GHOSTS UK Season 3 Episode 6 - video Dailymotion
Category
📺
TVTranscript
00:00 That's a terrible decision.
00:02 Oh, and you're the expert, are you?
00:04 I've got eyes, mate. I've got four of them.
00:06 You know nothing, mate. Nothing.
00:08 Come on, you reds!
00:10 Yes, please, the red. Just the red ones.
00:12 Oh, Nathopref, that was never a foul.
00:14 Ah, put your handbag away, Grandma.
00:16 What's going on here, then?
00:18 It says, "When did you watch football?"
00:20 Oh, I keep talking about it at work.
00:22 I'm just watching enough so I've got something to say.
00:24 Ah, excuse me. It's time for my murder she wrote.
00:27 Murder she wrote?
00:29 Again?
00:31 Yes, it's my one form of entertainment.
00:33 Oh, that was a dive!
00:35 What part of the game?
00:37 Excuse me, Daddy!
00:39 Look at this.
00:41 Wow.
00:43 We've got Promo and everything.
00:45 Here at Arrowcroft Hall, we look after your every need.
00:47 A beautiful 16th century mansion...
00:49 That's a card!
00:51 How do they do this, Glass?
00:53 ...weddings, celebrations, corporate events,
00:57 whatever the occasion...
00:59 You should do one of these films.
01:01 No, I'm not being in front of the camera again.
01:03 That's fine. I'll do it. Easy.
01:05 Oh, that was a skill!
01:07 Oh, he's so good!
01:09 You just fancy him from mouth to shave head.
01:11 No, I don't. There's nothing to do there.
01:13 I just admire his, like...
01:15 Keep yuppies.
01:17 Oh, I could do that if I had, like, a thousand hours' practice.
01:19 I don't think you could.
01:21 I could.
01:23 Only a thousand.
01:25 I could be...cliborian for a bit.
01:27 Nick's filming this promo thing today,
01:29 and we should soon have enough money to start the Gatehouse.
01:31 So between making money from that and events,
01:33 he should be able to stop his job job.
01:35 Great! That's so good!
01:37 You OK?
01:39 Yeah, yeah, yeah, yeah.
01:41 It's a little like you've just...
01:43 Hello?
01:45 Oh, no. Anyway, I'm just going on and on about myself.
01:47 How about you? How are things with the cafe? Any news?
01:49 Oh, God, don't ask.
01:51 What? Really? I thought it was all good.
01:53 Oh, it's a long story, honestly.
01:55 I'd rather hear about you.
01:57 Something happen?
01:59 It's so embarrassing.
02:01 What?
02:03 I've lost it all.
02:05 What?
02:07 Yeah, he basically conned me.
02:09 He did all this talk about investment
02:11 and believing in my vision,
02:13 and then he just ran off with my deposit.
02:15 Oh, my.
02:17 Just all the money I'd saved.
02:19 What a total...
02:21 Yeah.
02:23 Isn't there something, like, that you can do?
02:25 Yeah, well, he said it would be easier
02:27 if we put all the money into one account.
02:29 And I just didn't even question it.
02:31 Oh, no.
02:33 So... I mean, I guess.
02:35 I'm an idiot.
02:37 You're not an idiot.
02:39 No, I am an idiot, actually.
02:41 Because I didn't read the paperwork.
02:43 I didn't get any independent advice.
02:45 I didn't even check his background.
02:47 Oh, no.
02:49 Lucy, none of this is your fault.
02:51 You poor thing. Come here.
02:53 Come here.
02:55 Do you... I fancy a jog, actually.
03:01 Shall we jog back to the car?
03:03 Um, yeah.
03:05 Just get out of here. Get shaking off.
03:07 We're going to be stuck here forever,
03:15 and I just think I'll go mad.
03:17 Now, steady on. Steady.
03:19 We must not lose our morale.
03:21 At least we have each other.
03:23 Yes, Gerald.
03:25 There must be some way off this island, Beatrice.
03:27 We need a boat.
03:33 We could cut down this tree.
03:35 Ah! Ah!
03:39 That's done it. Here she goes.
03:41 Timber! And we can fashion it into a canoe.
03:43 Yeah.
03:45 Tong, tong, tong, tong. Tong, tong, tong, tong.
