• 6 months ago
Transcript
00:00 [music]
00:13 The Ladies' Paradise
00:15 [music]
00:21 How long have you been awake?
00:23 I don't know, four I think.
00:26 You must be really interested in this speech.
00:29 Yes, it's good that Humberto Guarnieri wanted me to work for him.
00:34 But what makes me feel even more proud is that...
00:37 Is that Vittoria Conti recommended you.
00:40 Exactly. And I don't want to disappoint her.
00:43 Are you satisfied?
00:45 I still have doubts about a couple of passages.
00:48 A little milk?
00:49 Yes, thank you.
00:51 Do you want to read it to me?
00:54 I was waiting for it.
00:59 Let's go.
01:01 "Lombardy has been able to transform a large part of its economy into a solid industrial activity.
01:11 I think that this change shows the level of civility achieved by the land and the Lombard people, of whom I am proud."
01:18 Do you think it fits Humberto Guarnieri's style?
01:21 I think so.
01:23 Although I don't know him very well.
01:26 Good morning.
01:28 Good morning.
01:30 Do you want coffee?
01:32 Yes, thank you.
01:34 There's also a piece of crostata if you want it.
01:38 No, thank you.
01:40 I saw that you had the light of the room on tonight.
01:43 Yes, I was working.
01:45 So your second novel will see the light.
01:48 Let's hope so.
01:51 I would like to read something to you, if possible.
01:55 For now, I'm just organizing my ideas.
01:58 Sure. As perfectionist as always.
02:01 So if you have something, I'll let you read it.
02:05 We've lost her.
02:22 Can you tell?
02:24 Are you really asking us?
02:26 You've been holding your hand for 15 minutes.
02:29 Put this on. It'll be better.
02:31 I'm not really hungry.
02:33 You've lost your appetite like the girls in love?
02:37 And you are my friends. Stop making fun of me.
02:40 You know what happens when someone gets angry.
02:43 The jokes continue.
02:45 Exactly.
02:46 Okay, I give up.
02:48 I've lost the desire to be so happy.
02:51 What movie did you watch yesterday?
02:53 It was a French movie from last year.
02:56 It was about a pianist who, to help his criminal brother,
02:59 gets into trouble.
03:00 Very romantic.
03:02 Romantic. Maybe not.
03:04 It was poetic.
03:07 And I have to admit that we skipped some scenes.
03:11 I can imagine.
03:15 Salvatore and I sometimes get distracted at the cinema.
03:19 Well, yes, it's true that the darkness of the room
03:22 is a perfect ally for lovers.
03:24 I didn't imagine you so indifferent.
03:26 I'm an engineer, yes, but I'm in love.
03:29 Well, I swear, I think we're friends.
03:32 We go to the cinema like a normal couple.
03:34 You're a normal couple.
03:36 Yes, yes.
03:38 But everything happened so fast that I still have to get used to it.
03:42 And he loves you.
03:43 And he would do anything for you.
03:45 You just have to convince and enjoy happiness.
03:48 You deserve it.
03:49 Yes, but above all I'll have to convince Marcello.
03:53 Yes, that will be difficult.
03:55 I don't even know what to tell him, where to start.
03:58 It's easy. You could tell him, "Dear Marcello,
04:02 Ricardo and I have discovered that we love each other madly
04:05 and we want to spend the rest of our lives together."
04:07 Amen.
04:08 Yes.
04:09 It really was that easy.
04:12 Angela, you can't keep lying to him.
04:15 We're following your lead, but...
04:18 the more solid your relationship is, the more complicated it is.
04:22 Yes.
04:23 I'm sorry, I didn't realize you were in this situation.
04:28 No, don't get me wrong. It's not for us.
04:31 It's for you, because I know this situation worries you a lot.
04:34 Yes.
04:35 Then tell him frankly.
04:38 I know it's complicated.
04:40 I know he probably won't like it, but...
04:43 he loves you a lot and he's your brother.
04:46 And even if he has prejudices, I'm sure he'll understand.
04:50 Thank you.
04:54 Armando!
04:59 You're getting old.
