Category
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Short filmTranscript
00:00 ♪♪♪♪♪
00:06 Everything that breaks can almost always be fixed.
00:09 Do you want us to hit my uncle's heart like a broken porcelain vase?
00:13 If it's Menester, yes, I'll run.
00:15 And if it's in a well, we'll get it out.
00:18 And how? How?
00:20 We'll raise the morale between the two of us.
00:22 This ceremony or this pre-test, whatever you want to call it,
00:25 has to be a two-way thing.
00:27 And if you're not going to get married by surprise,
00:29 why do you want Maria Fernández to be so shocked?
00:32 I thought she had a good idea, a nice idea,
00:35 and it's the worst idea in the world.
00:37 No, it's not the worst either, Salvador. It's not.
00:40 But Maria has to agree. Do you understand?
00:43 The thing is, right now I have a lot of revolvers at my disposal.
00:47 If you're willing to pay the price, of course.
00:49 A fair price, I hope.
00:51 Of course.
00:52 To see that I'm at my best,
00:54 I'm here to tell you what I talked to the Englishman about.
00:56 I want to deal with me in the future, not with Gerónimo.
00:59 I see.
01:00 It seems that you haven't found the unforgivable mistake of your servant very funny,
01:03 and I understand that.
01:05 I think it's good that you act as your interlocutor,
01:07 as long as you keep me informed of any news.
01:11 Why did the good doctor have to see you?
01:13 Well, I was out of breath for a few moments,
01:18 as if I was short of breath.
01:19 But really, he shouldn't worry, mother.
01:22 What's wrong?
01:24 Nothing.
01:26 Mrs. Jiménez knows that she can trust me.
01:29 It's just a scar from an accident I suffered at my parents' house.
01:35 How can you do something like that?
01:36 That doesn't matter.
01:37 In fact, I suspect that a friendship is being forged between your mother,
01:42 Mrs. Margarita, and Count Ayala.
01:44 Petra, don't spread rumors about my mother if you're not sure they're real.
01:49 I understand that you have your reservations about that matter.
01:55 Especially because a lady like you should be very careful about who you surround your mother with.
02:02 Women fall for it when they're given a nice dress, right?
02:06 I invited Arcondio to the theater, and he, as a deference, decided to give me back the details.
02:12 That dress is definitely much more appropriate to go to the theater than to go to the cemetery
02:17 to pray a father in front of the grave of his late husband.
02:21 I'd like to accept the proposal you made me a few months ago.
02:25 To live together here in La Promesa, but not to share the cove.
02:30 - Look, Xilena, I think... - I ask you not to answer now.
02:35 Think about it, please.
02:40 Okay.
02:41 The thief thinks that everything is his confession.
02:44 His condition.
02:46 And here the only friend of the stranger is a man I know.
02:49 What do you mean?
02:51 - You'll know. - Everything okay?
02:53 Perfectly.
02:56 It's wonderful.
02:58 What happened?
03:00 They found Geronimo dead.
03:04 Dead?
03:09 But how? What happened?
03:12 I don't know.
03:15 I approached the inn where he was staying and that's what the civil guard told me.
03:19 - The guards must have killed him, right? - No.
03:22 When they arrived, Geronimo had already died.
03:25 I called the innkeeper when I discovered his body.
03:28 And you saw him?
03:30 Sergeant Funes didn't even let me enter the room.
03:34 What's going on with Sergeant Funes now?
03:36 Geronimo is dead and the sergeant is the one who leads the investigation.
03:45 But how did it happen?
03:47 It was in Lujan, at the inn.
03:51 The sergeant dropped the fact that it could have been a robbery attempt that ended in murder.
03:56 What do you mean a robbery?
03:58 Geronimo was just a servant. What could he have of value?
04:01 I don't know. I'm telling you, not much else is known.
04:03 The sergeant wasn't very talkative either.
04:05 He didn't even let me ask the innkeeper about Geronimo's last hours.
04:09 That man is a proud caretaker.
04:11 Of course, he asked me everything he wanted to know about Geronimo.
04:15 And what did he ask you?
04:17 The last time I saw him, if he had told me if he was in danger or if I suspected someone.
04:24 And could you tell him anything of interest?
04:27 I'm telling you, I don't know anything else, apart from that he was my servant
04:33 and that he was in Lujan for the next shipment of canned goods.
04:36 Well, I'm afraid we'll soon have Sergeant Funes around here.
04:40 I hope he doesn't bother you too much this time. That man is very irritating.
04:43 I think I know how to avoid his visit.
04:45 Oh yeah? How?
04:47 Getting ahead of myself.
04:49 It would be best if I dropped by the barracks.
04:51 If they ask me about that Geronimo, I'll tell them what we know
04:54 and maybe that way we can free the promise of his presence.
04:57 I doubt it, but I'll try.
05:00 Anyway, it will be better if we all sit down for dinner.
05:04 [Music]
05:19 [Music]
05:38 [Music]
06:07 [Music]
06:17 [Music]
06:37 [Music]
06:47 What I'm telling you,
06:51 that a woman is so calm in her life and then fate comes and gives you a slap in the face.
06:56 Yes, better not to trust.
06:59 Well, no. Because fate is very capricious and does with us whatever it wants.
07:06 Have I ever told you about my friend Eulogia? I remember her.
07:10 No, no. I don't. I don't think I remember her.
07:13 Well, I'm going to tell you.
07:15 It turns out that my friend Eulogia worked in the palace of some viscondes as a maid.
07:20 And one day the cook got sick and had no one to put in the stoves.
07:25 Did they call you?
07:27 No, no, no. I have nothing to do with this story.
07:29 They asked Eulogia if she knew how to cook.
07:32 You would know something, right?
07:33 Well, yes. But what she did to her family, simple things.
07:36 And since the lady of the house didn't know how to make a fried egg, they put her in.
07:41 Oh, and she didn't like what I made for her?
07:43 On the contrary. The sons of the viscondes loved it so much that they left the dishes shiny and so much to be scoffed at.
07:51 Where did Vanjares prepare it for her?
07:52 None. Simple dishes.
07:54 Lentils with chorizo, empanadas fillets.
07:57 It is seen that the children were fed up with so many dishes of postín.
08:02 She was cooking for Eulogia.
08:04 And what happened next?
08:05 Because the story can't end here, because if not, this story has a little footstep.
08:10 It doesn't end there, Candela.
08:12 The viscondes fired the cook and hired Eulogia in her place.
