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Transcript
00:00:00 I was a little late.
00:00:02 I was supposed to be at the meeting.
00:00:04 I was supposed to be at the meeting.
00:00:06 I was supposed to be at the meeting.
00:00:08 I was supposed to be at the meeting.
00:00:10 I was supposed to be at the meeting.
00:00:12 I was supposed to be at the meeting.
00:00:14 I was supposed to be at the meeting.
00:00:16 I was supposed to be at the meeting.
00:00:18 I was supposed to be at the meeting.
00:00:20 I was supposed to be at the meeting.
00:00:22 I was supposed to be at the meeting.
00:00:24 I was supposed to be at the meeting.
00:00:26 I was supposed to be at the meeting.
00:00:28 Since my arrival here in Transylvania,
00:00:30 Since my arrival here in Transylvania,
00:00:32 nothing has been as I expected.
00:00:34 Everything has been as I expected.
00:00:36 Every door is locked and bolted.
00:00:38 I therefore must conclude
00:00:40 that I am prisoner here
00:00:42 at Castle Dracula.
00:00:44 The Count himself offers no solace.
00:00:48 The Count himself offers no solace.
00:00:50 I was led to believe he lived here alone.
00:00:52 But there are others.
00:00:54 But there are others.
00:00:56 But there are others.
00:00:58 I am concealing this letter in a package of documents
00:01:02 I am concealing this letter in a package of documents
00:01:04 concerning the Count's property purchase,
00:01:06 which is to be mailed to the firm's offices in London.
00:01:08 I can only pray that some kind soul
00:01:10 send it on to you.
00:01:12 Yours always,
00:01:14 Jonathan.
00:01:16 [Screams]
00:01:18 [Music]
00:01:20 [Music]
00:01:22 [Music]
00:01:24 [Music]
00:01:30 [Music]
00:01:38 [Music]
00:01:40 [Music]
00:01:50 [Music]
00:02:00 [Music]
00:02:02 My dearest Lucy,
00:02:16 forgive this letter not being in my own hands,
00:02:18 but I am attempting to get to grips
00:02:20 with the typing machine that Jonathan purchased recently,
00:02:22 so that I might help him keep his journals.
00:02:24 In future,
00:02:26 I plan to keep my own journal in the same way.
00:02:28 I do not suppose it will be of much interest to other people,
00:02:30 but I may show it to Jonathan someday,
00:02:32 if there's anything worth sharing.
00:02:34 Speaking of Jonathan,
00:02:36 I've received nothing from him
00:02:38 since he departed for Transylvania,
00:02:40 but I expect he's busy.
00:02:42 but I expect he's busy.
00:02:44 It must be so nice to see strange countries.
00:02:46 London can sometimes feel
00:02:48 so stifling.
00:02:50 so stifling.
00:02:52 [Knock on door]
00:02:54 [Knock on door]
00:02:56 Ah, Emily.
00:02:58 There you are.
00:03:00 There's someone at the door, ma'am.
00:03:02 At this hour?
00:03:04 He said it was urgent.
00:03:06 I apologise for the letter having been opened,
00:03:08 Mrs Harker.
00:03:10 A young colleague
00:03:12 received your husband's package
00:03:14 and failed to notice that this
00:03:16 particular item was addressed to you.
00:03:18 It says here he's being held prisoner.
00:03:20 Yes, that is rather
00:03:22 concerning, I must say.
00:03:24 So, what are you going to do about it?
00:03:26 Mrs Harker, the firm
00:03:28 is not legally obliged
00:03:30 to provide assistance
00:03:32 in a situation such as this.
00:03:34 to provide assistance in a situation such as this.
00:03:36 Legally obliged?
00:03:38 As you can see,
00:03:40 under the terms of Mr Harker's employment
00:03:42 with the firm,
00:03:44 any and all overseas travel
00:03:46 is undertaken
00:03:48 entirely at the individual
00:03:50 employee's own risk.
00:03:52 How can you make him sign something like this
00:03:54 and then send him to Transylvania?
00:03:56 Well, we are a firm of lawyers, after all.
00:03:58 If they won't help Jonathan, I'll just have to do it myself.
00:04:02 Do what, ma'am?
00:04:04 Go to Transylvania.
00:04:06 Um, where is Transylvania, exactly?
00:04:08 That's a good question.
00:04:12 Here it is.
00:04:16 What's that?
00:04:18 It's Jonathan's travel itinerary.
00:04:20 Before he left, but I still kept the original handwritten copy.
00:04:22 Are you sure about this, ma'am?
00:04:24 I have no more discussion on the matter, Emily.
00:04:26 I intend on travelling to Transylvania
00:04:28 first thing in the morning.
00:04:30 Let's see...
00:04:32 Take the morning train
00:04:36 from London to Dover,
00:04:38 followed by a small steamship to the port of Calais.
00:04:40 Once in France,
00:04:44 take the Orient Express to Romania via Munich
00:04:46 and Vienna,
00:04:48 crossing the border into Transylvania by carriage.
00:04:50 Once in the countryside,
00:04:56 local drivers will be familiar with the location of Castle Dracula
00:04:58 and can deliver you directly to the door.
00:05:00 (Screeching)
00:05:02 (Howling)
00:05:28 (Screeching)
00:05:30 Good Lord.
00:05:50 Where on earth did you get that?
00:05:52 It belonged to my husband's father.
00:05:54 And his father before him, I should think.
00:05:56 It's an antique.
00:05:58 Still works, I assure you.
00:06:00 You're English?
00:06:02 Yes.
00:06:04 I travelled here overnight from London.
00:06:06 Alone?
00:06:08 Yes.
00:06:10 I've, uh,
00:06:12 been away from London for three years,
00:06:14 so perhaps things have changed,
00:06:16 but I didn't think it was customary
00:06:18 for English ladies to greet a gentleman
00:06:22 by pointing a pistol at him.
00:06:24 Sorry,
00:06:26 I only thought to keep myself safe from the wolves.
00:06:28 Transylvania has the largest population of wolves in the world,
00:06:32 and you'll need a good deal more than that pistol
00:06:36 to keep yourself safe here.
00:06:38 What do you mean?
00:06:40 Do you know quite where you are, madam?
00:06:44 Of course I do.
00:06:46 The only thing I'm not sure on is to whom I'm speaking.
00:06:48 But of course.
00:06:50 My name is Van Helsing,
00:06:52 Professor Van Helsing.
00:06:54 Mina Harker.
00:06:56 Mrs.
00:06:58 Mrs. Harker.
00:07:00 You say you travelled here from London
00:07:02 without your husband?
00:07:04 I'm just as capable of finding my way here as any man.
00:07:06 And besides,
00:07:08 I had no alternative.
00:07:10 My husband was already here.
00:07:12 Here?
00:07:14 You mean,
00:07:16 here at Castle Dracula?
00:07:18 Yes.
00:07:20 Inside the castle?
