La promesa - Temporada 3 - Episodio 304 - video Dailymotion
La promesa - Temporada 3 - Episodio 304 - video Dailymotion
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01:56 You're the perfect person, Petra.
01:58 - I mean... No.
02:00 - I'm sorry. I'm sorry. I didn't mean to.
02:03 - When will you understand that we're not going to be together?
02:06 - But why, Hanna? Has something new happened?
02:08 - Because I've realised that I'm still in love with Manuel, Abel.
02:11 And hiding it and denying it would be like cheating on you and cheating on me.
02:15 And do you like your room?
02:17 - It's decorated with a lot of style.
02:19 - And where is it?
02:20 - It's at the end of the left wing.
02:22 - Wow.
02:23 On the other side of the building that's mine.
02:25 - As you can see, I didn't want to offend my father.
02:27 - Well, all so that we don't have to talk in this society.
02:31 - No, I wouldn't be too happy if you went alone through those andurreles
02:35 on a night as dark as this.
02:37 I think the best thing is that...
02:39 that you stay here to sleep tonight.
02:42 - My head was soft.
02:44 But hey, it's true.
02:45 - But Carmela, what are you doing?
02:48 - Well...
02:49 Not knowing. To exhaust myself.
02:51 - The time has come for us to talk.
02:53 - Yes, ma'am.
02:54 - Well, you can explain to me how it is possible that Feliciano was your son.
02:58 And above all, who the hell is the father?
03:02 - I've been looking for you all the time, ma'am.
03:09 It's time for me to tell you the whole truth.
03:22 - Very well.
03:24 Let's start at the beginning.
03:28 - When that happened, ma'am,
03:34 I was very young.
03:37 - Not so young, Petra.
03:39 At Feliciano's age, that happened after my wedding.
03:42 And you already lived in this house.
03:44 - Oh, yes. Yes, ma'am.
03:46 - By chance, I know the father.
03:50 - No. No, of course not, ma'am.
03:53 He is a man of the town and he is no longer there.
03:57 - What a shame.
04:00 And you, what a fool, not having demanded that he marry you.
04:04 - I couldn't, ma'am.
04:07 - Don't tell me he was a married man.
04:09 Petra, for God's sake!
04:12 - I know, ma'am. I'm not afraid.
04:14 - No, you're not.
04:16 - I didn't want to compromise him.
04:19 In fact, I didn't even tell him.
04:21 - And why did you do that?
04:24 - When ...
04:27 When I found out that he was a married man,
04:30 I understood that I had to deal with it myself.
04:33 And also, shortly after, he left the town with his whole family
04:37 and I haven't heard from him since then.
04:40 - A very moving story.
04:43 And very original.
04:45 - But it's the truth, ma'am.
04:47 - I know. And that's what annoys me the most.
04:50 That you were so stupid to have a story with a married man
04:54 and get pregnant for him.
04:56 - And that's how I felt, ma'am.
04:58 Like a fool and a fool.
05:01 But even so, I couldn't. I wasn't going to ...
05:04 You understand me.
05:06 - What? Get rid of him?
05:08 Don't be so sad, Petra.
05:12 You didn't consider God's law
05:15 when you decided to have an affair with a married man, did you?
05:18 - You're right, ma'am.
05:20 I'm a sinner.
05:22 But I don't regret it at all.
05:24 Because Feliciano is the best thing that has ever happened to me.
05:30 And I'm willing to go to hell for him.
05:33 - Anyway ...
05:35 And how did you manage?
05:38 - I had my ways, ma'am.
05:40 - It had to be a good deal because I didn't realize it.
05:44 And when the situation became unsustainable,
05:46 I had no choice but to find a way out of here.
05:49 - And you lied to Milonga that your mother had gotten pregnant
05:53 and that at her age you had to take care of her.
05:57 - Yes.
05:58 That's how it was.
06:00 And there, the pregnancy came to a good end.
06:02 - But you were the one who gave birth.
06:05 - To Feliciano.
06:08 The most beautiful child I had ever seen in my life, ma'am.
06:13 - You are so foolish.
06:15 - I reached an agreement with my parents.
06:18 They would make him pass for your son.
06:21 And in return, I would send them money every month to support him.
06:24 And during all this time, I have fulfilled my part of the deal.
06:29 - You have denied Petra.
06:31 Nothing for her, everything for her family.
06:34 And he never knew anything?
06:39 - No.
06:40 We lived the same version for everyone.
06:43 Feliciano was ...
06:45 my brother.
06:46 In everyone's eyes.
06:48 But he finally found out.
06:51 And he blamed me for abandoning him.
06:54 And he treated me like the miserable I am.
06:57 - You shouldn't have lied to me, Petra.
07:00 - I'm sorry, ma'am. I'm sorry.
07:04 I don't deserve your forgiveness.
07:06 Only the punishment I want has been imposed on me.
07:09 - Don't be silly. I'm not going to impose any punishment on you.
07:12 - You are what I deserve, ma'am. Because I am a sinner.
07:15 - Yes, maybe.
07:17 You shouldn't have lied to me. Because I would have helped you.
07:20 How we have helped each other all these years.
07:23 - I'm sorry I was so stupid, ma'am.
07:26 - Anyway.
07:30 The fact is done. And there is no remedy.
07:36 Despite everything, I approve the decision you made.
07:39 - Really, ma'am?
07:43 - In your circumstances, of course.
07:46 That's why ...
07:48 I'm going to support you.
07:51 As long as this does not transcend, Petra.
07:53 It is very important that you understand.
07:55 - Thank you, ma'am.
07:58 Thank you.
07:59 Thank you.
08:04 Thank you.
08:05 - Enough, Petra. I'm not a novice.
08:08 - Thank you.
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09:46 - Good morning.
09:55 - What are you doing up so late, girl?
09:58 - Well, I've been awake since dawn.
10:00 I've been loading coal and cleaning the stoves.
10:02 - You? And why is that?
10:04 - Well, why do you think, Mrs. Simona?
10:08 - Mrs. Pia thinks I should give myself a kiss on the teeth
10:11 for not saying goodbye to me.
10:13 - For leaving Miss Curro alone?
10:16 - That's right.
10:17 - And ...
10:19 why do you have that tired face?
10:21 - Well, that's why and because I haven't slept all night.
10:24 - What's bothering you, girl?
10:27 - Well, tonight what worried me was that Mrs. Candela was not quiet.
10:31 - Yes, it's true.
10:33 It's a big talk.
10:35 Especially if there is any news.
