The Harder They Come HD 1972 Full Movies
Category
🎥
Short filmTranscript
00:00:00 [waves crashing]
00:00:22 [music]
00:00:27 You can get it if you really want
00:00:31 You can get it if you really want
00:00:35 You can get it if you really want
00:00:38 But you must try, try and try, try and try
00:00:44 You'll succeed at last
00:00:47 [music]
00:00:54 Persecution you must bear
00:00:58 Win or lose you've got to get your share
00:01:02 Got your mind set on a dream
00:01:06 You can get it, don't worry, see now
00:01:09 You can get it if you really want
00:01:13 You can get it if you really want
00:01:17 You can get it if you really want
00:01:20 [tires screeching]
00:01:24 What's that, sister?
00:01:25 Bus crash up out there, you know.
00:01:27 Hold on there, driver, don't move.
00:01:29 [car alarm beeping]
00:01:33 Look at that lovely mango from Countryman you have anymore.
00:01:37 Taking this for my mother, you know.
00:01:39 Put it up.
00:01:40 You'll succeed at last
00:01:45 I know it
00:01:48 Listen, Rome was not built in a day
00:01:53 Opposition will come your way
00:01:57 But the hotter the battle you see
00:02:01 It's the sweeter the victory, now
00:02:05 You can get it if you really want
00:02:08 You can get it if you really want
00:02:12 You can get it if you really want
00:02:15 But you must try, try and try, try and try
00:02:22 You'll succeed at last
00:02:25 [music]
00:02:30 [tires screeching]
00:02:35 [tires screeching]
00:02:39 You can get it if you really want
00:02:43 You can get it if you really want
00:02:48 You can get it if you really want
00:02:54 [car horn honking]
00:02:59 [car horn honking]
00:03:00 Hey, country boy, come out that way, man. Move!
00:03:02 Wait a minute, man. You know the way to Mill Clean?
00:03:04 You have money?
00:03:06 If you have money, you go in the way, you know.
00:03:08 But if you not money, you fart.
00:03:10 I bet you stay home.
00:03:12 All right, then. How much?
00:03:13 Give me 50 cents, I'll help my pooch.
00:03:15 Forward and payaka
00:03:18 Manaka and then go saka
00:03:21 [music]
00:03:37 Hey, just the red light, man. That means stop, you know.
00:03:39 That's why the country boy always come and talk, go get it, you know.
00:03:42 Did you hear that? Express yourself, man.
00:03:44 What? Wait, son.
00:03:47 You don't like that bitch who want more money?
00:03:50 Him like that, you betray, you know.
00:03:52 Hey, give him all the money here, son.
00:03:54 Go and pay, man. Go and pay. Go and pay.
00:03:56 [music]
00:04:07 Hey, the guy who want to send the first money.
00:04:10 See you in the morning, man.
00:04:13 Where's the guy now?
00:04:15 [music]
00:04:23 Hey, come back here, man. Remember things, man.
00:04:26 Come back here, man.
00:04:29 [music]
00:04:32 Pull it over, man.
00:04:34 [music]
00:04:44 [music]
00:04:54 [music]
00:04:59 [chatter]
00:05:04 How much is that? How much you have?
00:05:07 Two.
00:05:09 [chatter]
00:05:20 Mind play?
00:05:22 Yeah.
00:05:23 Let me drive.
00:05:25 Come on. All right, come inside.
00:05:33 You sick, mama?
00:05:34 Yes.
00:05:36 I have one with your grandmother. What a leave.
00:05:38 Where you come to town from?
00:05:40 Grandma dead.
00:05:42 Dead?
00:05:44 Dead? How she came dead and I never know?
00:05:47 We tried to get her, but the telegram came back.
00:05:50 And when she going to bury?
00:05:52 She bury already, ma.
00:05:54 Bury already and I never get to go to the funeral.
00:05:57 Oh, God. Oh, God.
00:06:01 Don't cry. Don't cry.
00:06:04 She going to cry.
00:06:06 Oh, God.
00:06:12 And what happened to the place?
00:06:15 Grandma sold the place before she died.
00:06:18 And what happened to the money?
00:06:21 Say she wanted a big funeral.
00:06:24 They took all the money for have a big funeral
00:06:26 and I didn't even get to go.
00:06:28 Then the money finish.
00:06:31 Little bit left.
00:06:33 What happened? You have it?
00:06:36 Yes.
00:06:47 It's only this leave?
00:06:49 Yes.
00:06:53 And how you going to get back to country tonight?
00:06:56 Not going back.
00:06:58 Then where you going to then?
00:07:00 You can't stay here, you know, because I can't help you.
00:07:03 I staying in town.
00:07:05 You think town is easy? How you going to live?
00:07:08 I could make a record.
00:07:10 I can sing, you know, mama.
00:07:12 You take this thing for joke?
00:07:15 Well, I can get a job then.
00:07:18 What kind of job you can get outside the town criminal?
00:07:21 Why say thing like that?
00:07:23 Why say thing like that about me?
00:07:26 You ask me the first question, go back to country.
00:07:35 All right.
00:07:36 Since you determined,
00:07:38 I will give you the name of a person who will try and help you.
00:07:44 If you behave yourself, he may try and get a little job for you.
00:07:50 Sit here.
00:07:55 Preacher?
00:07:56 Yes.
00:07:58 Him can help you.
00:08:03 Okay, mama.
00:08:06 Then you didn't even bring me a mango from country.
00:08:09 Mango season was bad this year.
00:08:17 Take a tray and just come up.
00:08:25 I'm not giving you.
00:08:29 What's the poor thing?
00:08:32 I'm not giving you.
00:08:39 I'm sick already.
00:08:41 One drink.
00:08:45 You find this?
00:08:49 It just come from the country?
00:08:54 In box?
00:08:55 Yes.
00:09:00 You're a good lady.
00:09:06 You say you land in country and come to Livertown now?
00:09:10 You can't call it that.
00:09:12 So you mean.
00:09:16 You're a play man, you're a laugh about.
00:09:18 You're a play.
00:09:26 So.
00:09:28 I'm not going to play another game until you pay me that 50 cents.
00:09:30 You owe too much now.
00:09:32 I can't pay it till tomorrow.
00:09:36 Too much action around town for you to pay people you can't pay up.
00:09:40 I'm showing a realtor.
00:09:42 What do you know about realtor that just come from country?
00:09:45 I read about it, man.
00:09:47 So you want a realtor?
00:09:49 Yes.
00:09:50 Come then now.
00:09:51 I come with you?
00:09:52 Yes, man.
00:10:21 [ Indistinct conversations ]
00:10:31 [ Indistinct conversations ]
00:10:41 [ Indistinct conversations ]
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00:12:31 [ Indistinct conversations ]
00:12:41 [ Indistinct conversations ]
00:12:51 [ Singing ]
00:13:01 [ Singing ]
00:13:11 All right. That's all right. That's all right.
00:13:13 I can't use it. Too slow.
00:13:26 Where you used to work?
00:13:27 Marsonwood, old man.
00:13:28 What kind of work you do?
00:13:30 All right. Go and see Mr. Jackson.
00:13:32 Nick, what can you do?
00:13:35 Can't do anything, no, sir.
00:13:36 You can pour concrete?
00:13:38 You can do carpentry work?
00:13:39 No, I never did before, sir.
00:13:41 Use a mason?
00:13:42 I can do it, no, sir.
00:13:43 You can paint?
00:13:44 Just give me a break, sir.
00:13:45 What you mean you can't do it?
00:13:46 Give a break. We want skilled people.
00:13:49 Just give me a break then, no, sir.
00:13:51 Give you a break. Leave the place, man.
00:13:53 Nick.
00:13:56 You again?
00:13:57 And I around you yesterday?
00:14:00 Leave, man. Leave the place.
00:14:03 Leave the place.
00:14:05 [ Music ]
00:14:21 [ Music ]
00:14:34 How do you do?
00:14:35 What are you doing there?
00:14:37 I'm looking for work, ma'am.
00:14:39 I don't have any work to give you.
00:14:41 I can wash your car, you know, ma'am.
00:14:43 My husband gets the car washed downtown.
00:14:46 I could do the gardening, you know, ma'am.
00:14:48 Look, we have a gardening service to do that.