08:18 And you see, every day a well-equipped horse car would pick her up from her house and take her to the palace.
08:25 Well, they treated her well.
08:27 Man, when you find a good cook, you have to take care of her.
08:32 And there Eulogia was working with her simple dishes.
08:36 So that later they say that roosters and snails are not gentlemen's food.
08:41 Now what I don't know is who told me this story.
08:44 From what I told you before, from fate, which is very capricious, the same gives you joys that give you displeasure.
08:52 Ladies, Mrs. Jimena has ordered a lemon tea and a little honey.
08:57 Right now.
09:00 Now, what is strange is that the lady has not personified herself, as the other time.
09:06 But she has returned to cook and ...
09:08 What?
09:09 She came to choose an apple.
09:11 An apple?
09:12 Yes, yes.
09:13 And she wanted to pick an apple herself from the fountain.
09:17 She was there for a while looking at all the apples as if she were looking at a diamond.
09:21 Until she decided on one.
09:23 But what kind of apple did the lady want?
09:25 Well, you know.
09:26 But not only that.
09:28 That she didn't take her apple and left.
09:30 That she stayed here, biting it.
09:32 Oh, I don't know, I don't know.
09:34 She never came to the kitchens before and since her return she has come twice.
09:38 Well, I'm about to give her a headband when her head is showing around here, so that the dress doesn't get stained.
09:42 And I'm about to put on the potato skin or some other task to take advantage of the trip.
09:46 I don't like this at all.
09:48 Do you think she's not in her right mind?
09:51 Well, I don't know, Simona, but something happens, it's like that.
09:54 And in case the fly has hidden, she has hidden all the big knives.
09:57 And I don't know if she sees the trench knife and something bad happens to her head.
10:00 I don't think it's for that.
10:02 But Mrs. Marquez has asked us to be on the lookout, so it will be for something.
10:06 Well, if the lady has asked her, it is that she has seen something.
10:09 Why doesn't one escape?
10:15 Is something wrong, Mr. Baeza?
10:17 You're not aware, are you?
10:20 What is it, Mrs. Jimena?
10:22 No, Mrs. Jimena, it has nothing to do with this, no.
10:25 It's Mr. Gamboa.
10:27 He's dead.
10:29 Mr. Gamboa?
10:31 But how?
10:36 The Civil Guard suspects that he has been murdered.
10:39 [Music]
10:49 And little else is known.
10:51 That it seems like a murder and that the Civil Guard is investigating it.
10:55 Well, poor man.
10:57 But well, you can't say a good Christian died either.
11:00 Well, no, because he was about to leave Maria Fernández jobless.
11:03 No, yes, in fact, they fired him and he had no conscience.
11:06 Yeah. Anyway, no one deserves to die like that.
11:09 No. It's a tragedy that someone so young dies.
11:13 Well, yes. Anyway, let's hope that the Civil Guard will soon catch the murderer.
11:17 But well, I guess you didn't just call us for that, did you, Manuel?
11:22 No.
11:25 I called you because I wanted to tell you something that Jimena told me.
11:35 What ... what was it?
11:37 Jimena made me a proposal.
11:42 And since you, Abel, have been attending to her since you got to this house,
11:46 and Hanna, you are who you are to me,
11:48 I would like to know your opinion.
11:50 And what was that proposal?
11:53 Actually, Jimena has accepted a proposal that I made her months ago.
11:58 That the two of us live in the promise, but each one sleeps in his room.
12:04 What does it mean to live together?
12:06 Abel, basically it means that each one makes his life here.
12:11 You see, when I proposed it, it didn't seem like a bad idea to me,
12:15 but after everything that has happened, it seems to me a terrible cynicism to propose something like that.
12:18 And why?
12:20 What do you mean why?
12:21 Because deep down what Jimena intends is to fix our relationship.
12:24 She must think that this is still possible.
12:26 Well, I don't think it's that bad either.
12:31 Jimena will be happy and after all, it was your proposal.
12:35 Yes, Hanna, but it's a plan that doesn't make any sense or make any sense anymore.
12:39 But what has changed?
12:41 What do you mean what has changed?
12:43 I don't trust her.
12:45 As sad as that.
12:47 Do you think she could do something crazy?
12:49 Well, it gives me the feeling that lately she has been behaving with knowledge, right?
12:55 There is something in her look.
13:00 There is something in her look that makes me doubt.
13:03 I don't know, Manuel, but if you never give her a chance, we will never know if she has it.
13:10 What if we are wrong?
13:12 Think about it.
13:14 The risk is too great.
13:16 I think the best thing we can do is for Jimena to go back to her parents' house and recover there.
13:24 Yes, I think it is the most convenient.
13:27 Well, I don't understand it.
13:29 She is exposed to Manuel's company and that can drive her crazy.
13:34 But on the other hand, what she proposes to you is not so crazy.
13:37 No. In fact, I think she has been very generous.
13:41 I could have asked you to sleep together in the same room since ...
13:44 And I know.
13:45 Well, seen that way, maybe you should accept it, Manuel, because I don't think it would be a better deal for you.
13:51 [Music]
14:05 Miss Martina.
14:11 I wanted you to take that laundry dress.
14:17 No, no, I ...
14:19 Something has happened to it.
14:22 What?
14:23 It's a dress that my mother gave her and I wanted to try it on to see how I looked.
14:29 And when I tried it on, it got stuck.
14:32 And it was a silly hook, when I looked in the mirror, but ...
14:36 I see, I see.
14:37 The point is that it has not only broken, but with the hook it has also lost its stonework.
14:42 Well, if you want, I can take it to a seamstress in town.
14:47 It would take days, right? And my mother would notice her absence.
14:51 I thought someone from the service could do a quick job or ...
14:54 Let me see it well.
14:55 It's big, huh?
15:00 Yes.
15:01 Yeah, it's ...
15:03 In addition, it has been made in an area that, no matter how well it is twisted, would be very visible, miss.
15:09 And also, the stonework ...
15:11 Are you sure?
15:15 Yes.
15:16 With that dress, you can only make ruffles to embellish or throw it away.
15:22 Mr. Conde, even if the English have breakfast with hooks and eggs, I'm not going to do it.
15:27 Isn't that my dress?
15:32 Yes.
15:33 And what are you doing with it?
15:36 I was going to take it to the laundry.
15:38 But why?
15:39 Yes.
15:40 If the dress is not dirty ...
15:41 The point is that it is dirty, yes.
15:43 Martina, what is that?
15:44 What happened, Martina?
