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00:03:30 from Park Davis, the suppositories more doctors recommend.
00:03:33 - Hey, kiddies.
00:03:34 Welcome back to the black, darkest night before the dawn,
00:03:37 where we dig the marrow from the bone,
00:03:39 because where it bleeds,
00:03:40 it leads on The Hurricane Harvey Show.
00:03:43 Tonight, live in studio, we have the world renowned psychic
00:03:46 who helped crack the gruesome scalper murders.
00:03:50 Please give a warm welcome to Clementine Carter.
00:03:54 It's nice to have you here, Clementine.
00:03:57 - Thank you.
00:03:58 (knocking)
00:04:00 Oh, thank you, Herc.
00:04:01 It's a pleasure to be here.
00:04:02 - Are you nervous?
00:04:04 - A little.
00:04:05 - Well, hell, don't be nervous.
00:04:06 We're the ones that should be nervous in your presence
00:04:08 and in awe of your abilities,
00:04:10 and the fact that you put the kibosh
00:04:12 on that transgender terror, Andrew Lubbock.
00:04:15 - Well, I couldn't have done it
00:04:16 without the help of my father and my boss, Jade May.
00:04:20 - Too modest.
00:04:21 You shot that bastard in the face.
00:04:23 Boom!
00:04:24 You gave that monster what he deserved.
00:04:26 God bless America and hell, thank God old Commie-fornia
00:04:29 hasn't taken our guns away, right, kiddies?
00:04:32 So, you were working at the Seven Psychic Hotline
00:04:36 when Lubbock called in to you, is that correct?
00:04:39 - Yes, that's correct.
00:04:41 - He called in under the name James Smith for a reading,
00:04:44 and then you had a vision of him murdering a young woman.
00:04:48 - Ann Jennings.
00:04:50 I saw him stab and scalp her.
00:04:52 - Ooh, that's chilling.
00:04:54 Now, some of our listeners out there
00:04:56 might be a little skeptical
00:04:57 of the whole extrasensory perception thing.
00:05:00 Can you describe these visions to us?
00:05:02 - Once a connection is made,
00:05:04 it's like being in a waking dream state,
00:05:08 and a window opens where I can see into the past
00:05:10 or the future, depending on the connection.
00:05:14 - Now, what do you mean by connection?
00:05:17 - A person or a place or an article
00:05:19 that I come in contact with.
00:05:22 - So, if you held my hand, you could see into my future?
00:05:26 - Not necessarily, it depends on your own senses.
00:05:31 - Would you say that Lubbock, AKA the scalper,
00:05:36 had powerful senses?
00:05:38 - Absolutely, yes.
00:05:39 Those that open their senses
00:05:41 even to something as horrific as hate
00:05:44 can see into a world beyond their own.
00:05:47 - Gotcha.
00:05:48 So, what about this seance that you had at the Jennings' home?
00:05:51 - Well, Anne's energy that was left behind was immense.
00:05:55 Her spirit was able to speak to me.
00:05:58 - Spooky, so can a seance be dangerous?
00:06:01 - Oh, it depends on who one is trying to contact,
00:06:04 but yes, it can be very dangerous.
00:06:06 Some spirits can be quite malevolent.
00:06:10 - Really?
00:06:11 - Say, for instance, if I wanted to try
00:06:14 to contact Andrew Lubbock,
00:06:16 I would want to be guided through that.
00:06:18 - What do you mean by guided?
00:06:20 - Well, for example, my departed mother,
00:06:22 she warned me of Lubbock and the danger my father
00:06:26 and I were in through dreams.
00:06:28 That's her way to help me from beyond.
00:06:31 In turn, I would hold a seance to connect to her,
00:06:35 and then she would guide me.
00:06:37 - To speak with Andrew Lubbock?
00:06:38 - In theory, yes, but I'm not intent on speaking with him.
00:06:44 You understand?
00:06:44 - Well, maybe we could arrange something in the future.
00:06:47 You know, it might be like a little bit
00:06:49 of Rumble in the Jungle for us ghouls, right, kiddies?
00:06:52 My producer's panties are in a bunch,
00:06:54 and he is letting us know that the phone lines are on fire.
00:06:57 So, kiddies, if you would like to call in
00:07:00 and wait on hold for your chance to talk,
00:07:03 just dial 818-754-0638.
00:07:07 Clementine, would you like to chat
00:07:08 with some of our listeners?
00:07:10 - Okay.
00:07:11 - All right, so first up is Angie Anson from Acton.
00:07:15 Wow, that is a lot of As.
00:07:17 Welcome, Angie, you're on with Hurricane Harvey
00:07:19 and Clementine Carter.
00:07:20 Give us a thrill.
00:07:21 - Love you, show her.
00:07:22 Clementine, I'll think you're amazing.
00:07:26 I read all the news articles on the case.
00:07:28 So creep.
00:07:29 - Hey, Lee, you're late.
00:07:38 I don't like it.
00:07:40 - I'm sorry.
00:07:41 Marty had me cut down that lemon tree.
00:07:42 Took forever.
00:07:43 - Movie stars.
00:07:45 - Yeah.
00:07:46 - Hey, I'm gonna take a dip, swimming.
00:07:49 Do not make noises, no, no, no.
00:07:51 Chop, chop.
00:07:53 No, no booze, no booze.
00:07:55 - Oh, okay, all right, got it.
00:07:57 - Yeah, hey, Lee, you're handsome.
00:08:02 After I come to the pool,
00:08:05 I give you the best psychic rating, okay?
00:08:08 From now on, call me Jade.
00:08:10 - Okay, Jade.
00:08:12 - Tell you a secret.
00:08:13 I'm a movie star in my own way.
00:08:15 Do not tell anybody, okay?
00:08:17 You'll find out.
00:08:18 See you later.
00:08:19 - Okay.
00:08:20 - You're a true female warrior
00:08:28 that makes me proud to be a woman.
00:08:30 How old were you when you first realized
00:08:33 that you had psychic abilities?
00:08:34 'Cause I...
00:08:36 (dramatic music)
00:08:39 (dramatic music)
00:08:42 (dramatic music)
00:08:45 (dramatic music)
00:08:47 (dramatic music)
00:08:52 (screaming)
00:08:54 (dramatic music)
00:08:57 (screaming)
00:09:01 (dramatic music)
00:09:04 (screaming)
00:09:07 (dramatic music)
00:09:09 (speaking in foreign language)
00:09:10 - This is Buck.
00:09:12 I'm calling from County Jail.
00:09:14 What's my future?
00:09:15 - I'm sorry you're in jail.
00:09:17 That's awful.
00:09:19 - I only have one call.
00:09:21 I believe in your show.
00:09:22 This is me.
00:09:23 I'm calling to find out what's going on.
00:09:25 - Sometimes it's good, sometimes it's not.
00:09:27 I'm not sure I wanna share all of it with you right now
00:09:30 on the radio.
00:09:31 - So what's my future?
00:09:32 You know what happens to me
00:09:34 if I stick my penis through the bars?
00:09:36 - You'll have to call seven psychics.
00:09:40 - Well, I'm calling you to find out.
00:09:41 - Don't drop that soap, buddy.
00:09:43 You're gonna be good.
00:09:44 - You have no clue.
00:09:45 - Oh, funny, Buck.
00:09:47 - Talk to me.
00:09:47 - 1-800-P-S-Y-G-H-I-T.
00:09:52 - All right, let's take another call.
00:09:54 You are live with Clementine Carter.
00:09:56 Go ahead.
00:09:57 - Hi, Clementine.
00:09:58 My name's John Smith, and I'm actually--
00:10:01 - Congratulations, you've reached
00:10:02 the Hurricane Harvey show.