00:14:53 I can do anything, you know, ma'am. Anything.
00:14:56 Look, there's nothing you can do for me.
00:14:58 Nothing you can do for me.
00:15:00 I'll give you 10 cents then, ma'am.
00:15:04 What's the matter with you young, healthy boys?
00:15:06 All you know to do is beg, beg, beg.
00:15:08 That's all you can do, just beg?
00:15:10 How you got in here anyway?
00:15:13 The gate was open, ma'am.
00:15:14 Well, when you go outside, you make sure you lock the gate behind you.
00:15:28 Who left the gate open?
00:15:30 Wandering I am lost as I travel along the wide cliffs of Dover.
00:15:45 Many rivers to cross and it's only my will that keeps me alive.
00:15:58 I've been licked, washed up for years, and I merely survive because of my pride.
00:16:14 And this loneliness won't leave me alone. It's such a drag to be on your own.
00:16:28 My woman left and she didn't say why.
00:16:35 Well, I guess I have to cry.
00:16:41 Many rivers to cross, but just where to begin?
00:16:50 I'm playing for time.
00:16:54 There'll be times I find myself thinking of dying.
00:17:02 I'm playing for time.
00:17:05 There'll be times I find myself thinking of dying.
00:17:10 I'm playing for time.
00:17:13 There'll be times I find myself thinking of dying.
00:17:18 I'm playing for time.
00:17:21 There'll be times I find myself thinking of dying.
00:17:26 I'm playing for time.
00:17:29 Just a puzzle for me.
00:17:37 Love me, Jesus, dear, I need.
00:17:45 I'm barely walking 'cross the river.
00:17:52 Can it be, dear Lord, can it be?
00:18:00 Just a puzzle for me.
00:18:08 Love me, Jesus, dear, I need.
00:18:16 I'm barely walking 'cross the river.
00:18:23 Can it be, dear Lord, can it be?
00:18:34 [crowd cheering]
00:18:37 Morning, Longham.
00:18:55 Morning, Preacher.
00:18:58 Morning, young man.
00:19:00 Morning, Preacher.
00:19:01 How are you getting along?
00:19:02 Not too bad, sir.
00:19:03 I'll be back in a while.
00:19:05 [music playing]
00:19:14 Hey, pretty boy.
00:19:21 Pretty hat.
00:19:24 Johnny Too Body.
00:19:26 Bring me the hammer.
00:19:28 What happened?
00:19:29 You can't get it yourself?
00:19:30 No, man.
00:19:31 You bring it for me.
00:19:32 You have one pretty hat this morning.
00:19:41 You like it?
00:19:43 You really look like Johnny Too Body.
00:19:47 You're going to have a gun now if you look like Johnny.
00:19:50 But before you get a gun, get the broom and come sleep out the shop.
00:19:58 Go on, look about, Preacher.
00:20:01 Get the broom and sleep out the shop, man.
00:20:03 You're a little boy.
00:20:27 Hi, what happened?
00:20:29 I want to see you.
00:20:31 You don't want to see me.
00:20:32 What happened to your choir practice last night?
00:20:36 What happened?
00:20:37 You miss me?
00:20:39 Personally, no.
00:20:40 But crew said start next week, and Preacher's asking for you.
00:20:44 Why you call him Preacher?
00:20:46 Don't he's your father?
00:20:47 No.
00:20:49 Oh.
00:20:51 Why say it like that?
00:20:53 Nothing.
00:20:55 He's my guardian ever since my father and mother died.
00:20:59 That's why he's so strict with you.
00:21:02 It's for my own good.
00:21:03 Excuse me.
00:21:04 Who this bicycle frame belong to?
00:21:09 Preacher.
00:21:11 You think he'll want it?
00:21:12 Don't have no use.
00:21:14 I can fix it up.
00:21:16 Maybe you and I could go for a ride.
00:21:19 I don't think so, you know.
00:21:21 Just a ride?
00:21:23 Perhaps, depends.
00:21:25 Depends on what?
00:21:27 If you're a true Christian, the rest of boys too rude.
00:21:31 Some Christians rude too.
00:21:34 I didn't know about that.
00:21:50 I know you play in Preacher's garden.
00:21:53 You know Preacher tend that little cherry tree for a long time now.
00:21:58 When fruit ripe, if Preacher don't pick it, I feel I will pick it.
00:22:05 Look like it's so ripe too.
00:22:07 Consider the lilies of the field.
00:22:13 How they grow.
00:22:15 They toil not.
00:22:17 Neither do they spin.
00:22:19 And yet I say unto you, that even Solomon in all his glory,
00:22:24 was not arrayed like one of these.
00:22:26 Wherefore, if God so clothe the grass of the field,
00:22:31 which today is, and tomorrow is cast into the oven,
00:22:35 shall he not much more clothe you?
00:22:39 Oh, ye of little faith.
00:22:42 Brothers and sisters, before you leave,
00:22:45 I'd like to inform you that you won't be able to pick up your records for the rally today.
00:22:51 The master record has not arrived from America.
00:22:54 I'll let you know about that during the course of the week.
00:22:57 Now let us stand and sing and praise.
00:23:02 We hallucinate, we fall and all give fault.
00:23:09 And in the name of Jesus, our God and God be called.
00:23:15 The earth lies on vacation, and soon the week must draw.
00:23:22 For Jesus took my burden, and yet he will not stop.
00:23:29 Yes, Jesus took my burden, and who knows how I feel.
00:23:35 Yes, Jesus took my burden, he answered to my prayer.
00:23:42 My anxious prayers subsided, my spirit was made strong.
00:23:48 For Jesus took my burden, and yet he will not stop.
00:23:57 [music]
00:24:12 Who turned off the...
00:24:13 I did.
00:24:14 You going to make the Lord come back and find you doing this?
00:24:17 Doing what, preacher?
00:24:18 Boogie-woogieing and twist up yourself in my yard.
00:24:21 They don't have boogie-woogie anymore, you know, preacher.
00:24:23 That's finished long ago.
00:24:24 I don't care what kind of boogie you want to call it.
00:24:26 I don't want it in my yard.
00:24:28 All right, preacher.
00:24:29 I'm finished for the night, sir.
00:24:39 And furthermore, what are you doing here at this time of the night?
00:24:43 I was fixing the bicycle.
00:24:44 Fixing your bicycle?
00:24:46 You should be reading your Bible.
00:24:48 Reading your Bible.
00:24:49 You hear what I tell you?
00:24:51 Reading your Bible.
00:24:52 Three times a day.
00:24:54 And don't walk away from me.
00:24:55 You're impertinent.
00:24:58 Preacher on the warpath tonight?
00:25:01 I wonder why.
00:25:02 Must have noticed what we notice.
00:25:05 What has preacher got to do with that?
00:25:07 Preacher is a man of the Lord, but still...
00:25:10 He is a man.
00:25:11 I understand.
00:25:12 And the Lord say, "Go ye forth and multiply."
00:25:15 And preacher don't multiply yet.
00:25:17 Preacher has been my guardian, and he will always be my guardian.
00:25:21 And that's that.
00:25:23 When nothing else could help, then love came down.
00:25:33 It rescued the perishing, here for the dying.
00:25:40 Snatch us in pity, rise us from the grave.
00:25:48 Tonight, here is love.
00:25:52 Praise God.
00:25:54 We say it's a gift of God.
00:25:57 Amen.
00:25:59 Tonight, the way you have seen is no time.
00:26:03 It's death.
00:26:05 It's damnation.
00:26:07 It's derogation.
00:26:09 But here is the love of God.
00:26:12 Love worketh no end.
00:26:15 Don't think you're naive.
00:26:17 Don't have much that is said.
00:26:20 Not easily provoked.
00:26:22 Praise God.
00:26:24 Let us say thank you, Jesus.
00:26:26 Let's say hallelujah.
00:26:28 Let's say hallelujah.
00:26:31 [MUSIC PLAYING]
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00:33:54 [KNOCKING]
00:33:55 Elsa.
00:33:57 Elsa.
00:33:58 Who that?
00:33:59 Ivan.
00:34:00 Come in.
00:34:07 Fantastic news.
00:34:09 Fantastic news.
00:34:11 You remember the man Hilton I was telling you I'm trying to see?
00:34:13 Yeah.