00:07:22 Yes, and I intend to join him and find out exactly what's going on.
00:07:24 There'll be no answer at this hour.
00:07:26 You could try during the hours of darkness,
00:07:30 but I would strongly advise against it.
00:07:32 There's a small inn
00:07:36 just a mile back down the mountain
00:07:38 where I have managed to arrange accommodation
00:07:40 for a few nights.
00:07:42 You'd be much safer there.
00:07:44 I thank you for your advice, Professor,
00:07:48 but I really do think...
00:07:50 I really do think that
00:08:00 securing accommodation
00:08:02 might be the most sensible option.
00:08:04 It's this way.
00:08:06 Mrs. Harker,
00:08:12 your suitcase.
00:08:14 Yes, it is. Thank you.
00:08:16 [sighs]
00:08:18 Oof!
00:08:22 [eerie music]
00:08:24 What time is it?
00:08:50 Just turned six o'clock.
00:08:52 No church bells.
00:08:56 We've not seen a single soul
00:08:58 since we came here.
00:09:00 Is this entire village abandoned?
00:09:02 On the contrary.
00:09:06 Behind every shuttered window and locked door
00:09:08 there's a family
00:09:10 trying to get by.
00:09:12 Why don't they come out?
00:09:18 It's almost dusk.
00:09:20 Come along, Mrs. Harker.
00:09:22 The inn is this way.
00:09:24 Two beer.
00:09:32 I've, uh,
00:09:36 spoken to the innkeeper
00:09:38 and there is a room
00:09:40 available for you upstairs, if you wish.
00:09:42 [sighs]
00:09:44 You seem very well informed, Professor.
00:09:46 How long have you been in Transylvania?
00:09:48 Just a few days.
00:09:50 Do you have some sort of business with
00:09:52 Castle Dracula?
00:09:54 Business?
00:09:56 Yes.
00:09:58 Unfinished business.
00:10:00 I've been
00:10:04 pursuing
00:10:06 Count Dracula these
00:10:08 past three years.
00:10:10 He led me a merry dance
00:10:12 right across Europe and into
00:10:14 the Orient, where I followed
00:10:16 down the length
00:10:18 of the Yangtze River to the city
00:10:20 of Shanghai,
00:10:22 where I put a stop to his
00:10:24 nefarious
00:10:26 activities.
00:10:28 From there he boarded a boat
00:10:30 to Persia, where I forced him
00:10:32 into a retreat.
00:10:34 Overland, via Russia,
00:10:36 back to his
00:10:38 ancestral home.
00:10:40 That crumbling castle
00:10:42 you saw today.
00:10:44 And you're quite sure he's here now?
00:10:46 Oh, yes. Just a few
00:10:48 days ago a young girl from
00:10:50 the village disappeared
00:10:52 on her way home at night.
00:10:54 [screeching]
00:10:56 No doubt
00:10:58 spirited away to
00:11:00 Castle Dracula, but
00:11:02 Lord only knows
00:11:04 what purpose.
00:11:06 [screeching]
00:11:08 [thunder]
00:11:10 Then my
00:11:12 suspicions were correct.
00:11:14 The Count?
00:11:16 He's a villain of some
00:11:18 sort. A villain?
00:11:20 Yes.
00:11:22 Most assuredly
00:11:24 he is that.
00:11:26 What has Jonathan
00:11:28 got himself mixed up in?
00:11:30 You said he'd
00:11:32 managed to gain entry
00:11:34 to the castle. My husband is
00:11:36 a solicitor. Apparently
00:11:38 the Count was in the process of buying
00:11:40 some property in London.
00:11:42 London?
00:11:44 So that's his plan.
00:11:48 My dear Mrs. Hugger,
00:11:50 he must be stopped.
00:11:52 What do you mean?
00:11:54 Per square mile, London is the most
00:11:56 popular city in the world.
00:11:58 If Count Dracula were allowed to
00:12:00 prosper there,
00:12:02 God knows what havoc he would create
00:12:04 if his evil were to be let loose.
00:12:06 What evil?
00:12:08 Who exactly
00:12:10 is this Count Dracula?
00:12:12 Let us speak privately,
00:12:20 Mrs. Hugger. Upstairs.
00:12:22 The people here are
00:12:24 a superstitious and
00:12:26 fearful kind.
00:12:28 Not only that,
00:12:30 there may be some
00:12:32 whose allegiance lies
00:12:34 with the Count.
00:12:36 [footsteps]
00:12:38 [thunder]
00:12:46 [gasp]
00:12:54 [glass shattering]
00:12:58 [screeching]
00:13:04 [screeching]
00:13:06 [scream]
00:13:10 There is a room
00:13:16 similar to this one directly across the corridor,
00:13:18 Mrs. Hugger. I've taken
00:13:20 the liberty of placing your suitcase there.
00:13:22 Now,
00:13:24 please take a seat, my dear.
00:13:26 I'd like to show you something.
00:13:28 [footsteps]
00:13:30 [doorbell]
00:13:38 What's this?
00:13:42 I fear, Mrs. Hugger,
00:13:44 that if I were to tell you everything
00:13:46 I know of Count Dracula,
00:13:48 you would simply
00:13:50 not believe me.
00:13:52 I therefore suggest you preface
00:13:54 our discussion by looking at
00:13:56 chapter seven of this publication.
00:13:58 "Sula monarchia
00:14:06 demonium."
00:14:08 What does that mean?
00:14:10 Well, it's Latin.
00:14:12 Surely you have a basic
00:14:14 competency in Latin.
00:14:16 No, I'm afraid not.
00:14:18 Good Lord.
00:14:20 What do they teach young ladies in school these days?
00:14:22 Needlework
00:14:24 and pianoforte, mainly.
00:14:26 [sigh]
00:14:28 It means the false monarchy
00:14:30 of demons.
00:14:32 Demons?
00:14:34 This book
00:14:36 is over a hundred years old.
00:14:38 It lists
00:14:40 69 known types
00:14:42 of demons, devils,
00:14:44 and creatures of the occult.
00:14:46 There.
00:14:50 Chapter seven.
00:14:52 What's that?
00:14:54 The Lamia was a being known to the
00:14:56 ancient Greeks.
00:14:58 Part woman, part beast.
00:15:00 She fed on the blood of innocents
00:15:02 after
00:15:04 satisfying her earthly
00:15:06 desires with them.
00:15:08 Earthly desires?
00:15:10 Do I need to speak more plainly,
00:15:12 Mrs. Hugger? No, please don't.
00:15:14 This has to be the stuff of myths and legends,
00:15:16 surely.
00:15:18 It can't exist today.
00:15:20 I wish that were true.
00:15:22 So, what does this have to do with the
00:15:26 Count? The Count
00:15:28 is old, Mrs. Hugger.
00:15:30 Older than me.
00:15:32 Older even
00:15:34 than this book.
00:15:36 Then that's not possible.