00:10:03 What's your name?
00:10:05 - Jade May.
00:10:06 I'm Clay's boss.
00:10:07 She's on the radio now.
00:10:09 - Hello, Jade.
00:10:10 Been hearing a lot about you.
00:10:11 Yeah.
00:10:13 Yes.
00:10:13 - Who are you?
00:10:14 - I am Rance, the producer.
00:10:15 - Oh, producer, let me guess.
00:10:17 You're very handsome.
00:10:19 Pleasure to meet you.
00:10:20 - Oh, so you've been listening to the show?
00:10:23 - Of course!
00:10:24 It's fantastic!
00:10:25 - You're damn straight.
00:10:27 You're Clementine.
00:10:29 She is a real gem, I tell you what.
00:10:30 The phone's been ringing off the hook.
00:10:33 I mean, the listeners are in love with her.
00:10:35 - Oh, well, it's not for long.
00:10:38 That's why I hired her.
00:10:39 She's very special.
00:10:41 The second best cyclist in the whole world!
00:10:45 After me.
00:10:46 - You're a pistol.
00:10:48 I want you on the show.
00:10:49 - That was so amazing and good.
00:10:52 - Okay, count on it.
00:10:53 Hold on, I'm gonna put you through to them right now.
00:10:56 Hold on.
00:10:57 I'm gonna put you ahead of these other calls
00:10:59 as soon as this other call ends, all right?
00:11:01 - Yeah, fantastic!
00:11:02 I'll hold!
00:11:03 Woo-hoo!
00:11:04 Woo!
00:11:06 - I don't really need to share that with you.
00:11:09 I'm sorry.
00:11:10 - Wow, shooting somebody in the face and now Hollywood.
00:11:13 (dramatic music)
00:11:16 Well, Mr. Smith, I think changing your name
00:11:22 isn't that much money.
00:11:24 I think it's, what, $80 a day or $125 a day?
00:11:28 (phone ringing)
00:11:30 (people chattering)
00:11:36 - Yes, I know you're handsome!
00:11:39 I'm gonna hold you on the phone, right?
00:11:41 - Well, whatever that means.
00:11:43 All right, moving on.
00:11:44 Next caller.
00:11:45 (dramatic music)
00:11:48 (woman screaming)
00:11:55 (people chattering)
00:11:58 - Please get out!
00:12:02 (dramatic music)
00:12:06 (people chattering)
00:12:10 (dramatic music)
00:12:13 (people chattering)
00:12:17 (dramatic music)
00:12:20 (people chattering)
00:12:25 (dramatic music)
00:12:32 (people chattering)
00:12:35 (dramatic music)
00:12:41 (people chattering)
00:12:44 (dramatic music)
00:12:47 (people chattering)
00:12:54 (dramatic music)
00:12:57 (woman screaming)
00:13:06 - Whoa, kiddies, you are in for a real treat.
00:13:12 So lock, load, and listen up.
00:13:14 Howdy, Jade May, you're on with Hurricane Harvey
00:13:18 and your old pal Clementine Carter.
00:13:20 Thrill us.
00:13:21 - Jade?
00:13:23 - Help!
00:13:24 Help!
00:13:26 Help!
00:13:28 - Jade?
00:13:30 (dramatic music)
00:13:32 (woman screaming)
00:13:37 (woman screaming)
00:13:41 (woman screaming)
00:13:44 (man screaming)
00:13:51 (woman gasping)
00:14:01 - Call 911.
00:14:05 Call 911!
00:14:06 Hey, Clementine.
00:14:08 Hey, you all right?
00:14:11 - Yeah, I would.
00:14:12 We do have an emergency.
00:14:14 A woman was just attacked.
00:14:16 Not here.
00:14:17 We're trying to find out her location right now.
00:14:20 I don't have any more information right now
00:14:23 other than she's being attacked.
00:14:26 We've heard a loud thud.
00:14:27 I don't know if she fell down or something fell on her.
00:14:30 I didn't hear any other voices.
00:14:31 We're just trying to get a location.
00:14:35 - This is Price, call 911.
00:14:37 (woman screaming)
00:14:40 - Oh, Jesus, Carter.
00:14:41 - You all right?
00:14:42 - Where am I?
00:14:47 - In the studio.
00:14:47 You passed out.
00:14:48 We carried you here, all right?
00:14:51 You passed out when Jade called in.
00:14:53 - She's dead.
00:14:58 Oh God, he's back.
00:15:00 - Excuse me?
00:15:01 - Here, have some water.
00:15:06 - Okay, perhaps we ought to call an ambulance
00:15:09 so a doctor can take a look at you and me.
00:15:12 - No, I'm fine.
00:15:13 - Then you can answer a few questions.
00:15:14 - I need to see her body.
00:15:15 - Whoa, whoa, whoa, whoa, whoa.
00:15:16 Take it easy.
00:15:18 Take it easy.
00:15:18 - Oh, thank you.
00:15:19 - You good?
00:15:22 - Just rest here.
00:15:23 - I got up too quick from a trance.
00:15:25 - Trance?
00:15:27 - Yeah.
00:15:28 I saw what he did to her.
00:15:30 - Who?
00:15:31 - The scalper.
00:15:33 - You know damn well.
00:15:35 Andrew Lovitz has been dead for a while.
00:15:38 - Yeah.
00:15:41 She killed him.
00:15:42 - Take me to Jade's house.
00:15:45 - Oh, I'm sorry, we--
00:15:50 - Please, I need to--
00:15:51 - It's a crime scene.
00:15:56 - I can help.
00:15:57 - How?
00:16:00 - If I go in there, I can get an impression,
00:16:02 see what Jade saw, see his face before he killed him.
00:16:05 Know for sure that it's him.
00:16:08 - Are you taking any medication?
00:16:11 You said that she had a seizure
00:16:14 before she went unconscious.
00:16:16 - Detective, I was in a trance.
00:16:19 I saw my friend stabbed and scalp,
00:16:22 her face torn off, all right?
00:16:24 So can you cut the skeptic bullshit
00:16:26 and take me to the crime scenes
00:16:27 so I can solve this case like I did the last one?
00:16:30 - Detective, can I talk to you on the other arm for a second?
00:16:33 - Excuse us.
00:16:36 - Sure thing.
00:16:37 - Much more water?
00:16:46 - How about something stronger?
00:16:54 - Vodka.
00:16:59 (groaning)
00:17:01 - I think you're taking this case
00:17:11 a little too personally, Ida.
00:17:12 - So let's talk about this trance.
00:17:16 - What?
00:17:20 - You know, you were really out of it.
00:17:22 Rance tried to wake you up and he couldn't do it.
00:17:24 - Good thing he didn't.
00:17:25 Waking a medium from a trance can be fatal.
00:17:29 - Doug pulled me out.
00:17:30 - Who's Doug?
00:17:33 - Well, that's her husband, right?
00:17:37 - Spirit guided me out.
00:17:39 - You think I'm being hard on this cunt
00:17:41 'cause she got my father and his partner killed?
00:17:44 - Wow.
00:17:45 You should be a therapist.
00:17:47 - You really think it was a scalper?
00:17:52 - Yeah, I mean, can Andrew Lubitz have come back
00:17:54 from the dead and started killing again?
00:17:57 - I really don't know.
00:17:59 - Weird.
00:18:01 You want some more?
00:18:05 - Yeah, maybe so.
00:18:07 You gonna take her over there?
00:18:10 - I'm considering it.
00:18:13 I mean, you gotta admit,
00:18:16 it's pretty crazy she knew about the face.
00:18:18 - She probably hired someone to do it.
00:18:21 - Oh, come on.
