And get out of here, I don't even want to see you anymore.
01:06:41-But that's not how it works, you know! We have a baby together.
01:06:46Like, how's Julinka going?
01:06:48-You still don't have time for her. -Do you know why I don't have time for her?
01:06:52Because I have to go to work and make money!
01:06:56-You can take it on Saturday, Sunday if you want.
01:06:59I still feel like it's just bothering you.
01:07:03-Of course.
01:07:06-She's coming back from camp in a week, I wonder what you're going to tell her!
01:07:14-Brother, hello.
01:07:18I can't hear you. Where are you?
01:07:21Ah, you are. So send me a look.
01:07:25Please, I have such a problem, I'll tell you later,
01:07:29but couldn't I live with you for a few days now?
01:07:32Already?
01:07:34Thank you. Yeah, I have the keys.
01:07:36Hello Hello.
01:07:47-68/3 for the third time.
01:08:07THE MOBILE RINGS
01:08:36ANSWERING MACHINE -Renato, why don't you take it?
01:08:38Is there something wrong? Call me anytime, okay?
01:08:42I'm home alone and ... I'm the same after you.
01:09:33So you thought I wouldn't come at you ?!
01:09:35-Leave me alone! -You're naive!
01:09:37He's only interested in you because you're my wife.
01:09:39It works for them, do you understand ?! -I don't believe a word you say!
01:09:42After all, it's completely fallen on your head, what do you mean,
01:09:45that I would be with them now that you're here?
01:09:47I filed for divorce yesterday, tell your superiors,
01:09:50they are more important to you than me!
01:09:52-But he has his superior too!
01:09:54And he's only with you because of them.
01:09:57My superiors, fortunately for you, about who you're fucking with,
01:09:59have no idea.
01:10:06ENGLISH: Let's go.
01:10:21-Stop! Yes, great!
01:10:24Thank you!
01:10:26The last flap of this movie! -Cups!
01:10:32- I'll see you tonight. -Yeah!
01:10:35-Thank you so much. Thank you.
01:10:38-Thanks a lot. -Thank you.
01:10:44-Martin, here's a cup. -I want a shot too.
01:10:51-Here's a shot. -Yes Yes.
01:10:56-Champagne for actors! -Thank you, thank you.
01:10:58-Cheers.
01:11:01-Here, come on, I'll trade it with you.-Thank you.
01:11:33-You can both move here.
01:11:36It's big here.
01:11:38-You don't even know what you're saying. Julinka is already going to school.
01:11:43He gets up soon. In addition, it is registered there with us.
01:11:48He has girlfriends there.
01:11:51But you're good.
01:11:55-And you move here, don't you?
01:11:58-I don't know if it's a good idea.
01:12:02And have you ever lived with anyone?
01:12:05-Of course.
01:12:08With parents.
01:12:11LAUGHTER
01:12:14But it's true that since I have the apartment here,
01:12:17I feel alone here, very sad ...
01:12:21-And I'm supposed to be your mom here? -No, nobody wants that from you.
01:12:27But you may not be sure if you want to be with me.
01:12:31Maybe you think after a while
01:12:32you return to Ivan again. -Not that.
01:12:37We have already decided that.
01:12:43Julinka, open up.
01:12:49So I'll come on Monday and accompany you to school in the morning?
01:12:55Juli, I'm going to have to go.
01:13:02So hello.
01:13:09-I'll take Julinka to school on September 1st.
01:13:13I think it would be better if you leave her alone.
01:13:16-I'll call again, she'll change her mind.
01:13:18-Anyway, I'm fine without you, I even started writing.
01:13:23-That's fine. -Yeah.
01:13:26I was always afraid I was your brake,
01:13:29but in the end the opposite was true. You stopped me.
01:13:34Hi.
01:14:28-We have to change our minds too,
01:14:30whether we go through Vienna or from below.
01:14:33-We mainly have to leave as soon as possible,
01:14:34because otherwise we get stuck at the border. And I really don't want that.
01:14:37-Halo, hi! -Bye Bye. -Hello.
01:14:39-What about you here? -We're just waiting for you.
01:14:42We decided to go to Split.
01:14:44-Do Split? -Well, Uncle has a boarding house there
01:14:46and some people gave him a reservation at the last minute,
01:14:48so he invites us.
01:14:50-It is super. And when? -Well, now. -Now?
01:14:53-Bomb, right? So get ready, let's go.
01:14:55-I can't, I have to go to the editing room. -So prove it.