05:01 It's the third time you've lost your keys.
05:04 I'm sorry for coming at this hour.
05:09 I need to talk to you.
05:11 Can I come in?
05:12 Of course. Come in.
05:13 Thank you.
05:15 I need to talk to you about Angela.
05:24 Or rather, about Angela and me.
05:27 What happened?
05:28 Nothing.
05:30 And...
05:31 everything?
05:33 I had prepared a speech, but I think it's best if I go straight to the point.
05:38 Angela and I are going together.
05:42 And I know this can surprise you.
05:45 No, I'm not surprised.
05:47 I'm just very upset.
05:50 I have good intentions.
05:52 I broke the engagement with Ludovica.
05:55 Mr. Guarnieri, please.
05:58 Thank you.
06:00 Do you want me?
06:03 No.
06:05 Her relationship can't work.
06:08 And she knows it very well.
06:11 Now, maybe they feel strong and free,
06:15 but her family will never accept her union.
06:18 And you'll end up listening to them.
06:20 Yes, that happened, but now it's different.
06:22 I won't repeat the mistakes.
06:25 I want to live this feeling with Angela.
06:27 With the approval of the Guarnieri or without.
06:29 Or yours.
06:31 Beautiful words.
06:33 But maybe a little dictated by an entourage of people who are not in the same situation.
06:37 Maybe a little dictated by a momentary enthusiasm and a courage.
06:40 Believe me, she and I have a bond that goes beyond social conventions.
06:45 The feelings that unite us are pure, sincere.
06:49 Marcelo, I ask you not to behave as my family has always done, that you are so less pious.
06:55 I don't belittle his family.
06:57 I'm just aware that people like you don't mix with people like us.
07:01 How is it possible that I am?
07:05 Do you know what it's like to live on a piece of land?
07:11 With a sick mother and a miserable father?
07:16 With the only concern of what to eat, huh?
07:22 No, I can't know.
07:25 But I can't feel guilty either.
07:28 You just need to.
07:30 But these are experiences that mark you and that you don't know.
07:34 Yes, it's true.
07:36 We've had different lives.
07:38 We have different experiences.
07:40 But what matters is what we are now.
07:43 And when they are not flowers and violets.
07:45 When problems begin.
07:48 The past will flourish and they will not like it.
07:51 This does not happen to all couples.
07:55 Angela is no longer a girl.
07:58 And I can't stop this relationship.
08:01 Angela would like to do you a favor.
08:08 But I'm doing her a favor.
08:10 That's why I can't accept this relationship.
08:14 Very well.
08:16 But if you give me the chance, I'll make you change your mind.
08:19 No, no.
08:20 Don't promise things you can't keep.
08:22 At least this.
08:23 I've made mistakes, but now it's different.
08:27 And now I'd rather not bother you.
08:30 Good morning, Marcella.
08:32 Have a good day, Mr. Guarnieri.
08:54 Guess what I cooked for Franco for dinner.
08:57 I'm sure.
08:58 A roast.
08:59 How original.
09:01 Dora, can you help me with the uniform?
09:03 Yes, I'll finish with Paula.
09:05 But I'm so beautiful.
09:08 It's amazing.
09:10 I'm speechless.
09:12 Come on, get out.
09:14 How are my hair?
09:16 Bad.
09:17 They are perfect as always.
09:20 Today we have a very long day.
09:23 Like every day.
09:25 Thank you.
09:26 I'm going to do my makeup.
09:30 How did it go with the Venus aspirants?
09:43 They were so beautiful.
09:45 It made me feel nostalgic.
09:47 It's true.
09:48 They remind me of how we were when we started two years ago.
09:51 We were so scared and so naive.
09:54 Those little clucking geese can't compare to us.
09:58 At least not to me.
10:00 You looked like a chicken.
10:02 I don't care.
10:04 I have a race at half past, girls.
10:06 Come on.
10:07 Do you have any to give me?
10:08 Look at the Caligari's closet.
10:10 It always has a couple of spare...
10:12 No, wait.
10:16 I'll do it.
10:19 They must be over there.
10:21 What's this?