00:34:14 Saw him today.
00:34:15 He said I can record tomorrow.
00:34:17 Great.
00:34:19 Well, I want you to help me out.
00:34:21 Yes.
00:34:22 Why you lend me the key to go in the church?
00:34:24 You must be mad.
00:34:25 You want me to kill me?
00:34:27 You don't have to know.
00:34:29 You can turn the amplifier down.
00:34:31 No, Ivan.
00:34:32 Why not?
00:34:34 I just can't do it.
00:34:36 It wasn't for preacher I do it, though.
00:34:38 That's what the music can't play in the church, Ivan.
00:34:40 The preacher tells you when your life finish.
00:34:42 Your life finish with him, but it start with me.
00:34:45 What do you mean?
00:34:47 When the song hit, you know.
00:34:49 You know what it mean for you and me?
00:34:52 This is my big chance.
00:34:54 This is what I've been waiting for ever since I come to town.
00:34:57 Nothing can stop me now, you know.
00:35:00 I don't have to worry anymore.
00:35:01 We have to the song hit for you and me.
00:35:03 What do you mean by that, Ivan?
00:35:05 What happen?
00:35:06 You're not going to live in preacher house all your life.
00:35:09 You're not going to live with him as man and wife.
00:35:12 You're a big girl now, you know.
00:35:13 You're not a child anymore.
00:35:17 You have to make up your mind between me and preacher.
00:35:23 Where is he, son?
00:35:25 I have the words in my back pocket.
00:35:27 Out, outside.
00:35:28 You listen to reason already.
00:35:30 Trust me, Ivan.
00:35:40 All right.
00:35:48 One, two.
00:35:50 One, two, three, four.
00:35:52 Tell me a papaya up in the sky.
00:36:06 Waiting for me when I die.
00:36:10 Yes.
00:36:11 And as sure as the sun will shine.
00:36:23 What are you doing in my church at this time of night?
00:36:25 I'm playing all this kind of music in my church.
00:36:28 I'm going to call the police to have you arrested for breaking into my church.
00:36:32 We are a key in our preacher.
00:36:34 A key?
00:36:40 You gave him the key to my church.
00:36:42 Yes.
00:36:43 Why?
00:36:44 I had to give it to him.
00:36:45 What else did you give to him?
00:36:47 Nothing.
00:36:50 I gave him nothing.
00:36:52 You're lying.
00:36:53 No.
00:36:55 You've been fornicating with him.
00:36:57 No.
00:36:58 You gave him your lips.
00:36:59 No.
00:37:00 You gave him your butt and butt cheeks.
00:37:01 No.
00:37:02 No.
00:37:03 I hear you resigned the post, man.
00:37:32 What are you doing here?
00:37:33 I come for my bicycle.
00:37:35 Which bicycle?
00:37:36 That same one.
00:37:39 This bicycle is yours?
00:37:41 Since when?
00:37:43 Where you buy it from?
00:37:44 I didn't have to buy it.
00:37:46 I see it show down in the back.
00:37:47 Nobody claim it.
00:37:48 This is preacher bicycle.
00:37:51 Preacher premises.
00:37:52 Well, I fix it up.
00:37:54 Who told you to fix it?
00:37:55 I grateful all the same because preacher give it to me.
00:37:59 It took me three weeks to fix the bicycle, you no longer.
00:38:02 I paid six dollars for the wheels alone.
00:38:04 It is your bad luck.
00:38:07 Don't joke with your life longer.
00:38:09 Give me my bicycle.
00:38:11 This is your bicycle.
00:38:12 Take it now.
00:38:17 Yes, and cut me.
00:38:46 You want that?
00:39:05 I will kill you.
00:39:07 Don't fuck with me.
00:39:15 You have had every chance to make good.
00:39:18 You have been taken into the church and given a chance to lead a good Christian life.
00:39:25 And instead of that, you have gone and filled your head with foolishness and violence.
00:39:32 Since this is your first offense, I'm not going to send you to jail.
00:39:37 I'm going to give you a chance to come to your senses.
00:39:40 I think it will bring you down to earth once and for all.
00:39:44 There's little hope for you.
00:39:47 Eight strokes at the tumbler switch.
00:40:02 Ah!
00:40:17 Ah!
00:40:36 Well, you tell me up high up in the sky, waiting for me when I die.
00:40:46 But between the day you born and when you die, never seem to hear even your cry.
00:40:56 So I sure as the sun will shine, I'm going to get my share.
00:41:06 And then the harder they come, the harder they fall, one and all.
00:41:26 Well, the oppressors are trying to keep me down, making me feel like a clown.
00:41:36 And they think that they have got me on the run.
00:41:41 I say forgive them, Lord, you know not what they've done.
00:41:46 'Cause I sure as the sun will shine, I'm going to get my share now, what's mine.
00:41:56 And then the harder they come, the harder they fall, one and all.
00:42:06 The harder they come, the harder they fall, one and all.
00:42:35 Well, they think that they have got me on the run.
00:42:40 Tell them that me no, don't take no for an answer.
00:42:45 And I'd rather die than live and be a slave.
00:42:50 Yes, I'd rather be right in my grave.
00:42:54 So I sure as the sun will shine, I'm going to get my share right now, what's mine.
00:43:04 And then the harder they come, the harder they fall, one and all.
00:43:14 The harder they come, the harder they fall, one and all.
00:43:24 The harder they come, the harder they fall, one and all.
00:43:31 Well, I say one time.
00:43:41 Sometimes, sometimes I feel the hurt.
00:43:51 One more time, one more time.
00:44:01 One more time.
00:44:06 All right, that's enough.
00:44:16 That's all right, I think we can use it.
00:44:18 When are you going to be released, sir?
00:44:20 Hold on a minute, read this first.
00:44:29 What's the meaning of this, sir?
00:44:30 That means you get $20 for the record.
00:44:33 $20, sir? That don't sound right.
00:44:36 How much do you think it's worth, then?
00:44:39 I don't really know, you know, sir.
00:44:41 Well, come on, you must have an idea. What do you think it's worth?
00:44:46 I think it's about $200, you know, sir.
00:45:00 I don't think I'm signing this for $20, you know, sir.
00:45:03 I see.
00:45:05 It looks like we have a new producer.
00:45:10 I wish you luck.
00:45:17 Numero uno.
00:45:18 Hi, brother, how you doing?
00:45:20 Not bad, you know. I have this record I'd like you to play for me.
00:45:23 Oh, yeah? Let me have a look.
00:45:25 Hey, you're on a Hilton's label?
00:45:28 Oh, well, I use a studio, you know, I like the sound.
00:45:31 I see.
00:45:32 Well, I deal directly with Hilton's men.
00:45:38 This is my personal record, you know.
00:45:42 This is personal of mine, you know, I'm an independent producer as well.
00:45:46 Well, like I said, I deal with Hilton's directly.
00:45:49 You know, this is show business, baby.
00:45:51 No business, no show.
00:46:05 Come on, you're joking.
00:46:07 Why you going to do this?
00:46:08 After Hilton cut me off, you going to supply me?
00:46:12 Hilton don't want this thing to get back to you, sir.
00:46:16 Every day you see him going to sell the record,
00:46:17 he know he can't sell the record without Mr. Hilton.
00:46:19 We wait long enough, man.
00:46:20 We want the money now.
00:46:21 I should know what's mine.
00:46:25 And then the harder they come, the harder they fall.
00:46:30 One and all.
00:46:39 What you want, old sonny?
00:46:42 To make another record?
00:46:44 Not exactly, no, sir.
00:46:45 Say what you want now.
00:46:47 I want the money now.
00:46:48 Which money, which money?
00:46:49 Talk quick, which money?
00:46:50 We'll take the $20.
00:46:55 Yes, I'll settle for that.
00:46:56 You're damn right you'll settle for that.
00:46:58 As a matter of fact, I'm not even particularly in the business with you right now.
00:47:01 What do you say your name is?
00:47:03 I don't know, Martin.
00:47:06 I don't know what?
00:47:08 Martin.
00:47:10 Here, sign here.
00:47:11 And remember, next time you cut a record, you see sport,
00:47:14 that I control this business.
00:47:17 Understand?
00:47:18 Okay?
00:47:20 Now remember something else.
00:47:22 I make hits, not the public.