00:18:22 - Attention whore.
00:18:23 - You're reaching to take her over?
00:18:26 - Detective.
00:18:27 - Think about it.
00:18:29 Who has the most to gain from the scalper returning?
00:18:31 - You're reaching, detective.
00:18:38 - Fuck it.
00:18:39 Give her the rope to hang herself.
00:18:41 - Okay.
00:18:42 Okie dokie, Mrs. Carter.
00:18:46 Time to go.
00:18:48 - You sure you wanna do this?
00:18:53 - Yes, and hurry.
00:18:56 - Ain't going nowhere.
00:18:57 - Well, the strength of the impression is.
00:18:59 Is there a problem, detective?
00:19:05 - Not yet.
00:19:07 Your toy got enough juice to get us there?
00:19:18 - I'll save the planet for both of us.
00:19:24 - 75% electricity is generated by fossil fuels.
00:19:29 Ain't saving Diddley's squat.
00:19:34 - Stop here.
00:19:39 This is where he was parked.
00:19:52 (door slams)
00:19:54 He waited.
00:19:55 Watched as the gardener unloaded his truck.
00:19:59 Intense rage, but not at him.
00:20:04 - Whoa, lady.
00:20:07 - It's all right, Janice.
00:20:09 (horse whinnies)
00:20:14 - Having trouble running.
00:20:21 - Why?
00:20:22 - The boots aren't his.
00:20:23 - How do you know?
00:20:24 - Black, cabaret boots, they don't fit him.
00:20:28 Comes up behind him.
00:20:32 Stabs him in the back.
00:20:35 Now he's wearing the gardener's clothes, his hat.
00:20:43 He's talking over his face.
00:20:49 - Let's go inside.
00:20:50 - You're not falling for this shit, are you?
00:20:53 - A little confused, I must admit.
00:20:56 (door creaks)
00:21:01 (suspenseful music)
00:21:04 (door slams)
00:21:13 - What's going on?
00:21:19 - She knew the victim.
00:21:21 Claims she can help us.
00:21:23 - Went to this window, looked out.
00:21:32 Then he went...
00:21:39 Then he went to this door.
00:21:44 (suspenseful music)
00:21:47 Looked out, saw her.
00:21:51 Came here.
00:22:00 Came here.
00:22:02 The jade.
00:22:05 (gasps)
00:22:08 (woman screams)
00:22:11 (dramatic music)
00:22:14 (woman screams)
00:22:17 (woman screams)
00:22:23 - I knew you would come.
00:22:29 Oh my God.
00:22:32 - I'm so sorry, Jade.
00:22:33 - My friend, please, please, please,
00:22:36 stop, for he is after you and all that you love.
00:22:41 - Is it Andrew?
00:22:44 - I'm not sure, but I could feel
00:22:46 there's a love within him that had turned into a vow.
00:22:51 I feel so much, so much anger and hatred
00:22:55 that I've never felt before.
00:22:58 (gasps)
00:23:02 My time is up.
00:23:09 Jade, are you ready?
00:23:13 - Yes.
00:23:14 - I love you, my number one.
00:23:18 My number one.
00:23:22 (woman screams)
00:23:26 (dramatic music)
00:23:41 (dramatic music)
00:23:44 Clementine.
00:23:47 Clementine.
00:23:51 Hey, you okay?
00:23:53 - Yeah, yeah, oh my God, he's wearing Jade's face.
00:23:57 Oh my God.
00:23:58 I need to get out of here, please.
00:24:01 I need to get out of here.
00:24:03 - Okay.
00:24:04 All right.
00:24:06 Wait, Clem, wait.
00:24:11 - What?
00:24:12 - My cell is on there, call any time, day or night.
00:24:16 - Thank you for looking at all this with an open mind.
00:24:22 - Yeah, sure.
00:24:24 Hey, you sure you don't need a ride?
00:24:29 - I'm sure I need to clear my mind.
00:24:32 Besides, your partner doesn't exactly
00:24:34 make me feel well-served and protected.
00:24:36 Oh. - Excuse me.
00:24:38 - There you are, Detective Ida Sims Lapina.
00:24:41 Well, you and your father have a lot in common.
00:24:44 He didn't listen to me either.
00:24:46 Maybe he'd still be alive if he had.
00:24:49 - Hey, how did you know that he was my father?
00:24:54 - Google.
00:24:57 Good night, detectives.
00:24:59 - What a bitch.
00:25:11 - I don't like her.
00:25:13 (eerie music)
00:25:15 - You would.
00:25:16 Oh, that was quick.
00:25:24 Hey, hey, you must be Clementine, right?
00:25:35 - That's right.
00:25:36 - Welcome to my sweet ride.
00:25:39 I've been waiting for you.
00:25:41 (eerie music)
00:25:43 (dramatic music)
00:26:06 (eerie music)
00:26:09 - Let's go.
00:26:15 - Thank you, thank you so much.
00:26:20 (singing in foreign language)
00:26:23 (dramatic music)
00:26:28 (eerie music)
00:26:31 (gentle music)
00:26:47 (gentle music)
00:26:51 (gentle music)
00:26:53 (gentle music)
00:26:56 (gentle music)
00:27:18 (gentle music)
00:27:21 - Doc.
00:27:35 Come to me.
00:27:39 Doc.
00:27:47 (gentle music)
00:27:49 Come to me.
00:27:50 Come to me.
00:27:55 Doc.
00:28:02 Show me.
00:28:08 (sneezes)
00:28:16 (eerie music)
00:28:19 (eerie music)
00:28:22 (eerie music)
00:28:24 (eerie music)
00:28:41 (eerie music)
00:28:43 - Dad?
00:29:04 - Christ.
00:29:05 I thought I saw a man in here.
00:29:09 - What?
00:29:10 What are you freaking out about?
00:29:13 - Oh God.
00:29:14 - Hey, it's only a blank.
00:29:16 You're okay.
00:29:17 - Dad, I know, I know.
00:29:20 - What are you doing sitting here in the dark?
00:29:22 - The light didn't work.
00:29:24 - Well, it works now.
00:29:26 - I can see that.
00:29:27 - Oh good.
00:29:28 Let me help.
00:29:29 Okay.
00:29:29 (grunts)
00:29:32 - Are you all right?
00:29:33 - I'm all right, I'm all right.
00:29:36 So what are you doing here at this time of night?
00:29:39 - I saw him.
00:29:40 - Doug?
00:29:41 - Yeah.
00:29:42 - What's he doing, haunting us now?
00:29:46 How long has this been going on?
00:29:49 - Since he died.
00:29:50 - He didn't die.
00:29:51 He killed himself.
00:29:52 - Dad, I loved him.
00:29:54 - I know.
00:29:55 He loved you too, la-dee-da.
00:29:56 - That's right.
00:29:57 - So did you ever get a chance to ask him why
00:30:01 he did such a stupid thing in our home?
00:30:04 - Dad, this was our home before you moved in here.
00:30:07 - Yeah, right.
00:30:08 I thought he was a loser then,
00:30:09 and I think he's a big loser.
00:30:10 - Dad!
00:30:11 Jake was murdered.
00:30:15 - Jake?
00:30:18 No.
00:30:21 Oh my God.
00:30:24 - It's true.
00:30:25 A cousin of trying to contact Dr. Sam.
00:30:27 - Oh God.
00:30:29 I'm so sorry, listen.
00:30:31 Come on, we'll go inside.
00:30:33 I'll make you the best Irish coffee this side of Dublin.
00:30:36 Come on.
00:30:38 (clears throat)
00:30:39 - That's more terrifying than I could ever imagine.
00:31:06 - Shade didn't deserve that.
00:31:07 - Hey.