03:47 There we go. In we get, Beatrice.
03:49 Aye. Okay.
03:51 Right.
03:53 Oh, yes. Very good.
03:55 I see home. Land ahoy!
03:57 And save.
03:59 Right.
04:01 Stopped on an island,
04:03 and you found a way off of it.
04:05 Wonderful improvisation.
04:07 Do I like that?
04:09 Right. Who's next?
04:11 Now, let someone else have a turn.
04:13 I'm going to go with Mary.
04:15 And, um, where's Lady B?
04:17 Well, uh, she's watching Murder, She Wrote.
04:19 Is she? Again?
04:21 Yes, afraid so.
04:23 Okay. Um, Robin?
04:25 Would you like to, you know, give it a try?
04:27 Um...
04:29 Okay. Well, let's start with something simple.
04:31 So how about, um,
04:33 the shopkeeper and the customer.
04:35 Mary enters Robin's shop
04:37 and...
04:39 improvise.
04:41 It's here.
04:43 What? Well, it's pretend.
04:45 You know, use your imagination. It's in your imagination.
04:47 Yeah. Yeah, yeah.
04:49 Door, Mary.
04:53 Please, can I have a door?
04:55 Oh! It's a door shop. Great.
04:57 Yeah.
04:59 No.
05:01 Okay. Now, Robin,
05:03 that's called blocking. Mary's made you an offer there.
05:05 She's made this a door shop.
05:07 So you need to build on that and say something like,
05:09 um, what kind of door
05:11 do you require, madam?
05:13 What door you want? Oh, um...
05:15 Can I have a new door?
05:17 No.
05:19 Okay, Robin, that's...
05:21 don't block, okay?
05:23 In improvisation, you say
05:25 yes and...
05:27 okay?
05:29 Yes and...
05:31 no.
05:33 Yeah, and why do I want a new door, though, Patrick?
05:35 I don't know. It's not my...
05:37 Let's try something new.
05:39 Okay.
05:41 Um, how about the doctor's surgery?
05:43 Oh, yes, okay.
05:45 And...
05:47 improvise.
05:49 Hello, are you a doctor?
05:51 No. Slam in, Nora.
05:53 Take cover!
05:57 Ooh!
06:05 Nice.
06:07 Yeah! Do what?
06:17 Daddy got a brand new drone!
06:19 Oh, yeah!
06:21 It's a sweet bit of kit.
06:23 Of course, the Americans were playing with these sorts of things
06:25 back in my day. They were a lot bigger
06:27 and noisier and...
06:29 more about missiles
06:31 than cameras, but, you know, pretty cool.
06:33 No, no, no, don't go down. Go up. Up, up, up.
06:35 No, no, go up, go up. Don't go down.
06:37 Go up. Up. Come on.
06:39 Yeah, of course it doesn't come fully charged.
06:45 Fully charged!
06:47 What's wrong with a good old triple A?
06:49 Huh? Have you gone to the shop?
06:51 Gone to the other shop.
06:53 Probably got to plug it in now.
06:55 Ooh!
06:57 One...
06:59 two, three, four...
07:01 Ah!
07:03 Come on, we can do it.
07:05 Two, three...
07:07 I counted ten!
07:09 Ten's good! So much harder than it looks.
07:11 Yeah, so's your knee.
07:13 Are we taking a break now? No?
07:15 Yes, no, that hurt me too. Oh, did it?
07:17 We're both suffering, Humphrey.
07:19 Stop complaining. Easy for you to say.
07:21 You're not the one...
07:23 Button House has stood on this site since
07:25 the 15th century. It has entertained Henry VIII
07:27 and now it can entertain you.
07:29 It's the perfect place for your event.
07:31 Whether it's weddings...
07:33 What? Ha ha! You're terrible at this!
07:35 It's like watching Geoffrey Archer
07:37 on Newsnight. Go on, do it again.
07:39 It entertained Henry VIII
07:41 and now it can entertain you.
07:43 Be a...
07:45 It's the perfect place for your event.
07:49 It's the perfect place for your event?
07:51 Yeah. Whether it's weddings,
07:53 celebrations or corporate occasions.
07:55 You've come to the right place if you've come
07:57 to Button, you're in the shot. Sorry!
