How I See Through You Full Episode
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Short filmTranscript
00:00 (dramatic music)
00:02 (eerie music)
00:15 - You guys saw that?
00:26 This is said to be the very bed that Eliza Lam slept in.
00:30 Over the next seven days, I'm gonna give you the full tour.
00:34 I think she just possessed me.
00:36 Subscribe to my channel for more content.
00:39 - This video uploaded by English Movie and Lee
00:42 in dailymotion.com.
00:43 (woman screaming)
00:56 (woman screaming)
00:59 - Housekeeping?
01:06 - Not for me right now, thanks.
01:08 Yes, it's all gonna be worth it.
01:20 All right, that's it for today, guys.
01:22 See you tomorrow.
01:23 (phone ringing)
01:26 Hi, I'd like to book a room for one.
01:40 Seven nights in total.
01:42 How much will that cost?
01:46 All right, I'll take it.
01:51 (dramatic music)
01:54 Hey, hey, cut it out.
02:19 Don't make me come up there.
02:20 All right, you little brat, you asked for this.
02:31 I've got no time for games, kids.
02:39 Go to bed, stop being creepy.
02:41 - Good evening.
02:45 - Don't sneak up on me like that.
02:48 (dramatic music)
02:50 - So, so you can see me?
02:53 - Of course I can see you.
02:55 What kind of weird question is that?
02:56 - Fair enough.
02:59 What are you doing out here this late?
03:03 - This is what I'm doing.
03:04 I think somebody's screwing with me.
03:06 - Is that what you think?
03:14 There are no kids here, just an old door
03:18 that's been broken for a while.
03:20 What?
03:25 - Look, it's late.
03:26 I think I'm gonna go back to bed.
03:29 - All right.
03:30 I'm Roland, by the way, in room 202.
03:34 - I'm Mia.
03:37 It's nice to meet you, Roland, from room 202.
03:40 (dramatic music)
03:43 - Where did I see that guy before?
03:46 - Hey guys, welcome to the Seesaw Hotel Diner.
03:56 I guess ghosts gotta eat too, right?
03:58 (gasping)
04:00 - My T-shirt!
04:01 - We're kids these days.
04:02 You've gotta be more careful.
04:04 - Are you a tourist?
04:06 Are you here by yourself?
04:08 - I'm an influencer.
04:10 Just trying to get more followers.
04:11 - Oh, that's fascinating.
04:13 - I'm Akifa.
04:15 - I'm Mia.
04:17 - Did you go outside and play today, Joseph?
04:22 How many times did mommy tell you to be careful?
04:28 - Never listen.
04:31 - Mommy met a nice lady this morning.
04:38 I think you're gonna like her.
04:40 You wanna go say hi?
04:41 Huh, sweet boy?
04:42 (humming)
04:47 (eerie music)
04:52 - See?
04:59 No kids here.
05:01 - I'm Roland, by the way.
05:03 (crying)
05:07 (eerie music)
05:09 - Hi, Mia.
05:19 - Are you messing with me?
05:20 - Mia, what did I do?
05:27 Mia, is, excuse me, hello?
05:31 - Is it in there?
05:34 - Is what in there?
05:35 Mia, Mia, what is that?
05:37 - Your bug, or your spy cam.
05:39 - Oh.
05:42 Mia.
05:44 - All right, let me see it.
05:47 Show me your phone.
05:48 - Show you my what?
05:49 - Five minutes after we met last night,
05:52 you left me a creepy comment.
05:53 Show me your phone and prove it wasn't you.
05:56 - My phone?
05:57 Mia, I, I don't have a phone.
06:01 - Are you serious?
06:02 You don't have a phone?
06:04 - I'm sorry.
06:05 If there's anything I,
06:06 if there's anything I can do to help, I.
06:08 (door slams)
06:12 - Let me out!
06:34 Let me out!
06:35 (door slams)
06:42 (eerie music)
07:03 - Let me out!
07:05 - All right, you got me.
07:07 Now come on out.
07:08 - Help, somebody?