10:37 And sleeping with you was not.
10:39 - I can assure you.
10:41 - Well, at your time, you fall like a basket.
10:44 - Well, I don't know what time you're talking about.
10:46 It's true that there was a moment of the night when she fell asleep, but ...
10:49 suddenly the bed dance started.
10:51 - Yes, yes, yes.
10:53 Yes, she moves, yes.
10:54 Especially if she misses her bed.
10:56 - I don't know if she was awake or not, but that looked like the Zambito dance.
11:00 - But what is that?
11:03 What is that I move in bed?
11:06 - Good morning, Candela.
11:07 - Good morning to you, Simona.
11:09 One is a little late in going down and they already put him in a big mess.
11:13 - The sheets have stuck to her, Mrs. Candela.
11:15 - I have gone down calmly.
11:17 Which is not the same.
11:18 - Taking advantage of one of the ranks, right?
11:20 - And give it that I don't move.
11:22 - More than a kid at a fair.
11:24 But everyone gets used to one.
11:25 - And at least I don't talk like a whore while I sleep.
11:28 - What do you say you don't talk?
11:30 - Less look, huh?
11:32 - I don't know, you have a problem with the reverse Bible.
11:35 You talk more than seven.
11:36 - Candela, I'm going to tell you something.
11:39 You sometimes snore.
11:41 - I take a deep breath.
11:44 Which is not the same.
11:46 And you give a lot of snore that even God shudders.
11:49 - What's wrong with you, Hanna?
11:54 - Nothing, my side hurts.
11:56 - But what is it?
11:57 - Muscle fatigue, because I worked too hard yesterday.
12:01 - Oh my God.
12:02 - It's a glass of water with a teaspoon of sugar, holy hand.
12:06 - Candela, that doesn't work.
12:08 But anyway, I'll have a cold with lavender oil.
12:11 - No, but don't wait.
12:13 Give it to her now.
12:14 Or not.
12:15 Better, give it to her after breakfast.
12:18 Look what I have prepared.
12:24 A breakfast of queens.
12:30 - Damn, if you don't tell me you've been up so early to prepare all this.
12:33 - No, you haven't been the only one.
12:35 Ah, and here I have the chocolate.
12:37 It's already getting cold.
12:39 - But what is so much expense?
12:42 - I wanted to thank you both from the bottom of my heart
12:45 for allowing me to sleep with my daughter tonight.
12:48 - It was not necessary.
12:50 - Yes it was necessary, yes.
12:52 But it was not important.
12:54 You enjoyed it.
12:55 - Well, I think so.
12:57 Spend the night with my daughter ...
12:59 I think it was one of the most beautiful nights of my life.
13:02 - Of course, not like the ones you've spent with me.
13:04 - Of course not, Candela.
13:05 I have dressed my daughter,
13:08 I have kissed her on the forehead good night before going to bed ...
13:11 - Well, if that's why.
13:13 - How is it going to be the same as with you? No.
13:16 I have felt her all night by my side.
13:19 And it has been like a gift from heaven.
13:21 Well, from heaven and from you.
13:24 That's why I have prepared this breakfast for you.
13:28 - And where is she now?
13:30 - Well, she leaves her sleeping like an angel.
13:33 - And why don't you wake her up and tell her to have breakfast with us?
13:36 - Do you think it's a good idea?
13:38 - Of course.
13:39 Look, and that way, Hanna will have time to brush her hair with lavender.
13:42 - Well, I'm going to let her know right now.
13:45 - Is it true that I move so much in bed?
13:51 Don't laugh. Tell me.
13:57 I'm not normal either, am I?
13:59 - So, did you try them on?
14:04 - Last night, before going to bed.
14:06 - And how was the experience?
14:08 - Well, much more relaxing than I expected, to be honest.
14:12 - You have to trust me, Catalina.
14:15 The mud baths are a pleasure for a few people.
14:18 Only the gorrinos and a few people.
14:21 - They were made of mud, actually.
14:23 - A remarkable difference.
14:26 That's why you look much brighter.
14:29 By the way, I would marry you even if you weren't even half as beautiful.
14:33 - I'll believe you.
14:36 Although I know you're a carpenter.
14:38 By the way, you also have a better look, huh?
14:41 - It is clear that this trip was necessary.
14:45 - We are both enjoying it, aren't we?
14:51 Despite having to behave with correction for the looks of your loyal servant.
14:56 - Wow, it seems that he is not going to take his eye off us.
14:59 - As you said, he has to do his job, right?
15:03 - That's right.
15:05 So, it would be better if we make it a little easier for him, don't you think?
15:10 - Miss Catalina, Count Daniel.
15:19 - Mr. Cavendish.
15:21 What a surprise!
15:22 - Yes, I was going to say the same.
15:24 Are you a water lover?
15:29 - Of course I am, darling.
15:31 It is one of the pleasures that life offers us.
15:34 Besides, I understand that this man also drinks his water.
15:38 - Something interesting for your business.
15:40 - Of course.
15:41 Although what I did not expect was such a pleasant surprise.
15:45 And what a coincidence.
15:47 - It is a great pleasure to meet you here.
15:50 - And tell us, Mr. Cavendish.
15:53 Have you tried the mud bath?
15:56 - I don't know about the mud bath, but I would love to try the coffee.
16:00 - Well, if you want to sit down and have breakfast with us.
16:03 - Thank you very much.
16:05 - Yes, yes, please. Join us.
16:07 - Waiter.
16:12 - Ah ...
16:13 - Hanna!
16:27 What are you doing moving these boxes by yourself?
16:31 This is the work of a neighborhood boy, if you hurry me.
16:34 - Yeah, but that's what they sent me.
16:36 - I didn't ask them to do anything.
16:38 - Doña Pia asked me to move these boxes because there could be rats underneath and ...
16:42 they are not welcome in La Promesa.
16:45 - Doña Pia.
16:46 I suspect that this is one of the consequences that my parents have been imposed on me for having left the job alone.
16:54 - You suspect, okay.
16:56 - Hanna, please. I will tell Doña Pia that this is a hangar and it is a work area
17:01 and there is no need to do such a deep cleaning.
17:03 - And are you going to tell her that the rats don't bother you?
17:05 - Ah ... No.
17:08 Because if the rats eat the fabric of my living room, I'll crash.
17:11 But that's why I have traps in every corner.
17:13 - Surely it is more effective than moving all these boxes.
17:16 - Go back to the palace.
17:20 These tasks make no sense.