10:24 Let's see how these Venus aspirants are.
10:28 What are you doing?
10:29 Irene, you can't do this.
10:31 Why not? One of them will be our colleague.
10:34 One more reason to tell you it's none of your business.
10:36 - Give it to me. - Of course it's my business.
10:37 And of each of you.
10:39 I'm sorry, but this time Irene is right.
10:42 Since Marina and Nicoleta left, we've had a lot of problems.
10:45 What does it have to do with it?
10:46 I miss Marina so much.
10:48 But I'm sure we'll be happy when we see her in a few months on the big screen.
10:52 Assuming that movie never premieres.
10:54 Of course it will.
10:56 And I'm sure it will go to the Venice Film Festival.
10:59 Then I'll marry a man from the American oil industry who will give me a huge and beautiful mansion.
11:05 With a pool or without?
11:06 Well, if Marina goes to the Venice Film Festival, I'll have at least two pools.
11:11 And also a tennis court and ten messengers.
11:14 - That and everything? - And everything.
11:16 - Do you think so or is our sign envious? - It's envious.
11:20 Give it to me.
11:22 Stop it.
11:24 I'll eliminate the competition.
11:26 This one is so qualified that in a month she'll be ours.
11:28 - Leave the resume. - What are you saying?
11:30 - But how old are you? - Irene, that's enough. Give it to me.
11:33 - You're so annoying. - Let her go.
11:36 Ladies, are you still like this?
11:38 Miss Barbieri has already ordered her section.
11:41 She's eager to leave right away.
11:43 Miss Cipriani, put the sheet back in my closet, please.
11:47 - I had a career and I was looking for a partner. - No problem.
11:50 - Can you take mine? But put this document in its place. - Yes, sure.
11:54 You look great.
11:56 Miss Adalombardo sounds great. Maybe she'll be the new Venice.
12:00 - Yes. - Adalombardo.
12:02 - Adalombardo. - Adalombardo.
12:05 Adalombardo.
12:07 - He's a paradise, he's a paradise. - He's a paradise, he's a paradise.
12:11 I had calculated it and I thought I'd get it.
12:16 But then the invoice for the beverage supplier arrived and nothing.
12:19 Just now he had to remember to make you the invoice.
12:22 - What a shame. - Let him go.
12:25 And if we don't pay him, he won't bring us the beers or anything.
12:30 Paris will be very sad all alone.
12:34 - Since I love you, I try to believe it. - It's the truth.
12:38 I know, I'm kidding. So you know what we'll do?
12:41 We'll go on the cloud journey.
12:43 Instead of thinking about the cloud journey, you've made the coffee order.
12:46 It's true, I almost forgot. Wait, I'll write it down right away.
12:49 Very well.
12:50 - Have you seen it? - It's what I told you.
12:53 - Good morning. - Thank you.
12:55 - Good morning. - Good morning. - Hello, guys.
12:57 So, Salvatore, ready to make your promise to a very romantic weekend?
13:01 You know that if you don't kiss her in the moonlight by the Seine, it's not love?
13:06 Has something happened?
13:09 Let's say that my promise will have to be fulfilled with a kiss at the Navigli.
13:14 The suppliers conspire against our love.
13:17 And now, for better or for worse, I'm a businessman.
13:20 So I have to choose between pleasure and debt.
13:23 I'll have to go alone.
13:25 Maybe not.
13:26 Of course it won't be the journey you dreamed of,
13:28 but I'm sure Marta will find a way to comfort you by visiting museums, restaurants and shopping.
13:34 - But, can I really go? - Of course, my love.
13:37 It would be wonderful if you accompanied me.
13:39 Yes, and who better than an expert photographer to immortalize your Parisian debut.
13:44 Of course, a businessman who has a dream always knows how to combine debt with pleasure.
13:48 - We'll have a lot of fun. - Of course.
13:50 I thought you could...
13:51 And luckily, two minutes ago, she died because she had to go without me.
13:54 Can we trust her to send her alone to Paris?
13:57 Well, I'd say no.
13:59 But we can't do anything about it.