00:31:10 I thought this was supposed to put everything right.
00:31:13 - Well.
00:31:14 Not enough Irish.
00:31:17 (laughs)
00:31:18 - At least it should help me sleep.
00:31:21 (sighs)
00:31:22 What are you thinking?
00:31:30 - Clem.
00:31:32 I'm worried.
00:31:34 - You?
00:31:36 - There's something about this that's just not right.
00:31:39 God damn it.
00:31:43 - Don't fiddle with the stitches.
00:31:44 The doctor said that you cannot fiddle with those stitches.
00:31:48 - Oh fuck that doctor.
00:31:49 He said they were supposed to come out months ago.
00:31:52 - Well, it takes time.
00:31:53 - It itches.
00:31:56 - That means it's almost healed.
00:31:58 - It's driving me crazy.
00:32:00 I can't sleep.
00:32:01 (sighs)
00:32:03 (sighs)
00:32:04 - You don't think Andrew, I mean,
00:32:10 I blew his face off.
00:32:13 - Yeah.
00:32:14 I don't think it's Andrew.
00:32:15 It's different this time.
00:32:16 I'll find out who it is.
00:32:19 - Oh, over my dead body you will.
00:32:22 - All right, Dad.
00:32:23 (sighs)
00:32:27 - I've got a bad feeling about this.
00:32:31 Anything happens to you, I would never forgive myself.
00:32:35 - This time the police are on our side.
00:32:37 I promise.
00:32:39 - I hope so.
00:32:41 Have some water.
00:32:43 (whimpers)
00:32:45 Oh, I will.
00:32:46 (dramatic music)
00:32:52 (sighs)
00:32:53 (dramatic music)
00:32:56 (phone buzzing)
00:33:03 (phone buzzing)
00:33:09 (phone buzzing)
00:33:12 (phone buzzing)
00:33:15 - Hello?
00:33:16 - Did I wake you?
00:33:17 - No.
00:33:20 No, no.
00:33:21 - Is Clementine Carter?
00:33:23 - Already awake.
00:33:24 Oh.
00:33:25 Yeah.
00:33:26 You know, the other day you said something about
00:33:31 the guy having like the wrong boots on
00:33:34 or something at the house.
00:33:36 - Yeah, I did.
00:33:37 - Yeah, well, there was a faggot
00:33:39 that was killed a couple days ago.
00:33:41 And he was,
00:33:43 the body was missing shoes.
00:33:46 - He was scalped and sodomized by a large snake.
00:33:49 - Yeah.
00:33:50 Yeah.
00:33:53 I'm thinking maybe it's a copycat.
00:33:57 - I gotta see him.
00:33:59 - Well, I wish I could help you on that,
00:34:03 but we just, we can't.
00:34:04 Fuck it, all right.
00:34:08 Meet me at the county morgue.
00:34:13 It's on Fifth Street.
00:34:15 - I'll get there.
00:34:16 - Okay.
00:34:17 - Bye.
00:34:18 - Bye.
00:34:19 - And where are you going?
00:34:35 - Sorry I woke you.
00:34:40 It's out, look.
00:34:46 - I don't know.
00:34:47 - I would think with the connection of your father
00:34:53 and everything that you might be interested.
00:34:55 - It's a copycat.
00:34:57 Spurred on by the news
00:34:58 and their obsession with that phony psychic, that's all.
00:35:01 - How do you explain all that shit at the house?
00:35:06 - She's a charlatan.
00:35:10 - All right, look.
00:35:15 I don't wanna argue, but,
00:35:18 I mean, don't you think we should use everything
00:35:23 in her disposal to get ahead of this thing?
00:35:25 I mean, we get to lose.
00:35:27 - Just the sun.
00:35:30 - The sun.
00:35:32 Oh, the beach.
00:35:36 Right, okay.
00:35:41 Okay, um, well, I'll go down and meet her.
00:35:46 - At the mark.
00:35:48 - You have very good ears.
00:35:51 - So you say.
00:35:52 - Okay.
00:35:55 I'll go down there.
00:35:58 It won't take long enough, right?
00:36:00 I promise.
00:36:01 And I'll be back in a flash and we'll go enjoy our day off.
00:36:06 - At the beach?
00:36:10 - Yeah, yeah.
00:36:11 At the beach.
00:36:13 Yes, beach.
00:36:15 Okay, where the hell are my pants?
00:36:22 (dramatic music)
00:36:27 (door opening)
00:36:29 (footsteps)
00:36:31 (car door closing)
00:36:43 (car engine starting)
00:36:46 (car engine revving)
00:36:53 (car engine revving)
00:36:56 (car door opening)
00:37:14 (car door closing)
00:37:21 (car engine revving)
00:37:24 (car engine revving)
00:37:34 (car engine revving)
00:37:38 (car engine revving)
00:37:42 (car engine revving)
00:37:48 (car engine revving)
00:37:51 - DOA number 367.
00:37:54 - Actually, the prince came back.
00:37:56 He's got a name.
00:37:57 It's Yafet Kodo.
00:37:59 - Like the actor?
00:38:01 - I guess.
00:38:02 - No way.
00:38:03 Give me that.
00:38:04 Aggravated assault, cocaine possession, intent to sell,
00:38:08 home invasion robbery, rape, sodomy, car theft.
00:38:13 Wow, lost a real winner here.
00:38:17 Out on bail for suspected kidnapping and molesting
00:38:20 six month old infant.
00:38:21 Sick fuck.
00:38:22 - Yeah, they'll be erecting statues for this guy.
00:38:25 - No, gold casket, more like.
00:38:27 - Stop it.
00:38:28 (dramatic music)
00:38:30 - Whoa, what?
00:38:31 You okay?
00:38:32 One more time.
00:38:33 Whoa, you okay?
00:38:34 (dramatic music)
00:38:37 - Is she diabetic?
00:38:39 - I don't know.
00:38:40 She was just a psychic.
00:38:41 - Well, that's what I was told.
00:38:42 (dramatic music)
00:38:46 (eerie music)
00:38:49 - Excuse me, pretty lady.
00:38:59 - Detective.
00:39:02 - He can't hear us.
00:39:05 (bone cracking)
00:39:07 Ow, the pain.
00:39:08 Oh, fuck.
00:39:14 Oh, shit.
00:39:15 Took my hair.
00:39:21 No wonder it's so cold in here.
00:39:26 - Who did it?
00:39:28 (laughing)
00:39:32 - Your name's Clementine.
00:39:36 Don't move.
00:39:40 To answer your question,
00:39:44 no, his face was covered.
00:39:46 See?
00:39:52 (laughing)
00:39:54 That fucker that fucked me is fucking after you.
00:39:59 He done me doggie style with a big fucking knife.
00:40:04 (laughing)
00:40:06 Probably gonna do the same to you.
00:40:08 You know why?
00:40:09 - No, it's not.
00:40:11 No, it's not.
00:40:12 - Me neither.
00:40:15 I'm just back here giving clues to figure it out.
00:40:20 You don't understand.
00:40:22 - Show me.
00:40:24 - There.
00:40:28 (dramatic music)
00:40:30 See her?
00:40:31 - Teddy.
00:40:33 - She's why.
00:40:40 I was gonna stick my dirty dick in her tight little ass,
00:40:44 but she screamed, kicked, and ran to her death.
00:40:48 See it?
00:40:51 (dramatic music)
00:40:54 (screaming)
00:41:02 (screaming)
00:41:04 (screaming)
00:41:08 - I told you, she's a psychic.
00:41:10 Are you okay, Clementine?
00:41:12 - Jenny.
00:41:14 Jenny.
00:41:15 - Jenny.
00:41:16 - It's Jenny.