15:47 Please.
15:50 I wanted to try it on to see how it looked on me and ...
15:54 And why the hell were you trying on my dress?
15:57 Well, just to see how it looked on me.
15:59 I don't know, but it got stuck and I wanted to ask Petra to fix it.
16:03 But it can't be, ma'am. I'm afraid it's not fixed.
16:06 You have to try it on.
16:09 What is it?
16:11 The gold necklace.
16:12 Yes, just out of curiosity.
16:14 Just out of curiosity.
16:16 Petra, you can go because I have to talk to my daughter very seriously.
16:22 Do you want me to leave too?
16:27 No.
16:28 You can stay, after all, it's the one who gave me the dress, right?
16:33 (Music)
16:36 And you have Bemoles, who was killed in the inn,
16:47 in the middle of town.
16:49 Someone could have found out.
16:51 If it had been a disarmed man who goes out on the roads ...
16:55 No, no, the roads are too far to steal the real ones.
16:59 And to kill someone like the eronymous, there is a treasure.
17:02 Let's see if there is a ... a gutter like in London.
17:08 What gutter?
17:10 Do you remember this story?
17:12 Well, it came out a lot in the newspapers, years ago.
17:15 Girl, a few months ago you and I put the letters together badly,
17:19 don't you come all the time from the press?
17:21 Well, it turns out that the guy was called "Hack the gutter"
17:27 because no one really knew who he was.
17:29 Was he a famous butcher?
17:30 He was famous, but for killing women.
17:33 He cut their throats, opened them in a canal and pulled their guts out.
17:37 But ...
17:39 Is that murderer alive or have they already caught him?
17:44 But I'm not telling you that no one knows who he was.
17:47 One day he stopped killing you and until today.
17:51 And you, why do you see me now, with that bitter story?
17:55 I was thinking that maybe that man has moved from London to Spain
17:59 and now he is in Lujan.
18:01 Don't be ridiculous.
18:03 He was going to lose to an Englishman in Lujan.
18:05 Well, don't be crazy.
18:07 Because here would be the last place where he would seek justice for his country.
18:11 No, no, it can't be that "Hack" because he killed women, right?
18:16 And the eronymous, as far as I know, is a man.
18:19 And also, the eronymous has not been stripped either.
18:22 They haven't said they haven't done it either.
18:25 No, no, no, someone from here has raped him.
18:28 That it won't be for lack of criminals.
18:31 Do you remember the vampire of El Raval?
18:36 No, I thought it was better not to.
18:39 Or don't worry, I'll remind you.
18:41 It was a woman who lived in Barcelona, in El Raval.
18:48 And she kidnapped poor children and forced them to go to the street or to beggars.
18:52 And if someone complained, she strangled them.
18:55 But that's worse than "Hack".
18:57 She killed children.
18:58 And not only did she kill them.
18:59 They say she took their blood to make potions.
19:02 Because apparently she was half a witch.
19:04 Oh, the Virgin and Saint Joseph.
19:06 But she's a big deal.
19:09 What's up? He didn't make it to court, he died before.
19:11 Well, those things happen in Madrid or Barcelona.
19:15 Here in Lujan, no.
19:17 Something else had to happen to Jerónimo.
19:19 Yes, but someone killed him, right?
19:21 Yeah, but I'm telling you that boy wasn't clean wheat either.
19:27 Yes, because he's been stealing the captain's watch.
19:30 And now the Civil Guard says they killed him just to steal it.
19:34 What gives me a headache is knowing that there is a loose killer around here.
19:38 Don't suffer, Candela.
19:41 Who's going to come and steal and kill us?
19:43 We are two poor people.
19:45 I have enough concerns with my daughter to add one more.
19:49 Well, yes. The most important thing is family and health.
19:52 And you're already in trouble.
19:54 Yes, yes, I am.
19:56 And that's why I wanted to ask you a favor.
20:00 You ask.
20:01 If it's in my hands, I'll give it to you, if not, I'm a quarter.
20:04 I wanted to ask you to let him sleep in your bed, in our room.
20:12 And that you go to his room.
20:14 I understand that you tell me no, because I know you are very sleepy in your bed.
20:18 Okay, I'll change.
20:19 It will be just a few nights, until she gets stronger and so I see her and see if she is recovering.
20:27 Stop giving more explanations.
20:29 Stay in my bed until you see what's convenient.
20:31 Thank you very much, Candela.
20:33 You have a heart that doesn't fit in your chest.
20:35 Shut up, shut up, shut up.
20:36 Don't let the English butcher find out and come and get it out.
20:38 See how big I have it.
20:40 Shut up.
20:42 Shut up.
20:43 You can't tell me, Misa.
20:48 Because no one believes that story of the tear.
20:50 It's true.
20:51 Come on, yes, a few noses, Martina.
20:52 You broke the dress.
20:54 Because you are a spoiled brat, an immature one and also it bothered you that the count gave it to me.
20:58 I'm telling you I didn't do it on purpose.
20:59 Martina, please.
21:00 What are you going to take me for a fool?
21:02 A tear?
21:03 With what, daughter?
21:04 With what did she stay in that room to make such a mess?
21:06 I don't remember right now, I don't know.
21:08 Come on, stop being ridiculous.
21:10 Tell me, lie.
21:12 I'm telling you it's true.
21:13 Martina, go away, go away.
21:14 Don't take your eyes off me.
21:16 And let me tell you that from now on you are punished.
21:18 You will be like this for many more days.
21:20 What are you saying?
21:21 That you are punished.
21:22 And you will only leave your room to eat and to have dinner.
21:25 No, I'm a girl so I can punish myself.
21:27 You are not a girl.
21:28 No.
21:29 Well, then behave like a woman, like God commanded.
21:30 And that's what I'm doing, that's why I can't punish.
21:32 Enough, enough, please.
21:33 Enough.
21:34 Let's see.
21:37 You say it was an accident, right Martina?
21:40 Well, it was an accident.
21:43 We don't see him around anymore.
21:44 It's not worth arguing.
21:46 Mr. Count, please.
21:48 I assure you, Margarita, that you and I have much more important things to lose time on.
21:55 Well, yes.
21:58 You're right.
22:00 Martina, go away.
22:03 Go away.
22:06 Go away.
22:07 My daughter is unbearable.
22:14 Don't worry.
22:15 At that age, sometimes misdeeds are committed.
22:18 No, I'm worried.
22:20 One thing is a mischief and another thing is something like that.