14:01 Besides, you have to go to Rome.
14:02 Of course, to see the President of the Republic.
14:05 You have to admit that it sounds much less... exciting.
14:09 Come in.
14:15 If I may, I would like to talk about the release of the pieces.
14:19 But what are you doing?
14:20 I'm trying to save appearances.
14:22 How are you?
14:25 Well, I'm just smiling, sighing, sighing and smiling.
14:28 But you always smile.
14:30 But I want to smile at the mannequins too.
14:32 I understand, I've been doing the same since I got up.
14:34 What? Smiling at the mannequins?
14:35 No, but this morning I said good morning to the calculator.
14:38 If you hadn't come up, I would have come down with an excuse to say hello.
14:41 Before, Miss Vianello had to call me three times before I answered.
14:46 That's not for you, Mrs. Caligari.
14:48 I know, but I can't do anything about it.
14:51 I keep thinking about us and what's going on.
14:54 And the fact that everything is true.
14:56 And by the way, have you remembered to tell Enio that your thing is over?
15:01 Luchano, Enio is a very good person, really.
15:04 But in reality, it never started.
15:06 And Sylvia, on the other hand, do you want to talk to her about us?
15:11 Yes, I would like to do it, but I wouldn't change things, you know.
15:18 I can only offer you my love, nothing more.
15:21 I understand, don't worry.
15:24 I would like to start a new life with you. Maybe go to...
15:28 Luchano, enough. You don't have to justify yourself.
15:31 I know that the moment is not easy.
15:33 There is your wife, your son, and I know how much you love Federico.
15:38 And it's fine like this.
15:40 I'm done knowing that you love me.
15:42 Because you love me, right?
15:44 I love you, nonsense.
15:49 Anyway, I would never ask you to leave your family, Luchano.
15:53 Because you are an exceptional woman.
15:56 A woman in love that has to go back to work.
16:01 -Claudia. -Yes?
16:05 -Are you doing it again? -What?
16:07 -Leaving this office without... -No.
16:10 [Music]
16:13 Good morning.
16:28 Good morning, Marta.
16:30 Did you send Gabriela to see if I have finished sewing these tassels?
16:35 No.
16:36 But what does everyone have against buttons now?
16:39 What have they done? Why do they want these tassels?
16:42 Buttons waste time.
16:44 Now we are in the 60s and people run fast.
16:47 But where are they going so fast?
16:49 To the future, to their own dreams, right?
16:51 And anyway, don't send me Gabriela. I'm going to make a phone call.
16:54 Please.
16:55 I have known that you will accompany her to Paris, Gabriela.
16:58 Yes, she would have preferred Salvatore, but she will have to settle for me.
17:02 Well, maybe at this moment it's better this way.
17:05 That son of mine is impulsive, a little exaggerated.
17:08 Yes, more than exaggerated, his son is jealous.
17:11 -Very. -But don't worry, I'll keep an eye on Gabriela.
17:15 And who will watch them both?
17:18 Hello, my name is Marta Conti.
17:22 I called you yesterday from Italy, yes.
17:25 Would it be possible to have a date with Professor Grelian?
17:30 I'll be in Paris Friday, next, yes.
17:35 -Excuse me. -Yes?
17:37 Thank you, Marta Conti.
17:40 Good morning, Mrs. Amato.
17:44 Good morning, excuse me, I'm a little hungry.
17:46 Of course, it's good.
17:47 I have booked a guided tour of the museum.
17:50 Oh, and I thought you would be doing shopping.
17:53 We'll probably have time to do that too.
17:55 Well, ma'am, can I steal Marta for a moment?
17:57 I would only miss you, man.
18:00 Before I start filming, I would like you to take care of a couple of things while I'm in Rome.
18:06 So if you come with me to the office, I'll explain everything to you before I go.
18:10 Yes, you're the boss, right? I can't say no.
18:13 Please, this way, Mrs. Amato.
18:16 -Have a good time. -Have a good time.
18:18 Bonjour, l'amour.
18:27 Bonjour.
18:29 Please, go ahead.
18:36 Thank you.
18:38 Where's your mother?