00:15:38 When he was a young man,
00:15:40 Count Dracula encountered
00:15:42 a creature such as this.
00:15:44 Entranced by her beauty,
00:15:46 he fell in love.
00:15:48 And the Lamia,
00:15:50 once satisfied,
00:15:52 pierced his flesh with her teeth
00:15:54 and drank his blood.
00:15:56 For a normal man, this would
00:15:58 have meant instant death.
00:16:00 But such was the passion
00:16:02 of the young Count
00:16:04 that on the brink of death,
00:16:06 he willingly drank the blood
00:16:08 of the Lamia in return.
00:16:10 He did not die.
00:16:12 And in fact,
00:16:14 he will never die.
00:16:16 He remains to this day
00:16:18 in a perpetual state
00:16:20 known as undead.
00:16:22 He is,
00:16:24 Mrs. Hugger,
00:16:26 a vampire.
00:16:28 Jonathan.
00:16:32 Who is
00:16:40 Mina, Jonathan?
00:16:45 Mina.
00:16:47 You were saying her name.
00:16:51 My wife.
00:16:53 I must get home to her.
00:16:56 No, you don't need her, Jonathan.
00:17:02 All you need is us
00:17:05 and our master.
00:17:08 Forever.
00:17:12 (roaring)
00:17:14 How do you know all this?
00:17:18 This is my journal
00:17:20 of the last three years.
00:17:22 Everything I've learnt
00:17:24 from every encounter with Dracula.
00:17:26 What's this?
00:17:31 Oh, nothing.
00:17:33 There was a small village I passed through
00:17:35 between here and Bucharest.
00:17:38 I asked the villagers about vampires
00:17:41 and the only thing they wanted to speak about was this.
00:17:44 Some local legend of men
00:17:47 turning into wolves during the full moon.
00:17:50 I simply made a drawing
00:17:52 of what was described to me.
00:17:54 Do you believe in it?
00:17:56 My experience has taught me
00:17:58 to keep an open mind about such things.
00:18:00 Three years ago, I never would have believed
00:18:02 such a being as Dracula could exist.
00:18:05 But now,
00:18:07 there's no doubt.
00:18:09 Where are you going?
00:18:14 To find my husband.
00:18:16 If this horror is real,
00:18:18 then there isn't a moment to spare.
00:18:20 You would march up to Dracula's castle
00:18:22 in the midst of a storm, alone?
00:18:25 My dear Mrs. Harker,
00:18:27 you haven't even a chance of gaining entry to the place.
00:18:30 And if by some chance you did,
00:18:32 I'm quite certain you would never make it out alive.
00:18:36 Now is not the time for
00:18:38 incautious, impulsive action.
00:18:41 I told you, I have pursued Dracula for three years.
00:18:45 And each time I came this close to him,
00:18:47 he eluded me,
00:18:48 leaving a trail of death and misery in his wake.
00:18:52 I have so much to learn.
00:18:59 To learn?
00:19:02 If I'm to help you.
00:19:04 My dear Mrs. Harker, this is not your battle.
00:19:07 Nor a battle for any young woman to undertake.
00:19:10 I have my father-in-law's pistol.
00:19:12 Useless against a creature such as Dracula.
00:19:15 Well then what would you have me do?
00:19:17 Go home, Mrs. Harker.
00:19:20 Go back to your needlework and your piano forte.
00:19:24 Leave this business to a professional man.
00:19:28 Maria.
00:19:55 How dare you touch him?
00:20:01 Any of you.
00:20:03 How dare any of you cast your eyes on him
00:20:06 when I have forbidden it.
00:20:09 But Master...
00:20:11 Do not test me further, Maria.
00:20:15 Take him downstairs.
00:20:17 There must be no trace of him in this room.
00:20:23 [thunder]
00:20:26 [door opens]
00:20:49 [gasps]
00:20:52 This afternoon I encountered a most fascinating young woman.
00:21:10 Mrs. Mina Harker.
00:21:13 Fascinating not least because her husband,
00:21:15 one Jonathan Harker, is at this very moment a guest,
00:21:19 or prisoner, of the Count.
00:21:22 I found Mrs. Harker to be somewhat impressive in her accomplishments,
00:21:26 having made her way alone to the very foot of Castle Dracula
00:21:30 in a matter of days.
00:21:32 A journey that has taken me these past three years.
00:21:36 However, I fear her youthful impetuousness, however endearing,
00:21:41 will carry her only so far.
00:21:44 She is wholly unprepared for what awaits her within the castle walls.
00:21:49 Mrs. Harker. Oh, I do apologize for the intrusion.
00:22:01 Just say whatever it is you've come to say, Professor.
00:22:04 Well, you left your overcoat behind and I...
00:22:08 I accidentally stumbled upon this letter
00:22:11 from your husband in one of the pockets.
00:22:14 - Give me that. - Yes, of course.
00:22:16 Is that all?
00:22:23 I'm afraid I...
00:22:25 I couldn't help but take in the contents of the letter.
00:22:30 Your husband speaks of three others besides the Count.
00:22:35 - Yes. - Mr. Harker's language is deliberately oblique,
00:22:40 but I believe these others to be...
00:22:44 ..well, women.
00:22:47 Women?
00:22:51 As we discussed, Dracula is a creature of evil, of the night,
00:22:58 but he is also a man,
00:23:01 with a man's weakness for beauty.
00:23:07 For as long as I have pursued him, the Count has kept by his side
00:23:12 one or more women, his brides,
00:23:16 whom he compels to serve him.
00:23:20 Compels them how?
00:23:22 Oh, do not underestimate his lure,
00:23:26 his pure animal magnetism.
00:23:29 Let him under your skin
00:23:32 tempt you with desires you never knew you possessed.
00:23:37 Once under his control,
00:23:41 he supplies these women with a little of his own blood
00:23:47 to transfer into them the same lust for earthly pleasure
00:23:53 that resides within him.
00:23:55 And what are these women doing with my husband?
00:24:01 Mr Harker, I mentioned to you that I have so far
00:24:05 pursued Count Dracula for three years without success.
00:24:10 Yes.
00:24:12 Well, it has occurred to me that someone such as yourself,
00:24:17 that is to say a young lady,
00:24:20 might have a certain advantage
00:24:24 with regard to the possibility
00:24:28 of obtaining a degree of proximity
00:24:33 to the Count.
00:24:36 Professor.
00:24:42 Are you asking me for my help?
00:24:48 Yes, Mrs Harker, I am.
00:24:58 And in return for my help,
00:25:01 you will help me find my husband?
00:25:03 But of course.
00:25:05 You understand you may be placed in very great danger.
00:25:12 You are stepping into a battleground
00:25:15 for which you are terribly ill-prepared.
00:25:18 Then you must prepare me.
00:25:21 Prepare you?
00:25:24 Yes. Yes.
00:25:27 There's so much you need to learn about the ways of the vampire.