17:23 - Doña Pia is going to come here to check that I have moved it.
17:26 And if I haven't done it, well ...
17:28 I'll tell the gentlemen.
17:29 - Hanna, please. Listen a little. Have a little ...
17:31 - Manuel, I have to finish all this.
17:33 If it's not this task, it's going to be another one and it could be much worse.
17:37 - Well, you're right about that.
17:39 The ability to assign you absurd forced jobs in this house is infinite.
17:44 - Well, that's why it's better not to stir things up.
17:47 - Okay.
17:49 But there is something I can do.
17:52 - What do you mean?
17:54 - If you can't with your enemy, join him, right?
17:56 Is that what they say?
17:57 - Now I'm your enemy?
17:59 What are you doing?
18:03 What are you doing?
18:05 - Hanna, I'm going to help you.
18:10 I'll move these boxes so you can sweep from below.
18:13 - Manuel, you're going to ruin your suit.
18:16 - It's my decision.
18:18 - Come on, sir, cheer up.
18:29 - Okay, I will.
18:31 - I'll do it so you stop insisting.
18:33 - I see, I see.
18:38 - What do you see?
18:40 - A little something.
18:42 - And what color is it?
18:44 - Well, I'd say white.
18:47 - Oh, exciting.
18:49 Well, it could be ...
18:52 I don't know, the sheets, the curtains, your blanket, the jofaina ...
18:55 - You have to say one.
18:56 - But I'm sure I've already said it.
18:58 - No.
18:59 - Well, then I'll keep saying white things.
19:02 The wall, the lamp ...
19:05 - Good morning.
19:06 - Good morning, Tia Losa.
19:08 - I came to see how you are.
19:12 - Much better.
19:13 The truth is that I am already better.
19:15 - I'm glad.
19:16 - I'm practically recovered.
19:18 In fact, I think they should let me leave this room full of ...
19:21 of white things.
19:23 - Hey, Curro, I understand that you are bored here locked up, but ...
19:29 but you already know the reasons why you have to be here.
19:32 You must rest in bed and isolated.
19:36 Dr. Bueno thinks a relapse would be fatal.
19:40 - Yeah.
19:41 But I think that danger has already passed.
19:46 Come on, every day I spend I'm better.
19:48 And I practically bathe alone.
19:51 Right, Mario?
19:53 - Uh ...
19:54 I would say yes.
19:56 But what will an ignorant maid know about medicine?
20:00 - Yes, look, that's just what Hanna would know.
20:03 - Of course, Hanna is another singer.
20:05 She knows everything.
20:07 - What's more, I would say that she left me alone,
20:09 consciously, knowing that nothing bad would happen to me.
20:12 - What are you talking about, Curro?
20:14 - I'm talking about what she did was not so serious.
20:19 - For me it was.
20:22 And there you don't have much to say.
20:24 - Let's see, it's true that she had to take care of me.
20:27 And that she left me alone, it's true.
20:29 But not for that, she deserves to be punished.
20:31 - That decision does not belong to you.
20:33 - No, and I'm not saying the opposite.
20:35 But I think it should be her who should be here taking care of me.
20:38 Sorry, Maria, I have nothing against you.
20:41 - No need to apologize, sir.
20:43 Yes, I know that as soon as you take care of the sick,
20:46 Hanna is the one who has the most magic.
20:48 - Hanna is not going to take care of you again, why?
20:51 So that she leaves you alone again?
20:53 - But that is not going to happen again.
20:55 - No, not at all, Curro.
20:57 She disobeyed a direct order of mine.
20:59 And that has no excuse.
21:01 - I don't think that was so important.
21:03 - It is important.
21:05 If we tolerate disobedience and rebellion,
21:07 we are opening the door to anarchy.
21:09 - Well, I understand your fears.
21:11 But Hanna did not act in rebellion or with evil.
21:14 She just felt unwilling.
21:16 - I don't care about her reasons.
21:18 She's not going to take care of you again.
21:20 - I don't care.
21:22 - Well,
21:32 we can't say we're not cleaning thoroughly, can we?
21:35 - And not a trace of the famous mice.
21:38 - You see? I told you, my traps work.
21:41 - For the bill you have,
21:42 you'd better keep your eyes on the house.
21:44 [sighs]
21:46 [laughs]
21:52 - You know I'd be scared if there was a mouse?
22:00 - What are you saying?
22:04 [laughs]
22:05 As a person who is capable of getting on a plane
22:07 and looking up at the sky,
22:08 he's afraid of a poor air-raid shelter.
22:11 You'd be surprised by the things that scare me, Hanna.
22:14 Besides, even elephants are afraid of mice.
22:19 - That's what they say in fairy tales, Manuel.
22:22 - Ah!
22:23 Very nice.
22:24 So you're insinuating that I've been a liar all my life?
22:26 - Well, yes.
22:28 Manuel,
22:40 thank you.
22:42 - You don't have to thank me.
22:46 Would you like some water?
22:50 Come on. - Thank you.
22:54 - Be careful, don't spill it.
22:57 [laughs]
22:59 - Thank you again, really.
23:05 I couldn't have done this alone,
23:07 much less in such a short time, so...
23:10 - I've been good at exercising.
23:12 [laughs]
23:14 All I'm hoping is that you take advantage of this time
23:16 to rest for a while.
23:18 - I'd be fine.
23:20 - If you want, you can stay here.
23:23 You could go in there.
23:25 - What? - Yes.
23:27 I'll leave the hangar, close it, and no one comes in here.
23:30 - I don't think I could make the dream come true either.
23:33 - But you just told me a moment ago
23:35 that you've been keeping an eye on me.
23:37 - Yeah, but I have a lot on my mind.
23:40 - Like what?
23:43 - Like...
23:45 Mr. Curro, for example,
23:47 who the gentlemen won't let me see.
23:49 - I don't know why it bothers you so much.
23:51 - Well, because I'd like to apologize to him.
23:53 - Why?
23:55 - For leaving him alone.
23:58 - Hanna, my cousin doesn't take you into account.
24:00 - Yeah, but I'd like to do it anyway.
24:04 - You know, I still don't understand why you left like that.
24:08 Why did you leave?
24:10 - It's...
24:14 It's complicated to explain.
24:16 Well...
24:19 I guess I...
24:21 I spent a lot of time locked up and I was overwhelmed
24:24 and I just wanted to get some fresh air.
24:26 - Knowing you as I know you,
24:28 you must be really sick.
24:32 - That's the least of it, Manuel.
24:34 The harm has already been done.