07:27 - You were right.
07:29 Thank God I followed you.
07:32 - I thought you might need my help.
07:35 - Thanks.
07:36 Your timing was perfect.
07:38 - What happened here?
07:39 - It's a long story.
07:42 I'm sorry I accused you.
07:48 I think it's best if I leave this place.
07:52 I don't wanna die here.
07:54 - Oh.
07:56 Well, if you've made up your mind.
07:58 - But thank you so much
08:00 for all of your help while I've been here.
08:02 Maybe we can meet up at Venice Beach or something.
08:04 - It's way cooler than this sorry place.
08:06 - Venice Beach?
08:08 What?
08:10 What?
08:13 What's wrong with my head?
08:15 I'm sorry Mia,
08:20 but I can't leave this hotel.
08:23 - Look boss, you're not here.
08:30 You don't know how messed up this place is.
08:32 - Mia, you gained nearly a thousand subscribers
08:35 through yesterday's streaming alone.
08:36 Are you sure you're ready to lose all these new fans?
08:41 It'd be a shame if you walked away now
08:42 and gave up on that million view bonus.
08:44 (indistinct)
08:50 (phone ringing)
08:53 - Mia, my baby girl.
09:10 Help me.
09:11 These people have come to collect me.
09:16 They want their $100,000.
09:20 Help me.
09:21 - Mom?
09:28 Mom, are you all right?
09:29 - Did you like that little gift we sent you?
09:34 - I'm not paying a dime unless I know my mother is unharmed.
09:37 - Mia.
09:39 - Mom?
09:40 Mom, are you all right?
09:41 Did they hurt you?
09:42 - No, but these people are mad.
09:45 They want their money.
09:47 - Why did you go gambling again, mom?
09:50 I can't come up with a hundred thousand in a week.
09:53 - I'm sorry, baby girl.
09:55 I thought it would be the last time.
09:58 - If you call the cops, she's dead.
10:01 Like I said, a week.
10:03 - Hello?
10:04 - Are you listening?
10:14 You must think I'm pretty pathetic and lame.
10:17 - No, Mia, I-
10:18 - I don't need your sympathy.
10:20 - Wait, Mia, can't you borrow the money from a friend?
10:29 - A friend?
10:31 Girls like me don't have friends, Roland.
10:33 As far as everyone else is concerned,
10:39 I'm just a superficial face on social media
10:41 showing skin for likes.
10:43 - Oh, come on.
10:47 (somber music)
10:50 I don't think you're superficial.
10:52 - Thanks.
10:53 You know, I never imagined living this life,
10:56 but it's like I'm destined to do this.
11:01 - My apologies for not being able to give her my blessings.
11:14 The child was born with the burden of the sins
11:19 she committed in her previous life.
11:22 - What?
11:23 No, is there any way to cleanse her of those sins?
11:28 - I assume the child hasn't been named yet?
11:33 Consider naming her Mia.
11:37 It is from ancient Egypt, meaning beloved.
11:43 It may counteract the punishment
11:48 which will befall on her,
11:53 but there is only so much I can do.
11:56 - So that's how I got my name.
12:05 Doesn't seem like it helped much.
12:10 - We can all choose our own fate, Mia.
12:13 - Do you know how many different jobs I tried before this?
12:16 It's like I can fight it all I want,
12:21 but at the end of the day, the script is set for me.
12:24 - I just think it was coincidence and some bad luck.
12:31 How can someone possibly punish you
12:34 for something you did over a lifetime?
12:40 - A lifetime ago.
12:41 - Are you okay?
13:00 You blacked out.
13:04 Is there something you're not telling me?
13:08 (knocking)
13:10 - What's that?
13:11 - I don't know.
13:12 I didn't order anything.
13:14 (screams)
13:24 - Oh, no, no, no, no, no, no, no, Mia, Mia.
13:28 That, that, that, that could be anybody's.
13:31 - She got that when she and my dad were dating.
13:34 That's my mom's.
13:35 They cut off her finger.