00:25:31 And you must be prepared physically
00:25:34 in case there should be a need to act in a moment of danger.
00:25:38 To act? To kill a vampire, Mrs Harker?
00:25:42 To drive a wooden stake through the ribcage
00:25:45 and into the beating heart of a blood-sucking creature of the night?
00:25:48 To sever its head at the neck and to burn its body to ash?
00:25:53 And for all this and more, you must be prepared.
00:25:57 Can you accept such a proposition?
00:26:00 Yes.
00:26:05 Then rest well, Mrs Harker.
00:26:09 For tomorrow morning, we begin your training.
00:26:13 I look forward to it.
00:26:17 But before I sleep, I must make a start of my journal.
00:26:21 You keep a journal?
00:26:23 I've just begun to.
00:26:25 Although I didn't imagine I'd have events such as these to record, nyet.
00:26:29 You brought that thing with you all the way from London?
00:26:35 No wonder your suitcase was so heavy. I could barely lift it.
00:26:39 I didn't expect there to be so much walking involved.
00:26:42 Good night, Mrs Harker.
00:26:45 Sleep well.
00:26:47 Good night.
00:26:49 At the foot of Castle Dracula, I encountered a quite extraordinary gentleman
00:27:12 with whom I formed a tentative alliance.
00:27:15 Professor Van Helsing, for that is his name, revealed a great deal of information about the Count,
00:27:20 which seems almost impossible to believe.
00:27:23 Yet there's something about him.
00:27:26 The very poise of his head strikes one at once as indicative of thought and power.
00:27:34 The Professor is either a genius or a madman.
00:27:38 And I am left to ponder which.
00:27:41 (Thunder)
00:27:43 (Birds squawking)
00:28:09 What are we doing out here at the crack of dawn?
00:28:12 I wanted to know the exact time the sun rises.
00:28:16 Shouldn't I be inside studying on your books?
00:28:19 I told you, Mrs Harker, you must prepare your body as well as your mind.
00:28:25 But I do have a book for you to study.
00:28:28 This is supposed to be some kind of writing.
00:28:38 The text is Chinese, Mrs Harker.
00:28:41 I can't read this.
00:28:45 There are illustrations.
00:28:47 I saw with my own eyes the practitioners of these special exercises
00:28:55 perform feats of almost superhuman ability.
00:29:00 Crushing bricks, splitting wooden planks with their bare hands.
00:29:06 Not that I expect you to accomplish such feats in the short time we have available,
00:29:11 but these ancient techniques of the Orient
00:29:15 will prepare you for the physical onslaught that may face us in Castle Dracula.
00:29:22 Now I must leave this with you and continue with my own studies.
00:29:28 (footsteps)
00:29:33 This is some sort of test, Professor.
00:29:47 I assure you, I mean to pass it.
00:29:50 I'm not dressed for this.
00:29:58 (screech)
00:30:01 What on earth are you wearing?
00:30:13 Curtsy of the innkeeper?
00:30:16 You know, I now realize why gentlemen outperform ladies in so many fields.
00:30:21 I'll dress as a holding spad.
00:30:25 (music)
00:30:28 So, a vampire can only be killed by piercing its heart or severing its head?
00:30:46 Yes, and they may also be harmed by direct exposure to sunlight
00:30:52 and weapons of solid silver.
00:30:55 To go up against one with anything else is futile.
00:30:59 These are the essential tools of the vampire hunter.
00:31:07 A wooden stake with which to pierce the heart
00:31:12 and a hammer to drive it into place.
00:31:17 It's heavy.
00:31:19 As it must be to drive the stake through the sternum.
00:31:23 This is why we must build the strength in your arms.
00:31:27 And these?
00:31:30 The crucifix is also an essential tool.
00:31:35 Vampires, although impervious to most suffering,
00:31:40 do have some limitations on their power.
00:31:43 A vampire may not cross the threshold of a building
00:31:47 unless invited to do so by someone inside.
00:31:50 The crucifix, as a symbol of the power of good over evil,
00:31:57 offers some protection to the one who carries it.
00:32:01 When you hold the crucifix aloft, a vampire cannot approach you.
00:32:06 And the mirror?
00:32:09 Useful for detecting the presence of a vampire before they attack,
00:32:13 for a vampire casts no reflection.
00:32:17 Just checking.
00:32:22 Please, Mrs. Harker, I do not show you these items for your amusement,
00:32:27 but possibly to save your life.
00:32:30 Now please, show me again how you hold the hammer.
00:32:41 I still find it heavy.
00:32:43 I thought as much.
00:32:45 To which end I have constructed a little something in your room
00:32:49 to assist you in strengthening your arms and wrists.
00:32:53 Though I must warn you, you may find the effort painful at first.
00:32:58 Professor, I must determine to rescue Jonathan as you are to destroy the Count.
00:33:04 And I'm not going to let a little discomfort stand in my way.
00:33:10 I will be the last to fall
00:33:16 I won't shed a tear for them to see
00:33:24 And I won't have your name declawed
00:33:34 I will be the last to fall
00:33:40 Young Mrs. Harker continues to progress.
00:33:47 With each passing day, my confidence grows that my decision to allow her to assist me in my mission was a good one.
00:33:54 My only concern is her fixation on retrieving her husband from Castle Dracula.
00:34:00 Whilst wholly understandable, I fear her hope of finding him unharmed is quite unrealistic.
00:34:06 Though I keep my thoughts to myself, in truth I do not hold out any hope of finding the young man alive.
00:34:13 [music]
00:34:32 The Professor's strange training methods are most invigorating.
00:34:36 I feel quite certain the day is fast approaching when the Professor will declare my training to be complete.
00:34:43 [music]
00:34:56 I will be the last to fall
00:35:03 I won't shed a tear for them to see
00:35:09 And I won't have your name declawed
00:35:18 I will be the last to fall
00:35:32 Have you packed everything I suggested?
00:35:35 Yes
00:35:36 There's just one more thing
00:35:38 I thought you said it was useless
00:35:41 Perhaps
00:35:42 Not entirely so
00:35:45 What are these?
00:35:48 Silver bullets
00:35:50 As many as I could fashion from the silver tip of my cane
00:35:54 There's a fourth bullet already in the barrel of the pistol
00:35:58 If your husband's letter is correct, this gives us one bullet for each vampire
00:36:04 The three brides and Dracula himself
00:36:08 Now place all these in your suitcase
00:36:12 Conceal them well
00:36:15 We must be careful to avoid arousing suspicion
00:36:18 And do you have a plan to get us inside the castle?
00:36:22 I do
00:36:23 It will involve a ruse
00:36:26 Once inside the castle, the ruse must be continued until sunrise
00:36:31 Then we will seek out the Count's resting place
00:36:35 But until then, whatever happens, whatever you encounter, you must play along
00:36:41 It may be that along with your husband's life, the lives of many thousands of innocent people are at stake
00:36:50 [Thunder]
00:36:54 I'm sorry, is there a problem?