24:36 - I repeat, it hasn't been that bad.
24:39 - Listen, Manuel.
24:44 You couldn't...
24:48 - What?
24:50 - You could help me
24:54 see Curro.
24:56 It's important to me.
25:00 - Yes, it's obvious.
25:02 - Please.
25:08 - Hanna, don't...
25:10 It's okay.
25:16 It's okay, I'll think of something, but I promise you nothing.
25:20 - It's more than enough.
25:22 Thank you.
25:26 - You're welcome.
25:28 - Watch the stairs, Mrs. Simona.
25:33 - So the carrots are being made in a fat taco?
25:44 - Yes, one finger thick.
25:46 By the way, Mrs. Simona, keep telling us about Grandma.
25:51 - Well, when my kids were little,
25:54 they were afraid to sleep in the dark,
25:56 in case the coca came to get them.
25:58 - How are the kids?
26:00 - And I liked to leave them a candle lit.
26:02 - Well, this virtue already helps you, huh?
26:05 - Yeah, but I was looking forward to putting it on.
26:07 - You are unknown, Mrs. Simona.
26:09 I'm glad to see you so happy.
26:11 - Yes, because it's normal.
26:13 - All good, Mrs. Pia?
26:17 We did it where Beni was, visiting Dieguito.
26:20 - Yes, I come from there and everything is fine.
26:22 - Yes, everything is fine. - All good? Is the kid okay?
26:24 - Yes, he's a great cousin.
26:26 Now he's yawning and not standing still, he's very excited.
26:28 You have to be careful, because now he's hiding.
26:30 - What a piece.
26:32 - No, this morning we couldn't find him and we were scared to death.
26:34 - Don't tell me, my God, I hope it wasn't anything.
26:36 - No, he was behind the skirts of a table.
26:39 - What a trick. Tie him a cord of artumillo and he won't get lost.
26:43 - But what are you saying, girl? How am I going to put a cord?
26:45 Let's see if it's going to get tangled in his neck and he's going to give us a discomfort.
26:48 He's a boy, not a dog. Candela, follow him, don't listen to him.
26:51 - What worries me is that now everything he finds on the floor, he takes it to his mouth.
26:56 - Well, let's see if he's going to eat something he shouldn't.
26:58 - No, of course, I'm afraid he's a swallower.
27:00 - So, tie him up. - What do we put, a bozal?
27:02 - A cord and a bozal. - I have not said such a thing.
27:05 - That's all you need. - Talk, the one who has slept with a candle lit.
27:08 - A candle lit, Simona. - Well, it's just that ...
27:11 - Well, calm down, calm down, calm down.
27:13 - That's what I say, calm down. If you hear them from the stairs ...
27:17 - Yes, I'm sorry, Mr. Baeza.
27:19 - Well, here a little bit of fuss is normal.
27:21 And more in the kitchens, we have a lot of work to do.
27:24 And time is gold.
27:26 - Don't tell Maria Fernández that, huh? - Why?
27:28 - Because she's always imagining that she would have money.
27:31 As soon as she finds out that time is gold, she's capable of eating all the watches.
27:34 - That's true. Lately, not to talk about money.
27:37 - In the case of Maria Fernández, don't surprise me.
27:39 - What will that woman have in her head?
27:41 - Where she has nothing in her pockets, like all of us.
27:44 Because if she had something, tomorrow she would break the promise and marry her savior.
27:48 - That's it, a truth like a temple.
27:50 - If all this is because of that dream she has in her head,
27:52 that she is going to marry Salvatore, and to the big.
27:54 - Well, look, it's okay. Look.
27:56 Each one to his job. - Yes.
27:58 - Worried? Why?
28:07 - For leaving you alone, Curro.
28:09 She is deeply sorry.
28:11 - Well, there is no need. I do not hold a grudge against her.
28:15 Still, I would say that she feels the imperious need to apologize to you in person.
28:20 - She doesn't want to see me?
28:22 - Curro, I would rather say that she needs to see you.
28:25 And from what I suspect, she won't have anything easy to approach you right now.
28:30 - That's right.
28:32 Uncle Alonso is determined to keep her as far away as possible.
28:36 - In that case,
28:41 I think it would relieve her to know that she accepts her apologies.
28:45 - Yes, of course. Of course.
28:48 But she has nothing to apologize for.
28:51 - She will still like to know.
28:53 - Cousin, if you talk to her,
28:56 could you tell her that I would love to do it in person?
28:59 - Of course.
29:01 - Good morning.
29:03 The maid told me that you had a visit,
29:05 so if I am not late, I would like to say hello.
29:08 - Of course, go ahead.
29:10 Once the iron surveillance is drawn,
29:12 who gives me more visits than two, right?
29:14 - Yes, any visit is well received.
29:16 - That includes me, I hope.
29:18 Oh, please, please, don't get up.
29:20 If the doctor has insisted that you keep the bed,
29:22 he will have his reasons for weight.
29:24 - Well, I feel much better now.
29:27 - Still, you have to listen to him.
29:29 I can defend my opinion if we talk about wines,
29:31 Havana and women.
29:33 But I have to admit my absolute ignorance
29:36 in terms of medicine.
29:38 - We are all ignorant in that matter, Mr. Conde.
29:41 Actually, we follow the criteria of the good doctor.
29:44 - And they do very well.
29:46 Still, I am shocked that having seen you walk on your own feet
29:49 days later, you are still in bed.
29:51 I hope the progression stops there.
29:53 - We trust that it will be so, yes.
29:55 - Yes, we trust.
29:57 - You don't look like you're dying, don't worry.
29:59 What's more, you seem overflowing with energy.
30:02 - Well, I'll take it as a compliment.
30:06 I suppose the doctor wants to "get better".
30:08 Never better said.
30:10 - Yes, that's right.
30:11 The good doctor doesn't want a relapse.
30:14 - In your case, a relapse would be to receive another shot.
30:18 Although, the circumstances of the accident
30:21 are still a mystery to me.
30:23 - You see, Mr. Conde, we don't usually talk ...
30:25 - I'm sorry, I don't remember much.
30:28 The only thing I remember is that we were walking,
30:33 my assistant and I, and we were more entertained talking
30:37 than trying to find a prey.
30:41 - And ... - Work is enough.
30:44 - I understand there were two bullets.
30:47 - That's right, Mr. Ignacio.
30:49 One of them hit my cousin
30:52 and the other on his assistant, a lackey of the promise.
30:55 - Feliciano.
30:57 He was a good lackey.
