Watch The Island (2023) Full Movie For Free
Transcript
00:00:00 (electronic music)
00:00:02 (electronic music)
00:00:05 (electronic music)
00:00:08 (soft music)
00:00:24 (upbeat music)
00:00:34 (upbeat music)
00:00:37 (singing in foreign language)
00:00:44 (upbeat music)
00:00:47 (upbeat music)
00:00:50 (singing in foreign language)
00:00:54 (upbeat music)
00:00:57 (singing in foreign language)
00:01:00 (upbeat music)
00:01:03 (upbeat music)
00:01:06 (singing in foreign language)
00:01:09 (upbeat music)
00:01:12 (singing in foreign language)
00:01:17 (upbeat music)
00:01:20 (singing in foreign language)
00:01:26 (singing in foreign language)
00:01:29 (upbeat music)
00:01:32 (singing in foreign language)
00:01:37 (singing in foreign language)
00:01:41 (singing in foreign language)
00:01:45 (upbeat music)
00:01:47 (singing in foreign language)
00:02:15 (clapping)
00:02:17 - Please, come join me.
00:02:21 Please come.
00:02:22 (speaking in foreign language)
00:02:29 I'm a big fan of your voice.
00:02:39 You have an exceptional talent.
00:02:41 - Thank you.
00:02:42 - Apologies, where are my manners?
00:02:45 What can I get you to drink?
00:02:47 - Oh, I'm okay, thank you.
00:02:49 - Please, after a performance like that,
00:02:51 you certainly earned one, for sure.
00:02:54 Yes?
00:02:55 - Okay, I'll have a glass of red wine, please.
00:02:59 - Hakim, bring me one bottle of this new French red wine
00:03:02 we just received yesterday.
00:03:04 - Yes, sir.
00:03:05 - You're from Chicago, right?
00:03:09 You must be a fan of cold winters, then.
00:03:12 - Oh, no, I hate the cold, actually.
00:03:15 I'm from Florida, but I moved away as soon as I could
00:03:19 to chase a dream.
00:03:20 Cold winters just became a price for that dream, I guess.
00:03:24 - It's paradise here.
00:03:27 Really, it's below 72 degrees.
00:03:30 I'm offering you three times whatever you make in Chicago
00:03:36 to sing here in my club, exclusively for me.
00:03:41 (laughs)
00:03:42 - My God, that's an amazing offer.
00:03:44 - I'm so sorry, man, let me get that for you.
00:03:49 - It's all right.
00:03:50 It's not your fault.
00:03:51 - Hakim, it's okay, calm down.
00:03:54 She's right, certainly was an accident.
00:03:58 How long have you been working for me, Hakim?
00:04:00 - Almost two months, sir.
00:04:03 - Then you know, then, customer is king.
00:04:05 The customer deserve excellent service, always.
00:04:10 - Yes, sir, I'm so sorry, sir.
00:04:11 I'm sorry, ma'am.
00:04:12 - It's okay.
00:04:13 - I'm so, so sorry.
00:04:14 (gun fires)
00:04:16 - You should be sorry.
00:04:18 (blood splatters)
00:04:21 (Hakim gasps)
00:04:24 (glass shatters)
00:04:27 (Hakim sobs)
00:04:30 - Apologies.
00:04:39 Why you don't go to get cleaned up a little bit?
00:04:42 And come sing for me something special.
00:04:45 You work for me now.
00:04:55 (Hakim sobs)
00:04:59 (dramatic music)
00:05:04 (water splashes)
00:05:07 (dramatic music)
00:05:10 (dramatic music)
00:05:39 - So, I finally had to tell her last night.
00:05:42 Bon voyage, Coco.
00:05:43 You know, I know she was wrong for me
00:05:47 from the moment we met, but she beautiful, man.
00:05:49 She had them long legs, she was wrapped around me,
00:05:52 crystal blue eyes, like swimming pools of beauty.
00:05:56 Just, mm.
00:05:57 Hey, Mark, I'm over here just pouring my heart out to you
00:06:01 and I feel like you're not even listening.
00:06:03 Are you listening?
00:06:04 - No.
00:06:04 - Okay, all right.
00:06:07 You're right, you were right.
00:06:08 'Cause I know from the moment that you met her,
00:06:10 you were all like-
00:06:11 - She wasn't right for you.
00:06:13 - And why is that exactly?
00:06:15 - She was normal.
00:06:18 - Mm, yeah.
00:06:19 Well, you know this is all kind of your fault, right?
00:06:23 - My fault?
00:06:24 - Well, yeah.
00:06:27 We've been working together for years now, man.
00:06:29 All you gotta do is come out with me every once in a while,
00:06:31 just have a couple drinks.
00:06:32 Then maybe you could steer me clear of the wrong girls.
00:06:34 - I told you, not into that singles dating thing.
00:06:38 - Singles dating scene?
00:06:39 Man, that's all the dating scene is,
00:06:40 is a bunch of singles.
00:06:42 Come on, man, you're the only guy I know
00:06:43 who's got his ex-wife's name tattooed on his finger.
00:06:46 - She wasn't my ex-wife when I got the tattoo.
00:06:52 - Yeah, I know that.
00:06:53 Just add a little something to it.
00:06:54 What does that say anyway, a teller?
00:06:57 - It's akeela, akeela.
00:06:59 - Okay, so add a T and now it's tequila, right?
00:07:03 You be the cool guy at the bar,
00:07:04 you got tequila on your knuckle.
00:07:05 - Hey, here.
00:07:07 Get serious.
00:07:08 - Rock, paper, scissors?
00:07:17 Hmm?
00:07:17 Okay.
00:07:20 You always do rock anyway.
00:07:22 - Sup, Los?
00:07:25 - Hello, my friend.
00:07:28 How you doing?
00:07:29 - How the fuck you think I'm doing, man?
00:07:30 Waiting out here in West Bubble fuck for your ass, man.
00:07:32 What's up?
00:07:33 - Let's not waste time, you got the money?
00:07:34 - Yo, I ain't wasting the time, man.
00:07:37 - All right, yeah, I got your paper.
00:07:38 You got my shit?
00:07:40 - Si.
00:07:41 - All right.
00:07:43 What's up, Jose?
00:07:44 Oh, you too hard for that shit, right?
00:07:47 This motherfucker.
00:07:48 So what's up, man?
00:07:51 We gonna transact or we gonna bullshit?
00:07:52 What?
00:07:53 - True checkin' out.
00:07:56 My brother's gonna get the money from the car.
00:07:59 - Hey, hey, hey, yo, Rambo, man.
00:08:02 Is that shit necessary?
00:08:04 - I'm afraid it is.
00:08:06 Amigo.
00:08:07 - Hey, yo, what's up with Senor Gancho over here?
00:08:10 - It's cool, man.
00:08:12 Just show him the paper.
00:08:13 - Come on, now, handsome.
00:08:17 Let me show you something real pretty.
00:08:18 (speaking in foreign language)
00:08:21 - What's up, man?
00:08:22 Where's my shit?
00:08:22 - Step into my office, my friend.
00:08:26 - About to make your day, man.
00:08:33 Come on.
00:08:34 (dramatic music)
00:08:37 - We happy?
00:08:44 - Yeah, that's your happy face.
00:08:48 - The mean potatoes as promised.
00:08:51 Same quality as before?
00:08:56 - Even better.
00:09:04 - Yeah?
00:09:05 - We good.
00:09:06 Give him the money.
00:09:08 - Great.
00:09:09 Well, it's been a pleasure doing business with you,
00:09:11 but don't take this the wrong way when I say
00:09:13 I'm not gonna lose any sleep
00:09:14 if I never have to see your ugly fucking face ever again.
00:09:17 (speaking in foreign language)
00:09:21 Well, that's not good.