00:47:24 I tell the DJs what to play.
00:47:26 Understand?
00:47:29 Now what do you all know what?
00:47:30 Besides, I haven't done a painter yet.
00:47:33 But I wasn't supposed to paint her.
00:47:35 I'm not supposed to get on her.
00:47:37 Anyhow, come.
00:47:40 And let this be a lesson to you, see?
00:47:42 Learn something from this, excellent.
00:47:48 Remember that fellow that wouldn't sign a contract?
00:47:50 You can release it, see?
00:47:52 He's signed all.
00:47:53 Yeah, but don't push it.
00:47:54 Tell the DJs I just want to make my money.
00:47:56 Okay?
00:47:57 But, sir, he's a good record, you know.
00:47:58 I know, I know.
00:47:59 But he's a troublemaker.
00:48:01 I don't have anything to do with him.
00:48:02 I don't want to build him up.
00:48:03 Okay?
00:48:04 Good talk, good shot.
00:48:07 [car horn honking]
00:48:25 What happened to her?
00:48:26 Trouble, sir.
00:48:27 What kind of trouble?
00:48:29 Them shoot Pedro's wife in the country this evening.
00:48:31 Who shot her?
00:48:32 Army, sir.
00:48:35 So you're harassing her?
00:48:37 Pedro get away with that.
00:48:40 All right, leave it to me.
00:48:41 Why must you tell the trader, sir?
00:48:45 He'll just have to hold her for a couple of days, Jose.
00:48:48 What?
00:48:49 The trader's paying protection--
00:48:50 Later now, Jose.
00:48:51 Mr. Ray, you're watching, huh?
00:48:52 Trader's paying protection money, sir.
00:48:53 I understand, man.
00:48:54 And one of them gets shot.
00:48:55 So don't forget, Frighten.
00:48:56 Just cool it for a couple of days and leave it to me.
00:48:58 So what about Pedro's wife, sir?
00:49:00 You organize that.
00:49:01 Find somebody to take her place, all right?
00:49:03 Check with me later.
00:49:04 I'm going to go now.
00:49:05 But you check me at the police station.
00:49:06 All right, Mr. Ray.
00:49:07 Hello, get me the commissioner of police.
00:49:14 Detective Ray Jones calling.
00:49:17 Hello, commissioner.
00:49:18 Yes, sir.
00:49:20 The army went in today and shot one of my people's women.
00:49:23 They're doing a series of raids.
00:49:25 I know, but nobody told me.
00:49:27 Who did they kill?
00:49:29 An informer in the ganja trade.
00:49:31 I can't be concerned with who is an informer.
00:49:34 Well, I am concerned.
00:49:36 How can I control crime in my area
00:49:38 if the people giving me information
00:49:39 can't operate freely?
00:49:41 Look, I know you use the trade as a form of control.
00:49:45 But I can't explain that officially.
00:49:48 All I can do is ask the army to cooperate.
00:49:52 Would you please explain that if anybody
00:49:54 control what comes into town, it's me.
00:49:57 [music playing]
00:50:00 [footsteps]
00:50:03 Rupert, your mother is dead.
00:50:13 She can't help you again.
00:50:16 Come, come with me to her room.
00:50:27 [music playing]
00:50:30 Hi, baby.
00:50:34 Getting to work today?
00:50:35 Big night tonight, you know.
00:50:42 Look what I buy you.
00:50:44 I don't mean you take your money and buy that.
00:50:47 It's mini, you know.
00:50:48 Sexy.
00:50:49 [music playing]
00:50:53 [music playing]
00:50:56 Where is the food I asked you to buy?
00:50:59 You have any money left at all?
00:51:01 Don't worry about money, ma'am.
00:51:02 After my record--
00:51:03 You sold out the record to Hilton for $20.
00:51:07 You don't have any more to get.
00:51:09 Just wait until the other producers
00:51:11 hear my record tonight.
00:51:12 The driver from this place tomorrow.
00:51:14 Give me $2 for tonight, no?
00:51:19 We almost get it from.
00:51:20 You have it in your bosom, ma'am.
00:51:22 I only have $2 left.
00:51:25 That will do.
00:51:26 I need it to buy food, and I'm going to church tomorrow.
00:51:31 Come with me, no?
00:51:32 You don't even have to dance.
00:51:35 No, I'm tired.
00:51:37 I've been walking and looking for work all day.
00:51:40 I'm not like you.
00:51:42 You want me to go and beg work when I have a record?
00:51:46 I done with that.
00:51:47 I not done with it, though.
00:51:48 I was walking all day.
00:51:51 What you walking for?
00:51:53 You don't believe I gonna make it?
00:51:55 You think I'm just joking?
00:51:57 All I'm telling you is that I'm tired.
00:52:00 You want me to go and beg work for $10 a week
00:52:03 for the rest of my life?
00:52:05 I try that.
00:52:06 I'd rather die.
00:52:08 And I don't have to, because I'm going to make it.
00:52:13 Ivan, you're a dreamer.
00:52:15 Me, dreamer?
00:52:17 Who's a bigger dreamer than you?
00:52:19 Always talking about milk and honey in the sky.
00:52:22 Well, no milk and honey, no, in the sky.
00:52:24 Not for you, not for me.
00:52:26 It's right down here, and I want mine now, tonight.
00:52:30 I just get out of this place of yours, huh?
00:52:36 Sit tight and listen keenly
00:52:38 while I play for you another brand-new musical biscuit
00:52:41 from the Hilton's Empire.
00:52:43 This brand-new song, they call "The Ordinary Fall"
00:52:47 by the man called Ivan.
00:52:50 [playing in bright rhythm]
00:52:53 [playing in bright rhythm]
00:52:56 ♪
00:53:01 ♪ Well, you tell me I'll be fine up in the sky ♪
00:53:06 ♪ Waiting for me when I die ♪
00:53:10 ♪ But between the day you born and when you die ♪
00:53:15 ♪ Never seem to hear even your cry ♪
00:53:20 ♪ So I sure hope... ♪
00:53:22 What do you think of this song?
00:53:24 Not bad.
00:53:26 Listen to the beat, man. I think he's a hit.
00:53:29 ♪ What's mine ♪
00:53:31 It's all right.
00:53:33 ♪ A part of it more, one and all ♪
00:53:37 ♪
00:53:42 ♪ The harder they come, the harder they fall ♪
00:53:46 ♪ One and all ♪
00:53:49 ♪
00:53:51 ♪ Well, the oppressors are trying to keep me down ♪
00:53:56 ♪ Making me feel like a clown ♪
00:54:01 ♪ And they think that they have got me on the run ♪
00:54:06 ♪ I say forgive them, Lord, no, not what they've done ♪
00:54:11 ♪ 'Cause I sure as the sun will shine ♪
00:54:16 ♪ I'm gonna get my share now, what's mine ♪
00:54:21 ♪ And then the harder they come ♪
00:54:24 ♪ The harder they fall, one and all ♪
00:54:28 ♪
00:54:32 ♪ The harder they come, the harder they fall ♪
00:54:36 ♪ One and all ♪
00:54:39 ♪
00:54:41 ♪ Sometimes, sometimes I feel the harder... ♪
00:54:44 ♪
00:54:51 One more time, one more time.
00:54:53 [indistinct chatter]
00:54:57 What's happening, Jose?
00:54:59 [speaking in foreign language]
00:55:02 My song not just play, you know.
00:55:04 Play? You too loud.
00:55:06 My song!
00:55:07 Serious? You move up?
00:55:09 Moving up, yes.
00:55:10 Drink a beer to that then.
00:55:12 [indistinct chatter]
00:55:15 [speaking in foreign language]
00:55:17 This live?
00:55:18 True, true.
00:55:19 What's that beer? What you drinking?
00:55:21 No, no, baby champ.
00:55:22 One baby champ for my girl.
00:55:24 [speaking in foreign language]
00:55:27 [speaking in foreign language]
00:55:30 Jose, I have to go somewhere a little bit, right?
00:55:33 Where you going?
00:55:34 Don't worry, man, I'll soon come back.
00:55:36 All right, yeah.
00:55:37 Beer and stuff for my friend there.
00:55:39 Hear me now, you control till I come back, all right?
00:55:42 All right.