01:14:59Put it down. It's only for a week.
01:15:01Then I shoot too. -Hm.
01:15:03-Get a swimsuit and let's go. -It does not work.
01:15:06I would have to plan that.
01:15:08-Ondro, we'll wait for you down by the car, okay?
01:15:11Renato, bye. -Hello.
01:15:13-Hello.
01:15:17-Why do you have to plan everything?
01:15:19The flight is just beautiful in that it is not planned.
01:15:22That she's impromptu, she's crazy.
01:15:26-I can't do crazy things.
01:15:30So sorry, it's not working. -Yeah I know. Too bad, no.
01:15:37So let's call, okay? Hi.
01:15:42-Wait, are you going?
01:15:44Do you mind if we don't see each other for so long?
01:15:46-You know I don't mind.
01:15:48So I thought you'd come with us, that you'd love to.
01:15:51That was supposed to be a surprise.
01:15:55I can't leave them there right now. I'm going in my car.
01:16:02Nothing is happening.
01:16:03I'll be back in a week, we'll make up for everything.
01:16:07So far, I'm working hard to make the film a success.
01:16:13So bye.
01:16:26-I like this thing the most,
01:16:28because Katerina is really great here.
01:17:06THE MOBILE RINGS - Stop it, please.
01:17:09-Jo. -Hello?
01:17:12Hello.
01:17:14How are you?
01:17:17I miss you.
01:17:22Aha...
01:17:24You have to shoot next week.
01:17:29And when did they move it for you?
01:17:33Well, you do, so you are.
01:17:38No, I'm here in the editing room every day.
01:17:42At least I'll have peace of mind for our movie.
01:17:47Um ...
01:17:50Have a nice time too.
01:17:54So yeah. Then call me again.
01:17:58Bye Bye.
01:18:10What about the girls? Where were they on vacation?
01:18:15Where are you actually sitting? In the first bench?
01:18:24Your teacher - is she nice?
01:18:29Julinka, why don't you eat?
01:18:35Sushi is normally your favorite food, isn't it?
01:18:44-Did you explain it to Julinka? -Something, not something.
01:18:51-You think that Andrew is worth it, right?
01:18:53-That's it ...
01:18:55Well, he's just an accelerator of the whole situation.
01:18:57That would come anyway. Either later or with someone else.
01:19:00But it's great, really. You will see.
01:19:03-Well, I'll see, well.
01:19:06-What do you have anyway? -Nothing...
01:19:10It just comes too young for you.
01:19:12-I see! And that I've lived so far
01:19:15with a guy 20 years older, doesn't that sound weird?
01:19:20-You generally go too far from extreme to extreme for my taste.
01:19:22-Well, yes, it's me.
01:19:24But I'm finally happy. -Yeah? It is nice.
01:19:30-What about you and your relationship with Patricia?
01:19:32-Super.
01:19:33-Mommy? -Not?
01:19:35- Shall we go to the ice cream today? -Not today, baby.
01:19:38I'll have to go now.
01:19:40You will be with Cuba today, you will sleep with him.
01:19:44-Aha...
01:19:48-Don't worry, we can do it together.
01:19:55-You're not tanned at all. Did you sunbathe?
01:20:01-What's going on by the sea? -It burns.
01:20:04-That's exactly what we did.
01:20:07Probably not enough for your taste, right? -Hm.
01:20:11And did you enjoy it there?
01:20:15-Sure, otherwise I wouldn't even stay there.
01:20:18These are questions.
01:20:20-So I wouldn't enjoy it without you.
01:20:24What did you do there? -Everything possible.
01:20:30Everything is possible ...
01:20:33We were in a restaurant, we went to discos.
01:20:36We rented a boat ... -Hm.
01:20:39-Different things.
01:20:44What about you and the movie? -I'm not very happy yet.
01:20:48-Not? -Hm.
01:20:50I don't think I chose Kateřina well.
01:20:53-Aha.
01:20:57It occurs to me that she played it great.
01:21:03Well, honestly - it wasn't very easy. -What do you mean?
01:21:10-It was very obvious to you that you were jealous.
01:21:14-What?! -Yeah.
01:21:16-I wasn't jealous at all. -Everyone saw it.
01:21:20- I had completely different worries.
01:21:22-Everyone saw it.
01:21:23You thought she was after me, so ... -And she didn't go?
01:21:27-A little bit, well. -Yeah.
01:21:29And in Split? -Some a little too.
01:21:31But she does it fiction, you know. You don't know it on her.