00:09:23 - Yo, Phil.
00:09:23 We good?
00:09:26 Talk to me.
00:09:27 - Never better.
00:09:28 Just think we got a little lost in translation over here.
00:09:32 I'm gonna need you to pick up that bag
00:09:34 or I will end you right here, right now.
00:09:38 - Wait, so this whole time you can speak English?
00:09:41 - Pick up that bag.
00:09:42 Slowly.
00:09:45 - Listen, man, okay?
00:09:47 It was real rude of me,
00:09:49 and if I'm being honest with myself,
00:09:51 rather racist to assume you don't speak English.
00:09:53 (guns firing)
00:09:54 - Hey, LAPD, motherfucker.
00:09:56 Drop it, drop it.
00:09:58 - Phil, talk to me.
00:10:00 (punching)
00:10:02 - He's a dead man.
00:10:10 You both are.
00:10:11 - Shut the fuck up.
00:10:12 - Hey, Phil.
00:10:13 (gun firing)
00:10:18 - Wait, wait.
00:10:20 You're under arrest.
00:10:21 - LAPD.
00:10:22 - Phil.
00:10:24 - You might as well shoot,
00:10:25 'cause I promise you my family will come after you
00:10:27 and everyone you lost.
00:10:29 - Phil.
00:10:30 - Until all of your lifeless bodies
00:10:31 are hanging from an overpass.
00:10:32 - Hey, hey, shut the fuck up.
00:10:34 It was not a request.
00:10:35 Shut up.
00:10:36 Phil.
00:10:37 - You have the right to remain silent.
00:10:39 Anything you say can be used against you in a court of law.
00:10:41 (punching)
00:10:43 - You okay?
00:10:47 - If you can't afford an attorney,
00:10:54 one will be appointed.
00:10:58 - Have you understood these rights
00:10:59 as I have read them to you?
00:11:01 Hey, amigo, buddy.
00:11:04 Ah, shit.
00:11:06 Hey, Mark.
00:11:07 You think he heard that last part?
00:11:08 Am I gonna have to read him his whole Miranda rights
00:11:11 warning all over again?
00:11:12 'Cause I don't want to.
00:11:14 - Well, judging by his rap sheet,
00:11:15 I think he's heard it before.
00:11:17 - You look clean.
00:11:20 You guy, he was a lot smaller.
00:11:22 - True.
00:11:24 Maybe you should cuff him.
00:11:25 I don't know if you have the punching power
00:11:27 to keep him out very long.
00:11:29 - Oh, he's got jokes and wet pants.
00:11:31 - Hey, it's not a good time.
00:11:34 (siren wailing)
00:11:38 (ominous music)
00:11:42 (siren wailing)
00:11:45 (ominous music)
00:11:47 (siren wailing)
00:12:16 - We are gathered here today
00:12:18 to celebrate the life of our brother, Akeem.
00:12:22 I have known Akeem's mother, Yvonne,
00:12:27 and his brother, Mark, for a long time.
00:12:29 I can remember the day Akeem was born.
00:12:33 Bringing with him into this world
00:12:36 and to this island that infectious smile
00:12:40 that all of us would soon know and love.
00:12:43 I ask all of you now to remember fondly Akeem
00:12:47 and his infectious smile,
00:12:49 but also to let his tragic death be a reminder
00:12:54 that we must collectively guard the lives of our youths.
00:12:58 Because make no mistake about it,
00:13:01 whereas our island is surely a gift from God,
00:13:06 lest we forget the devil does not strike at us from afar.
00:13:11 No, he slithers along the soil we call home,
00:13:16 waiting to coil around the feet of any who dare oppose him.
00:13:20 (somber music)
00:13:39 - Yvonne, I am so sorry.
00:13:42 - Thank you, Akiva.
00:13:46 - Please, come see me soon.
00:13:53 - We never met.
00:14:01 I'm Manuel Alvarez.
00:14:03 I'm terribly sorry.
00:14:04 My deepest condolence.
00:14:07 (sobbing)
00:14:09 If there is anything I can do for you, please let me know.
00:14:13 - So sorry for your loss.
00:14:20 (sobbing)
00:14:22 (somber music)
00:14:26 - Thank you.
00:14:27 - I'm sorry, son.
00:14:43 I didn't get a chance to clean the house.
00:14:46 - Mom, it's fine, it's fine.
00:14:46 - But I'm glad you're home, baby.
00:14:48 - Me too.
00:14:49 - Let me get you something to eat.
00:14:51 You must be hungry.
00:14:52 - No, Mom, Mom, Mom, Mom, please, please stop.
00:14:54 I just want you to relax.
00:14:56 You don't need to be doing anything right now.
00:14:58 Come sit, come sit.
00:14:59 - I have some things for your brother.
00:15:03 - Come on.
00:15:05 (somber music)
00:15:07 (somber music)
00:15:10 - He was wearing that one.
00:15:30 He'd like you to have it.
00:15:33 (somber music)
00:15:35 - Thanks, Mom.
00:15:40 Tell me what happened.
00:15:49 - I don't know.
00:15:51 He got a job and he was staying out of trouble.
00:15:54 - Trouble?
00:15:55 - A lot has changed over the past seven years
00:15:59 that you've been gone, son.
00:16:00 The island just isn't the same anymore.
00:16:03 - Well, I'll find out what happened.
00:16:05 - No, no, Mark.
00:16:06 I just lost one of my sons.
00:16:09 I cannot lose another.
00:16:11 - Mom, listen to me, okay?
00:16:13 Everything is gonna be okay.
00:16:16 Just trust me.
00:16:19 Get some rest, okay?
00:16:20 (sobbing)
00:16:22 It's gonna be okay.
00:16:29 (sobbing)
00:16:31 Okay, Mom?
00:16:32 It's gonna be all right.
00:16:35 (sobbing)
00:16:37 Get some rest.
00:16:38 - Okay.
00:16:39 (sobbing)
00:16:41 (somber music)
00:16:47 (somber music)
00:16:49 (somber music)
00:16:52 (somber music)
00:16:55 (somber music)
00:16:57 (somber music)
00:17:00 (somber music)
00:17:02 (somber music)
00:17:05 (somber music)
00:17:33 (dramatic music)
00:17:36 (dramatic music)
00:18:04 (dramatic music)
00:18:06 (dramatic music)
00:18:09 (dramatic music)
00:18:12 (dramatic music)
00:18:15 (dramatic music)
00:18:18 (laughing)
00:18:20 - Yes, brother.
00:18:21 Long time.
00:18:25 - Yeah.
00:18:26 Sit down, sit down.
00:18:27 - I'm really sorry about Hakeem.
00:18:33 He was a good kid.
00:18:36 - Thank you.
00:18:38 - So what have you found out?
00:18:41 - We got way back,
00:18:46 so I'm just gonna give it to you straight.
00:18:49 We don't have the same manpower like you do in LA.
00:18:52 - I remember.
00:18:53 - So this,
00:18:54 this is gonna take some time.
00:18:58 And right now, we don't have a whole lot to go off of.
00:19:03 - This is Aliyah?
00:19:12 - That's everything from the table.
00:19:17 - Maybe I fight with the gangs.
00:19:18 - Gangs?
00:19:19 - Yeah.
00:19:23 There's been a lot of crime here on the island
00:19:25 since you've been gone.
00:19:26 Especially with gangs from neighboring islands
00:19:28 coming here to party.
00:19:29 And drug traffic is way up.
00:19:31 - So you think this is gang related?
00:19:35 - Like I said,
00:19:39 this is gonna take some time
00:19:43 to find out what actually happened.
00:19:45 But when I do,
00:19:47 you'll be the first to know.
00:19:48 - All right.
00:19:51 - Hiya!