07:59 It's fine. You nearly got it then.
08:01 This is nice. Thanks. Wow.
08:03 Are you behaving yourself? Yes.
08:05 Which one is it? Julian. That's all I need.
08:07 I haven't done anything! He says he's
08:09 just watching. Can I just
08:11 talk to you about something? Yeah, of course.
08:13 So... Alright, yeah, private thing, is it?
08:15 Yeah, you take five, Mike. We'll, uh,
08:17 get it in the can later, yeah?
08:19 Yeah. Yes, and there is a big army
08:23 coming towards us! How good!
08:25 Yes, and we open the new
08:27 door. Google back in the door, is that? Yes, and
08:29 on the other side of the door is a kingdom
08:31 of tiny peoples.
08:33 Yes, and they make me their queen.
08:35 Mary. And yes, they have given us a drink
08:37 out of a gleaming cup. Mary.
08:39 And a big plate of potatoes. Yes, and
08:41 Mary! The potion is making us
08:43 all drowsy. Yes,
08:45 and the little peoples
08:47 carry us towards their big cooking pot.
08:49 Okay, Mary. Do you want to pass it over
08:51 to Robin? Yes,
08:53 and Doctor, Doctor, can you
08:55 help me? Is there a door out of
08:57 this world?
08:59 No.
09:01 Oh, sane! Lord
09:03 lover, sane! Mary,
09:05 that's a bit too much imagination,
09:07 if anything. And Robin,
09:09 you need to work on your blocking mate. No.
09:11 You are? Yeah. So they just
09:13 ran off with all our money? Yeah.
09:15 That's awful. Isn't it?
09:17 And I was thinking,
09:19 like, I know that we're this
09:21 close to making the gatehouse target, and you
09:23 have worked so hard towards that
09:25 moment. So have you. And it would be like a
09:27 nightmare to delay it any more, but I
09:29 was thinking... What, if we lend her the money?
09:31 Yes! Of course we should.
09:33 Are you sure? Because I don't want to do this if you're
09:35 not sure. She's your sister. If it was my sister
09:37 we'd do it. Well, one of them.
09:39 I love you. Thank you. Thank you.
09:41 She's
09:43 going to be so happy. Yeah.
09:45 How's filming? Uh, smashing it.
09:47 [music]
09:49 [humming]
09:53 Oh. Hello, Catherine.
09:57 Everything
09:59 alright? Yes, thank you.
10:01 Hmm.
10:03 I wish I had a photo with
10:07 Alison. Ah, no can
10:09 do, I'm afraid. But, uh,
10:11 I imagine if it were possible, then
10:13 you'd be straight into the Hall of Fame
10:15 with that wonderful smile of
10:17 yours. Now, where is it?
10:19 Where is it? There it is!
10:21 Now, come along. Can't have you
10:23 moping about all day.
10:25 Look, Weymouth.
10:27 Yeah. Yeah, it's got some
10:29 happy memories there, actually.
10:31 You mean the seaside? Hmm. That's Cornwall.
10:33 No, no, no, that's Weymouth.
10:35 No, I recognize the pillbox
10:37 on the rise there, just over his right shoulder. Do you see?
10:39 Yeah, actually went on maneuvers
10:41 the first time I got to fire a Bren gun. Very
10:43 exciting. I did hit a seagull.
10:45 I
10:47 still feel bad about it, actually.
10:49 I mean, it's the silence after the shot.
10:51 One minute they're cawing away
10:53 happily, the next it's just
10:55 feathers.
10:57 Lucy said it was Cornwall.
11:01 Yeah, so
11:03 well, Mike and I have been talking
11:05 about your situation
11:07 with the business, and we were thinking
11:09 we want to help. Oh,
11:11 God, please don't think...
11:13 No, no, no, no, no, no, no, I'm saying
11:15 honestly, honestly, we've
11:17 been saving, and we
11:19 want to invest it in your business.
11:21 It's an investment.
11:23 Because we believe in you, and we
11:25 think it's going to be great. Wow.
11:27 But this is... Are you sure?
11:29 Yes. Yeah, yeah,
11:31 yeah. I mean,
11:33 to be honest, this is actually
11:35 a bit of a dream come true
11:37 for me, because like,
11:39 I've never had a sister, obviously,
11:41 and, you know, I've always been...