13:37 (dramatic music)
13:39 - I can't call the cops.
13:45 They'll kill her.
13:46 Fred, I'll do it.
13:51 I'll stay in the damn hotel and keep streaming,
13:54 but you can better keep your promise.
13:58 When I hit that million views, I want my bonus.
14:01 I'm gonna get that money and save my mom.
14:08 (dramatic music)
14:10 - Hey, guys, I'm in the back lawn of this creepy hotel,
14:13 right where they found the body of the black doll.
14:15 What are you guys talking about?
14:21 (dramatic music)
14:24 (gasps)
14:31 (dramatic music)
14:36 (dramatic music)
14:38 - It's past your bedtime, children.
14:41 It's not okay to snoop around.
14:45 - I can't believe people are still staying here.
14:50 So stupid.
14:51 - Yeah, I thought--
14:52 - Excuse me, we need to get through.
14:54 - We?
14:56 (dramatic music)
15:02 - Um, well, I guess this means goodnight.
15:07 - Goodnight?
15:11 - Yeah, goodnight.
15:14 - Thank you for saving me.
15:21 (dramatic music)
15:24 (dramatic music)
15:27 - Oh, no, hey, hey, hey, Mia, Mia.
15:36 (dramatic music)
15:40 Mia.
15:46 Mia.
15:49 Oh, thank God you're awake.
15:51 (dramatic music)
15:54 - What happened?
15:59 - Well, um, we kissed and you passed out.
16:05 - I just remember a sharp pain in my chest,
16:13 like I was having a heart attack,
16:15 and I couldn't breathe.
16:17 - I think it--
16:20 (dramatic music)
16:23 - Wait.
16:27 I'm so sorry, I have to go.
16:32 - What?
16:35 (door creaking)
16:39 (dramatic music)
16:42 (dramatic music)
16:45 - You've been stuck here a long time, Roland.
16:55 She could be your only way out.
16:59 - Is that me?
17:06 Am I dead?
17:10 What happened?
17:12 Why can't I remember anything?
17:14 (dramatic music)
17:23 (dramatic music)
17:26 - That's him, sir.
17:43 - Roland, huh?
17:44 Take him away.
17:46 - I win, you fucker.
17:51 I will take everything from you.
17:52 (dramatic music)
17:57 (eerie music)
18:08 (dramatic music)
18:11 - I'm so sorry, I have to go.
18:25 - What?
18:27 (dramatic music)
18:30 (dramatic music)
18:33 (doorbell ringing)
18:52 - Can I help you, miss?
18:53 - There's definitely something you can help me with.
18:56 See, my friend Amanda is also staying here,
18:59 but I don't know what room she's staying in.
19:01 Do you think you could look it up for me?
19:03 - Sorry, but all invo's for our customers stay private.
19:07 It's hotel policy.
19:09 - Fine, but do you think you could do me a favor?
19:16 See, my friend and I got into an argument.
19:18 That's why I was looking for her.
19:19 Do you think you could send a food platter to her room
19:23 and put it under this number?
19:25 (dramatic music)
19:28 Don't tell her it was me, though.
19:37 I want it to be a surprise.
19:40 (knocking)
19:48 - Hi, it's Cody from reception.
19:51 We just wanted to send up this gift,
19:53 a compliment to the hotel.
19:55 - Oh, thank you.
19:58 - Enjoy.
19:58 - That's nice.
20:01 - Have a great stay.
20:02 (knocking)
20:10 - Mia.
20:11 Look, I'm sorry for walking out last night.
20:15 Can I talk to you?
20:15 Look, you can be mad at me later, but right now--
20:20 - Why are you talking to the door?
20:22 - Oh, well, I just thought that--
20:25 - Come on, we can talk inside.
20:27 - So, um--
20:32 - Well, what about the woman we met outside?
20:34 - Right, yes, her.
20:37 There is something off about her.
20:39 It was about seven days ago.
20:42 She checked in on June 15th, and she was acting bizarre.
20:49 Here, let me help you with that.
20:51 - Thank you.