00:55:43 Love, yes?
00:55:44 [speaking in foreign language]
00:55:46 [upbeat music]
00:55:49 ♪
00:55:55 ♪
00:56:00 ♪
00:56:04 What happened?
00:56:05 What's the big joke?
00:56:06 What's the big worry?
00:56:07 Well, I try tell you I have to collect some money.
00:56:10 All right, come, I get right.
00:56:12 No, that's all right.
00:56:13 Boy, I like how you slide out of the bar a while ago.
00:56:16 Since you come to town, you learn a lot.
00:56:18 But don't try fool me, you know.
00:56:20 What do you mean?
00:56:21 Tell me something.
00:56:22 Which I met that trick at?
00:56:24 Hilton.
00:56:25 I bet you don't get $20 for that record.
00:56:29 Well, don't try tell me no lie, you know.
00:56:32 I know the scene.
00:56:33 I move over to even reach number one in that Hilton accent.
00:56:36 How you know that?
00:56:38 It's all right.
00:56:39 Tell me something.
00:56:40 You think you can handle big money?
00:56:41 Yes.
00:56:42 I feel I can work up some for you, you know.
00:56:45 Like what?
00:56:46 I said I can work up some for you, man.
00:56:49 All right.
00:56:50 Come with me.
00:56:51 You can get it if you really want.
00:56:55 You can get it if you really want.
00:56:59 You can get it if you really want.
00:57:02 But you must try, try and try, try and try.
00:57:08 You'll succeed at last.
00:57:12 They drop the police up ahead there.
00:57:14 It's all right, man.
00:57:15 Don't worry yourself.
00:57:17 I'm one of my best of us.
00:57:19 You have too much question, man.
00:57:21 Just enjoy the ride.
00:57:22 Wave.
00:57:23 Man, have you been feeding the poultry to me since morning?
00:57:31 Yes.
00:57:32 Good.
00:57:33 Don't go too near to the fire truck, you know, man.
00:57:37 You'll get sick again.
00:57:38 Hear daddy coming, man?
00:57:44 Poultry.
00:57:49 You didn't give me cell side trouble today.
00:57:57 No.
00:57:58 You take your medicine?
00:57:59 All right.
00:58:00 You're not sweet if you have medicine.
00:58:01 You bring something for me, Ivan?
00:58:05 This is a bedroll.
00:58:06 Want to catch any fish today?
00:58:09 No, see you off.
00:58:10 You have a good girl, you know.
00:58:15 Yes.
00:58:16 Since Rupert's mother is dead, she'll take care of him for me.
00:58:32 Go over to the bar with this, son.
00:58:34 Tell John we'll send the rest later and collect tonight.
00:58:42 [MUSIC PLAYING]
00:58:45 [INAUDIBLE]
00:58:48 That's a good spot.
00:58:51 [INAUDIBLE]
00:58:52 [MUSIC PLAYING]
00:58:57 [INAUDIBLE]
00:58:58 Quiet, not too bad, no problem, yeah?
00:59:00 You wait for something to deal with.
00:59:04 No, I ain't giving no advice. You know the conference.
00:59:07 Who split that?
00:59:15 Who that for?
00:59:16 Hey, the hosey no tell you how this thing goin',
00:59:18 if you bring it to me?
00:59:19 About what?
00:59:20 All this?
00:59:22 No.
00:59:23 This affair of the head.
00:59:25 What for?
00:59:27 You think I just saw this thing go?
00:59:29 I just go saw you know.
00:59:31 So what, how is the collect from everybody?
00:59:33 Everybody in here will make more than one trip.
00:59:35 The newcomers in not rich.
00:59:43 Well, this no stay with us here, you know.
00:59:46 Who'd go to?
00:59:47 Sure you ask much question, man, no you get through.
00:59:51 Well, so far.
00:59:52 Not all right.
00:59:53 The most you have to do is give us a $15 a week,
00:59:56 everything will be all right.
00:59:58 Right?
00:59:58 Hey!
00:59:59 Where's Pedro?
01:00:01 Not here.
01:00:03 All right.
01:00:04 Where's Pedro?
01:00:14 He's gone.
01:00:15 Go man.
01:00:17 And you, who this?
01:00:18 And this is me and the new brother there.
01:00:20 Love, true, true.
01:00:23 Hey, Mr. Keejah.
01:00:24 Big Alaric, come.
01:00:25 Hey.
01:00:54 New to this, man.
01:00:56 Enough arm.
01:00:59 You need some protection.
01:01:01 Like what?
01:01:03 Like.
01:01:04 Go.
01:01:05 What?
01:01:05 How much for this?
01:01:14 $20 fee per one.
01:01:16 Not sure if this work.
01:01:18 Yes, man, it good, man.
01:01:20 Good, good, man.
01:01:20 It's expensive, man.
01:01:26 I might cheap all your life.
01:01:28 Pedro, you think I should take them as a matching pair,
01:01:36 you know?
01:01:37 No, you out to do it, man.
01:01:38 You out to kill somebody.
01:01:40 No, I don't plan killing anybody.
01:01:42 Well, leave it, man, leave it.
01:01:44 [CRICKETS CHIRPING]
01:01:48, [HELICOPTER WHIRRING]
01:01:54 [HELICOPTER WHIRRING]
01:01:57 [HELICOPTER WHIRRING]
01:02:01 [HELICOPTER WHIRRING]
01:02:04 [HELICOPTER WHIRRING]
01:02:19 [HELICOPTER WHIRRING]
01:02:23 [MUSIC PLAYING]
01:02:40 Your face, your hands, your hair, everywhere,
01:02:43 as beautiful as can be.
01:02:46 You can tell it's Chantel.
01:02:50 Chantel olive oil pomade, the one that's
01:02:52 rich with nanolin and pure olive oil
01:02:54 to make your hair soft, smooth, and easy to manage.
01:02:58 Serve them right.
01:02:59 Who?
01:03:01 They say the whole of plain Florida loaded with ganja.
01:03:04 They say it come from here, too.
01:03:07 See?
01:03:08 [WHISTLING]
01:03:13 $100,000.
01:03:21 One good thing, they say the US government
01:03:23 don't need the army to clamp down on them.
01:03:27 Where's Pedro?
01:03:29 No.
01:03:30 All right, I'll soon come.
01:03:32 How's that, you read the newspaper?
01:03:41 Mm-hmm.
01:03:42 Your play.
01:03:43 Who catch a plane?
01:03:50 To get through.
01:03:51 Somebody making plenty money.
01:03:56 Not us.
01:03:58 I only getting spit.
01:03:59 Who making all the money?
01:04:07 Ask no questions.
01:04:09 Tell no lies.
01:04:10 Serious.
01:04:11 We could sell some direct, you and I.
01:04:15 Your play.
01:04:16 You're selling the thing for export.
01:04:23 At least we should get a little extra.
01:04:25 I's the one who taking the risk, you know, guy.
01:04:28 What?
01:04:29 You want spit?
01:04:30 No, I don't want spit.
01:04:31 I just want more money.
01:04:33 You're lucky you're making a living.
01:04:35 When I had no aid up in your house,
01:04:37 no one wanted to park up outside.
01:04:40 I don't like what's going on.
01:04:42 Listen, better finish your game here.
01:04:48 Come, Pinky.
01:04:49 That is all we're getting this week.
01:04:51 I'm sure you'll like it.
01:04:53 I'm sure you'll like it.
01:04:55 I'm sure you'll like it.
01:04:57 I'm sure you'll like it.
01:04:59 I'm sure you'll like it.
01:05:01 I'm sure you'll like it.
01:05:03 I'm sure you'll like it.
01:05:05 I'm sure you'll like it.
01:05:07 I'm sure you'll like it.
01:05:09 I'm sure you'll like it.
01:05:11 I'm sure you'll like it.
01:05:13 I'm sure you'll like it.
01:05:15 I'm sure you'll like it.
01:05:17 That is all we're getting this week.
01:05:19 After we pay ourselves, we don't have anything left.
01:05:21 But you said you'd pay the doctor on Wednesday.
01:05:23 Don't pay yourself this week, man.
01:05:25 Let them take our share from the money they make in America.
01:05:28 But you have to explain the position to us.
01:05:30 And it's they who caused the army to burn the field down.
01:05:33 Come here, sir.