00:41:17 - I need to see the libertine.
00:41:19 - What the heck's going on here?
00:41:22 - Now.
00:41:23 (dramatic music)
00:41:36 - Dad, it's Doug.
00:41:38 I know you can't hear me, but you gotta feel
00:41:40 what I'm saying to you now.
00:41:42 You're in danger.
00:41:43 There's a guy who's coming here.
00:41:45 He's gonna try to kill you.
00:41:47 Okay, so you gotta get this.
00:41:48 Okay, you gotta be ready.
00:41:50 The gun, you know where the gun is.
00:41:52 Grab the gun.
00:41:54 Blow his fucking face off.
00:41:56 (dramatic music)
00:41:59 (grunting)
00:42:01 Shit.
00:42:02 Dad, get out the gun.
00:42:05 (dramatic music)
00:42:08 No, no, no, no, no, no.
00:42:14 Don't let him get on top of you.
00:42:16 Oh shit.
00:42:17 Get out of there.
00:42:21 Get.
00:42:22 Dad, crawl away from him.
00:42:24 We gotta fight him back.
00:42:25 - Doug.
00:42:26 - Dad.
00:42:27 - Come on, Doug.
00:42:28 - I'm gonna go get him.
00:42:29 - Doug, help me, Doug.
00:42:30 - I'll be right back, just hang on.
00:42:31 - Doug, help me.
00:42:32 Oh, Doug.
00:42:34 (dramatic music)
00:42:37 - Ah, I'm driving on the way home.
00:42:40 (phone ringing)
00:42:49 Try again.
00:42:53 - She's not home.
00:42:54 You should have called first.
00:42:55 - I did call her like 10 times.
00:42:57 Look, we gotta get her back on the show.
00:42:59 (knocking)
00:43:03 (dramatic music)
00:43:05 - Oh.
00:43:06 - Hey.
00:43:07 - Come on, get upstairs.
00:43:08 - Clem?
00:43:10 - Come on, get upstairs.
00:43:12 - Anybody home?
00:43:14 (dramatic music)
00:43:17 Hello?
00:43:21 (muffled yelling)
00:43:23 - Did you hear that?
00:43:24 - Yeah, I'm not deaf.
00:43:26 Come on.
00:43:29 (dramatic music)
00:43:32 - Thank you.
00:43:33 (muffled yelling)
00:43:37 - You take my power.
00:43:39 (dramatic music)
00:43:42 (muffled yelling)
00:43:45 (dramatic music)
00:43:48 - Do it now.
00:43:49 (dramatic music)
00:43:51 - Oh, shit.
00:43:52 Call 911.
00:43:54 (dramatic music)
00:43:57 Yeah, we need an ambulance here.
00:44:01 (dramatic music)
00:44:03 - Is he breathing?
00:44:04 - I--
00:44:06 - Check his pulse, check his pulse.
00:44:07 - I think so.
00:44:08 - Laying down right now.
00:44:09 - I think he's still alive.
00:44:10 - Looks like he's breathing.
00:44:12 (dramatic music)
00:44:15 - What is it you hoped to find in there?
00:44:24 - Well, I had this vision at the morgue.
00:44:26 - Oh.
00:44:30 Jenny Tarkovsky.
00:44:32 - Yeah.
00:44:33 There's something connecting you to all of this.
00:44:35 The answer has to be in there, has to be.
00:44:37 - I don't know, I've been over it a dozen times.
00:44:40 - It says here that Andrew's mother,
00:44:43 Joy Bain, committed suicide.
00:44:46 - Yeah, she was a prostitute, petty thief.
00:44:50 She palled around with Dick Lubitz for quite some time,
00:44:54 and then she skipped town after the birth--
00:44:56 - Of twins.
00:44:58 - Yeah.
00:44:59 Andrew and Anton.
00:45:01 - What happened to Anton?
00:45:03 - He was sent to be with one of her family members,
00:45:06 a sister, I believe.
00:45:08 Um, he was questioned on the 13th,
00:45:12 and, uh, yeah.
00:45:16 He was asked about the whereabouts of Kodo Jade and--
00:45:20 - Let me guess, solid alibi?
00:45:23 Did you speak with him?
00:45:25 - Detective Lupino talked with him over the phone.
00:45:28 - That's not solid.
00:45:30 - If I were to--
00:45:31 Yeah, is there any way I could see him?
00:45:33 - No.
00:45:34 - You could bring him in to question him.
00:45:36 I could sit behind one of those two-way mirror things.
00:45:38 - Sorry, no, you can't.
00:45:39 I can't do that.
00:45:40 It's out of the question.
00:45:42 Excuse me.
00:45:43 [phone rings]
00:45:44 Yeah, go over to Detective Hayden.
00:45:47 Oh, hi.
00:45:48 Yeah, okay.
00:45:49 Go ahead.
00:45:51 Oh.
00:45:56 Okay.
00:45:59 Okay, thank you.
00:46:00 Oh, God.
00:46:02 I'll see you there.
00:46:04 - My dad.
00:46:05 - Afraid so.
00:46:09 - The scalper attacked him.
00:46:10 - He's in stable condition.
00:46:12 - Where?
00:46:13 - St. Joseph Memorial.
00:46:15 - It's all my fault.
00:46:16 - No, no, it's not.
00:46:17 - I should have been there with him.
00:46:18 - No, no, no.
00:46:19 Clem, hold on.
00:46:20 Whoa.
00:46:22 Clem, I'm sorry.
00:46:24 Clem, I'm sorry.
00:46:26 - Open this fucking door.
00:46:33 - Clem, I'm sorry.
00:46:34 Calm down, calm down, calm down.
00:46:36 Officer Jenkins, can you buzz her through, please?
00:46:40 [buzzer]
00:46:41 - It's my fault.
00:46:43 - It's not your fault.
00:46:45 - Get this cop out of here.
00:46:46 I'm in the mall with him.
00:46:48 Get this cop out of here.
00:46:49 I'm in the mall with him.
00:46:51 I'm in the mall with him.
00:46:53 Get this cop out of here.
00:46:55 - Shut the fuck up.
00:46:56 - You fucking shut up.
00:46:58 - ♪ Chasing clouds across the sky ♪
00:47:02 - I mean, I just produced the show.
00:47:04 He wanted the interview.
00:47:05 I don't know.
00:47:07 But we drove over there.
00:47:09 He wanted--he wanted this, right?
00:47:11 - Yeah, I wanted the interview,
00:47:12 but I didn't want to trespass or anything.
00:47:14 - His idea to go inside.
00:47:16 - He knew.
00:47:17 He knew this job was--
00:47:19 - The door was open.
00:47:20 - Well, I knocked on the door,
00:47:21 the door opened, and I ran past him.
00:47:23 - ♪ Looking back at where you've been ♪
00:47:28 ♪ Your world's not all it seems to be ♪
00:47:35 ♪ Standing up ♪
00:47:41 ♪ Falling down to the ground ♪
00:47:48 ♪ Looking hard for what you've found ♪
00:47:55 ♪ Feeling down ♪
00:47:59 ♪ Choosing who you love ♪
00:48:03 ♪ With care ♪
00:48:05 ♪ Learning to go ♪
00:48:07 ♪ You're caught by your sin ♪
00:48:09 - Dad.
00:48:11 I know you can hear me.
00:48:15 You're gonna be okay, I promise.
00:48:18 Doug.
00:48:20 ♪ No, no ♪
00:48:22 Yes, my love, please do.
00:48:24 ♪ You're in my heart ♪
00:48:26 Bring him home.
00:48:28 Find him in there, Doug.
00:48:31 Find him, find him, find him.
00:48:34 Bring Dad home.