22:23 She shouldn't change, because in the end that's what she wants.
22:26 Get her out of Kikio.
22:27 Well, look, she did it.
22:29 Try not to happen again.
22:34 Well, next time I'll try to calm down.
22:38 Do it.
22:39 After all, Martina is just a kid.
22:43 And nothing she does should be able to do with us.
22:48 Isn't that right?
22:49 I guess.
22:52 Maria.
23:01 Oh.
23:02 Sorry.
23:03 Sorry.
23:04 Have you heard?
23:06 What happened now?
23:07 No, about Jerónimo, that if you're aware.
23:10 Well, yes.
23:11 Everyone here promises to talk about him.
23:13 And well, in Luján no one wants to go out.
23:15 I'm not surprised.
23:16 But I also tell you that that doesn't happen to anyone, huh?
23:18 If it happened to him, it must be for something.
23:20 What a bastard.
23:21 If he stole a watch here, imagine what he has done to us elsewhere.
23:24 Well, nothing good, for sure.
23:26 But even if he is a bad guy, I didn't want him to end up like that.
23:28 No, no, no.
23:29 Not you or anyone.
23:31 But hey, let's stop talking about misfortunes.
23:34 You're the one who came up with that.
23:36 Yes, but I also bring you joy.
23:38 I'm preparing the rehearsal for our wedding.
23:44 What are you saying, Alvaro?
23:47 Well, that.
23:48 Since we can't get married until Miss Catalina does,
23:51 I've come up with the idea of celebrating a wedding like this, as a lie.
23:56 A lie?
23:58 Yes, a lie, to calm our desire to get married a little.
24:02 Doesn't it make you excited?
24:03 It makes me very excited.
24:04 You are excited to marry a liar?
24:08 Yes.
24:09 Well, I would be more excited about the real wedding, but ...
24:12 No, no.
24:15 I see that it seems like a bad idea to you, just like the rest of the companions.
24:21 Is that what she told you?
24:23 Yes, especially Lope.
24:27 That a wedding, even if it is a lie, is something of two.
24:30 And that I would have to consult you, if that's why I came.
24:34 You have saved me, really.
24:37 That's what you think is a good idea or a bad idea.
24:41 If you think it's a good idea, I'll go ahead with it.
24:44 And if not, I'll forget forever, whatever you say.
24:46 That's why I appreciate the gesture.
24:48 But I can't think of a worse idea.
24:50 The truth is, I'm an expert at those things.
24:52 That's not it, is it?
24:55 You don't have a head or a foot.
24:57 Yeah, everyone was right then.
25:01 But I think it's a very nice gesture.
25:05 You think so?
25:07 Of course.
25:08 Because that's how you show me the desire you have to marry me.
25:11 I have no other mission, Maria.
25:13 Well, neither do I.
25:15 But I'm excited to get married for real.
25:17 And for that we will have to wait for Miss Catalina to get married, to see if you do it soon.
25:21 Yeah.
25:22 Well, there's not much left, actually, right?
25:24 Well, no.
25:25 Besides, being a couple isn't that bad either, right?
25:30 We see each other every day and we can kiss each other, right?
25:35 Yeah, that's true.
25:37 Well, that's it.
25:39 Let's hope that our time will come.
25:43 And now that there's no one, can we kiss again?
25:48 And this one?
25:51 Kiss.
25:52 And that clue led us to a terrible conspiracy.
26:07 Probably the girl slipped down the sidewalk and fell into that river when her mother tried to grab her.
26:16 But she couldn't.
26:18 She fell.
26:19 And she was dragged by her.
26:23 Our little one, who was always in her arms, also fell.
26:31 The three of us were stripped naked.
26:37 And they died drowning.
26:42 And we never found their bodies to give to Cristiana, the burial.
26:48 [Music]
26:51 Excuse me, sir. I didn't know you were here.
27:02 I was stunned looking at the landscape.
27:06 If you don't mind, I can come clean up later.
27:08 No, no, Hanna. You do your job.
27:10 I'm going for a walk.
27:12 I'll need some fresh air.
27:15 [Music]
27:18 Sir.
27:20 Forgive my boldness, but I wanted to ask you if I can do something for you.
27:28 I see you have a problem.
27:32 No.
27:34 I know you have good hands to treat the body's ailments.
27:39 I know a remedy, yes.
27:43 But what hurts me is the soul.
27:45 Do you have any medicine that can cure it?
27:48 The truth is no.
27:51 But I do have some words that could help you.
27:55 Although I don't know if you'd like to hear them from an employee.
27:58 I don't make a distinction when it comes to listening to people.
28:02 Everyone can have something interesting to say.
28:06 You say you're sad and that something hurts you.
28:11 And I suppose you'd like to get rid of that sadness as soon as possible.
28:14 I'd like to, yes.
28:17 But sometimes you have to give this kind of feeling time to go away.
28:23 Because if you try to avoid them or deny them, all it will do is lengthen that suffering.
28:29 Who says I'm avoiding them?
28:30 Forgive me if I assumed something that wasn't.
28:33 No, Hanna.
28:34 Forgive yourself.
28:36 If deep down you're right.
28:40 What do you suggest?
28:41 Well, that I accept those feelings.
28:45 And that I soak up them because the only thing they're going to do is make it stronger.
28:49 Like a woodcutter's hands.
28:51 The less they suffer, the more they pick up the ax.
28:54 You mean that I'll shut up in my soul?
28:58 That's what suffering is like, yes.
29:01 But that doesn't mean that when all this is over I'll stop feeling joy or sadness.
29:07 What happens is that you'll know that the pain is less painful, but the joy is fleeting, like everything in this life.
29:15 Are you talking from experience?
29:22 Maybe.
29:24 You've suffered a lot in life, girl.
29:28 Yes.
29:30 But I've also enjoyed it a lot.
29:34 And when I'm with you, when I feel like sadness drowns me, I think about all the good things I have.
29:40 And I feel grateful.
29:43 You shouldn't forget that.
29:48 I have people who love me.
29:51 And I have a good job, like this one.
29:54 And I think you should be grateful too, because you have good health.
29:59 You have a good family.
30:03 And you have this beautiful palace.
30:05 It's true.
30:09 But sometimes sadness cloud our understanding and makes us forget all the good things we have.
30:17 Then don't forget it.
30:19 Because I'm sure that if you put a scale on the good and bad things, the good ones will end up winning.
30:26 Thank you, Hanna.
30:31 I was right to say that we have to listen to everyone.