20:52 (gasping)
20:53 Be careful, that's my baby!
20:55 - Don't touch him!
20:56 - It was like she believed that doll was a real human being.
21:03 - That's so weird.
21:08 So, could it be her?
21:10 The doll by my door?
21:11 - Who knows?
21:13 But get this, after that day,
21:16 I always saw her down in the hotel lobby
21:18 just walking around as if she was looking for something.
21:23 (gasping)
21:26 - I'm so sorry!
21:27 - Or someone.
21:31 - Who?
21:32 - Me.
21:34 (eerie music)
21:44 (eerie music)
21:47 - What's all this?
21:59 What's going on?
22:00 - It's Basta's birthday tomorrow.
22:01 We're gonna celebrate.
22:02 - Oh, is he big on birthdays?
22:04 - Not really, no.
22:05 But it's a big one.
22:06 It's the 61st.
22:08 See, there's a rumor that none of the previous owners
22:13 of this hotel have lived to be more than 60.
22:15 It's like a weird curse.
22:17 - Or some freakish coincidence.
22:19 - Could be.
22:20 We'll see after tonight.
22:21 - Excuse me, do you know where I could find your boss?
22:28 Thank you.
22:30 - Forgot this.
22:38 - Right.
22:41 Thank you, so silly of me.
22:43 - No, it's okay.
22:44 Don't forget our agreement, 10 o'clock.
22:47 - I won't.
22:48 I'll get you all the evidence you need.
22:49 (knocking)
22:58 (door creaking)
22:59 - Oh, Mia.
23:00 What's up?
23:02 - I need your help, tonight.
23:05 (eerie music)
23:07 (thudding)
23:12 (eerie music)
23:16 (eerie music)
23:19 (eerie music)
23:22 (eerie music)
23:25 (eerie music)
23:35 (eerie music)
23:49 (eerie music)
23:51 - It's him.
23:58 The boy that was murdered at Seesaw.
24:02 - That's right.
24:03 (screaming)
24:06 (screaming)
24:18 - Why?
24:19 Why me?
24:20 You don't even know me.
24:22 - Oh, you know.
24:24 You're just a dumb girl who came here by yourself.
24:26 (laughing)
24:31 Somebody has to die.
24:34 And now I can get justice for my children.
24:39 (screaming)
24:41 - Mia.
24:45 Are you all right?
24:47 - No, no, no.
24:49 - Let's get you up.
24:51 Come on, come on.
24:52 - That thing almost cut me in half.
24:56 - Oh, Mia, I'm so sorry.
24:59 - No.
25:04 No.
25:06 No!
25:07 No!
25:08 Your plan is over, Amanda.
25:11 - Amanda Mitchell.
25:17 - Yes.
25:18 - The killer was caught right after the murder,
25:22 Ms. Mitchell.
25:23 Blaming and suing us won't bring your son back.
25:27 - Bitch!
25:29 I know you love the attention, don't you?
25:32 The infamous murder hotel, it's so good for business.
25:35 But I'm curious.
25:38 What gave me away?
25:40 Huh?
25:42 (laughing)
25:46 (eerie music)
25:48 But I'm curious.
25:50 What gave me away?
25:51 - I didn't know what you could possibly hold against me.
25:57 But then I found this.
25:58 10 years ago, boy murdered and dismembered
26:01 in hotel backyard.
26:03 Your son, Joseph, was murdered in this hotel.
26:06 That's why you've been sneaking around, right?
26:08 So you can make it look haunted.
26:10 So even if I die, no one would suspect you.
26:14 - I just miss my Joseph so much.
26:16 But that's why I have the doll.
26:20 It looks just like him.
26:22 It even smells like him.
26:23 - Then why would you put the doll at my door?
26:26 - What are you talking about?
26:29 - Why would I give you my Joseph?
26:31 - No.
26:32 - If it wasn't you, then who could it be?
26:36 - Take her to the basement.
26:39 - No.
26:41 No, where's my Joseph?
26:42 Where is he?
26:43 No.