00:48:37 [dramatic music]
00:48:40 ♪ ♪
00:48:50 [sighs]
00:48:52 ♪ ♪
00:49:00 ♪ ♪
00:49:10 ♪ ♪
00:49:18 - Charles Carter!
00:49:24 [wind howling]
00:49:28 Dad!
00:49:30 ♪ ♪
00:49:33 It's Doug!
00:49:35 Are you here?
00:49:39 Clementine's worried sick about you, Dad!
00:49:43 ♪ ♪
00:49:45 Charles Carter!
00:49:50 Hello?
00:49:52 ♪ ♪
00:49:55 Is anybody out here?
00:49:58 ♪ ♪
00:50:05 [eerie whistling]
00:50:08 ♪ ♪
00:50:15 ♪ ♪
00:50:22 ♪ ♪
00:50:27 Dad!
00:50:29 ♪ ♪
00:50:36 ♪ ♪
00:50:43 ♪ ♪
00:50:50 Dad?
00:50:52 [dramatic music]
00:50:55 ♪ ♪
00:51:00 - I want a guard put on this room.
00:51:02 - I'm working on it.
00:51:04 - What the fuck does that mean?
00:51:05 - Exactly what it sounds like.
00:51:06 - Thank you very much, Doctor.
00:51:08 I was just talking with the doctor about that.
00:51:10 Well, everything's gonna be fine.
00:51:12 - Okay, great.
00:51:13 - Until we can get an officer down here,
00:51:14 we're gonna have a guard outside the room.
00:51:16 - Thank you. Thank you, Detective.
00:51:17 - Yeah.
00:51:18 - And where do you think you're going?
00:51:20 - To solve this?
00:51:21 - I don't think so.
00:51:23 - Oh, fuck off.
00:51:25 - Hey, ooh, hold on.
00:51:26 - Let go of me.
00:51:27 She does not get to talk to me like that.
00:51:29 Plus, if anyone should be under protection, it's her.
00:51:32 - I--no.
00:51:33 She's coming out.
00:51:35 - Roger.
00:51:36 - Well, you're gonna fill me in.
00:51:38 - Yeah, I got Nelson to run a tail on her.
00:51:41 - Right?
00:51:42 - Mm-hmm. You think any less of me?
00:51:43 - No.
00:51:45 - I must mix up for the beach.
00:51:48 - [sighs]
00:51:54 Almost.
00:52:12 - [grunts]
00:52:15 - Oh, shit. I'm sorry.
00:52:18 I didn't know it was you.
00:52:20 - I'm okay. My bad. I'm okay.
00:52:22 - Man, that shit is strong.
00:52:24 - It's for bears.
00:52:26 - For bears?
00:52:27 - What a way to thank you for saving my dad.
00:52:31 - No thanks needed. We're glad your dad's still okay.
00:52:33 - Actually, if we can get an exclusive for the show,
00:52:34 that'd be great.
00:52:35 - Anything for you two. You got it.
00:52:37 - Excellent.
00:52:38 - Okay.
00:52:39 - For sure.
00:52:40 - Are you good?
00:52:42 - I'm okay.
00:52:44 [coughs]
00:52:47 [car door slams]
00:52:48 - Just leave it.
00:52:50 [coughs]
00:52:56 - You good?
00:52:57 - Yeah, I'm good.
00:52:58 - You gotta breathe.
00:52:59 - Actually, I'm not good.
00:53:01 - Come on. Let's get you some water.
00:53:04 - You might want to send a nurse out to the parking lot.
00:53:09 She just maced the guy.
00:53:11 Update later, 10-4. Nelson out.
00:53:13 - Hello? Hello?
00:53:27 Anyone in there?
00:53:29 [door slams]
00:53:30 - Damn.
00:53:32 [groans]
00:53:34 I'm not gonna move.
00:53:37 [crickets chirping]
00:53:39 - Clementine Carter.
00:53:50 I've kept an eye out for you.
00:53:53 Should've taken you seriously, I guess.
00:53:58 Pretty good looking, huh?
00:54:03 You should see the other guy.
00:54:05 [suspenseful music]
00:54:08 [gunshot]
00:54:11 [gun cocks]
00:54:12 [suspenseful music]
00:54:15 [tires screeching]
00:54:18 [car door slams]
00:54:20 [suspenseful music]
00:54:23 [tires screeching]
00:54:26 [suspenseful music]
00:54:27 - Why are you here?
00:54:29 - Where is Angie Lubitz?
00:54:31 - It's Lubitz.
00:54:33 [suspenseful music]
00:54:35 - [sighs] He ain't here.
00:54:37 It's not him.
00:54:38 It's not him.
00:54:40 [suspenseful music]
00:54:41 - Who is that?
00:54:43 [gun cocks]
00:54:44 [suspenseful music]
00:54:47 ♪ ♪
00:54:54 [suspenseful music]
00:54:58 ♪ ♪
00:55:05 - Clementine.
00:55:15 - Lieutenant Darkovsky.
00:55:18 - Please forgive me for all the evil that I meant to.
00:55:22 - Show me.
00:55:24 - Save your servant.
00:55:27 - [screams]
00:55:28 [suspenseful music]
00:55:31 ♪ ♪
00:55:38 - Who are you?
00:55:51 What the fuck are you doing in my house?
00:55:54 Who are you? Talk to me!
00:55:56 What the fuck are you doing in my house?
00:55:58 - [screams]
00:55:59 - What the fuck is going on?
00:56:02 - I'm LAPD.
00:56:04 You're under arrest.
00:56:05 - [grunts]
00:56:07 - Are you okay, ma'am?
00:56:09 I'm Officer Nelson.
00:56:11 - [grunts]
00:56:12 [suspenseful music]
00:56:14 This is my house!
00:56:16 This is private property!
00:56:19 - All right, hold it right there.
00:56:21 - [screams]
00:56:22 - Let go of me!
00:56:24 - What were you doing here?
00:56:26 - For the third time, I saw the address in the file.
00:56:30 I wanted to see if I could get a sense from this place.
00:56:33 I didn't know anyone was living here.
00:56:36 He jumped out of the bed and started choking me.
00:56:39 [sighs]
00:56:41 And then that guy-- that guy tackled him off.
00:56:43 - Detective Nelson.
00:56:46 - Uh, I guess.
00:56:48 - Oh.
00:56:50 What?
00:56:51 - I think you're gonna want to come and see something.
00:56:55 - Oh.
00:56:56 [suspenseful music]
00:56:59 - You too.
00:57:01 - Let's go put that psychic brain of yours to work again here.
00:57:08 See what we find.
00:57:11 [suspenseful music]
00:57:14 ♪ ♪
00:57:21 - Why am I so obsessed with her?
00:57:43 Mother of God.
00:57:46 - Let's get forensics in here.
00:57:49 Jenkins. - Yo.
00:57:50 - Bring forensics in.
00:57:52 ♪ ♪
00:57:54 - You did it.
00:57:56 ♪ ♪
00:58:00 It's all over.
00:58:02 - Sure.
00:58:04 ♪ ♪
00:58:09 - Clementine.
00:58:11 ♪ ♪
00:58:18 - Hold on.
00:58:39 Get in. Watch your head.
00:58:41 - Okay.
00:58:43 ♪ ♪
00:58:45 - Hurry up. - Okay.
00:58:47 ♪ ♪
00:58:52 - What a fucking weirdo, this guy.
00:58:55 ♪ ♪
00:58:56 He's a weirdo.
00:58:57 - Hey, it looks like Einstein on that.
00:58:59 - [laughs]
00:59:00 ♪ ♪
00:59:05 - If you could, come down to the station.