11:43 I was always jealous of my friends
11:45 who had siblings. And you know,
11:47 my parents aren't around,
11:49 and so to find
11:51 out I actually have
11:53 some family,
11:55 and the fact that I can help you
11:57 with something is just...
11:59 Honestly, honestly, nothing would make
12:01 me happier.
12:03 Sorry, I was going through a tunnel. Lost you for that last bit.
12:07 Yeah, yeah, yeah.
12:09 No, actually, it doesn't matter.
12:11 We... I want you to have the money.
12:13 Surely that's
12:15 enough, mate!
12:17 Oh, this is so good!
12:19 Damnation!
12:21 I'm free!
12:23 It's a perfect place for your event.
12:27 Whether it's this wedding...
12:29 Whether it's this wedding's corporate...
12:31 Corporate Caucasians
12:33 reverting wedding...
12:35 Oh, let's face it, mate.
12:37 You're just not cut out for this.
12:39 Come on, Mikey boy. It's easy.
12:41 It's just talking.
12:43 I mean, it's my house.
12:45 Look at it.
12:47 What a house.
12:49 I can't believe it's our family home.
12:51 This is Barnhouse.
13:03 I still can't believe
13:05 that this beautiful building with all its history
13:07 is actually our family home.
13:09 If you choose Barnhouse
13:11 for your wedding or celebration
13:13 or any event, we'll make you
13:15 feel like part of the family too.
13:17 We'd love to share it with you.
13:19 That's pretty good.
13:23 Should have been recording.
13:25 Urgh.
13:31 Thanks, Julian.
13:33 I'm over here, but...
13:35 You're welcome.
13:37 Other side, mate.
13:41 She's a liar!
13:43 What? Lucy!
13:45 That photo on your mirror. She said it was taken in Cornwall, didn't she?
13:47 Yes.
13:49 Ha! Well, it wasn't.
13:51 It was Weymouth. The captain knows
13:53 it was because it's where he killed a seagull.
13:55 What are you talking about?
13:57 If she's lying about that, then what else is she lying about?
13:59 She's driving us apart!
14:01 Well, maybe it was a mistake.
14:03 Or, I don't know,
14:05 or the captain got it wrong.
14:07 Kitty, you've got to stop!
14:09 You've been jealous of her from the moment she came along.
14:11 I know, I know that you're finding this difficult,
14:13 Kitty, but she's my sister,
14:15 and that's not going to change.
14:17 It's not her that's driving us apart,
14:19 it's you.
14:21 Humphrey!
14:27 Humphrey!
14:29 Oh!
14:31 Just hide me, please!
14:33 Humphrey!
14:35 Humphrey! Where?
14:37 I don't know. Just improvise.
14:39 Humphrey!
14:41 Oh, come on, Humphrey. We were having fun, weren't we?
14:43 Humphrey!
14:45 Mary!
14:47 You haven't seen
14:49 Humphrey's head by any chance?
14:51 Yes, and, um,
14:53 he'd be in the world of the tiny peoples.
14:55 What?
14:57 Yes, and he's gone to the door shop.
14:59 Well, that is spectacularly helpful. Thank you, Mary.
15:03 Humphrey!
15:09 Humphrey!
15:11 Well, I don't know what that was, but thank you.
15:13 You's welcome.
15:15 No, no, no, take me with you.
15:17 Oh, all right.
15:19 Lift me up!
15:21 Right then.
15:23 There we go.
15:25 There she blows.
15:27 Lovely.
15:31 Right, now, I think...
15:33 Ha!
15:37 What? No, no, no.
15:39 Wait, wait, wait. What's it?
15:41 Oh, oh, no, no, no. Stop!
15:43 Ah!
15:45 What's your problem? That's your finale.
15:47 Come back, come back, come back, come back.
15:49 Well, to cut a long story short,
15:51 apparently Lucy said it was in Cornwall.
15:53 I'm sorry, Fanny.
15:57 I always wondered,
15:59 is it not a frightful coincidence
16:01 that she's always there at the scene of the murder?
16:03 Hmm?
16:05 I mean, have the police not thought to ask themselves
16:07 whether it's more than a coincidence?
16:09 Shh!
16:11 There! I knew she'd get her man.