26:45 - Hey, hey, Mia, Mia, Mia.
26:47 Hey, hey, hey.
26:49 Look, it's over.
26:51 You can relax now, okay?
26:53 - Thanks for saving me again.
26:59 - Well, well, little girl.
27:02 You and I aren't so different.
27:04 - What?
27:05 What?
27:06 (laughing)
27:08 (dramatic music)
27:11 - What was Amanda talking about?
27:16 - Mia, you need to stop thinking about that.
27:19 It's not doing you any good.
27:21 What would do you some good is if you disinfect this
27:24 and get some good rest, all right?
27:26 - It's almost midnight.
27:32 Richard's alive and well.
27:34 There's no such thing as the curse.
27:38 (dramatic music)
27:41 (groaning)
27:43 (dramatic music)
27:46 (somber music)
27:57 - You.
28:06 How, how can, how can you?
28:09 (groaning)
28:12 (laughing)
28:32 (laughing)
28:34 (phone beeping)
28:45 (screaming)
28:48 (coughing)
28:50 - It's midnight.
29:02 (dramatic music)
29:05 The curse.
29:06 - Move, move.
29:10 (dramatic music)
29:13 What's going on here?
29:18 Somebody come in.
29:21 (phone beeping)
29:23 Hello?
29:25 Does anybody copy?
29:26 (dramatic music)
29:29 (phone clattering)
29:32 It's dead.
29:35 There's no dial tone.
29:36 What's going on here?
29:39 - Where's the nearest police station?
29:41 - Five minute walk.
29:44 Come on.
29:45 Whoa, whoa, whoa, whoa, whoa, whoa, whoa.
29:57 None of this is making any kind of sense, man.
29:59 - It's the curse, I'm telling you.
30:00 - You are next.
30:16 - Wait, who's it talking about?
30:18 It can't be talking about me.
30:19 I just work here.
30:20 - Hold it together.
30:22 There must be some reasonable explanation for this.
30:24 Where was Richard holding Amanda, do you know?
30:26 She might have something to do with all of this.
30:28 - Yeah, in the basement.
30:32 Come on.
30:33 - Richard is dead.
30:40 (laughing)
30:42 - Well, if that isn't getting what you deserve.
30:45 - Cut it.
30:46 Do you have anything to do with this?
30:48 - I wish.
30:50 - But I'm locked up in here.
30:53 Are you sure you didn't doze off
30:54 and let her have the keys?
30:56 - In case you never heard of us, we're the Shields.
31:00 And Andre has been my mentor since they took me in.
31:03 Don't disrespect him.
31:06 - He's fine, Tommy, relax.
31:07 We brought her down here straight from the third floor.
31:11 And we've been watching her this whole time.
31:13 There's no way she could have run off.
31:15 - Did you see the marks on the body?
31:18 They don't look like they were done by a person.
31:20 (laughing)
31:24 - What did the killer mean by this?
31:25 Who was next?
31:28 Or are they just bluffing?
31:30 (laughing)
31:33 No.
31:35 Rowland.
31:36 - Rowland, no, Rowland.
31:38 (laughing)
31:41 - Rowland?
31:51 - You here?
31:54 (dramatic music)
31:55 There you are.
31:56 I've been looking all over for you.
31:59 Are you all right?
32:00 - Is there something you're not telling me, Rowland?
32:03 - What do you mean?
32:06 - This is what Amanda was talking about.
32:08 It all makes sense now.
32:10 - What, they didn't have phones back in your day?
32:15 You're not real, are you?
32:18 You're a ghost.
32:19 (dramatic music)
32:22 - Fine.
32:26 You got me.
32:29 I am a ghost.
32:32 - So you could have told me this whole time.
32:35 - Look, I can explain everything.
32:37 - That explains everything.
32:39 I mean, how else could you just pop up
32:41 wherever you wanted, whenever you wanted?
32:43 And you don't have a cell phone.
32:45 I mean, look at your room.
32:47 (dramatic music)
32:50 - It was you who killed Richard.
32:53 Who's next?