00:37:10 You are going to Castle Dracula?
00:37:13 Yes, but we do plan to return, I assure you
00:37:20 Would you like me to pay for the rooms first?
00:37:24 There's no charge for rooms
00:37:28 If you do one thing for me
00:37:33 This is my daughter Marie
00:37:41 Four years ago, I received a note from the Count
00:37:47 To make delivery of glass bottles to Castle
00:37:52 With much gold in recompense
00:37:56 I was greedy
00:37:59 I sent Marie to make delivery of glass bottles
00:38:04 I never see her again
00:38:08 You never searched for her?
00:38:10 I tried, I tried to gather a group of men from village
00:38:15 But men here, very weak
00:38:19 They live in fear of the castle
00:38:22 With good reason
00:38:25 If you find my Marie, please, bring her back to me
00:38:31 We'll do what we can
00:38:35 Thank you
00:38:38 [Thunder]
00:38:44 [Thunder]
00:38:48 Remember everything I've said
00:38:51 Whatever happens, we must play along
00:38:55 [Thunder]
00:38:59 Ah, good evening my dear
00:39:07 My name is Professor, er, Freudstein
00:39:11 And, er, my carriage lost a wheel some way down the road
00:39:16 And, er, well it's rather late
00:39:18 And I was wondering whether perhaps you might be able to offer some accommodation for the night
00:39:24 Our master does not allow guests
00:39:29 We've already been once, Gregor
00:39:32 Yes, this is, er, my niece
00:39:36 Mina
00:39:37 Yes, it's just the two of us
00:39:39 We're on a research trip to study rare wildlife in the Carpathian Mountains
00:39:45 And, er, well we seem to have taken a wrong turn somewhere
00:39:49 It's really very late
00:39:51 We're sorry to disturb you but we've nowhere else to go
00:39:54 [Door opens]
00:39:56 What's happening?
00:39:59 I believe she's checking with her master
00:40:03 [Door closes]
00:40:07 [Door opens]
00:40:09 Beautiful room
00:40:24 And my uncle?
00:40:26 We have many rooms
00:40:28 My sister Ilsa will attend to him
00:40:35 But he'll be nearby
00:40:37 Please, you must rest
00:40:39 My sister Frida will be along with hot water for your bath
00:40:44 Er, sorry?
00:40:47 Surely you don't take us for savages here in Transylvania
00:40:52 We bathe before bed, just like you do in England
00:40:57 Er, yes, of course
00:41:02 Then you agree
00:41:03 Frida and I will bathe you
00:41:06 Oh
00:41:08 [Sighs]
00:41:10 I hope this will be satisfactory for your stay, Professor?
00:41:18 Freudstein
00:41:19 Yes, yes, quite satisfactory, thank you
00:41:22 Is there anything else I can do
00:41:25 To make you more satisfied?
00:41:31 No, no
00:41:33 The beds here are quite warm
00:41:36 Yes, and perfectly sized for just one person
00:41:42 You are correct, Professor
00:41:45 If two people were to share this bed, one would have to climb on top of the other, no?
00:41:52 Well, er, quite
00:41:55 Now, if you'll excuse me my dear, I'm afraid I really must rest
00:42:00 Rest well, Professor
00:42:06 [Door slams]
00:42:08 [Music]
00:42:34 Eleven o'clock, six hours to sunrise
00:42:40 You brush my hair so delicately, Frida
00:42:44 I find it always a mirror to see myself
00:42:49 Our master doesn't allow mirrors
00:42:53 Oh? And why is that?
00:42:57 You and your father must be very passionate about wildlife, to travel so far
00:43:06 You mean my uncle?
00:43:09 Yes, of course
00:43:12 Which particular animal from this region do you admire most?
00:43:21 I was hoping to see the grey wolf. I understand that this area has the largest population of wolves in the world
00:43:28 We have many wolves
00:43:31 You can often hear the beautiful music they make
00:43:36 [Howls]
00:43:39 You don't have wolves in England?
00:43:42 No, not anymore
00:43:45 Edward I had them all put to death
00:43:48 But they are such beautiful creatures
00:43:52 Yes, but a creature can be both beautiful and deadly
00:44:00 Wouldn't you say so, Maria?
00:44:04 You know my name
00:44:08 [Thunder]
00:44:11 You have a nightgown in your case?
00:44:14 Er, no
00:44:16 Oh, you mean you sleep without one?
00:44:18 No, I mean, yes I do have a nightdress
00:44:23 I'll find it
00:44:25 [Thunder]
00:44:27 What is that?
00:44:29 My crucifix
00:44:31 I always take this to bed with me
00:44:34 You don't object, surely?
00:44:36 Er, no
00:44:38 But I think Frida and I should leave you to sleep
00:44:45 [Footsteps]
00:44:47 [Door slams]
00:44:49 At last I find myself resting within the very walls of Castle Dracula
00:44:59 My ruse involving young Mrs. Harker appears to have worked
00:45:03 Though I have yet to set eyes on the Count himself
00:45:07 Thrilled as I am to have made such progress
00:45:10 I fear the time is soon approaching when Mrs. Harker must inevitably learn the truth of her husband's condition
00:45:18 No man could survive unscathed more than a week in the company of women such as these
00:45:27 [Wind]
00:45:30 [Thunder]
00:45:33 [Wind]
00:45:36 [Thunder]
00:45:39 [Wind]
00:45:42 [Thunder]
00:45:45 [Wind]
00:45:48 [Thunder]
00:45:51 [Thunder]
00:45:54 [Screeching]
00:45:56 [Glass shattering]
00:45:59 [Wind]
00:46:02 [Thunder]
00:46:04 [Footsteps]
00:46:07 [Thunder]
00:46:09 The man is dangerous
00:46:12 He is the one I have spoken of
00:46:15 What will you have me do?
00:46:18 You and your sisters may deal with him as you wish
00:46:23 Have your pleasure with him if you must
00:46:26 But leave no land left in him
00:46:30 And the girl?
00:46:33 I want her
00:46:36 She must be made the one of earth
00:46:39 By invitation if she wishes
00:46:42 By force if she does not
00:46:46 [Wind]
00:46:49 [Screeching]
00:46:52 [Wind]
00:46:55 [Wind]
00:46:58 [Wind]
00:47:01 [Wind]
00:47:04 Just a few moments rest
00:47:07 Before the onslaught
00:47:10 [Wind]
00:47:13 [Thunder]
00:47:16 [Thunder]
00:47:19 [Wind]
00:47:22 [Screeching]
00:47:25 [Wind]
00:47:28 Are you resting well, Professor?
00:47:31 Yes, yes, quite well, thank you
00:47:35 [Screeching]
00:47:38 Mina, it's time for you to join us
00:47:43 [Screeching]
00:47:46 [Thunder]
00:47:49 And you're sure that there is nothing more I can do?