16:13 Ah, Gels' Pries.
16:15 Now, what were you saying?
16:17 The photograph was in Weymouth,
16:19 whereas Lucy said it was in Cornwall.
16:21 Now, look, it could be a harmless mistake,
16:23 but Kitty rather seems to think it means something.
16:25 Foul play.
16:27 Let me see this photograph.
16:29 Alison?
16:37 I'm sorry about what I said.
16:39 You're right.
16:41 I was just jealous.
16:43 I think it's so wonderful that you're helping her.
16:45 That's what sisters do, isn't it?
16:47 So if I can help you help her,
16:49 I'd love to.
16:51 Thank you, Kitty.
16:53 I knew you'd come round eventually.
16:55 No problem.
16:57 I love Lucy now, and I trust her completely.
16:59 Hmm.
17:05 And you're certain?
17:09 I'm absolutely sure of it.
17:11 It's the pillbox, you see.
17:13 Now, I remember it vividly.
17:15 Well, if you want to convince someone
17:17 you're their sister,
17:19 then a photograph of their father
17:21 is certainly an ingenious way to start.
17:23 But is it possible to fake a photograph?
17:25 Oh, yes.
17:27 You can do anything with Photoshop.
17:29 Yes. Take it to the Photoshop.
17:31 They cut out the negative, and then...
17:33 No, no. It's computer software.
17:35 You can take someone's face,
17:37 for example, the leader of the opposition,
17:39 and put it on the body of, let's say, a donkey.
17:41 Print it up as a Christmas card,
17:43 send it to everyone in the Commons.
17:45 You've got yourself a yuletide jade.
17:47 Great days.
17:49 Let me show you how it works.
17:51 Don't kick me.
17:53 Face front, Mary.
17:55 There we go.
17:57 See?
17:59 Oh, that's like the thumb trick.
18:01 Thumb of what?
18:03 Oh!
18:05 For a moment there, you did a...
18:07 Oh, I see.
18:09 It's just...
18:11 Ah!
18:13 Right, so we know it can be done,
18:15 but where on earth would Lucy have got a photograph
18:17 of Alison's father?
18:19 That's it?
18:21 Keep going. Keep going.
18:23 A little bit more.
18:25 Yes, yes, yes.
18:27 No, no, no, no, no.
18:29 You do watch from start.
18:31 I know, I know, I know, I know.
18:33 Ah! Yes.
18:35 Coming up on History's Greatest Blocks.
18:37 Coming up on History's Greatest Blocks.
18:39 Oh, you all right?
18:43 Just been out chasing a drone.
18:45 Do you mind coming with me
18:47 to meet Lucy?
18:49 She said she needs the transfer today.
18:51 What are you doing, your phone?
18:53 Well, I don't know, it's kind of a big deal.
18:55 I want to toast it with her.
18:57 Yeah. Good idea.
18:59 OK. Rest up.
19:01 Hell, yeah.
19:03 Hell, yeah.
19:05 Ready? I'm ready. I'm ready.
19:07 It's around here.
19:09 There you are. Oh, God.
19:11 Where did you get it? Shh! This is important.
19:13 We think Lucy might be up to no good.
19:15 What?
19:17 Now!
19:19 Ah!
19:21 There.
19:23 Oh, no. It be facing tether away.
19:25 But they have same beard.
19:27 No, where's tether away?
19:29 Not so fast.
19:31 It's all a matter of perspective.
19:33 When one looks at the reflection,
19:35 the face is identical.
19:37 Ah, she flicked it.
19:39 Good Lord.
19:41 So she saw Alison on the television.
19:43 It was inherited through my dad's...
19:45 Learned that she was an orphan
19:47 in possession of an impressive country estate.
19:49 So with no living relatives,
19:51 perhaps it's become a kind of...
19:53 Track down the address.
19:55 Hi.
19:57 I'm Lucy.
19:59 I'm Lucy.
20:01 Hi.
20:03 Ingratiated herself...
20:05 Do you take sugar?
20:07 One, please.
20:09 And used a doctored photograph
20:11 to make Alison believe they were sisters.
20:13 Is this where he was living in Cornwall?
20:15 Yeah.
20:17 Looks like I have a sister.
20:19 Good Lord.
20:21 Oh.