30:33 Let's see if you can learn to whistle at once.
30:54 The first thing, as I told you, is to take the egg of whistling.
30:58 Yes, and here I have some needles that with the other I'm clumsy and I still get stuck.
31:01 You'll see, woman.
31:03 Well, there are two ways to whistle.
31:06 The one of all life and another one called chicken ass.
31:09 And what's that name?
31:12 Well, I don't know. They taught me like that.
31:15 The one of all life is used for men's clothes because it's a little thinner.
31:19 And the other one?
31:21 Well, the other one is used for rags, for service clothes, and even for underwear.
31:27 Because it's a little more rough.
31:28 And which one are you going to show me now?
31:31 The one we use for men.
31:33 As I told you, we have to take a needle and thread it with a thread that has the same color and thickness as the garment we are going to make.
31:44 I think this thread works.
31:49 That's it.
31:53 Now we tie a knot first.
31:56 And we start to pass the needle from one side to the other.
32:05 See?
32:07 Yes.
32:09 It's important that you stretch the thread well so that the whistling doesn't get loose.
32:13 I see, I see.
32:17 And you continue like this until the needle has passed through all the points in the hole.
32:22 And then?
32:23 Then you have to do the same thing but in the other direction, in the perpendicular one.
32:27 The perpendicular one.
32:29 It is also important that all the previous threads are interlaced and for that you have to pass the thread up and down so that the entanglement is very strong.
32:36 Do you understand?
32:38 I think so. But if I see you a little more time, better.
32:43 Now yes. But it is important that you also try.
32:46 Let's see.
32:48 You'll see how in a couple of days you've learned.
32:51 I hope so. But it takes me a little longer.
32:54 Virtue is very awake.
32:56 Not half as much as you.
32:58 You know, I'm very glad that Mrs. Darre asked me to teach you.
33:04 I'm doing very well and I feel very accompanied.
33:07 Me too. I couldn't have put myself a better teacher.
33:10 Do you really mean that?
33:12 I don't know, sometimes I get the feeling that you're bored.
33:18 It's more like fatigue. And I know that the chores are tiring but not so much when you sleep three or four hours.
33:26 Don't you rest well?
33:28 No. There are nights when I barely sleep. So at the first hour of the morning I'm already tired.
33:35 And that's been happening to you for a long time?
33:37 A while, yes. And now my mother has insisted that I sleep in her room.
33:43 What I don't know is if that's going to work for me.
33:47 I see. And why don't you talk to the doctor? Or with Hanna?
33:51 She knows a lot of remedies. Maybe she can give you some herb that will help you rest.
33:56 I don't know. I don't think this will go away with anything.
34:00 Well, woman, to try.
34:02 I see. I'll do it anyway. Yes. But now we better keep on working.
34:09 Yes, of course. Let's see. Look, you pass the needle. That's it. From one side to the other.
34:17 Yes.
34:18 And you stretch the thread well, so that it is tense. And now from that same side to the other.
34:24 Very good.
34:29 Mrs. Darre told me to ask Maria. And that's what I did.
34:44 Oh man, it was time. And what did she say?
34:47 That she doesn't think the fake wedding is a good idea.
34:51 I see.
34:54 If you had listened to me from the beginning and talked to Maria ...
35:00 I know, I know.
35:02 But you didn't stop until you told her half the promise.
35:05 What do you want me to do? It makes me excited.
35:07 Yes, but when something gets into your head, no one can get it out.
35:09 And that surprises you? It seems you don't know me.
35:12 No, but the opposite surprises me. That one day you stop being so stubborn.
35:14 No one will know that.
35:17 You don't care about Maria and look at how she has character.
35:22 I'm telling you, she has character. Not only with me, with her classmates too.
35:26 And she will.
35:28 That's why I'm telling you. I remember the other day when the four of us were there, they kept throwing themselves.
35:33 No, they don't just throw themselves, Salvador. They get fatter and fatter.
35:37 Why do you think it will be?
35:41 I don't know.
35:42 I asked Vera and all she said was that she doesn't have to get along with everyone.
35:46 Which is true.
35:48 And on the other hand, that she doesn't care about things that don't matter to her.
35:50 And what did you tell her?
35:52 What can I tell her? That she gets along with Maria, that she's good people.
35:55 But of course, on the other hand, when Maria ...
36:01 When she meets someone, no one can argue with her.
36:04 What? What do you mean by that?
36:10 What are you saying? That it's my girlfriend's fault?
36:11 I'm saying that Maria has a lot of character. You said it before too.
36:16 Yes, I said it. She has a lot of character. But no one has ever complained about her.
36:19 The only one who has complained has been Vera.
36:21 No. You're wrong there. Vera has not complained about anyone.
36:25 And it's not because she has no reason.
36:27 Oh yeah? And what reasons could the young lady have if she could find out?
36:29 Well, of course she can find out.
36:31 For example, Vera ...
36:33 One of the things she has against Maria is that Maria sometimes is ...
36:37 Yes?
36:38 That they have a very strange relationship, the two of them, Salvador.
36:42 I don't know.
36:44 Hey, I don't know either.
36:46 And don't you think that being her boyfriends we should know what's going on with our girlfriends?
36:53 But if every time we ask them, they tell us that nothing happens, what do we do?
36:56 Well, we'll have to ask them non-stop until they tell us the truth.
36:59 So basically we have to be like a canteen.
37:04 That's it. A very canteen.
37:07 Perfect.
37:09 As you said before, no one beats me at being stubborn.
37:13 So I won't stop asking them until they confess.
37:16 I think it's good.
37:18 You start with Maria and I'll take care of Vera.
37:22 Let's see if we get something clear.
37:24 You keep thinking about Jerónimo.
37:26 I just don't understand what could have happened.
37:29 Why would anyone want to kill him?
37:31 I don't know.
37:33 Did he have any enemies?
37:35 Not that I know of.
37:37 Although, I don't know, maybe ...
37:39 And those long faces?
37:41 I don't know.
37:43 I don't know.
37:45 I don't know.
37:47 I don't know.
37:49 I don't know.
37:52 And those long faces?
37:53 Why are you going to the cross?
37:55 Pelayo's servant died.
37:57 Oh, yes.
37:59 Well, one can't be in everything.
38:01 People die, and servants are no less.
38:05 How is he?
38:12 Trying to assume everything that has happened, Marquez.
38:15 Let's hope the Civil Guard solves this matter as soon as possible.
38:19 Yes, and that they solve it far from here.