00:47:54 No, no, thank you, my dear
00:47:57 You are quite sure?
00:48:02 [Screeching]
00:48:06 Join us, let us share our blood together
00:48:12 Well, perhaps you could close the door
00:48:17 It is rather drafty
00:48:20 [Screeching]
00:48:23 [Screeching]
00:48:26 I knew it, you're a creature of the night
00:48:29 [Screeching]
00:48:32 [Screeching]
00:48:35 [Screeching]
00:48:38 Get back!
00:48:40 My master knows who you are
00:48:43 I said get back!
00:48:45 You will never defeat me
00:48:48 [Screeching]
00:48:51 You will drink the blood from your lifeless corpse
00:48:56 And he will reign forever
00:48:59 As Prince of Darkness
00:49:04 [Screeching]
00:49:07 [Grunting]
00:49:10 [Grunting]
00:49:13 [Grunting]
00:49:16 [Screeching]
00:49:19 (screaming)
00:49:21 (growling)
00:49:23 (dramatic music)
00:49:26 (growling)
00:49:28 (dramatic music)
00:49:31 (grunting)
00:49:41 (dramatic music)
00:49:44 (growling)
00:49:50 (dramatic music)
00:49:52 (growling)
00:49:54 (dramatic music)
00:49:57 (screaming)
00:50:11 (dramatic music)
00:50:14 (grunting)
00:50:16 (dramatic music)
00:50:19 (growling)
00:50:21 (dramatic music)
00:50:24 (gunshot)
00:50:29 (dramatic music)
00:50:32 (gasping)
00:50:49 - Mrs. Huck, are you all right?
00:50:52 Oh, I'm so sorry for the intrusion.
00:50:54 - For goodness sake, Professor.
00:50:57 Anyone would think you'd never seen a woman before.
00:50:59 Sure you have a wife?
00:51:01 - I, yes, I did before.
00:51:04 What's that?
00:51:08 - This is Jonathan's travel itinerary
00:51:13 from London to Transylvania, the one I typed for him.
00:51:18 - He was here?
00:51:19 In this very room?
00:51:21 - Ah, yes, your husband.
00:51:23 - Well, we have to find him.
00:51:24 - Yes, yes, of course.
00:51:26 (thunder rumbling)
00:51:33 There.
00:51:38 - Is it him?
00:51:42 The Count?
00:51:44 (gun clicking)
00:51:49 - We shall soon see.
00:51:50 - What are all the bottles for?
00:51:55 - I can guess.
00:51:57 Be ready with the pistol.
00:52:01 Even at his weakest,
00:52:03 the Count is far more powerful than his brides.
00:52:06 (clicking)
00:52:17 (gasping)
00:52:18 - Jonathan!
00:52:19 - Wait.
00:52:22 There's a pulse.
00:52:25 Very weak, but it's there.
00:52:26 - You mean?
00:52:30 - He's alive.
00:52:31 - Jonathan.
00:52:33 - Nina.
00:52:41 Drained him of almost every drop of blood.
00:52:47 It's all here in these bottles.
00:52:49 The Count is preparing sustenance
00:52:52 for his journey to London.
00:52:54 Must be stopped.
00:52:56 - Wait.
00:52:57 What about Jonathan?
00:52:59 - We found your husband, Mrs. Harker, as promised.
00:53:04 I'm grateful for your help thus far,
00:53:08 and from here on, you may do as you wish,
00:53:10 but my priority is to find and destroy the Count.
00:53:13 - You didn't have a plan to get Jonathan to safety?
00:53:16 - I...
00:53:18 The truth is, I never expected to find your husband alive,
00:53:27 or even to find any trace of him at all,
00:53:30 such as the unquenchable thirst of Dracula and his brides.
00:53:33 And therefore, I never formulated a plan to rescue him.
00:53:41 (dramatic music)
00:53:44 - And yet, you had me accompany you here,
00:53:47 after all that training,
00:53:50 just so you could go after the Count.
00:53:53 - Mrs. Harker, do you understand what is at stake here?
00:53:56 Dracula must not be permitted to cast his malign shadow
00:53:59 over the greatest city in the Christian world.
00:54:02 The possible consequences are unthinkable.
00:54:05 - I can't get Jonathan out of it by myself.
00:54:07 - Mrs. Harker, I...
00:54:08 - You asked me for my help, Professor,
00:54:10 and now I'm asking you.
00:54:14 - I'm begging you.
00:54:16 - For your help.
00:54:18 - Very well.
00:54:28 We'll take him back to the inn.
00:54:32 He'll be safe there.
00:54:34 My pursuit of the Count can wait.
00:54:38 (birds squawking)
00:54:45 - What's that?
00:54:50 - Just a small injection of Batley's sedative solution.
00:54:57 It has an opium base to take away any pain
00:55:00 and help him to rest.
00:55:01 - You know a lot about these things.
00:55:05 - Yes, well, I'm a medical doctor by profession.
00:55:07 - So much I don't know about you, Professor.
00:55:12 (Jonathan gasps)
00:55:15 - There.
00:55:18 You'll be calm now.
00:55:19 - Jonathan.
00:55:22 - It's best not to disturb him now.
00:55:23 Let him rest.
00:55:24 (gentle music)
00:55:27 - Thank you, Professor.
00:55:40 I know you didn't come all the way to Transylvania
00:55:43 to rescue my husband.
00:55:45 - I should thank you, Mrs. Harker,
00:55:49 and apologize.
00:55:54 I risked your life using you as bait for the Count.
00:55:58 In any case, saving your husband was the right thing to do.
00:56:04 If it'd been my wife rather than your husband,
00:56:08 I'm sure I would have been just as insistent as you were.
00:56:12 - You said you did have a wife.
00:56:20 (gentle music)
00:56:23 - Yes.
00:56:25 - May I ask,
00:56:30 did she pass away?
00:56:34 - No, no, my dear, no.
00:56:38 She's not dead, but she...
00:56:43 (gentle music)
00:56:45 She's no longer the woman I married.
00:56:53 - Schlucke, he may keep himself.
00:57:03 - Thank you.
00:57:04 - Ah, you might find this a little strong, Mrs. Harker.
00:57:11 - We'll see.
00:57:12 - Well.
00:57:18 (coughing)
00:57:20 - Now, why'd you do it, Professor?
00:57:26 - I admit it is an acquired taste.
00:57:30 - I don't mean the drink, I mean the Count.
00:57:34 Why'd you pursue him?
00:57:35 - Well, isn't it self-evident?
00:57:39 He is evil, purest evil.
00:57:42 He must be destroyed.
00:57:44 Doing so is the single mission of my life.
00:57:48 There's no question of going back
00:57:52 to a normal day-to-day existence.
00:57:56 Not now that I'm aware such unholy wickedness
00:57:59 exists in the world.
00:58:01 - Of course, but why take it upon yourself?