00:20:12 - Nine!
00:20:13 - Hiya!
00:20:14 - Ten!
00:20:15 - Hiya!
00:20:15 - One!
00:20:16 - Hiya!
00:20:17 - Two!
00:20:18 - Hiya!
00:20:19 - Three!
00:20:20 - Hiya!
00:20:20 - Four!
00:20:21 - Hiya!
00:20:22 - Five!
00:20:23 - Hiya!
00:20:24 - Six!
00:20:25 - Hiya!
00:20:26 - Seven!
00:20:26 - Hiya!
00:20:27 - Eight!
00:20:28 - Hiya!
00:20:29 - Nine!
00:20:30 - Hiya!
00:20:31 - Ten!
00:20:31 - Hiya!
00:20:32 - And one!
00:20:33 - Hiya!
00:20:34 - Two!
00:20:35 - Hiya!
00:20:36 - Three!
00:20:36 - Hiya!
00:20:37 - Four!
00:20:38 - Hiya!
00:20:39 - Bye, Sensei Akila.
00:20:40 - Bye, Sensei.
00:20:42 - See you guys next week.
00:20:43 (car engine rumbling)
00:20:46 - So, how's the big city treating you?
00:20:48 - Well, now that day goes by
00:20:51 that I don't think about the island.
00:20:53 That's what you're asking?
00:20:56 - But you left.
00:20:58 - And you know why I left?
00:21:00 - Yeah.
00:21:02 So, um,
00:21:06 did you ever
00:21:09 be married?
00:21:12 (gentle music)
00:21:14 - No.
00:21:17 You?
00:21:20 - Nope.
00:21:23 - Well, I'm happy you kept up with your training.
00:21:30 How long have you had the dojo?
00:21:34 - Ah, going on about three years now.
00:21:36 - I'm impressed.
00:21:41 The kids are lucky to have you.
00:21:43 - You know, I, um,
00:21:49 I always hoped I'd see you again,
00:21:53 but not like this.
00:21:56 I'm so sorry about Aki Mark.
00:22:00 - Thank you.
00:22:04 - How long are you staying for?
00:22:07 - Long enough to find out what happened to Aki.
00:22:11 - I went to the police station to talk to Nate.
00:22:14 He says there are gangs here on the island.
00:22:17 - Unfortunately, yeah.
00:22:19 The gangs come over on the weekends from other islands
00:22:22 and bring with them more drugs and crime.
00:22:24 But I wouldn't hold onto too much hope
00:22:27 in whatever Nate Sessle does.
00:22:29 - Why is that?
00:22:30 - Because people around here are afraid to make waves.
00:22:35 - I'm listening.
00:22:39 - This guy, Manuel Alvarez,
00:22:42 everyone calls him the company
00:22:43 because he owns everything that's important on the island.
00:22:46 He owns the bank, construction companies, hotels.
00:22:50 In less than four years,
00:22:54 he basically managed to control
00:22:55 the entire economy of the island,
00:22:58 not to mention the only places that the gangs
00:23:00 seem to avoid are the businesses he owns.
00:23:03 I'm pretty sure he controls them too,
00:23:06 just to scare the people on the island.
00:23:08 So whether they like it or not,
00:23:10 a lot of people around here rely on him to survive.
00:23:13 Do you remember Vanessa?
00:23:16 - Yeah.
00:23:18 - She's working at the bank and told me in confidence
00:23:21 that hundreds of millions go to the bank now.
00:23:24 - But what does that have to do with Akeem?
00:23:27 - Two months ago, Akeem took a job as a bartender
00:23:34 working for Alvarez.
00:23:36 - What club?
00:23:39 - Luna, Club Luna.
00:23:41 What are you going to do, Mark?
00:23:45 - I'm gonna do whatever it takes,
00:23:49 starting with a visit to this Alvarez.
00:23:54 - Just be careful.
00:23:57 (dramatic music)
00:24:00 (dramatic music)
00:24:03 (dramatic music)
00:24:06 - Can I help you?
00:24:32 - You're to speak to your boss.
00:24:34 - You're gonna have to make an appointment.
00:24:36 - Not my style.
00:24:38 - Your style?
00:24:39 Perhaps you've not heard--
00:24:40 - It's okay.
00:24:41 Please.
00:24:44 Come, sit down.
00:24:46 - No, thank you.
00:24:49 - Can I get you something to drink?
00:24:53 - No.
00:24:53 - So, how can I help you?
00:24:57 - My brother worked for you.
00:25:01 - He did.
00:25:03 A lot of people worked for me.
00:25:04 - Here at this bar?
00:25:07 - Yes, and he was a good bartender.
00:25:09 - So you're aware that my brother was killed
00:25:11 the night he was working here?
00:25:13 - You know, I don't think I like
00:25:16 the implication you are making.
00:25:17 - I look like I care what you think?
00:25:20 What the fuck happened to my brother?
00:25:23 - You're upset, and I get it.
00:25:30 And I'm here to help.
00:25:32 But you're not going to find the answer
00:25:34 you're looking for here.
00:25:36 Your brother left after his shift that night,
00:25:40 and it seems to me he may have gotten himself
00:25:42 into some troubles with the gangs.
00:25:44 - Here.
00:25:53 - What is this?
00:25:56 - A spot.
00:25:58 A bar, actually.
00:25:59 Where a lot of the gangs that come over
00:26:02 from other islands hang out.
00:26:04 My people told me that your brother
00:26:06 would used to go there after work.
00:26:08 This is not the same island you grew up on.
00:26:12 Not anymore.
00:26:13 - You know, everybody keeps telling me that.
00:26:17 - Change is inevitable.
00:26:19 Good and bad, I'm afraid.
00:26:21 - You're right about that.
00:26:23 Changes are coming.
00:26:25 So you might want to move your business off of the island.
00:26:29 - Oh.
00:26:30 - A threat by an LA police officer.
00:26:35 - Yes.
00:26:36 I have friends all over America.
00:26:40 I did my homework on you, Mark.
00:26:43 - Apparently not enough.
00:26:46 Otherwise you'd be packing right now.
00:26:48 I've done my homework on you too, Mr. Alvarez.
00:26:53 And I know you're tight.
00:26:56 And I promise you,
00:26:58 the weather's about to get very bad for you here.
00:27:01 - What do you want me to do?
00:27:13 - Get the gangs from the north to handle him.
00:27:23 (dramatic music)
00:27:26 - Dijon.
00:27:46 - Mark.
00:27:48 My brother.
00:27:51 Welcome home and good to see you.
00:27:52 You hungry?
00:27:53 Hey, let me hook you up, man.
00:27:54 - No, no, no, no, no thanks, man.
00:27:56 Leave some for us.
00:27:57 - Man, I'm sorry about that king.
00:28:02 I really wanted to go to the funeral,
00:28:04 but with six months of feeding, now I got to-
00:28:06 - Don't worry.
00:28:07 You and Dijon have got four more kids now.
00:28:09 - Yeah, brother.
00:28:11 We've been blessed.
00:28:11 But things have been tough.
00:28:15 At least for those of us who still choose
00:28:17 to do things the right way, you know?
00:28:19 - Yeah.
00:28:23 - You remember that package I asked you to hold for me?
00:28:26 - Of course.
00:28:27 I buried it where you told me to.
00:28:29 - Good.
00:28:31 I'm gonna need it.
00:28:32 - Shit is coming.
00:28:35 - Shit is coming big time, brother.
00:28:37 (dramatic music)
00:28:39 (dramatic music)
00:28:42 (dramatic music)
00:28:45 (dramatic music)
00:28:51 (dramatic music)
00:28:58 (dramatic music)
00:29:01 (door creaking)
00:29:08 (dramatic music)
00:29:11 (dramatic music)
00:29:14 - Hey, man, what the fuck?