20:23 Which all begs the question,
20:25 what does she want?
20:27 What does she want?
20:29 She wants to find Alison.
20:31 Yes. Come on!
20:33 Wait, wait, don't forget about me.
20:35 Kitty!
20:37 Kitty!
20:39 Where's Alison?
20:41 She and Mike have gone to give Lucy all of their savings.
20:43 Come on!
20:45 (shouting)
20:47 (screaming)
20:49 (screaming)
20:51 (screaming)
20:53 (dramatic music)
20:55 (dramatic music)
20:57 (dramatic music)
20:59 (dramatic music)
21:01 (dramatic music)
21:03 (dramatic music)
21:05 (dramatic music)
21:07 (screaming)
21:09 (screaming)
21:11 (screaming)
21:13 (screaming)
21:15 (screaming)
21:17 (screaming)
21:19 (screaming)
21:21 This is unbelievable.
21:23 You guys are so kind.
21:25 I was literally about to lose Lise.
21:27 Well, what was family for?
21:29 Like it was fate.
21:31 If you hadn't been on TV and I hadn't happened to have seen it,
21:33 then we never would have found each other.
21:35 (laughing)
21:37 Imagine if Dad could see us.
21:39 Imagine if Dad could see us.
21:41 Okay, so, uh,
21:45 account name,
21:47 should I put Lucy,
21:49 or is that not your real name?
21:51 or is that not your real name?
21:53 (chattering)
21:55 (dramatic music)
21:57 (screaming)
21:59 Somebody do something!
22:01 We have to improvise!
22:03 Yes, and?
22:05 Not that kind of improvise, Mary!
22:07 Kick me. What?
22:09 Kick me. Really?
22:11 There comes a time when the greater good--
22:13 (screaming)
22:15 Oh, oh my God.
22:17 Stop! Get back! It's about Lucy!
22:19 (camera shutter)
22:21 (camera shutter)
22:23 Yep, that's pretty clear.
22:25 We've got your bank details, so I'm sure Lise can work it out.
22:27 Why me?
22:31 Don't take it personally.
22:35 (dramatic music)
22:47 (dramatic music)
22:49 What a day.
23:05 Take your time.
23:11 I'm sorry you lost the sister you never had.
23:15 I'm sorry you lost the sister you never had.
23:17 Your sister I never had.
23:19 I want to give you a hug.
23:21 You're not going to like it.
23:23 Oh, who cares?
23:25 (dramatic music)
23:27 (sighing)
23:29 Yes, you're right, that was horrible.
23:31 Welcome home.
23:33 Yes.
23:35 Welcome back.
23:37 Thanks, guys.
23:39 There's been a murder!
23:41 Nobody is to be blamed.
23:43 Nobody is to leave this room.
23:45 Mike, Mike.
23:47 Be butch up.
23:49 Might be an idea to lay off the murder she wrote for a bit.
23:51 Might be an idea to lay off the murder she wrote for a bit.
23:53 Yes, yes, I suppose I should.
23:55 But well done on piecing it all together.
23:57 That was good, wasn't it?
23:59 Truly remarkable, Fanny.
24:01 Dinner is served.
24:07 (cheering)
24:09 I like it, Kitty.
24:11 I can't stop looking at it.
24:13 It's wonderful.
24:15 Nice long finish.
24:19 I'd love that.
24:21 If only we could actually eat.
24:23 Yes, and?
24:27 Mmm, that's lovely.
24:35 You enjoying your steak, Robin?
24:37 You enjoying your steak, Robin?
24:39 Well, no.
24:41 Yes.
24:43 And I very much looking forward to pudding.
24:45 And I very much looking forward to pudding.
24:47 And what are you having for pudding, Robin?
24:49 Yes, and berries.
24:51 Yes, and berries.
24:53 Yes, and cream.
24:55 Creamy berries.
24:57 Lovely.
24:59 Cheers.
25:01 Cheers, everyone.
25:03 Cheers.
25:05 Cheers.
25:07 Cheers.
25:09 What are you drinking?
25:11 A pint of bitter.
25:13 Cheers.
25:15 Nice glass of beer.
25:17 (chatter)
25:19 Stop!
25:29 Stop! Stop!
25:31 Lillian, what did you do?