00:58:08 - Because nobody I spoke to about it believed me.
00:58:10 Not until I met you, Mrs. Harker.
00:58:15 - Don't you think it's about time
00:58:19 you started calling me Mina?
00:58:20 - Well, if you insist.
00:58:23 - So, you were telling me about your wife?
00:58:37 (eerie music)
00:58:39 - I was on a research trip.
00:58:48 We both were.
00:58:51 In Bucharest.
00:58:54 I'd heard rumors of a strange sickness
00:59:01 with no known treatment or cure.
00:59:06 Victims became pale and listless,
00:59:10 suffered immense blood loss for no visible reason,
00:59:15 and simply grew weaker and weaker
00:59:20 until the heart could no longer continue beating.
00:59:23 Little did I know it was all the work
00:59:28 of Count Dracula and his minions.
00:59:32 (eerie music)
00:59:34 When we finally began to uncover the truth,
00:59:42 we were witness to such horrors.
00:59:48 As a man of medicine and science,
01:00:02 it was almost impossible for me to come to terms
01:00:05 with what I'd seen.
01:00:07 For my wife was of a particularly sensitive disposition.
01:00:15 My wife's condition is not an illness of the body.
01:00:32 (eerie music)
01:00:34 But of the mind.
01:00:35 After experiencing such shocking events,
01:00:45 her mind simply ceased to function.
01:00:54 (eerie music)
01:00:56 Perhaps now you understand why I was so reluctant
01:01:06 at first to involve you in all this.
01:01:08 - But I was involved, Professor.
01:01:13 From the moment I received that letter from Jonathan.
01:01:21 - Is there any hope that she might recover?
01:01:25 - This is a very new area of science.
01:01:30 Even I know almost nothing of the inner workings
01:01:35 of the brain.
01:01:36 Fortunately, I was able to ensure she'd be well cared for
01:01:43 in my absence.
01:01:44 As for recovery,
01:01:49 well, there's always hope.
01:01:52 I must check on your husband.
01:02:02 - Grace, you have been to Castle Dracula?
01:02:10 - Yes.
01:02:12 - Did you see anything of my daughter Maria?
01:02:19 - Yes, I did.
01:02:20 - She's alive?
01:02:21 - I spoke with her.
01:02:24 She's very beautiful.
01:02:28 - Since there is hope.
01:02:29 - There's always hope.
01:02:34 (birds chirping)
01:02:39 - Mina, I'm pleased to say your husband's condition
01:02:48 is greatly improved.
01:02:50 - Jonathan, how are you feeling?
01:02:53 - Better for seeing you.
01:02:55 Well, I'm sure the two of you have a lot to catch up on.
01:03:03 I should get back to my studies.
01:03:06 Perhaps I could make temporary use of your room?
01:03:11 - Yes, of course.
01:03:12 - I can't believe you came all the way
01:03:17 to Transylvania to find me.
01:03:19 It was all like some terrible dream I couldn't wake up from
01:03:24 until I saw you.
01:03:28 - It's over now.
01:03:30 - I couldn't stop them, Mina.
01:03:35 I know it sounds absurd,
01:03:39 but it was like they had some strange power over me.
01:03:46 It was overwhelming.
01:03:47 - I felt it too, in that castle.
01:03:52 I had dreams of those women,
01:03:56 of the Count.
01:03:59 Let's just not talk any more about it.
01:04:06 The professor and I have dealt with two of the creatures.
01:04:10 - But the Count, he never meant for me to leave that place.
01:04:15 - Safe here.
01:04:17 Professor Van Helsing knows all about Count Dracula.
01:04:20 Just get some rest.
01:04:24 (ominous music)
01:04:27 (birds chirping)
01:04:30 - Quite extraordinary gentlemen.
01:04:56 (laughing)
01:04:58 The professor is either a genius or a madman.
01:05:03 Your husband?
01:05:07 - Asleep.
01:05:08 - I suggest you try to get some sleep yourself.
01:05:12 - I'm not sure I dare.
01:05:15 I told Jonathan we were safe here, but I...
01:05:22 (ominous music)
01:05:24 - The Count isn't confined to the castle walls, is he?
01:05:29 What if he comes after us?
01:05:33 - Remember what I told you.
01:05:36 A vampire may not cross the threshold of a property
01:05:40 unless invited in.
01:05:42 Since we have previously ascertained
01:05:45 the innkeeper is no friend of the Count,
01:05:50 I can assure you we're quite safe here in the inn, Mina.
01:05:53 (thunder rumbling)
01:05:59 (glass shattering)
01:06:07 (gasping)
01:06:10 - How could you fail to kill the old man?
01:06:13 - But it was Isa.
01:06:14 - She and Frida, both lost to us.
01:06:19 - I'm sorry, Master.
01:06:21 - It is now only more imperative
01:06:24 that we turn her to our side.
01:06:27 - I think I know who she is.
01:06:31 - What do you know?
01:06:32 Tell me.
01:06:34 - She is the wife of the young man.
01:06:37 - Ariker, how do you know this?
01:06:40 - Her name is Mina, the same name he calls out in his sleep.
01:06:45 - Such delicious irony.
01:06:48 You are the man, I will have the girl.
01:06:52 If only we knew where to find her.
01:06:56 - They are staying at the inn in the village.
01:06:58 - How do you know this?
01:07:00 - She knew my name without ever hearing it from my lips.
01:07:04 She must have spoken with my father at the inn.
01:07:06 - This is why you will always be my favorite bride, Maria.
01:07:16 (evil laughing)
01:07:18 - Father.
01:07:27 - Maria.
01:07:31 - I'm so cold.
01:07:32 Please, can I come inside?
01:07:35 (knocking)
01:07:40 (dramatic music)
01:07:44, (dramatic music)
01:07:49 (dramatic music)
01:07:51 - Hello, I was wondering if you'd spare another glass of me.
01:08:18 (dramatic music)
01:08:21 Mina, open the window, Mina.
01:08:25 (dramatic music)
01:08:32 Let me inside.
01:08:34 (dramatic music)
01:08:44 - My master and I know who you are, old man.
01:08:49 - If you know who I am, you must surely fear me, Maria.
01:08:52 - We fear not.
01:08:54 - That's not true, is it, Maria?
01:08:56 You fear daylight, you fear the holy crucifix,
01:09:00 and most of all, you fear your master.
01:09:04 - I love my master, he gave me life.
01:09:08 - He gave you nothing but death, Maria.
01:09:12 Nothing but an endless, lingering death,
01:09:15 where you can exist only by leeching off
01:09:17 the blood of innocents, even that of your own father.
01:09:21 - Dracula is my father, my husband, and my lover.
01:09:26 - I can free you, Maria.
01:09:30 I can free your soul to enter heaven, if you'll permit me.
01:09:34 - You cannot.
01:09:36 My soul belongs to Dracula.