00:29:36 - Which of you is in charge?
00:29:40 - Yo, big man, you know when to get out
00:29:41 of here before you get hurt, shit.
00:29:43 - Look, I don't want any trouble.
00:29:46 - Yo, bitch, if you're a cop, we got nothing to say.
00:29:49 - Like I said, all I want is some information.
00:29:58 Now, my brother-
00:30:00 - You're not a cop, you're in the wrong fucking place.
00:30:03 - I'm not here as a cop.
00:30:04 I'm here as a brother of the island
00:30:07 who has lost his brother.
00:30:09 And all I want is a little information
00:30:12 about what happened to my brother.
00:30:14 - Motherfucker, you do see I got a loaded gun, right?
00:30:17 - Look, I realize you guys are not from the island,
00:30:20 so you don't know me or my reputation.
00:30:23 - Shoot this motherfucker, man.
00:30:24 - All I want is some information.
00:30:26 Like I said, I'm not here to hurt anyone, okay?
00:30:39 (suspenseful music)
00:30:42 All I wanna know is if my brother Akeem was here
00:30:46 on the night that he was murdered.
00:30:47 (dramatic music)
00:30:50 (fighters grunting)
00:30:54 (gun firing)
00:30:57 (fighters grunting)
00:31:05 (fighters grunting)
00:31:12 (fighters grunting)
00:31:15 (fighters grunting)
00:31:18 (gun firing)
00:31:42 (dramatic music)
00:31:45 - You broke my fucking nose.
00:31:47 - You wanna tell me about my brother now?
00:31:51 - Fuck your brother.
00:31:52 (fighters grunting)
00:31:55 - That's right, had it, didn't need it.
00:32:11 (gun clicking)
00:32:12 I could use it now if you like.
00:32:14 - No, I never met him.
00:32:19 We were just told to fuck some stud up
00:32:21 looking for his brother.
00:32:22 That's all I know, I swear.
00:32:25 - I believe you.
00:32:26 Thank you.
00:32:27 (dramatic music)
00:32:30 - Yo, that's him.
00:32:34 (gun firing)
00:32:36 - He's here.
00:32:39 (gun firing)
00:32:41 - Let's go.
00:32:48 (dramatic music)
00:32:50 (gun firing)
00:32:59 - That way.
00:33:06 (dramatic music)
00:33:09 (gun firing)
00:33:11 - Shoot him.
00:33:32 (gun firing)
00:33:35 (tires screeching)
00:33:38 - Yo, you guys see him anywhere?
00:33:53 - Shit, they lost him.
00:33:55 - Let's go.
00:33:57 (tires screeching)
00:34:00 (dramatic music)
00:34:02 - I'll call him.
00:34:13 We lost him.
00:34:16 - That's very disappointing.
00:34:19 I will deal with your failures later.
00:34:21 Go to the mother's house.
00:34:23 Use her to flush him out.
00:34:25 - Understood.
00:34:27 (dramatic music)
00:34:30 (gun firing)
00:34:33 (heart beating)
00:34:40 (gun firing)
00:34:43 (heart beating)
00:34:45 (gun firing)
00:34:48 (heart beating)
00:34:50 (gun firing)
00:34:53 (heart beating)
00:34:55 (heart beating)
00:35:25 - It's getting dark.
00:35:26 (dramatic music)
00:35:29 (gun firing)
00:35:32 (dramatic music)
00:36:01 (gun firing)
00:36:04 - Fuck.
00:36:11 (dramatic music)
00:36:14 (gun firing)
00:36:16 (gun firing)
00:36:19 - Here you go.
00:36:45 - Thank you.
00:36:46 - Don't mention it.
00:36:47 Yvonne, everything is going to be okay.
00:36:54 He's going to be okay.
00:36:57 - You know, when you're a mother, you always have to worry.
00:37:01 I'm sorry.
00:37:07 I wasn't thinking.
00:37:09 I'm so sorry.
00:37:10 - It's okay.
00:37:11 You know, I really wish that I could tell you
00:37:15 that after losing a child, it gets easier.
00:37:18 But even after seven years,
00:37:21 it doesn't.
00:37:24 - You two good?
00:37:35 - Yeah.
00:37:36 - You have a first aid kit?
00:37:39 - Yeah, I'll go grab it.
00:37:40 (radio chattering)
00:37:46 - All right, so what we got?
00:37:48 - We have a DOA, the rest of Juan onto the hospital.
00:37:51 - Jesus Christ.
00:37:55 This boy's got it hard.
00:37:56 Who else is here?
00:37:58 - No one's talking.
00:37:59 - All right, so I'll take it from here.
00:38:04 Just make sure you secure the perimeter.
00:38:06 - Yes, sir.
00:38:07 - Excuse me, sir.
00:38:09 - Yes, officer.
00:38:10 - The station have been trying to get hold of you.
00:38:12 - What is it?
00:38:12 - The station.
00:38:13 - What is it?
00:38:14 - They said there's a possible crime scene
00:38:16 that you'll want to know about.
00:38:17 - I have a crime scene here already.
00:38:20 - It's at the King's mother's house.
00:38:22 (radio chattering)
00:38:25 - Tell my mom you're here.
00:38:27 - Okay, sir.
00:38:28 (ominous music)
00:38:44 (radio chattering)
00:38:47 - You think nobody was home?
00:38:50 - It is time.
00:38:53 - Any idea what happened to a bunch of young men
00:38:57 this early tonight at the beach bar?
00:38:59 Hmm?
00:39:00 Any idea what happened to my brother
00:39:02 or who tried to break into my mother's house and kill her?
00:39:05 You have no idea what you're asking of me right now?
00:39:11 - You're right.
00:39:12 It's not gonna stop,
00:39:15 not unless you help me to make it stop.
00:39:17 - I think you already know the answers
00:39:20 to the questions you're asking.
00:39:22 - This is our island, our home.
00:39:25 My father built this house with his bare hands
00:39:29 just like your father built yours.
00:39:31 And they wanted my mother to be there, Nate.
00:39:35 Changes are coming.
00:39:39 And you need to decide what side of those changes
00:39:42 you're gonna be standing on.
00:39:43 Speak to Luna, it's a new singer.
00:39:57 One of my informants told me she was working
00:40:00 the night your brother was killed.
00:40:02 Her name is Nora.
00:40:05 She's staying at a motel by the church, room 18.
00:40:07 (dramatic music)
00:40:10 - Is your mother somewhere safe?
00:40:13 - Yeah.
00:40:14 At Akiva's place.
00:40:17 - Good.
00:40:19 - I need to trust you, Nate.
00:40:23 This island needs help and I can't do it alone.
00:40:27 (dramatic music)
00:40:30 (dramatic music)
00:40:33 - I don't think the word disappointed
00:40:59 carries enough weight for what I'm feeling right now.
00:41:02 - We did what you asked for after we lost them in town.
00:41:05 But the house, it's empty.
00:41:09 They must have known someone was coming.
00:41:11 - So this was my fault?
00:41:14 - No, no, that's not what I meant.
00:41:16 No, no.
00:41:17 - It's okay, forget about it.
00:41:19 You tried, right?
00:41:22 You did the best you could with the information you had,
00:41:24 but they knew you were coming.
00:41:26 Right?
00:41:29 - Yes, sir.
00:41:30 Yes, sir.
00:41:31 - Hey, hey, take it easy.
00:41:35 Take a deep breath before you hyperventilate.
00:41:38 (dramatic music)
00:41:41 One thing I can stand is excuses
00:41:53 and a lack of accountability.
00:41:55 (dramatic music)
00:41:58 (man grunting)
00:42:01 - Please.