18:40 She's gone down for a moment, but she'll be back soon.
18:43 I'm sorry for coming without telling you, but I'm about to leave for work and I'd rather go in person.
18:50 You did well.
18:52 Here's the full speech.
18:56 That's exactly what I wanted to hear.
18:59 It hasn't been easy to finish it in such a short time, but I'm quite satisfied.
19:06 I hope I don't sound presumptuous by saying this.
19:09 Not at all. I've always thought that false modesty is a virtue for imbeciles.
19:13 I'll sign this one.
19:15 Looking at these first pages, I think it's excellent.
19:22 Congratulations. My son and Vittorio were right.
19:25 I'm really impressed by how you've focused on this.
19:28 The importance of work, pride, and humor.
19:31 Well, at the end of the day, the exhibition is a device, right?
19:34 My mother should be here any minute now. Federico.
19:37 Good afternoon, Luciano.
19:41 Good afternoon.
19:42 What are you doing here?
19:44 I went to get you some medicine and I took advantage of the lunch break to bring them to you.
19:47 Thank you. Are you staying for lunch?
19:49 No, I'm going straight back to Paradise.
19:51 I'm sorry, but what are you doing here?
19:53 Your son helped me with the speech I have to give in Rome at the official opening of the exhibition.
19:58 Do you remember the eyes I had this morning?
20:01 You told me you were working on your novel.
20:03 Yes, it was a surprise. Mom said you'd be very happy.
20:07 And she must be right, Luciano.
20:09 Your son is a really brilliant boy.
20:11 I'm convinced he'll be a top-notch writer.
20:14 He is.
20:15 You say that because you're my father. The road is still a long way to go.
20:19 I'm sorry, but I have to go back to the office.
20:23 Well, work comes first.
20:27 That's how I've known him. You must be proud of your father.
20:30 Yes, I am.
20:31 Federico, when your mother comes back, tell her to come to the office as soon as possible.
20:35 Okay. Has something happened?
20:37 No. But you remember to tell her.
20:41 Commander.
20:43 Luciano.
20:44 Have a good day at work.
20:46 This first paragraph...
20:49 Good morning.
20:54 Good morning.
20:55 Always the same?
20:56 No, I'd like to speak to Marcello.
20:58 No need. I know everything.
21:00 I'll bring this to the ladies.
21:02 Guess who came to see me.
21:07 Enricardo.
21:08 He's a good boy. A boy like the others. Someone you can trust.
21:14 You're right. I'm sorry.
21:16 No, don't worry. If it's news like any other, don't worry.
21:20 Marcello, I've apologized.
21:22 The truth is that I didn't dare.
21:26 I was afraid how you would react.
21:29 Badly. But I don't think I would have preferred to know it for you.
21:32 Listen, but for once, couldn't you be happy for me?
21:36 I'll do it when you've found the right boy.
21:38 He is.
21:39 Like us, I mean.
21:44 Like who? Excuse me?
21:46 You know exactly what I mean.
21:48 We are good people. Just like Enricardo.
21:52 I see.
21:53 Okay, you don't like it, but you shouldn't.
21:58 Marcello, I love Enricardo.
22:03 Like I've never loved anyone in my life.
22:06 And I don't intend to give him up. For no reason.
22:12 Very well.
22:13 That's what you think now.
22:15 Yes.
22:16 And then?
22:17 Then when? When he'll be tired of me?
22:20 When he'll have left me because I'm just a simple dependent?
22:23 For example.
22:24 Well, I'm willing to take the risk.
22:27 Listen, I've found a person who loves me as I am.
22:33 Without... without being ashamed of it.
22:36 And without hiding it.
22:41 I beg you, don't hide it.
22:43 Let me be happy.
22:46 Come in.
22:57 Luciano.
23:00 Federico told me you wanted to talk to me.
23:06 But I don't understand why you made me come running here.
23:08 Couldn't you call me?
23:09 I didn't call Federico.
23:11 What's wrong with Federico?
23:14 Why did you hide from me that you were working for Umberto Guarnieri?
23:19 I did it for you.