38:21 I don't want to see that man. He's driving me crazy.
38:23 I think you're going to save that visit.
38:25 I come from Lujan and I've been talking to him.
38:28 Does the Civil Guard know anything else?
38:30 They are still handling the hypothesis of the robbery.
38:33 It seems that they broke into his room.
38:35 But to rob what?
38:37 That I know that man was a hungry man.
38:40 It seems not.
38:42 Apparently, he was showing off in the tavern of the ports he had in his room in the inn.
38:48 And he must have found out who he shouldn't.
38:51 Unfortunately, he liked to show off when he drank.
38:54 I imagine they tried to steal him, he would resist and they killed him.
38:58 A tragic story, but quite simple.
39:01 But do you know anything about the thieves?
39:05 They are in that.
39:07 Well, nothing. Enjoy eternal glory.
39:11 Although I doubt that God will welcome you in his bosom.
39:15 Cruz.
39:17 What? Am I saying something that is not true?
39:20 That man was a thief and he brought us nothing but problems.
39:23 And I'm sure he caused many more out there.
39:25 He was a vulgar thief, yes.
39:27 Well, yes. A thief who had to be killed by others like him.
39:31 And it may have been something more than a robbery.
39:37 No, no. If everything points in that direction, it must be that.
39:44 That is what Sergeant Funes thinks and in my opinion I think he is right.
39:49 And we also have to change the uniforms, which are already very old.
40:00 Shall we order one for Mrs. Carranza?
40:03 Sure, why not?
40:05 After the attack, she is not going to continue working at the promenade.
40:09 Well, she recovers well and the doctor says she has nothing, so ...
40:13 Yeah, but she got so sick ...
40:14 What he has said is that the attack could have been due to some product like aguaraz or bleach, I don't know.
40:20 Well, I hope it's for something else because otherwise we won't be able to clean her.
40:23 He has said that he is attentive to the products he uses to see if anyone causes him any reaction and he realizes.
40:28 And above all, that he opens the windows when cleaning, of course, to watch.
40:31 Assuming that was what caused the attack.
40:33 Of course, assuming that, because surely there is nothing.
40:37 So be aware and whenever she is handling any of those products, that there is someone near her.
40:43 Let's not have a misfortune.
40:45 That is already planned, Mr. Meza.
40:47 You always take a step ahead of everything.
40:50 Well, it's my job. Have faith.
40:52 Surely health accompanies you to virtues and becomes a great maid.
40:56 Being the daughter of someone, I have no doubt.
40:58 Of course, a worker like Simona and she puts a lot of effort.
41:01 That according to Teresa, the truth is that she pays close attention to what she explains to her, so ...
41:06 Well, Miss Villamil, how are you?
41:08 I suppose you will continue to be sorry, right?
41:10 Well, it hasn't been long since Feliciano died, Mr. Baeza.
41:13 But I think helping virtues is good for him.
41:15 That way he is entertained and encouraged.
41:17 And the rest of the service are fine?
41:19 Because I have the feeling that they don't tell me anything and they open up to you.
41:22 They are fine. But how are you, Mr. Baeza?
41:25 You always ask about others and you always forget about yourself.
41:27 Ah, fine, fine. I'm fine.
41:29 A little tired, but well, you know that I've been tired for years.
41:34 So I think it's time to hire a first-rate.
41:37 Well, I think it's fine. We've been a little short since Mauro left, to be honest.
41:42 True. And since thanks to the strike we have given the gentlemen the opportunity to hire more staff, we must take advantage of it.
41:48 Well, look, I'm glad he gave way. I thought it was a shame to occupy his position.
41:53 Something, yes. Mr. Moreno was a good servant and he would have become a magnificent mayor.
41:59 But he left and that has no remedy.
42:02 And are you going to bring someone from outside the promise?
42:04 Don't you think it's a bad idea to put Salvador in his place?
42:07 I think so. There's something green.
42:09 Well, but I don't know, you learn by working, right?
42:12 That's true, but when we gave him the opportunity, it didn't last a week. He was overwhelmed.
42:16 You're right, maybe he's a little rushed.
42:18 Besides, he's not at all focused on his wedding.
42:21 Well, he still doesn't know the date.
42:23 That's how young people are, with their heads in the clouds.
42:25 Yes, I think I remember that there was something about that in the story.
42:28 I think so.
42:31 So?
42:32 Well, I still don't know. I have received information about some lackeys with very good references,
42:36 but I have not yet made any decision.
42:38 Well, hurry up. You work a lot and you need someone to give you a breath of fresh air.
42:42 Yes, I see. Please, I beg you not to comment on anything out there.
42:46 I think I'm telling you.
42:48 Precisely you, who is the most discreet person I know.
42:51 Excuse me, but Miss Catalina has gone down to the kitchens and told us that she would like to talk to you
43:00 and share the service.
43:01 But, why? Has something happened?
43:03 She has not specified the reason, but she says she is waiting for us in the dining room.
43:07 Let's go there.
43:09 I think I shouldn't have slept so much. Now I'm numb.
43:14 And why don't you take a bath? See if you get out of breath.
43:17 No, no. No baths.
43:19 I've spent the last few weeks in my house taking baths for nerves.
43:23 And how did it go?
43:26 Fine, but I got out of them with my hands and feet wrinkled like raisins.
43:30 I came to believe that they would turn me into a mermaid and that I would have scales and a tail.
43:35 Have you ever seen a mermaid, Hanna?
43:39 A mermaid?
43:42 Well, in the drawings, yes.
43:47 Of course, in the drawings. And did you know they are very dangerous beings?
43:52 No, I never thought they could be.
43:55 Well, they are.
43:56 They are capable of seducing any man and attracting them with their song wherever they want.
44:02 I wasn't aware.
44:04 That's how they are.
44:06 They attract them to danger.
44:08 And they can, for example, make them crash into a reef.
44:14 How curious.
44:18 Hello. Excuse me, how are you?
44:24 Well, my favorite Galician. I missed your visits.
44:27 Well, here I am.
44:29 Do you want me to bring you some snack?
44:31 Do you want to join me?
44:33 I have nothing to do in the afternoon, so yes.
44:37 Well, bring some pasta and some teas. Thank you for being so attentive.
44:41 You don't have to give them to me. It's my job. Make sure they are comfortable in this house.
44:45 Gentlemen.
44:53 Hanna is so wrong with me.
44:55 Well, Hanna and everyone.
44:58 What do you mean?
45:00 Hanna will think I'm a good person and a good doctor.