00:42:02 (man grunting)
00:42:04 Please, please, please.
00:42:06 (dramatic music)
00:42:08 - So, fuck.
00:42:10 - Asger, get back to the accountability.
00:42:13 - Fuck, fuck, fuck.
00:42:15 Please, no, no, no, wait, wait, wait, wait, wait.
00:42:16 I have a photo in my pocket.
00:42:18 (dramatic music)
00:42:21 Please.
00:42:24 (dramatic music)
00:42:27 (man panting)
00:42:28 - I think I know where to get this guy.
00:42:30 She's a local.
00:42:31 Runs the island dojo.
00:42:33 (gun firing)
00:42:36 (water splashing)
00:42:39 - Are you gonna come back inside
00:42:47 and finish fucking me or what?
00:42:49 - I'll be back in a moment.
00:42:52 - This cop?
00:42:54 More trouble than we expected.
00:42:57 - He put the boys of the nurse gang in the hospital.
00:43:00 - Make a call to our special friends, okay?
00:43:06 (dramatic music)
00:43:08 (man panting)
00:43:21 (dramatic music)
00:43:23 (knocking)
00:43:35 - Who is it?
00:43:36 - I'm a police officer from Los Angeles.
00:43:38 Nora, please open the door.
00:43:44 My name is Mark F. Rich.
00:43:49 Joaquin the bartender was my brother.
00:43:51 Listen, if you know the information I'm looking for,
00:43:59 then you're not safe.
00:44:00 Not here, not anywhere on the island.
00:44:03 But I can help you.
00:44:04 - Are you really a cop from LA?
00:44:08 (dramatic music)
00:44:15 (dramatic music)
00:44:18 - You tell me about what you know
00:44:36 and I will get you off this island.
00:44:38 - I can't.
00:44:41 They will kill me.
00:44:45 You have to go.
00:44:47 If they see me talking to you--
00:44:48 - No, no, Nora, Nora, Nora, please.
00:44:51 Just look, calm down.
00:44:54 No one is here and no one is going to kill you.
00:44:59 Now, it is my job to protect people in your situation
00:45:02 and I swear I will get you back to the US.
00:45:05 - When?
00:45:08 When can you get me out?
00:45:10 - If you tell me what happened to my brother,
00:45:12 I will get you out today.
00:45:15 Okay?
00:45:16 I will have my partner meet you at the airport
00:45:19 back in the US and he will make sure you're safe.
00:45:22 But I need to know what happened.
00:45:26 (dramatic music)
00:45:28 - He killed him right in front of me
00:45:41 because he spilled some wine on me.
00:45:45 - Alvarez?
00:45:46 - Yes.
00:45:51 I see it every time I close my eyes.
00:45:58 I'm so sorry.
00:46:01 I'm so sorry.
00:46:05 I just came here to sing.
00:46:13 (sobbing)
00:46:16 - It's gonna be okay.
00:46:20 (dramatic music)
00:46:23 (dramatic music)
00:46:26 (dramatic music)
00:46:28 (dramatic music)
00:46:31 (dramatic music)
00:46:34 (dramatic music)
00:46:37 (dramatic music)
00:46:39 (dramatic music)
00:46:42 (dramatic music)
00:46:47 (dramatic music)
00:46:51 (dramatic music)
00:46:55 (grunting)
00:47:06 (dramatic music)
00:47:08 - Don't worry, you can trust him.
00:47:15 - You sure?
00:47:16 - Promise you.
00:47:17 He's one of the good guys.
00:47:19 Hey, I wanna thank you for telling me
00:47:23 about what happened to my brother.
00:47:25 So how we looking?
00:47:33 - We're good.
00:47:35 - Sure, isn't that the first to stick our own?
00:47:37 We could arrest him now.
00:47:39 And with her testimony, we could get him.
00:47:40 - There isn't gonna be any trial.
00:47:43 And I promised to get her off the island.
00:47:48 - Better get going.
00:47:51 - Thank you.
00:47:52 - No need to thank me for doing what's right.
00:47:55 If you'll come with me, it's all right.
00:48:00 (dramatic music)
00:48:03 - I've got news.
00:48:17 There was an eyewitness.
00:48:21 Alvarez killed that kid.
00:48:25 (gasping)
00:48:28 (crying)
00:48:30 (dramatic music)
00:48:40 (dramatic music)
00:48:43 (dramatic music)
00:49:11 - Everything has been taken care of.
00:49:14 This boat will take you to a taxi
00:49:15 that will get you to the airport.
00:49:17 You can trust him.
00:49:22 Here's your ticket.
00:49:29 My partner Phil will be waiting for you
00:49:33 when you reach Miami.
00:49:34 - Thank you.
00:49:37 - One last thing.
00:49:41 Leave the demons you carry,
00:49:42 the ones in your head behind with this island.
00:49:44 There's no reason for you to carry them anymore.
00:49:48 (dramatic music)
00:49:53 (dramatic music)
00:49:55 (dramatic music)
00:49:59 (dramatic music)
00:50:02 (dramatic music)
00:50:05 (dramatic music)
00:50:31 (dramatic music)
00:50:34 - Here you go.
00:50:38 - Thank you.
00:50:40 (dramatic music)
00:50:46 - We gotta move, go.
00:50:47 - What's going on, man?
00:50:49 - Mom, you gotta trust me.
00:50:50 You know how to shoot one of these?
00:50:52 - Absolutely.
00:50:53 - All right, good.
00:50:55 Take Mom.
00:50:55 - Okay.
00:50:56 Come on.
00:50:57 - Right behind you.
00:50:59 (dramatic music)
00:51:02 (dramatic music)
00:51:05 (dramatic music)
00:51:08 (dramatic music)
00:51:10 (dramatic music)
00:51:13 (dramatic music)
00:51:16 (dramatic music)
00:51:19 (dramatic music)
00:51:29 (dramatic music)
00:51:37 (dramatic music)
00:51:40 (gunshots)
00:51:55 (gunshots)
00:51:57 (gunshots)
00:52:03 (gunshots)
00:52:06 (gunshots)
00:52:08 (gunshots)
00:52:11 (gunshots)
00:52:18 (police radio chatter)
00:52:25 (phone beeps)
00:52:30 - Why you got to be kidding me?
00:52:36 (dramatic music)
00:52:38 (dramatic music)
00:52:41 (gunshots)
00:53:06 (gunshots)
00:53:09 (gunshots)
00:53:33 (gunshots)
00:53:36 (gunshots)
00:53:44 (gunshots)
00:54:01 (gunshots)
00:54:03 - Shit.
00:54:14 - You okay?
00:54:15 - Yes, I'm fine.
00:54:16 - You good?
00:54:17 - I'm good.
00:54:18 - Mom, you okay?
00:54:18 - Yeah, I'm a little shaken, but I'm okay.
00:54:22 - Mark!
00:54:23 Akira!
00:54:24 (dramatic music)
00:54:26 (dramatic music)
00:54:29 - Go, Nate.
00:54:41 - Oh, thank God you're all right.
00:54:44 It's clear.
00:54:45 They're gone for now.
00:54:47 - Yeah, these guys were not amateurs.
00:54:49 - Yeah, I know.
00:54:51 You've awakened the devil.
00:54:52 You have a plan?
00:54:54 - Yeah, first thing is to get my mom somewhere safe.
00:54:57 - You have a place in mind?
00:54:59 - I do.
00:55:00 - Good.
00:55:01 I'm going back to the station, see what I can find out.
00:55:05 - All right, meet you in a few hours.
00:55:08 - Where?
00:55:09 - Old Shikramel.
00:55:10 - All right.
00:55:12 Stay safe.
00:55:13 (phone beeps)
00:55:17 (dramatic music)
00:55:21 (dramatic music)
00:55:24 - So where is she?