30:59 And I say "he was" because he couldn't survive.
31:02 - Wow, I'm very sorry.
31:04 Now, I'm glad you're the one who's alive.
31:07 - Feliciano was a good person.
31:09 And he was very appreciated.
31:12 - The justice and sufficiency that is taken from the members of the service, isn't it?
31:17 - Mr. Conde, have you ever been told that it is not necessary
31:19 to say everything you think?
31:22 - Many times, really.
31:24 But I have a habit of not accepting advice that I have not asked for.
31:28 Anyway, gentlemen.
31:31 - Mr. Ignacio.
31:33 - So he says his name is Parmentier.
31:46 He has a cheese name instead of a potato.
31:49 - Because a Frenchman invented it.
31:51 A Frenchman who defended the consumption of potatoes.
31:53 He even fought to remove a law that prohibited his cultivation.
31:57 - Was it forbidden to cultivate potatoes in France?
31:59 - Until 1772, yes.
32:02 I guess ...
32:04 Well, they thought it was the cause of leprosy because of the appearance of his skin.
32:07 - Of course, López, you are a well of wisdom.
32:09 Open your mouth and hear you speak.
32:12 And you surprise me.
32:13 - It doesn't help me much either.
32:16 - Don't say that either, right?
32:18 - Well, it's the truth.
32:20 With Vera, it has been useless to me.
32:22 Now she is in the bathroom of the Jara and I am here peeling potatoes.
32:26 - You miss her a lot, don't you?
32:28 - Well, yes, MarÃa, yes.
32:29 And I don't understand very well why, because ...
32:31 I haven't known her for a long time either.
32:33 - And that doesn't make you think?
32:35 - What do you mean?
32:37 - Because you talk a lot about potatoes.
32:39 But what is this, you understand very little.
32:41 - Well, I don't need you to drown my soul either.
32:43 - But you are right.
32:45 - You have to hurry up.
32:46 - And speak clearly to her.
32:47 Without so many rounds.
32:49 I know, I know, I know, I know.
32:51 - I know, I know, no.
32:52 You have to talk to her as soon as you return from the bathroom.
32:55 - If it's not so difficult.
32:56 You go and tell her ...
32:58 "Hello Vera, I'm Lope. I like you very much."
33:01 - "Hello Lope, I'm Vera. And I like you a lot."
33:05 - That's it, it was easy.
33:06 - Yeah, sure, it's very easy for you.
33:08 To begin with, because you know that you love each other a lot.
33:10 - Yes, like the truche to the chucho.
33:12 But come on, you're not going to know what Vera wants from you if you don't ask her.
33:15 - Well, let's stop talking about me.
33:18 The subject of Vera is over.
33:20 - Very well.
33:21 What do you want to talk about? Let's see.
33:23 - About you.
33:24 - About me?
33:25 - Yes.
33:26 - Why?
33:27 - Well, because a while ago we were talking about you in the kitchen.
33:31 - And why is that?
33:35 - Because lately you don't stop talking about money and what you would do with it, if you had it.
33:39 - Well, no. Is there something wrong with that, Sonia?
33:42 - There's nothing wrong with it, but lately you don't stop talking about something else.
33:45 - Exactly. Lately you've been up there longer than here on earth.
33:49 As if you had found the golden egg hen.
33:53 - Hen. Golden egg.
33:55 What hen, what hen? Come on, don't change the subject, Lope.
34:00 You have to talk to Vera.
34:02 - Hanna. You're here.
34:21 I haven't seen you during lunch.
34:24 - I had to shake the gentlemen's mattresses.
34:27 - And there was no other time?
34:29 - Well, with the new schedule they have imposed on me, I don't even have time to take a drug.
34:34 - Yeah.
34:35 And do you have to do all this yourself?
34:39 Let me see your hands.
34:43 Let's see.
34:50 - No.
34:51 - You're going to break them as you are.
34:56 Let me apply some oil to you.
34:58 - Ideally, it would be a little almond oil with muscat rose.
35:01 - No. Ideally, they wouldn't burden you with so many tasks.
35:05 And less unpleasant ones like these.
35:08 - Yeah. That's what it's like to have disobeyed the orders of the Marquis.
35:12 - Hey, have you ever had any symptoms of your indisposition?
35:16 - No. I haven't found any more since then.
35:19 Thank you.
35:21 - Was there something that worried you then or ...
35:24 Well, that worries you now?
35:26 - Abel, I'm fine.
35:28 - Okay.
35:30 - Forgive me, I ...
35:32 I don't feel like giving many explanations.
35:35 - Well, don't worry. You are in your right.
35:38 - I just assume that I have made a mistake and that I deserve that punishment and ...
35:42 that it is enough that they have not broken their promise.
35:45 - That would not be fair at all and you know it.
35:48 Hanna, I came because I wanted to apologize.
35:53 Yesterday I behaved like an idiot.
35:55 Well, no. Rather like ...
35:58 Well, like a ... - A scoundrel?
36:00 - Well, yes. That. Yes.
36:02 - He has forgiven you.
36:04 - Look, I know you've made it clear to me that you're not in love with me, but ...
36:08 I want you to know that you can count on me for everything you need. Okay?
36:14 - Thank you.
36:16 - Even for ... I don't know, to screw all that, if you want.
36:21 Let's see, let's see, it's a way of talking, girl.
36:28 It's a joke.
36:30 - Sure.
36:31 No, of course, I gave you the job because I was spanking Abel.
36:36 - It's not out of desire. - No, of course not.
36:38 - But you know that for a doctor, his hands are like ...
36:41 - Like a pianist's. - That's it.
36:43 - I mean, anyway.
36:45 Abel, don't worry about me, I'll be fine.
36:50 You'll see.
36:52 If you'll excuse me. - Yes.
36:54 - We are alone. There is no need to continue to hide.
37:12 It is clear that we have not coincided here by chance.
37:15 - Don't you think I'm capable of coming to a spa and enjoying its medicinal waters?
37:21 - Well, no.
37:22 And I don't think you want to play the petanque either.
37:26 I'll throw.
37:40 - My dear Count,
37:42 if I came here, it was to show you
37:45 that you can't run away from me so easily.
37:48 - Are you having a good time?
37:55 Doesn't it bother you a bit to be our bodyguard?
37:58 - No.
37:59 Being here and breaking the promise for me are like holidays.
38:04 I must also admit that this spa is much better than Carlo Bivari's.
38:09 - And how do you know that spa?
38:12 - My old lady was there.