01:21:34-Yeah.
01:21:36So I'm completely stupid, everyone saw it on me, right?
01:21:39-I love it when you get so upset.
01:21:41But you should get used to it, we will be with Kateřina now
01:21:44play in a new series. -Hm ...
01:21:46And do you still have any wonderful news there?
01:21:49-I have, but I have to tell you here in another position.
01:22:00Well, that's better.
01:22:09-Yeah, look, Dad. He looks.
01:22:28SINGING: Adie, adie, the bottle is drunk
01:22:34the road to paradise is lonely
01:22:40Adie, adie, the bottle is getting drunk
01:22:46the road to paradise is lonely
01:22:53As much as possible, it seemed to me that it was no more beautiful
01:22:59you walk along the river bank, the water foams wildly
01:23:05In the whirl of all events, you spin like a spinning top
01:23:11your dream is wonderful, the sheep is scattering
01:23:17The last trial is now awaiting death
01:23:23there is no sin, you have died
01:23:29Adie, Adie's bottle is drunk
01:23:36the road to paradise is lonely
01:23:42Adie, Adie's bottle is drunk
01:23:48the road to paradise is lonely
01:23:58Goodbye ...
01:24:08Applause - Thank you for your attention.
01:24:12It was such a musical insert and now do what you want.
01:24:16Good, right? I'll be here in a minute.
01:24:18Hello. -Hello.
01:24:19-Hello. -Hello.
01:24:21-That was beautiful. Congratulations.
01:24:23-Will you stay? -No no no.
01:24:24We have to lubricate for ballet. -Yeah.
01:24:26We have to make an appointment for that Christmas. Julča wants to go to the mountains.
01:24:29And it occurred to me, so it occurred to me ...
01:24:30We just have to go on Christmas Day,
01:24:32so if you don't mind. -Of course, that would bother me.
01:24:36-I want to go to the mountains with my dad and not be with you at Ondřej's!
01:24:40-Did you talk about it?
01:24:42-How much will you return it to me on Sunday? -As always.
01:24:46Come on, Julcho, take that hat. -So yeah.
01:24:48Julcho, hello. -Hello.
01:24:50- I'll see you on Sunday, okay? All right, hello.
01:24:53Don't you want free dedication? -A terrible cover.
01:24:57-It is. Well yes...
01:25:00-So what? - All right, hello.
01:25:04-Hello. -Listen like ...
01:25:07Okay, so if Ondrej and I aren't on Christmas Eve,
01:25:10so you'll be with me, right?
01:25:13Would you leave me alone on Christmas Eve?
01:25:20Well, that's nice of you.
01:25:42-Hm. I had no idea you were such a housewife.
01:25:46-Hmm, that was Julinka's program for tonight.
01:25:51I didn't know you'd show up here.
01:25:57-Are you angry with me?
01:25:59You haven't shown up here in -4 days.
01:26:02You said you were going to shoot outside of Prague and I saw your filming plan,
01:26:05you shot in Prague.
01:26:07-She saw an old filming plan. -I see.
01:26:09Look, I'm not going to argue with you about this.
01:26:11I don't understand why I live here when you're not here at all!
01:26:15Why are you persuading me to stay here ?!
01:26:17What situation are you putting me in!
01:26:21I know you're bored here with me.
01:26:23That I only interested you when you weren't sure!
01:26:27Are you running for another one now?
01:26:29-But, Renata, please. -So where have you been for those 4 days ?!
01:26:31-Tow first, I'm interested in you all the time.
01:26:33Secondly, I don't have to confess to you at all.
01:26:35You just have to get used to it, well. -I won't get used to anything!
01:26:38I've been waiting for you here to tell you in my eye that I'm done!
01:26:41-Renato, please calm down.
01:26:43Let's go to bed, say everything there.
01:26:46-Do not touch me!
01:26:47After all, apart from sex, the two of us have nothing in common.
01:26:49-To that was enough for you! -It wasn't enough!
01:26:52I just didn't have the strength to admit it!
01:26:54I want to talk to you normally, really!
01:26:57-And what, for example? -I do not know.
01:26:59About politics, for example. About literature and history.
01:27:04But you don't have the brain for that. -Do you know you're insulting me now?
01:27:07-And you know you insult me when you snore with someone else?
01:27:11You idiot!
01:27:18-Leave the keys on my table. Take that candy, it's disgusting.
01:27:32-Cretin!
01:27:40Do you see? They are preparing there. Do you see them there?