45:03 And you know, like me, that I'm all that.
45:06 Well, don't exaggerate.
45:08 No, I'm not exaggerating, Ximena.
45:10 I've kept my word to finish the degree.
45:13 Doctor, does everyone ever break their word in their life?
45:17 But not like that, Ximena. I lied.
45:19 And so did you. And that's why we have to tell the truth.
45:23 No. We're not going to do it.
45:25 What do you mean? But we agreed we would.
45:29 I've been thinking and I think it's better to keep it that way.
45:32 Look, the last time we spoke, I was determined to tell the truth.
45:36 It only took a few days.
45:38 Yes, but don't you see what would happen if we really told what happened with my pregnancy?
45:43 Ximena, I know that we would both have a great rest.
45:46 On the contrary.
45:49 No one would trust you.
45:50 I would be finished as a doctor.
45:52 And what do you say about me?
45:54 How would the Marquise or Manuel look at me?
45:56 We're not going to do it.
45:58 Look, Ximena, I can't force you to tell the truth.
46:01 But if you don't, I'll end up doing it.
46:05 Don't you see that if you're honest, you're committing me to it?
46:09 Yes, and I feel like I am, but there's no other way.
46:11 You can't do that to me.
46:13 If you don't do it, you won't leave me with another option.
46:17 I'll talk to him, but I already told him I need time.
46:20 A few days aren't enough.
46:22 Ximena, I can't keep putting up with this.
46:24 I can't.
46:26 And don't you see that I have to get married first, if that's possible?
46:29 A few days isn't enough, Doctor.
46:32 Ximena, the sooner you do it, the better.
46:34 We'll rest, even if we have to pay for everything we've done.
46:37 Do you think I haven't paid enough already?
46:40 Do you want to see something?
46:42 Look.
46:44 Look and judge.
46:47 What's that?
46:48 It doesn't matter now.
46:51 In any case, it was a punishment from God.
46:54 I think I've paid enough, Doctor.
46:58 So don't make me suffer anymore.
47:00 Okay.
47:02 I'll wait for you to be ready, but don't take it out on me more than necessary.
47:06 It's my last warning.
47:09 It's my last warning.
47:10 And according to what Captain Melamata told you,
47:25 it seems that Gerónimo was kidnapped to steal him.
47:28 But he had so many rooms, and he was a simple street.
47:31 Apparently, he did.
47:33 And unfortunately, he was proud of it because of Lujan.
47:36 But the thieves came in to steal him, and he had to rebel.
47:39 And they killed the poor bastard.
47:41 Yes. The Civil Guard believes that happened.
47:44 What's the fate?
47:46 That boy would think he's lucky to have found four hard-hits,
47:49 and the money was his sentence.
47:51 It seems it's better to continue being poor.
47:54 Or whatever you earn, you can keep it.
47:56 Anyway, I just wanted you to be aware of what is known,
47:59 before the rumors start.
48:01 Thank you, Miss.
48:04 I'm going to talk to the authors of this story.
48:06 Yes. Let's hope it's not Lujan's people.
48:08 I hope so too.
48:10 Because having a murderer a few kilometers away,
48:12 doesn't really calm you down, does it?
48:14 God forbid.
48:16 Because look, we've had a jackal, a desolator, on our watch.
48:20 What are you talking about, Candela?
48:23 Desolator? No, Candela.
48:26 A gutter.
48:28 Well, they never caught him.
48:30 And who knows if that man didn't take a few rooms out,
48:33 and he was already sleeping in his spare time.
48:35 That's true.
48:38 But what are you talking about?
48:40 About a murderer in London who killed people, one after another.
48:44 And then he'd pull out the guts, like gorrinos in the slaughterhouses.
48:48 Please, Candela, that's enough.
48:50 Besides, there's only been one crime here,
48:53 and let's hope it's just that, just one.
48:55 God willing, Miss.
48:57 You know what they say.
48:59 And what is said?
49:02 Well, they say that if a fool takes a gutter,
49:05 the gutter is gone and the fool follows.
49:07 And who knows if that applies to the gutters themselves.
49:11 I've told you I'm fine.
49:15 Well, I think you are, because I know you very well.
49:18 What did I say? Something that makes you think that?
49:21 Precisely because of that, because you haven't said anything.
49:24 You're more known for your silence than for what you say.
49:26 I don't know what you mean by that, but I'm telling you it's not true.
49:31 Well, I think it is true.
49:33 Because I don't just think it, Teresa thinks it too.
49:36 What's going on here?
49:38 Are you going to talk behind my back or what?
49:40 No, Maria, we just love you and we're worried about you.
49:43 But if you don't trust us, then you go.
49:46 Okay, something is going on with me.
49:50 But I'll tell you.
49:52 Because now we have more embarrassing things to talk about.
49:56 Like what?
49:59 For example, that one day he makes a few sentences with us.
50:01 Maria, don't exaggerate.
50:03 I don't feel like sleeping in a water well in the bed.
50:06 I'm going to rent a room in Lujan.
50:08 Well, after what happened to Jerónimo, I don't think Lujan is the best place.
50:11 See? What I'm telling you.
50:13 You can't be calm anywhere.
50:15 People are like a fence. If not, look at my boyfriend.
50:17 And now what's wrong with your boyfriend?
50:19 Well, he doesn't want to be a fake wedding until the moment of marriage comes for real.
50:23 What a head-to-head.
50:25 Well, let's see, the idea is a bit peculiar.
50:28 But a silly one.
50:29 Let's talk with propriety, with propriety, whatever you say.
50:32 Well, but it was a good idea, Maria.
50:34 That must be thought about.
50:36 And I think the only thing that proves it is that he really wants to marry you.
50:39 Well, yes.
50:41 Well, I'm going to continue with the work.
50:43 Wait a minute, Maria.
50:46 I already told you that I have a lot of work.
50:48 Well, leave it, I'll do it.
50:50 What do you think?
50:53 That because I'm so busy, I forget that something is wrong with you?
50:55 I know that something is wrong with you with Vera.
50:57 And sooner or later you will have to tell me.
50:59 Yes, you are heavier than a stone.
51:02 I already told you that I will tell you, but in a futureable way.
51:05 That's it.
51:07 That you repeat more than Leco.
51:09 Well, I'm leaving now.
51:11 I leave you with this.
51:25 Well, the last thing I could expect is that Jerónimo had a lot of money.
51:28 In this trade you don't earn much.
51:30 The Civil Guard is also involved with that.