23:24 I thought that if you knew it once it was over, it would hurt you less.
23:30 Come on, you always do everything for me, right?
23:33 But can you imagine how I felt when I got home and found them together?
23:39 I'm sorry.
23:40 They were there, talking as if they were intimate friends.
23:43 And Umberto kept complimenting her.
23:45 I was about to hug her.
23:47 I know, Luciano. I'm sorry, but I already told you that...
23:50 I don't care about your explanations, Silvia.
23:52 And I warn you, I won't accept you to hide anything from me again.
23:58 It won't happen.
24:01 Of course it will.
24:04 It always happens, right?
24:07 But I want that man to not have sex with my son, do you understand, Silvia?
24:12 Yes, I understand.
24:15 Good.
24:16 Are you sure you'll be okay?
24:24 Yes, don't worry.
24:25 I'd like to stay with you.
24:27 I'm sorry to leave you alone in such a difficult moment.
24:30 Vittoria, as you always say, business is business.
24:33 Yes, your father actually says that.
24:36 It's true, you're right.
24:38 But now there's the Expo and President Gronki.
24:43 You can't lose all of this.
24:45 And in two days I...
24:47 You'll be in Paris, I know it.
24:49 Yes, the surprise you gave me this morning was very nice.
24:52 Making my wife happy is always my first thought.
24:56 Come here.
24:59 Now you're perfect.
25:05 Where do you get all this strength from?
25:07 I don't know, maybe I inherited it from my aunt.
25:11 I'm sorry, this time...
25:14 I'm the one who has let it slip.
25:17 You shouldn't be sorry.
25:20 Making my husband happy is always my first thought.
25:25 If you say it to calm me down, you shouldn't.
25:28 You need to talk about certain problems, otherwise...
25:31 they never get resolved.
25:33 Yes, but now you're risking losing the train.
25:35 Come on, have a nice trip.
25:38 I'll call you when I get there.
25:42 Very well.
26:02 Congratulations on the new collection.
26:05 The new pieces are beautiful.
26:07 Thank you.
26:08 Tell her, she doesn't sleep at night.
26:11 We're not exaggerating.
26:12 I'm the one who doesn't sleep,
26:14 especially since that horrible article came out.
26:17 The bikinis are lovely.
26:19 If I were a few years younger, I'd buy one right away.
26:23 Don't tell Silvia, she thinks I could afford it.
26:27 They'd be both lovely.
26:29 You're lucky, Camila, you don't have a husband.
26:32 I have to go now.
26:34 I have to make dinner.
26:36 Have a nice trip.
26:37 Remind Nicoleta when I talk to her.
26:39 I will.
26:40 Have a nice trip, Silvia.
26:42 Have a nice trip.
26:43 After everything that's happened, do you realize
26:49 that it's not enough for you to keep lying to me?
26:51 It seemed like it.
26:55 I can't believe I've spent so much time with someone...
26:59 Why didn't we meet before?
27:03 I haven't felt sorry for you in the past.
27:05 What matters is that we're here.
27:07 You're the most beautiful thing that's ever happened to me.
27:11 Along with your children, they're a gift.
27:14 And Margarita?
27:16 I love her so much, but...
27:18 if it weren't for you...
27:20 I'd be completely alone.
27:23 Then I'll make sure it never happens.
27:25 I know it's terrible to say this, but...
27:32 I don't feel guilty about what happened.
27:34 Silvia wanted it that way.
27:36 Luciano...
27:37 I'm telling you the truth, and also that I have to live with a man who doesn't love her.
27:40 I don't feel sorry for her.
27:43 I don't want to feel guilty about loving you.
27:48 I'm sorry.
27:50 When did she talk to him?
28:01 This morning, I think.
28:03 But she could have asked you first.
28:06 Yes, but she knew I wouldn't see myself as capable.
28:08 There was no other way.
28:10 Anyway, I'm glad she agreed to talk to my brother.
28:15 I understand.
28:17 What do you understand?
28:18 I understand that you're in the phase where anything that Ricardo does will be a heroic act.
28:22 No, and now?
28:24 No.