01:27:45We will watch them here. Yeah?
01:27:49-So be careful, please. We will continue.
01:27:50We run two bars before you play.
01:27:58FILM MUSIC
01:28:08-Now go take it to Mom, okay?
01:28:12-Renatko! Follow me, come.
01:28:19Well, come here.
01:28:22This is a beautiful flower. Is this for me?
01:28:24Yes? Thank you.
01:28:26And you're going to tear up another with your dad?
01:28:29Yes? So run.
01:28:37-I don't like that, this.
01:28:40Stop. Sorry, sorry.
01:28:42I don't like this. I'm not good enough with Maria.
01:28:46I need to see that she's fighting. I need to understand that.
01:28:50I imagined it more inner.
01:28:52Can't we give the second tune a little earlier?
01:28:56-Wait, you mean this? MUSIC
01:29:05-Yeah, yeah, that's it. -Yeah, give me a second, okay?
01:29:08-Where's that mom going? -To Yugoslavia.
01:29:12-And he'll come back? -Don't return.
01:29:16-And why? -I'll explain it to you then, okay?
01:29:21-So we can! -Yeah.
01:29:24All right, thank you.
01:29:27-We'll start over from the beginning, thank you.
01:29:29-Here we go.
01:29:32-Every more purple, what do you say?
01:29:36Look, and here they are still beautiful. Come on.
01:29:41We'll put this one there.
01:29:48And now go take it to your mom, okay?
01:29:52-Renatko! Follow me, come.
01:29:58Well, come here.
01:30:02This is a beautiful flower, is it for me? Yes?
01:30:05Thank you.
01:30:06And you're going to tear up another with your dad? Yeah?
01:30:09-Yes. -Then run.
01:30:14-Dad, I want to pluck the flowers myself.
01:30:38-Everything can still be saved.
01:30:45I could easily arrange for your passport to be taken away!
01:30:47You know that very well.
01:30:50But I want you not to go with your lover
01:30:54of his own free will,
01:30:55and not because I stopped you.
01:31:02I'm afraid you won't come back.
01:31:08You never liked Renata. You're sacrificing her.
01:31:14-You say nonsense.
01:31:16-Marie...
01:31:19Realize that we can never live what we want.
01:31:23We always have to adapt to
01:31:25what life brings.
01:31:27But we can also be happy in that adaptation.
01:31:31-Cccc...
01:32:51-But, are you here?
01:32:55-And you have to go there?
01:32:58-But I'll be back soon.
01:33:01-I'll miss you terribly.
01:33:06-I have to, darling. I have to.
01:33:12You know what? We'll make you a braid to make you a beautiful princess.
01:34:16BRAKES, SCREAMS, WOUNDS
01:34:20-There are information materials for journalists
01:34:22and the creators are available for informal interviews.
01:34:26-Can I ask you for a short interview?
01:34:29-Yeah. -Good day.
01:34:37So what, good, right? We did it.
01:34:40-Excellent music and camera, really.
01:34:42-So we're so glad you liked it.
01:34:45-Can I take a picture of you together? -Of course.
01:34:50I'll probably go among you. -Hm.
01:34:58-And the two of you alone at the poster, if that's possible?
01:35:01-Yes, yes. -Yes.
01:35:15-There is.
01:35:19Hi. -Hello.
01:35:21-Hello. So what? -Good, good, well ...
01:35:25It just affected me just like that,
01:35:28that Maria was killed here by our father.
01:35:30-What? Please, how did this come to you?
01:35:32-So if he let her go there?
01:35:35-Will we have wine? -Yeah.
01:35:38-So you didn't like it?
01:35:41-I'm just not objective, well.
01:35:44-I didn't understand much.
01:35:45Would Mary really leave her child?
01:35:47Wouldn't she come back?
01:35:49-None will ever know.
01:35:51The little girl has to live with it for the rest of her life.
01:35:53-I think Marie would come back.
01:35:56And the Englishman, was he really a spy?
01:35:58-No, it's all made up.
01:36:00-My mother went to Yugoslavia with a Moravian.
01:36:03-Aha.
01:36:04anyway, I really liked the main actress.
01:36:07-Yeah? -I liked it too.
01:36:08Sister, I'm just asking about our family
01:36:11never spin anything, okay?
01:36:14Shall we have something to eat? -Hm.
01:36:16-Do you want to bring something? Any steak?
01:36:18-No. Thank you.
01:36:20-I congratulate you very much. It was great.