01:09:40 (dramatic music)
01:09:42 - Mina.
01:09:51 He's taken her.
01:10:00 (dramatic music)
01:10:05 (thunder rumbling)
01:10:08 - Welcome.
01:10:24 You are confused, don't be.
01:10:29 Your own desire brought you here.
01:10:32 - I have no desire to be here.
01:10:35 - Then why did you open the window?
01:10:38 I had no power to force you.
01:10:42 - You tricked me.
01:10:46 Professor warned me, he said that you can
01:10:50 make people see things.
01:10:51 (dramatic music)
01:11:01 - I only showed you what is already in your heart.
01:11:05 - My touch is cold.
01:11:09 - Yet you still yearn for it.
01:11:11 - I despise you.
01:11:14 - Love and hate, Mina, are but two sides of the same coin.
01:11:19 (thunder rumbling)
01:11:23 - I love my husband.
01:11:24 - Your husband? (laughing)
01:11:27 The young Mr. Hart.
01:11:30 How could you have such allegiance
01:11:32 for one who has betrayed you?
01:11:34 - What?
01:11:37 - We have eaten this castle, night after night.
01:11:43 - You're lying.
01:11:46 - Am I lying?
01:11:48 (dramatic music)
01:11:54 - Stop it, you're tricking me again.
01:11:57 - Are you sure?
01:11:59 (dramatic music)
01:12:02 - It's not true.
01:12:08 (dramatic music)
01:12:11 - Mina!
01:12:15 - What's that?
01:12:23 - You'll know what it is.
01:12:26 I want you to drink it.
01:12:29 (dramatic music)
01:12:32 (rain pattering)
01:12:43 - Drink.
01:12:58 Share my blood.
01:12:59 Share my power.
01:13:02 Be my pride.
01:13:05 (thunder rumbling)
01:13:14 (dramatic music)
01:13:20 Drink.
01:13:21 Taste the blood of Dracula!
01:13:26 (thunder rumbling)
01:13:29 - It's over, Dracula.
01:13:30 The sun is risen.
01:13:35 (Mina screaming)
01:13:40 Mina!
01:13:43 (Mina grunting)
01:13:47 - What are you going to do now?
01:13:54 (dramatic music)
01:13:57 - Finish him!
01:14:15 (Dracula growling)
01:14:19 (Dracula screaming)
01:14:22 - You did it, Mina.
01:14:36 You finally succeeded where I've failed all these years.
01:14:41 - I didn't realize it was morning.
01:14:44 I've got to get back to Jonathan.
01:14:45 - Wait.
01:14:46 (dramatic music)
01:14:49 There's something I have to tell you, Mina.
01:14:52 About your husband.
01:14:56 (dramatic music)
01:15:05 (birds chirping)
01:15:08 (dramatic music)
01:15:15 (dramatic music)
01:15:18 - Dearest Lucy,
01:15:40 I write this journal now for your eyes.
01:15:45 I had intended to share it with Jonathan, but...
01:15:48 But now that is not to be.
01:15:57 Without him, I feel utterly cast adrift.
01:16:03 The thought of returning to London,
01:16:07 being greeted by all those pitying expressions,
01:16:10 fills me with dread.
01:16:13 I feel almost inclined never to return at all.
01:16:18 The church bells are ringing.
01:16:32 - News has spread quickly that Dracula is no more.
01:16:35 Life is finally returning to the village.
01:16:39 - And it was all worth it.
01:16:42 (dramatic music)
01:16:45 - I, uh...
01:16:47 I've made arrangements for the transport
01:16:51 of your husband back to London.
01:16:55 I presume you'll be accompanying him?
01:16:59 - I'm not sure.
01:17:04 I'm not sure about anything anymore.
01:17:08 'Cause as you said, once your eyes have been opened
01:17:12 to the darkness in this world,
01:17:13 it's difficult to go back to life as it was.
01:17:18 What about you?
01:17:30 - Me?
01:17:32 - Yes, didn't you say stopping Dracula
01:17:36 was your single mission in life?
01:17:38 - I did.
01:17:41 - So, what will you do now?
01:17:44 - There was a village I passed through.
01:17:51 - Araki?
01:17:53 - Yes, yes, that's the one.
01:17:55 - You mentioned it before,
01:17:57 where they said the men turn into wolves
01:18:02 during the full moon.
01:18:03 - Yes.
01:18:03 Yes, the people there live in fear for their lives.
01:18:09 Though my research indicates that the silver bullets
01:18:14 I created might be effective against such creatures.
01:18:19 - You said it was a short distance from here,
01:18:23 on the way to Vicar Est.
01:18:25 - That's correct.
01:18:26 - Then perhaps we should...
01:18:31 - Investigate.
01:18:36 (dramatic music)
01:18:39 - Yes, perhaps we should.
01:18:41 (dramatic music)
01:19:04 (dramatic music)
01:19:07 (dramatic music)
01:19:10 (dramatic music)
01:19:12 (dramatic music)
01:19:19 (dramatic music)
01:19:26 (dramatic music)
01:19:32 - Actually.
01:19:36 (gasps)
01:19:37 (gasps)
01:19:38 - Oh, I didn't even realize.
01:19:39 (laughs)
01:19:40 - Didn't even break.
01:19:41 - What's that?
01:19:42 - This is Jonathan's head.
01:19:43 (gags)
01:19:44 Sorry.
01:19:45 (dramatic music)
01:19:47 (laughs)
01:19:49 - Stop saying it, stop saying it.
01:19:53 (dramatic music)
01:19:56 (dramatic music)
01:19:59 (dramatic music)
01:20:02 (dramatic music)
01:20:28 (dramatic music)
01:20:30 (dramatic music)
01:20:45 (dramatic music)
01:20:48 (dramatic music)
01:20:51 (dramatic music)
01:20:53 ♪ I will be ♪
01:21:17 ♪ The last to fall ♪
01:21:22 ♪ I won't shed a tear for them to see ♪
01:21:27 ♪ I won't have your name to call ♪
01:21:35 ♪ I will be ♪
01:21:40 ♪ The last to fall ♪
01:21:44 (dramatic music)
01:21:46 (dramatic music)
01:21:50 (dramatic music)
01:22:05 (dramatic music)
01:22:08 (dramatic music)
01:22:11 (dramatic music)
01:22:14 (dramatic music)
01:22:17 (dramatic music)
01:22:30 (dramatic music)
01:22:38 (dramatic music)
01:22:40 ♪ I will be ♪
01:23:01 ♪ The last to fall ♪
01:23:07 ♪ I won't shed a tear for them to see ♪
01:23:12 ♪ I won't have your name to call ♪
01:23:20 ♪ I will be ♪
01:23:25 ♪ The last to fall ♪
01:23:28 (dramatic music)
01:23:36 (dramatic music)
01:23:38 (dramatic music)
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01:24:52 (dramatic music)
01:24:55 [BLANK_AUDIO]