38:15 But I already told you that I was not even half comfortable with what I am here.
38:19 At least not to the facilities I acceded to.
38:22 - I understand.
38:23 - I already told you that I didn't go to the pools or the massage room or ...
38:29 - Yes, yes, I understand you, Vera.
38:35 I hope you didn't feel pressured by me.
38:38 - Pressured?
38:40 He sent me a threatening note
38:43 for not talking about the gift he made us get through Jerónimo.
38:47 It was an unworthy act and out of place.
38:50 - Trying to run away has also been out of place.
38:55 Not to mention the trail he's leaving, which is almost childish.
39:01 [Music]
39:04 - I still don't believe that following him here has been the only way to make him understand
39:11 that guns are not a whim, but a necessity.
39:15 - That request is already underway.
39:18 The only thing is that if you want to do it on the promise, you will have to wait.
39:21 - Wait?
39:23 How long?
39:24 And why?
39:25 - Because I just committed to Catalina.
39:28 And because after a stupid imprudence of Jerónimo,
39:31 I lost control of the warehouse.
39:34 - I already found out that he has thrown you out of the promise.
39:37 - Yes, I have no choice but to do it.
39:40 - All these are excuses, Count.
39:43 Find a way to do it.
39:46 The world order is at stake.
39:49 To remain impartial is not an option.
39:52 There can only be one winning side.
39:54 And it is convenient for him to be in it.
39:58 - I will do what I can.
40:01 It is all I can tell him.
40:03 - That's not what I want to hear.
40:06 I want those guns on the promise and I want them now.
40:13 - Vera.
40:21 Don't you get the feeling that Mr. Cabendis and Pelayo are very serious?
40:24 - It is supposed to be a friendly game of petanque.
40:28 - You know how men are with games.
40:31 They compete as if their lives depended on it.
40:33 - Yes, I'm sure that's it.
40:36 - Thank you for everything and forgive my insistence.
40:41 Yes.
40:42 We hope to see you soon for the promise.
40:45 Good afternoon.
40:52 - Second call to Count de Bezos and nothing.
40:55 We have not managed to get anything out of him.
40:58 - I'm very sorry, sir.
41:00 - I don't know who to ask.
41:03 We have been going around in circles for a long time and nothing.
41:06 No suspects.
41:07 - We continue as before.
41:10 - I no longer know if this investigation of ours makes a lot of sense.
41:14 - Yes, it does.
41:16 If, as we assumed, it was not an accident.
41:19 - In that case, we should continue to stir up trouble.
41:22 I would not sleep peacefully knowing that a murderer is impugned.
41:26 - Yes, but that is the dilemma.
41:28 We don't know.
41:29 What we do know is that this accident is strange, unlikely.
41:35 But we have no other theory.
41:37 - It is difficult for me to recognize it, but unfortunately it is.
41:41 - I was also reviewing the press and I found an article from a few years ago
41:46 where he talked about a double accident, also in a hunt.
41:50 But in that case it was not as terrible as this one.
41:54 - And what happened?
41:55 - Well, there were also two missed shots, but they came from different places.
42:00 And they were not simultaneous.
42:03 - Yes, that can happen.
42:04 - Yes, that's what I wanted to tell you.
42:06 That kind of accident is common, but the peculiarity of this one is ...
42:10 - It is that the two shots were to stop at the same place.
42:13 - Exactly, sir. And without other clues, I'm afraid we'll have to give up that theory.
42:19 - Maybe it's time to assume that we are chasing a ghost.
42:42 - Hanna?
42:44 Are you here?
42:47 - I know I look like I'm in the noble part, but ...
42:50 I guess a stained urine maid is not very good.
42:53 - You are the living image of Cinderella.
42:55 - Thank you.
42:57 - I suspect you have been in charge of unpacking the kitchen, right?
43:00 - And the rooms and all the rooms of the palace.
43:03 And also the stoves in our rooms.
43:06 - But that doesn't make any sense.
43:09 That's what a steam cleaner is called, as always, that's what his job is for.
43:12 - Yeah, but I don't question orders, I just obey them.
43:16 - Anyway, I'll have to help you.
43:22 - Don't even think about it, Manuel.
43:24 - Why not?
43:25 - Well, for many reasons.
43:27 The first one because ...
43:29 The first one because I'm not going to let you go up stained with urine.
43:33 The second one because this is not the hangar.
43:35 And anyone can see you here.
43:37 - And the third one?
43:39 - Yes.
43:41 - The third one?
43:43 - Yes.
43:44 - I don't know about the third one, but I think the ones I've told you are more than enough.
43:49 Manuel, I'm serious.
43:53 If anyone sees you around here, they would kick me out.
43:57 - Okay.
44:03 But I want you to know that you don't deserve it.
44:06 - You know that working has never taken away my sleep.
44:10 Manuel, uh ...
44:16 Did you get what I asked for?
44:20 - I managed to talk to my cousin Curro in person.
44:24 - And how is he?
44:26 - Fine. Fine, he's getting better little by little.
44:28 And I want you to know that he accepts your apologies and does not hold any kind of reproach against you.
44:34 - Yeah.
44:36 Look, I appreciate it, but ...
44:42 I need to see him in person.
44:45 - Hanna ...
44:48 Right now that's very difficult.
44:51 - I know, but that's why I'm asking you.
44:54 - I don't know how.
44:56 - Manuel, I really appreciate you helping me with the boxes and trying to help me with this, but ...
45:03 What I really need is to see him.
45:06 Please.
45:07 - Hanna, don't you realize that if someone sees you enter my cousin's room, it would be the last thing you would do in this house?
45:12 - Well, I take the risk.
45:14 For me it is vital to talk to him, you understand?
45:17 - If you could know why ...
45:19 - I need you to trust me.
45:23 And help me.
45:25 But I need you to help me without questions and without doubts, please.
45:31 - Manuel ...
45:33 - It's okay.
45:35 It's okay if it's so important to you, I'll help you.
45:37 - It is.
45:39 Thank you.
45:41 Sir, I will go up as soon as I can. I'm sure.
45:46 - Yes, yes. I have already told you that it is something very important and I do not accept any more delays.
45:50 Please.
45:59 - So who takes care of breakfast?
46:01 - Well, I don't know, Mrs. Adarri.
46:02 - But how come you don't know, Mr. Baleza?
46:04 - No, because we are under minimums.
46:06 We have not yet recovered from Mr. Moreno's departure when we suffered the loss of the poor Feliciano.
46:12 - What a pity.