00:55:41 - I thought you were keeping her, Doctor.
00:55:43 (dramatic music)
00:55:47 (dramatic music)
00:55:50 - Kind of hard for her to stay strung out.
00:55:54 She's out of a job!
00:55:57 - She never told me she was out.
00:55:59 - Huh?
00:56:00 She never told?
00:56:01 - I'm sorry, okay?
00:56:05 I know I messed up, I'm sorry.
00:56:07 - It's okay.
00:56:08 Forget about it.
00:56:09 When was the last time you saw her?
00:56:12 - Yesterday afternoon.
00:56:15 When I dropped off some dope, I gave it to her.
00:56:17 I swear!
00:56:19 - Did she use it?
00:56:20 In front of you?
00:56:21 - I don't remember.
00:56:23 - Oh, you don't remember?
00:56:25 Don't remember.
00:56:28 Do you have anyone new now?
00:56:31 - What?
00:56:33 - The drugs you give her.
00:56:34 Do you have someone new now?
00:56:36 - Yeah, yeah, right here.
00:56:38 Right here.
00:56:39 See?
00:56:40 Look, I'm sorry, okay?
00:56:42 I'm real sorry.
00:56:44 I'm real sorry.
00:56:45 (gunshot)
00:56:47 - Hold him down.
00:56:48 - No, please!
00:56:52 - Open his mouth.
00:56:53 Swallow it!
00:56:59 Swallow it, junkie puta!
00:57:13 Now, that's how you keep someone doped up.
00:57:17 (dramatic music)
00:57:20 (dramatic music)
00:57:23 (dramatic music)
00:57:25 (dramatic music)
00:57:28 (dramatic music)
00:57:32 (dramatic music)
00:57:35 (dramatic music)
00:57:37 (dramatic music)
00:57:41 (dramatic music)
00:57:44 (dramatic music)
00:57:47 (dramatic music)
00:57:49 (dramatic music)
00:57:52 - Hey, Nate.
00:58:18 - Yeah, everything goes planned?
00:58:20 - Yeah, she's safe and sound.
00:58:22 You get the email I sent?
00:58:24 - Yeah, looking at it, though.
00:58:26 Thanks for helping me with this.
00:58:28 Our resources on the island are tight.
00:58:30 - Yeah, happy to help.
00:58:32 You know, the fingerprints belong to a Sicario,
00:58:36 member of a pretty vicious Colombian cartel.
00:58:38 What's going on down there, man?
00:58:41 Give it to me straight.
00:58:42 Mark ain't telling me anything,
00:58:43 and these are not small-town players.
00:58:46 - I know.
00:58:47 I got the call.
00:58:48 Thanks again.
00:58:51 - You got it.
00:58:52 (somber music)
00:58:56 (somber music)
00:58:59 (somber music)
00:59:01 (somber music)
00:59:04 (somber music)
00:59:07 - Hey, Mom, good to see you.
00:59:33 - Welcome.
00:59:34 - Hi, Tishawn.
00:59:36 Glad to see you.
00:59:37 - Hey, brother.
00:59:38 Hey, guys, let's go.
00:59:41 Come inside.
00:59:43 Welcome to my home.
00:59:44 Hey, you kids be careful around our guests, okay?
00:59:51 - It's okay.
00:59:53 The laughter of children
00:59:54 is the most beautiful thing in the world.
00:59:56 You know, I remember when you two were the same age.
01:00:00 Nothing but trouble.
01:00:02 (laughing)
01:00:04 - Kids, get in here and eat.
01:00:07 - I'll help you with that.
01:00:10 - Thanks, Yvonne.
01:00:11 Welcome to our home.
01:00:12 Thank you.
01:00:13 - Hey, Diana.
01:00:14 - Hello, Mark.
01:00:15 It's good to see you.
01:00:16 - You too.
01:00:17 Are you sure this is okay?
01:00:20 - Of course.
01:00:21 Diana and I wish there was more that we could do to help.
01:00:24 - Hey, taking care of my mother and Nikila
01:00:26 is more than enough, bro.
01:00:28 - You mean taking care of your mother?
01:00:30 I'm not staying.
01:00:32 - Nikila, you need to stay here.
01:00:33 - What I need is to be there for my island.
01:00:37 - Nikila, please.
01:00:38 - And to be there for you too.
01:00:39 - All right.
01:00:47 I'll be back as soon as I can.
01:00:48 - Stay safe, my friends.
01:00:52 Don't worry about your mother.
01:00:53 She's gonna be safe here with us.
01:00:55 Nikila, take care.
01:00:56 - Thanks, Justin. - Be safe.
01:00:57 - Thank you.
01:00:58 (gentle music)
01:01:01 (Justin sniffling)
01:01:04 - Forgive me, Father.
01:01:31 I, uh,
01:01:32 can't even remember the last time I came to church.
01:01:36 - As one of God's children,
01:01:38 all that matters is that you are here now.
01:01:40 Go on.
01:01:44 What is on your mind, my son?
01:01:45 - I just asked you to do something for me.
01:01:48 Please keep me safe.
01:01:52 - I don't understand.
01:01:54 What is it?
01:01:56 - If anything happens to me,
01:01:57 open it and I trust you know what to do.
01:01:59 (gentle music)
01:02:02 - We could be in real trouble here.
01:02:18 (speaking in foreign language)
01:02:24 - I'll take care.
01:02:26 Don't worry about it, okay?
01:02:29 - I might have a solution.
01:02:31 - You better, because if they have her,
01:02:33 then she can testify against you.
01:02:35 - I'll find her.
01:02:37 - No, you won't.
01:02:38 If she's gone, it means it got to her.
01:02:40 And if it got to her,
01:02:43 then that means it can bring
01:02:44 an international warrant against me.
01:02:46 - And if you're still here,
01:02:50 it means that little piece of shit is still breathing.
01:02:53 - He is, but we have a card to play,
01:02:55 if you're willing to play it.
01:02:57 - If I'm willing to play it,
01:02:59 do what it takes.
01:03:01 - It's messy.
01:03:01 - Everything I built on this island
01:03:03 is in jeopardy because of this man.
01:03:05 I will make a mess if I have to, believe me.
01:03:08 (gentle music)
01:03:10 (dramatic music)
01:03:26 (birds chirping)
01:03:29 - I don't understand why you just don't let Nate
01:03:35 make a case against him and put an end to all of this.
01:03:38 With that singer's testimony,
01:03:40 he'd spend the rest of his life in jail.
01:03:42 - Because guys like him don't end up in jail, Akilah.
01:03:46 - Mark, he's never going to stop.
01:03:49 - And neither am I.
01:03:50 There's only one way this ends.
01:03:55 (gentle music)
01:03:57 To carry a life inside of me for nine months,
01:04:02 one that you and I created together.
01:04:05 And to never get to hear her cry
01:04:10 or see her open her eyes to look at me,
01:04:15 to never get to hold her against my skin
01:04:17 or see her take her first steps
01:04:20 or watch her grow up.
01:04:24 - Akilah.
01:04:25 - It broke me in more ways than I ever thought was possible.
01:04:29 I was so, so numb to everything that wasn't heartache.
01:04:36 And I know it broke you too.
01:04:40 Broke you so much that you had to leave.
01:04:44 - Akilah, why are you talking about this now?
01:04:46 - Because nothing that either of us does
01:04:49 will ever bring her back.
01:04:51 She's gone, Mark.
01:04:53 - You can't save her.
01:04:55 - But I can save our island.
01:04:58 - But at what cost?
01:04:59 I don't want to lose you too.
01:05:04 I don't think that I could take being broken anymore.
01:05:09 - You will never lose me.
01:05:12 It's Nate.