00:59:07 - Look, Dave's funeral tomorrow.
00:59:09 I need to get some sleep.
00:59:11 - Okay. Yeah, you can go.
00:59:15 - Thank you. - Yeah.
00:59:16 Get some sleep.
00:59:18 ♪ ♪
00:59:25 [indistinct chatter]
00:59:28 ♪ ♪
00:59:53 - [gasps]
00:59:54 Why, look who we have here.
01:00:00 Peeping Tom.
01:00:04 Or Peeping Tammy.
01:00:07 ♪ ♪
01:00:10 You.
01:00:12 You're the psychic that killed my son, Andrea.
01:00:16 ♪ ♪
01:00:17 Andrea. Andrea.
01:00:20 Andrew. Andrea.
01:00:23 Whatever.
01:00:26 You sneaky little bitch.
01:00:29 Coming in here, watching this,
01:00:32 and not even trying to stop it.
01:00:36 [sighs]
01:00:38 Just cut the cut, Daddy-O.
01:00:44 Oh, yeah.
01:00:47 [screams]
01:00:50 ♪ ♪
01:00:57 Bye-bye, little bunting.
01:00:59 [screams]
01:01:01 - Doug?
01:01:03 Hey, wait up.
01:01:05 - I finally found Dad.
01:01:08 - What was that?
01:01:09 - Well, you dream up tart shit if it comes to life in here.
01:01:13 - Where?
01:01:15 - Come on, let's go. - Hey, wait up.
01:01:17 - Please, let's go. We're running out of time.
01:01:20 - Hey, wait up.
01:01:21 - Come on, we have to hurry. There's no time to do this, Allie.
01:01:24 Let's go. - Look, I'm hurrying.
01:01:27 ♪ ♪
01:01:30 Are you sure?
01:01:33 - I'm sure.
01:01:36 I hope.
01:01:38 ♪ ♪
01:01:45 - You got your dead bag, Anton.
01:01:59 - Don't show me this filth.
01:02:06 - Just trying to jog your memory
01:02:08 so we can get a confession and get the hell out of here.
01:02:11 - I told you. - Who?
01:02:13 - Me. - Anton?
01:02:16 We have the scalps of two victims in your shed.
01:02:25 - Who? - Me.
01:02:27 - Well, I'm convinced.
01:02:29 Let's let him go.
01:02:31 - Look, I flew into California three days ago
01:02:35 to get some paperwork on that godforsaken house,
01:02:37 and I told you on the phone,
01:02:39 I was on a plane when these people died.
01:02:42 - We're verifying that.
01:02:45 - Splendid.
01:02:49 - So how do you explain the attack on Mrs. Carter?
01:02:54 - I was in my house all day.
01:02:56 I was cleaning it up for a potential buyer.
01:02:59 I passed out, I woke up, and she's above me,
01:03:01 huffing and puffing, I freaked out.
01:03:03 What the fuck was I supposed to do?
01:03:06 What would you do?
01:03:08 Oh, I know what you would have done.
01:03:10 You probably would have just shot her stone cold.
01:03:13 - Yeah, you're right. Yeah, I probably would have shot her.
01:03:16 Oh, you got my number, Anton.
01:03:20 Oh, now we're getting somewhere.
01:03:23 Drop the charges on Mrs. Carter.
01:03:25 - Charges?
01:03:27 - She broke into my property.
01:03:30 I'm the one who should be charging her.
01:03:32 - Anton, where's the knife?
01:03:34 - What knife?
01:03:36 - The one that did this.
01:03:40 - What's up with the pictures already?
01:03:42 I'm done. You're getting nothing else.
01:03:44 I want a lawyer.
01:03:45 - Very well.
01:03:47 Just so you know.
01:03:50 Could have this all cleared up tonight
01:03:53 with your cooperation, but...
01:03:55 - Mm-hmm. Yeah, sure.
01:03:58 Lawyer. - All right, all right.
01:04:00 - See you. - Bye.
01:04:02 - You're going down
01:04:08 just like your asshole father and brother.
01:04:12 - I'm not my father.
01:04:15 And I'm sure in the fuck not my brother.
01:04:27 - I'm so cold.
01:04:30 - Mission drive-in.
01:04:37 Dad's old car.
01:04:42 - He's with your mother.
01:04:45 - Does this happen?
01:04:50 - No. Just a glimpse for some.
01:04:55 - And for you?
01:04:57 - Cold, darkness.
01:05:01 You are my glimpse of heaven.
01:05:04 - Oh, Doug.
01:05:07 - Time is running out.
01:05:09 Go to him.
01:05:12 - I love you.
01:05:14 - I know.
01:05:16 Hurry.
01:05:19 - I love you.
01:05:22 - Dad? Mom?
01:05:28 Wait.
01:05:31 Dad, I need you more than ever.
01:05:34 They can't hear me.
01:05:39 - All I can tell
01:05:43 is my story of love.
01:05:46 - Oh, my God.
01:05:49 [sobs]
01:05:52 [phone rings]
01:06:03 - Hello, this is Clementine.
01:06:10 - Um, hi, Clementine.
01:06:12 This is, uh, funeral director Corman.
01:06:15 - How--how are you, Mr. Corman?
01:06:17 - Well, thank you, except there's been a slight problem
01:06:20 with, uh, Jade Mai's service this afternoon.
01:06:23 - Oh. Oh, jeez.
01:06:25 W-w-what is it?
01:06:27 - N-nothing too serious, but if you could come down
01:06:29 early to the church, we could handle it
01:06:31 and not miss a beat.
01:06:33 - Uh, yeah, yeah. I can, uh--
01:06:36 Oh, I can be there in, uh, a little bit.
01:06:40 - Splendid.
01:06:42 - Goodbye.
01:06:45 Goodbye.
01:06:47 I did just what you said.
01:06:55 I read just as you agreed.
01:06:59 Can I go now?
01:07:05 [grunts]
01:07:07 [eerie music]
01:07:10 ♪ ♪
01:07:16 - Roger, are you okay?
01:07:18 [grunts]
01:07:20 [groans]
01:07:22 ♪ ♪
01:07:26 - Good morning.
01:07:28 Test results are back from the lab.
01:07:31 - Yeah.
01:07:33 - You look awful. Did you sleep here?
01:07:36 Have some of that.
01:07:38 ♪ ♪
01:07:43 - Ah, have some coffee with your sugar.
01:07:46 - Keeps me sweet.
01:07:48 - Indeed.
01:07:50 - Blood on the gloves is a match for Charles Carter.
01:07:54 Hair and skin matches Kodo, Lee Gunderson, and Jade Mai.
01:07:59 - Bingo. We got him.
01:08:01 - But... - But what?
01:08:03 - The fingerprints inside of the glove
01:08:06 belong to one Bob Tarkovsky.
01:08:09 - No. - His wife, Jenny Tarkovsky,
01:08:11 was murdered by...
01:08:13 - Andrew Lovitz.
01:08:15 - Yes, sir.
01:08:17 - [groans]
01:08:19 [groans]
01:08:24 Come on, answer.
01:08:28 - Anything. - Christ.
01:08:31 - I tried calling earlier, sent a squad to her house.
01:08:35 Nada.
01:08:37 - Jade Mai's funeral.
01:08:41 - Let's go.
01:08:43 ♪ ♪
01:09:02 [eerie music]
01:09:05 ♪ ♪
01:09:12 - Excuse me, Father. I was told to meet Mr. Corman here.
01:09:31 - Oh, thank you.
01:09:33 Sorry to have disturbed you, Father.
01:09:35 ♪ ♪
01:09:42 Mr. Corman?
01:09:59 [eerie music]
01:10:02 ♪ ♪
01:10:09 Hello?