01:05:35 Love, man.
01:05:44 I'm sorry.
01:05:46 What's this?
01:05:49 You can't pay your life this week.
01:05:51 My baby's sick.
01:05:53 No, I'm not putting my concern on you.
01:05:55 It's just $15.
01:05:57 I want you to sleep with me this week.
01:05:59 No, it's just $15.
01:06:01 I don't want no soft toy.
01:06:03 It's just $15.
01:06:05 It's just money.
01:06:07 Love, man.
01:06:09 I'm paying you $5 this week, cousin.
01:06:13 Keep going until you come out, man.
01:06:15 Come out from where?
01:06:17 Pedro, tell him.
01:06:19 I'm not afraid of you, you know.
01:06:22 You think it's me, Mr. Raffer?
01:06:24 You think it's me?
01:06:26 Hello, Mr. Ray? Yes, sir.
01:06:35 The guy I get to help, Pedro, you know, sir.
01:06:38 He's giving me a lot of trouble, you know.
01:06:40 He's giving me a lot of trouble, you know.
01:06:42 I'm going to tell him I'm going to do the job.
01:06:45 [ Engine Starts ]
01:06:47 [ Engine Revving ]
01:06:49 [ Engine Revving ]
01:06:51 [ Tires Screeching ]
01:07:10 [ Tires Screeching ]
01:07:12 Tell me something.
01:07:24 Haven't I seen you with Jose somewhere before?
01:07:27 Which Jose, Dad?
01:07:29 See him with that son of a police officer
01:07:31 after I'm gonna shoot him off the bike.
01:07:33 You're a bad man.
01:07:35 Yeah.
01:07:37 I see what you mean.
01:07:40 [ Engine Revving ]
01:07:42 Hey.
01:07:44 [ Speaking Spanish ]
01:07:46 Hey, he's a bad man.
01:07:48 [ Speaking Spanish ]
01:07:50 [ Sobbing ]
01:07:52 [ Sobbing ]
01:07:55 [ Sobbing ]
01:07:57 Stay there.
01:08:13 What happened?
01:08:18 Eh? What happened?
01:08:20 [ Sighs ]
01:08:22 [ Gunshots ]
01:08:34 [ Gunshots ]
01:08:42 [ Gunshots ]
01:08:44 [ Gunshots ]
01:08:52 [ Gunshots ]
01:08:57 [ Speaking Spanish ]
01:08:59 [ Speaking Spanish ]
01:09:02 [ Gunshots ]
01:09:05 [ Gunshots ]
01:09:07 [ Speaking Spanish ]
01:09:15 [ Speaking Spanish ]
01:09:24 I want every possible car in the area.
01:09:26 All right.
01:09:28 [ Speaking Spanish ]
01:09:30 [ Indistinct Chatter ]
01:09:33 [ Indistinct Chatter ]
01:09:35 [ Speaking Spanish ]
01:09:37 [ Speaking Spanish ]
01:09:39 Hey.
01:09:43 Look what a fella just brought you.
01:09:45 Uh, I have made a record of crime history.
01:09:50 You think the guy's serious?
01:09:52 He's serious enough to kill three of my men.
01:09:54 You're joking.
01:09:56 Three men?
01:09:58 Well, I know because the man who's in my office
01:10:00 three minutes ago.
01:10:02 Yeah.
01:10:04 What you doing down there so long, you thinking?
01:10:07 You mean you can't think of a story to fool me with tonight?
01:10:11 You go on, make up your story, man.
01:10:14 What a day when I catch you out and no story can help you.
01:10:19 That is the day I'm waiting for.
01:10:23 [ Engine Starts ]
01:10:25 [ Gun Cocks ]
01:10:30 Give me a gun, sir. I must find him in my area.
01:10:33 [ Dog Barking ]
01:10:34 Ivan, what happened?
01:10:36 You hear anything on the radio?
01:10:38 The policeman outside said they're looking for you.
01:10:40 Where's the radio?
01:10:42 What happened, Ivan? He say he shoot a policeman.
01:10:45 He think he's one I drop.
01:10:47 I kill three.
01:10:49 God forgive you.
01:10:52 There's nothing on the radio now except music.
01:10:54 You soon hear a newsflash about me later.
01:10:57 Where you going now?
01:11:00 Where you going to hide?
01:11:02 Hide? I'm not hiding.
01:11:04 But everybody will be looking for you.
01:11:07 He didn't believe me.
01:11:09 Did not tell you I was going to be famous one day.
01:11:12 You're mad.
01:11:14 Tell Pedro to meet me tonight. He will know where.
01:11:17 Tell him to bring money and some more bullets.
01:11:20 Tell him I want to find Jose.
01:11:23 What you want to see Jose for?
01:11:26 Read about that tomorrow.
01:11:29 [ Door Opens ]
01:11:31 Oh, it's you.
01:11:34 Where's Jose?
01:11:36 What you want him for?
01:11:38 I have something for him.
01:11:40 Give it to me. I will give it to him.
01:11:43 So you want to give it to him?
01:11:47 I have something for you, too, you know.
01:11:49 My God.
01:11:51 Look what me getting meself into now.
01:11:55 I'll tell you what's grinding me in the bed double-crossing me.
01:11:58 Jesus Christ. Mercy.
01:12:01 No.
01:12:03 No. No.
01:12:05 No, don't shoot.
01:12:07 [ Screams ]
01:12:09 [ Gunshot ]
01:12:11 [ Screams ]
01:12:13 [ Gunshot ]
01:12:15 [ Radio ]
01:12:39 [ Humming ]
01:12:43 [ Speaking Indigenous Language ]
01:12:46 [ Dog Barking ]
01:12:56 [ Humming ]
01:13:05 [ Humming ]
01:13:08 Jose.
01:13:18 You looking for me?
01:13:20 [ Speaking Indigenous Language ]
01:13:22 [ Gunshot ]
01:13:24 [ Singing ]
01:13:28 [ Singing Continues ]
01:13:31 [ Gunshot ]
01:13:45 [ Gunshot ]
01:13:50 [ Gunshot ]
01:13:54 [ Singing Continues ]
01:13:57 [ Gunshot ]
01:14:02 You're right. You're right, but I'll bang you.
01:14:08 I'll bang you, yeah.
01:14:10 [ Singing Continues ]
01:14:13 I'll bang you. I'll bang you anyway.
01:14:16 [ Singing Continues ]
01:14:19 [ Screaming ]
01:14:21 I'll bang you.
01:14:23 [ Gunshot ]
01:14:25 [ Speaking Indigenous Language ]
01:14:28 [ Gunshot ]
01:14:30 Must be looking police protection.
01:14:32 He's not coming for money this week.
01:14:34 Come what? Ivan fix us if he have time.
01:14:36 Something new have happen now.
01:14:38 Whatever happen, the guy Ivan is a boss.
01:14:40 Hey, sis, you have him shooting over there in the jukebox?
01:14:43 You find the record yet, man?
01:14:47 Well, it was put back here a long time ago, you know, sir.
01:14:49 Find the record. Find it.
01:14:52 El numero uno sox the sound of linen soul.
01:14:56 Hey, good evening, everybody.
01:14:58 Welcome to the big tea show.
01:15:00 Back in my home where the sweet soul sisters roam.
01:15:03 My mojo working and my soul sort of cooking and smoking.
01:15:06 Like we say, the tea thing goes for four hours long...
01:15:09 and it's the sound of soul in big boss country right here.
01:15:11 Hey, I hear my little old ring-a-ling going on...
01:15:13 so let's see what's happening outside in radio line.
01:15:15 Hi, hello, good evening, sugar boo. How are you?
01:15:18 You want to hear that song again?
01:15:20 Hey, you know something?
01:15:21 All the other jocks been getting this call all day...
01:15:23 for this big bad song about the runaway guy.
01:15:26 You know, I wonder what he's doing right now.
01:15:28 I think he's getting his thing together too, huh?
01:15:30 Anyway, we'll play it for you.
01:15:31 Would you believe that's the same one I had for you?
01:15:33 So here we go. We're gonna do it for you right now.
01:15:35 That cat is sort of turning the nation over, getting everybody...
01:15:39 Wow. I got it down for you here.
01:15:42 So it goes something like this. Dig it, huh?