46:13 - And also Miss González is out, Miss Expósito is degraded, she cannot deal with the gentlemen.
46:18 I don't know what else can happen to us.
46:19 - I don't know either.
46:21 - No, yes. I do know what can happen to us, yes.
46:24 Someone from the service may fail, we may fall and ...
46:28 - Uh ... Mrs. Adarri, why aren't you listening to what I'm telling you?
46:34 - I'm sorry, Mr. Baleza.
46:36 - Is something wrong with you?
46:38 - No, I don't know.
46:41 - What do you mean you don't know?
46:43 - Mr. Baleza, don't you happen to have days when ...
46:47 even if the sun shines outside,
46:51 you feel like ...
46:54 like your soul is full of clouds?
46:58 - Well, yes.
47:00 We all have bad days, that's true, my dear Mrs. Adarri, but there is always something that motivates it.
47:07 - No, no, nothing happens to me.
47:09 Or well, maybe everything happens to me at the same time.
47:12 - What you are saying is contradictory and confusing at the same time, right?
47:17 - Mr. Baleza, I know I can't complain.
47:20 Because I made the decision and I had time to think about it, but ...
47:24 But ...
47:26 I miss my son very much.
47:31 - Well, but at least you can see him very often.
47:35 - Yes, but it's not enough for me.
47:38 I want you to see them and wish them to fit my absence.
47:42 - Well, it's not that much either.
47:44 - It's not easy for me to say goodbye to him.
47:47 Those hours I spend without his company, without ...
47:50 without seeing him grow up.
47:52 It makes me very hard, Mr. Baleza.
47:55 - I understand. But you have to be patient.
47:58 - Patience?
47:59 - Yes, because your son is still too young to understand certain things, but ...
48:04 When he is aware of all the effort you are making for him,
48:08 I'm sure he will appreciate it.
48:10 - I hope so.
48:12 - Is there anything else that upsets you?
48:17 - Well, that's what upsets me the most, but ...
48:21 You know that this house never gives us peace.
48:24 And something I should have done for Hanna and MarÃa to leave like this,
48:28 without asking for permission and above all without trusting me.
48:31 - No, but it's not your fault.
48:32 - It may be my fault, Mr. Baleza, but it is my responsibility.
48:35 I have been forced to impose on Hanna very unpleasant jobs.
48:40 - No, no, but we all know that those are specific orders of the Arabs.
48:43 - But do you want me to tell you something?
48:45 Because I was very angry when Hanna left this house.
48:47 - Yes, but that's not why you wish her any harm.
48:49 - No, no, no, no, no, of course not.
48:51 But we have a very complicated job, Mr. Baleza.
48:54 Getting close to them, making them see that we are their friends,
48:58 is that ... it's counterproductive in the end.
49:01 As if you had another option, as if you could avoid it.
49:06 - You're right about that, Mr. Baleza.
49:09 - That's why.
49:10 I understand what afflicts you, but I think you see things worse than they are.
49:18 What you have to do is stop thinking about it.
49:22 That is the advice I give you.
49:28 - Well, it seems to me completely unfair.
49:31 - To have disobeyed the uncle's orders.
49:33 - Yes, but before that, he was with me day and night, without rest.
49:37 If I have to do it, it was for a major cause.
49:41 - He suffocated, right?
49:44 - Yes. She felt unwilling.
49:47 And now she is judging him as if he were a pest.
49:51 - I think I can understand how she feels then.
49:54 - You? And why?
49:57 - I already told you that ...
49:59 that the Count of Ayala tried to humiliate me,
50:01 bringing up the issue of Mr. Antonio's dismissal.
50:04 - Well, you said it yourself. He tried to humiliate you, but he couldn't.
50:07 Besides, it's been several days. Maybe it's time to leave it behind.
50:11 - No, it's also been a long time since the shift started and it seems that he still has to talk.
50:14 - What do you mean by that?
50:16 - Well, what the Count of Ayala said was that I was still the food of the high and refined Madrid society
50:21 that revolves around the court.
50:23 - Well, you couldn't expect that to remain a secret either.
50:26 - Yes, the many questions of the Duchess of Cirezuelos had to be put on notice,
50:30 but what Ayala said ...
50:31 - Marta, you were introduced at the King's Garden Party
50:35 as the fiancée of the son of the Dukes of Carvajal and Cifuentes.
50:38 It was obvious that in the news of his rejection, it was going to be like dust.
50:41 - Do you mean you see this as normal?
50:43 - No, I didn't say that. - Then?
50:45 - I'm saying that you don't care. What happened, happened and that's it.
50:48 There are many more transcendental things than the rumors of four gossip.
50:52 - Oh yeah?
50:54 Besides, I don't understand anything.
50:56 What I understood is that you never wanted to marry the Prince, right?
50:58 - That I never wanted to marry him? That has nothing to do with it.
51:00 - Well, then what is this? It seems to me like a girl's tantrum.
51:03 - I didn't know that right now you were so insensitive to me.
51:06 - And I didn't know that you were a plumber.
51:07 - It is clear to me that right now you cannot give any kind of consideration to me.
51:10 - Sure, like the one you had when you told me that there could be nothing between you and me.
51:13 When I was getting old.
51:14 - I told you that to save you even more suffering and everything seems to indicate that you were out of danger.
51:18 - Well, look, I'm still here and there is nothing that indicates that I am better.
51:21 - You are the plumber now.
51:23 - Seriously?
51:25 Martina, I've been shot.
51:27 I don't know, why don't you stick your finger in the wound?
51:29 Let's see if you break my heart again.
51:31 Martina!
51:34 - Why do you say that, Mrs. Simona?
51:47 - Because I am aware that I have lost a precious time that I will not recover.
51:53 - But your daughter has reproached you.
51:55 - Virtues. Quite the opposite.
51:59 She is the first one who has told me that we have to take advantage of all the time we are together.
52:06 - Well, then there you have it. Don't turn it around.
52:10 - I just can't stop thinking that we won't be able to enjoy ourselves much either.
52:14 - I'm really sorry.
52:17 - I was going to tell you not to put that face on.
52:20 But I realize that you bring it up before I tell you anything.
52:24 - I see that you are not very good.
52:27 - What's wrong, Lope?
52:30 Bad mood for Vera?
52:33 - Have they told her anything?
52:36 - As much as you try to hide it, you can see the tongue.
52:39 You drink the wind for that girl.
52:41 - Well, yes.
52:43 And I see that it is more than obvious.
52:47 That is why both Salvador and Maria have told me to talk to her and to express all my feelings to her.