51:33 Why do you say that?
51:35 They miss the money.
51:37 They also think that the one who killed Mr. Gamboa knew him.
51:40 Because he opened the door of his room and he was not forced.
51:43 Maybe he had a friendship in the town.
51:45 According to the sergeant, no.
51:47 He only had friends in hell and he has to be there with all of them.
51:50 But then what was it? A forager?
51:53 Well, it seems so, but they also think that it may not be a simple robbery,
51:56 but a set of accounts.
51:59 But is there proof of this?
52:02 No, they are only assumptions of the sergeant, but they seem to me to be correct.
52:06 Mr. Baeza, it may be, but without proof ...
52:08 No, for the moment there are none and there may not be any.
52:11 Then we would be facing a case of unsolved crime.
52:15 At least if Sergeant Funes is right,
52:19 the murderer came from outside and must be far from here.
52:22 It's not bad news, because the server doesn't want either a murderer or a dismemberer for these places.
52:28 You comb my hair so well, Teresa.
52:39 The maid who attends me at my parents' house sometimes gave me a scar and I saw the stars.
52:45 It's just about being very careful, ma'am.
52:49 No, it's just that that maid is a bit clumsy.
52:52 By the way, you know you can't talk to anyone about this, right?
52:57 Of course, ma'am.
53:00 I was saying it because you disappointed me once,
53:04 when I was pregnant and you told Mauro about my bleeding.
53:07 And you don't know how sorry I am.
53:10 I assure you that I will not make that mistake again.
53:12 Good, because I trust you.
53:14 And I also believe in the second chances a path is given to me.
53:19 Of course, ma'am. This is done.
53:21 Now I would like you to paint my eyes like this.
53:27 Do you really want to see yourself like this?
53:32 Well, don't be so surprised.
53:36 It's fashion in America,
53:38 and one of the most famous actresses, Alicia Hollister, wears it in one of her films.
53:43 And how have they made that eye shadow so beautiful?
53:47 And how have they made that eye shadow so beautiful?
53:49 It's glue.
53:51 Look, here you have a jar for you to use it.
53:54 I don't think Mrs. Marquesa likes to see her like this.
53:58 I don't care if she likes it or not.
54:01 I need to get my husband back.
54:03 And for that, I need to be attractive.
54:06 And no, you'd rather she put a little bit of color on her cheeks or ...
54:10 No, we'll use glue.
54:13 Look, the magazine says that with this, the woman seems more attractive and mysterious.
54:18 And it's just what I need now.
54:20 So?
54:24 Teresa?
54:29 Very well.
54:35 All the weapons you asked for have arrived.
54:38 I have to admit that you have me very surprised.
54:42 I thought it would take weeks.
54:43 I already told you, Mr. Cavendish, that with me everything would be much easier.
54:48 I'm seeing that.
54:50 And since the weapons have just arrived, maybe we could talk about the next delivery.
54:57 I'll have all the money gathered in a day or two, so I'm ready.
55:01 We'll have to speed up the production of sauces and jams.
55:05 We have to put a lot of weapons in those cans.
55:08 We should, yes.
55:11 You know, Captain, if I had met him before, I wouldn't be doing business with Pelayo right now.
55:17 Why do you say that?
55:19 Come on, he knows it as well as I do.
55:21 Pelayo is a pusillanime, a man without character.
55:25 And he will know that a chain is as strong as the weakest link in its links.
55:30 So far, it hasn't gone so bad with him?
55:32 We haven't failed by a miracle.
55:36 It's been months of arguing with him, enduring his inconveniences.
55:41 I'm sick of it. I think it's time to let go.
55:46 If that's what you want, you'll have to take care of it yourself.
55:50 I don't want to get involved in something like that.
55:52 I understand.
55:55 But think that it's for the good of the business.
55:59 Of course, but ...
56:01 Wouldn't that be too many bites and goes?
56:05 Because what happened to Jerónimo was his thing, right?
56:09 Perfect.
56:19 You have a good hand for makeup.
56:21 You look beautiful, ma'am.
56:24 But I don't know if I should go down like this to dinner.
56:27 Well, I think there will be no better time or better place to show off this makeup.
56:33 And you know what I'm telling you?
56:34 Who doesn't like it, doesn't look at it.
56:36 Good afternoon, Teresa.
56:41 Good afternoon, sir.
56:43 If you don't want anything else, go.
56:47 Excuse me.
56:50 Do you like my new makeup?
57:02 Yes.
57:03 Many actresses in the United States wear it.
57:07 Ximena ...
57:11 I came to tell you that I've been thinking about your proposal and ...
57:16 I already have an answer.
57:29 I'm not very proud of everything I did when I was young either.
57:33 But I'm sure you always acted with honesty.
57:37 I tried.
57:39 I tried to do the right thing, but I didn't always get it.
57:42 So there's something wrong with you.
57:44 And you're right.
57:46 And if I haven't told you anything so far, it's to not alarm you.
57:50 By the way, I haven't asked him if he has made any decision regarding the election of the first lackey of La Promesa.
57:56 Well, that matter has me in a sea of uncertainty.
57:59 Well, it's a position of great responsibility and you're going to have to delegate a lot on it.
58:03 So it must be someone very trustworthy, of course.
58:06 Well, that's where the source of my doubts comes from.
58:08 Salvador, you have to talk to Don Rómulo and tell him that you feel very capable.
58:12 But what if I don't feel capable, María?
58:14 Are you going to tell me what that funeral face is due to?
58:17 I don't know what you're talking about.
58:19 Maybe I better ask your dear nephew.
58:22 Maybe he has an answer.
58:25 What do you want to do?
58:26 I love your company and that you laugh at some tragic issues of my life.
58:31 Keep being as you are, please.
58:34 Well, turning things around, I have one thing on my mind.
58:43 What?
58:45 I haven't even told you.
58:46 And why not?
58:48 Because I don't think I'm doing anything good, Teresa.
58:51 I want you to leave me alone because I haven't asked for your comfort.
58:54 You were here, crying. And I was supposed to ignore it.
58:57 You're supposed to leave me alone.
58:59 You weren't alone, and you won't be, Martina. Don't you realize that?
59:02 Leave.
59:04 Thanks to his mediation, he has shown more willingness to negotiate, but still.
59:10 And what are you going to do?
59:12 I don't know, but now I have to think about his proposal.
59:15 What did he tell you?
59:17 [♪♪♪]
59:19 [♪♪♪]
59:21 ♪♪