01:05:19 (dramatic music)
01:05:22 (car engine rumbling)
01:05:25 - Nate?
01:05:28 Nate, talk to me.
01:05:34 - Wait here.
01:05:38 - Nate.
01:05:40 Nate.
01:05:44 - Mark?
01:05:45 - Nate.
01:05:52 Nate, talk to me.
01:05:53 I'm sorry, brother.
01:06:00 They're gonna kill the family.
01:06:01 - Shh, relax.
01:06:03 Take deep breaths.
01:06:05 Slow, slow.
01:06:06 Everything's gonna be all right.
01:06:09 (guns firing)
01:06:12 (guns firing)
01:06:15 - Akilah!
01:06:24 (guns firing)
01:06:28 (dramatic music)
01:06:31 - I'm sorry.
01:06:56 - Shh, shh, shh, shh, shh, shh, shh, relax.
01:06:59 Think about all the times we were here
01:07:04 and we played cricket together.
01:07:05 - Your brother.
01:07:10 - I'm so glad that you were able to help teach him for me.
01:07:16 And he was always so stubborn.
01:07:20 And before I know, he was better than both of us.
01:07:23 (Nate sighs)
01:07:25 - Take care of him, my friend.
01:07:30 Until we meet again.
01:07:31 - For God commands us to speak up
01:07:46 for those who cannot speak for themselves.
01:07:51 For the rights of the destitute.
01:07:53 To speak up, to judge fairly.
01:07:58 Reach out to someone in your community,
01:08:00 one of your neighbors,
01:08:02 help those less fortunate than yourself.
01:08:05 This is what God--
01:08:07 (door thudding)
01:08:10 - I'm sorry, Father.
01:08:11 May I please speak with everyone just for a moment?
01:08:15 - Yeah.
01:08:16 - Thank you.
01:08:18 (gentle music)
01:08:21 My family immigrated to this island from the States
01:08:27 when I was only two years old.
01:08:30 Many of this community helped us to build a new life here
01:08:35 so that we can call this island our home.
01:08:37 Now look, I know many of you rely on the jobs
01:08:45 in the many businesses owned by Manuel Alvarez.
01:08:49 But I'm here to tell you that he has taken Akilah hostage
01:08:56 and has killed both my brother, Akeem,
01:09:00 and now my friend, our police chief, Nate Wayland.
01:09:05 (crowd gasping)
01:09:09 Nate Wayland died an honorable man
01:09:12 who fought for what's right and for the island
01:09:15 that we love and have called home.
01:09:18 Please, don't let him or my brother die in vain.
01:09:23 Help me find Akilah,
01:09:25 and help me put an end to this devil
01:09:30 who has coiled himself around all our feats
01:09:33 and is trying to choke the life out of our island.
01:09:38 Please, if you hear or see anything,
01:09:41 reach out to me at the police station.
01:09:45 Thank you.
01:09:47 - That concludes everything for today.
01:09:50 Mark, a moment, please.
01:09:56 Nate asked me to hold onto it.
01:10:08 (gentle music)
01:10:10 - What is it?
01:10:11 - I don't know.
01:10:12 He said if something happened to him,
01:10:14 and with his passing,
01:10:17 I just think he would want you to have it.
01:10:19 - Thank you, Father.
01:10:21 (eerie music)
01:10:26 - Wake up, bitch.
01:10:35 (Akilah laughing)
01:10:38 - Where am I?
01:10:39 What do you want with me?
01:10:44 Answer me!
01:10:47 - She's not answering you because she don't work for you.
01:10:54 She work for me.
01:11:02 And I'm getting really tired of your boyfriend
01:11:06 getting in my way.
01:11:07 - Then you're really gonna be upset when he kills you.
01:11:11 - Oh, aren't you a clever one?
01:11:14 But it's going to be hard to be clever without the tongue.
01:11:19 - No, you're gonna pay for that, bitch.
01:11:25 Then just get it over with and kill me now
01:11:28 if you're really gonna do it.
01:11:30 - In time, I'll do just that.
01:11:33 But unfortunately for you,
01:11:34 you won't be quick.
01:11:37 No.
01:11:39 I'm going to take my time and enjoy so much.
01:11:44 Eventually,
01:11:47 you'll beg me to kill you.
01:11:50 Don't leave her side.
01:11:59 (Akilah panting)
01:12:02 - Everyone, listen up.
01:12:18 Nate was a good man who died fighting to protect his island.
01:12:29 And now I have taken over as acting chief of police
01:12:33 so I can do what needs to be done.
01:12:36 Now, if any of you would like to leave,
01:12:39 you can leave now.
01:12:41 Good.
01:12:46 Now, the first thing I want you to do
01:12:48 is get the word out all across the island
01:12:51 that I will be here waiting for Alvarez.
01:12:55 (dramatic music)
01:12:58 (dramatic music)
01:13:00 (dramatic music)
01:13:03 (dramatic music)
01:13:06 (dramatic music)
01:13:09 (dramatic music)
01:13:11 - Okay.
01:13:38 Cartel drug money.
01:13:40 You've been building a case against Alvarez
01:13:43 for money laundering.
01:13:46 Gotcha.
01:13:50 - I won!
01:13:58 - No fair, you're taller.
01:13:59 Look, Desmond.
01:14:03 Who's that?
01:14:04 - Shh.
01:14:04 Come on.
01:14:06 (dramatic music)
01:14:09 - That's the guy who's always with him.
01:14:18 Did he see us?
01:14:23 - No.
01:14:24 - Come on, let's get out of here.
01:14:25 (phone buzzing)
01:14:30 - Hello?
01:14:36 - A police officer just came here looking for the boss.
01:14:38 - What'd you tell him?
01:14:39 - That he wasn't here and that I don't know where he is.
01:14:42 - All right, you did the right thing.
01:14:43 - Wait, Desmond.
01:14:45 Before he left, he told me that Marcus
01:14:46 replaced the chief of police,
01:14:48 and now he's at the station waiting for the boss
01:14:49 to make a move.
01:14:50 - Understood.
01:14:52 (knocking)
01:14:58 - Excuse me, sir.
01:15:00 These two children say that they saw something
01:15:02 that may be able to help you.
01:15:04 - Oh, hello, kids.
01:15:06 So, what did you see?
01:15:08 - Mr. Mark.
01:15:10 - This is Marcus, right?
01:15:11 - We saw him.
01:15:12 - Who did you see?
01:15:14 - The man who's always with the man well guy.
01:15:17 - Oh, mean-looking guy?
01:15:20 Looks like Mr. Clean, never smiles?
01:15:21 - Yeah, that's him.
01:15:22 - So, where was this?
01:15:26 - We saw him at the old abandoned hotel.
01:15:29 - The one by the water?
01:15:30 - Yep.
01:15:34 - You two kids did very well, but listen,
01:15:38 do not go anywhere near there, okay?
01:15:41 And tell nobody.
01:15:42 It's very, very important.
01:15:44 - Okay. - Okay.
01:15:45 - All right, run along.
01:15:46 - Thanks, Sergeant.
01:15:50 - Awfully young for some CIs.
01:15:56 - Phil, what the hell are you doing here?
01:15:59 - Not exactly a warm island welcome.
01:16:01 It's nice to see you too, partner.
01:16:03 - This does not concern you.
01:16:06 - Oh, it doesn't concern me?
01:16:07 Well, I have been stashing potential witnesses
01:16:12 for you in safe houses and running fingerprints
01:16:15 for your buddy Nate on a Colombian Sicario
01:16:17 working for the Cali cartel.
01:16:19 But sure, it doesn't concern me.
01:16:20 I'm good, by the way.
01:16:21 Thank you for not asking.
01:16:22 - How's the girl?
01:16:27 - She's safe.
01:16:28 Hence the word safe house.