01:10:24 ♪ ♪
01:10:29 Mr. Corman?
01:10:31 ♪ ♪
01:10:36 Anyone in here?
01:10:38 ♪ ♪
01:10:52 [screams]
01:10:54 [indistinct shouting]
01:10:56 - Save your courage! Save your courage!
01:10:58 Save your courage! Save your courage!
01:11:00 Stop! Stop!
01:11:02 [siren wailing]
01:11:04 [siren wailing]
01:11:06 [siren wailing]
01:11:08 [siren wailing]
01:11:10 [door opens]
01:11:12 [siren wailing]
01:11:14 - Check around the site.
01:11:16 [eerie music]
01:11:19 ♪ ♪
01:11:26 [eerie music]
01:11:29 ♪ ♪
01:11:36 - Ma'am?
01:11:53 ♪ ♪
01:11:56 Ma'am?
01:11:58 ♪ ♪
01:12:05 Ma'am?
01:12:09 ♪ ♪
01:12:16 Ma'am?
01:12:20 ♪ ♪
01:12:27 [grunts]
01:12:31 ♪ ♪
01:12:39 [eerie music]
01:12:42 ♪ ♪
01:12:49 [grunts]
01:12:52 ♪ ♪
01:12:59 [eerie music]
01:13:05 ♪ ♪
01:13:12 - Hayden, I'm at the side door. It's been jimmied.
01:13:22 Calling for backup. You there?
01:13:24 Be careful. Over.
01:13:27 - [screams]
01:13:29 [eerie music]
01:13:32 ♪ ♪
01:13:39 - Oh, God.
01:13:48 Who the fuck are you?
01:13:50 ♪ ♪
01:13:55 [gunshots]
01:13:58 [gunshots]
01:14:01 - Oh, my God.
01:14:03 - Are you okay?
01:14:06 - [panting]
01:14:07 - Where's Hayden?
01:14:09 Clementine, are you okay?
01:14:12 - I'm okay.
01:14:14 I'm fine.
01:14:16 - Clementine.
01:14:18 Clementine.
01:14:20 Tell my daughter I'm proud of her.
01:14:22 - [panting]
01:14:25 ♪ ♪
01:14:27 - I see your father.
01:14:30 - Where?
01:14:32 - Behind you.
01:14:34 - Daddy?
01:14:36 [screams]
01:14:39 [gunshot]
01:14:40 [screaming]
01:14:42 - Shut up!
01:14:44 See what you've done?
01:14:46 - [sighs]
01:14:48 - Remember her.
01:14:50 - [panting]
01:14:51 - You could have saved my wife.
01:14:54 You could have saved Jenny.
01:14:56 Why didn't you?
01:14:58 ♪ ♪
01:15:02 - Oh, I think somebody's at the house.
01:15:05 - What?
01:15:06 - Somebody's at the house.
01:15:08 ♪ ♪
01:15:15 [gunshot]
01:15:17 - Huh?
01:15:18 - Yeah, that was me.
01:15:21 - Before you let my wife die in favor of some maniac.
01:15:26 And then you parade around on the news,
01:15:29 talk shows, radio.
01:15:32 Oh, the great medium who used her psychic powers
01:15:37 to stop the scalper Andrew Lovitz.
01:15:40 But not to save Jenny Tarkovsky.
01:15:45 Not to save Jenny Tarkovsky!
01:15:48 - I'm sorry, Pop.
01:15:51 ♪ ♪
01:15:53 - Shut up.
01:15:55 Don't call me that.
01:15:58 I'm the scalper.
01:16:00 ♪ ♪
01:16:01 - Jenny Tarkovsky, Jenny Tarkovsky.
01:16:04 I called you from the other side.
01:16:07 - Open your eyes.
01:16:09 I want you to see this.
01:16:11 - Release him from his pain.
01:16:14 [sighs]
01:16:16 Show him.
01:16:18 Please.
01:16:20 ♪ ♪
01:16:28 - Jenny.
01:16:30 - Pop.
01:16:31 - My sweet.
01:16:34 - How I miss you.
01:16:38 - Join me.
01:16:40 ♪ ♪
01:16:44 - Yes.
01:16:46 - Forever.
01:16:49 ♪ ♪
01:16:51 - Forever.
01:16:53 [gunshot]
01:16:55 [distant screaming]
01:16:57 ♪ ♪
01:17:04 [sighs]
01:17:07 ♪ ♪
01:17:13 [sighs]
01:17:16 ♪ ♪
01:17:20 [sighs]
01:17:22 ♪ ♪
01:17:26 [groans]
01:17:29 ♪ ♪
01:17:36 - Dad.
01:17:39 It's all over now.
01:17:41 We're safe.
01:17:44 I know that you're happy with Mom,
01:17:46 but I need you more than ever now.
01:17:48 Mom, Dad.
01:17:50 Can you hear me?
01:17:52 I love you both beyond words.
01:17:54 I miss you more than my heart can take.
01:17:57 ♪ ♪
01:17:59 - Oh, my darling.
01:18:01 Oh, my darling.
01:18:04 Oh, my darling.
01:18:06 My darling.
01:18:08 - Go and hurt your mom.
01:18:10 ♪ ♪
01:18:13 - I love you.
01:18:16 - [sighs]
01:18:18 ♪ ♪
01:18:20 - Goodbye.
01:18:22 ♪ ♪
01:18:29 ♪ ♪
01:18:36 - What's up?
01:18:50 Chuck, for one minute, call me.
01:18:52 - Dad, you're back.
01:18:53 - I love you.
01:18:55 - I love you too.
01:18:57 - [sobs]
01:19:00 ♪ ♪
01:19:02 Don't say a word.
01:19:05 [sobs]
01:19:07 [gunshot]
01:19:09 [dramatic music]
01:19:12 ♪ ♪
01:19:19 ♪ ♪
01:19:26 ♪ ♪
01:19:33 ♪ ♪
01:19:40 ♪ ♪
01:19:54 ♪ ♪
01:20:19 ♪ ♪
01:20:26 [dramatic music]
01:20:37 ♪ ♪
01:20:44 ♪ ♪
01:20:51 ♪ ♪
01:21:13 ♪ ♪
01:21:20 ♪ ♪
01:21:38 ♪ ♪
01:21:45 ♪ ♪
01:22:08 ♪ ♪
01:22:10 - Don't be afraid.
01:22:12 Just because you're too old to cut the mustard,
01:22:14 it doesn't mean you cannot lick the jar.
01:22:16 Come on, baby.
01:22:18 Come on.
01:22:19 Come on.
01:22:21 Come on. Come on.
01:22:22 Oh, yeah.
01:22:23 Come on.
01:22:24 You like it.
01:22:25 You like it.
01:22:26 Hayden!
01:22:28 Hayden, I confessed!
01:22:30 Let me out of here!
01:22:33 Hayden, I confessed!
01:22:35 Come on!
01:22:37 Let me out of here.
01:22:38 Hayden!
01:22:39 - Come on.
01:22:40 - Oh, Jesus.
01:22:41 Hayden!
01:22:43 I confessed!
01:22:45 Let me out of here!
01:22:46 I'll sign anything!
01:22:47 Anything you want!
01:22:49 Fuck!
01:22:50 - Come on.
01:22:51 Come on.
01:22:52 - Anything you want!
01:22:55 I confessed!
01:22:56 I did it!
01:22:57 I did it all!
01:23:00 Give me this.
01:23:02 - Oh, Jesus fucking Christ.
01:23:05 Hayden!
01:23:07 Hayden!
01:23:09 - Come on, baby.
01:23:10 Come on, baby.
01:23:10 [BLANK_AUDIO]