52:53 - And do you think it's such a bad advice?
52:56 - No, Mrs. Simona, no.
52:59 But I have tried hundreds of times. I swear.
53:03 But when I stand in front of her, I don't know what happens to me, but I get stuck.
53:08 - How strange. With how loose you are, you are normal.
53:11 - No, Mrs. Simona, no. I mean it.
53:16 This has to do with a fear that I have been dragging since I was a child.
53:20 - But a fear of what?
53:22 - Well ...
53:25 To love someone and then lose it.
53:28 - But ... Why, Lope? What ... What's wrong with you?
53:34 - Mrs. Simona, you already know that I lost my parents when I was just a kid.
53:41 Without even saying goodbye.
53:44 And then I lost my grandmother, who was the one who welcomed me and taught me to cook.
53:48 - Yes, but that happened a long time ago.
53:51 - And then I lost Maria, Mrs. Simona.
53:54 A love that didn't even start.
53:57 - So you finally convinced yourself?
54:09 - I have no choice.
54:11 I have spoken to all the guests at the hunt.
54:14 With all those who served in it.
54:16 - I just hope you have already done what I asked you.
54:19 That you have not disrespected anyone.
54:23 - Cruz, I have been very discreet.
54:25 No one suspected, not even for a moment, that I was investigating a possible murder.
54:30 - Please, can you stop mentioning that word?
54:32 - The job was a failure. But that poor boy, Feliciano, did lose his life.
54:37 - What happened here was an accident, for God's sake.
54:40 Who would want to kill Curro?
54:42 And much less that poor bastard.
54:44 - Speak with respect.
54:45 - Forgive me. Forgive me.
54:47 I know that Petra is very affected by her loss.
54:51 But Curro is fine, right?
54:53 - Yes, Curro is fine.
54:54 - Well then, leave it now, this matter is so unpleasant.
54:57 Or you will alert the Civil Guard and we will have Sergeant Funes here again.
55:00 Is that what you want?
55:02 - No.
55:04 I don't want the Marquis to be involved in another scandal.
55:08 That would be terrible, Alonso.
55:10 The news that there has been a new murderer in the Lujan Palace.
55:14 It would be devastating.
55:16 - I have to accept it.
55:19 - What?
55:21 - That although it is hard for me to believe it and the pieces do not fit at all, I have no proof.
55:26 So I will have to assume that all this will be left in an unfortunate accident.
55:31 [Dramatic music]
55:34 - Sir.
55:43 Did you want to talk about me?
55:46 - Yes, thank you for coming, Rómulo.
55:48 Look, I called you because I wanted to ask you a question.
55:52 Do the newspapers we receive daily in La Promesa know if they are kept or end up in the trash?
55:58 - No, they are usually discarded. They are used to clean, to light a fire or to wrap fragile things.
56:05 - All of them?
56:07 - No.
56:09 I am a man of manias. I hope no one tells you.
56:12 But I usually keep a copy of the Guadalquivir Chronicle.
56:15 You never know when you will have to consult it.
56:18 - Rómulo, do you know that you are the best butler in the world?
56:21 - I think you are exaggerating a little, sir.
56:24 It may be one of the first 20.
56:26 [Laughs]
56:28 - For me, it will always be the first, I assure you.
56:31 Vera.
56:32 Could you bring me the copies of the last months?
56:36 - Around what dates?
56:38 - Uh ...
56:39 I wouldn't know how to tell you a specific date.
56:41 Vera, I'm looking for a special event.
56:43 - If it's not indiscretion, what is it about?
56:45 - Uh ...
56:46 Vera, yes.
56:48 I'm looking for some news that refers to the fire in the oil factory that took place in Cordoba, do you remember?
56:54 - Do you mean the fire in which Dr. Bueno and Miss Expósito came to help?
56:59 - Indeed.
57:01 - May I ask the reason?
57:03 - Sure.
57:06 Vera, Mr. Baeza.
57:09 Something tells me that Dr. Bueno has not been entirely honest with us.
57:16 [Music]
57:23 - The lady's personal maid and the lady's intimate friend.
57:28 Both working there, getting along great.
57:30 God raises them and they get together.
57:32 - I say, I say.
57:33 - It is better that Cruz does not know anything. Not for now.
57:37 And I'm not saying it for myself, that at this point I am perfectly capable of dragging the consequences of my own actions.
57:42 - Yeah. And what other reason can you have for not wanting him to know?
57:46 - Martina, please.
57:48 The garden party and nose-to-nose thing happened a long time ago.
57:51 What you have to do is look ahead.
57:53 Go out, meet people.
57:55 Especially men your age.
57:58 I'm not going to lie to you.
58:00 - Fortunately, your father has decided to stop investigating the hunting accident.
58:05 Which according to him was not an accident, but a homicide.
58:08 - I was also in the place where it all happened and ...
58:11 I didn't think that would fit with an accident.
58:14 - You too, son.
58:15 - I try to look for activities that make you feel good.
58:18 And for a long time I have realized that you can't stand losing and that you love winning.
58:22 - Well ...
58:23 - Do the gentlemen need anything?
58:26 - A little intimacy.
58:27 - I'll do it.
58:28 - Curro, remember that the Marquis' intention is to prevent you from being in danger.
58:33 - He wants to stop reminding me and do what I'm telling him.
58:36 - Try to calm down because that state of nerves is not good.
58:38 - Do what I'm telling you, doctor.
58:40 - Listen to me, MarÃa Fernández.
58:42 - Tell me, Salvador RomÃa.
58:43 - Don't you realize that lately you spend all day like this?
58:46 Talking about these impossible dreams.
58:48 - They don't have to be impossible, Salvador.
58:50 You are very pessimistic.
58:52 You and me, we have nothing left here.
58:54 Do you hear me?
58:55 Nothing and less.
58:57 - It's just that, Bendis ...
58:58 Don't you think it's a bit strange that she had to show up here from all over the world?
59:03 I find it hard to believe that it is a coincidence, really.
59:05 - Well, I think it was just that, a coincidence.
59:08 - What were you talking about yesterday?
59:10 - What?
59:11 - I left you a note.
59:13 - Okay.
59:14 - Okay.
59:16 - What if the shot was not an accident?
59:21 I heard Cruz and Alonso talking about this.
59:24 He suspects that the shots that hurt Curro and killed our son
59:29 could not be a coincidence, but a deliberate act.
59:35 [Dramatic music]
59:38 ♪♪
59:39 ♪ ♪