28:25 What do you say?
28:26 Maybe yes.
28:27 Is it sad?
28:28 Well, yes, a little bit.
28:30 But it'll pass.
28:31 And how did Marcello learn?
28:33 He didn't make fun of it.
28:35 It's always better than a total rejection.
28:37 Yes.
28:39 I could make a list of all the things he doesn't like about Ricardo.
28:42 You have to be calm. I think he'll accept it.
28:45 But it'll take some time.
28:47 A lot.
28:48 Yes, I know.
28:50 And he also said he would have preferred if I had talked to him first.
28:53 But you had good reasons not to do it.
28:56 I'd like a little bit of your optimism right now.
29:00 You know what they say? Good will, my friend.
29:02 Yes, the one that Marcello doesn't have.
29:04 Anyway, Marcello is just one of the obstacles you'll have to face.
29:08 Your optimism also has limits.
29:11 I just want to be realistic.
29:13 I don't know, I'm worried about you.
29:15 Have you thought about how the Guarnieri will react?
29:18 Marta is in our favor.
29:20 Yes, we don't need to doubt her.
29:22 And the Countess?
29:24 I don't know.
29:26 She hates me for so long that now I'm used to her evil.
29:29 Are you sure?
29:30 Because the Countess's resources are really endless.
29:33 You're right.
29:34 Maybe I interrupt a conversation of girls.
29:37 No, no, nothing important.
29:41 I would have liked to take you out for dinner, but I've been busy until a few minutes ago.
29:45 Don't worry, I've also had work.
29:48 We can do it with dinner.
29:50 We'll go to the old tavern.
29:52 The old tavern?
29:55 So suddenly? But I...
29:58 And why don't we have a nice dinner at home?
30:00 What do you think?
30:04 Well, I don't know.
30:07 Of course, it's not as good as the old tavern, but Gabriella's risotto is very good.
30:13 Well, you know, I'm telling you, that place is overrated.
30:16 I prefer a risotto made at home and a dinner with friends.
30:20 Okay.
30:22 Shall we get back to work?
30:26 Yes.
30:27 Good job.
30:28 Thank you.
30:30 [laughs]
30:32 How much butter, Roberta?
30:42 Pollastra La Paisana, Pollastra with rice, Pollastra stuffed with grandma, Pollastra roasted... No.
30:47 Roberta, how much butter?
30:48 One moment, I can't find the risotto.
30:50 What are you saying?
30:51 Boiled risotto, I've got it, I've got it.
30:53 Milanese risotto, wait a moment.
30:55 I've got it, butter, and it says "cuena". How much butter should be "cuena"?
31:02 Not how much, not how much butter, how much is necessary.
31:05 How much is necessary or how much butter?
31:07 How much is necessary.
31:09 And couldn't they write "how much is necessary"? It would be clearer, right?
31:12 Cuena, Roberta, Roberta, Roberta.
31:13 Roberta, Roberta, Roberta, it's a risotto with saffron. We're talking about building a dam, do you understand?
31:17 Of course, but if we make a mistake, it will be a disaster.
31:19 Girls, I'm done.
31:21 And you? Is everything okay here?
31:23 The necessary quantity.
31:25 Is he here?
31:28 And you're still like this?
31:29 You were paying for us to pay.
31:31 Yes, I'm coming, I'm coming.
31:32 Come, come.
31:33 This here.
31:35 Everything okay, right?
31:36 Ready?
31:37 Yes.
31:38 Good afternoon.
31:41 Good afternoon.
31:42 Hello.
31:43 Please, come in.
31:44 Thank you.
31:45 Angela is getting dressed. Just a moment and she'll come.
31:48 What beautiful flowers, lovely.
31:50 And the iron, that green one.
31:53 Chartres?
31:54 No, I don't feel like it now. The iron, I said.
31:56 No, the green iron, Chartres.
31:58 The color.
31:59 It's in the closet.
32:00 Chartres, now that she's a designer, she has a name for all the shades of colors.
32:05 Very well, I'll take this and put it in the fridge, because if it's not hot, it's terrible.