32:56 Me?
32:57 - Mia, what are you talking about?
33:00 I never killed anybody, okay?
33:02 Look, look, I'm sorry, but you don't need to worry.
33:10 I would never hurt you, okay?
33:13 Never.
33:17 You know I never hurt you, right?
33:19 (dramatic music)
33:23 You know I never hurt you, right?
33:39 (dramatic music)
33:45 (knocking)
33:47 - So if it wasn't you, who was it then?
33:55 Amanda's locked in the basement.
33:57 Don't tell me there's another ghost in this hotel.
34:01 Can it really be him?
34:07 (knocking)
34:14 - Are you knocking because you're polite?
34:16 - Look, Mia, I can tell you everything.
34:18 I died in this hotel, in room 202.
34:30 And after I died, I got trapped.
34:35 My soul has been stuck here ever since,
34:38 until you came along.
34:42 (dramatic music)
34:44 - Me?
34:46 - That's right.
34:47 You're the only one who can see me and touch me.
34:54 - So, so you can see me?
34:57 - Of course I can see you.
35:01 - And for some reason, since I became a ghost,
35:05 I've lost all the memories I had when I was alive.
35:09 And you, you're the only one who can help me get them back
35:14 by finding out exactly how I died
35:18 and who was behind all of this.
35:22 Here, let me tie this around your wound
35:30 so it won't get infected.
35:31 - Is that why you approached me?
35:38 - Because you need my help.
35:40 - Do I tell her that we were in love in a previous life?
35:45 - I can't.
35:46 - She's not gonna believe me.
35:48 - Will you do it?
35:51 (dramatic music)
35:59 (breathing heavily)
36:02 (dramatic music)
36:04 (breathing heavily)
36:07 (dramatic music)
36:10 (dramatic music)
36:13 (dramatic music)
36:16 (dramatic music)
36:18 (breathing heavily)
36:45 - Must be all that stuff Roland was telling me about.
36:48 (dramatic music)
36:55 - Oh, hi.
36:59 So-- (alarm ringing)
37:02 - Is there a fire?
37:03 - No, no, it means an emergency.
37:05 Let's go, go.
37:06 - What happened?
37:10 - Two more dead bodies.
37:12 - Oh my God.
37:14 - Amanda Mitchell and my boy Tommy.
37:17 No, he found this on Amanda's body.
37:19 (dramatic music)
37:24 - There's a killer in this hotel.
37:31 We need to stick together.
37:32 Why doesn't everyone grab their things
37:35 and bring them to the second floor?
37:36 (dramatic music)
37:42 (dramatic music)
37:45 - First Richard and then Amanda?
37:46 Am I next?
37:49 - Hey, I won't let that happen.
37:51 - We've gotta find something
37:54 to tell us more about all of this.
37:55 Shoot.
38:00 We've gotta learn more about this hotel
38:01 and more about the day you died.
38:03 That's Richard's room.
38:06 Let's go.
38:07 (dramatic music)
38:09 - Are you all right?
38:16 - Yeah.
38:17 It's that cross.
38:18 - Damn it.
38:23 I must have had a confinement in the janitor's closet.
38:26 Be right back.
38:27 (dramatic music)
38:30 - Seriously?
38:42 Is anybody there?
38:47 (dramatic music)
38:54 (dramatic music)
38:57 (gunshots)
39:01 (coughing)
39:05 (coughing)
39:14 - Come on.
39:18 (coughing)
39:22 - Police used to kill vermin in the building.
39:24 Hasn't been turned on in decades.
39:27 - Are you all right?
39:30 You were gone for a while.
39:31 - Some stupid room just tried to kill me.
39:33 I guess we don't have as much time as we thought.
39:35 (gun clicks)
39:39 (dramatic music)
39:42 (dramatic music)
39:45 - Roland, look.
40:04 (dramatic music)
40:07 (dramatic music)
40:09 The curse.
40:13 - That key.
40:20 I was Richard's brother.
40:29 - Wait, what?
40:36 - I was wearing that exact thing when I died.