01:16:30 How's your buddy Nate?
01:16:33 - Well, he's been killed.
01:16:35 Hence why I'm sitting at his desk.
01:16:38 - Then I guess you need my help more than I thought.
01:16:43 Come on, cut the bullshit, man.
01:16:45 Catch me up.
01:16:46 (sighs)
01:16:50 (dramatic music)
01:16:53 - Who's this?
01:17:06 - I think it's time we meet.
01:17:09 - When and where?
01:17:11 - Tomorrow, 7 a.m.
01:17:15 At the old sugar factory ruin.
01:17:18 Come alone, unarmed, and bring Nora.
01:17:23 I'll bring Akila.
01:17:24 - I need to know she's alive.
01:17:27 - Your boyfriend, he want to know you're still alive.
01:17:38 - Mark, don't worry about me, kill the bastard!
01:17:41 - Oh, she's a nasty one.
01:17:43 7 a.m.
01:17:45 (dramatic music)
01:17:47 - Oh, yo, Mark, what's up, man?
01:18:03 This beach house you got me is fucking bitchin', dude.
01:18:05 I can see myself staying here a long time.
01:18:07 - Phil, Phil, listen.
01:18:09 I just spoke to Alvarez.
01:18:11 I need you to assemble a team.
01:18:12 We leave first thing in the morning.
01:18:14 - Copy that, buddy.
01:18:15 (engine revving)
01:18:20 (dramatic music)
01:18:25 (dramatic music)
01:18:27 - I'm here, what's your 20?
01:18:46 - A little busy, I'll make it back to you.
01:18:50 (dramatic music)
01:18:53 (dramatic music)
01:18:56 - Moving in position now.
01:19:14 - All right, you got five minutes.
01:19:17 - Okay, Dad, I'm embarrassed you think
01:19:19 it's gonna take me that long.
01:19:20 - Well, I'm accounting for four minutes of your blabbing
01:19:22 and one minute of actual action.
01:19:24 - You know, this only works if one of us is the funny one
01:19:26 and the other one's mean and rough, right?
01:19:28 - Hurry the fuck up and save Akilah, better?
01:19:31 - I did miss you.
01:19:32 Going dark.
01:19:33 (dramatic music)
01:19:36 (dramatic music)
01:19:47 (dramatic music)
01:19:50 (gun firing)
01:20:07 - Let's move, come on.
01:20:14 - Okay.
01:20:14 (dramatic music)
01:20:17 (dramatic music)
01:20:20 - Hands up.
01:20:45 (dramatic music)
01:20:48 - He's clean.
01:21:02 - Good.
01:21:03 Well, I appreciate the man who shows up early
01:21:13 for an appointment.
01:21:15 Where's Akilah?
01:21:16 - Where is Nora?
01:21:17 - You'll get her as soon as I know Akilah's safe.
01:21:20 - You know, I don't think you're really in a position
01:21:25 to negotiate here.
01:21:26 Where is she?
01:21:27 - I just need to make a call.
01:21:30 - Well, I suggest you do just that.
01:21:32 - I need you to bring her now.
01:21:40 You copy?
01:21:45 (dramatic music)
01:21:47 (dramatic music)
01:21:50 (gun firing)
01:22:17 - Talk to me.
01:22:19 Is that a problem?
01:22:20 - No problem.
01:22:22 It's just that we are here early, remember?
01:22:24 - Don't waste my fucking time.
01:22:28 - Wait, wait, wait, hey.
01:22:30 Let's talk about this, huh?
01:22:32 - Drop it and come out real slow.
01:22:35 - All right, here, look.
01:22:36 My gun, all right?
01:22:38 Here we go, okay?
01:22:42 That's all I want.
01:22:43 (gun firing)
01:22:44 (Akilah screaming)
01:22:45 - God, Dick.
01:22:46 (dramatic music)
01:22:49 - Shit.
01:22:50 I'm with Mark, okay, all right?
01:22:54 I'm gonna get you out of here.
01:22:55 (dramatic music)
01:22:58 (Akilah screaming)
01:22:59 (speaking in foreign language)
01:23:03 - Drop the gun.
01:23:04 - All right, hey, take the gun out.
01:23:06 Take the gun out.
01:23:08 Okay?
01:23:09 - Guns.
01:23:09 - Okay, okay.
01:23:10 (speaking in foreign language)
01:23:12 - Shut up.
01:23:13 (speaking in foreign language)
01:23:16 (dramatic music)
01:23:17 (speaking in foreign language)
01:23:20 - Hey.
01:23:23 (dramatic music)
01:23:25 (gun firing)
01:23:32 (dramatic music)
01:23:35 - She's safe, Mark.
01:23:39 She's safe.
01:23:40 - It's seven o'clock.
01:23:43 Where is she?
01:23:44 - Nora won't be coming back to the island.
01:23:46 She's safe.
01:23:49 - Well, I wish I could say the same for Akilah.
01:23:55 Kill her.
01:23:56 (dramatic music)
01:23:59 - Did you hear me?
01:24:04 Kill the puta, matala.
01:24:07 - I don't believe they can hear you
01:24:11 because they're in the afterlife.
01:24:13 (dramatic music)
01:24:16 - Well, then, I have no more use for you.
01:24:22 Kill him.
01:24:23 (dramatic music)
01:24:26 (grunting)
01:24:28 (gun firing)
01:24:30 (gun firing)
01:24:38 (dramatic music)
01:24:43 (gun firing)
01:24:45 - You're right, Albus.
01:24:57 Things are changing, starting with you.
01:25:00 - Now what?
01:25:03 You're just gonna let your little friends shoot me?
01:25:07 - I thought about it.
01:25:12 But I'm gonna give you a choice
01:25:13 that you didn't give my brother.
01:25:16 You wanna live?
01:25:17 You have to get through me.
01:25:19 (gun firing)
01:25:25 - Let's shoot him, brother.
01:25:28 - I wish you could have seen your brother's eyes
01:25:41 when I bled the life from his body.
01:25:43 - I guess I'm gonna have to settle for yours.
01:25:46 (gun firing)
01:25:56 (dramatic music)
01:25:59 (dramatic music)
01:26:02 (dramatic music)
01:26:05 (dramatic music)
01:26:07 (gun firing)
01:26:18 (dramatic music)
01:26:21 (grunting)
01:26:34 - You don't know what you're dealing with.
01:26:37 My associate will come for you.
01:26:38 - I look forward to it.
01:26:41 (grunting)
01:26:44 I told you the weather was gonna be mad for you.
01:26:50 Now, look at me.
01:26:53 This is the last face you will ever see.
01:26:55 Take it to hell with you.
01:26:58 (gun firing)
01:27:01 (dramatic music)
01:27:04 (dramatic music)
01:27:07 (dramatic music)
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01:27:23 (dramatic music)
01:27:26 (dramatic music)
01:27:29 (dramatic music)
01:27:32 (dramatic music)
01:27:59 - So, did you decide to stay?
01:28:02 (laughing)
01:28:06 (gentle music)
01:28:13 - I have never left.
01:28:18 - You're right.
01:28:20 You never did.
01:28:29 - Hey, hey, there you guys are.
01:28:31 I've been looking for you.
01:28:33 I got some beers.
01:28:35 Oh, sorry, are you having a moment?
01:28:37 Come on, let's have a drink.
01:28:41 Oh, you guys want some alone time?
01:28:43 All right, I get it, I get it.
01:28:44 No, cheers, cheers to you, all right?
01:28:47 - That's your partner?
01:28:48 - Yeah, believe it or not, you'll get used to him.
01:28:52 - Okay.
01:28:53 (laughing)
01:28:56 (dramatic music)
01:28:58 (dramatic music)
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01:32:18 (gentle music)
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