32:09 Well, yes, since you've been in Paris, she's an expert in champagne.
32:14 That's just envy, but don't worry, it'll pass quickly.
32:17 I'm not worried at all. In fact, I'm used to this kind of charm.
32:21 They're very familiar to me. My aunt and my sister are worse.
32:24 I can imagine.
32:26 The bag.
32:28 Well, you're beautiful.
32:36 Thank you.
32:46 They're usually two normal girls.
32:49 As far as they can be a designer and a future engineer.
32:53 The risotto is ready, we can sit.
32:55 But who is it at this hour? I'll go.
32:59 Excuse me, as always, I forgot to buy salt.
33:03 Do we have guests?
33:06 Yes, it was improvised.
33:08 Yes, an idea of mine. You too.
33:11 No, I don't want to bother, thank you.
33:13 You're welcome. In fact, I'm sure we'll all like it. Right, Ricardo?
33:17 Absolutely. In fact, it could be a way to get to know each other.
33:21 What if we ended up liking each other less?
33:23 What if we ended up making friends?
33:26 You believe in miracles.
33:28 Yes, they depend on me.
33:30 But it doesn't just depend on you.
33:32 I can also set the table for another, if necessary.
33:35 You see? Three women who are looking for you.
33:38 You don't want to let them go.
33:40 I'm afraid so. Have a good dance.
33:43 Marcelo, the salt!
33:45 Very well.
33:47 I'm sorry. Do you want to go talk to him?
33:51 No, tomorrow.
33:53 Now I want to enjoy a beautiful dance with my best friends and...
33:58 and my promise.
34:01 Any wish of yours is an order.
34:04 Come, thank you.
34:05 Yes, the risotto is ready.
34:08 I'll have the champagne.
34:10 We'll wait for the risotto to cool down.
34:13 Here it is.
34:15 And now, first the guest.
34:18 That's all, fabulous.
34:20 Thank you very much.
34:24 Thank you.
34:26 What movie have you been to see with Federico and Paolo?
34:38 I don't know. Federico didn't tell me.
34:42 Pass me the dish.
34:48 Don't you eat?
35:04 I'm sorry, I'm not hungry.
35:07 Luciano, wait.
35:12 I saw you.
35:17 Today, at your office.
35:20 So good, you knew that Federico is Humberto's son.
35:29 You went to console your arms, right?
35:34 When I found out, I thought I was dying.
35:37 And consoling myself was the last of my worries.
35:40 I won't listen to your provocations, Silvia.
35:43 My life is not your business anymore.
35:46 It's not true.
35:48 You're still my husband.
35:50 It's just an appearance, and you know it.
35:53 I should have imagined it as weak as always.
35:56 You never understood me.
36:01 This is what you like to repeat.
36:04 Every time you feel in a bad position.
36:07 But this time I won't fall for it.
36:09 This time, don't continue to play the victim.
36:12 I guess you must have told him about Federico.
36:19 He found out by himself.
36:21 He read the letter you wrote me.
36:23 Why didn't you hide it?
36:25 We could have brought the secret to the grave, if I could.
36:28 But it didn't work.
36:29 And now I can't do anything.
36:31 But you know what?
36:32 I'm happy.
36:33 I'm happy you saw us.
36:35 So I won't have to lie to you anymore.
36:38 Do you think I care about you and Clelia?
36:44 Do you think I'm stupid and I haven't seen you for months?
36:48 You've done nothing but think about her.
36:52 I tried.
36:54 I tried to love you like a wife or a life partner.
36:58 You know I tried.
37:00 Of course.
37:01 For you, it was just a burden.
37:05 An effort, a condemnation.
37:07 And now you're the victim.
37:09 Do you want to be by Clelia's side?
37:18 Do you want to run in her arms?
37:24 Go.
37:26 You should go.
37:34 I won't hold you back anymore.
37:37 But what I'm most afraid of...
37:41 ...is not just your betrayal.
37:44 But that she finds out our secret.
37:49 And I hope she loves you enough to never tell her.
37:53 Because if she doesn't, Federico's life and our family's will be ruined.
37:59 And now go.
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