01:15:44 [music]
01:15:52 Well, you tell me of a fire up in the sky
01:15:58 Waiting for me when I die
01:16:02 But between the day you're born and when you die
01:16:08 Never seem to hear even your cry
01:16:12 So I sure as the sun will shine
01:16:17 I'm gonna get my share, what's mine
01:16:22 And then the harder they come
01:16:25 The harder they fall, one and all
01:16:29 [music]
01:16:32 The harder they come
01:16:35 The harder they fall, one and all
01:16:40 Die? I can't make this record die again.
01:16:46 Yes, I can usually do that, man.
01:16:48 But it's gone too far now. It's on the charts.
01:16:53 You know, I always cooperate with the police, man.
01:16:55 But this time, I know how you feel.
01:16:58 But I want to catch him myself.
01:17:00 Do me a favor. You tell me when you catch him.
01:17:03 So that I can get him, make another quick record for him
01:17:05 before you string him up, okay?
01:17:07 [music]
01:17:10 [music]
01:17:14 [music]
01:17:18 [music]
01:17:21 [HONKING CONTINUES]
01:17:24 [HONKING CONTINUES]
01:17:51 [HONKING CONTINUES]
01:17:54 [HONKING CONTINUES]
01:17:57 Hey, wait in the mine car.
01:18:03 -You can drive? -Yes.
01:18:07 Drive.
01:18:09 [MUSIC PLAYING ON RADIO]
01:18:12 [MUSIC PLAYING ON RADIO]
01:18:16 [MUSIC PLAYING ON RADIO]
01:18:19 [MUSIC PLAYING ON RADIO]
01:18:23 [ENGINE REVVING]
01:18:26 [TIRES SCREECHING]
01:18:35 [TIRES SCREECHING]
01:18:38 [MUSIC PLAYING ON RADIO]
01:18:57 [MUSIC PLAYING ON RADIO]
01:19:00 [MUSIC PLAYING ON RADIO]
01:19:09 [MUSIC PLAYING ON RADIO]
01:19:16 [MUSIC PLAYING ON RADIO]
01:19:22 [MUSIC PLAYING ON RADIO]
01:19:25 [MUSIC PLAYING ON RADIO]
01:19:35 [MUSIC PLAYING ON RADIO]
01:19:43 [MUSIC PLAYING ON RADIO]
01:19:51 [MUSIC PLAYING ON RADIO]
01:19:54 [GUNSHOTS]
01:20:12 Sydney, how much time I lock you up?
01:20:18 -Three times? -Yes, sir.
01:20:20 How much time I let you off?
01:20:23 Plenty times.
01:20:25 Plenty times.
01:20:27 You remember the number of times you find yourself up in my yard
01:20:30 when you don't want to go to the police station, when you need help?
01:20:33 -Yes, sir. -You remember the number of times I help you?
01:20:36 -Eh? -Yes, sir.
01:20:38 How come you know I look in for Ivan for the last two weeks
01:20:41 and you hide Ivan in your swamp and don't tell me?
01:20:44 Since when an adult criminal like yourself mean more to you than me?
01:20:48 You believe him can help you more than me? Eh?
01:20:51 Answer me. You believe him can help you more than me?
01:20:54 -No, sir. -Then why the backside you hiding him for?
01:20:57 What is going on?
01:20:59 You think he's smarter than me because he have a hundred places to hide
01:21:02 and I can't find him?
01:21:04 It's not because he's smart I can't find him.
01:21:07 It's because you're all foolish.
01:21:09 And you all believe because I'm so busy chasing Ivan,
01:21:12 now I forget about you.
01:21:14 But I stopped chasing Ivan.
01:21:16 But I stopped chasing Ivan now.
01:21:19 I going start chasing you. All of you.
01:21:22 And as of this week, no more ganja coming into this town. You hear me?
01:21:25 Not a stick, not a split, not even a puff.
01:21:29 I'm going to starve you.
01:21:33 Let me see how much you love Ivan when your belly empty.
01:21:37 Dem a loot, dem a shoot, dem a wail.
01:21:39 A shanty town.
01:21:42 Dem a loot, dem a shoot, dem a wail.
01:21:44 A shanty town.
01:21:47 Good boy, a death of a patient.
01:21:49 A shanty town.
01:21:52 Good boy, a bum off the town.
01:21:54 A shanty town.
01:21:58 Take one more.
01:22:00 Flem finish.
01:22:03 You're not going to get them.
01:22:05 About tomorrow evening, Arsall.
01:22:07 No.
01:22:08 But it will take me at least an...
01:22:10 No.
01:22:12 All right, come this way.
01:22:15 You're not going to get them.
01:22:21 About tomorrow evening, Arsall.
01:22:24 No.
01:22:25 About tomorrow evening, Arsall.
01:22:28 Last one, that?
01:22:29 Yes.
01:22:32 Pint.
01:22:33 He's busy.
01:22:35 Okay, I'll wait.
01:22:38 By the way, they catch Wild Guy yet?
01:22:49 I don't hear any news about him, but I don't want them catch him.
01:22:52 I'm so excited, man. The boy is great.
01:22:55 All right, you can come in.
01:22:58 And Fitz, why are you so quiet?
01:23:05 Parkside.
01:23:06 Come, sup?
01:23:09 Fitz.
01:23:13 You have a pen?
01:23:14 What do you want a pen for?
01:23:15 Autograph, man, autograph.
01:23:17 Here, dear.
01:23:18 Don't you have one good spare?
01:23:22 Thank you, sir. Thank you, sir.
01:23:25 Yes.
01:23:27 This is the last one, sir.
01:23:30 Send this one to the editor.
01:23:35 Make sure he'll get it.
01:23:37 All right.
01:23:39 Parkside.
01:23:42 But you can't expect me not to publish a picture like this.
01:23:47 But this is a fantastic picture.
01:23:50 You don't want to see it?
01:23:53 That's your band of record?
01:23:59 Yes.
01:24:00 You never had the courtesy to tell me?
01:24:02 I don't understand you, Hilton.
01:24:04 I called you and asked you for your help.
01:24:06 I called you once.
01:24:08 I might understand now that the police is now telling people what they must listen to on the radio.
01:24:13 Yes, Hilton.
01:24:14 Now they're telling people what they must listen to on the radio?
01:24:17 Yes, if it glorifies crime.
01:24:20 So the record gets the people all excited about this guy, so what?
01:24:23 It's a criminal they're going to catch anyhow.
01:24:25 It's no big deal.
01:24:27 What they don't understand is when you start fooling with the hip parade.
01:24:30 When you start fooling around with that, then they know something is wrong.
01:24:33 Then that's when you make the guy into a big deal.
01:24:36 Hilton, I can't stop now.
01:24:37 Hold on a minute. I want to talk to you.
01:24:39 I hear you stopped the ganja trade, too.
01:24:41 Yes, but I didn't know that interested you.
01:24:43 Naturally interested.
01:24:44 This is the only thing that brings money to this area.
01:24:46 You know something?
01:24:48 No hip parade, no ganja.
01:24:51 You better catch him fast.
01:24:53 Once these jokers get hungry enough to start trading out you, then you're finished.
01:24:58 Then law and order finish in this entire area.
01:25:01 You understand that, don't you?
01:25:03 I got him.
01:25:07 [tires screech]
01:25:09 [dog barks]
01:25:11 [dog barks]
01:25:13 [dog barks]
01:25:16 [footsteps]
01:25:19 [footsteps]
01:25:21 [gun cocks]
01:25:47 [gunshot]
01:25:49 [gunshots]
01:25:58 [gunshot]
01:26:03 Get him on there, shoot up and shot fire!
01:26:06 [gunshots]
01:26:08 [gunshots]
01:26:15 [gunshots]
01:26:17 We never won when they was coming!
01:26:24 [gunshots]
01:26:29 I know it looks short, but it's all right.
01:26:31 [gunshots]
01:26:43 What's up, Elsa? How you feeling?
01:26:45 Fever gone.
01:26:47 Why, thank God.
01:26:49 If you don't have to give him no more blood, everything will be all right.
01:26:53 Doctor says he must have good food.
01:26:56 Why, Elsa, police raging.
01:27:01 Till last night, them lock up Duffus and Midnight Cub.