01:36:22-Oh thanks. -There were a few places,
01:36:24to which I would have a little reservations, but we will say that some other time.
01:36:26Maybe sometime ... So, have a nice evening.
01:36:28-You too, thank you.
01:36:31-Hello. -Hello.
01:36:43-Hello. -Hello.
01:36:48-Sorry, I'm late. -It is good.
01:36:52I'm afraid that today Julinka will sleep with those new skates.
01:36:56We've been here 2 hours. It's completely frozen.
01:37:01-Hi, Julcho! -Hi Dad!
01:37:04-We are going home! -One more minute.
01:37:17-We read your book. -Hm.
01:37:20A?
01:37:22-Well, a little depressing look at today's society, right?
01:37:27I don't know, but I don't think all people do
01:37:30all just for the sake of benefit, or that they forget the past.
01:37:34But as much as I liked it, yes. I couldn't tear myself away from her.
01:37:39-So you're probably the only one. There was quite a lot of criticism.
01:37:44Nobody buys it either.
01:37:48They're idiots.
01:37:51All.
01:37:54-Probably yes.
01:37:56-What about the apartment? You already have?
01:37:58-I don't have it yet. I live with my brother.
01:38:01He's just like that with his girlfriend.
01:38:04But I'm looking for, yeah, yeah, but I haven't seen anything yet.
01:38:09I would like to live somewhere in the center.
01:38:12And I would like Julinka to live with me from September.
01:38:16-Let her decide for herself.
01:38:22-Don't you ever go for a coffee to talk about us?
01:38:27Why didn't it work out for us ...
01:38:30-Good good idea.
01:38:33Look, it's a closed chapter for me.
01:38:37-Hi Dad. -Julča, you are a star.
01:38:40Now you go to the locker room and change, okay?
01:38:45-Julinka, we won't see each other again.
01:38:47I'll come to school for you on Friday, okay?
01:38:50That's right. -Hi.
01:38:52-Well, come here, kiss! Bye.
01:38:57I like you very much.
01:39:02-How was your press screening?
01:39:06-Yeah, sort of.
01:39:09-What, somehow?
01:39:12So ... idiots. -Yeah.
01:39:19-When's it going on TV? -Tonight.
01:39:22-Already?
01:39:24That's how Julča and I will watch. -So yeah.
01:39:29So you can call me if you happen to like it.
01:39:32-So yeah.
01:39:34Hello. -Hello.
01:39:50-I'd forbid you to be here in your sister's place.
01:39:54-And why?
01:39:56-Because you are more beautiful than the bride.
01:39:59Does she mind?
01:40:01-You are also prettier than a groom as a witness.
01:40:06-How old are you? -I'll be 18.
01:40:10-And what do you do? Are you studying
01:40:14-I will be studying civil engineering from September.
01:40:16-Here in Brno?
01:40:18-No, they only opened my field in Prague.
01:40:22-So I hope to see you there.
01:40:25I don't have a phone at home, but I would give you my address.
01:40:32Promise me that you will contact me when you arrive in Prague.
01:40:55THE MOBILE RINGS
01:40:56-Halo?
01:40:58-Sorry, I waited for Julinka to fall asleep.
01:41:01-And did you watch? -Clearly.
01:41:04That's why I'm calling you. -Well, what about Julinka, did she understand?
01:41:08- She cried terribly when she saw the scene with the car.
01:41:13You never told her about the crash?
01:41:16-But I told her how Grandma died,
01:41:19she probably forgot about it.
01:41:21-Maybe you were right. -With the?
01:41:25-That we should talk about us.
01:41:29-And when? -Sometimes.
01:41:32How it suits you.
01:41:33-Like now? -No.
01:41:36No, I didn't mean the phone. -I do not either.
01:41:44So I'm going? -So yeah.
01:42:21SONG: Adie, Adie's bottle is drunk
01:42:28the road to paradise is lonely
01:42:34Adie, adie, the bottle is getting drunk
01:42:40The road to paradise is lonely
01:42:46I was beautiful with you, I was beautiful
01:42:52Adie, my poems leave you cheerful
01:42:58I was sad with you, I was in tears
01:43:04everyone somehow bounces off their destiny
01:43:10Adie, Adie's bottle is drunk
01:43:16the road to paradise is lonely
01:43:23Adie, Adie's bottle is drunk
01:43:29the road to paradise is lonely
01:43:35Goodbye ...
01:43:38Closed captions: Tereza Fenclová 2017