40:39 - Can't there be multiple copies of it?
40:41 - No, no, no, no.
40:42 Most of my memories have failed me,
40:43 but of this, I am absolutely certain.
40:45 Ever since the hotel was passed down,
40:49 so was that key.
40:51 - So, where is it now?
40:55 - I don't know.
41:02 (dramatic music)
41:04 Mia, look.
41:17 It's Richard's diary.
41:18 I bet there's something useful in there.
41:22 Mia, get away from there!
41:25 (glass shattering)
41:28 No one gets out alive!
41:30 (dramatic music)
41:33 Roland.
41:35 Do I know you?
41:40 I'm surprised.
41:42 You forgot about me after all this time.
41:46 You!
41:49 (glass shattering)
41:50 I got the smoke.
41:51 Do it.
41:52 - Let her down, now!
41:55 (dramatic music)
41:57 (thudding)
42:00 (Roland groaning)
42:08 - Okay.
42:14 (Roland grunting)
42:20 - I leave my life again.
42:26 (dramatic music)
42:29 I'd better stop thinking about how to pay you back.
42:34 - Mia!
42:39 Oh.
42:40 Thank God you're okay.
42:43 - Yeah, yeah.
42:44 Luckily, it wasn't too bad of a drop.
42:47 - I got good news.
42:49 That Cody kid found a generator.
42:50 We can probably hook up a phone call for help.
42:53 - That's great.
42:54 Where is he?
42:55 - He's over here, come on.
42:56 Cody.
43:01 Wake up, man.
43:05 You need to get the generator.
43:08 - Damn it.
43:11 I'm back.
43:23 (dramatic music)
43:26 - I'm so scared, Roland.
43:30 I keep thinking,
43:32 what if I close my eyes
43:34 and I don't get to open them again?
43:36 Or what if I fall asleep
43:39 and I never get to see your face again?
43:40 - I already died once, I can't die again.
43:45 Mia, I promise you.
43:53 No matter what happens, I'm gonna be with you.
43:57 But right now, there's something more important
44:04 that you need to do.
44:05 - What?
44:06 - Come with me.
44:08 You need to get some good rest.
44:17 When you wake up, everything will be better.
44:21 Everything will be better.
44:23 - Will you stay with me?
44:30 - Of course.
44:31 (dramatic music)
44:33 (dramatic music)
44:36 (dramatic music)
44:39 (dramatic music)
44:42 - My love.
45:06 We can finally be together.
45:09 (dramatic music)
45:12 (grunting)
45:19 (dramatic music)
45:32 (dramatic music)
45:35 - Is everything okay?
45:48 - I'm so glad you're still here, Roland.
46:00 If I've survived this crisis,
46:02 I can pay off my mother's debts.
46:04 Can I stay with you in this hotel forever?
46:07 - Well, um,
46:09 Mia, that's very sweet,
46:12 but you know that I'm just a ghost
46:14 who can never leave this place.
46:16 I'll never live a normal life.
46:18 - I don't care.
46:20 I just wanna be with you for as long as I can.
46:23 - Even in my broken state?
46:29 - Will you stay with me?
46:30 - Can it be true?
46:44 Was I really the one who killed Roland in a past life?
46:47 (thudding)
46:50 - The child was born with the burden
46:57 of the sins she committed in her previous life.
47:01 - If Roland finds out the truth of his death,
47:05 that I was the one who killed him,
47:07 what will he do?
47:09 Will he kill me for revenge?
47:10 - I'm sorry, did my wound scare you?
47:13 - No.
47:16 Of course not.
47:17 - I, uh,
47:21 I found this.
47:23 It's Richard's diary in his office.
47:27 There might be something useful in there.
47:29 (dramatic music)
47:37 (dramatic music)
47:40 (dramatic music)
47:42 (dramatic music)
47:45 (dramatic music)
47:49 (dramatic music)
47:52 (dramatic music)
47:54 (dramatic music)
47:57 (dramatic music)
48:00 [MUSIC PLAYING]