01:27:06 Why? As you know, say the bike sell already.
01:27:09 What about the fishing?
01:27:13 To tell you the truth, you know,
01:27:15 that boat did sell long, long, long time ago, you know.
01:27:19 Even when Ivan was here, he never had it?
01:27:21 No.
01:27:23 You hear from Ivan?
01:27:32 No.
01:27:35 Wonder how his shoulder getting on.
01:27:41 What time was he coming?
01:27:43 Soon come.
01:27:45 Go and tell him, sir.
01:27:47 Dollar fifty, not bad.
01:27:49 Resume.
01:27:51 What you waiting for?
01:27:53 Can't resume just like that. They want something more.
01:27:56 They won't resume until they get Ivan.
01:27:59 We resume. Anybody see him?
01:28:01 No.
01:28:03 My belly empty. My baby belly empty too.
01:28:05 Could you just give up Ivan like that?
01:28:07 Business is business.
01:28:09 Business is business, you know, old man.
01:28:12 What you say, Pedro?
01:28:15 Pedro don't say nothing.
01:28:17 Pressure don't reach him yet.
01:28:20 Ivan.
01:28:25 What?
01:28:27 How, how, how your shoulder?
01:28:29 Painful, you know.
01:28:31 Why? It's supposed to dry down the pain, you know.
01:28:35 I hear some people selling the cats to me.
01:28:38 No news, man.
01:28:40 Propaganda, pure propaganda.
01:28:43 I send them a picture, I come and I don't publish it.
01:28:47 Come publish it.
01:28:49 Everything quiet. I don't like it.
01:28:53 I'm not going to publish it.
01:28:58 I'm not going to publish it.
01:29:00 I'm not going to publish it.
01:29:02 I'm not going to publish it.
01:29:04 So what's happening in the trade?
01:29:07 Well, most of the boys holding out.
01:29:12 But I don't like what I hear.
01:29:15 What?
01:29:18 How say?
01:29:20 They offer some of the boys a raise, you know.
01:29:24 You know, the export.
01:29:26 But that is why they're after.
01:29:31 I don't know how they get what they're looking for.
01:29:34 But now that they get what they want and nobody don't see me,
01:29:39 they might forget me.
01:29:41 No, man.
01:29:43 Some of us still back in here, you know,
01:29:45 to get rid of us all together.
01:29:47 But you'd better try to get away before it's too late.
01:29:51 I'm not running, Pedro.
01:29:58 Yes?
01:29:59 Freddy, him get a job on a boat.
01:30:02 And him can't get you to Cuba.
01:30:04 And you'd get a big welcome there.
01:30:08 Yes.
01:30:12 Revolutionary to Ras.
01:30:15 Could get a doctor to fix me shoulder too.
01:30:19 True.
01:30:21 Go down on the coast tomorrow.
01:30:26 And wait there.
01:30:28 And the boat will pick you up at the quay.
01:30:31 All right.
01:30:35 But I have to see Elsa and Rupert before I go.
01:30:39 You'll see them, man. You'll see them.
01:30:41 [Music]
01:30:56 Sitting here in limbo
01:30:59 But I know it won't be long
01:31:08 Sitting here in limbo
01:31:11 Like a bird without a song
01:31:15 Well, they're putting up resistance
01:31:22 But I know that my faith will lead me on
01:31:26 Sitting here in limbo
01:31:35 Waiting for the tide to flow
01:31:38 Sitting here in limbo
01:31:46 Knowing that I have to go
01:31:50 Well, they're putting up resistance
01:31:57 But I know that my faith will lead me on
01:32:01 [Music]
01:32:24 It's all right, Rupert. It's all right.
01:32:26 Never mind. Never mind.
01:32:30 Never mind.
01:32:32 Well, I hope the ambulance won't come, you know.
01:32:37 I'd rather not see him in the hospital.
01:32:40 When he comes out of the hospital, it's the same thing all over again.
01:32:44 But Elsa, I can't stand to see him cry, you know.
01:32:49 When the trade winds start again?
01:32:53 The one Ivan, you know. Definite.
01:32:58 All the boys say they're ready to start.
01:33:00 What you say?
01:33:02 I say no.
01:33:05 What you say, Elsa?
01:33:08 You know what I say, Pedro?
01:33:10 Every game I play, I lose.
01:33:15 [Music]
01:33:38 Yes?
01:33:39 I want to talk to you, sir.
01:33:41 I was just going out.
01:33:44 But I can spare you a few minutes.
01:33:46 Mr. Ray, the traders don't know where I am, sir.
01:33:52 If they know, they'll tell me, sir.
01:33:53 Because they want to start again, sir. They don't know, sir.
01:33:56 You know what, Mr. Ray?
01:34:02 They're going to start again without me, sir.
01:34:04 And I won't be able to control them because I'm hungry now.
01:34:06 If they start again, I'm going to lock them up.
01:34:08 It doesn't matter what you do, Mr. Ray.
01:34:10 They're going to start again because they're desperate, sir.
01:34:12 If they start without me, none of us will be able to control them.
01:34:15 And no criminal can come to trade and they'll do it for pay and protection money.
01:34:19 That's your problem.
01:34:20 My problem, sir?
01:34:21 Look what policeman you have and they can't find him.
01:34:23 But me want to go find him.
01:34:24 You have a million and one policemen and they can't find him.
01:34:27 Right, sir? But me want to go find him.
01:34:29 You don't understand, Jose.
01:34:32 I stopped chasing Ivan now.
01:34:34 I want the traders to bring him to me.
01:34:36 That is the only way this thing is going to start back.
01:34:40 [phone ringing]
01:34:42 Yes.
01:34:52 Yes, Rafa.
01:34:54 Is woman came to you for help?
01:34:58 [train whistle]
01:35:00 Okay, corporal. Come, let's go.
01:35:24 Come on, start the train.
01:35:27 Come on, start easy.
01:35:29 The girl say I'm leaving today. What boat is he leaving on?
01:35:51 You realize if you don't help me now, you can never trade again.
01:35:54 You want me to come again?
01:35:56 No, we're wasting time. Come, we'll get another boat.
01:35:59 [train whistle]
01:36:09 [train whistle]
01:36:20 [train whistle]
01:36:23 [train whistle]
01:36:26 [train whistle]
01:36:29 [water splashing]
01:36:32 [water splashing]
01:36:34 [water splashing]
01:37:03 Swim, Ivan, swim!
01:37:05 Grab the rope!
01:37:13 Pull on, man.
01:37:18 [water splashing]
01:37:20 [water splashing]
01:37:35 [water splashing]
01:37:46 [water splashing]
01:37:48 [water splashing]
01:37:51 [water splashing]
01:37:54 [water splashing]
01:37:57 [water splashing]
01:37:59 [water splashing]
01:38:02 [water splashing]
01:38:29 [music playing]
01:38:31 [music playing]
01:38:34 [music playing]
01:38:36 [music playing]
01:38:38 [music playing]
01:38:40 [music playing]
01:39:09 [water splashing]
01:39:11 [water splashing]
01:39:27 [water splashing]
01:39:30 [water splashing]
01:39:57 [music playing]
01:39:59 [gunshots]
01:40:13 [gunshots]
01:40:18 [gunshots]
01:40:25 [gunshots]
01:40:27 [gunshots]
01:40:32 We're going to do a frontal assault.
01:40:36 All right, hold on.
01:40:41 Prepare to assault.
01:40:44 All right.
01:40:49 Don't worry about the army business.
01:40:53 One man just come out.
01:40:55 Who's a bad man? Who can draw?
01:40:59 Come on out. One who can draw.
01:41:04 One who can draw, just come out.
01:41:10 We're going to shut you out. You think Iraq and the Algerians are real?
01:41:14 Send out one bad man.
01:41:17 One.
01:41:21 [laughing]
01:41:23 Let him out.
01:41:26 Drop.
01:41:34 [music playing]
01:41:40 [music playing]
01:41:43 [music playing]
01:41:46 [music playing]
01:41:48 [music playing]
01:41:58 [music playing]
01:42:07 [music playing]
01:42:09 [music playing]
01:42:19 [music playing]
01:42:29 [music playing]
01:42:31 [music playing]
01:42:35 [music playing]
01:42:41 [music playing]
01:42:43 (upbeat music)